#Those are both just just just in case

[iandoubt]

my mildly unintelligible incoherent rambling headcannons on the life series but primarily wild life and I had more to say but I had to cut it down lol and I’m mainly posting this for personal reference: (be wary, it is a long post)

Wild life is so fascinating from a lore perspective like in the past it was everyone against everyone else, friendly survival but things were just a little bit off, a little bit desperate, felt a little bit out of control, like maybe something bigger was at work here, but you could look the threat in the eyes and kill it and go home…until you couldn’t. As the strings being pulled turned from invisible twine to neon shoelaces and the hand in the shadows was suddenly the title character and every thing seemed to connect, seemed to end. But it didn’t. The watchers were the center the thumbnail the logo the everything mercilessly piloting the story towards the conclusion they desired, and then it was done, the loop back to the very beginning was made, it was finished. But then it wasn’t. What Real Life and Wild Life have in common is this sort of sense of storytelling absurdity, everything is cut short and brief and it’s silly and horrifying and painful (just to intulude here, I am still discussing everything purely lore wise. The only pain I experienced watching either of those things was sadness when they ended) and suffering doesn’t seem to have a meaning a purpose a quiet dignity anymore it’s April fools and everyone is throwing up and dead their bodies won’t listen won’t function can’t fight cant run but it’s a joke haha there’s no story no rhyme or reason it’s just torture and now the ultimate of random purposeless suffering wild cards they can’t kill each other can’t fight each other because every moment is a struggle to survive as the world itself has turned against them as their bodies betray them as they die in humiliating horrifying ways the very fiber of their being the very core of their world something is terribly terribly wrong it is like the order and rules that bound the life series have broken and the chaos of the void is pouring through drowning the code of the world as the players are ripped to shreds by the avalanche, watching their bodies crumble. It’s like the watchers finished telling their story of perfect and purposeful suffering and then pulled the string holding the knot together. It’s like the life series is a pane of glass that they polished to perfection, punched, and walked away, leaving the shards to slowly shatter as the beauty and horror and chaos and glory that makes up the world spews forth to tear it’s broken remains apart. There will still be the games, but now there is nothing pulling the strings, nothing holding it together. Suffering no longer has a meaning, a purpose, a goal, it is simply suffering. How terrifying must that be to have everything that you are shattering, pieces of you like broken glass strewn about as the void bursts forth to consume the ruins and the wreckage of the world.

We know that life series players are alternate versions of themselves, because while Hermitcraft scar is happily building his zoo in season ten, secret life scar is still out there wandering among the sunflowers. I don’t remember if real life Cleo lived or not, and we don’t know if this season’s winner will live on, but let’s pretend for the sake of this ramble being almost somewhat coherent that both cleo and the new winner live. What happens to the new winner (I’ll get to what happens to Cleo later)? The world is breaking, coming apart at the seams. Each new day brings a fresh horror from the void to try to wipe them out. And what about memories? This is where this strays firmly into headcannon territory, but my personal way of imagining it starts at a fairly ubiquitous jumping off point, the idea that lifers during the games do not have access to their memories, but going upon the alternate versions thing they do not remember the games at all. There is the original player, journeying through smps and servers, and then there is a version of them for each separate life series, shadow copies that they are completely unaware of and unconnected to created by the watchers to play puppets with in their perfect dark fairytale. Each life series is a new copy, because every game the copies all died. Up until secret life. They had had their fun, there was no reason for them to kill off the last one, scar, the winner left alive and alone. The og scar and the secret life scar are not aware of each other because og has no idea about the copy and copy wrongly assumes he is the real scar. He regained all the memories from before of Hermitcraft when he won and the watchers broke the game but the way he understands it is, because again the other life series were other versions of scar, he was on Hermitcraft uninterrupted up until suddenly they were all abducted into this game called secret life and they all were driven insane and killed each other and now he is alone. He can’t leave because the copies are bound to their worlds and doesn’t try to leave because as far as he knows there is no where for him to go. Crucially, again, secret life scar and Hermitcraft scar are two entirely different people.

So let’s imagine for this new winner, living in this horrifying shattered world, there are no more watchers to police memories. The copies are still made, the code is still there, the games carry on, becoming more garbled and twisted with each broken game, so that the copies don’t come out quite right, which explains the movement issues and nausea in real life and the way the wild cards go to the very data of the player and twist it in wild life. So this broken copy wins, and suddenly remembers, just as secret life scar did, all that came before, but the game is even more broken so they remember so much more than that. They see all the lives, every version of themselves. They see themselves after, the version that was never in the games, with their friends, living on. The versions of the friends they know are dead, but alternate, happier, more carefree versions live on with an alternate, happier, more carefree version of themselves. Their friends don’t miss them, don’t know they are gone, because they aren’t. They are alone and trapped on a world doomed to slowly fracture into oblivion. Everything is broken. But they refuse this, perhaps. They rebel. There is nothing tying the world together? Then they will escape through the cracks. They will find this world with the other copies. Real life Cleo, who remembers enough to know that they are are a copy, but the game hasn’t fully broken by real life so she is unaware there were other games. Also I’m realizing now that I haven’t really talked a lot about Cleo but tbh that’s mostly because their character strikes me as someone who is unshakable, pragmatic (this is why I think she and Scott got along so well, they both go at the games with eyes on the prize) who would of course be upset but also be rational, and simply try to make the best out of their life) secret life scar, who still believes that he is the only version of scar out there and that he murdered all of his friends. Both stuck on these worlds alone, but this new winner will break through the walls on these servers, and say come on, we’re here, we’re our own gosh dang people, so let’s go take back our lives. Idk where this goes from there but I headcannon that every real life version of all the players had mobility issues, hence the movement problems, but Cleo is the only real life player left so she’s the only one still experiencing these problems. I also headcannon that the new winner has, well, I haven’t actually figured out the specifics but some sort of residual issues relating to the wild cards and broken code.

