#Tirrell

[when-art-is-nude-in-colour]

Daniel Tirrell

[furrywrecker911]

Tirrel and the Fall Harvest

Fall comes to a close, and with it, so does harvest season. Be sure to winterize your machines, lest they get restless! Fan art for Tirrel! The dude's got skills, and I will always look up to him, figuratively and literally. "Do not remove the key. Let him HARVEST" -Tirrelous Done in Clip Studio Paint EX Character belongs to Tirrel, as does the Deere logo at the belt buckle area.

Posted using PostyBirb

[longlistshort]

Keith Crowley “Longwood Run (Nocturne)”, 2019, Oil on linen (left) and “Mooring Fields (Twilight)”, 2021 (right)

Kenny Jensen, “I Didn’t Forget You (The Clearing)”, 2023 (left) and “I Didn’t Forget You (Papa’s Van)” 2023 (right)

Alison Tirrell “untitled (It’s all under control)”

Elizabeth Barenis, “The Creek Drank the Cradle”, acrylic on canvas

The Factory is a massive space in the Warehouse Arts District in St. Pete that houses numerous galleries and artist spaces, as well as the Florida Wildlife Corridor Foundation, Museum of Motherhood (MOMMuseum), Fairgrounds St. Pete, and Daddy Kool Records. This past Saturday (10/14/23) was Second Saturday ArtWalk and there was a lot to see. On this page and the ones that follow are some of the highlights.

In Studio B, a temporary gallery space, was the group exhibition Soft Spoken (images above), which included artists Keith Crowley, Kenny Jensen, Alison Tirrell, Elizabeth Barenis, Raheem Fitzgerald, Kate Cummins, and Alfredo Christiano. This show remains on view by appointment with the artists.

In The Factory’s gallery space was the group exhibition Medium (images below).

Oil paintings by Luke Vest

Laurent Waldron "Road Killer", 2023, Latex and acrylic paint, rubber tire and "Last Rodeo" 2023, Acrylic paint, wirebrush frame

At the Florida Wildlife Corridor's gallery space Wild Space is Mickett/Stackhouse Studio's Circle of Water, a collection of paintings, drawings, and video by artists Carol Mickett and Robert Stackhouse continuing their explorations of environmental issues. This exhibition will remain on view until 1/13/24.

(Work by Mickett/Stackhouse Studio- "Mitigation Paintings: Green Shade Oak, Whale Pump, Mangrove Family, Mangrove Sea Wall, Green Swamp, Green Swamp Aqua Feeder, Whale Pump & Plankton, Shade Oak", Watercolor on paper)

About the above by the artists-

Mitigation Paintings further explore the ways in which natural resources can help to remedy and even forestall the damages of climate change. The swamps, whales and trees depicted are all "carbon sink," in other words they absorb CO2, among their other contributions.

Work by Mickett/Stackhouse Studio

At Heiress Gallery is the contemporary ceramics group exhibition Dirt, which includes work from several Tampa Bay artists including Babette Herschberger, Mike Cannata, Molly Duff, and John Byrd. This show is on view until 11/3/23.

Work by Babette Herschberger

Center sculpture Mike Cannata "Environmental Flux 2", 2023, Ceramics, wood, marble, enamel paint, rust; on the right Molly Duff "Lil'Dicki", 2023, Ceramic, yarn, steel

Mike Cannata, "Environmental Flux 3",2023, Ceramic, enamel paint

John Byrd "Memory Jug for Devotion and Dereliction", 2020, Ceramic, wood, mixed media

Two artists with studios in the building were showing work- Kate Cummins and Jason Hackenwerth. Hackenwerth also curated the Studio B show which has a piece by Cummins included.

Work above by Kate Cummins

Two works from Jason Hackenwerth's exhibition "Pilgrimage"

Finally, a recent addition to The Factory’s spaces- The Museum of Motherhood or MoM Museum.

(Work by Amy Wolf outside Museum of Motherhood)

About the museum from their website-

MoM is the first and only exhibition and education center devoted to the art, science, and herstory of women, m/others, and families inclusive of all reproductive identities. We celebrate the work of mothers and counter narratives that have kept women less visible while educating future generations. The Museum of Motherhood is empowering women and mothers to take their rightful place in the museum world.

