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itsclydebitches · 4 years

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RWBY Recaps: Volume 8 “Ultimatum”

Welcome back, everyone! We had an unexpected break last week due to the horror going on in Texas. I'm glad we did. Not because of any salty "RWBY is bad right now yay free Saturday" feelings, but because keeping to a schedule for a fictional webseries should never take precedence over peoples' safety. I can't believe I need to type that sentence out, but it's true! Over the last seven days I've seen fans who are not merely disappointed by the mini hiatus (understandable) but outright hostile towards the crew because they... were ensuring everyone survived during an unprecedented emergency? Yeah. Given the highly critical nature of these recaps — including today's! — I want to be clear that my thoughts towards Rooster Teeth's creative choices are distinct from any thoughts about the crew itself, including the most basic forms of compassion like, “I sure hope everyone is okay over there.” In an age where it has become horrifically common to harass creators and even send them death threats over stories, it has likewise become necessary to remind people: Don't do that shit. Never do that shit. If I can teach anyone anything at all, let it be that!

Anyway, dark fandom reminders out of the way, let's dive straight into our delayed episode. It was certainly a doozy. Titled "Ultimatum," we open on a trigger warning for flashing lights. Good on Rooster Teeth for including that, though I do wonder if creators shouldn't be including time stamps as well? Or perhaps a note that you can find those time stamps in the credits, avoiding any (minor) spoilers for everyone else? I'm not photosensitive myself, so I certainly don't mean to speak for that group, but my first thought was, "So how would I watch this episode if I was? Hand on the pause button, hoping I stop fast enough as soon as the lights start?" Hard to do given the surprise nature of the scene. Really, my answer would be, "Wait for the fandom to post warnings of their own, likely including where it happens so I know when to skip" which is perhaps an indication that this information that should be included from the get-go.

But I am glad the warning exists, regardless. The episode itself begins with a shot of Ironwood looking down at the kingdom. He's used his windows as a vantage point since Volume 7, so that's nothing new, but something about this particular shot reminded me of Ozpin, looking down from his tower. I'm sure the response from many would be simply, "Ah yes, the two power hungry dictators watching over their victims," but I think there's a much more nuanced reading here about leaders being expected to fix the literally unfixable and what that responsibility does to an individual. Of course, it's a nuance that is absolutely obliterated by the episode’s end, but the implication existed for a hot second!

Two other soldiers are in the room with Ironwood, reporting that Cinder has helped Watts escape. They try to soften this with news that they still have Jacques in custody, but receive only a, "I don't give a damn about Jacques Schnee." Which, fair. He's pretty useless at this point. It's when Ironwood learns that both Qrow and Robin escaped too that he really gets mad, something his subordinates have been expecting given their scared expressions.

Now, I'm treading lightly here because I realize how this is going to sound given the end of our episode, but I still want to note that outside of that ending... this is a weird take? Just hear me out. Since Volume 7 the show has worked very hard to make Ironwood seem scary and unstable — bad setup for what we end with today — but the problem is that none of it works in context and it certainly doesn't work when compared to other characters' actions. They are literally in the midst of an unwinnable battle and thousands of his people are dying. If the audience wants a human being — who also just lost a limb and was betrayed by half his allies — o remain perfectly poised and polite during that, sorry, but that's not how human beings work. But even beyond this, what’s the message here? Ironwood raises his voice, so does Yang. Ironwood hits his desk, Qrow hits a child. If we're going to examine how Ironwood handles his stress and anger, he often handles it better than many of our heroes. Namely, by continually taking that anger out on inanimate objects. I kept waiting for him to attack his subordinates or attack Winter this episode, especially given where we end up, but it never came. Ironwood always has enough control to break the desk or punch the wall, not the person in front of him. Which, of course, would not be a good thing in the real world. I want to be clear given these sensitive subjects that if someone is breaking things in your presence that's a major problem to address. But this isn't the real world. This is a fantasy world in the middle of a war, populated by other characters who express their anger by punching people, slamming them into walls, or screaming at them until they run away. The story wants us to fear Ironwood long before he makes his objectively horrific choices and it tries to achieve that by showing us characters who are clearly terrified in his presence, by giving us a string of broken objects in his wake. But those details don't land well when we compare them to other instances of stress. In the same volume I have watched Ironwood take a deep breath to calm himself down when things have gone horribly wrong. I've also watched Weiss start a conversation by threatening her defenseless brother. So again, what’s the message here? It can’t be that acting violently towards someone = villainous behavior because, as established since Volume 6, that’s common for the heroes. Why are these subordinates terrified about Ironwood slamming his fist on a table, but Whitley has no problem hugging the woman who threatened him? Obviously there is a HUGE difference between our main group and Ironwood when it comes to other actions (cough-bomb threats-cough), but these day-to-day moments don't match up. The show wants to use violence as a way for us to easily identify the Bad Guy while ignoring all the times when our heroes do the same thing.

All of which isn't meant to be a defense of Ironwood. As we'll see in a bit, there is no defense for what he's done. Rather, it's a way of acknowledging just how badly he's been written. Why does a man who consistently reins in his anger and takes it out on objects suddenly shoot a councilman for literally no reason? Why does a man defined by wanting to save as many people as he can suddenly threaten to bomb his city? Ironwood's characterization is all over the place, in the sense that they keep writing him as the morally gray, sometimes harsh, but ultimately compassionate man he started out as... up until they need a villain. Salem isn't here yet, so Ironwood can shoot Oscar. Salem isn't attacking yet, so Ironwood can shoot the councilman. Salem is currently reforming, so Ironwood can threaten YJR and Mantle. He's the B-plot villain whenever Salem is out of commission, which is a problem for both their characterizations. This filler doesn't make sense for Ironwood and it severely undermines the threat of Salem. You finally introduce the Magical Big Bad and our heroes are facing more of a threat from a guy with a broken army and three loyal allies left? Hmmm.

The tl;dr is that Ironwood's arc is a disaster and, frankly, it's gotten old reading simplified takes of, "It's just a realistic look at what white U.S. men will do in power sweetie :) " RWBY does not have the context capable of conveying that sort of critical take because our world is not besieged by literal monsters and an immortal witch, to say nothing of how real life good guys do not get deus ex machina canes that fix the problem instantaneously. Ironwood is not an example of anti-U.S. imperialism, he's an example of writers who don't know how to write.

Anyway, I'm getting severely off topic. Obviously Ironwood is a major part of this episode, but the problems demonstrated here are two years in the making. This is the culmination of things I've been discussing for months across hundreds of posts... so I should probably stop trying to summarize it all in a few paragraphs lol. Perhaps when RWBY is over — or Ironwood has died — I'll do a single meta on his character, try to pull everything into one, unified argument.

For now though, we have an episode to analyze.

While Ironwood is receiving this news we get flashbacks to Qrow and Robyn. Qrow attacks a soldier in his bird form, which is hilarious. Someone GIF that please. It does raise some interesting questions about this magic though: does Qrow retain his aura and strength in this form (something I thought given his choice to transform during the explosion), or was that soldier just so shocked at being attacked by a crow that he went down easy? We'll never know, because that would require establishing concrete rules for this world. The point is Qrow is going feral in his freedom, throwing punches left and right — did he kill that guard? — while Robyn watches it all from under a rock. They're apparently still somewhere in the facility since all the exits are guarded, but that's not the good thing Ironwood seems to think it is. After all, Qrow is out to murder him. He wants to be there.

We all see where this is going, right? The show is going to ignore Qrow's crazy belief that Ironwood got Clover killed in favor of a "Qrow saved Mantle by murdering Ironwood"/“Qrow got revenge for Mantle by murdering Ironwood” ending. Who cares why Qrow wanted to kill him in the first place now that Ironwood has his finger on the trigger? If RWBY is good at anything, it's writing moments that encourage you to ignore everything that came before it. We'll be seeing more of that in just a bit.

"Damn it!" Ironwood yells, because the show is leaning into its cursing. He orders that the subordinates not return until "you have Qrow Branwen in custody." Here we have another great example of the show conflating what the audience knows with what other characters know. See, we know Qrow has a vendetta against Ironwood. We know their relationship is the important one to the story and that Robyn is incidental. Ironwood doesn't know that. There's no reason for him, as a character, to specify that they only bring Qrow back, but it makes sense for the audience who has the whole, thematic picture. Our understanding of the situation is influencing Ironwood's dialogue, which is... not great.

This entire scene we've had creepy music to hammer home just how evil Ironwood is. Except, as said, he takes a breath to calm down and the music fades. Instead of flying into a rage, hurting someone, or doing anything the music suggests he might, Ironwood calmly calls in for an update — which is when the explosion hits.

It's MASSIVE, seeming to originate from a lightning strike, which is weird, since it's coming from inside the whale, but whatever. The animation is very dramatic and pretty, as we've come to expect of RWBY, but the actual plot is lackluster at best. It's funny though because I thought for a hot second, when Winter and the Ace Ops were caught in the blast, that RWBY had actually done something exciting. I mean, holy shit! There are the deaths we expect from a battle like this. My god, what is everyone going to do when they realize that Oscar's needless attack took out five characters, including Weiss' sister —

No wait, never mind. They're fine.

Let's talk about that "needless" descriptor for a moment though. Do you all remember, two weeks ago, when I went, "Hey, why isn't anyone telling Oscar that that Ace Ops are approaching with a bomb? They're on a time limit! If someone would just mention that Very Important Information then Oscar wouldn't keep standing around to fight Salem." See, at the time I was frustrated because of how the plot was needlessly allowing Oscar to put himself in danger (especially when the whole point of this mission was to rescue him). Now, I'm frustrated because that same plot needlessly wasted the most powerful weapon the group had. There was no reason for Oscar to use literal lifetimes worth of stored energy when the heroes already had a bomb to do the same job! What was the point of that? I guess he took out the other grimm too, but without the whale that still would have been a challenge with a finite end, one Ironwood's army and the remaining huntsmen should have been able to handle. It doesn't feel justified to have Oscar use a weapon kept on the bench for lifetimes when there was another option literally minutes away.

There's so much wrong with this I need another list. So:

Ozpin's cane supposedly stores kinetic energy, which may contradict what we've seen from it before. Regardless, we’ve never heard about this. The all powerful weapon comes out of nowhere

It also begs the question of why Ozpin wouldn't use that power at Beacon and why he wouldn't insist that they try to get their cane back while captured. You had an out this whole time! But we’re going to ignore that because Oscar is a little hesitant?

Which makes YJR's presence even more useless than it originally was, which was already pretty useless. Oscar essentially rescued himself

This kinetic energy miraculously doesn't hurt any people or buildings, just grimm

So what is the point of Silver Eyes? That's been their MO since they were first introduced. Sure, Silver Eyes can be used far more often than Ozpin's cane, but it still feels like a let down to learn that the Big Secret behind this weapon is... the exact same thing Ruby has been doing for years

Like Ruby, Oscar likewise didn't need any practice or training. He just set off this massive attack perfectly and without issue

We have now eliminated the biggest threat to the cast instantaneously — the whale and the other grimm — with no effort from the rest of the heroes. Like the Hound, the stakes are obliterated with no satisfying work on the part of our protagonists

Instead, as said, the actual plan already in place never happened. The bomb just... goes back. Kind of like how Cinder attacked and then just went back to Salem. Penny woke up and then just got knocked out again. We continue to go in circles

This is because no one took two seconds to tell Oscar, "There's a bomb on the way"

Because this threat is gone the show needs a new one, hence Ironwood randomly threatening Mantle with said bomb

The one way we might have justified Oscar blowing up the whale instead of Winter is if he did it to save Hazel, but Hazel is implied to be dead

Maybe he's alive, but if he's not that happened off screen and we're not sure how. It couldn't have been because of the blast itself — everyone else is fine — so what, Salem somehow killed him before she was blasted to bits? While he was holding her?

And there's no body?

Salem was torn apart multiple times during that fight and reformed instantaneously, yet now, conveniently, she's taking her time

None of the characters mention the issues above. None of them admit that there was no reason for Oscar to waste LIFETIMES worth of power when they already had a solution in the works. Fantastic

I need to take a moment to acknowledge that so far this recap feels... bad. Disjointed. Bit all over the place. Which makes a certain amount of sense because that's where my thoughts are at. There's so much going on in this episode — so much wrong with it — that I don't know how to boil it all down into a few, neat claims. This episode is a mess! We're barely a few minutes in and the combined issues of Ironwood's characterization and Oscar's choice have left me reeling. So if you're still reading this, bless your patience, I think we'll both need it for the rest of this journey.

Let's snag a neater plot-point to discuss. Amidst all the chaos Neo literally skips away with the Lamp, clearly thrilled at how her own life is going. Later in the episode she'll text Cinder with the obvious: Salem is going to be pretty pissed when she realizes this is gone. “If you want her name you know what you owe me."

So wait... what is Neo leveraging here? Is she agreeing to give the Lamp back so Cinder doesn't get in trouble with Salem? Give Salem the password she's been looking for? Or give Cinder the password to use the Lamp for herself? What would Cinder even want the Lamp for when she's after the Maiden powers? I'm confused about what Cinder is being blackmailed with. Regardless, she needs the lamp for something and presumably what she "owes" Neo is Ruby. We get a cut to her just to hammer that home.

(Side note: both pictures of Neo are hilarious.)

Before that though, back at the whale, everyone is taking stock of the situation when Marrow cries, "Hey, they were still in there!" I feel like this is another scene meant to make him look like the one good guy in the group — he cares about YJOR while the others can’t be bothered — but as always, that reading doesn't fit well with the situation as a whole. The others have barely had time to realize they're alive. I don't think it's a moral failing that they didn't instinctually worry about four betrayers, one of whom attacked them, while they're still checking that they have all their limbs intact. Besides, why does Marrow assume they're dead? The Ace Ops were caught in the blast as well, yet miraculously came out unharmed. They clearly didn't set their own bomb off, so it's logical to assume that YJOR did something themselves. It feels weird to have a "Marrow mourns them and Winter is the only other character who cares" moment when everyone is recovering from bomb shock and no one even knows if the others are dead. But, of course, the show is out to portray only two of these characters as good people, so ignore the logic and run with the emotion of the scene.

All of which is bolstered by Elm pulling away when Vine puts a hand on her shoulder. Why is she acting cold towards him now? Because they're not friends, remember?

While we get more ridiculous relationship dynamics, Ironwood calls in and congratulates them on the bomb working, but tells them to get back because they have another problem in the works. That would be Qrow and Robyn. Winter decides to tell him about the bomb in person.

We cut to Watts and Cinder watching the remnants of the blast from a rooftop. Cinder has tried calling, but no one answered. Unsurprising, given that Salem doesn't have any other allies left. Cinder says that the plan hasn't changed, she's still going to take the Winter Maiden's power for herself, and Watts can help her by bringing Penny here. He explains that he doesn't have full control over her. Rather, he implemented a virus that is setting her on a single path: open the vault, then self-destruct. Cinder, as one might expect, is furious.

She snags Watts by her grimm arm and threatens to toss him over the side of the building. Thus begins the best part of the episode, hands down. Despite the danger he's in, Watts throws common sense out the window in favor of dragging Cinder in the most satisfying manner possible.

“You think you’re entitled to everything just because you suffered, but suffering isn’t enough. You can’t just be strong, you have to be smart. You can’t just be deserving, you have to be worthy! But all you have ever been is a bloody migraine!”

It's true! You know what else is true? This speech could apply to our heroes as well. Accusations of entitlement and reminders to be smart as opposed to just strong hit hard, considering those are the same flaws our protagonists are struggling with. The difference is that Cinder, miraculously, listens, pulling Watts back to safety and going to cry by herself. That moment is simultaneously more growth than Ruby has gotten and more sympathy than Ironwood has gotten. The woman who murdered Pyrrha is treated more kindly by the narrative than one of our initial heroes and our very first villain has taken more time to reconsider her choices than our title character. You know a show is falling apart when excellent choices are applied to the worst possible character.

So Cinder is crying while Watts looks guilty and we cut back to YJOR's group post-blast. Yang is finally able to answer a call from Blake who is obviously overjoyed to see her. Weiss gives them directions to the mansion and they ask what in the world they'll do with Emerald, currently on her knees, mourning Hazel.

Thus begins the third most frustrating part of this episode. See, on the way back the group continues the conversation about what to do with Emerald, with Yang and Jaune distrusting her vs. Ren and Oscar encouraging cooperation. I can't believe I'm saying this after's Ren's speech and Oscar's entire existence... but I'm team Jaune and Yang here. Look, what Oscar and Ren say — the literal words coming out of their mouth — is nonsense. Ren goes, “We can’t let all of our actions stem from fear," as if Yang and Jaune are being ridiculous for mistrusting Emerald, one of the established villains, after years worth of harm from her. It’s weird that Yang points to her arm as something Emerald is responsible for, rather than being framed or the deaths at Beacon, but the general sentiment of, “She’s done horrible things!” is true. Ren’s perspective is the same simplification that was applied to Ironwood last volume, wherein everyone acted as if he was crazy for fearing an attack on his kingdom... post an attack on another kingdom and pre an attack on his kingdom. Putting generic lines in Ren's mouth about not being afraid makes him sound willfully ignorant, as if choosing to believe that someone is good will magically make them so, to say nothing of thinking it will erase all the harm they've already done.

Oscar at least acknowledges the difficulty here, but then follows this up with, “You don’t have to forgive her… just give her a second chance."

