#This has to be the first time i've felt like this with a manga or an anime no joke

[neospokenworld]

HOUSEKI NO KUNI SPOILERS

I... I'm only a chapter and a half into volume 8... Oh my God

[dazais-guardian-angel]

went to my first con in 4 years on Friday to meet Kaiji Tang and got a Dazai autograph + video recording of him reading to me. He was the sweetest person (as I knew he would be) and interacting with him was lovely, but also at the same time oh boy it sure was an extremely stressful, ugly wake-up call of what it feels like to live in a world now where everyone around you has blissfully moved on from covid and can enjoy things normally and happily, while you'll forever be trapped in a hellscape of perpetual fear 🫠🫠🫠

[lesbianhiyuki]

nearly had an all star catastrophic meltdown today reading the viz translation and thinking hiyuki was a guy. thankfully it was probably a mistranslation and we are so back. decided to snatch up this url before/if kagurabachi gets popular

[saph-yells-into-the-void]

whats up w these high school romances and trying to speedrun the shit out of initial set up for the story..

it has happened nearly every time now

[chuluoyi]

heartbreak hotel

- gojo satoru x reader

so you're going on a three-day-two-night getaway trip with the one and only Gojo Satoru. the catch? you two have just broken up.

genre/warnings: crack, jealousy, a dose of pettiness, hurt/comfort, fluff, zero angst i promise, suguru being a good buddy to his boyfriend best friend

notes: inspired by a very real life story :))) anyways, it takes place in an au where suguru never left and all is well with our little meow meow catoru the wonderful colored manga panel by the talented @redbluenight! this was so much fun to write (that it turned into a whopping 3k+ word, so sorry) and i even made a playlist while on it ;)

general masterlist

"He's intolerable!"

There were many things that led to the end of your relationship with Gojo Satoru, but if asked one word to sum it, then that was it.

When you started this thing with him, obviously you had never planned on how it would end―who started a relationship with that sort of mindset anyway? But if you could choose, you definitely wouldn't want it to end with dramatic shouting match that left you in tears.

Anyways, some things were just not meant to be. You refused to spend your whole life crying over that smug bastard, and so you moved on.

However, if there's one thing you've learned about plans, it is that whenever you already make a foolproof one, the world always has some funny way to mess it up.

Like this time.

"I... I remembered saving for months," you stammered dumbly, staring blankly at Shoko in front of you. The realization felt like a spiritual ascent. "I paid for that damn plane ticket and hotel with my whole saving. I can't just throw them away."

How could you possibly forget about this? This graduation trip that had been planned between your group of Satoru, Suguru, Shoko and yourself for months now. It was meant to be a getaway, a celebration of your most significant achievement after four years of barely getting by on exorcising curses and not dying in the process. This was supposed to be the ultimate milestone celebration in your life.

"Then don't," Shoko replied simply, twisting the cigarette in her mouth. "I'm still going though. No way I'm wasting that money."

"But!" you vehemently hissed. "He will be there. It means I have to see him for three days straight!"

Your cringeworthy breakup happened just barely a week ago. You had sworn in front of Gojo Satoru that you didn't want to see his face again, and yet in less than a week from now, you and him would literally share the same space―again?

"Can't I get a refund?"

"This late? Nah, it's like yay or nay at this point."

You slumped in frustration. Were the gods making you swallow your own words now? You were left with no other choice. Your frugality and tendency to get broke often compelled you to make the decision.

You were going on this trip whether he was there or not.

Meanwhile, on his end, the said smug bastard was brooding, groaning and pacing over the same predicament. Satoru had two options and had weighed them all, and somehow he still arrived at the more seemingly no-good decision.

"I'm going, duh!"

"You are?" Suguru asked with a hint of surprise in his voice. "Well, might be the first time I've seen someone agree to go on an overnight trip with his ex..."

"Hmph. I just don't like squandering money."

Suguru snorted, unimpressed. “Satoru, you have an entire fortune. The airfare is just an amount you'd donate to charity. Besides, you have wasted more than that.”

“Well, I want to enjoy my youth too! I’m going—who cares if she’ll be there!”

He was still miffed, recalling the day your argument spiraling out of control. How could you say those hurtful things to him?

“You never take things seriously—heck, I’m not even sure if you’re ever taking me seriously at all! Satoru, you’re always acting all high and mighty, but you’re just a selfish little twat!”

No way. The last time, he was left in the dust, not being able to say anything in his defense. So now, he would use this chance to be the one who had the last laugh. He was going, because he was 70% sure that you wouldn’t let your hard-earned money go to waste.

And he was right when two days later, he found you at the airport with a bitter scoff upon seeing him.

“Hey, sweetheart,” he moistened his lower lip in that obnoxious way. “Missed me?”

You walked past him, tone lacing with disdain. “Get lost, Gojo.”

He couldn’t help the prickling sensation in his chest when you dismissed him just like that. And the use of his last name—whereas you used to call him with all sort of available pet names? Now that was just low.

“Nah, you can’t get away from me that easily, Y/N,” Satoru sniggered. “You’re going to see me for the next three days, so suck it up and enjoy the sight,” and then the idiot proceeded to pump his fist in the air. “Wooo! Kyushu, here I go!”

Suguru and Shoko merely observed your icy interactions in silence, occasionally exchanging glances from time to time.

ITINERARY ::: DAY 1 — BEACH DAY @ SEASIDE HOTEL

After the three-hour flight, the four of you arrived at Karatsu, one of the main highlights in your trip—or back then, one you and Satoru handpicked yourselves.

You swore you still had your heart frozen for him, so you didn’t know what stirred it when you saw him giggling and doubling over in carefree delight, surrounded by those beach girls in skimpy bikinis.

“Hey, handsome~ is this even okay?” one of the girls in pink thong scooted closer to him, asking him with this cheap seductive grin. “Won’t your girlfriend be mad?”

At that moment, you could’ve sworn Satoru threw you a glance from the corner of his eye before replying with a triumphant bark. “What girlfriend? I’m wholly and happily single!”

The hell?

A rush of squeals grated your nerves as they swarmed your ex-boyfriend, prompting you to stalk away in irritation.

Absolutely not. You wouldn’t let this fine establishment be your heartbreak hotel any longer.

Gojo Satoru knew fully that he was petty. He let you see that on purpose just to rile you up, because frankly, he still felt like he didn’t deserve your messy breakup at all.

But when you were no longer in his eyesight, suddenly the urge to entertain these strangers dissipated, and what remained was this hollow sensation in his chest. You not paying him attention somehow made him crave it all the more.

He recalled how you pointed out that playing in the clear waters would be your ideal graduation gift. He specifically recommended this place himself and you had agreed. He remembered planning all of this, dragging Suguru and Shoko too just to make it merrier. To keep that cute smile on your face.

You were supposed to fool around with him in the clear waters of Matsubara Beach, splashing and pulling him underwater.

And yet in reality, he was toying with these questionable women and in your eyes, he was nothing but an irritable twat.

He didn’t see you again until evening, during dinner time. And the sight before him made him want to pull Suguru to the side and trap him inside his unlimited void.

"Really?" Your clear voice rang in his ears, every bit the same as when you would energetically question him with those doe eyes of yours, as you peered at Suguru. "We should go together tomorrow then!"

His eyes twitched.

What has his life come to? Reduced into seeing his ex-girlfriend possibly going on a date with his best friend?

He almost hoped that you'd stage up your pettiness level. It was worse because unlike him, you didn't make this up just to gauge his reaction.

That night, in their shared hotel room, he ignored Suguru completely, as well as silently waiting for him to divulge where he and you were going tomorrow.

"Hey Satoru—"

"Shut up, I'm trying to sleep."

It was obviously a wrong move, because Suguru apparently caught the hint and stayed quiet as a mouse throughout the night.

ITINERARY ::: DAY 2 — HOT SPRING @ KUMAMOTO

Or at least, last he remembered, that was the agenda.

Until he saw that only Shoko who was there, idling around at the hot spring area.

"Where are the others? Why is it only you here?"

She shrugged. "Geto said he's going to try the local specialties. Dunno where. As for me, I'm going to enjoy this onsen to the fullest."

Shoko noticed his irritated scowl, and a sly grin crept across her face.

"Heh, jealous much now, Gojo?"

Meanwhile, you and Suguru went to various dessert shops in town as per his invitation. Perhaps he took pity on you because you really seemed not to be having any fun at all after you stormed off from the beach area yesterday.

"Mmm! This is tasty!" you remarked, munching away the three-colored dango happily. You were so engrossed in eating today that you no longer had any room to think about anything else, which was a good thing.

Suguru smiled. "I'm glad you're enjoying yourself now." However, he appeared to have something on his mind, prompting you to hum and tilt your head in curiosity.

"No, it's just... so it's really over between you and Satoru?"

You let out a snort. "Yeah. Totally. He's an ass."

"He really is miserable, you know..."

"Nah, he doesn't look like it."

Your friend sighed. "Honestly, what was the argument even about? Both of you usually didn't take it this far."

You didn't want to go back to that topic, really. But Suguru was always the one with cooler head, and after his kindness today, maybe you could spare him a detail or two.

"It's a lot of little things that have piled up, you know," you mumbled. "It's probably just how he is, and I know. But I finally reached my boiling point. Why can't he try to see things from my perspective? Everything that's important to me doesn't seem to matter to him, and relationships need two people, not just one who resigns and the other who does anything he pleases."

And until now, you doubted if Satoru even realized what he did wrong. That was what hurt you the most. Like you were so small in his eyes, like he could toy with you and get away with it.

As you expected, Suguru would understand your point. "So that's how you feel... Yeah, I think I get it."

You thought he would end it at that, but then he went on. "I'm not defending him, Y/N. I think some time away from you would do him good, but later, maybe you can talk this to him? See if he will understand?"

"I already did, so many times." You narrowed your eyes at him. "Not to offend you, but it awfully seems like you're defending him, Suguru, despite you saying otherwise."

