Timothy Horn
Villa Medusa, 2006
Exhibition of 3 large chandelier-like structures, based on 19th-century engraved images by German zoologist Ernst Haeckel, made of transparent silicone rubber. Hosfelt Gallery, New York, November 2006
The 3 works are based on the 19th-Century German zoologist Ernst Haeckel's engravings of medusae (the Greek word for jellyfish). As images themselves, they're strongly suggestive of some sort of organic chandeliers or lighting . Of great inspiration were Leopold and Rudolph Blaschka exquisitely wrought, tiny glass marine specimens, which include jellyfish, within the collection of the Harvard Natural History Museum.
Using a scaled up 2-D pattern, I made the initial forms in clay, from which I made 2-part plaster molds, then cast each form in polyurethane rubber. There are about 800 pieces of individual pieces of rubber in total, stitched together with monofilament. The rubber forms are suspended by an armature made of copper tubing. The works radiates light by internal lighting fixtures.
All 3 works took about a year and a half to make. I made most of the forms and molds whilst on a 7-month residency at the Fine Arts Work Center in Provincetown, on the tip of Cape Cod, Massachusetts. During that winter I read Herman Melville's Moby Dick, which at times seemed as interminable as a New England winter. Especially the 10-page comparison of the "whiteness of the whale"... Somehow, engaged in the construction of my own behemoth, and the not so thin veiling of homoerotic longing, helped keep me aboard the Pequod.
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More than once lately, I have seen a painting of a green area... with a white object on it... and the shaded side of the white thing is orange... and it works, and reads correctly... and I cannot for the life of me figure out how that happens.
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Jack, sighing in relief: It’s over. We won. We’re free.
Rachel: Um.
Jonah: *points behind Jack where the Gray Ladies, Horned Head and the Men of the Rock are standing*
Jack: No, I’m not turning around. I said it’s over, so it’s over.
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Star Wars Customizable Card Game promotional and play cards. “Reflections II: Expanding the Galaxy.” January, 2001.
Decipher’s Reflections II: Expanding the Galaxy series brought a handful of Expanded Universe characters to life including Mara Jade, Grand Admiral Thrawn, Talon Karrde, Corran Horn, Mirax Terrik, Dash Rendar, Prince Xizor, and Guri. Decipher also created an exclusive 5”x7” Promotional Oversized “Signature” Card depicting Mara, Talon Karrde, and Corran Horn for the summer ‘01 convention circuit. Model Shannon (Baksa) McRandle portrayed Mara Jade, while Timothy Zahn was made up to depict Talon Karrde, and Michael Stackpole was costumed to resemble Corran Horn. Stackpole had these memories to share on his blog:
The stuff done in a photostudio is really magic. At first glance, the guys they got for Corran and Karrde were right, in general. Good on the overall dimensions, hair color, eye color, etc., but they were just guys off the street. Then the hair and makeup folks went to work. Karrde got a wig and a full makeup job, which sharpened his features and totally changed him. By the end of the process - during which Tim's camera was clicking almost incessantly - I was believing the guy was Talon Karrde.
Once Karrde was made up and costumed, he was taken onto the photostage and lit. That's a fascinating process. If they put a yellow filter on a light, the light is considered "hot." A blue filter makes it "cold." The art director, photographer and photographer's assistant all discussed and debated, pulling lights this way and that, setting them up at angles, getting the model to look here or there. Then they took test Polaroid shots and digital shots and finally agreed that things were right. It was almost anticlimactic when the shooting got done, but the results were great. Talon Karrde lived.
Shannon Baksa actually did Corran's makeup, then he got lit and shot. One of my concerns had been that the model was a bit older than Corran would have been at that point, but the makeup and lighting slashed 15 years off him. And the models, they put up with a lot. At one point, while folks were off debating how Corran should be lit, the guy who had done Karrde's makeup commented that Corran was just sitting there rock-still. Corran said, "I'd move, but I'm afraid they'd have to re-light me."
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Episode 557: Unannounced visitors
Act One consists of recovering vampire Barnabas and mad scientist Julia standing around Barnabas’ front parlor recapping various ongoing storylines.
Danny Horn devotes his post about this episode to a detailed analysis of this scene. He shows that Jonathan Frid’s performance and Grayson Hall’s are open to many objections. They fall short in such technical categories as “knowing their lines” and…
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trying not to be internally pissed off about work 😁
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Kaleb Horn
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It really was! Even the producer was racist 🗑️ in saying that “Idris is too street to play Bond”. I decided after that, screw this! I’d never see a bind film again
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Bolan's Shoes (2023)
Bolan's Shoes (2023)
#IanPulestonDavies #TimothySpall #LeanneBest #MarkLewisJones #MathewHorne #HolliDempsey
Mehr auf:
Jahr: 2023 (September)
Genre: Drama
Regie: Ian Puleston-Davies
Hauptrollen: Timothy Spall, Leanne Best, Mark Lewis Jones, Mathew Horne, Holli Dempsey, Louis Emerick, Ruby Snape, Andrew Lancel, Terri Dwyer, Sion Tudor Owen, Dyfan Dwyfor …
Filmbeschreibung: “Bolan’s Shoes” führt uns auf eine turbulente Reise von der Hochphase der T. Rex-Manie in Liverpool in den 1970er Jahren bis zur heutigen…
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Bolan's Shoes (2023) Poster and Trailer
Buffalo Dragon, in association with Munro Film, are thrilled to announce new star-studded, multi-award winning feature film Bolan’s Shoes will be coming to UK & Irish cinemas from 15th September. The film won the “Audience Award” at Manchester Film Festival 2023, as well as “Best Drama Feature”, “Best Editing” at Jasper Poppy International Film Festival.