Oscar, honey, that amounts to the same thing in this situation. Allowing Emerald a second chance means working with her, which means trust, which means emotionally reaching a point where these characters can put aside the harm she's done them in an effort to give her that chance in the first place. This actually ties into a post I saw last night, one I've come across before, that claims redemption arcs don't require any suffering on the part of the person who has done wrong. I agree in theory, that prolonged suffering doesn't help anyone, but the problem is that people tend to conflate suffering with consequences and someone who has done this level of harm should face consequences for their actions. The problem with redemption arcs is not that the bad people suffer too much — emotionally and physically beating on them as a form of revenge — but that the people they've harmed are put into situations like this one. If Yang and Jaune let Emerald go like she suggests, they are agreeing that she doesn't have to face any consequences for the damage she's done (which, keep in mind, involves multiple deaths, not including all the lost lives here in Atlas). If they agree to give her a second chance, they are forced to jump straight to some level of forgiveness. We might claim they don't have to forgive Emerald to work with her, but from a practical perspective how are they meant to function, especially during a warzone? Anything she provides them with — information, watching their back in a fight, undertaking missions, etc. — requires trusting her enough to allow those things to happen: working with that info, letting her protect them, allowing her that responsibility. It's all about trust, trust she has yet to earn. In order for a redemption arc to be successful, the power has to be in the hands of the victims. They need to be able to see some justice for what was done to them, be offered some proof that the person in question has truly changed, and have the ability to walk away if they decide no, I don't forgive you, glad to hear you've improved, but please stay out of my life. Jaune and Yang have none of that. There are currently no systems in place for Emerald to face consequences for her choices, she has offered them no proof of her remorse or true motivations, and the other half of the group is pressuring them to give her that second chance without closure or reassurance. None of that makes for a good redemption arc and reducing that to, "So you want to see poor Emerald suffer, huh?" ignores the suffering she has already caused. The group are her victims and they are under no obligation to give her a second chance, particularly under these circumstances, which makes the story's choice to have Ren and Oscar act like Yang and Jaune are being stubborn or inconsiderate a problem. The conversation boils down to, "Give the woman you know to be a liar, manipulator, murder accomplice, and servant of our enemy a second chance based entirely on unfounded faith. If you don't you're letting yourself be ruled by fear."

RWBY's touchy-feely themes really don't sit well within its realistic, morally gray premise. We cannot continually have these characters go through hell one moment and then have others accuse them of being paranoid the next. The fact that all of this is wrapped up in the group trusting Robyn, Emerald, and Hazel over their established allies remains beyond frustrating.

Because yeah, you know how Oscar finishes his speech? “I’ve already gotten a lot of help today from someone I don’t exactly trust right now." Meaning Ozpin.

The story is trying to compare Emerald and Hazel to Ozpin.

"Oh hey, I kept a secret from you after lifetimes of watching that secret lead to betrayal and death. I keep apologizing for my mistakes while ignoring that I had no reason to trust a bunch of kids with such world-shattering information and also that you tore it from me in the most traumatic way possible."

"Oh hey, I willingly joined our world's version of the devil and helped her destroy your school, leading to numerous deaths including your friend and headmaster. It was his death that put Oscar in this position in the first place! I then continued to attack your group, leading to another near death of a friend, and a kidnapping, and the destruction of Amity, until I became scared enough to make a run for it."

Which one of these characters is granted an instant second chance? You'll never guess who!

And I do think the word "instant" is important here because just like Jaune and Yang have the right to have distance and justice from Emerald, they had that right with Ozpin too. The difference is they got it. They had the power in the situation, as evidenced by their use of the Lamp and physically attacking him. Ozpin heard what they needed from him — leave us alone — and did that without complaint. They were given months to come to terms with the secrets he kept. They were offered apologies and acts of service to demonstrate intent: saving them in the airship and continually saving Oscar. I don't believe Ozpin ever needed a redemption arc, but even if we think he did, he had it. After three volumes of material Oscar's perspective is still "I don't exactly trust [him] right now" but Hazel and Emerald have earned at least the same amount of trust in a matter of hours? They're really having my boy look at the guy who has tried desperately to do right by him despite unimaginable circumstances, and the guy who tortured him to get information for Salem, and went, "That first guy. He's the one we need to watch out for."

To make things even worse, Oscar tells the others that Ozpin took on all the torture so he wouldn't have to. So he did that and they still don't trust him? If you had told me back in Volume 6 that two years later the group would still be hostile towards Ozpin, while simultaneously urging one another to trust Emerald, I would have said you were lying. RWBY has its problems, but it's not that bad. Yet here we are. I suppose the one silver lining here is that Ren smiles when he realizes Ozpin is back? So at least one of them isn't prepared to draw their weapon at the mere mention of his name.

Both these moments raise more questions though. How in the world did Ozpin take on that torture when we clearly saw Oscar getting pummeled for a good portion of the kidnapping? Is that a weird merge thing the story hasn't bothered to explain? I wouldn't be surprised, considering Oscar said last episode he didn't want to use magic because it hastened the merge, he uses the biggest explosion of magic we've ever seen, and nothing has changed. Ozpin is still in the back of his head, thanking him for the tinniest shreds of decency they get. Ren, meanwhile, seems to be back to mindreading. How in the world does he know that Ozpin is back? I assume it has something to do with his semblance, but we don't know what. They could have shown us Oscar from Ren's perspective, perhaps with two distinct emotions swilling around to imply that he sees two different people now, not a useless shot of Emerald with purple flower petals, whatever purple means.

Oh, but no, we shouldn't have gotten either of these scenes. Remember that Ren's aura broke a very, very short time ago? Is it back already? Can he use this part of his semblance without it? Considering it was near impossible to see Ironwood's aura breaking in the Watts fight and we were then mistakenly told he used his semblance in the office, I'm going to go with, "The writers forgot."

Oscar explains that the cane had "lifetime after lifetime" of power in it and though there's still some left, "we have to be careful with how we use the rest." He says that Ozpin trusted his judgement and of course he did! Ozpin also didn’t know that there was a bomb on the way. Yet funnily enough, no one else mentions that, whoops, your choice made in ignorance was a waste and that's due entirely to us prioritizing hugs over basic mission information.

Also, all these explanations take place in front of Emerald. Half the group doesn't trust her, but they'll freely discuss their powers and limitations here. Remember how the group once wanted to talk about magical relics in front of the old lady they'd just met? Yeah, they've learned nothing.

Combine all this insanity with the fact that Ozpin's magic saved the day before Ironwood's bomb could do the same... while Ruby sat in a mansion drinking tea. Who's our hero again?

So things are a hot mess, to put it lightly. Their conversation finally ends when they hear voices and round the corner to find all the Atlas citizens huddled in the subway. For once the show actually writes them in a sympathetic manner, emphasizing how terrified and helpless they are. This image doesn't lead the group to any revelations though, certainly not anything that would tie back to Ren's earlier speech in the snow. No, once again the justified criticisms here are ignored as we hear that “However this fight ends, we could really use someone like you, [Emerald.]” That's it then. Discussion over. We knew as soon as it started that blindly trusting her was being presented as the "right" thing to do and now here we are, deciding that conclusively, despite Jaune and Yang's complaints. By the time the group reaches the mansion, Oscar is defending Emerald from Ruby. We're supposed to just accept that she's a part of the group now, only minimal pushback allowed.

Before that though we return to Ironwood getting news that their bomb never went off. He briefly wonders who else could have done that, but puts the currently unanswerable question aside for what he does know. They still have the bomb and it could be "useful." See, this moment — like shooting Oscar and the councilman — is when Ironwood just randomly goes off the deep end. One minute he's talking about what they've lost and cradling his new arm,

the next he's saying that he should have tortured Qrow to get Penny to obey him! Which doesn't even make sense since I'm pretty sure Penny hasn't ever spoken to Qrow. She wouldn't want anyone to suffer, true, but it's not like Ironwood had a close friend like Ruby to use as leverage. Qrow is just Some Guy to her. Regardless, he thinks Yang, Jaune, and Ren are decent replacements, despite Penny also having no relationships with them. This is what happens when your characters only start breaking up their teams eight years into the story, the response to Ironwood wanting to torture Ren to hurt Penny is, “Does Penny know Ren exists?” But, you know, torture is torture, right? Maybe. Probably not. I mean, if they're going to turn Ironwood into a cartoon villain, they could at least keep him smart.

Because all of this is just the height of stupidity. Ironwood wants to torture people Penny barely knows to make her listen (so just grab some civilians? It would do the same job...). Ironwood wants to shoot down empty ships, even though no one, including us, knows where in the world those ships would have gone. Ironwood wants to destroy an entire city to try and save another city. He wants to use a bomb meant for a comparatively small whale and acts like that alone will take out the majority of a kingdom. None of it makes sense! And I know the easy comeback for that is, "Well yeah, Ironwood is crazy and evil" but he's not. I mean he is. Threatening torture and bombings is obviously evil, but he's never been insane, or stupid. As said before, his arc (or lack thereof) is an absolute disaster. The fandom assumes so many things about Ironwood given the opportunity — the whale is a suicide mission. He expects the Ace Ops to die on his order — and the writing hints at so many things that never happen — he's going to hurt his subordinates, attack Winter for disobeying him — and every time what we actually get is a far more compassionate, level-headed character... until he randomly does a 180 and goes, "Let's murder a whole city now!" I never wanted Ironwood to be the bad guy, but they could have at least given me a persuasive decent into this level of horror.

So... yeah. Ironwood has got to die by the end of the volume, yeah? Between Ruby warning the whole world about him and him going into full villain mode, there's no coming back from this.

Neo sends her text to Cinder and the group makes it back to the mansion. Remember Yang's criticisms of Ruby's leadership? The ones she conveniently forgot about when Ren started to agree with her? Yeah, those are entirely gone as the sisters hug it out and, presumably, forgive one another for... daring to admit that things are bad? Look, I'm not going to deny that Ironwood's scene with Winter was creepy as fuck,

but I'm not of the opinion that the heroes are any better when it comes to the theme of obedience. They've attacked one another, screamed at one another, and any dissent from Ruby's leadership results in the questioner being left behind in the snow. We'll accept you again when you fall back in line. I used to adore the relationships in this show, but watching them now is just discomforting. The show might be 100% more obvious with Ironwood, using creepy music, a smile, and that hand on Winter's shoulder, but the concept of, "Sorry I dared to question you before! We won't ever do it again :)" isn't healthy either. The fact that the show keeps erasing theses problems with hugs — Weiss hugs Whitley now, Yang hugs Ruby, someone will probably hug Emerald soon — doesn't make the circumstances any less uncomfortable.

None of this even gets into the Blake and Yang hug. First of all, why is Blake acting like they had a fight and Yang might not want to see her? She's hiding inside rather than rushing to greet them, ears down in a devastated expression until Yang touches her. Combine this with Yang's "Do you think she's mad at me?" and it feels like the writers cut a fight in the final script and then didn't bother to remove the fallout from that. Seriously, where did any of this come from? You can't just have characters act like they've been fighting when they haven’t.

Also, can't forget this.

At this point there's nothing more I can say in regards to RWBY's almost-queer baiting. Is touching foreheads more intimate than the hugs Yang gave the others? Absolutely. Is that an appropriate stand-in for overt representation? Absolutely not. This would have been a perfect time for them to kiss. Take out Blake's nonsensical fear and replace it with them both reuniting after their first separation since Volume 5, working under the knowledge that either one could have been killed, finally admitting their feelings. Hell, they don't actually have to kiss. Not all girlfriends are interested in kissing! But they could use the terminology that makes things unequivocally canon. Another forehead touch when we got that in Volume 6? It's not enough, especially not when our straight couples have all been allowed their rep.

Ren at least wants to know where Nora is. He's presumably told what happened off screen as Oscar tells Ruby that Emerald is their friend now.

Then an emergency call from May interrupts the reunion and the group learns that Ironwood is bombing the Schnee ships. “Those ships… they were going to save people” Weiss whispers. How? Tell me how they were going to save anyone. Where were you going to take these people where they would be safer than where they are now? RWBY continually asserts things without explaining them, meaning there is precisely zero emotional weight here. Again, Ironwood is far past the point of defense, but I'd be a whole lot more critical of this particular action if I had a better sense of why it's bad. He appears to be endangering the people given May's shout to run — falling debris? — but the further implication is that Ironwood has doomed the people of Mantle by denying them these ships. It's that part that makes no sense based on what we've been told.

Which finally comes to the ultimatum of our episode title: Penny opens the vault, or Ironwood bombs Mantle. Great! So glad this plan is wicked smart and works well for his characterization. It's definitely not a nonsensical, unfounded, overblown change that feels like it belongs in a child's cartoon, complete with dramatic spotlight. Nope. Excellent writing choices all around.

Our final line of the episode is, “I hope you live up to the title I gave you," referring to Penny's job as the Protector of Mantle, and you know what? That line could have been very cool if it was delivered by an Ironwood with a persuasive fall and a halfway decent plan in place. I love that we've twisted the concept of a protector and turned the title into a horrifying, rather than honorable responsibility... I just hate everything surrounding those details.

So, usual RWBY fare.

(At least we get to see that Nora is awake!)

Will things get better over the next four episodes? I doubt it. We're still expecting the rest of the Ace Ops + Winter to ditch Ironwood, someone getting the vault open, the fall of Atlas, now the potential destruction of Mantle, and none of that includes Salem who should reform at any moment. Frankly, I'm not looking forward to any of it. The final leg of a season should make its audience excited to see how everything turns out, not dreading it. I've heard from multiple people that this is the volume that finally got them to drop the show and honestly? I'm not surprised.

As a final (happier?) note: we've finally got a bingo! I completely forgot our board last time, which was a terrible oversight, but we can update it now.

Our army of grimm can't kill anyone now that it got KOed by Oscar (that is the third one hit defeat of a major enemy we've seen this volume. Yes, I'm including the Hound considering it was obviously on its last legs after Ruby's eyes.)

I'm likewise including "Ozpin apologizes for everything including his existence" because he's done nothing but apologize since he came back. The emotion is there even if the literal words are not. Oscar reminded everyone of how untrustworthy he is, but kept the group from jumping them again. And Ozpin thanked him for it.

Neo didn't literally backstab Cinder (shame), but the Relic still counts.

So a triple bingo! Is that how bingo works? Idk, I've never played. I feel like I should have thought up some sort of humorous prize, but sadly I've got nothing. If you think of anything, let me know lol

That’s all then, folks. Until next week! 💜

#rwby #rwby spoilers #rwby volume 8 #rwby ultimatum #rwby recaps #mymetas

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rigelmejo · 3 years

Text

April Progress Update, and May Goals:

*bear with me this is gonna get long.

I’m going to first just look at April goals and see if I did them, then afterward summarize everything I did this month (cause it was a lot more than I planned ToT)

Chinese study plan from April:

1. Read anything

Well, I did read. However my goal to read hanshe to chapter 80 and Zhenhun to the end of the sundial arc never happened. I did read a lot though. I ended up focusing mainly on extensive reading.

Chinese chapters read: 62 (I counted graded readers/小王子 as 1 chapter for every two that I read, but this number is probably still inflated... compared to my normal 20-pleco page chapters I probably read 31-40 of those-kind-of-chapters length wise).

Chinese stories finished: 4 (Pleco Graded Reader Butterfly Lovers, Chinese Short Stories, Mandarin Companion Journey to the Center of the Earth, 小王子 - you can tell this is where my attention went this month).

Chinese Listening Reading Method chapters done: 14.5 (4.5 Silent Reading, 2 Chapters of A History of Humankind, 1 chapter hp, 1 chapter Alice in Wonderland, iffy but like 3 chapters 小王子, iffy but like 4 chapters of the Xiao Mao cat story - I should note that for Silent Reading, 小王子, Xiao Mao I only looked at the chinese mostly so more step 2, and for the others I did step 3 as recommended). Also I realize... I should probably count this with hours instead of chapters, because hours are where the original poster about LR mentioned when milestones are hit. However, being realistic, I do not do things in hour segments so I’m not sure any tracking will be as easy as this way...

A cool thing potentially about L R Method? I found some resources recently that will make this a lot easier (Bidiread is a site that can make parallel texts for you, which made silent reading MUCH easier since the audio doesn’t perfectly match so you NEED to see the chinese even if only doing step 3, to make sure you can keep track of where you are in the text when the audio skips paragraphs). I also found Francais Par Le Methode Nature as videos on youtube with audio and the text visible (is that not simply L R method step 2 but its all comprehensible, i love that book). And I found a few files on youtube of audiobooks with english audio and chinese/english parallel text on screen (a bit backwards in process but i’m curious to test it), one youtube channel who does chinese audio with parallel texts on screen (phenomenal!), and I remembered the site bilinguis exists which is excellent for French if you wanna try L R Method (it has a few french audios with the parallel texts). Also in the case of A History of Humankind - the audiobook for once is very closely synced to the actual chapter start/ends, so it was just easier to do L R Method with.

2. Listen to Chinese Spoonfed Audio, shadowing when I can

YES I did this! I was on 11 last month, now I’m on 15. (so 4 audio this month) Yes I realize that wasn’t a lot of improvement T-T. What can I say I am not very good at being disciplined. However I did learn something interesting this month ABOUT listening to these so I think I might do it more - I listened to some in the background while playing games, then later listened to them again (also why I only got through 4 - I was replaying audios maybe 2 times). And when I listened the second time I could understand nearly all, whereas obviously when playing my game I only caught parts of it. So I suppose what this showed me is partially listening and partially focusing still may have some benefit in helping to learn the info - and well obviously its easier to make time to play audio when u don’t need to focus 100% on it.

I also did some other misc listening to random stuff without any plan: 6? audio 1 of DeFrancis Beginner Chinese Reader, 1 audio of FSI Chinese, 2 condensed audios of Guardian (which was so cool?? also so cool i can follow along so well now??), 1 dracula chapter audio (don’t even ask i don’t know either), tian ya ke audio drama ep 1.

Chinese show episodes watched: 28 (You can see here is where my time went listening wise lol - Two Souls in One is GOOD u might wanna check it out, is all I’m saying, especially if the taiwan drama Bromance was ur thing, or the anime Ouran Host Club, or even Bureau of Transformer to a degree. I watched up to ep 25 and once its all aired to the finale I’m gonna finish it.