"I'm saying this because sometimes we can forget that Satoru is different," he explained sympathetically, and to be honest, you were surprised by his statement. "He is born exalted. He has a hard time comprehending things that come to us naturally. I just think it's a pity if... you can actually fix this, but just because bad communication, you lose the chance to."

Have you properly communicated this to him? Now that you thought about it, most of the times you would just get mad and point at the little things he missed, but never actually told him how it made you feel.

Your mind was still muddled with the fact Suguru had shed light on even after you got back to ryokan where you were staying for the night. The two of you were in for a surprise though as apparently there was a festival happening there.

Everything seemed to spark with glitters. The bamboo lanterns, lights, the gentle breeze. It created an undeniably romantic ambiance, to be honest.

You didn't know when Suguru slipped away, but suddenly, you found yourself alone amidst the visitors and dim lights.

And you found yourself to be immensely lonely.

Satoru spotted you in all your solitary glory amidst the sea of people in this godforsaken place.

No, actually it was a pretty great inn and attraction, but this trip had been horrible so far, and so he just felt everything was bad.

But at that moment, bitterness no longer clouded his mind, because you were so beautiful, bathed in the glow of the lights that Shoko had forcibly dragged him to see. If it were up to him, he'd spend the last night sleeping his heartbreak away, but now that he was here, he was thankful to see the dazzling sight of you that reminded him once again just what made him hopelessly in love with you.

And why he didn't get his sorry ass back into your good graces faster.

He retraced everything had brought both of you to this point. Your last fight was about what again? Him not telling you any news when he would be back from a mission?

No matter how he thought about it, it was a trivial matter. So what made you mad? He kept thinking, and then he imagined switching places with you. What if you didn't text him at all for three days straight? How would he feel? Oh, he would be despondent, of course.

Now he was starting to understand. He had done that so many times he could no longer keep count. Granted, you would be angry.

Satoru suddenly know how to rectify this. He can make things right. He would be damned if he didn't. He just had to pull you aside, and he was going to when he lost sight you in the crowd.

Okay, now he was frantic, as the longer he didn't see you, the more his opportunity to make amends slipped away. He moved through the crowd, pushing people in the process, earning ire and questionable glares and yet he cared none for it.

He nearly cursed at how his phone kept vibrating incessantly inside his pocket. Begrudgingly, he took it out and almost gasped.

You are calling him.

Bang! Bang! Bang!

It was so incredibly stupid. You just went to pee for a bit and then somehow got yourself locked in the toilet. It might have been fine, but then the lights unexpectedly went out, scaring the shit out of you.

How could such a upscale inn experience a sudden power outage and have doors that wouldn't budge? It was worse when no matter how many times you punched the switch or banged the door, it refused to turn on or open.

You were trapped. Honestly, it took everything you had not to cry.

And so you did the next best thing aside from forcing your way out. You called your friends. First, Shoko, and then Suguru, but both of them somehow didn't pick up the call even after you had called them three times each.

That left you with one possible person left. In your frenzied mind, it didn't even register in your mind what you were doing as the line connected and the last person you'd call on the other side answered.

"Satoru," you shakily breathed out, almost crying—or were you already? You didn't know as you focused on his sharp intake of breath, most likely surprised at how rattled you sound.

"Y/N? What? What is it?"

"I—" you wheezed, hating how helpless you sounded, yet still forced the words out. "I'm locked, it's dark—and it's just so—help! Help me please! I tried getting Shoko but she didn't—"

"Okay, sweetheart, calm down. Calm down, okay?" Satoru's voice brought you some comfort and it helped to reduce your tears, missing how he slipped up by calling you with his usual pet name for you. "Tell me. Where are you?"

"The women's restroom… I think it’s in the east wing."

"I'm coming, okay? Don't panic. I'll be there. Just stay on the line."

You heard his ragged breaths as he muttered several "coming through!" and "excuse me!" from where he was. It made your heart lurch. Despite the spiteful breakup, he rushed to your aid as soon as he realized you were in some kind of trouble.

Was this okay, to let your relationship end just like that?

"I'm outside." And then you heard his voice, much to your relief. "Y/N? Are you there?"

"Yes!" you shouted over the steel door.

You then heard how he rummaged to get the door open, and faintly hear him cursing it. "It won't open."

You wanted to sob, but then Satoru told you with an absolute tone, sounding so sure and demanding that compelled you to comply. "Get away from the door. As far as possible. Take cover."

Oh God, was he going to do what you thought he might do?

...he did. The next thing you knew, the door—and much more than that—was destroyed, and a rush of cursed energy was everywhere. After the blast subsided, you instinctively made a run for it, and you didn't know how, but you ended up stumbling into him.

Satoru caught you in his firm embrace.

"It's okay. You're okay," he cooed, whispering in your ear gently, urging your shivering body to calm down. "You're safe now, Y/N... I'm here. You're safe."

There was always something about your trembling form that made him want to tear down everything and anything in his path just to make you feel secure. And there was always this sense of rightness whenever you snuggled in his arms. Both desires clashed in a contrasting need and want and Satoru could do nothing but keep you close to him, torn between the two.

He kept his hand on your spine, and you clung on him, burying your face in his broad, sturdy chest.

Nevermind the fact that you technically broke up with him. Nevermind that ever since this botched trip started, it was the first occasion in which the two of you held a proper conversation without spewing bravado or sarcasm.

Afterwards, he led you away from the site, and he figured it would be best to go somewhere quieter rather than the festival, and so here you were, at the deserted lounge.

You had calmed down for the most part, and slowly you felt heat in your cheeks. In hindsight, you could've tried using cursed energy to blast the door too, why didn't you think of that earlier?

And yet, unaware of your internal musings, Satoru's thoughts were occupied with another matter entirely, and blame it on his insensitivity—he chose this moment to drop it without hesitation.

"I want you back," he declared, void of any hesitation. "I'll be better, I promise. Those things you hate—tell me, and I'll make sure not to repeat them again."

He wasn't the sharpest when it came to picking up on your feelings, but Satoru vowed that if it bothered you that much, then he would do his best to avoid doing it.

But you... you were still trying your best to grasp the situation. Amidst the plot twist you just experienced tonight, his blatant proclamation was the last thing you expected so you only managed a "What?"

He held your gaze, eerily serious. “I don’t want to break up. It’s hell. We can—I can still fix this.”

He looked sincere, unlike the usual empty promises he’d give you after you went off on him. And suddenly, you understood.

“…really?”

“Yeah. Just give me another chance. I’ll prove it to you,” Satoru said, visibly impatient now. “I won’t give you up. This literally is the fight of my life right now.”

You couldn’t help but chuckle, despite yourself. If there was anything that you had learned tonight, it was that apparently you and him were still salvageable.

“And how will you prove it?”

“Just so you wait and see, sweets. I’m gonna relight your feelings!”

It was beyond corny that he took a line from your favorite song. And both of you burst into a laughter at the sheer silliness of it.

You sighed, but this time of relief, in stark contrast to your earlier sighs that afternoon. You were giddy as a smile perched on your lips. “Fine. Let’s give this another shot.”

Satoru felt the tension in his shoulder melt with your answer. A genuine, wide smile emerged from the bottom of his heart and lit up his face.

“Now, this whole trip has been kind of terrible so far, don’t you think?” He made a brief pouty face for a moment before reverting to his mischievous grin His remarkable expressiveness—reminiscent of a child's, in your opinion—never ceased to fascinate you. “I have a pretty good idea where we should go next.”

You furrowed your brow in confusion. “What do you mean? Tomorrow’s our last day.”

“No freaking way!” he exclaimed, whipping out his phone to launch the travel agency app. “We are going to redo our graduation trip. This time just the two of us!”

There were many things that led to the end of your relationship with your dork of a boyfriend, but as you reflected on it, you realized that there were also many reasons for you to stay together, especially when he reached for your hand and held it firmly in his grasp.

You were unable to contain your excitement and bubbling with melodious giggles that he adored so much as he whisked you away from Kumamoto in favor of the last bullet train to Kyoto, where your long-awaited true vacation would begin.

Epilogue

“I told you this was a horrible idea. I fucking told you.”

"Can you blame me? Dude was about to throttle me in my sleep."

"Geto," Shoko scowled, her disbelief at his simple answer evident as she gestured wildly with both hands towards the wrecked lavatory, emphasizing her point. "Look—now that he had gone and done it, we're the ones footing the bill for the destruction of property!"

Gojo had blasted the washroom with a freaking Red. And the innkeeper promptly held both Shoko and Suguru responsible since their roommates were captured on CCTV and had vanished without a trace.

Suguru rubbed his neck sheepishly. "I genuinely thought it was a good idea. I didn't expect Satoru to go overboard though," then he threw her a stink eye. "And hey, you were complicit in this too!"

Shoko mumbled a string of curses as she pulled out her phone, snapping some pictures of the undeniable evidence of Gojo’s doing, and then made a call. Suguru frowned.

"What are you doing?"

"I'm reporting him to the headquarters!"

[penultimate-step]

Lately, I've been thinking about the effect of real-world time on perception of media. Or, wait, let me start from the beginning.

When I was 11, I read the book Ender's Game for some school assignment or another. I don't remember ever considering Ender a relatable character, but certainly my understanding of the events was shaped by being of an age to see the protagonist not so much as a young child but as someone of my peer group, someone who could have been slotted amongst my classmates without anybody batting an eye.

Over a decade later, I read the sequel, Speaker for the Dead; it takes place many years later, when Ender is in his thirties, and my feelings about the in-universe time skip were undeniably shaped by the real life time gap between my reading of the novels. Reading the first book back then and then the second book now created a feeling where it's almost like, I'm browsing the facebook page of someone I had known in middle school but lost contact with, checking up on how they're doing today. The real-time factor caused me to perceive it less like a timeskip, and more like a reunion - the feelings were closer to "oh wow, that's my boy! I haven't seen him in years! Wonder what he's up to?" Which in turn gave me a better position to appreciate the parts of the narrative about him struggling to find a place in his adulthood than I would have been had I perceived it more strictly as a quick skip from 11 to 20 to 36.