MoM is a living museum. We grow, evolve, and transform according to YOU – our members, volunteers, and partners. That is why we encourage great conversations, support thought-provoking exhibits, and offer resources for people to engage in activities centered around identity and culture in a safe and inclusive environment. MoM encourages a deeper understanding of the labor and investment made by those birthing and raising the next generation as well as serving to deconstruct dominant stereotypes in order to increase our overall understanding of the family experience. We are awesomely made!

MoM creates, produces, and presents visual, literary, educational, academic, and performing arts exhibits and education that celebrate, nurture and support individuals with a special emphasis on identity, experience, and community. We keep abreast of changing birth technologies and give voice to a mom-made art movement through our actions while focusing on the social, psychological, physical, and economic realities embedded in these experiences. MoM connects students, women, men, m/others and families through reproductive identity, music, art, activism, and education for cultural, economic, and social awareness. MoM acts as a safe space for healing, inspiration, and illumination.

The current featured artist is Amy Wolf, who recently created work for Dunedin Fine Art Center’s 17th Annual Wearable ART runway fashion show.

Work above by Amy Wolf

[neverendingford]

.

[kurobatte]

[dandelionsresilience]

Good News - August 15-21

Like these weekly compilations? Tip me at $kaybarr1735 or check out my new(ly repurposed) Patreon!

1. Smart hives and dancing robot bees could boost sustainable beekeeping

“[Researchers] developed a digital comb—a thin circuit board equipped with various sensors around which bees build their combs. Several of these in each hive can then transmit data to researchers, providing real-time monitoring. [… Digital comb] can [also] be activated to heat up certain parts of a beehive […] to keep the bees warm during the winter[…. N]ot only have [honeybee] colonies reacted positively, but swarm intelligence responds to the temperature changes by reducing the bees' own heat production, helping them save energy.”

2. Babirusa pigs born at London Zoo for first time

“Thanks to their gnarly tusks […] and hairless bodies, the pigs are often called "rat pigs" or "demon pigs” in their native Indonesia[….] “[The piglets] are already looking really strong and have so much energy - scampering around their home and chasing each other - it’s a joy to watch. They’re quite easy to tell apart thanks to their individual hair styles - one has a head of fuzzy red hair, while its sibling has a tuft of dark brown hair.””

3. 6,000 sheep will soon be grazing on 10,000 acres of Texas solar fields

“The animals are more efficient than lawn mowers, since they can get into the nooks and crannies under panel arrays[….] Mowing is also more likely to kick up rocks or other debris, damaging panels that then must be repaired, adding to costs. Agrivoltaics projects involving sheep have been shown to improve the quality of the soil, since their manure is a natural fertilizer. […] Using sheep instead of mowers also cuts down on fossil fuel use, while allowing native plants to mature and bloom.”

4. Florida is building the world's largest environmental restoration project

“Florida is embarking on an ambitious ecological restoration project in the Everglades: building a reservoir large enough to secure the state's water supply. […] As well as protecting the drinking water of South Floridians, the reservoir is also intended to dramatically reduce the algae-causing discharges that have previously shut down beaches and caused mass fish die-offs.”

5. The Right to Repair Movement Continues to Accelerate

“Consumers can now demand that manufacturers repair products [including mobile phones….] The liability period for product defects is extended by 12 months after repair, incentivising repairs over replacements. [… M]anufacturers may need to redesign products for easier disassembly, repair, and durability. This could include adopting modular designs, standardizing parts, and developing diagnostic tools for assessing the health of a particular product. In the long run, this could ultimately bring down both manufacturing and repair costs.”

6. Federal Judge Rules Trans Teen Can Play Soccer Just In Time For Her To Attend First Practice

“Today, standing in front of a courtroom, attorneys for Parker Tirrell and Iris Turmelle, two transgender girls, won an emergency temporary restraining order allowing Tirrell to continue playing soccer with her friends. […] Tirrell joined her soccer team last year and received full support from her teammates, who, according to the filing, are her biggest source of emotional support and acceptance.”