Optional going through my hanzi book: I burned out on this, but it was a good use of my time when I felt like writing. I only wrote/studied maybe 30 hanzi, and maybe 50 hanzi+radicals in my Radical-Specific hanzi book. If I continue, I think my goal will be to just continue the Radical-book to completion. Realistically, longer term, I need to go through the freaking Alan Hoenig’s Chinese Character’s book just to get the hanzi and their rough meaning to stick in my head (and learn the pronunciations through well context and vocab how I normally do). Right now I just learn through reading, but its an issue of sometimes I just end up associating one hanzi with the new word I learned but then as soon as I see it in a new word I don’t even remember having seen it before. If I paid a bit more attention to distinguishing I might notice when I’ve seen them before or they’re new, and have more starting info to relate to the character to attach the word info onto. (its a convoluted way of me saying if I have things to connect to each other I remember better even if it makes little sense to connect them - if I know car and pet, carpet’s easier to remember even though it has nothing to do with cars, cry in french ‘pleurer’ was easier to remember once my brain thought ‘plume of tears’ even though that makes no sense. i just remember things better than seeing pleurer and having no idea what to attach it to at all - even if i heard it means cry, if i don’t have a thing to associate it with i’ll forget easier. or melancholy - i had to associate it with melons, and cholly - reminds me of words for sickness so heavy-sick +sad is how i started finally remembering that word cause wow did i look it up over and over as a kid).

---

Japanese study plan from April:

1. continue through nukemarine’s memrise courses.

Okay I did do this!! Congrats! In March I had completed LLJ 3 - Kanji, 289/318 finished in LLJ 4 Tae Kim part 1. As of April, I have completed: LLJ 4 Part 1, LLJ 4 Part 2 51/365, LLJ 5 Core Vocabulary 420/1020. So yeah! Going quite well, in that I consistently did it - I realized for me the best time to do it is playing video games oddly enough, or watching youtube - just do it in between areas, or ep scenes/videos, as a short 5-10 minute break. Since I like taking breaks from things anyway. Like audio, its hard for me to find ways to get myself to do stuff like this (except worse cause I don’t vibe with flashcards).

My goal for May will probably be finish LLJ 4 Part 2, LLJ 5, and start LLJ 6? I can dream right...

Also, a cool note: I found audio-flashcard files that people made of the Japanese Core 2k vocabulary deck and sentences, with english-japanese audio. (If anyone wants a link just let me know). So now if I DO eventually get burned out on flashcards, I could switch to using those. They would work about as well as the Chinese Spoonfed Audio files I have (which work extremely well for me - audio flashcards I just listen to are so much more suited to how I study lol). However, I’d like to stick with Nukemarine’s decks as long as possible while I can focus - they cover grammar explicitly which helps me a lot, and the reading practice COMBINED with constant audio really helps me learn the readings of words. Which is something I need for japanese a LOT more than chinese.

2. continue reading Tae Kim’s grammar guide

Ahahahahaaa hahaaa... did not do it. Nope.

What I did do that was grammar related:

Watched Cure Dolly lessons 1-5 (and will probably watch more as I seem to click well with those explanations)

Read 24 pages of Japanese in 30 Hours while transcribing actual japanese into it (and will probably continue to read it, its so short I should just DO IT in a couple days, it also fulfilled my desire to write stuff)

JapaneseAudioLessons.com - read the wa vs ga explanation, reading the portable japanese grammar notes document right now (its 11 pages I’ll finish it today). I’ve said it before but i really LOVE this resource, and they have so much for free. I absolutely recommend if a beginner wants Pimsleur or Michael Thomas or some other paid resource etc, to just go to this site, download their full lesson grammar guide (its like 311 pages like a real textbook) and go through all their free audio lessons. You will cover a lot of ground (more than Pimsleur or Michael Thomas), and all for free. In addition, I’ve bought some of their kanji teaching books and they’re overall my favorite for remembering kanji specifically (yes more than Heisig’s RTK by far, and more than KKLC - although the Kodanshi book is a good reference to have around). I’m not kidding at all when I say just try this site’s free resources if you’re trying to use free stuff, its the closest I’ve found to an audio only teaching method, or an audio/textbook-like combo, that’s this much stuff and free. (For non free, I actually liked Genki if you do everything in it).

Other misc things done in japanese:

Watched Dracula the Musical in japanese with no subs. It was super hard, but also not so hard. It changed my life. 1000/10 would recommend watching it if you even remotely like dracula OR vampires - featuring a lesbian Dracula/Mina, and more importantly a story change about who kills Dracula, and Dracula and Mina’s agency and choice being the driving force of the ending. These story changes I LOVE and I now want them in more adaptations moving forward, its what I always craved of the ending of Dracula and never got - Dracula as a person (not monster), Mina as a person (not prey), and their choices influencing how the story ends and by whom (versus Van Helsing/the establishment symbol regaining control through annihilation of the ‘threat’ to that norm). Also it gave me a new interest in Japanese plays which is cool. I did not expect to love them this much! Also gave me a boost in japanese confidence, in that I no longer feel as “scared” to try immersing in japanese or in some kinds of content that seemed ‘harder’ - and that was a big hurdle I was too afraid to do, in the past when I studied.

Watched a few more lets plays (lets guess maybe 3-5 sections of 20 minutes?). Persona 2 innocent sin (cool to see me follow along despite not knowing the game), Final Fantasy IX (this one I saved, and could definitely pick up words from since I know some of the story and the lets player read everything - I should look up FFX), random stuff.

Tried to play some games in japanese! I’m going to go with this was about 3 hours. I tried crisis core’s opening to the first save point - it was playable (I can read most of the menus), and I can follow enough text to get the overall gist - however it was draining as so much is text only (I FORGOT how much reading is in this game). Great for reading practice I suppose. Also great in that it definitely reset my expectations about what is ‘doable’ for me - however I do think KH2 is probably still the easiest game i should start trying games with (since I have so many of the controls/menu memorized and can waste less time re-reading the tutorials), and since I know so many words by memory I’ll be able to focus more on grammar (whereas in CC I was glancing through kanji trying to keep up with the live action scenes). A bit too much reading for me to tackle again for a while, it was draining lol. Then I tried persona 3 for psp - first, i like the ps2/ps3 version better ToT. Second, also somehow I could read enough to survive - but the reading again took time, a lot isn’t voiced, and there are not frequent save points. So again I just played to the first save point. That one I may try again before CC though, because a lot more of the language is daily life stuff I could glance through and speed-read-guess lol, or could actually use if I learned it. Also occassionally p3 reads out loud which is nice. I suspect the Visual Novel I got will actually be best for practice (despite me not knowing the plot at all), because I’m guessing more of the lines will be voiced. All this reading would help me more if I could hear it voiced - and I may want to watch more Lets Plays, and Audiobooks on youtube, mainly for that fact: subtitles that i can read WITH audio so i can practice listening and reading together.

Tried reading a bit! First, some mangas I had (though I only read a page of each) - mainly it was just nice to see mangas are more accessible now. they’re about as readable to me rn as manhua were in chinese at 6-8 months in. I can just about follow the main gist, more if I use a dictionary for details. Also thanks to @yue-muffin telling me, learned I can look up words on iphone in the web browser just by highlighting words and clicking “look up.” Life changing. That in combination with me finding some japanese scripts of Final Fantasy games online (and I’ve always been curious what localizations changed), and this has been a little reading I found myself doing just because i felt like it. I didn’t read much - the equivalent of several dialogue boxes (the games i played made me read a LOT more lol). but I liked that i could see their kana when i looked them up, sound the sentences out to myself, contemplate them (so intensive read). Also if you have Speech tools enabled on your phone, you can swipe down with 2 fingers and it will read the page aloud - I used to do that a little with chinese on dual chinese-englist mtlnovel pages since it WILL read both, but Pleco reads chinese better so unless i’m only-listening i switched to pleco for that. But for these scripts it works great! (occasionally it will read all-kanji titles like chinese though lol - not once its into japanese sentences though). I thought it was really cool I could basically emulate what I do in Pleco for chinese, in a normal web browser for Japanese. (Also, for websites, Idiom app seems to work ok for reading Aloud as well - possibly better - but ios iphone “Look up” dictionaries are MUCH better than Idiom app’s).

In summary basically I surprisingly enjoyed reading and might keep trying to do it just because its interesting. However in general, first: I really want 2k words done in Nukemarine’s LLJ courses (LLJ 7 would put me at 1k common words, LLJ 12 would put me at 2k so...), and I’d really like a better grammar foundation (Cure Dolly, or japanese audio lessons grammar, Nukemarine LLJ also obviously fits that task with the grammar portions, really anything). While I want to play games, again I just really realize... how much easier my life will be with a better basis of knowledge first lol. Reading I can do in bite size if I want, but playing games is Draining in between saves right now lol. While i CAN do it right now, unless its a game i really can tune out with (like KH2 maybe) then its just too intensive right now for me to tolerate too much of.

Also, again, I think doing Nukemarine’s LLJ decks as breaks while playing games/watching stuff is working great, going to keep doing that. And listening to audio flashcard files while I have dead time (like level grinding). I have been listening to the Chinese Spoonfed audio, but other options could be: the english-japanese Core 2k audio files, the Japanese Audio Lessons files (which once years ago I’d listen to while excerising). For now I’ve focused on Chinese Spoonfed audio because I know I need to FINISH something before jumping to something else lol.

---

French stuff I did in April:

Listened to 6 chapters of Francais Par Le Methode Nature (and read some of them - oh i missed this book its my fave way to learn and it finally has audio!!)

listened to some bits of audiobooks (i don’t even know why, i don’t know - dracula, frankenstein, carmilla, sherlock)

read a little of Le Petit Prince (idk 3 chapters? browsing my book after finishing in chinese and... ok my heart is still a bit ;-; ... i’m gonna need to recover from this story...)

read a bit of dracula (again... idk why... also it was kind of a L R Method step 2 attempt in that I listened to audio too, but really I mainly just... read)

L R Method: 2 Chapters of Alice in Wonderland (step 2, because I have not tried step 3 yet).

What is funny as hell to me is both how many words I look up when I contemplate intensive reading (again life changed by the fact i can just highlight words and click “word lookup” on my phone). But also how I already... know I can thoroughly read without doing it. Like... yes I can look up a word I fuzzy-know to get clarification, but even my phone auto-gives me french-french dictionary first and sometimes only (is it because my google is in french), i’ve been used to french definitions only for years.. and also like... i know when i read a whole paragraph i get whatever words were fuzzy before? just read some of dracula again today and its fine. its fine. again informational texts are easier for me - but dracula being a lot of letters ‘describing what happened’ suits me quite easily (and somehow manages to be less annoying to me than the english version). like... alice in wonderland was probably the harder for all the quick adjectives/verbs used in just one or two paragraphs when i was still re-remembering vocabulary i used to know lol. Like... in a dream world i’d love to test L R Method and see HOW MUCH it can teach a person. But like... while french would be the easiest to test it with? I kind of realize i’m also at a point in french where i have more benefit just continuing to read in french and listen in french (to fix my poor listening skills). referencing the english is not really... particularly necessary, it just usually slows me down. while i’m missing a LOT of words for fluent speaking/grammatically ok speaking - i don’t think listening reading method would really help me with that, since reading sure hasn’t. if any readng material might it’s francais par le methode nature just because it drills simple correct grammar construction, and reinforces it, and teaches grammar through context. but all my other reading materials... are more comprehension...

Anyway in SUMMARY wow i did a lot more than i expected this month!

---

Next months goals!

Chinese May Goals:

***Read anything. Great plan, has been working great. Ideally I would like to: finish Xiao Mao book one, and then either continue another Xiao Mao novel or start one of the other stories rated 2+ ease. I am considering 许三观卖血记 because its about as easy as the little prince, I’ve read an excerpt and its historical fiction so generally practical. Or 流星·蝴蝶·剑 by Gu Long if I want to work on a base in wuxia words from an easier novel. Or 他们的故事 by 一根黄瓜丝儿 if I’m ready to return to it - although this one is longer (the other stories being more like 12-20 chapters) so I’d prefer to save this for later. For any of these - look words up as desired since I’ll read them in Pleco. Ideally as my ‘harder’ reading I would like to either continue hanshe (intensive reading), or continue guardian (extensive reading) - so its a matter of if I want to look words up.

***Continue listening to Chinese Spoonfed Audio (please can i Finish it please ;-;)

Optional: experiment with Listening Reading Method. With the finding of those videos on youtube, I’d like to make my life literally as easy and streamlined as possible and literally just TEST L R Method by doing it with a few of the videos I found. It literally cannot get easier than premade videos with audio.

Other optional: listen to misc audio (I would love the time to watch the tian ya ke audiodrama WITH its subtitles then listen without again), watch shows, read Alan Hoenig’s Chinese Characters (i doubt this will happen), do some of my Radical-hanzi book.

Japanese May Goals:

***Continue: Nukemarine’s LLJ courses - ideally finish LLJ 4 Part 2, LLJ 5, and start LLJ 6. (this truly can be basically my only study method if I can’t do more). THIS IS THE PRIORITY. The quicker I get ALL of this done, the more of a foundation I will have to do Anything else.

Hopefully: Continue some kind of grammar explanation beyond Nukemarine’s stuff - either Tae Kim (unlikely but i was at chapter 10 before), Cure Dolly (i’m on 6), Japanese Audio Lessons Grammar, Japanese in 30 Hours while writing japanese in (I’m on page 24). Again this is a higher priority as it will make anything else easier.

Optional: Reading in any form - so video game time, lets plays, audiobook youtube with captions, actual reading as desired (like scripts). Including this because I know I will eventually try again lol.

Optional: listening in any form - so another musical! maybe listen to japanese audio lessons, or the core 2k audio, or a lets play, etc. I find I’m probably less likely to listen to something but it might happen!

French May Goals*:

*aka if I feel like doing it because french has no real goals at the moment! -3-)/

***Continue watching Le Francais Par Le Methode Nature videos. (There’s only 33, they’re like 10 minutes long or less, its about basics, PLEASE). I remember this book took forever to read 1/3 of when i was an upper beginner, well now surely its less slow going? especially because read aloud its as fast as the speakers voice! so it is not time consuming and i’ve wanted to finish this book forever! i could at least finish it up to where the audio files match to!

Read???? Read??? Honestly I’ve just been wanting to read Dracula and Carmilla in French its a vibe I’ve been in. Its not high priority or anything but hey it might happen. If it does happen, ideally I’d like to listen to an audiobook too around the same time (maybe after, or have the page read, idk). Just because while reading refreshes my vocab, what I really want to build up is listening/pronunciation. To get to a point where I can listen and shadow would be nice.

Tied to above, try L R Method? Not a high priority, though it would be super easy to test! Just because I already started testing it with Alice in Wonderland... but that basically amounts to just reading practice with audio again, for me.

I found Merlin in french so THAT is a thing.

Honestly the only thing I really want to do ‘study’ wise in french is finish that freaking book, especially now that I can listen to audio with it. It’s a nice foundation and I’d really like a refresher/fill in any big gaps in my learning. Anything else about french written here is mostly a reminder to myself to LISTEN to audio when possible, and try and improve that skill a bit if I go and read.

---

Real fast CORE SUMMARY:

Chinese: READ easier stories rated 2+ and keep getting through some, in combination with reading the harder hanshe and Guardian. Also listen to Chinese Spoonfed audio whenever u remember! Attempt some L-R method with the youtube videos you found. Immerse as desired.

Japanese: continue Nukemarine LLJ courses. Also do some grammar study somewhere, and immerse as desired.

French: listen/listen-read to Francais Par Le Methode Nature. Also read/listen as desired - ideally combining the activities.

*in all cases, where possible, combine listening-reading or try to practice both skills. (So reading in Pleco - play audio afterward to practice, play Guardian condensed audio in down time, with audiodramas follow subs when possible, when immersing with anything try L-R like strategies to add practice with both skills).

#rant #april progress #april goals #may study plan #study plan #may goals #may #what i learned from this is... i have no fucking structure guys #im a mess i just do Whatever #only thing close to ANY structure is that with chinese im fairly consistent about reading #someone help me come up with a cleaner study plan?#or is the fact just that this is Just how i study???#do i just need to bounce and do random stuff?

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cabin-fever-bang · 4 years

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Campfire Stories (Vol. 1)

Welcome to the Cabin! We proudly present the first edition of Campfire Stories: your one-stop shop for quality quarantine content.

We’re going to do these regularly, with in-depth reviews of everything that’s been submitted as a prompt fill and additional recommendations from the masterlists of writers who get involved.

If you’d like to be one of those writers, just follow us, comb through our prompts, and be sure to tag us when you post! It’s that easy. We welcome all fandoms and pairings.

This batch of reviews was cooked up by @thoughtslikeaminefield (MJ), @there-must-be-a-lock (Lou), @itmighthavebeenintentional (Val), @fangirlxwritesx67 (Viv), @cracksinthewalls (Bri), and @mskathywriteswords (Kathy), but we encourage you to pass along the random acts of writer-love and reblog with your own additions!

Pull up a seat, toast a marshmallow or two, and settle in for some excellent reading material.

Choices We Make - @becs-bunker - GIF prompt submitted by @dawnie1988

Pairing: Demon Dean x Female Reader

Warnings: angst, brief threat & violence, smut, language, dub con-ish, unprotected sex, orgasm denial

Words: 1374

Everyone loves a Demon!Dean fic, and this is a good one! Lots of action, lots of angst, and some really hot, awful Dean.

Honestly it all felt like some surreal nightmare you couldn’t wake up from. You just wanted Dean back, your Dean.