While musing about this, I considered a VN I played a few years back, which took place over three in-game days - except at the end of one in-game day, the game would lock you out from progressing for 24 hours real time. So that as the in-game investigator protagonist was ruminating on the information that had been discovered that day, the player would be forced to do the same. In this example, by forcing the player to experience the same timeframe as the in-game characters, the sense of it being an in-depth and extensive investigation increases, even though without the forced pauses the game would be short enough to blow through in a handful of hours real-time.

Which brings to mind how time effects things in long-running serial works. It's well known that an audience which watches an episode or reads a chapter week by week has a very different experience than one binging through whole seasons or volumes at a time, but I wonder if the real time relative to the in-universe time makes that effect stand out more? Fight scenes, for instance, have been known to take up several chapters in certain manga or webnovels. What does it do to the reader's perception, if from their point a view a fight takes a whole month, while for the characters they read about it's only been a couple hours? Readers might feel that the situation is more stressful, since the pressure of the fight has been ongoing for a long time for them, while in-universe it was a rough afternoon but no more than that. Contrastingly, when a series skips ahead or otherwise has long periods of time for characters that feel short for readers, it can feel like no time has passed and everything is still the same, unless the author really stresses the differences in world-state that occurred offscreen. Because the reader hasn't changed at all.

No conclusion here exactly, I just think it's interesting how often an audience's response to a work, the emotions felt, are more closely tied to their real-life timescale, something almost completely out of the author's control, as opposed to in-universe time, which can be intentionally shifted or played with for the sake of the narrative.

[bluewolfangel01]

I feel uhhh so silllyy for requesting this but what if sheep mc snapped at like the brothers cuz there’s no way their 100+ year old asses are still acting like angsty teenagers (MC has a delusional joy moment😔😔😔)

It's okay, this is a very interesting request and I'm glad to do it 😁

I will specifically be writing Mc as a sheep like in the manga cause tiny pissed off sheep going off on tall and powerful demons is hilarious (sorry for the wait btw)

angy Mc is funny Mc and you can't change my mind

(I headcanon that the brothers sense their sin on Mc/you btw)

-Angy Mc-

Satan was the first one to sense something was up after a few minutes after his brothers and him started arguing

At first he wasn't sure what he was sensing, until he realized that he felt his sin, pure festering wrath

The worst part? He realized that it coming from Mc, who oddly enough was just sitting quietly on the couch, blankly staring at their phone in front of them

Satan went quite

Which caught the attention of the other brothers, who also turned their shouting at Satan, and even though Satan was very tempted to strick back at them, he held his tongue for once

Mc: "Can you all not fight, argue, or yell FOR ONE DAY?!"

It was at this point the brothers knew, they f#cked up (and went silent)

Mc: "Honestly, I know yall are brothers and demons so this kinda stuff is bound to happen but for Diavolo's sake this is getting ridiculous!"

Mc: *points hoof at Belphie* " Belphie. I know you're the avatar of sloth and therefore sleep a lot, but you can't solve all your problems and grief by sleeping the time away constantly, and the youngest brother brat thing doesn't always make you endearing!"

Mc: *points hoof at Beel* "Beel. I know you have survivors guilt but Lilith ended up living with humans like she wanted, Belphie doesn't need you standing up for him all the time, and you needn't continue to try to fill the hole inside you by eating in a restaurant that has no more food when you could just go down the street to another food place!"

Mc: *points hoof at Asmo* "Asmo. I know you ~get it on~ mainly to distract yourself from your troubles, to make yourself forget even just for a bit, sometimes but you can't push those feelings down forever, so actually talk with someone, anyone, about whats bothering you rather then trying ignore it! And stop hitting on your brothers, it's kinda weird!"

Mc: *points hoof at Satan* "Satan. I know you have an inferiority complex when it comes to Lucifer, but for the love of Diavolo, you wouldn't be called Satan, avatar of wrath, if you were like Lucifer in the first place. You have blonde hair and like cats, Lucifer has black grey-ish hair and likes dogs. AND THATS JUST THE START OF THE CONTRASTS! You are your own person, get that through your thick skull!"

Mc: *points hoof at Levi* "Levi. I know that it's easy to compare yourself to others and not at least feel somewhat bad about yourself but how do you not realize that you're the best tech wiz we got, an amazing gamer, and the most dedicated being I've ever seen in my life! So if you think that you're not good at something think again!"

Mc: *points hoof at Mammon* "Mammon. How in the whole Devildom is the Avatar of Greed almost always poor?! Also I know you are a material gorl, but items and things can't fully fill the void that you feel, so stop acting all emotionally constipated and just ask for affection if you want it!"

Mc: *points hoof at Lucifer* "And you Lucifer. I know you're the eldest and the prideful one, but there is such a thing as shouldering too much and being stubborn to a fault! Ask for help and for Diavolo to lessen your workload every once in a while! And stop not telling your brothers important things, rather then being all secretive to try to 'protect them' youre just hurting yourself and them cause of it!"

Silence was all that could be heard in the House of Lamentation, the brothers still as statues with varying amount of widened eyes, staring at the small being that they cherished that had just ripped into them so aggressively

After a minute ofa dead silent pause, Mc turned off their phone, hopped off the couch and started walking to the living room exit

Mc: "Honestly, I didn't expect to become a therapist for demons when coming here, and now I can't even read my enemies to lovers book in even somewhat peace.... I don't get paid enough for this."

They then disappeared from the brothers' sight, left to wrap their heads around what just happened

And the arguement that started it all? Who was going to make dinner that night

[teatreeoilll]

ChildhoodFriend!Sukuna drabble-headcanon thingy part 2 | part I here w/c - 750 cw: manga spoilers (although I'm only on chapter 180 so if it kind of doesn't make sense with the rest I'm sorry!!)

ChildhoodFriend!Sukuna who wakes up a thousand years later, now trapped in a boy's body, unaware of the fact that you, too, had made a deal with the devil to satisfy your yet unmet need for revenge.

Hein Era

"You must be Kenjaku," you said, relief washing over your body. It has been three long years since you've decided to find the man, the journey wearing you out, turning you into an empty shell in tattered rags.

"May the traveler who knows my name introduce herself?" He proposed, not making the effort to turn around from his position over the cooking pot. The shabby hut you stood in and his mild demeanor hardly lived up to the reputation of the most vicious man to set foot in Japan in eons.

And so you do, with a deep bow and a mutter of your name, "I've come to an understanding that to kill the man I wish dead might take more than one lifetime," you proclaimed, "and I've been told you're the one to turn to."

Tokyo, 2018

ChildhoodFriend!Sukuna felt something strange the moment Itadori Yuji fell face-first into Tokyo Colony No. 1. However, he couldn't pinpoint what exactly it was, like the dull wistfulness of an old perfume. Itadori Yuji sensed it too, but had little time to muse over such things when he was too busy fighting to try to locate Higuruma Hiromi.

"Kogane, show me player Higuruma Hiromi," you order, looking at the information popping up, "his points are gone. Is he the one who changed the rule?" You don't wait for an answer before continuing, "It doesn't matter; he might still know something. Ikebukuro's close now."

You walk through the concrete and metal jungle; these people have built themselves miles upon miles of castles, you think, Sukuna probably enjoys watching them crumble.

When you approach the theater you were told Higuruma resides in, a boy walks out. As soon as he catches a glimpse of you, he halts, standing on guard on the other side of the road.

ChildhoodFriend!Sukuna has seen many faces, but yours was one that hadn't faded from his memory by the passing of time.

"I don't want to fight!" The boy exclaimed from across the road, but his shoulders were drawn back, fists curled near his pockets.

"I do not wish to fight either!" You shout back, thinking that another battle may wash off the remains of your strength. Besides, what good would it do to fight a young boy? Although only the look of his pink hair made your teeth clench and stomach tighten.

You watch the boy take a seat on the pavement, "Are you hurt?" You inquire, slowly drawing closer across the pavement.

"Just taking a breather!" He shouts, but you decide to approach regardless.

ChildhoodFriend!Sukuna who laughs. He howls like a maniac inside Yuji's head, sending strange vibrations throughout the boy's body.

"Are you alright?" You ask the boy, watching him nod as he gulps the water you handed him. The resemblance is striking, you think, but perhaps I'm just thinking too much of it.

"Thank you," he puts the empty water bottle by his side, "I'm sorry I drank all your water."

"It's nothing." You assure him, "Have you seen Higuruma here? I've a question for him."

"I don't think he's the kind to answer questions," Yuji reflected, getting up from the sidewalk.

"I won't leave him much of a choice." You asserted, watching the boy's doubtful expression, "Do you have any insight you may offer on his technique?"

"Well, I don't think I understand it, really, but.." Yuji starts explaining, watching your brows furrow as you nod along at his descriptions.

You thank him, parting curtly before turning away towards the theater.

"Wait!" Yuji exclaims behind you, "What's the question? Maybe I'll save you the trouble."

You doubt his words, but turn back to face him, "There's a man I'm looking to kill," you disclosed, "trust me, you'd want him dead too,” you chuckle, pausing for a moment, but deciding there's no harm in asking, "Sukuna, do you know where he is?"

Yuji freezes, his heartbeat quickening at the mention of the name, his wide eyes pointed straight at you.

"Didn't think so," you sigh.

ChildhoodFriend!Sukuna who pops out as a mouth carved in Yuji's cheek, causing you to jump back slightly at the bizarre sight while he taunted loudly;

"You're not going to tell her, brat?"

_

tag list: @saoirseirose, @marimeown, @http-dilflvr Thank you guys for the wonderful comments on part one, hope this one doesn't disappoint

[clownakai]

Hi! Let's talk about: Conan's terribly kept secret, and how come he doesn't seem to mind that Akai has pretty much figured it out (and teases him about it)

I'm not going to lie, I think about this a lot and I've wanted to make a post dissecting the whole thing for a while. It's one of those details within two characters' relationship that says a lot about their overall dynamic, in my opinion.