7. Pilot study uses recycled glass to grow plants for salsa ingredients

“"We're trying to reduce landfill waste at the same time as growing edible vegetables," says Andrea Quezada, a chemistry graduate student[….] Early results suggest that the plants grown in recyclable glass have faster growth rates and retain more water compared to those grown in 100% traditional soil. [… T]he pots that included any amount of recyclable glass [also] didn't have any fungal growth.”

8. Feds announce funding push for ropeless fishing gear that spares rare whales

“Federal fishing managers are promoting the use of ropeless gear in the lobster and crab fishing industries because of the plight of North Atlantic right whales. […] Lobster fishing is typically performed with traps on the ocean bottom that are connected to the surface via a vertical line. In ropeless fishing methods, fishermen use systems such an inflatable lift bag that brings the trap to the surface.”

9. Solar farms can benefit nature and boost biodiversity. Here’s how

“[… M]anaging solar farms as wildflower meadows can benefit bumblebee foraging and nesting, while larger solar farms can increase pollinator densities in surrounding landscapes[….] Solar farms have been found to boost the diversity and abundance of certain plants, invertebrates and birds, compared to that on farmland, if solar panels are integrated with vegetation, even in urban areas.”

10. National Wildlife Federation Forms Tribal Advisory Council to Guide Conservation Initiatives, Partnerships

“The council will provide expertise and consultation related to respecting Indigenous Knowledges; wildlife and natural resources; Indian law and policy; Free, Prior and Informed Consent[… as well as] help ensure the Federation’s actions honor and respect the experiences and sovereignty of Indigenous partners.”

August 8-14 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)

[justinspoliticalcorner]

Alyssa Tirrell at MMFA:

Dr. Eithan Haim, a former medical resident at Texas Children's Hospital, was indicted in May for allegedly illegally accessing trans patients’ records, which he subsequently shared with Manhattan Institute senior fellow Chris Rufo.  Right-wing media figures have since defended Haim and brought him in for interviews, often equating the care allegedly provided at Texas Children's Hospital — such as the prescription of "puberty blockers" — with harm or mutilation and alleging that Haim is the target of political persecution.  The campaign has successfully raised both Haim's profile and at least $888,865, which he claims will be used for both his legal defense and “offensive legal action against those who have abused their professional responsibility in service of radical transgender ideology.” 

Haim allegedly illegally accessed trans patients’ records

On February 18, 2022, Texas Attorney General Ken Paxton issued an opinion that qualified youth gender-affirming care as "child abuse", prompting Texas Children's Hospital to announce that it would stop proving such care. Although the opinion was not legally binding, the hospital released a statement announcing that it would stop prescribing gender-affirming hormone therapies. The statement, which also alluded to recent measures that Gov. Greg Abbott had taken against families of children receiving gender-affirming care, added that “this step was taken to safeguard our healthcare professionals and impacted families from potential legal ramifications.” [Office of the Attorney General of Texas, 2/18/22; American Civil Liberties Union, 2/23/22; The Washington Post, 3/8/22]

In late spring 2023, Dr. Eithan Haim allegedly accessed the records of trans patients at Texas Children's Hospital and shared them with Manhattan Institute senior fellow Chris Rufo. Haim, a resident at Baylor College of Medicine who had previously conducted rotations at Texas Children's Hospital, shared redacted files with Rufo that allegedly demonstrated that the hospital was continuing to provide gender-affirming services to minors. [Houston Public Media, 6/10/24; U.S. Attorney's Office, Southern District of Texas, 6/17/24; United States District Court of the Southern District of Texas, 5/29/24]

On June 2, 2023, a Texas bill restricting gender-affirming care for children was signed into law. S.B. 14 prohibited “the provision to certain children of procedures and treatments for gender transitioning, gender reassignment, or gender dysphoria” as well as “the use of public money or public assistance to provide those procedures and treatments.” The law went into effect on September 1 of that year. [Texas legislature, 6/2/23]

[...]

Right-wing media figures platformed Haim in solo interviews, where he defended himself 

Since January 2024, with the revelation of his identity, Eithan Haim has appeared as a guest alongside many prominent right-wing media figures. In these interviews Haim neither claimed to have worked directly with trans patients nor disputed sharing the documents with Chris Rufo. Instead, Haim often alleged that he was being unfairly targeted and defended his case on the grounds that the care allegedly provided at Texas Children's Hospital was harmful to pediatric patients. 