These lines summarize both the Demon!Dean story arc and the narrator's frame of mind so well, pulling the reader right into the perspective of the story.

“I missed you, y’know?” Dean sighed, and the naive part of you wished he was telling the truth. That somehow, deep down, he still loved you.

This is heartbreaking because it's relatable, because the author does such a good job with the narrator's voice.

Dean licked his lips and there was a familiar hunger in his green eyes that made a whole different sensation rise in your body, and it wasn’t fear.

I'm not going to quote any more lines from the story because the author has written one hell of a twist, but trust me when I said, I gasped out loud reading it. The rest of this story is an absolute roller coaster, well worth the ride.

- Viv

Come For Me - @fangirlxwritesx67 - image prompts created and submitted by @idabbleincrazy

Pairing: Sam Winchester x female reader

Warnings: smut, canon level violence, fingering, first time together

Words: 3100

First, let’s talk about this aesthetic. It’s soft and beautiful, but stark and needy. I love the quotes and photos, the way they flow together. Fantastic visual prompt. "Sam Winchester?” He spoke in a theatrical, mocking tone. “Ooooh, I’m frightened." This line made me chuckle. I love the idea of what’s ahead of us. The bad guy is built up in a hilarious way. Sam is presented through the heart and mind of the narrator, you. But thinking of Sam suffused you with a warm confidence. Not for one moment did you doubt him. This confidence is contagious and warming. Meanwhile, the anxiety over the vampire lurking somewhere else, waiting to taste you… it builds in a beautiful and believable way. There’s a rush of emotions as Sam rescues you, and he’s patient and kind, even while making jokes and being the Sam you know and love. Things progress, and there’s a beautiful and sweet (okay, and hot!) sex scene, with a first time between Sam and you. All in all, a really solid piece, with some story, some tension, some sex, and a whole lot of sweetness.

- Kathy

A New Day - @becs-bunker - image prompt created and submitted by @there-must-be-a-lock

Pairing: Sam Winchester x Reader

Warnings: fluff

I’ve not reviewed an image prompt before, so let’s just jump in. The first word that jumps to my mind is light, but I love how suffused and golden the whole image is. Softer, safer, intimate. There are little pinpoints of light, rays of light, shining light, and the whole thing makes me feel...well...light. Sunrise and candlelight, new day, new beginnings.

The images chosen for Sam, the angles and features we get, are such close, personal angles and shots, giving us this tender atmosphere and setting the tone for this story: personal. Everything you're about to read is intimate, personal, and private, in such a lovely, delicate way.

The curtains in that first shot are so filmy and ethereal, and the whole story feels like it’s set in a kind of golden-hazed forest. And, let’s face it, any sort of vacation for a Winchester is a kind of fairy tale.

I’ve managed to stay pretty much above the brow, so Imma have to dip down for a minute and just drool over Sam’s trapezius muscles. Oh. MY. GAWD.

Golden, glorious, graceful, and just a touch of gooey. Good, good, good.

So, right off the bat, let me tell you that this story is everything I’ve ever wanted for Sam, like everything the show and Chuck and the universe has ever denied him. He’s rested, he’s comforted, he’s bathed in glow (the sun, the reader’s love, all that jazz, you know?).

And then it goes and hits all my camping weaknesses. I was literally just telling someone how I’m missing my camp more than ever now. It’s been eight years since I’ve been, and this story brings back all those feelings of serenity and calm, voluntary isolation with people you more or less chose, because camp was and is my forever real home.

I know that seems a little rambly and off-topic, but the thing is, that’s what this story is for me. They aren’t at the bunker, their “home,” but they’re still home all the same, because (and, yes, you can shoot me for this) home is where your heart is, so this wonderful little cabin in the woods is home, whether they’ve been there together once or a hundred times because Sam.

And then that bit of sugar tossed in at the end...Oh, this story was good for my soul. “Warm mug of coffee on a chill morning, under a blanket” kind of good for my soul.

It’s one of those where I would love to have so much more of these two, of this warmth between them, but I also am perfectly content to know them just in this one perfect moment forever, before the day starts, when everything is still in the “it’s about to happen and it will be great” stages. The beginning of a great new day.

Thank you. I needed this story, now more than ever.

- Val

Crash - @myinconnelly1 - requested by @adoptdontshoppets for @idreamofplaid aesthetic

Pairing: Dean Winchester x reader

Warnings: smut, fluff

Words: 810

The first thing that draws my eye in the aesthetic is the linked fingers. I love pinky links (I’m sure there’s a less cutesy way to say it, but I like it; sue me). They’re sweet, and really personal. You’ve got super tough Dean Winchester who isn’t embarrassed or afraid of intimate, goofy gestures. In fact, I feel like that would one hundred percent be Dean in a relationship: Dean is a giant ball of goofy, intimate gestures.

I love the choices of relaxed, bearded Dean/Jensen paired with the casual, cool color palette immediately set me at ease. This isn’t going to be a terrifying, angsty ordeal. This is going to be calm, soothing, sensual.

And the roses, the sand, the surf, the candlelight, the pokey palm tree fronds...I can hear, smell, feel every bit of these images. The golden-pink wine...ugh. This whole experience is a trip to paradise.

I love how all five senses are emphasized and made equally important. It gives us so much more connection to the moment, makes it that much more intimate. The constant crashing of the waves in the background; the bittersweet chocolate; the cozy, homey image of the baking-wrecked kitchen followed by the much more erotic, candelit bedroom; and then the scent of the oil mixed with the warmth and strength of Dean’s touch.

I also love the level of comfort in the story. We have the cookies, a hard-core comfort staple. We have the warm, lazy beach setting. And the easiness these two have together: that’s the dream, my friend. I love how they have no trouble at all communicating what they want and need, how they are comfortable enough to be messy and cute and flirty and sexy, one right after the other.

And the description is so thorough, I have no trouble at all imagining myself there, in that wonderful, relaxing moment.

This story is relaxing, decadent, soothing, and fun all at once. I am a huge fan of the ending, as well. I was smiling through the whole story, but at the end, I literally laughed aloud. And now I think I’m going to have to excuse myself to go find some chocolate chip cookies. This story gave me a couple of cravings, and as Dean Winchester is in short supply in the real world, cookies are the one I can satisfy right now.

This story is, dare I say it, such a sweet escape.

- Val

No Sugar Added - @myinconnelly1 - requested by @fangirlxwritesx67 - “I’d like to see Steve Rogers from MARVEL sharing Depression-era coping tips. Maybe he vlogs how to make apple-less apple pie.”

No pairing

Warnings: Spoilers for Infinity Wars + Endgame, mention of mental health issues

Words: 446

This was my prompt for the Cabin, and I loved what this author did with the story! A little bit of fluffy cheer.

“Hello, I’m Steve Rogers. As many of you know, I’m also Captain America, and I was alive during another time of hard living conditions.”

Right now, a lot of things in the world seem scary and unsettling. It's one of those times when we turn for comfort to the lessons of the past, to the wisdom of generations, and to heroes. This author does a great job with Captain America, Steve Rogers. His cooking lesson is exactly the sort of inspiring, instructional video I would love to see.

“What is that smell?” Natasha asked as she looked behind her to see Steve walking into the office with the plate.

Because it was never about pie, apple or otherwise. It was always about comfort. Our favorite foods help with that, and so does Captain America, especially written this well.

There are some fun tidbits in this story, including a peek of history and an actual recipe!

- Viv

Communion - @thoughtslikeaminefield - requested by @mskathywriteswords “Fluffy dean or Jensen smoking weed plz, ty”

Pairing: Dean Winchester x unnamed female character

Warnings: marijuana use, high sex, het sex, fluffy smut

Words: 1002

How do I love this? Let me count the motherfucking ways.

First of all, the way this sucks you into the characters’ headspace is beautiful and subtle and masterfully done. It’s in the sentence structure and the flow of the words; there’s no need to describe their inner state, because it’s written into the movement of the sentences and the choice of words. She doesn’t have to say that they’re high, because you can fucking feel it in phrases like “It’s sending me off somewhere…” or “I shiver at the thoughts careening through my mind.”

Second, this is molten hot, but (as with the best smut) it’s not just some rote story of “then he was hard and we banged and it was great.” The sexy bits are unique; this isn’t the same smut you’ve read a thousand times before. It’s got its own personality and tone and voice that very much belong to this particular story.

Also? Filth with feelings! My favorite genre! It’s deeply emotional. I am all for smut that is both dirty and tender. This is like a masterclass on how to walk that line.

It’s such a simple premise that becomes so much more; this has things to say about Dean, about his personality, about this relationship. This takes a very specific moment and uses it as a framework for something big and meaningful. This, for example:

When Dean has to be big, he uses his whole self. His body takes up space and his mere presence -- he can make the darkest of demons shudder with his presence alone.

But Dean’s natural state is this -- nesting, nuzzling, curled up and warm.

Yuuuup.

Also:

His hands -- the same hands I’ve seen thrust a blade into the guts of angels and demons -- are tender, fingertips light but persistent as they slip under my tank top and splay over my belly.

It’s so intimate. This is why we read fanfic, right? To feel like we’re close to these characters that we love so much, to delve into the sides of them that we don’t get to see much in canon… this fic feels like something personal and private that we’ve been lucky enough to be let in on.

- Lou

Deeper Than Deep Conditioner - @fangirlxwritesx67 - requested by @awesomesusiebstuff “The two Sam’s (our Sam and AU Sam) maintaining their hair care routines while quarantined.”

It’s one of those days when I’m feeling too fragile for this world. What’s the best remedy to knock some sunlight into my dark mood? Today, it’s fic -- and one that makes me giggle is a bonus.

This little gem is filled with funny one-liners and side-eye moments to make you laugh out loud:

Dean dreamed of driving away, of bikini beauties on the beaches of Rio. Sam dreamed of scarves and what it would be like to have no bigger worries in the world than his hair.

The look Dean gave him would’ve curdled milk, if there was any, which there wasn’t, because Dean took his coffee black, like a man.

A touch of realism in this bizarro situation got a chuckle, too:

“Sorry, sweethearts,” alt!Dean said, “Flights are all cancelled. A virus or something.”

When Viv named the alternates Deano and Sami, I gave in and embraced the madness. I was delighted with Deano; that’s my own nickname for Dean in my head. But Sami, a most pretentious twist on Sammy? A master stroke. I was tickled.

I was fully on board with enjoying this romp through the bizarro world, but then I was taken by surprise. This little moment, a hint that Sam has been trying to make the best of their circumstances, touched me:

“Is this really how you live?” said Sami, with a dismissive glance at his paper napkin.

“Look,” Sam answered. “I’ve done my best. It’s taken a lot to get us this far.”

I was prepared for that to be the exception to the rule -- a moment of sincerity amongst a sea of lighthearted fun. And there was plenty of fun ahead of me. The jokes come at you hard and fast in this story! But I realized the mood was steadily changing, and suddenly, I was immersed in sincerity and maybe a little sadness:

...somewhere out there, was a universe where he pampered himself...

...maybe there was a place where he could enjoy something as simple as a deep condition...

...something Sam had wanted to watch but never had time for...

...for the first time in a long time, he caught himself laughing...

I thought maybe that was it. A few moments of Sam learning to appreciate what Sami (I was still laughing at that) had to offer, instead of simply mocking his manbun and scarf (I don’t think I could ever stop mocking that, but Sam’s a better person than I am).

But no. It didn’t end there, and I still wasn’t ready. Before I knew it, I was steeped in Sam’s melancholy, his yearning for a life kinder and gentler than what he’d been given. I was truly heartbroken for him in that moment.

I won’t spoil the rest, but by the time I got to the ending, I was grateful for the funny beginning that softened the landing. I expected a comedy, but what I got really was deeper than deep conditioner.

- Bri

Dear Mr. Fantasy - @itmighthavebeenintentional - image prompt submitted @thoughtslikeaminefield

Warnings: SEASON 15 SPOILERS, bit of angst.

Words: 2157

I found the image prompt in my Tumblr feed and immediately started plotting ideas that I cannot write bc I have too many fucking WIPs so imagine my excite when one of my all-time favorite fic writers (and one of my very best friends) filled the prompt as a surprise for me!

Val tells stories with a depth and humor like no one else I’ve ever read. Her natural wit and smarts shine through her fictional words as well, and I love seeing glimpses of her in her work.

In one universe, someone neglected Baby (couldn’t have been Dean, had to’ve been Sam) to the point where she pulls slightly to the left. Dean spends the morning after that dream with a muscle tick in his cheek and a suspicious, side-eyed glare for Sam that he never bothers to explain.

Dear Mr. Fantasy is bittersweet. It is soft and rich and full of color — all the senses are here. It’s a sledgehammer of realism wrapped in velvet. And it’s so very Dean.

At forty-eight years old (none of that years young bullshit, either; he’s old, and he’s goddamn earned it)

In the midst of reading canon Dean dreaming of and admiring and protecting his favorite of his AU-selves and that version’s life, we are treated to what it would be like if he was allowed a normal life. Our devoted, brave, warm, and loving hunter as a common mechanic would be just as brave and loyal, no?

“Pretty sure she’s settled on ya, so just make sure you’re worth it.”

So that’s what Dean did.

But our Dean — the Real Dean as Chuck says — can’t quite let his guard down even in his dreams of another world, even if that other world is safe as houses. He’s still aware of just how unreal this reality is.

Splashes of indigo and orange paint the horizon, framing her approach in a wash of colors blending into shadows that hold no danger.

Then, he lets himself mingle with that dream, if only for a few moments and it’s bliss.

Older Dean and worn-out, monster-plagued Dean sigh together, content down to their bones. This life is it for both of them. She is it. One Dean still can’t believe his amazing luck after all these years, and the other aches at the simple, total happiness he feels honored to witness.

I love you, she whispers, and he allows himself to believe for one moment that she’s talking directly to him.

I’m not going to spoil anything for you, but I will say that you need some tissues. I cried through 90% of this story, from joy and from heartache.

Because that’s what Valerie does, breaks your heart and makes you smile, and it is so fucking good.

- MJ

Synesthesia - @there-must-be-a-lock - request by @wendibird “SPN, Sastiel, due to all the Angelic Grace Sam has been exposed to over time, he starts resonating with Castiel’s. Especially if Cas’ emotions are running high.”

Pairing: Sam Winchester x Castiel

Warnings: none!

Words: 750

First, I love the song that enhanced this idea for Lou. It lends a tenderness and whimsy to the plot that isn’t inherent.

Second, Lou’s words are like poetry and watercolor doing a dance of their own making — GORGEOUS phrasing and rhythm.

Cas whirls around, and Sam is hypnotized by the bright blue in his eyes, wide and concerned in a way that makes Sam feel like he’s being lit up from the inside. There’s a floodlight in his chest.

And, y’all, I don’t even go here, but I swooned SO HARD.

It’s an effort to focus, but when he meets Cas’s eyes, Cas smiles. Sam sees a shower of sparks like the last fizzle of a firework.

Sam hears it as a flutter of spring green like a new leaf.

And Lou’s characterization is always spot on, right? But like Dean isn’t even in the scene, yet here we are.

Don’t let the words fool you; there’s a very angry rainbow happening in his head most of the time.

And did I mention the ARTWORK that is this woman’s WORDS?

There are stars under their feet, entire galaxies spinning out around them, dancing spirals of kaleidoscopic green and gold melting into whorls of brilliant blue.

Anyway, please go read. You’ll be flying high for hours afterward. xox

- MJ

Salvation - @dontshootmespence - image created and submitted by @idabbleincrazy

Pairings: Sam Winchester x reader

Warnings: angst, torture, gore, smut

Words: 1,401

The aesthetics by this artist inspire stories just because they are so well done. This one was a good balance of handsome Sam and some nice suggestive pics along with the phrases that helped shape the action of the story.

This story feels like an episode of the show from earlier seasons, just the right balance of angst and monster fighting with tantalizing peeks of smut and feels. Excellent job!

There are no words that come close to explaining what she means to him. How she saves what soul he has left.

These flashback scenes are both hot and tender. The voice the author gives to Sam is spot on, achingly familiar.

"You're Sam Winchester, the boy with the demon blood."

It's easy to forget, sometimes, all the things that Sam has been and done, how fearsome of a hunter he is. This story reminds us with razor sharp precision.

When he meets her gaze, he finds the peace he's craved for so long.

The contrast between the flashbacks and the action is painfully good.

What’s more frightening, a man like Dean, practiced in his violence out of necessity? Or a man like him, on the verge of losing everything and nothing left to lose?

This is a well drawn distinction between the Winchester brothers, and such a good characterization of Sam!

"You're safe with me, Sam. You never have to hide from me."

Such a beautiful relationship between Sam and this woman! It's no wonder he's fighting so hard to save her.

This story has an imaginative plot, fast paced action, some sweet hotness, and such a good Sam!

- Viv

The Second Hand Unwinds - @mskathywriteswords - image prompt created and submitted by @there-must-be-a-lock

Pairing: Dean Winchester x reader

Warnings: hurt, comfort, angst

I had a vibe in mind when I created this aesthetic but this went so far beyond anything I could’ve imagined. It absolutely nailed that nostalgic, wistful, antique-photo-album feel, and then it managed to knife me in the fucking gut in a few ways, none of which I saw coming.

The JOY in the first part of this is absolutely tangible. It’s so romantic and sweet in a very dreamy way that feels exactly like first love. I love the scattered, disjointed imagery around the flowers in the first part, like flashes of memories coming at you all at once, and then when it settles into the narrative it manages to hold onto that dreamy feeling while still moving neatly through the plot.

This moment was about us, and I wanted to live in it forever. You never gave me reason to cover my body, not that night or ever.

Goddamn right. Ugh, precious and beautiful. And then this:

After so much undiluted time together, I had no idea how to sleep alone. I felt raw waking up by myself, not being able to feel your stubble tickling my skin.