So, to start off, let's address the secret in question and what it means to Conan. Basic stuff, but it's a useful starting point.

The first and greatest motivation behind Shinichi's efforts to keep his situation a secret from Ran is that he doesn't want to endanger her (good idea in theory, not so easy in practice, but this post isn't about that).

In time, this also becomes valid for everyone who associates with Kudou Shinichi and/or Edogawa Conan, given all the stunts he pulls as the latter. Just to be on the safer side, those two identities should remain separate.

Now, here's the first real "outsider" who figures out Conan is Shinichi.

I'm kind of reading this as Conan attempting to call Hattori's bluff, but as soon as he realizes that the guy is serious about telling Ran everything, he drops all pretenses and comes clean about the APTX.

Now, since this is still pretty early on in the manga, we can argue that Conan's identity hasn't been solidified just yet and Shinichi doesn't know how dangerous the Organization actually is, and combining that with the fact that Hattori is pretty much a stranger, the pros of conceding defeat on the matter and explaining himself to a fellow detective definitely outweigh the cons.

(This also gifts us with the funniest swaggest most whimsical duo ever, but I digress /silly)

And after Heiji, we have the man, the myth, the legend. Hondou Eisuke. His case is kind of particular, in that he doesn't really try to get the secret out of Conan. The truth is presented to him due to something unrelated (asking Ran out), which is apparently reason enough for Shinichi to out himself.

I do believe that Shinichi felt secure enough in doing this for a couple reasons: first and foremost, Eisuke is at least marginally aware of the Organization and the danger it represents, and he knows the importance of keeping secrets given both his sister's situation and his career choice. Secondly, Eisuke is leaving Japan: sure, there's a chance he might stay in contact with his friends via text, but he has no reason to tell Ran about Conan's real identity in the first place.

The real "danger" here was the possibility (very, very small. Basically non-existent, to be honest) that Ran would say yes to Eisuke's proposal to go to the States together (where, in Shinichi's mind, he wouldn't be able to follow, where he wouldn't be able to watch over her, where he felt he would lose her in every way that matters), and that chance, no matter how small, warranted an intervention. Not exactly pure logic, but that's teenagers for you (affectionate).

Alright, so what about people like Masumi? She even has an advantage in that she already knows about the existence of a drug that makes people shrink: her own mom looks like a middle schooler because of that. She's in danger no matter how you look at it, and she's clearly been keeping that secret the same way Agasa, Hattori, and the Kudous have for a good while. So how come she doesn't get to join the club?

The answer is, of course, the risk factor.

Masumi, as we all know, wouldn't know the meaning of subtlety if it hit her in the face with a baseball bat. We love and cherish her regardless, but admittedly, that's not a trait that would inspire trust in a pair of teenagers hiding their continued existence from an evil syndicate.

That's right! We have her timing to keep in mind as well. Masumi is added to the scene well into the main timeline's events, which means multiple things:

Conan's identity is finally well-established and separate from Shinichi's. Ran has had her suspicions in multiple instances, but they've been assuaged every time. Still, that balance is hard to maintain.

Shinichi is now fully aware of just how dangerous the Organization is: he's now much more reluctant to just share his secret willy-nilly with random strangers, even though they might prove to be useful allies in the long run.

Conan isn't the only shrunk teenager running around anymore: Haibara has just as much reason as him, if not more, to want to keep the number of people in the know as low as possible. By revealing his own secret, there would be virtually no way for Shinichi to keep Haibara out of the metaphorical line of fire.

Therefore, a variable that behaves like this...

Or this...

Isn't very likely to garner much favor from either of these two.

Something to take note of, though, is the fact that Conan pretty much only ever panics when Masumi brings up his identity if she's making an active effort to also bring the matter up with people who are firmly on the "Absolutely Cannot Find Out" list (Ran especially).

In multiple other instances, when Masumi alludes to being aware of Conan's ruse but talks to him one-on-one and makes it clear that the comment is a one-off occasion (and that she's not going to push it this time), Shinichi doesn't really lose his cool.

He may stumble over his words a bit, but the moment isn't played as dramatic or high-risk, per se. It's more as if he were being privately teased about his situation— sort of like as inside joke. It's not exactly welcome, but it also doesn't raise any alarm bells since it stays between him and Masumi.

Now, would Conan's problems with Masumi's nosiness be solved if he gave up and admitted the truth she already knows? Of course, but that's not really the point.

The issue is that this wouldn't be happening on his terms. He would be giving in to someone's else's demands, and in addition to that, Masumi has been asking non-stop about the antidote that Shinichi intermittently uses to get back to normal.

That, above all else, is what makes the endless dance of denial necessary, I think: admitting the truth also means outright admitting that prototypes of an antidote exist, and that means exposing Haibara (both her past work and therefore criminal background, and what she's been working on these past few months: letting Masumi have even a single pill would mean the MI6 getting their hands on it in turn, and that's pretty much not something anyone wants), which in turn would probably set off a very unpleasant chain reaction for everyone involved.

When Shinichi conceded defeat with Hattori, it wasn't on his terms either, but at least he knew the guy didn't really have any ulterior motive apart from his one-sided beef with the Detective of the East.

With Masumi there is no such certainty— quite the opposite, in fact, which is why I think this is the reason he's been so insistent on denying the truth even when he now knows full well that Masumi's can be no mere suspicions.

With all that said, let's get to the point of this bad boy! (I did not think this analysis would get so long. Holy shit)

Let's start with the fact that Akai operates on a pretty simple need-to-know basis. If something isn't relevant to what he's trying to do, he tends not to mention it. Still, he's not exactly strict about this: when Conan mentions Akai and Masumi's familial relation, he takes it in stride and gives his own confirmation because he sees no reason not to.

Now, this of course doesn't mean that he can't get curious about things himself, or that he won't conduct his own investigations on said things. His M.O., however, is very different from that of, say, Hattori or Masumi. It can probably be chalked up to maturity and years of experience, along with the simple matter of his personality, but Akai doesn't exactly make a spectacle of things.

He knows when to push and when to let go in a manner that still gives him the answers he seeks. He easily manipulates Conan into giving himself away as Shinichi while still making sure to be the only one witnessing that moment.

And then he decides to be a bastard and give Conan a heart attack... for about a tenth of a second, since as he does that he also carefully words things in order to give the kid an easy out.

All Akai wanted was to figure out the mystery in front of him (he's by admission a curious guy. He likes solving puzzles): now that he has his answers, he's not really going to do anything with them because he has no reason to— Conan is already willing to cooperate with him and the FBI (and has already done so before), after all. They already share intel more or less freely. He's literally living in the kid's house. For free. Why would he jeopardize any of that by falling out of favor with him?

This, I think, is a pretty solid basis upon which I can build my beautiful sandcastle.

Of the couple times in which Akai respectively asks Conan about his identity outright and mildly teases him about his circumstances, the context always plays a huge role.

In the first scenario, the two are speaking in public, yes, but at the same time the conversation is:

Pretty much kept private

Initiated by Conan (he asked for information first!)

Framed as a proposal of a mutual exchange by Akai, who also backs off immediately as soon as Conan turns him down

Of course, Shinichi is already reasonably sure Akai has him figured out anyway, so the point is moot, but it's still nice to get plausible deniability and still be somewhat in control of when he's going to come clean to the guy of his own volition.

In the second scenario, the situation is even more "secure" so to speak, as:

They're sitting in Okiya Subaru's car

They're completely alone

They're in a hurry to do something else (God fucking dammit, Shuukichi)

In this case, Conan doesn't outright react to the jab. Maybe it's because he doesn't really know what to say, or maybe it's just that he doesn't have enough time to come up with a reply before Shuukichi picks up the call. Either way, he does perhaps look a little put on the spot, but there's no real panicked reaction, no telltale change in what Conan's pupils look like in true DetCo fashion, which I'd say confirms he doesn't feel threatened at the moment.

(If we really must give it a critical interpretation, maybe the bit feels a little like a joke falling flat because it was made during an otherwise tense moment and it has nothing to do with the bigger issue.)

It's also worth noting how Akai's dig directly ties into his own circumstances, which possibly helps with lowering the "offensive" charge of the words. It's not a direct accusation, but rather a mildly humorous, harmless observation about their shared status (presumed dead by the enemy).

The biggest thing about both scenes is still, however, the fact that Akai unfailingly frames the subject in a way that leaves the choice of whether to actually talk about it completely up to Conan. He definitely recognizes his position as privileged/advantaged, but actively chooses not to make use of that, and he hasn't treated Conan any differently ever since verifying his suspicions either.

(Sidenote: I do believe that keeping the kid's identity from his own colleagues is also a strategic choice. Like I mentioned before, outing Conan would mean outing Haibara, and I do believe Akai's promise to protect Shiho also includes keeping her far away from any government agency who may be interested in what she knows— and what she's done.)

In conclusion: I am extremely normal about random interactions between these two and also I think that Conan's unshakeable trust in Akai stems from how the guy has been treating him ever since they started collaborating— with genuine respect (and even admiration) and never actually making him feel cornered the way so many others do, whether intentionally or not. This results in occasional sillygoofy privileges because Akai can recognize the time and the place in which it's acceptable to tease the Cone.