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Thinking Aloud About Film: Overview of Il Cinema Ritrovato 2023
I was unable to attend this year’s Ritrovato; a pity as the programming is often a preview of films that subsequently screen elsewhere and inevitably become highlights of the year. Luckily, Richard was there to report on what he saw he saw.
In the podcast, we discuss the following sections of the festival:The Time Machine: 1923, where films from a century ago get highlighted; The Space Machine…
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Ellie: Jack? I thought Horned Head killed you?
Jack: Yeah, but I’m okay now.
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I can't stop staring at Feyd-Rautha's walk here and what it implies about his fight with Paul now that I'm able to stop just comparing it to Timothy's killer body work matching it (or vice versa).
Villeneuve takes the book canon, that the Harkonnens took the Atredies's morbid heirlooms of an oil painting of grandfather's death and the bull's head with his blood still dried on his horns to hang above the arena as trophies to the next level: making Feyd-Rautha the victorious young matador with the guards dressed as bull-minotaurs, circling to play banderillos and sink banderillas into the backs of the Atredies bull if it gets too close before the final faena has Feyd-Rautha pulling his opponent past him in the close, intimate passes that show off his athleticism and skill before his false blade is exchanged for the one that will be used for the killing blow and oh my god there are whole schools of thought on coming forward to meet your opponent vs waiting for them and killing with a single blow to the heart and honoring the fight and if anyone who knows how to make gifsets wants make one about this to I'd LOVE to rant more about the breakdown of these two fights and how Feyd is 1001% Matador Machismo but my point to all of this is:
Look at that Sand.
Look at his feet dig deep and kick it up as he strides out into the heart of that arena. Is it a rhythmic walk? Oh yes. Confident. Powerful. In the book this will be his 100th arena kill as he comes of age. This is his natural habitat. Where he learned his skills, for us to parallel with what we saw for Paul in Part 1.
This matters, because it's one of the main premises for why the Fremen are so Good At Fighting. When everyone is trained to fight with shields (stun then slow) and bulky armor, and on flat, solid ground with lots of cover, it's easy to be fast and silent and terrifyingly effective against them. Gurney Halleck is shown to be one of the best fighters in the franchise and the film makes a point of showing how his (recognizable) footsteps are not suited to move quickly, lightly, and with stability on sand like they are on solid ground.
Only... Bullfighting rings aren't sandy. They're fairly hardpacked. Earth for the bull and Matador to maneuver in quickly. There is a layer of albero traditionally layered on top, a chunky yellow clay dirt that serves aesthetics but also absorbs blood quickly. The idea the sand may not be white because... With Giedi Prime who knows?! Is Fantastic.
Paul Muad'Dib became the only Atredies to be recognized as Fremen, to see his father's dream of Desert Power recognized, to fight as Fedaykin, to be recognized as the Mahdi, the One Who Points The Way, and it is made clear to us from the opening words of a Child's History of Muad'Dib that Arrakis was his Home, and yet every major one-on-one duel he had from Jamis to Feyd-Rautha was on solid ground, giving him an advantage that made him respected as a fighter among the Fedaykin right away as part of his training.
Feyd-Rautha was the one Harkonnen who may have learned combat primarily or even exclusively with sand beneath his feet, and he died on Arrakis on the polished stone floors of a palatial residence, still trying to play by Matador rules.
thank u for coming to my Ted Talk
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Episode 544: An incomplete man
Mad scientist Julia Hoffman and suave warlock Nicholas Blair each want to find Frankenstein’s monster Adam before the other does. Julia is sure that occult expert Timothy Eliot Stokes knows where Adam is; while he sits at a chessboard and plays both sides of a game, she asks Stokes to tell her. He says he wants answers to some questions of his own, but the audience knows that the information he…
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girls when they relisten to a single podcast so many times over the course of a year (<- not exaggerating, they listen to this podcast every day for a year) to the point that they can recognize tiny thumps and noises in the background that no one else notices
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DPXDC prompt. Nocturne.
When the Justice League is faced with the need to summon one of the Ancients, Batman categorically refuses to perform the summoning ritual and takes out his phone with a dissatisfied look.
When a shadow with a pattern of stars, crowned with elegant horns, appears next to the vigilante, Tim realizes everything and gasps with indignation. Nocturn. That's why such a paranoid man like Bruce didn't resist a cooperation agreement with Infinite Realms.
Of all the mentors of the new King of all dead ones, in addition to Frostbite, who has invaluable medical knowledge that can be useful to Jason, the Ancient of dreams and nightmares has been considered one of the most welcome guests in Bruce Wayne's manor for several weeks now. And it's all because he is the only one able to knock out Red Robin and make him sleep for more than three hours in a row. It's just that none of the children were allowed to know about it.
Batman looks away, not wanting to meet Timothy's gaze. Someone would consider using a helping hand from a being who commands the very essence of dreams a dirty and excessive trick, but this someone is not Bruce Wayne who in the analysis of caffeine taken from Drake's vein from time to time hardly found blood.
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