There’s something about that last line that just grabbed my heart and tugged it in a wonderful way. It’s ACCURATE, first of all; this is one of those super-specific feelings that is hard to describe concisely. I haven’t really thought about that feeling in a while, but that little sentence just cut through so many years and brought me right back in a deep and visceral way.

You took pride in doing all the things that were never done for you, you’d told me.

Ouch. It’s little touches like this that make this ring true to character even though it’s a very different Dean than we see in canon.

And then that ENDING.

How do you contain a bomb once it’s been set on fire with grief?

Fuck, dude. Everything about that ending was so painful. I love that she left it raw and messy and not like a simple “welcome back!” kinda moment.

This was just gorgeously done. Can not recommend it enough.

Fort - @there-must-be-a-lock - prompt by @mskathywriteswords “Fluffy dean or Jensen smoking weed plz, ty.”

Pairing: J2 x reader

Warnings: blowjobs and weed.

Words: ~2150

This piece of deliciousness opens with Jensen walking out of the bathroom with a towel on his hips; do I need to say more? I don’t, but I will. After some beautiful description of the blanket fort, we get treated to Jared in nothing but pajama pants. The descriptions in this piece are vivid and full. the way Jared’s hand looks between Jensen’s muscled shoulderblades, thumb stroking back and forth between patches of gold and red light, makes me want to capture the moment and hold onto it. I can see that image in my mind, picture the two of them together, and that’s what makes excellent writing for me. The warnings attached to this piece are fully applicable; the story is very cute and sweet, there’s weed, and there’s Jared and a wicked oral fixation, which in the case of this one-shot means dear Reader, that’s you, get to witness a searing blowjob from one J to another. The way these three interact makes my heart swell, and there’s something about watching the dynamic change between them that really hammers home just how functional they are together. Dive in to this universe, Everything. There are no regrets to be had, maybe only that you waited so long to get wet.

- Kathy

The Gazelle - @thoughtslikeaminefield - requested by Anonymous “I’d really love some more Dean x Benny fanfiction, AU, aligned with canon timeline, whatever. I think they deserved a chance and Benny got killed off before it could even be explored :(”

Pairing: AU Dean Winchester x AU Benny Lafitte x unnamed female character

Warnings: power exchange, mmf threesome implied, Denny apparent, nudity

Words: 1000

Let me start with a caveat: I’m in the bag for pretty much any Dean x Benny fic, pretty much any Dean x Benny x person #3 fic, and absolutely any MJ fic. So you could stop reading this review right now and just go read the fic, if you want; in fact, I sort of recommend it, because it’s better than anything I could have to say about it. But if you want to stick around, I promise to be a little more coherent than ZOMGGGG PERFECT HOT SEXY TIMES DENNY LOVE GORGEOUS MORE PLZ!

Before we even get to the words, we’ve got a gorgeous graphic. Black and white beautiful boys, staring you down with those “I’m gonna fuck you so good” eyes, paired with a sweetly sexy woman tinted with a soft pink; she looks carefree, open to have some fun, and you can imagine her telling them to bring it on. MJ’s graphics are always great, setting the perfect mood for her fics, and this is no exception.

And right from the jump:

Dean and me — we share a lot of things.

We share good music and good drink. Tonight, we’re sharing a good woman.

Oh, this is in Benny’s voice?! Okay okay okay, cool cool cool, I can handle this…

...Dean purrs like a jungle cat as he hovers behind her, hands in her hair, twisting and twirling the silky tresses…

...Dean sets the pace and is the anchor, always. He keeps everything stable and grounded…

And now I’ve realized that I’m going to be seeing Dean through Benny’s eyes -- and no, not cool, can’t handle this -- but I’m definitely not stopping.

I like to mix things up, though, and he lets me.

MJ is a brilliant writer with many talents, but I think her specialty, regardless of what characters she’s writing with, is brilliantly salacious smut that’s steeped in emotion. She can’t help it. Her fucks come with feels, every single time, and I hope it never changes.

This piece is certainly no exception. Dean and Benny are circling their prey, this unnamed woman, utilizing their individual strengths -- Dean’s encouraging, I’m demanding -- and the sexual tension is building with soft touches and lingering kisses. As the scene is progressing, Benny’s inner monologue is sprinkled with thoughts about Dean:

Times we don’t have a subject, Dean’s focus is on me. I don’t argue and I do not complain. Dean knows what to do with every inch of that long, lean body of his. He knows how to cage a person in, make them feel safe, wanted, fucking needed.

She’s handily building emotion and a personal backstory without an exposition dump, without taking focus away from the action for too long:

His hands move slowly, seemingly random, but I know how focused he is on her and the moment. Giving and seeking pleasure are vital things to Dean and he takes the acts to heart.

I’m immersed in the now of this scene but I also understand the depth of their feelings for one another, their history and dedication to each other, and how they work together to bring another partner into their orbit. MJ makes it look easy, when it’s anything but.

And then she gifts us with this perfection and I’ve melted into a puddle of emotionally aroused goo:

“You promise to love, honor, and cherish ‘til the morning light, Dean?”

That is a vow of devotion to a one-night stand. What?! How?! Does her brain come up with this?

From there, the scene continues, the action escalating, supported by a framework of realism and heart. Her Dean feels familiar and in character, even though we’ve never seen him in this particular situation. And Benny, we hardly knew ye, but she brings him to life alongside Dean and I buy their relationship completely. I buy all of this, and now I’m invested.

And then…

“Do it, then,” she says, challenging. “Wreck me.”

My breath catches, my heart starts to race -- yes, here we go! -- a few more sentences, one last connection between Dean and Benny, and then --

Oh, you are evil, MJ. You are so perfectly evil and I wouldn’t have it any other way.

- Bri

#random acts of love #cabin-fever-bang #cabin fever bang #fanfiction #fic rec #rec list #bear hugs #welcome to the cabin #campfire stories #writers supporting writers

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stop-breaking-my-heart-telltale · 4 years

Note

CJ!! Have you watched Love, Simon??? BECAUSE LOVE SIMON JAMITCH AU💞💕❤️💖💓💓💞💕

ANON

YOU GENIUS

Fun side story before I gush about this AU: I own and have read Simon vs the Homo Sapiens Agenda, enjoyed it, and when I heard they were adapting it to a movie? I can’t express how excited I was.

I saw it in theaters 3 times, twice with a great friend at the time, and once with my best friend at the time. It came out a little while after I officially ended shit with my ex [who did NOT want to see this movie because plot twist, he was a dick] and I was still dragging my feet about that. This movie helped a lot.

Now that I think about it, I haven’t watched that movie in forever! I need to rewatch it!

Anyway, for anyone who hasn’t heard of Love, Simon or read the book it’s based off, allow me to summarize:

The story follows Simon, a 17-year-old boy who is gay but not out to anyone and he doesn't know the identity of Blue, a classmate that he's fallen for online. One day when he’s talking with Blue in the library, he forgets to log out of his account and this dingus named Martin finds the emails.

Martin confronts Simon about this, promising that he won’t out him to anyone... IF he helps him land a date with Simon’s friend, Abby.

So, Martin blackmails him and now Simon is conflicted and worried about hurting his friends and being outed all while trying to discover the identy of Blue.

I won’t say anymore because I encourage you to see/read it yourself, so I’ll put chatter about the au under a Read More as well as tag this and any future posts as # twdg love simon au.

So this is like perfect for Jamitch?

Like... Mitch as a closeted gay who starts chatting with Blue [cough James cough] but doesn’t know his identity, he’s not out to anyone, not even his best friends or younger sibling, Willy.

I’d say that Clementine is Nick [because brotp mitch and clem y’all], Aasim can be Leah, and Louis is Abby.

So, Clem and Louis are super into each other and Mitch assumes that Aasim is into Clem when Aasim is actually into Mitch. This was a movie exclusive since in the book Leah WAS into Nick if I remember correctly.

Also yeah, Leah is a big BI so Aasim fits perfectly.

Anyway, as for Martin........ who would be dickish enough to blackmail Mitch into trying to set them up with Louis?

Wattpad says Sophie but I say Marlon. Rat boy Marlon.

Marlon’s like “Hey, saw your emails. I won’t leak them IF you help me out. Your buddy Louis is hot, help me win him over and we’ll be good :D”

And Mitch is like “Are you fucking serious???” but has no choice but to go along with this bullshit. Which means he’s gotta keep Clem and Louis apart and somehow get Louis to take a romantic interest in Marlon. Which Marlon does NOT make easy.

Oh god, I just remembered the football confession scene...... second hand embarrassment, anyone? Oof.

Also, what’s nice about this AU is that Mitch’s parents are so much better than the parents I gave him in the Jock+Nerd AU. My boy gets a break. I mean, it’s not easy at first but in the end it all works out and he has a happy family.

Oh, who would be the other two dudes that Mitch theorizes as Blue...? There’s three total, I believe. James is ones....

Hm, how about Gabe? Gabe can be the nice, soft spoken one I guess. Then Omar can be the other dude.... because the other dude worked in a restaurant. That works, yeah?

OH OH OH! THE ENDING! WITH THE FERRIS WHEEL!

Mitch waiting on the ferris wheel....? waiting for Blue to show up...??? and when he’s on his final ticket [paid for by Marlon] James finally comes forward asking if he can sit there....?????

I CAN’T-

#asks #twdg mitch #twdg james #twdg jamitch #twdg clementine #twdg louis #twdg clouis #twdg aasim #twdg marlon #twdg love simon au

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blastoisemonster · 4 years

Photo

Meitantei Conan: Karakuri Jiin Satsujin Jiken

My review will focus on the "Murder at the Temple of Karakuri" episode (featured in the cartridge shown above), since it's the one I played thoroughly, but it needs to be said that all five games look very similar and apart from, obviously, the different plots -or the lack of colour in case of the two gray cartridge games- they all feature the same mechanics and controls, along with the same quality in audio and graphics department. Later games might also show a few cosmetic upgrades but nothing experience changing.

After choosing our save slots out of the possible three, we're immediately launched into the opening cutscene, giving us context for the upcoming investigation. Right off the bat, the Meitantei Conan videogame shows offs some rather impressive backgrounds and spriteworks, with nice panorama views of the places we're visiting as the protagonist and portraits of the speaking characters, which also change expression depending on their speech lines. The soundtrack isn't immense, but definitely has solid tunes, too: the title screen even plays the main theme straight from the anime! This elaborate sound and video combination makes it feel like we're watching an actual toon episode. As soon as the initial scenes are done, we're off of "cutscene mode" and into "investigation mode", which controls and feels exactly like a classic top-view RPG for Game Boy, with the prerogative that Conan can run and move diagonally. Suck it, mainline Pokèmon games!

In this particular chapter, Conan's gang is initially tasked with finding Satomi Togawa, one of Ran’s friends who has recently gone missing. The search leads them to an ancient temple in the mountains, once home to a ninja clan and therefore still filled with traps, but that now hosts several people. Conan plans to look around discreetly, but all changes when one of the other characters living in the temple, Yuuji, is found dead in his room. Police arrives to the place, and the kidnapping investigations are moved aside in favour of the murder ones. During the game, Conan can obviously look around interacting with various objects and characters to round up clues and/or solve a few puzzles, but he has also other tricks up his sleeve- er I mean, main menu: by pressing Start we gain access to the Map (useful in order to memorize the most complex exploring areas), Character Profiles that display name, picture and basic info of everyone we've encoutered in our adventure (a feature strikingly similar to Phoenix Wright's Court Records), and last but not least all the Key Words of the case: this section pretty much gathers up all clues, thoughts and discoveries we find during the game and by "Considering" them (simply clicking on them, that is) Conan comes up with associations and ideas. If pressed in the right order until a coherent line of thoughts gets formed, the story will progress and new "scenes" are unlocked until the culprit is caught and their motives and modus operandi are explained. We can also stick close to the crime scene and examine the body and murder weapon, which are represented with perfectly gruesome close ups, and thoroughly described where the Game Boy's pixel screen reaches its true limit; we get a description of wounds, state of the body, and approximate time of death, all useful information in order to unveil the mystery. This chapter in particular also had an interesting murder puzzle with seemingly more than one killer at the same time, which made the experience even more pleasant to discover. Among some secondary game mechanics, the player may come across a few multiple choice answers of which only one is correct and guarantees progress; however, if the other two are chosen, there's seemingly no other malus than making Conan act like an idiot, though without changing the order or nature of future events. Conan can also "swap" roles with other playing characters if he talks to them (for example, while in the Karakuri temple we also have the choice of fooling around as Ran or Kogoro). This is not necessary in order to complete the case, but I understand it could be a welcomed touch for fans of the series that would like to experience a certain scene from different point of views; quite infact, it's interesting and funny to see how different characters react to clues or interactions, and NPCs also respond differently depending on who they're talking to. For example, suspects have a hard time responding to Conan while the police is investigating because they feel like it's not a kid's business; also, we learn that Kogoro is a record breaking asshole, as considering Key Words with him leads to absolutely nothing.

After all requirements are met and we're ready to point the finger at whodunit, one final puzzle is triggered in form of a questionnaire: similar to Gyakuten Kenji's logic thinking, Conan tries to summarize the case and put all events and intrigues in order with a series of questions that the player must reply correctly. However unfortunately it seems that just like the other multiple choices we get through the main game, these ones too end up feeling kinda useless for the unfolding of the events. Unmasking the culprit feels kinda a letdown, sadly, as it is presented not as an interactive section but rather as a long cutscene that, as said before, is not even influenced by how many answers the player got right during the "recapping" inner monologue. We don't even get to shoot Kogoro with sleeping needles; the game does it all by itself. That was very unnerving and unexpected, especially for an investigation game, and frankly the most negative point about it. We also get an epilogue where we save Satomi (remember her?) and some minor plot points that link this chapter's plot to the next one, tempting players to get the upcoming new cartridge. And after this, our very last gaming screen: a rating. Turns out that fooling around giving wrong answers only contributes to a less than stellar final score and nothing else in the game, which is honestly a shame, considering that it could have been potentially used instead to present different scenes, ways of investigating, and even possible bad endings. One could argue that this particular choice was made due to capacity limitations for data, but in that case why leave us the illusion that our choices matter? The character swap count is also shown on the score screen: I'm not sure if this counts towards a negative score or not, but I do hope developers didn't mean to penalize players for wanting to explore the game with different point of views (which, honestly, is what a good detective would do instead!).

In Short What's positive about Meitantei Conan? It's a little jewel in term of graphical and audio quality, and an impressive technical experiment that brings a complicated genre such as the murder mystery on a simple console such as the Game Boy, with a positive result. Easy to maneuver, it offers an intriguing story that can be enjoyed just fine either as alone or as a chapter from a saga, since the main plot links every single cartridge together. And it's also so bloody! Once you see this you'll definitely want to see fanmade Phoenix Wright cases on Game Boy. Let's start some projects!

And, what's negative about it? Well, it could have definitely been much more interactive. Except for the main examination part, the player mostly gets to follow the case through cutscenes, and the fact that they can't control any character during the final showdown is definitely disappointing. The multiple choices and logic thinking recap are useless to the story when they could instead add a lot of depth and replayability, so it does feel like developers missed a big chance. Also the fact that we only play through one investigation makes the game feel very short... I would have at least preferred to have two "episodes" per cartridge, but I imagine this was due to capacity limitations.

And that's the game! Very interesting and inspiring, but unfortunately not perfect. Nonetheless, an interesting piece for every kind of collection!

#Photography

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jane-the-zombie · 4 years

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Is that a Police? I’m Calling the Weed! || Ulfric, Celeste, & Jane

TIMING: Roughly Three Weeks Ago PARTIES: @big-bad-ulf, @celestelavie, @jane-the-zombie SUMMARY: With the Bennett home trashed, Detective Wu has a few questions lined up for the owner of the truck that was seen outside their home that night.

The case should have been simple, but Jane was admittedly not happy to add on yet another missing persons case into her ever growing pile of them. White Crest was an enigma - a small town that surely meant to be a bore, which was exactly what Sergeant Kelley had wanted when he transferred her here. Except it wasn’t. The unexplained phenomenons that continuously occurred in this town soon made her realize that zombies were the least of her problems. At least this case had a lead. The Bennett residence trashed beyond repair with the residents missing - not great. But a neighbor had seen a truck outside that night and actually identified plate numbers. Ulfric Haakonsson. Owner of Ink Inc. Willingly came down to the station to have a “quick chat” with her. Jane led him to one of the spare rooms. “Mr. Haakonsson, thank you for joining me today,” she said, politely. “I just have a few questions for you, and then we can get you on your way. How does that sound?”

Ulfric hadn’t given much thought to human law when he’d agreed to help Ariana hide her tracks. Pack law, the law of his nature, had taken precedence, the impulse to remove the girl from the path of danger immediately overshadowing consideration of any long term risks. So when he received the call from Officer Wu to come in for a chat he was disappointed, but not surprised. As isolated as the former Bennett residence was, it had only been a matter of time before someone found the mess that had been left behind there and started asking questions. He’d just hoped that with so many other strange goings-on in White Crest the WCPD would’ve been distracted and given him little longer before those questions were directed his way. Since it sadly seemed that time was up, he had no choice but comply with Jane’s request, heading to the police station as soon as he closed up shop. There was no way he was going to be forced to leave another country because of the meddlesome mundane legal system. “Of course, Officer. That sounds fine. I’m guessing this is about the Bennetts,” He answered, deciding that being as open as possible was the safest approach. “I just want to do my part to clear things up, then you folks can get back to other matters more important to the safety of our town.”