[strawberrystepmom]

pairing: Kenjaku x F!Reader, past Geto Suguru x F!Reader

word count: 3.6k

about: you become kenjaku's captive to ensure that he will not miss his opportunity to fight the strongest after his return from the prison realm. the temptation of being this close to the last remaining earthly fragment of the man you once loved, suguru, proves too much to resist and you give into your desires despite the hole they're bound to leave.

contents: NSFW - MINORS DNI. DARK CONTENT WARNING, MAJOR MANGA SPOILERS FOR CH 236 AND BEYOND | dubcon, manipulation, violence against reader, asphyxiation, kidnapping | reader is a sorcerer and went to school with geto and they had mutual feelings for one another, mentions of religion and references to god, kenjaku retained some of geto's memories and knows reader through them, reader has breasts and descriptions of vaginal anatomy are given, rough piv sex with little prep, reader is referred to as "girl", major character death (off screen).

notes: i've uh....been going through some things lately LMAO tbh i started this awhile back before thanksgiving but have felt weird about posting it and it very nearly stayed in the "between me and god" folder so i held back but today i said fuck it. if you read, thanks and i hope you enjoy!!!

header art is by jenny holzer and divider is by @/cafekitsune ♡

“The old occupant of this vessel was very fond of you, you know?”

How dare Kenjaku mention Suguru so casually, as if he were a tenant to his own flesh and bone instead of its rightful owner? 

“You know nothing about him,” The words are full of venom, flying from your mouth not unlike the way you spat at the curse user’s face two days prior to now. He chuckled when the fluid hit his cheek, wiping it off without a second thought. “Or me.” 

You felt so guilty for spitting at his face, the face of a man you once believed that you loved, that you wept until you began to dry heave atop the futon mattress in the room that has been designated as yours. It’s the same bed you rest on now, duvet over your knees that are hiked to your chest. It’s a means to protect yourself from any vulnerability but it’s truly no use. If Kenjaku wants to harm you, he will.

He has insisted your accommodations be comfortable since arriving three days ago given you are collateral and not a captive, his own clever wording for the situation, but you’re more than aware that if you were to attempt to escape from the cage that you’d hit the window just as all birds hungry for a taste of freedom do. There are no cuffs, chains, or bars but your freedom is no longer yours. It is a prize to be won pending the defeat of the man standing across from you in the doorway, shoji door open beside him, flowing hair as dark as the midnight sky brushing the backs of his elbows.

For years you wondered what you’d do if faced with Suguru again. Would you strike him, insisting he deserved it for all the hurt left in his wake? Ask him why in a scream so powerful your shoulders would shake with the weight of your fury? Perhaps you’d forgive him, as you’d been taught and encouraged to do your entire life, and those mumbled prayers cast to the God you believe in above you would be true for the first time since they’ve left your treacherous lips. 

“I forgive him, I hope you can, too.” You have begged God aloud and silently since sixteen years old. You have always been devout in your faith despite abandoning most of the tenets that make someone a believer, your lack of devotion not enough to deter you from selfishly asking for absolution for a man who you know deserves none.

God’s answer is clear when faced with the fact that this is not Geto standing in front of you. There is no less mercy a person can be shown than their body being used as a sick prop after their death.

The space where his thoughts and dreams and hopes used to lie is occupied by something far worse than just visions of a world purified through means of violence, a place where people like you could live without the threat of death and sacrifice to keep others safe. Granted, that wasn’t exactly a noble purpose either, but at least it didn’t threaten your life the way that whatever lives inside of his skull does now.

“I know more about both of you than you think.” 

Kenjaku’s words drip with smugness and your stomach flips. The natural responses of your body to a man who looks and sounds just like Suguru make you sick but you cannot focus on fighting them off and keeping yourself protected at the same time, you have to simply make peace with the butterflies in your stomach that feels like something is punching you in the gut over and over again. He dares enter the room and you scoot further up the futon, hitting the wall behind you and leveling a glare in his direction.

Suguru’s body reacts to you, as well, something that Kenjaku planned long ago to use to his advantage. It started with hazy dreams, a face he recognized as yours drifting through them, your thighs and your lips and your skirt. It’s a version of you a little younger, a little warmer - less edgy than you are now. You are sharp and finely tuned to harm while the version of you that lived in Geto’s mind will forever stay soft, a freshly unfurled rose.

“All you’ve done is vandalize him,” you accuse and he shrugs, dressed in a cotton yukata rather than the robes he stole in addition to the body they dressed. It’s easy to imagine another life where this is Suguru and you are you and he’s coming to your shared bedside, kneeling on the ground the same way Kenjaku is now while he invites himself to the only space you currently have as your own.

“You’re a smart girl, don’t play dumb.” Your glance moves from the doorway to him, disgusted by how brave he is getting this close to you. “Perhaps I’m simply using the power this body holds in the way he was too cowardly to attempt.”

Despite your current state of sitting in nothing but a yukata yourself, you are physically strong from spending the last decade of your life as nothing more than a glorified weapon to use in the fight against evil. Even if your Cursed Technique would be unlikely to have any effect on the man, you could be a difficult problem for him if you wanted to be, yet you sit and do nothing but wait and refuse to respond to his words. He chuckles at your stubbornness and reaches across the bed and your body to grab your chin between his thumb and index finger. He shifts your head until you’re staring directly at him and a smile crosses his lips.

You do not fight him off.

“Tell me, sorcerer,” he starts and you swallow, bottom lip quivering. You want to reach out and slap him away, to scream and kick but your body stays still, the only place blood is pooling between your legs and in the heat of your face. “Where are those teeth and claws you were so eager to show me on your first night here?”

He reaches his thumb upward and presses it against your mouth, stopping the shake with a single touch - your body’s natural reaction to a man you are now certain you loved, given it’s the only explanation for your behavior. It’s a form of trust, the muscle memory of a kiss he gave you in your dorm room at the school you once shared. The first night you were spitting and hissing, now you’re so placid.

“Nothing to say for yourself?”

Stubbornly, you shake your head and Kenjaku chuckles again, pulling his thumb away from your lip but maintaining the grip on your chin. You know this is not Suguru, it’s as clear as the stitches across the forehead of the practically empty vessel that further closes in on you. He moves silently until he’s mere inches away from you, his head hovering over your knees that are still pulled against your chest. You watch him with narrowed eyes, tucking against yourself tighter than you ever have as a means of comfort, but it does nothing to stop him from lingering.

“I could just make you speak if I wanted to,” he warns. The power in this situation belongs to him.

“What’s the point of fighting you? You’re going to do whatever you want with me anyway.” You admit, defeated. Whatever fight you had left in you was smothered weeks ago during the attack on Shibuya. Even the release of Gojo is not enough to fill you with hope for the future. It’s pointless to keep fighting when the only outcome is going to be loss.

The shaky sound of your voice makes the curse user move closer to you and you shut your eyes tightly, refusing to look at him lest your body continue with these inexplicable natural responses. Heart pounding against your chest, it’s inexplicably frustrating that it cannot seem to separate what your brain knows is true from what your body wants to believe.

It isn’t him, you scream within the confines of your own mind but it does not prevent your palms from feeling clammy and the squeeze of your inner thighs against each other to provide some relief against the heat in your core.

It isn’t him. It isn’t him. It isn’t him…

Chanting the words internally, you open your eyes and are met with a pair of golden ones staring directly at you. They’re the same that stared at you in a dorm room a decade ago although they’re missing the warmth they had back then, dripping honey sweetness hidden in the irises turned to tar. 

“You’re right, I can.” He nods and dark hair falls over his eyes, catching your eye. Your stomach turns when you spot the stitches across his forehead but your gaze returns to his so quickly you can hardly think about it. “But will it be what I want or is it what this body desires, I wonder?”

This piques your interest and Kenjaku tilts his head to the side inquisitively, dark hair sweeping over your knees and around your body. It feels like a curtain, a veil like the ones you are so used to using to keep people safe and ignorant and outside of your world of sorcery.

“What do you mean?”

A smirk is the response you are granted and he moves closer to you, one of his hands reaching for the duvet you’re using to cover you. Pulling it back gently, your robe covered body coming into view and once again, you make no effort to fight. With this barrier removed, he runs his palm over the outside of your thigh. Muffling your whimper at the touch, you attempt to hide your face in your shoulder but he stops you, still grasping onto your chin and still holding your gaze.

“Interesting.” 

His hand travels from the outside of your thigh to the insides and you gently spread them to allow him access before realizing what he’s searching for. Attempting to cut off his access by closing your legs, he holds your thigh in place and lets his fingers dip lower along the soft skin. You quiver and shake beneath him like a leaf clinging to the branches of a tree in winter, desperate for somewhere to remain, and those fingers inch closer and closer to your core. He stops when he feels the coarse hair covering your mound and dares to dip a single fingertip between your folds, raising his eyebrows when he feels the arousal seeping from you. 

“I knew it,” he whispers so low you wonder if you were even meant to hear it but the way he gazes at you, like that of a man starved, tells you that the words were meant for no one but you.

Your hand shakes as much as the rest of you when you finally lift it from your side, reaching out to him and taking a strand of hair between your fingers. It feels just as you imagined it would, silk between your digits, and a breathy sigh leaves you before you begin to cry. Dropping the small strand, you choose to reach out toward his forehead and use your hand to block the stitches covering it.

“Suguru.”

You babble the name like it is precious, your lip quivering just as it did before, and the evil man shakes his head, capturing your wrist with the hand he just removed from your chin. He lowers your hand enough that you can see the stitches unobscured.

“Kenjaku, actually.” 

He lowers your hand to his lips and kisses your knuckles, amused when you squirm where you sit, practically delirious with lust and confusion. You do not want this, at least that’s what you tell yourself while parting your legs further and panting, chest heaving with every breath.

Wordlessly, he uses his free hand to untie your robe and it falls off of your shoulders, exposing you to him fully before he can blink. This is something he remembers seeing in one of those dreams but you look different than whatever the imagination of a man who was infatuated with you was able to come up with during his loneliest hours. It amuses Kenjaku that he is the one to see you like this, bare and willing. 

Tracing down your belly and lower, he stops between your legs which makes you whimper. You’re so desperate to be touched, to pretend he is someone you’ll never have the opportunity to love as properly as you could have if you’d both lived a different life, that your hips actually arch off of the bed eagerly. It should embarrass you but you are past the point of humiliation, willing to be fucked by evil incarnate just for the sake of a taste of Suguru Geto.