Right-wing media defend Dr. Eithan Haim’s HIPAA-violating ways of illegally accessing trans patients’ records while at Texas Children’s Hospital in which he shared those records with far-right anti-LGBTQ+ agitator Christopher Rufo.

[go-to-the-mirror]

Becoming a Fear Entity Avatar in The Magnus Archives, and Trauma

The characters who become monsters – or avatars – in The Magnus Archives also become something else: traumatised. The Magnus Archives, a horror fiction podcast written by Jonathan “Jonny” Sims tackles nuanced topics such as personality change and addiction due to trauma, as well as the perpetuation of the cycle of violence, through the lens of becoming an avatar.

Personality change is hypothesised to be a symptom of trauma, specifically childhood and complex trauma (Rutkowski et al.) (Taycan and Yildirim). Helen is a formerly human character in The Magnus Archives who gave a statement of her supernatural experience to the Magnus Institute but was taken and transformed into the same monster which took her (Sims, “MAG 47”) (Sims, “MAG 101”). Helen is the character with the most drastic change when she becomes a monster, as even the fact that she was ever Helen is called into question, because of the way the Distortion, the creature that she has turned into, functions. Helen’s transformation into monsterhood is directly paralleled, by the Archivist’s. Both she and the Archivist are afraid or are stated to be afraid of what they are becoming and what them becoming means for their identity.

ARCHIVIST. You’re still wearing her face. HELEN. Not this again. I’m not “wearing” anything, Archivist. I am at least as much ‘Helen Richardson’ as you are the ‘Jonathan Sims’ that first joined this Institute. Things change. People change. It happens. ARCHIVIST. We’re not people, though, are we? Not anymore (Sims, “MAG 131”).

This dialogue is after the Archivist chooses to wake up from a six-month coma by sacrificing his humanity. He is having a difficult time coping with his loss of humanity, as evidenced by this quote. Both Helen and the Archivist use different titles to their actual name, the Distortion instead of Helen and the Archivist instead of Jonathan Sims. The Archivist’s acceptance of his title is directly correlated to his monstrosity, as he begins to call himself “Jonathan Sims, the Archivist” in his introductions to reading statements only after he chooses to become a monster (Sims, “MAG 122”). Additionally, he is called only “the Archivist” in the description of episode 142 – an episode mainly about the Archivist’s growing monstrosity – and throughout season 5, when he is much less human than he was in seasons 1 to 4 (Sims, “MAG 142”). In this quote, the Archivist and Helen use their names as shorthand for their identity, and their identity changing as they became monsters.

DAISY. And of course, for John there’s survivor’s guilt in there too. He thinks he’s not human. Makes him very... self-destructive. MARTIN. Yeah, well, we’ve all had trauma. DAISY. And everyone’s changed (Sims, “MAG 142”).

This dialogue takes place during episode 142, immediately after Martin, a main character and the Archivist’s boyfriend from episode 159 and beyond, takes the statement of one of the Archivist’s victims, a woman named Jess Tirrell who was forced to recount her traumatising supernatural experience to him (Sims, “MAG 142”). The Archivist’s friend and former supernaturally influenced corrupt cop, Daisy, has no idea that the Archivist has been hunting for victims. She is discussing the Archivist’s decision to go to a Norwegian town to stop the potential end of the world due to a ritual planned by a cult based there (Sims, “MAG 142”). Martin is worried about the Archivist and does not understand why he repeatedly puts his life in danger for seemingly no credible reason (Sims, “MAG 142”). Daisy explains that the Archivist is suffering from trauma, survivor’s guilt, and a belief that he is not human, which makes him believe he does not deserve to live (Sims, “MAG 136”) (Sims, “MAG 142”). Due to the context of this episode, Daisy is unknowingly referring to the Archivist’s change into the kind of person who would perpetuate the cycle of violence and harm an innocent bystander at a café. The Archivist’s personality changes due to becoming a fear entity avatar are equated with the personality changes that come from the many traumatising events he has experienced. This is most notable in episode 142, when both Daisy and Martin are commenting on the Archivist’s changes, though Daisy’s perspective is of the Archivist’s guilt and feelings of inhumanity, and Martin’s perspective is of his victimisation of innocent people and repeated, unexplained, self-destructive actions.