He brought up the Bennetts almost immediately. Jane kept her face passive, and she hoped that this was either going to be easy or that things had actually ended well. Though, judging by the state of the house, she wasn’t sure how anything in that house could have ended well. “Why don’t we take a seat?” Jane nodded to the table and chairs set up, taking a seat herself. She stayed silent a moment, before leaning back in her chair to get a good look at him. He cut right to it, right to the chase. Jane appreciated that. That meant she could skip the lowball questions first - how long have you been in town, what do you do for a living, blah blah blah - but it also meant that this could end up being harder than she hoped. Could swing either way. Jane fought back a sigh. “How do you know the Bennetts, Mr. Haakonsson? Why do you think you need to be clearing things up?”

Ulfric pondered for a moment, it was sometimes hard for him to explain to himself what the Bennetts were to him, let alone to summarize it so it made sense to human company. It felt most accurate to describe Ariana as family, but with the WCPD resources it would be fairly easy to prove they weren’t actually related, and that would just dredge up more uncomfortable questions. So, the truth it was then, or at least the parts that were easily digestible. “Ariana, came into my shop for a tattoo after her eighteenth birthday. I met her sister shortly afterwards. We’re close friends.” If he didn’t specify which one he was friends with, it didn’t feel as dishonest and he just hoped Jane would assume he meant Celeste since most grown men didn’t have much in common with teenagers. “If you’ve found their old place, I can see how it could give off the impression that something bad happened to them and I just wanted to assure you that they’re not hurt, and never were.” And never will be, if he had any say on the matter.

He was silent a moment, and Jane settled back in her chair. Ulfric seemed to be quite cooperative, didn’t seem to want any trouble, and wasn’t showing signs of deception. Which was all well and good, but that didn’t tell her anything about the Bennetts or what happened in their home to make it look like a serious struggle took place. Jane’s eyes narrowed. They’re not hurt, and never were. “Their old place was found looking like a pretty bad fight took place, Mr. Haakonsson,” Jane said. She had the crime scene photos in the folder in front of her. “And your truck was seen outside the property shortly before it was found like that. Do you know where the Bennetts are, then?”

“They’re with me. Staying on my property, for the time being.” Ulfric answered succinctly, choosing to address the direct question over the statement, though his eyes did flicker momentarily to the folder one the table. It didn’t take a genius to guess what was in it, and he wondered for a moment if the police had already cleaned up the mess after they finished documenting it. It would be just his luck to go to such lengths to send a message only for it to be wiped from the slate before it reached its intended recipient. “I can’t be the only one who’s seen them safe and sound since then,” He continued after a beat, pulling his focus back on Jane. Surely property damage wouldn’t rank highly on WCPD’s list of worries if he could prove no one was hurt in the process. And there should’ve been plenty of evidence, since the Bennetts had been going about their normal lives as much as possible, even after they’d been supplied with glamours. “Someone must have seen Celeste serving at Al’s Diner. Or you could contact the high school, Ariana’s been going to classes.” He added to that effect. “I’m surprised you’re asking me about this before trying to reach them directly.”

“The issue at hand isn’t inherently about their whereabouts,” Jane said, easily. She leaned forward on the table, resting on her arms as she looked at him closely. It was curious that he would so openly admit to Celeste and Ariana staying with him. Something strange was going on, and Jane decided she didn’t like it. Either Ulfric was the cause of the giant disaster that the Bennet property was left in, or he was helping them hide from the thing that did. Disturbances like that didn’t just happen. It wasn’t like a knocked over lamp or something similar. Ulfric could have been playing her still though, simply telling her what seemed to be the truth where something much deeper could be going on. “We’re looking into it because the Bennett family, both Celeste and Ariana, seem to be in some type of trouble. What can you tell me about that?”

In the past, Celeste had never really had to think of the legal aspects of running away from a temporary home. They never remained in town long enough for there to be any repercussions for them. The last thing she had meant to happen was for Ulfric to get caught in some sort of legal trouble on their account. It seemed he had worked hard to build himself a life and a foundation in this town. Her own lack of foresight frustrated her when she’d received a text from Ulfric telling her he’d been called into the police station. She had told Al she had an emergency and rushed over to the station, still wearing her ridiculous 50’s style outfit. The front desk worker had pointed her in the right direction and she spotted Ulfric. She gave a wave as she approached the room they were in, lightly rapping on the door before entering. “I’m so sorry for any confusion here. I can assure you that both my sister and I are perfectly safe, in large part thanks to Ulfric here,” she explained hurriedly, “I’m Celeste Bennett in case that wasn’t entirely clear. I’m happy to answer any questions you may have, officer.”

Ulfric sat stumped for a moment, resting his elbows on the desk as he considered what to say. Officer Wu clearly wouldn’t stand for skirting the issue any longer, he’d have to give some kind of explanation for the trashed house, one that didn’t put him or the Bennetts under further scrutiny. If he told her the basic facts, that they were hiding from toxic family members who meant to do them harm, surely that would be understandable, even if the WCPD didn’t agree with the extent they’d gone to in order to maintain their cover. But then again, if Jane did believe that story, they might place them under protective surveillance which would only hinder their ability to take care of the hunters that plagued them permanently. Still, he was struggling to think of an alternative that sounded less incriminating, people didn’t usually cover their tracks because they had nothing to hide. Reluctantly, he huffed and opened his mouth to speak but promptly shut it when he heard the knocking on the door. He relaxed in his seat as Celeste entered. It seemed the ancestors were merciful, even in ensuring he’d seen that outfit previously so he didn’t laugh when it made an appearance in the middle of a police questioning. “I believe her word on this might be more valuable than mine,” he suggested to Jane, inclining his head towards the door. “Should I wait outside? These things are usually done separately, yes?”

Saved by the bell, it seemed. Jane stiffened slightly as someone interrupted, turning to snap at whatever idiot thought this was a good time to cut in, before she realized who it was and what she was wearing. Jane had only been to Al’s diner once, but she could recognize the gaudy uniforms anywhere. If this weren’t such a serious issue, Jane would say that her uniform was the true crime here. “Ms. Bennett?” Jane said, rising. She looked between Ulfric and Celeste, concern growing. If Haakonsson was forcing either Celeste or Ariana to do anything, there was nothing that she could do without Celeste directly complaining. But, perhaps, there was all a reasonable explanation for this after all. Jane looked between them one more time, naturally suspicious, but she finally just let out a low sigh and nodded. “If you wouldn’t mind, please,” Jane waited for Ulfric to exit, before she gestured the to the chair from where he had been sitting. “Ms. Bennett, I am Detective Jane Wu. I just have a few questions for you regarding the state of your home and supposed disappearance, if you wouldn’t mind.”

It should have occurred to Celeste that what worked when they were truly running away wouldn’t work if they actually stayed in town. At the time, she’d been so convinced her parents could arrive at any moment that it had to look like they’d left. It would buy them time, give them control of the situation. “Yes, that’s me,” she answered, “But you can call me Celeste.” She gave Ulfric a nod as he left the room. Her mind moved at a million miles a minute thinking of what believable story she could tell the detective. Most wouldn’t believe the real story. Even here, in a spot where the supernatural flocked, there were so many normal people just going about their lives none the wiser. The truth save the supernatural elements of it was probably the best way to go. She took the seat across from Jane, patting down the retro skirt as she did. Her features were etched with concern as she answered, “Yes, of course. What did you need to know, Detective?”

Jane let out a low sigh as she sank back down into her seat to begin her new line of questioning. Now that she was absolutely certain that Celeste and Ariana weren’t buried in a ditch somewhere there was only so much she could do. At least, she thought with a sigh, it wasn’t another missing persons case. It would be a shame for two young women to go missing in this town where those types of cases were hardly solved. Jane had a sneaking suspicion that most of those cases would never be solved because of the supernatural involvement. At least it was relief that Celeste and Ariana hadn’t been eaten by anything. “Well,” Jane said as patiently as she could manage. “You could start by explaining what happened to your home that left you to stay with Ulfric. If you please.”

Celeste should have expected an explanation would be wanted. There wasn’t really a satisfying one to give, but she could try. Leave out the bits about hunters and werewolves and it still sounded plausible, right? Did normal people have parents that spent the last fifteen years chasing them so they could kill them? Humans could be shiity parents, too, right? She’d read the news enough times to know as much to be true. Maybe vague was better. She placed her hands together in her lap, only realizing now how odd hands were. Did she just leave them there? Did it make her look suspicious? She let out a breath of air and explained, “There’s some people, they want to hurt my sister and I. We’ve been running from them a while. When the house, I assumed it was them and Ulfric offered us a safe place to stay so that Ariana could finish out the school year.” Vague, probably left her with more questions than answers, but believable.

Jane stiffened slightly at the honest answer, alarm crossing her features. “Someone is after you and your sister?” And they were hiding in little White Crest. Despite the mime problem and the supernatural issue (could it really be considered a problem? Another thought for another time, really, but something to think about), it was a small town. She didn’t know anything about the Bennetts other than what was in their file. Surely there wouldn’t be mob involvement with them - though, there were crazier things. “There are people after you?” Jane said, leaning forward on her arms. “Look, Celeste, I want to help you. Whoever is after you, you need to report them officially to the police. We can place you in police protection, and figure out a way to keep them away from you. Who is after you and why?”

Maybe that hadn’t been the right approach. Celeste wasn’t sure what she could say to dissuade the detective from pursuing this any further. She sighed, “Yes.” Not wanting to offer up more information than that. Detective Wu urged her to share more, allow the police to help and provide protection, but there was no reasonable way to explain this was a threat the police couldn’t help with. Her parents were well-connected enough that they’d find a way to get to her and Ariana. They’d been after them for fifteen years now and they weren’t stopping now. A small frown was on her face as she tried to explain, “I’m sorry, but this isn’t something the police can help with. Reporting them will just draw more attention to Ariana and myself.” She racked her brain for a way to explain this in a way that made sense. Her mind briefly drifted back to how Kaden’s girlfriend rationalized the wings thing. As a last resort, the wording of medical condition could actually come in handy.

There was nothing that Jane could do. In all technicality, there were no laws broken. Just suspicion of them having been broken, and upon looking into it, there were no complaining witnesses or victims or anything. Just information that some people are after me and my little sister. Vague words, and it was clear that Celeste wasn’t going to be giving her any specific information any time soon. The police, supposedly, couldn’t help. She had heard that before, and usually people who said things like that ended up dead, one way or another. But Jane could see that there was absolutely no way she could push Celeste into giving her anymore information. A shitty part of the job was that she couldn’t help anyone unless they wanted it, unless they gave her the means for it. Jane let out a low sigh. “I implore you to change your mind, Ms. Bennett, and let me help you and your little sister.” Jane stood, before she reached into her pocket and took out her business card. After a moment’s hesitation, she grabbed a pen, and quickly wrote something on the back of it, holding it out to her. “This is my card. It has my work line on it, and I’ve given you my personal cell-phone as well. Use it if you need anything, alright?”

Part of her felt guilty. This detective seemed like a good woman and Celeste wished she could turn to the police for help. The fact of the matter was, laws hadn’t stopped her parents in the past and they wouldn’t now. Jane wanted to help, but she feared there wasn’t much she could do. There was no evidence to hold against her parents and it would require giving her real name. It was too risky, no matter how trustworthy the detective seemed. Still, she said, “I’ll think about it.” She shifted in her seat to accept the card that Detective was giving her and tucked it into her apron. Celeste doubted she’d ever use it, but it was better to have it on hand. Just in case. She patted her apron back down and expressed, “Thank you, really.” She felt bad for the detective, but at least there’d be no legal implications for Ulfric. She looked back to Jane and asked, “Was I free to go then? I may or may not have a trainee covering my section at the diner.”

Think about it. Jane was trying her best to think of any reason that she could make Celeste stay, but there was truly nothing that she could do. With a low sigh, she stood and nodded, going to get the door for Celeste. “Of course, you’re free to go.” She stuck her head out, and nodded to Ulfric as well. “You too. Thank you both for coming in and answering my questions. Let me walk you both out.” And hopefully, Celeste would call her before it was too late.

#para #para ulf #ulf #para celeste #celeste #is that a police im calling the weed

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bluerosesburnblue · 5 years

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Your Jacob’s Character by @hufflepunk-asfrick and (spiritually) MC Character Challenge by @cptaincarswell (neither of whom will actually be tagged because the ship sailed on these months ago and I don’t want to clutter their notifications)

Rules: Make a collage of characters that summarize what you headcanon your MC’s brother, Jacob to be like! Tag who you want to see do this

and

Rules: Choose five characters (movie or tv show) that represent your MC/ MC’s different layers.

So uhhhhhhhhhh... here’s the thing. I was tagged in the Jacob Character Challenge by @wilhelminafujita and indirectly by @batgirl-87 a long ass time ago. I was also tagged by @batgirl-87 in the MC Character Challenge but I don’t... watch enough TV or movies to actually do that one all the way! So I’ve gone ahead and merged the two challenges into just a collage of five characters for both of them

Explanations for the choices below!

We’re going clockwise from the top of each collage

Jacob Caradoc Dwyn

Ephemer (Kingdom Hearts series)

I made a direct comparison a long time ago, but tell me if this is familiar: an overly curious boy goes missing while investigating a huge conspiracy and you spend most of the prequel mobile game he stars in hunting his ghosting ass down while he occasionally sends you vision messages

The similarities go way beyond just their roles, though. Ephemer is a big conspiracy theorist who hates not knowing things and will do whatever it takes to hunt down the truth

Most people thought he was absolutely crazy, as you do when someone tells you that they think you’re all secretly being sent into holographic simulations when you go on missions (but he was also totally right)

He’s also notoriously overconfident in combat. You meet Ephemer because he decided to take on a monster way stronger than he was and got seriously hurt. But at least he’s self-aware enough to admit it (but also... is really gung-ho about fighting things in the current arc...)

He’s a genuinely nice guy but not above needling people to get the information he wants from them

Loyal as hell to the people he cares about and protective of them. Like, he really doesn’t know your Avatar all that well but still rushes out onto a battlefield to save you and volunteers himself to go on a potentially deadly mission with you just so that you won’t have to go alone

...buuuuuuut he’s not above going off on his own without telling anyone in an attempt to keep them “safe” and then getting into serious trouble for it

Is currently having a panic attack because he was placed in charge of a gang of teenagers and has to be The Responsible One™ but clearly hates it, which is what I imagine Jacob would do if you ever made him a leader in any capacity

Messy hair and an adorable smile

Honestly it’d be easier to list the things that Jacob and Ephemer don’t have in common. I didn’t intentionally base Jacob off of him but I won’t deny that a lot of Ephemer probably influenced Jacob’s character

Sokka (Avatar the Last Airbender)

Sokka’s on here mostly due to his relationship with his little sister, Katara. Jacob’s relationship with Seren is a very strong mirror to the Southern Water Tribe siblings

He’s really smart, but because he’s also very goofy a lot of people tend to overlook just how much creativity and ingenuity he brings to the table

No, Sokka’s seriously one of the smartest members of the cast. There’s a reason they call him “the ideas guy.” He knows when to get serious and break out the logic and reason. It’s never stopped him from being a loud, boisterous goofball, though

Cursed by the universe to a lifetime of misfortune

Sokka is very loyal and protective to his younger sister, but because she’s generally more emotionally measured it comes across like she’s taking care of him. And he knows that and really loves her for it, but it just makes him want to take care of her more, since that should be his job

They bicker a lot, but in the end they’re completely inseparable

Ellie (Up)

A bit of an unorthodox choice, but Ellie really is the physical embodiment of Jacob’s excitement to travel and Hufflepuff hard-working nature in a lot of ways

Ellie has huge dreams of exploring distant lands and she goes at it with such gusto that it’s completely infectious

Some people would argue that it’s overwhelming, but Ellie doesn’t really care about their opinion. She’s doing it for her own satisfaction!

When she falls in love with Carl, her goal changes to having both of them go on the trip together in much the same way that Jacob would really prefer traveling with his precious little sister, Seren, than by himself because they’re a team

She saves up her whole life for this trip. She never once gives up on it entirely. Despite the setbacks, despite the fact that she passed away before ever even accomplishing her goal, she was always working towards that great adventure

Sherlock Holmes (Ace Attorney Series - The Great Ace Attorney/Dai Gyakuten Saiban)

I am... so glad that I didn’t make this until after the fan translation for DGS came out because hoooooooo boy does Ace Attorney Sherlock give me mad Jacob Dwyn vibes

(I was always going to make Jacob a huge Sherlock Holmes fan so this worked out way too perfectly)

Ace Attorney Sherlock is legitimately very perceptive and good at picking up on minute details, but because he’s so overzealous about his detective work he has a tendency to jump to conclusions a little too fast and usually ends up having to be redirected by his more calm partner

Once you get him on the right track, though, he’s an unstoppable crime-solving machine (with the bonus ability of being really damn good at sleight-of-hand stuff)

He’s also hugely eccentric. Would Jacob Dwyn just hang from the wall by a hook while wearing an expensive tiara for the hell of it during an investigation? Ooooooh yes

Jacob’s a lot less wildly inaccurate, though, because he does genuinely want to solve the crimes to the best of his ability

I am absolutely certain that Jacob wouldn’t hesitate to tell everyone he knows about all of the mysteries he’s solved with his sister because guys. Guys it was so cool. Yes, I am THE Jacob Dwyn of the Dwyn Detective Agency please pay attention to my cool job

Sherlock is a Good Dad and Jacob is a Good Brother. Case Closed.