“Pathetic little thing,” he coos and you say nothing in return. You’re well aware of your failings as a sorcerer and a human being as his fingers spread your labia to get a glance at what you have to offer. For a moment, you consider praying for Suguru again; to selfishly beg God to make sense of your own actions but you know that he no longer has mercy for an ill behaved member of his flock. You will simply accept the consequences, whatever they will be.

His thumb brushes your clit and you moan, tipping your head back and toward the ceiling. You wait for the sensation of pleasure to climb through you again but it doesn’t come until you look downward again, eyes fluttering open.

“Eyes on me or you get nothing.”

Too afraid to look away lest it keep you from the only good thing you’ve felt in who knows how long, you keep your eyes glued to Kenjaku’s face while his hand works between your legs, spreading the slick from your cunt toward your clit and back down. If you could just shut your eyes, you could pretend, but they’re open and glued between your legs, watching every feathery stroke of his fingers through your folds.

Kenjaku’s cock hardens against your thigh and for a moment you dare to feel powerful knowing you aren’t the only one surrendering to the most base of your needs. He drops your hand and reaches for the tie of his robe, opening it and giving you the only look you’ve ever been lucky enough to get of Suguru’s bare body.

Scarred, honed, a tool - just like yours. If you weren’t so lost in the moment, the lifetimes you have imagined for years would be playing through your mind.

You gasp and knit your brows together, bucking against the increasing pressure of Kenjaku’s fingers while he brings you back to him and out of your head. Whatever you’re thinking about doesn’t matter when he inserts a finger inside of you, only testing how wet you are with no intention of preparing you for his cock. 

When he’s satisfied with how wet you are, he withdraws his finger and you whine. The sound is the most he has heard from you since the first night and it makes his eyes widen in interest. He shifts until he is standing between your spread knees and the realization that this is really happening hits you at once, your face flaming with desire.

“You’re so impatient.” 

The curse user tuts at you with a roll of his eyes and spreads your legs as wide as they can go to accommodate the width of his body. He’s broad in shoulder and hip and you bite your lower lip when he runs the head of his cock through your folds, following the same pattern of his fingers. You expect the teasing to last longer but it stops abruptly. Before you can take a breath to prepare yourself, his cock is buried to the hilt inside of you, and you gasp with wide eyes, shocked. 

“As good as you imagined?”

Words come to your mind but do not form enough to leave your mouth while he thrusts roughly, your body jerking violently against his. It’s painful, the size of him with little prep in conjunction with how he uses your body as nothing more than a glorified place to take his aggression out, but all of the numbness within you thaws and for the first time since you realized Geto was no longer Geto in Shibuya, you feel. 

It’s hard to name all the emotions you are experiencing because they blur into something barely comprehensible. Pleasure and pain and bone chilling sorrow, the kind that makes tears silently drip down your face while he takes what he wants from you. He doesn’t bother to play with your clit and there is no need to, the joy you’re taking simply from being used by Suguru’s body enough that the knot inside of you is slowly beginning to unravel. 

Skin on skin punctuated by his low grunts and your whines fill the small room and you are so lost, you lift yourself halfway up to meet Kenjaku and consider kissing him. Would it be close enough to kissing Suguru that you could eventually justify it or would it just sully the one good memory you have of him? 

You don’t have long to think about it before you are pushed back down to the bed, one of his hands caging your throat and keeping you pinned to the bed below. A reminder that this is for his pleasure and not yours although you feel yourself coming closer to the edge than you were just moments prior, shutting your eyes tightly. All of the motion inside of you stops, the hard thrusts of his cock ending, and your eyes shoot open.

“Remember what I said. Eyes on me or you get nothing.”

Nodding, you keep them open and he begins again, pace rougher than before. You can do nothing but grunt and struggle to breathe, his cock carving out space inside of you that didn’t exist until he entered you. Every kiss of his tip against your insides knocks the breath out of you and finally you cum in a strangled moan, walls quivering around his length. 

His hand inches further up your throat and squeezes experimentally. As expected, you do not fight back and he takes his indulgence with a grin, choking you with varying degrees of pressure and feeling your cunt spasm around him when he surprises you by tightening his grip. 

You like this. You want this.

He leans forward and shifts his weight to his arm and hand, finally spilling inside of you with a deep moan. Warmth fills every inch of you and you wish that you felt as full in your heart as you do in your cunt but a void remains.

Kenjaku’s other hand slides up your body and wraps around your neck, both of his palms resting on either side of your neck and fingers splaying over your throat. It’s dangerous to let him have this much access to any part of you that he could possibly crush but you do not move, tearfully looking up at him and sniffling. He increases his pressure, not enough to harm you, but enough to make you work hard and you realize how easily he could just…end this.

“Please kill me,” you beg while struggling to breathe, realizing what you’ve done now that the afterglow of orgasm can no longer protect you from the cold hard truth. 

You are a betrayer. You slept with the enemy to sate your own selfish desires and death seems almost too kind to beg for, yet you do.

“Kill me.”

Your face turns in shade and your vision is dotted with darkness, a miserable end to a miserable life you consider, but at least it will be over. The pressure of Kenjaku’s hands around your neck continues to increase until you are certain you are taking your last breath, lungs aching until he abruptly stops. He glances down from where he rests above you, half swollen cock softening and letting his cum leak out around the tip of it that is still inside of you and onto the sheets below. 

“I will not give you the satisfaction of death until you give me the satisfaction of watching you fight for it.” 

Removing his hands from around your throat completely, he glances down at the pressure indentions of his fingers with a smile. Your eyes flutter shut, you’ve passed out from lack of air, and he admires the heap he has left you in, reaching for your robe and wiping the remnants of his release and yours on the corner of it.

Nobody is coming to save you, a secret Kenjaku knows that you are not yet aware of. Satoru Gojo is dead, defeated at the hands of Sukuna. The news broke this morning and he was preparing to come to your room to let you know until this little distraction occurred. He had an inkling you were susceptible to Suguru Geto’s charms even from beyond the grave but he had no idea it would be this easy, your slumped form resting on the futon beside him. He pats your head as one would a treasured dog, long and loving strokes that do not stir you, your bare breasts swaying slightly with every breath you take.

The new world is on the horizon and he may keep you around as a plaything for a little longer than he originally intended.

[vinegarss]

47news interview with Tamifull

Earlier this month Tamifull, the author of Tsukiatte agetemo ii kana? AKA How Do We Relationship?, did an interview with 47news. I've translated the full text below:

Out of the innumerable manga published every year, there are always a few titles that one simply can't afford to miss. Tamifull-sensei's How Do We Relationship? (Shogakukan) is one of these. It's a story of young love and heartbreak, centering on college students Inuzuka Miwa and Sawatari Saeko. Though fiction, it has a powerful sense of reality that leaves one feeling as if the real Miwa and Saeko might just be out there somewhere right now. If Agasawa Tea's Ramparts of Ice (Shueisha) is the pinnacle of high school romance, then How Do We Relationship? is the pinnacle of college romance. With the help of supervising editor Watanabe Saori-san, we were able to secure an interview with Tamifull-sensei to discuss the story--now on its 12th volume, and at the height of its climax.

The story so far:

Soon after starting college, mild-mannered beauty Inuzuka Miwa joins the light music club and finds herself the center of attention from the boys at the welcoming party. Miwa, who "only likes girls", is rescued from the situation by the energetic Saeko. Saeko, who "prefers women (to men)", buoyed by liquid courage, asks Miwa out on the spot and the two begin dating. But the two are clumsy and inexperienced with love, and fail to be fully honest with each other. By the end of the year, their romance has ended in disaster. After maintaining a sex-only relationship for some time they return to being friends and even move on to new partners... Finally, as their respective relationships have both ended, the two look at each other anew, not as lovers, but as exes, and as absolute allies.

47: How Do We Relationship? has a very unusual structure. Shoujo manga tend to portray a dramatic path to the start of the relationship, but Miwa and Saeko begin dating at the very start of volume 1 and break up in volume 4. As we're now on volume 12, they've actually been exes longer than they were together.

Tamifull: Well, it has stretched a little longer than I expected (laughs), but the story is proceeding as planned from the start. I think rather than starting decisively with some sort of "All right, I'm falling in love now!" moment, real love tends to build up out of small things over time. I didn't want the relationships in How Do We Relationship? to start in this exaggerated, romance story kind of way.

47: And that helps with its sense of reality.

Tamifull: I don't believe dating and breaking up are things that we need to think about in such dramatic terms. It's easy to feel like every relationship has to be perfect, or that you need to have some sort of fated encounter, or that breaking up is a bad thing, something hopeless. Why shouldn't there be manga that throws away those stereotypes? Life is so much longer than a single relationship. It keeps going after you start dating someone, or break up with them. I think that's a message that I've consistently tried to tell with this manga.

47: Can you tell us how it got to be serialized?

Tamifull: It started out as a oneshot I did for Comitia (a doujin festival and marketplace in Tokyo) in 2017. Up until then, I had mainly been drawing yuri--manga about relationships between girls. And I wanted to tell a little bit of a different story at that event. Doujinshi are generally about 20 pages, so usually you introduce the main couple, have them confess, and wrap it up right around there. So I thought, what if they're already in a relationship and we watch them break up? I was basically thinking, "why not draw what I want to read!?"

Watanabe: Ashima Yuki-san, one of the first freelance editors, reached out to Tamifull-san then.

47: At the time, yuri was considered a pretty small market. It felt like unless you got into one of the specialized publications you'd have a very hard time, right?

Tamifull: That's true. There are a lot more varied works coming out now. At the time most of these stories were actually aimed at men, so the relationships would stay platonic, or at most they might kiss. I knew stories like that were easier to market and less likely to ruffle feathers, but I found myself thinking, "If we all settle for that, we'll never get to see what happens next! If no one else is drawing it, why shouldn't I?"

47: What did Ashima-san say to you?

Tamifull: She told me, "I've been wanting to read a story where the characters and relationship feel free like this". I do remember thinking it might be more marketable without the eroticism when I was developing it for serialization (laughs). But I ended up just being like, well, let's see what happens!