            Many avatars go through a similar change to the Archivist, beginning their journey to become a monster due to a traumatic event or events. For example, Daisy Tonner – a corrupt detective who killed many, both monsters and people, while working for the police – experienced a traumatic event when she was eleven years old, when her friend was influenced by the supernatural and attacked her (Sims, “MAG 82”). This directly led her to becoming an avatar, as her former friend was the first human she killed (Sims, “MAG 82”). This parallels the Archivist’s reasons for working at the Magnus Institute. The Archivist had an encounter with a giant spider monster when he was eight years old that ended up eating his childhood bully (Sims, “MAG 81”). Trauma is linked to becoming an avatar, connecting to the hypothesis that victims are likely to become victimisers, also known as the cycle of violence. The Magnus Archives also tackles the abuse of power, and how this relates to the cycle of violence. In season 5, the Archivist gains significantly more power over other avatars, and uses this power to kill the avatars who hurt him in previous seasons. At first, Martin encourages this, seeing the Archivist killing avatars as a righteous quest for vengeance, however in episode 174, the Archivist decides not to kill an avatar, who, notably, had not hurt the Archivist, but had hurt Martin (Sims, “MAG 166”) (Sims, “MAG 174”).

ARCHIVIST. I just— This whole... avenging angel thing, I, I'm not… It doesn't feel right. MARTIN. (With a humourless laugh) It seemed to feel right when we were avenging all the wrongs done against you. ARCHIVIST. I-I know. I, I, I know, alright? But well ah—That's kind of the problem; I-I have all this power, and, and I, I want to use it totry to help, but I — (under breath) I don't know — (normal) I mean, I do. (emotional) I-I've done so much damage, and- and anything that might help to balance that is— (composed) But killing other avatars is, is not— I, I don't think it makes anything better. I think it just makes me worse (Sims, “MAG 174”).

This quote is from a conversation between Martin and the Archivist. Martin asks the Archivist to kill Simon Fairchild, an avatar who threatened to throw Martin off a rollercoaster. The Archivist feels guilty over his role in perpetuating the suffering of billions of people and wants to make it up as best he can, however he recognises that making more people suffer is not fixing the situation. Martin is angry as well, and he too is perpetuating the cycle of violence by encouraging the Archivist to take revenge on both the Archivist’s and his victimisers. The Archivist’s acknowledgement of the fact that killing other avatars is repeated back to him in episode 194, where Martin corelates the Archivist’s satisfaction in seeing his victimisers suffer with the desire that the supernatural entity that made him into an avatar, The Eye, gives him to replace the main antagonist of The Magnus Archives in the Panopticon, which would grant him immeasurable power (Sims, “MAG 194”).

MARTIN. I know what it’s like to be powerless. A-and I know you do too. And I also know what it’s like once you get a taste of— wh-when you’re finally able to— ARCHIVIST. That’s not what this is! MARTIN. I’ve been out there with you. I saw the kick you got out of making them scream for once. ARCHIVIST. (Snarky) What happened to “Kill Bill”? MARTIN. You weren’t meant to enjoy it this much! ARCHIVIST. Why won’t you believe me when I say that this isn’t something I want to do? MARTIN. Because I saw your face when we walked into that room! (Despondent) That wasn’t fear, it, it wasn’t even anger. It was envy. And it scared me more than anything else I’ve seen (Sims, “MAG 194”).

This quote takes place during an argument between the Archivist and Martin. The Archivist believes that right course of action is to take his place in the Panopticon and try to make the world fairer to the billions of people he trapped in eternal torment. Martin believes that this desire is borne out of the Archivist’s self-sacrificial, and oftentimes suicidal, tendencies, in addition to his feeling of empowerment when those who have victimised him suffer at his hand. During season 5, the Archivist perpetuates the cycle of violence, due to desires that originate from trauma, and desires that originate from the supernatural entity influencing his mind. These desires are often equated, and it is unknown where one begins and the other ends. This is especially apparent in episode 174 and 194, where both the Archivist and Martin recognise that his revenge on other avatars and desire to take his place in the Panopticon is borne of a desire not to feel powerless or guilty, emotions often seen in trauma survivors.