Ant-Man/Scott Lang (Marvel Cinematic Universe - Ant Man)

By this point you should be seeing a pattern. Smart, creative guy who’s also pretty goofy who has a younger female character that he loves greatly

Scott, though, isn’t above doing a lot of really sneaky stuff and taking unscrupulous jobs to get to his (admittedly pretty noble) goals. He adds that slight bit of moral edge we were missing from the Jacob equation. Not much, but some

Like I just think of the scene where Scott uses a bunch of creative methods to break into Pym’s house. Methods that require a lot of knowledge of security systems and science

He also does not let the rules stop him from doing what he thinks is right. It’s how he ended up in prison in the first place

Jacob Dwyn would unironically get very excited about a “Time Heist” and you can’t convince me otherwise

Also, the snark and quips. Can’t forget that Jacob’s an incorrigible sarcastic doofus

What can I say? Scott’s undying loyalty to his daughter matches Jacob’s undying loyalty for his sister perfectly

(We are all very lucky that Jacob wants to solve crimes because he would be way too good at doing crimes)

Seren Aisling Dwyn

Saoirse (Song of the Sea)

It wouldn’t have been right to make this list without including one of the characters that inspired Jacob and Seren in the first place and Seren fit Saoirse better than Jacob fit her brother, Ben

Song of the Sea is an Irish film about the two kids of a Selkie mother and a human father, who hides their heritage from them when their mother disappears (note: Jacob and Seren’s mom does not disappear). This hidden heritage causes Saoirse a lot of physical problems (i.e. rendering her mute, making her physically grow weaker the longer she’s apart from her seal’s coat), just like Seren’s hidden Siren heritage causes her to completely fail to address her additional needs that leads to a lot of unintentional illness in her Hogwarts years

Ben and Saoirse have to try and get back home so that Saoirse can sing the Song of the Sea and sent the Fair Folk home. That’s where I got the idea for Jacob and Seren to go wandering off alone as kids and encountering a bunch of magical creatures during their adventures from

Ben totally hated Saoirse until later in the movie, which inspired Jacob hating Seren after she’s born but warming up to her in a few months

Personality-wise, Saoirse may look sweet and quiet, but she’s a huge ball of sass. It’s just easy to miss because she only conveys it in her facial expressions, which is something that Seren’s always done, too

She also doesn’t follow their grandmother’s rules well. She’ll go along with things to a point, but the second she doesn’t agree she’ll strike off on her own and get it done by herself despite how tiny she is

(A lot of younger!Seren was inspired by Saoirse)

When given the opportunity to leave with the Faeries and her mother, she chooses to stay behind with her brother and father because she loves them, and while Seren isn’t fond of either of her parents, she would stay behind for Jacob

Yew Geneolgia (Bravely Second)

Okay... look, I promise that I didn’t just base Seren off of Yew because I made her before finishing Bravely Second but...

Playing Bravely Second was an experience after making Seren

So my boy Yew Geneolgia is the youngest member of a noble and prestigious house, was never expecting to inherit it because he had an older (half-)brother so he went to magic school and ended up being, like, the smartest student there, to the point where they had to give him a secret special ranking on the school ranking system because he was tooooo smart at magic (*cough* Seren singlehandedly winning the House Cup every year *cough*)

Of course their father doesn’t want to let Yew’s brother inherit anything because he’s not a pureblood noble (and the Dwyn siblings aren’t pureblood wizards). Yew’s brother disappears hunting down a sword in order to earn his way back into the family

Yew goes hunting the sword down to try and bring his brother home and surprise surprise it’s CURSED

(The Geneolgia siblings are not a perfect match to the Dwyn siblings but there are a LOT of similar elements there)

After his brother goes missing again after finding Yew with the cursed sword, Yew decides that he’s just going to try and be his older brother by taking up his place as a swordsman despite sucking at it. In Year 4, Seren decides that everyone just wants Jacob and not her, so she starts modeling herself after him more until she can’t keep it up anymore in late Year 5

So a small, young magic nerd who’s extremely awkward in social situations whose story revolves around a missing older brother that they attempt to emulate, unsuccessfully

Also, Yew is the one making all of the Bestiary entries. He’s clearly got an interest in Zoological stuff and he’s a very good artist since he does all of the illustrations in there, too

Hiccup Horrendous Haddock III (How to Train Your Dragon Series)

Hey speaking of Zoology did you know that Seren was into Magizoology and is very good at befriending creatures? It’s true!

Seren in her early years at Hogwarts is very similar to Hiccup from the first film. She’s shy, but undeniably witty and sarcastic. Her self-confidence is extremely low because she keeps getting compared to more successful family members. Her strengths come from her intelligence and being able to look at things from angles others might not, like extending empathy to creatures that most would hate

She’d never be able to hurt a dragon like Toothless come on. He’s too cute. Too sweet

As she gets older she still matches up with Hiccup, though. He finds himself being thrust into a leadership position and having to adjust, but doing so gracefully and with emotional maturity in much the same way that Seren steps up to lead the Cursed Vault crew when she needs to

You have to be pretty fearless to step up to a dragon that could bite your head off and then learn to fly on it, and when it comes down to it Seren is just as fearless in anything that is not a social interaction

I’m sorry, did I just hear SELF-SACRIFICIAL TENDENCIES? Why yes, yes I do believe that I did

And Hiccup will never, ever give up on Toothless no matter what. No matter what the dragon does (or is forced to do in the second film). Just like Seren will never give up on Jacob. No matter the cost

Ema Skye (Ace Attorney Series - Apollo Justice)

I know that Ema was in Spirit of Justice, too, but I don’t know anything about that one so I’m only covering her appearances chronologically up to Apollo Justice

I didn’t realize until watching someone’s blind playthrough of Apollo Justice recently just how much Seren was like Ema

So Ema starts off strong already as A Very Devoted Little Sister who absolutely refuses to believe that her older sister is guilty of a crime despite her sister confessing to it

(She ended up being right and her sister was blackmailed into covering it up which was honestly my default situation for the Dwyn siblings before the Portrait Vault chapter came out. Ema’s sister was being blackmailed with evidence that could implicate Ema with murder, Jacob would have been blackmailed with Seren’s safety. Which is still true, I suppose, but we’ll see how this holds up later)

She’s very passionate about forensic science in the same way that I imagine Seren can be in her own interests like Magizoology and later on the development of forensic magic

Almost a decade later, though, and Ema is... super jaded and grouchy. She’s sarcastic and kinda rude, but lights up again if you get her talking about her interests

She also doesn’t have her dream job but is instead... a detective. though Seren’s a lot more content as a detective than Ema is because she’s got Jacob and a license to do creature-related cases

But just the progression from the innocent kid to the jaded adult detective is... such a good match that I just had to put Ema in here

Katara (Avatar the Last Airbender)

And just like Jacob had Sokka, Seren gets Katara to round it off

There might be something to be said about the Southern Water Tribe siblings and the Dwyn Siblings both being linked to water as an element

I already covered a lot of this in Jacob’s section, but they have a similar dynamic

Katara is a Mom Friend extraordinaire who obsessively takes care of everyone in the group, even when it’s not her place to. A lot of them find it overbearing sometimes

While she’s generally fairly mature and level-headed, when she gets mad she gets absolutely furious and cannot be stopped until she’s satisfied

“You can’t knock me down!” is such an iconic line and very much embodies Seren’s stubbornness and determination to get back up and keep trying no matter what

She loves her brother. She’s not above criticizing him or the occasional jab, but she also knows when to give him credit for the incredibly smart things that he does. Nobody will defend him quite as hard as she will when she has to

The lovable, goofy, intelligent, protective older brother and the equally intelligent, mature, caring, stubborn younger sister. There’s no better way to describe the Dwyn Siblings than that

#harry potter series #harry potter hogwarts mystery #hogwarts mystery #hphm #hphm jacob #jacob's sibling #jacob dwyn #seren dwyn #my god i'm so sorry this took so long i really wanted to do it #but i also REALLY wanted to finish the picture of them as detectives to use IN it #and well... we can all see how well that one went

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voroxpete · 6 years

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Here is a completely unprompted rant about the ending of RWBY Volume 6

So, I wanted to take a moment to talk about how much I loved this season finale and why, and most importantly what kind of lessons it offers to writers.

In general, RWBY has always suffered from a tendency to let procedural plotting ("what is the immediate, physical problem in front of the characters and how do they overcome it?") drive the action while dramatic plotting tends to get slotted in around it. The ending of the first two seasons are both good examples, leading up to really badass fight scenes that ultimately do very little to express or advance the characters and their personal journeys.

In more recent volumes we saw attempts to rectify this, but the writers approached the problem by simply taking the action that resulted from their procedural plotting and awkwardly shoving dramatic resolution into it. The end of season 5 is a great example of this. The fight in Haven is a fucking mess. Everyone just sort of awkwardly pairs off in ways that don't make any logical sense, it's just done to create opportunities for ham-fisted character moments. It's so bad that in a couple of shots you can actually see Ren and Nora standing around very obviously doing nothing because the desperate need to force character moments into the fight means that its not their turn to get involved yet.

The ending of season 6 on the other hand... Oh my God, this was fantastic. What's key to how well this ending works is the multitude of ways in which the action and the themes directly support each other. We start with the action splitting in two, leading to the mech fight and the Adam fight... But notice how these scenes aren't actually disconnected. Everything about Cordovin - a character really only introduced for this moment - is designed to reflect and echo the elements of Adam that we're being asked to focus on. Cordovin is an abusive person. Not in the sense of abusive relationships specifically, but she uses her power to bully people. She's a narcissist, and even her physical design is meant to emphasise this dichotomy. She's a tiny person who loves to look down on others.

In this context, her misuse of the battlemech makes complete sense. Sure, she could have sent her airforce, and that would have made more sense, but it wouldn't have satisfied her personal need to be the bully, to be (literally) big and powerful and in control.

And all of this reflects perfectly in Adam. Just like Cordovin, he's ultimately small, and weak, and desperate to be powerful and in control. Even the damage that he's suffered plays into this. He's been hurt, and now he hurts other people to regain the control that he lost.

This plays out in his fight with Blake and Yang through some especially on point dialogue choices. The line "I wouldn't have to be doing this if you would just behave" left zero doubt where they were going with all of this, and was a bold choice that really raised the stakes for the scene. The decision to really lean into "Adam is an abusive ex" took a fight that was already excellent on a technical level and turned it into something really powerful. It's also kind of neat that both sequences lead up to a moment where the heroes give the villain a chance to stand down, and both fights conclude with the villain being astonished when the hero literally disarms them. Again, all of these parallels are reinforcing the central themes. The story being told through these two action sequences is very explicitly one of the characters (notably, women) standing up to powerful abusers. That shot of Ruby alone in front of Cordovin's mech, and the follow up where her eyes narrow in disappointment is seriously fucking powerful, and her smallness in the face of her bully perfectly reflects the way Yang and Blake feel facing Adam. Reflections on reflections on reflections. It's brilliant.

This is how you craft an action sequence that is also a character moment. Not by shoehorning character moments into a fight, but by writing action that parallels and enhances your dramatic themes.

It's not perfect of course. The arrival of Grimmzilla feels a little sudden and a touch forced, but it creates an excellent moment, allowing the writers to kind of recap and summarize everything that's just happened. We've seen, through the Cordovin fight, how Ruby has outgrown her uncle (a theme that's been playing out throughout this season), and giving her this moment to really emphasise what the character has become is a really nice way to allow those themes to breathe. It allows us to see the team reunited (something we've been desperately needing ever since the end of season 3), and really foregrounds the counterpoint to this theme of standing up to abusers, which is that you can't easily do it alone. One of the most dangerous behaviours of abusers is that they isolate people. While Ruby may be the only one with the special plot power that can slow down the Grimm attack, everyone is a part of helping her do it. There's even a great little moment where we see Blake, lacking any ability to physically assist, is still involved, acting as an emotional support for her friends, giving them whatever strength she can (it's also fun to note how "giving others strength" is literally Jaune's semblance, and it's cool to see the ways that got used throughout these scenes; there's a really interesting thematic tension between Jaune and Qrow specifically as opposing models of masculinity, and both the fight with Cordovin and the Grimmzilla scene clearly foreground the ways in which Qrow's model of trying to be the powerful patriarch figure who puts everything on his own shoulders is anything but helpful, whereas Jaune's masculinity - supportive, loving, kind - is the one that makes a difference, as Qrow discovers when he stops trying to carry everyone and starts, as Calvera puts it, catching them when they fall).

Again, thematically, this is more than just action, and that's why it resonates. From a purely mechanical point of view it's easy to see the Grimmzilla fight as disappointing, but that completely neglects the obvious purpose of that moment. We've already had two giant action sequences, the story didn't need another big blowout fight. What it needed was a coda, and Grimmzilla did that job beautifully.

All in all season 6 has made me excited about this show again, but more importantly I think that it offers a lot of great lessons to writers. People often criticise the writing in RWBY in very glib surface level ways; complaining that a certain line was cheesy, a certain moment was predictable. They're not wrong; the Blake and Yang fight definitely had a few moments where the dialogue choices felt painfully obvious or perhaps a little awkward. But writing is so much more than just plotting and a few lines of dialogue, and in so many of the ways that count the writing in this finale was superb and well worth studying.

#Rwby #Volume 6 #Blake #Yang #Ruby #Adam #Jaune #Cordovin #Finale #Tw: abuse

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lenezdansleruisseau · 6 years

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The children of BBC Les Mis

I know BBC Les Mis ended and we're all trying to get over it, but there is something about it that is still bugging me and I need to write about it. So, let's talk about children in BBC Les Mis. It is something that I started noticing in the third episode thanks to the insistence on Valjean stealing from Petit Gervais, but as someone here pointed out in this post (if you have other posts, you're more than welcome to link them) the theft was actually more important than him breaking parole, so I thought their instance was because of that and stopped thinking too much about it.

But then that last scene really made me think about it again and I realized that children and especially Valjean's relationship with them are one of the most consistent themes of the whole series.

Short disclaimer before starting: I'm not going to talk about Cosette that much, mostly because we already know that she is import to the story and to Valjean, but I'll mention her if I think the choices they made about her storyline are relevant to this subjesct.

Now, let's start with the first episode In this one, we see three children: baby Marius, Petit Gervais, and baby Cosette. Everything is perfectly normal, their presence here makes sense and his canon enough, so let's skip to the next part.

Second episode I noticed three things:

- Valjean giving money to the gamins at MsM and being nice to them is the only moment in which the kindness he's supposed to present at this point of the story is actually shown. Those same gamins are also some of the people who see him coming back from Arras in handcuffs and Valjean seems particularly distraught by them seeing him (or maybe I'm imagining things?)

- All the time that is given to baby Marius. We all noticed how strange it was that the focus has been shifted from a grown-up Marius to baby Marius (he was adorable though) losing a great part of the emotional impact of George Pontmercy's plotline. This doesn't affect directly Valjean's storyline though, so I don't know if counting it with the others or not.

- Valjean literally burning his own hand with the coin he stole from Petit Gervais and that it's clearly the main reason why he feels guilty and here they start giving the stolen coin and Petit Gervais much more importance than in the brick, something that will carry on for the whole series.

Third episode In this one children-related-time is occupied only by Cosette and the Thénardier children, apart from the gamins of MsM of whom I already talked about.

Also, Gavroche has more time here than in the brick and to do that they had to alter the timeline. Is it important? Was it just disattention? I don't know.

The last thing, it's interesting to notice that the reason why Valjean and Cosette are accepted in the convent it's not because of Fauchelevent thinking to owe something to Valjean, but because of sister Simplice feeling in debt with Fantine, so Cosette becomes the key to find a safe place.

Fourth episode Nothing interesting here. Gavroche is here and he's great, we all love him. Going on.

Fifth episode Gavroche meets his brothers! Realistically, in this adaptation, they are not his brothers, but well, you know who I meant. Anyway, this scene mostly is used to define Gavroche's characters and it seems improbable they'll be back in the series (ah! Was I wrong.) Also, in the last scene, Valjean is very mean to Gavroche for no reason at all.

Sixth episode Here there are SOME things happening, but let's go in order:

- Gavroche's death. I already talked about this in this post. Briefly,his death was great but it became strongly instrumental to Valjean's decision to save Marius

- Valjean's guilt for treating Gavroche badly and he moving his body from the barricade. It's depicted as a very important moment for Valjean and, to me, it's almost framed as another moment of redemption for Valjean

- Once again, Valjean's insistence on Petit Gervais during his visions in the sewers and in his confession to Marius. It's not that it's wrong, just it's strange seeing that in the brick the focus it's not on that.

- The last scene. Gavroche's brothers begging for money and being ignored on the streets. Arguable choice, but it's a choice of ending the series with the image of two children which is kind of important. The last scene should summarize the message or an important point of the series and they chose two children to pass this message.

So, what are my conclusions? This focus on children is interesting, it can be a theme that hit Davies particularly or it can be because it's an easy enough way to show social struggle without becoming too political (no one likes abused and poor children). At the same moment though, all the time these children are used as a mean to further the plot or the characterization of some adult, the focus is never on their point of view in their suffering, a good example of this is how Cosette's abused by the Thénardier is depicted: we never see her point of view, it's only used to highlight how awful the Thénardiers are. Even Marius' dad's death, being moved so early in Marius' life, removes the impact it should have had on Marius' character and, especially, they never give us the time to explore how baby Marius feels about it! I don't know what my point is supposed to be, I just found interesting the focus on children, on how Valjean relates to them and the fact that Davies never actually explore their emotions. Am I reading too much into this? Maybe.