47: "Realistic" LGBTQ romance stories tend to end up falling into a handful of patterns. Whether it's manga or movies, you see a lot of stories that feel like "the tragedy of same-sex love", or that seem intended to make you feel sorry for the characters. Like the audience is meant to walk away thinking, "How thought-provoking! I really learned something". But How Do We Relationship? is pretty different, isn't it?

Tamifull: Rather than being "yuri" or being viewed as an "LGBTQ story", I want people to get into the story just because they see it and go "Hey, there's girls dating in here!". Sexual minorities aren't here to be instructional materials for anyone. LGBTQ people live in the same world as everyone else. I want the characters to seem like people you might meet anywhere, and to have relationships you might see anywhere. I want the fact that the relationship isn't heterosexual to just be a detail. That's why Watanabe-san and I decided not to advertise How Do We Relationship? specifically as a yuri manga.

47: Achieving that sense of reality must take a lot of care. I imagine you have to be careful to avoid the set phrases and compositions that readers see all the time in romance manga.

Tamifull: That's true. For example, in the scene where Saeko opens up to Mikkun, their male friend, about her dating Miwa, she asks him if he finds the two of them dating "gross, or wrong, or unnatural", and Mikkun, while looking away, asks in return, "What? Do I have to feel that way about you?". The orthodox move would be to have the handsome guy character looking straight out of the page, smoothly delivering some cool line. But in real life we don't have convenient handsome guys just lying around, and you're not usually looking people straight in the eye. It's not that staged. I think the casual nature of the lines, and the casual nature of the situation, actually make it all the more resonant. I want to keep that natural feeling to the story, and I go out of my way to avoid making it feel "romantic". I think my ideal is for it to feel like a movie.

47: A movie?

Tamifull: That's right. I think one of the strengths of film is the ability to show the drama of everyday life. I always include backgrounds in my panels to try to get closer to that feeling. For instance, in a scene in volume 12, Saeko is on a boat at night looking out over the water with her girlfriend, Yuria. They're talking about breaking up. It's a very romantic setting, but the painful nature of their conversation blots out everything except for the blackness of the water. I want readers to feel like they're there experiencing it alongside the characters.

47: I see. The city you see at night while breaking up with someone certainly does feel different...

Watanabe: And Tamifull-sensei's art has really helped deliver that sense of reality to readers. There are no wasted panels: from the camera placement to how the viewer's eye is led, even the placement of the dialogue, everything serves to guide the reader to what she's showing. Due to my job I read a lot of manga, but there are very few manga artists as skilled as her.

47: Personally, as a reader, it's that sense of reality that has me praying for Saeko and Miwa to end up happy, so next I'd like to ask a little about about how you learned to imbue your writing with such reality, and what techniques you use.

Tamifull: I'll do my best (laughs).

47: First, the depth and internality of your characters. For instance, after breaking up with Saeko, Miwa dates the younger Tamaki. Tamaki is reserved and very low-energy. She's clearly at a loss with the more sexually-motivated Miwa, but nonetheless does her best to reciprocate in her own way. She's straightforward and can be a little childish, but has an intellectual side to her, as well. Accurately portraying such a complex, difficult character must necessitate having an incredibly keen eye for people. How did you learn to understand other people so well?

Tamifull: I think it was mostly my experience in school. In primary and middle school I was low on the pecking order, so I became very sensitive to other people's hostility.

47: Ah, the pecking order... That does happen, doesn't it.

Tamifull: Yes. I'd be in a group of maybe 5 or 6 friends in a class and then once every few months I'd get the silent treatment and end up being ostracized from the group, in this sort of rotation. I'd go through 2 or 3 groups and it would always happen. I think all the time I spent thinking about how to avoid being targeted like that played a big part.

47: Planning out the battle to make it out alive, so to speak.

Tamifull: I think that really helped cultivate my eye (laughs). Like, this girl's the ringleader, and these ones are joining in because they don't want to become the target themselves, but this other girl is actually nice so even when they're ganging up on me she won't join in.

47: I see. Even while you were being mistreated, you were trying to understand things from their perspective. Certainly How Do We Relationship? doesn't have any one character that you would really call a villain.

Tamifull: That's right. Take Kan, who tells Miwa "I hate you" in volume 2, or Tamaki's friend Nagi who calls her "gross" in volume 8. I think it would be too convenient if nobody was ever mean or unpleasant, so it's important to have such characters. But I also try to portray them as having their own reasons. It's not like everyone will be good to each other all the time, but for each person, there's a community out there somewhere that will accept them as themselves. I'm always including that idea, that wish, almost, as I write the various members of the music club.

47: The story has this warmth to it you can really feel, and I think that idea has a lot to do with it. That said, it sounds like you weren't always successful at avoiding bullying. That must have been difficult.

Tamifull: I spent a lot of time wrapped in my futon wondering, why do they treat me like that? As the days went by I'd end up sublimating my anger and frustration by telling myself, "They have their own problems so there's nothing I can do about it." Like, this girl might have a lot of stress at home, about her grades or other things, so she just feels too much pressure and gets pushed into bullying, or things like that. I really got in the habit of thinking about things from their perspective.

47: You are an incredibly kind person. I do think the eye you cultivated that way serves you well in writing characters. For example, in volume 3, we meet Miwa's first crush, Shiho. At home, we see Shiho being horribly mistreated by her parents, who only care for her more academically-minded younger sister, Maho. One day Maho snaps at her, saying "Don't talk back to me, moron! You know how much I have to carry thanks to your stupidity!?". But Shiho just accepts it, and keeps her unhappiness to herself. That's in volume 11, that we finally find out how Maho, who's caused Shiho so much pain, has been feeling.

Tamifull: Maho also feels a lot of pressure from their parents, and she's desperate not to fail. She's under a lot of stress from that. When they were younger, Shiho and Maho were actually very close--Maho loved her older sister--but as grades and examinations started to get involved that connection became twisted... I wasn't able to show all of this in the story, but I always think through these details before drawing.

47: That sort of thing does happen between siblings, doesn't it... Just remembering is a little painful.

Tamifull: But, as much as I analyze people like this, it's very difficult to put into words.

47: In what way?

Tamifull: If you say "Well, this person has this kind of background, so that's why they do these things" then everyone will be like, "And what do you know about them?". You'll end up hurting feelings. So I can't say it about real people, but with How Do We Relationship? I'm the author so I can draw whatever I want. When I hear readers talk about the "realism" I'm always like, "Really? You mean I actually did it?". I secretly get a little happy about it (laughs).

47: Did you always want to become a mangaka, growing up?

Tamifull: I did always like drawing. But when I was pretty young I read one of those "So you want to draw manga?" kind of books and I got very intimidated by all the different erasers and tones and things, and I sort of gave up (laughs). It wasn't until I'd completely retired from extracurriculars in college that I realized I didn't have enough to do and started drawing manga.

47: And then you became a mangaka as soon as you graduated?

Tamifull: Yes, that's right.

47: That's quite something. Not many people manage to do that, right?

Tamifull: The reason I started attending Comitia was because in college I finally learned that editors would be there. Up until then I was working with my childhood knowledge--I thought I had to submit my work to a company and then become an assistant before I could become an author myself. When I found out I was like, "Doujinshi will get me fans and even expose me to editors? What could be better!?". I had my heart set on it.

47: (laughs). What kinds of things were you inspired by when you were a child?

Tamifull: All the way through school I was into stuff that was a little different from whatever was in fashion. I liked watching slightly older anime on Kids' Station, for instance. Like, look at me! I'm not into the same stuff as everybody else! Aren't I cool? (laughs).

47: (laughs).

Tamifull: When everyone else was into Cardcaptor Sakura, I was watching Takahashi Rumiko-sensei's Ranma 1/2 and Maison Ikkoku. I remember when I read one of Ito Junji-sensei's works at a relative's house it left a big impression on me. When I was in college I bought the collector's edition of Tomie at Village Vanguard.

47: You grew up into a bit of an alt college student.

Tamifull: In college, going to Village Vanguard and fishing for manga nobody else had became something of a passion for me.

47: What about Takahashi Rumiko-sensei's work did you like in particular?

Tamifull: I especially liked the way she drew girls. In the early 2000s, when I was in primary school, it was very in fashion for girls to be drawn very slender and light, with delicate limbs.

47: Slenderness was certainly emphasized a lot back then, yes.

Tamifull: I preferred how Rumiko-sensei drew them--a little squishy. As far as the story goes, I loved the ending of Maison Ikkoku, how it portrays the characters moving forward in life. I read it over and over. I think that passion for people comes through a little in How Do We Relationship?.

47: In the afterword of volume 3, you mentioned that from middle school until about halfway through college you lost interest in manga, and were more into drama and music.

Tamifull: That's true. Sometimes I'd draw a buff Pikachu or something on the blackboard to try to get a laugh out of people, but that was about it.

47: A buff Pikachu? (laughs). I wish I could see it.

Tamifull: At co-ed schools I think girls mostly end up ranked by looks, but I went to an all-girls high school, so... It was really about who was the funniest.

47: So art was a way of giving yourself a gimmick.

Tamifull: That's right. That continued into college, so I always had the position of somebody who's just a little bit good at drawing. In college everyone was nice, though.

47: In that same afterword you mentioned that during the time you weren't drawing manga, you really enjoyed making things together with a group.

Tamifull: In high school I was in the school band, and we'd all put on plays together at school festivals. I joined the light music club in college. I did percussion in high school so I mostly played drums, or did vocals.

47: Oooh. What kinds of things did you play in the light music club?

Tamifull: Just normal rock. Popular stuff, like Go! Go! 7188.

47: I have an impression of you as being a little bit countercultural, so rock seems perfect for you (laughs).