            The Magnus Archives is influenced by the writer, Jonny Sims’, personal experiences and fears regarding addiction (@jonnywaistcoat). This is apparent in the Archivist’s hunger for statements and its in-text parallels to addiction (Sims, “MAG 107”). The Archivist experiences both supernatural and mundane addiction, relapsing in his smoking addiction in episode 80, and struggling with his addiction to statements in season 3 and 4 (Sims, “MAG 80”).

GEORGIE. So, what? You were just packing this away? ARCHIVIST. Georgie, I just, I needed to do one more. GEORGIE. I asked you not to record them here. ARCHIVIST. I’m sorry, I… I honestly forgot. It’s been a hell of a week (Sims, “MAG 93”).

This quote is from episode 93, where the Archivist and his friend, Georgie, have a confrontation regarding the Archivist’s self-destructive habits and recording statements in Georgie’s home when she asked him not to. Their conversation has parallels to a conversation regarding addiction, with the Archivist stating he “needed” to read one more statement. Self-destructive behaviours, such as risk-taking and substance abuse, are common in trauma survivors and are symptoms of PTSD. Here, the Archivist’s compulsion to record statements is directly related to the traumatising events of the past week and are implicitly connected to addiction. This becomes more explicit in season 4, particularly in episode 147.

So, I thought perhaps I should leave a little something to reassure you that, yes, your actions and your choices have all been your own. Have they been controlled? No more than gravity controls you when you walk, or hunger controls you when you choose your meal. There are certainly new forces, new instincts and desires that influence you and shape your actions. Perhaps you’re unprepared for them, but if you choose to believe in free will, then yes, all you have done has been of your own free will. They have all been your choices (Sims, “MAG 147”).

This quote is from Annabelle Cane, an avatar, in a statement, regarding the Archivist taking statements from innocent bystanders. In this quote, she compares the Archivist’s dependency on statements to a hunger, however it can and has been compared to an addiction due to the Archivist’s compulsion to take statements, and how it feels like it’s out of his control. In her statement, Annabelle states that “addiction is one of the strongest vectors of control there is” (Sims, “MAG 147”). A common stigma around addiction is that it is a choice or a moral failing, and a common result of that stigma is hiding one’s addiction and being afraid to get help (Canada). This is what the Archivist experiences throughout season 4, as he is repeatedly blamed for his choice made under duress to become an avatar, and once his addiction to statements is found out, he blamed and threatened for that as well. The Archivist’s addiction to statements is paralleled to real life ones, in how it affects the Archivist, how the Archivist and those around him view it and how it affects his morality, and its formation because of an experience that can be equated to a traumatic one.

            The Magnus Archives uses the process of becoming an avatar as an allegory for trauma and its effects. It highlights this in many ways, such as personality change because of trauma being compared to the loss of humanity that comes with being a fear entity avatar; the Archivist’s revenge on avatars who hurt him in the past as a way he perpetuates the cycle of violence; and the comparisons between mundane and supernatural addictions, both in how they directly affect the Archivist and his actions, and in how the stigma around it causes him to hide it.

Works Cited

Canada. Health Canada. “Stigma around drug use.” Canada, 2 May 2023, canada.ca/en/health-canada/services/opioids/stigma.html. Accessed 19 June 2023.

@jonnywaistcoat. “Just to say, this episode of Magnus is a lot, so please read the content warnings. A few people have asked, so I'll say that this episode mainly comes from my own experiences with addiction and the fears I associate with it and, like all of season 5, it is about fear, not truth.” Twitter, 18 June 2020, 12:38 p.m., twitter.com/jonnywaistcoat/status/1273656411025784832. Internet Archive, 7 November 2020, web.archive.org/web/20201107031909/https://twitter.com/jonnywaistcoat/status/1273656411025784832. Accessed 19 June 2023.

Rutkowski, Krzysztof, et al. "Effect of trauma onset on personality traits of politically persecuted victims." BMC Psychiatry, vol. 16, no. 149, 17 May 2016. Gale OneFile: Psychology, link.gale.com/apps/doc/A452641704/PPPC?u=ko_k12hs_d73&sid=bookmark-PPPC&xid=a8229ab3. Accessed 13 June 2023.