#les miserables #bbc les mis #bbc les mis spoiler #jean valjean #jean Valjean and children #mention of children abuse

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avoutput · 6 years

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Gaming And Film: The Tomb Raider Example

A golden opportunity has arisen. I get to make another example of the star crossed genres, Film and Video Games. Two narrative forces bound by their visual narratives, but separated by a single major mechanic: Control. But a new challenger has arrived, or rather a returning challenger, another gaming legend. Tomb Raider. The gods have deigned Square Enix another chance at the big screen after their massive flop at the box office over 20 years ago with their own classic title, Final Fantasy. Gaming has made its way back to the big screen with Tomb Raider “parenthesis 2018 film” starring the legend herself, Lara Croft. Well, it stars a real actress, Alicia Vikander, but you know what I mean. Gaming has its own stars. Previously, this role had been played twice before by Angelina Jolie in Lara Croft: Tomb Raider (2001) and Lara Croft Tomb Raider: The Cradle of Life (2003). This gave me a very unique opportunity to take a jump back in time to gaming’s initial foray into the world of the Third Dimension (3D), its replication of cinematic narrative structure, and all of the freedom that comes with giving the player the ability walk around in that space, instead of just watching. It was during this 3D polygon era that cinema took a fundamentally flawed stance to the translation from game to film; they tried to duplicate as much of the minor details as possible in effort to reanimate and profit from a movie going audience. In doing so, they sacrificed the heart of good cinema trying to capture the flavor of the game, hoping that the only thing fans would need is a the skeletal carcass of their favorite game.

By the time that first installment of Lara Croft: Tomb Raider (2001) had hit the screens, there had been 4 full games released, none of which would ultimately become the story of the film. They surmised that simply making a film that imitated its main attraction, a (British) woman who raids tombs for treasure, would suffice. And in a way, this might be the most correct course of action. There had already been series of similar action films to take from, including Indiana Jones, James Bond, Mission Impossible, and Jackie Chan’s Armor of the Gods. With the games already pulling inspiration from these existing films, intentionally or not, it doesn’t seem that unreasonable to think that a film version of Tomb Raider would succeed at the box office. All they needed was to eject the male as the lead and pop some abnormally large breasts on an otherwise perfectly attractive female figure. But then the real question becomes, why make this film based on a video game character at all? Obviously brand recognition and the all mighty dollar, both domestic and international, but wouldn’t they need more to really entice both the fans and the uninitiated alike? And this exposes an issue with the Hollywood mindset that, while I have come to understand, I can’t abide or come to terms with. Forsaking the heart of intelligible film making in favor of a return on investment. When art and capitalism mix in which the art comes second, the audience usually loses, and the house of Hollywood usually wins or breaks even. Because for the audience, what’s on the line is a chance to make a good video game into a great movie, and if that movie flops, then investors look at not just the game franchise, but all gaming films as a risky or unworthy investment. Stranger still however, is what ended up happening with Tomb Raider. It returned big on its initial run, almost certainly powered by Jolie’s star power. But when you make a cheap, flimsy version of a game into film, and it works, it becomes the model that all video game films run on. We end up being served a deformed representation of something that, in my opinion, never stood a chance of becoming anything more than a cash grab. (See: Resident Evil (2002) starring Milla Jovovich)

At no point does Lara Croft: Tomb Raider (2001) or its sequel try to become more than a cheap representation of its source material sewn together using existing action-adventure movie tropes. The original games themselves offer little more than an exploratory cave diving, gun slinging shell for people to play in. Games (at the time) were not as harshly criticized for taking huge leaps in story, tone, or realism, but the films never really took that risk. In the game, Lara shoots at bats, bears, and wolves while cave diving. Yet, both Lara Croft: Tomb Raider (2001) and The Cradle of Life (2003) look indistinguishably bland compared to other films of their era like LOTR: Fellowship of the Ring, Swordfish, Training Day, Jurassic Park III, Pirates of the Caribbean, Kill Bill, The Matrix Reloaded, and many more. Granted these budgets are a bit more inflated, even their smaller moments are better than Jolie’s biggest. In fact, some of the stunts seem to come right out of the Mission: Impossible series. Taking a game thats little more than an empty, fun action platformer and trying to build an entire film franchise around it without adding some spark of originality or building any sense of a larger world for its characters will ultimately lead to a lackluster, forgotten film. Anybody watching these movies today are only returning because they might be a fan of the franchise, which might be the only win under the belt these films, but it’s another loss for gaming, gamers, and film.

Moving into the next generation of consoles and computers, as games become more modern, they began to more deftly integrate cinematic techniques. Game creators can control the world, the camera, and the characters with complete freedom, unlike film which has to worry about pesky things like props, actors, and reality. In 2013, Tomb Raider was re-imagined by Crystal Dynamics and published by Square Enix. They created a more sleek and vibrant world that embraced a mixture of realism and paranormal. Lara was modernized, made a bit more youthful, and her skillset was more refined and deadly. She went from a caricature to a character and her adventure matured into something a bit more robust. Coupled with expert pacing, the new Lara Croft moves through her deadly environment and faces foes head-on in the same vein as Indiana Jones. Only she is a bit more willing to pull the trigger or sling an arrow. I don’t want to continuously gush about this game, so to summarize, I will just say this game was by far one of my favorite action games in this last generation. This reinvisioned version would become the basis for the recently released Tomb Raider (2018), and I was excited to see what kind of adaptation would spring forth. After the many, many Hollywood failures, had gaming finally caught up so completely to cinema, possibly even overtaken it, that it could allow for an easy transition from game to film?

As much as I don’t want to spend the entirety of this review discussing the differences between the film and the exact game it was based on, that is technically the point of this article. Still, I’ll spare you a lengthy diatribe and stick to the key differences between Jolie and Vikander’s Lara Croft. In this version, the realistically re-imagined Lara Croft is crafty with a bow instead of guns, inexperienced instead of an expert, and hasn’t attended any higher learning in pursuit of abandoning her heritage to find her own way. These also happen to be departures from the Crystal Dynamics’ Lara Croft as well. However, I found that these character changes spoke the language of cinema better, making for a more relatable character, especially for late millennials and gen Z at which this version is aimed.

Tomb Raider (2018) stars the new Lara Croft (Alicia Vikander) as she takes on the challenge of living life as a broke young woman in the big city. But, a twist, the young lady is broke by choice, turning down the opportunity to take up her family name and with it , the family business. Angry that her father, Lord Richard Croft (Dominic West), never returned from a business trip and is considered dead, she mounts a personal battle against her heritage. Through a series of turns, she finds a final message from her father in a secret bunker outside her family estate, warning her to burn all of his research just in case some bad guys come looking for it. Instead, of course, she sets out to find the last place he was said to have visited, enlisting the son of the man, Lu Ren (Daniel Wu), whose boat was to have taken her father to his final resting place. At this point the film finally takes a similar shape to the game, introducing Mathis Vogal (Walton Goggins) as the leader of digging team sent to find the treasure of Lady Himeko’s tomb. Vogal has been employing as slaves shipwrecks and treasure hunters who have come to the island in search of such a treasure.

At this point, I would like to praise this film for actually making a decent adaptation of the game. The actors are great, the story is pretty tight, and they do a pretty good job keying you into just how far Lara will have push herself to get what she wants. Unlike Jolie, who was characterized as a fearless expert, Vikander is an inexperienced young girl who struggles at almost every turn. Throughout the film, she misses, she loses, and she takes hits, which is similar to the game, except when you lose the game, it had some pretty incredible death scenes. But in a way, I personally liked her Crystal Dynamics video game persona better. She was both experienced and still struggled. She used her wit and cunning to elude her captors. In the 2018 film, Lara spends most of the runtime falling into situations and just kind of winging it, but not with tools or weapons found in the game, mostly just through luck. My only other criticism is a bit of a spoiler if you have played the game and not seen the movie or have seen the movie but not played the game. But here it is. The film rejects the concept of the supernatural, which is one of the biggest reasons I wanted to see the film after having played the game. The game continuously hints at the supernatural, but only towards the end do we actually see it in action, which totally caught me off guard. I half expected some ancient local tribe would be behind some form of sabotage from the shadows, like in an episode of Scooby Doo. But how does this stack up as a video game film? Can we build a new legacy from here?

Well, unlike the Jolie era, video games and film are not so different anymore. In fact, film often doesn’t have the runtime to contain an entire video game plot into a single movie. The golden age of television would be a better place for your favorite game stories. Japanese anime has been doing this for years with shows like Star Ocean EX and Persona 4 The Animation. In a very short time, film has been surpassed as an entertainment medium in size, scope, and runtime/playtime. But the one thing that you can feel has really changed in Hollywood is that they no longer underestimate the need for authenticity in the transition. Gaming films are getting better because gaming has become better. The stories they tell are taken more seriously, and triple-A titles have bigger budgets than some triple-A films. Gaming companies could be looking to invest in adaptations to film, seeing them as an extended product to their own. With that dollar power and some guaranteed butts in seats, we should be able to expect better films. I would like to imagine if both Godzilla and King Kong can be re-imagined into great films that also get to share the same universe as a plethora of tokusatsu monsters that gaming can get of its ass and produce some better films. Still, it was only 2 years ago that Resident Evil: The Final Chapter (2016) was released, ending a series of terrible video game films that did nothing to elevate games as critically good films. Assassin's Creed (2016) also didn’t help.

The thing is, we don’t need video games adapted into film. Gaming has its own thing going on, and when it’s done right, it does it all bigger and better. But, if we are going to continue to see them pushed into film, let’s at least get a few things straight. First, there is a balance between authentic and creative. Take care to have a vision for the film beyond simply taking a bird’s eye view of the game and applying that visual to the film. The old Tomb Raider was built on the back of action genre films we had already seen and for the most part lacked any sense of creativity. It was authentic to its source from afar, but up close it offered nothing for fans beyond a push-up bra and two guns. Second, be aware of the scope of the game’s world. More and more games are open world, meaning that the world is going to be as much a character in its own right, so don’t forget that it exists. Even older games can have a vibrant world. A good example is Castlevania, which saw an amazing mini-series produced by Netflix. The story was small, but it never betrays the world in which it takes place. Now more than ever, the lines between gaming and cinema have all but been erased, so narratively, you can take a much more direct approach to the translation. Feel free to rewrite the story as long as it doesn’t forsake the game’s characteristics. Games are no longer manufactured for control alone, they have well thought out characters, themes, and motifs, all with a joined motive. If Lara Croft has taught us anything, take calculated leaps, not blind jumps into the abyss.

#Film #Review #Articles #Tomb Raider #Gaming #Alicia Vikander #Lara Croft #Angelina Jolie #Playstation #Playstation 4 #PC Gaming #Steam #Streaming #Xbox #XBONE #XBOX 360 #PC

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codywalzel · 7 years

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This is part one of two summarizing replies to a conversation I had following an ask by @arletestanyol on Instagram. This response is about storyboarding portfolios. I’ll post part two about TESTING for storyboard positions soon.

I wouldn’t write anything in script format, that’s not really showing anyone hiring for storyboards that you can do what is required of the job of ‘storyboard artist’. If you’ve seen me posting writing material, or seen me writing in script format, that’s either just for fun, or something I’m working on for my writing portfolio. I’m transitioning from storyboard artist to writer, and hoping to get staffed on a show for a totally unrelated, live action position- Staff Writer. Big world building/character design/pitch projects are fine, but I personally don’t recommend them. For one thing, if what you’re looking to do is storyboards/writing, there’s a lot of surrounding art required, (character designs, environments, unseen backstory, text documents with outlines and character descriptions, visual development, etc….). Basically it’s a ton of work for one short storyboard sequence, which is the only thing in there really worth looking at for storyboards. And, they’re big to sort through. There’s a good chance the person looking to hire board artists will give up scrolling through pages of character designs to get to board samples. Try to keep in mind that recruiters are looking for people to fill positions as fervently as you are looking to get a job. Meaning line-producers, showrunners, and studio recruiters are on a moving train that is a TV show or movie. They don’t think in terms of “let’s give this kid their big break.” They’re more like “We need a board artist who can start and be trained perfectly by next Monday, or we lose a day in the schedule.” So, in that panic, they don’t care about your well thought out art, they want to see specific skills on display that show you can do the job immediately. Make things they can look at QUICK, many times they barely read in boards or comics, they just scroll through and know in an instant how it feels. Storyboard artist can mean many types of work, ranging from projects where board artists write all the dialogue and most of the plot from a Writer’s outline- to projects where board artists follow detailed scripts to a letter, interpreting the images visually like a cinematographer, but not contributing to writing at all. I’ll get into the different types of jobs and the broad categories of ‘board driven’ vs ‘script driven’ shows later. First, I want to mention some of the better types of storyboard portfolio samples in my opinion, and why they are better: Webcomics, any type: -They can be a big serialized story you work on over years, like Jesse Moynihan’s Forming. (Jesse= Board Artist/Writer, Adventure Time, Creator, Manly) -They can be a weekly gag strip style comic Like Kelly Turnbull’s Manly Guys Doing Manly Things (Kelly= Board Artist/Writer Ben Ten, Board Artist Good Vibes, Ugly Americans) -They can be a mini series like my buddy Alex Cline’s Stinker’s Garden (Alex= Board Artist/Writer Regular Show, Pickle & Peanut) -They can be just random ideas you have like Toonhole Chris (Toonhole Chris=Artist/Director/Writer at Cartoon Network.

-They can be real life stories like Avner Geller’s Things That I Hearn (Avner= Visual Development Artist Mr. Peabody and Sherman, The Penguins of Madagascar, Trolls, and Larrikins,) Webcomics are great because 1.Little things are really easy to digest quickly, 2. They show both your drawing/staging/joke writing ABILITY, and the unique FLAVOR you would bring to the team. There’s no one ‘cartoon network artist’ sence of humor or specific take on storytelling, the point is to do your own thing, and show your own voice. The other good one- Board Samples: -These are more prevalent in feature story, but see my buddy Todd’s feature portfolio anyway. TV focused people can do a similar, but slightly less detailed set of boards for their own personal projects. But this is where it gets into complicated territory, because different categories of project are looking at slightly different things when hiring. On A board driven show like Adventure Time, you are often writing the dialouge, and a good deal of plot based on a Writer’s or Showrunner’s outline. People staffing on those shows are going to want to see writing centered stuff like webcomics over a bunch of boards mostly focused on staging and acting. On a Script Driven Show like Bojack, they are going to care way more about staging, acting, and economic shot choices. Script driven shows tend to be half hour episodes (Family Guy, SImpsons, Bojack, Rick and Morty, Gravity Falls), instead of board driven’s 11 minute episodes (AT, Regular Show, Ben Ten, Star vs. The Forces of Evil). So, the longer episodes tend to call for more economic use of existing backgrounds and character models. Some of what they want to see if that you aren’t just cutting to a new angle every shot, that the acting is clear and thorough. On an Animated Feature, the boundaries are a lot more loose. You get strict movies where you are basically providing ideas at the occasional story meetings, then executing the script to the letter. You get really loose, open projects where the script is in a constant state of development, and you are pitching ideas, shole scenes, huge, structural plot changes, and even songs. On most moves it’s in the middle- where you are changing and playing with dialogue, and keeping the intention of scenes as written in the script, but changing up the structure of your sequence to make it work. On all animated features, the recruiters scrutinize acting, staging, and cutting VERY closely. You are almost always drawing boards for a 3-d movie, so the camera restrictions are gone, because almost any angle is easily producible. Even 2-D features don’t place as much emphasis on re-using backgrounds as 2-D TV, because the budgets are big enough to cover a bunch of different backgrounds, so you can get a ton of angles on a scene. In any case, when you have freedom of camera, you need to use it wisely. Feature boards require the highest level of cinematic language, but not as high of writing ability as board driven TV shows. You don’t have to know which type of thing you most want to work for, you should be open to all of them starting out. And, you will probably end up working multiple types of jobs as a board artist. For any of the above jobs, a badass comic or board sample will always impress, so just do your thing tonally in your personal work. You definitely should be doing original story ideas, but that can include fanart of existing characters. If you’re doing board sample featuring the Little Mermaid, do something that comments on the movie, or is a joke or something, don’t, like board serious, cannon attempts at LIttle Mermaid fan fiction, and don’t just re-board a scene that’s already in the movie. Personally, I prefer to do board samples and comics of my own ideas and experiences, because I think it shows off your flavor better. But if you make any kind of comic or board sample amazing enough, recruiters will completely ignore the fact that you’re a different tone than the show, and assume you’re talented enough to adapt. One last thing on your portfolio: it’s not the hard part, I wouldn’t get too nervous about that. Pretty much all TV boarding is decided by tests. The only thing the portfolio is for is a key that unlocks the gate to the tests. It only needs to be good enough for the recruiters and line-producers to send you test. Testing is almost a completely different skill set, so I’ll talk about that in the next post. But the portfolio is pretty easy & difficult at the same time: Make awesome personal work and submit it to studios, if they get back to you with tests, try and pass them. If nobody is getting back to you or sending you tests, you probably need to work on your portfolio, make more awesome work, repete. Social Media: You can send studios your social media pages like instagram, tumblr, a facebook art page, twitter, etc, if it’s only your art on there (or if it is MOSTLY your art. You can have tweets about other stuff on your page, but if you send them to the ‘media’ section of your Twitter, the recruiter better not have to scroll past a dozen Green Arrow reaction gifs before they get to your first piece of art.) If your social media is a little more disorganized, that’s fine, just don’t submit it to recruiters. You’ll have to make a separate website for your art. I still recommend at least a simple website on top of the social media page though. It just keeps every type of thing in one place, so someone looking at people’s comics can find all your comics in one folder, someone looking for board samples can find that, for sketchbook pages can find that, and so on. I send both a portfolio website and my social media page, since they have slightly different things on them most of the time. As crappy as it might sound, if they see on your social media that you have a big audience, that can only help you. When you get to the next round and a Showrunner is looking at your test, they probably won’t care that much whether you have 10,000 Twitter followers or not. But, the recruiter deciding who to pass through to various productions in the studio definitely will consider that. If you DON’T have 10,000 Twitter followers, submitting your social media still won’t hurt you if the art’s good and your page is mostly art. Tons of people nowadays are scoped out by studios through their social media pages, whether they have followers or not, but obviously, the more popular online artist are more visible. Part 2, on TESTING, to come. Follow me on Instagram or Twitter here.

#ask #animation #animation industry #portfolio #storyboards #storyboarding #writing

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