this headcannon also introduces some interesting lore ties for Grian, and tbh I haven’t thought to much about how the watcher lore would work in this, well ig this is an au at this point, but if you think about his panic at the end of the most recent session, and that he was able to freeze time, it could be a sort of thing like he is unintentionally the one causing the games to continue being a watcher, but in the past he had no control but now he’s been handed the reins with no instructions and has no idea what to do. All the power and no clue how to use it. This also could lead to some interesting things about watching, because maybe in the past he could watch, could see that they were copies, and played accordingly. He knew the other versions would live on so he resigned himself to a certain extent to death, but now there is no path no clear cut story no string to follow through the dark he can’t see beyond the games and he’s terrified.

anyway that’s like kinda my headcannons idk if anyone will actually read this far but if you did thanks. Also I really wanna write/draw something for this, maybe turn it into a proper au, so if u person who is still reading would like to join me on that endeavor I would love to work with u.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[lonesomenecromancer]

more isat drawings yay

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[th3e-m4ng0]

blub blub

their actual colors

[l0v3lylune]

wild life session 4 is so funny because grian and scar’s dynamic has just turned into divorced murder husbands who used to plot murders together but now plot murders AGAINST each other i love it so much

[turbo-tsundere]

Kokichisake-onna

*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”

Also here’s a random selection of derpy concept doodles for this comic :)

Thank you byeeeeee

[nidbaesenpai]

Viet blasts Loop as well ✨✨✨

[nabaath-areng]

I have this one "OC" that does not yet have a name that I've drawn several times for a couple years. I was thinking that if I tried making them in FFXIV that I'd use elezen as a base... but then I remembered what other race have their near exact hairstyle... and now I'm like damn... I played myself...

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[turtleblogatlast]

Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.

[canisalbus]

So i remember an ask mentioning your mortal enemy, Felis Atra and their cats, and i thought it'd be fun to draw what Felis Atra's version of your italian dogs would be.

I think they would be called Butter Knife and Flamengo! Butter Knife is not his real name, it's an nickname given by his peers because of how harmless he is. I choose Flamengo because that's the name of Vasco's rival football team here in Brazil, so i thought that was the perfect name :)

Cat Machete was slightly inspired by the Oriental Shorthair cat because of their long noses and thin head shape.

Cat Vasco was inspired by the Scottish Fold cat, because FLOPPY EARS. I gave Flamengo longer ears and orange fur to make him more like his look-alike.

The last doodle is a reference to this ask (https://canisalbus.tumblr.com/post/728923918314946560/me-i-am-machete-ear-fan-number-1-those-ears) and contains the tumblr ask stand-in dog, whose cat version was inspired by the American Curl cat! They have round ears that are slightly floppy outwards.

Final notes: I know cardinal clothes don't come in vibrant blue, but i was ADAMANT on switching Machete's and Vasco's clothing color patterns. I would draw the rest of Butter Knife's and Flamengo's clothes, but i suck at designing cool outfits.

Speaking of outfits, for Machete's iconic void outfit, i figured it would be fun to make it more baggy for Butter Knife, in contrast to Machete's, that looks very tight-fitted. I think it's cute, it kinda looks like a sweater. Also i can't imagine a Machete doppelganger without high heels boots, so those HAD to stay.

Oh, and just to be clear, i'm not like, claiming ownership of these guys or anything. I just thought it would be a fun exercise. Hope you like them!! I love your art and your characters.

.

[nite-puff]

this was what their dr:s interaction was originally gonna be. trust me. i’m mr. danganronpa

(no cuz seriously. how are you gonna have them interact and then forget that hiroko canonically has a bit of a thing for takaaki?) (i say this like the dr:s writers even knew who the other captives were)

[brown-little-robin]

PARALLEL!! In S1E8 of mp100, Reigen reveals the delightfully baffling ethic he works by. When a woman tells him that a fortuneteller told her that there was a spirit on her shoulders, Reigen instantly disapproves of someone telling her that and doing nothing about it. And of course he considers himself so much better than this fortuneteller for... also lying to the woman, but giving her a massage. So he's allowed to lie to people, but he draws the line at not helping them. That... that's perfect. That's what he does with Mob, after all. He lies to Mob constantly about being a psychic, but he considers it fine because he's helping Mob by doing so. The woman had real pain in her shoulders; Mob has real pain in his heart. Reigen helps with both by allowing them to think he's a psychic.

Shortly after that, in S1E10, Dimple makes this remark while possessing a security guard:

IT'S THE EXACT SAME ETHICS. (okay, it's slightly worse because it's just harm reduction rather than actively helping, but Dimple is on the right track, okay?) Dimple's allowed to possess people, to steal their bodies (temporarily), but he's not allowed to let them get hurt. Letting the body he possesses be damaged is a step too far. Reigen's allowed to lie, but heaven help people who lie to others without helping them.

Just. Yeah. Dimple and Reigen both use people. Reigen lies to them, Dimple possesses them. Reigen twists the mind, Dimple twists the body. And yet they're both disgusted and offended by people who would use people without care for their welfare. They're better than that. They're not irresponsible.

edit: alt text for images 1 and 2 provided by @princess-of-purple-prose! thanks!