Sims, Jonathan. “MAG 47 – The New Door.” The Magnus Archives, Episode 47, Rusty Quill, 12 January 2017, play.acast.com/s/themagnusarchives/mag-47-the-new-door. Accessed 13 June 2023.

Sims, Jonathan. “MAG 80 – The Librarian.” The Magnus Archives, Episode 80, Rusty Quill, 31 August 2017, play.acast.com/s/themagnusarchives/mag80-thelibrarian. Accessed 19 June 2023.

Sims, Jonathan. “MAG 81 – A Guest for Mr. Spider.” The Magnus Archives, Episode 81, Rusty Quill, 23 November 2017, play.acast.com/s/themagnusarchives/mag81-aguestformr.spider. Accessed 19 June 2023.

Sims, Jonathan. “MAG 82 – The Eyewitnesses.” The Magnus Archives, Episode 82, Rusty Quill, 30 November 2017, play.acast.com/s/themagnusarchives/mag82-theeyewitnesses. Accessed 19 June 2023.

Sims, Jonathan. “MAG 101 – Another Twist.” The Magnus Archives, Episode 101, Rusty Quill, 17 May 2018, play.acast.com/s/themagnusarchives/mag101-anothertwist. Accessed 13 June 2023.

Sims, Jonathan. “MAG 107 – Third Degree.” The Magnus Archives, Episode 107, Rusty Quill, 28 June 2018, play.acast.com/s/themagnusarchives/mag107-thirddegree. Accessed 19 June 2023.

Sims, Jonathan. “MAG 122 – Zombie.” The Magnus Archives, Episode 122, Rusty Quill, 17 January 2019, play.acast.com/s/themagnusarchives/mag122-zombie. Accessed 14 June 2023.

Sims, Jonathan. “MAG 131 – Flesh.” The Magnus Archives, Episode 131, Rusty Quill, 21 March 2019, play.acast.com/s/themagnusarchives/mag131-flesh. Accessed 14 June 2023.

Sims, Jonathan. “MAG 136 – The Puppeteer.” The Magnus Archives, Episode 136, Rusty Quill, 25 April 2019, play.acast.com/s/themagnusarchives/mag136thepuppetter. Accessed 15 June 2023.

[ms-cellanies]

This sounds like the Johnson "Super Christians" didn't do a very good job of raising Michael Tirrell James. James has faced several charges including DRUGS, SHOP LIFTING & CARRYING A CONCEALED WEAPON.

[angelt626]

Uhhh….hi?

So it’s been….MANY many moons since I was last on this account. I’ve quite frankly lost track as to how long it’s been, but I’m still alive and kicking, heh. Very thankfully so. (If I’m being honest, I straight up forgot my password and was logged into an RP account that I have for Bobbi Morse/Mockingbird and just remembered this account. How mortifying.) Anyhow! Moving on!

I’m hoping y’all can help me, if at all possible. I lost my job for the company I was working for back earlier this year, and I’m legitimately struggling financially. I’ve been doing DoorDash and looking for a job, but the job market is…not great and DoorDash isn’t something that’s fully reliable. There’s also the fact that if I can’t pay for my car insurance (which is $650 and overdue), its going to be cancelled and I’ll be completely screwed because one shouldn’t drive without insurance. *sighs*

That said, I’m posting a link to my GoFundMe that I’ve made; whether it’s a share of the link OR a donation, any and all help is appreciated.

beyond that? IF you know of any places that are hiring OR if you’re looking for someone to be your virtual assistant, DM me and I’ll get back to you. Since I can’t hug any of you in person, this GIF shall have to do.

[justinssportscorner]

Alyssa Tirrell at MMFA:

In late December, USA Boxing released a new set of guidelines for the inclusion of trans competitors, and right-wing media responded by criticizing the regulations, relying on anti-trans tropes and misinformation in their coverage. GOP members of Congress have since introduced twin legislation that promises to ban all trans competitors from the Olympic and amateur levels in any sport, citing the new regulations as a motivating concern and repeating the anti-trans framing popularized by right-wing media's backlash.  

While the USA Boxing guidelines are a departure from a trend of sports organizations banning trans participation, the requirements are considered stringent. Athletes under the age of 18 must compete “as their birth gender,” and adult competitors are required to obtain genital surgery and regular hormone testing, both in the four years preceding competition and throughout any competitive period. Nevertheless, right-wing media are attacking the rules, which USA Boxing says build on the consensus of several medical groups and international athletic federations.  On January 3, Fox News' America's Newsroom co-host Dana Perino referred to the eligibility requirements for trans female boxers as “nonsense.” Hosts and guests repeatedly referred to trans women as “men” or “guys,” and co-host Bill Hemmer quoted former NCAA swimmer Riley Gaines' claim that “it will take a woman getting killed before these misogynistic fools wake up.”   Fox’s Outnumbered also said a woman could die because of the new rules, arguing that the regulations would lead to “one-punch killings.” Co-host Harris Faulkner cited Gaines' campaign against the inclusion of trans swimmers, misgendering Gaines' former competitor Lia Thomas in the process and expanding the panel's criticism to trans inclusion in noncontact athletic competitions as well. 

Despite such concerns over safety, coverage disregarded USA Boxing's medical citations, which include the recommendations of Boston Children’s Hospital Sports Medicine and Harvard Medical School Teaching Hospital. Instead, for instance, The Ingraham Angle platformed the perspective of UFC fighter Colby Covington, who argued that “it doesn't matter what their hormone levels or pronouns are,” because “when they dig up their bones in 200 years, their bones won't leave pronouns.” (Actually, archeologists are capable of imputing that a skeleton may have belonged to a transgender person after more than 200 years.) [...] USA Boxing responded to backlash by restating that it is in compliance with federal law. The following day, U.S. Rep. Greg Steube (R-FL) and Sen. Tommy Tuberville (R-AL) introduced twin legislation in both the House and the Senate that would “prohibit any governing body recognized by the U.S. Olympic Committee (USOC) from allowing men to participate in any athletic event intended for females.” 

A joint press release cited the USA Boxing guidelines and repeated right-wing media's anti-trans framing. Tuberville's statement claimed that “men should not be competing in women’s sports at any level—and especially not in a sport like boxing. Whether in little league or the Olympics, it’s unsafe, it’s unfair, and it’s just plain wrong. This bill will ensure that the Olympics are fair to American women who train their whole lives to represent our country on the world stage.”   The press release also cited the support of a number of anti-trans organizations, including the Alliance Defending Freedom, the Independent Women's Forum, and the Independent Council on Women’s Sports and quoted several anti-trans figures, including American Principles Project President Terry Schilling and — yet again — Riley Gaines. 

Right-wing media pundits, led by anti-trans grifter Riley Gaines, is leading the backlash against USA Boxing's trans-inclusive policy.

[mybeingthere]

Sue Tirrell was born and raised in Red Lodge, Montana; a small ranching and tourist community on the doorstep of Yellowstone National Park. She received an AA from Cottey College in Nevada, MO in 1995 and a BFA from the New York State College of Ceramics at Alfred University in 1997.

“I came to clay as a college freshman, intent on studying graphic design and was won over by the prospect of combining illustration with three-dimensional objects. My pots employ mythic animal imagery, crisp design and riotous color to bring playfulness, character and storytelling to daily kitchen ritual and special occasions.” Sue Tirrell

[cmesinic]

It sux to be in Texass!

[lilypoppy28]

Station 19  Wrap Party (April 16, 2023)

Jay Hayden

Credit: Rob Tirrell from Instagram

[darkeagleruins]

House Speaker Mike Johnson's 'adopted' 40-year-old son Michael Tirrell James was arrested in Los Angeles for running an illegal cannabis business and possession of brass knuckles—his rap sheet goes back to 2003.

I am tracking down additional details on just why a senior member of the Republican Party had to meet with the son after Los Angeles authorities alerted Speaker Johnson following the arrest.

[appledectomy]

Deer In City Skylights

What's that in the sky, its a Bird, it's a plane, it's... a giant deer! Lovely shot of Tirrelous of Twitter, and I during the MFF 2022 Macro Meet, with my lil Willis Tower Water bottle

Posted using PostyBirb