Tamifull: In college I was also on the student festival committee, so I was doing double duty a little bit. And as much as I enjoyed making things with other people, I started to feel this hole open up, like inside I'd be thinking "I could do this so much better...". Then I started looking into manga again on a whim and realized everything had gone digital. You don't need to hire a bunch of assistants, and you can do tones with the press of a button. It was like this new environment where I could try my hand at manga by myself was prepared just in time as I came of age. I didn't have to hold myself back for anyone, and could do everything just how I wanted. That's why I've always worked alone.

47: What!? You don't have any assistants even now?

Tamifull: I don't.

47: Watanabe-san, is that normal?

Watanabe: It's extremely precious to us. She's really something, isn't she? I don't know how she puts out so much in just two weeks.

Tamifull: I want every angle and composition just so. I can't really express it well, so when I think about trying to explain it to someone else, I just feel like it would end up taking even more time... But then sometimes I'll be working from my storyboards and I'll be like, "Why did I make myself draw it like this!?" and end up suffering a little (laughs).

47: It's certainly a work that cuts no corners. The dialogue is always so well written and moving--do you start by writing the characters' lines?

Tamifull: Yes, I do. I'll write them all out at once, then adapt them to the storyboards as I go. I think all the time I spent agonizing in my futon when I was younger like "I should've said this..." or "And then they'd say that..." might also help here.

47: You always include afterword comics and omake in the tankoubon releases, so I get a sense that you're quite particular about manga books.

Tamifull: I love manga that includes a lot of little extras. And I want readers to enjoy How Do We Relationship? as much as possible, so I always go all out drawing them.

47: Your first announced works were around 2012, and in 2014 you made your commercial debut with Don't Call me a Goddess! in Bungeisha's 4-koma magazine Manga Time. The main character, Saotome-san, is a bit of a tryhard, and as much as that wins her respect from her peers, it also tends to alienate them. Into her life barrels the far less inhibited Ryou. After that, you had My Little Sister and the Sex Doll (Shueisha) serialized in Tonari no Young Jump, about an innocent and naive high school girl and a talking sex doll. Both manga were comedies.

Tamifull: How Do We Relationship? was a little bit of a break in genre, yes (laughs). My Little Sister and the Sex Doll also started as something I made as a change of pace for Comitia (laughs).

47: It's a very rhythmical work--the talking sex doll's lines are incredibly well crafted.

Tamifull: The editors at Young Jump really liked it. It was a little more crude than what I usually write, so I did have some doubts... but they were very kind in offering me the serialization. I had to exercise my vocabulary to the fullest.

47: As much as it made me laugh, I could also somehow feel your desire to break taboos coming through.

Tamifull: That's true. I was trying to make fun of dirty comics, while making a dirty comic (laughs). Even when there would be the setup for some sort of fanservice scene, with something sexual happening to the girl, I would always interrupt it with a joke and turn it into something decidedly not fanservice.

47: On the other hand, something about the relationship between Saotome-san and Ryou in Don't Call Me a Goddess! feels like it connects to Miwa and Saeko. Are you particularly fond of that sort of relationship?

Tamifull: Honestly, that was... completely unintentional. I think, when it comes to protagonists, I do like a character who is quiet, but unexpectedly stubborn... When I think about my time in school, I had a lot of experiences where there would be another girl, and she'd have this sense of separation, like a bit of a boundary around herself, but when I approached her she'd turn out to actually be really interesting. And I'd have this feeling of "Everyone else doesn't even know how cool she is!? I need to let everyone know!". I think that feeling, almost like wanting to become a producer for girls like that, has led me to write my protagonists that way.

47: You really love girls.

Tamifull: I may have spent long years in fierce battle with them at school, but when I translate it to manga they become strangely appealing. Even when they're a pain, their being a pain is good in of itself (laughs). It's true that characters who aren't straightforward can make a story more interesting, but I also think that's just how people are--you can't sum anyone up in a few words. Don't you agree?

47: Your manga, including How Do We Relationship?, really don't tend to have characters that you can sum up as "the cool one" or "the tsundere" or anything like that.

Tamifull: That's right. I don't want them to be symbols.

47: And that's exactly why, in each case--Saeko and Miwa, Miwa and Tamaki, Saeko and Yuria--when they break up, it's so emotionally impactful. You can't just point at one of them and say, "It's her fault."

Tamifull: Right. In reality, lots of people break up all the time without either one really being at fault. It makes me really happy to hear that people read the story as just being how things ended up for them. It's so easy to assume that when a relationship falls apart, it's because someone's in the wrong. I worked very hard to make sure that Tamaki and Yuria would be charming enough characters for readers to like them, and to accept it when I made them break up with Miwa and Saeko. I always look at readers' reactions and think carefully about how to proceed.

47: How Do We Relationship? really feels like you want to closely examine real, "normal" relationships.

Tamifull: I think it's a pity for the socially accepted image of love to be something so narrow. When two women date, and after breaking up return to being friends, I think people have a tendency to look a little askance at them. But why is that? I always find myself thinking, "Are you okay with living like that?". With How Do We Relationship?, I wanted to create a world where Miwa and Saeko and everyone else's desires wouldn't be crushed by those around them.

47: Especially during the first 3 volumes, you often shine the spotlight on the other characters around Miwa and Saeko. Is that also a part of fleshing out that view of the world?

Tamifull: Something like that. I don't want the idea of someone who likes the same sex to be something fantastical. I want to show that sexual minorities are all around--even around you. I want heterosexual readers to also get into the story, and I was very conscious of that early on in the serialization. I think whether you're gay or straight, you can still understand this story. These characters are just like you. That's the message I've tried to send.

47: It would be really wonderful if we could become a society where everyone views each other with respect. What would that take, I wonder?

Tamifull: Delusions, maybe.

47: Delusions? (laughs).

Tamifull: Yes (laughs). This is just my own experience, but when I meet someone and feel off-put by them, I always thoroughly imagine their background. By the time I'm finished whatever anger I felt has faded, and I feel ready to treat them better--maybe even to become close with them. And if you write stories you can come up with great material this way, so it's two birds with one stone (laughs).

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to audition for Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[madl-y]

✧. ┊— you're the one that I like (I can't deny)

3 times Orter Mádl denied his affection for someone, and the one time he was too tired to defend himself.

sypnosis – the other divine visionaries are sick of seeing orter lovesick (despite being amused themselves) so they try to push him to confess. (they, mainly being kaldo and ryoh. lance was there unwillingly)

> no tw! fluff! hopefully not ooc..? beware of grammar and spelling mistakes (sorry..)

> set in post innocent zero! so mild manga spoilers :"DD

> its also been a while since i've started writing fics again! this was kind of an impulse decision ahahaha...!

> i also didn't expect this to be long! sorry :"D

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

1 - 3 : EASTON ACADEMY

Orter Mádl never thought he'd see you again.

This is the third time in a row that he, alongside with another person, finished the assigned mission in each class that gives silver coins. Orter glances at the side, where another student slowly walks to the front as the teacher sang praises about them. Of course never forgetting the 'lectures' on how everyone should take inspiration from the two of them. (Frankly, it was getting quite sickening to hear.)

He kept his gaze at the front, while his awareness and attention is still directed at you. You, who always managed to keep up with him in tasks and classes. You, who despite having a weak personal magic, had always excelled at other spells. It was to the point where higher level year spells and advance magic was so easy for you.

You, who Orter thought that the first piece of the silver coin you got was a fluke.

Evidently enough, it wasn't.

Finally, after a lot of unnecessary speeches and praises, Orter and you are able to go back with the rest of the class. It seems most students were willing to run away the moment the teacher announced class was over.

Orter pushed his glasses and sighed. He finally felt the weight of his pocket from the gold coins he acquired recently.

Just from looking at you, Orter knew you felt the weight too.

Its nothing new. Clearly, Easton has a lot of students that were born talented. Easton in itself is a privilege. The best and the talented are here. Orter knew he'll have to face a lot of strong magic users just to carve his path towards becoming a Divine Visionary.

He must become one. Someone needs to maintain order. He needs to punish all those who dare and try go against society. He needs to fulfill his wish—

"Orter, aren't you going?" He blinked. Surprisingly, (or not really) Orter found himself still rooted on the grass. His previous place just a few steps behind him.

Ah, right. Someone called out to him.

That someone gazed up to him. Orter got used to people having to slightly tilt their head up from how tall he is. Though, he never noticed that your height reached his shoulders.

"Orter?" You called out again.

Orter shook his head, trying to keep his mind from wandering elsewhere.

Somehow, this always happens. Its always whenever the two of your interact with each other. Orter gets distracted and gods knows why!

"Sorry, I was just thinking."

It somewhat became a routine from how it always happens when Orter and you interact.

Its always you who's initiating. A simple greeting in the hallway. A simple show of respect to Orter's achievements. A simple saying of "congratulations" whenever Orter finishes first in class quizzes.

And it always follows up with an act of concern to when Orter spaces out.

Because somehow, he always ends up thinking of you. How did you keep up? What did you do? What magic spells were you able to wield so easily, yet you're own personal magic was so weak? Why were you talking to him? Did you want to become a Divine Visionary? Should he expect you as a future enemy? Why do your eyes always look like they're shining under the bright warm sun? Why—

"If you excuse me, I need to go." Orter bowed before walking away. He hasten his pace at the mere sound of your voice that stopped midway to ask something of him.

Why is it that its always you he exerts his effort to think about?

Its irrational. Its... nonsense.

Yet somehow, he couldn't help but think how prettier you are up close.

And its ridiculous to think about.

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

2 - 3 : BUREAU OF MAGIC

When Orter thought that you might be working alongside with him, he didn't mean with you as just an assistant.

"You really saved me time, thanks!"

"These notes are so well organized... I should learn from you."

"I'm starting to see why the Divine Visionaries respect you alot."

"Heh..? Not bad from an assistant."

"Be nice, Renatus."

"Shut up, you stuck up hag." Sophina Biblia glared at the foul word.

"You–!"

"Would you like some honey sashimi with me?"

"With all due respect, Kaldo." You blankly stared at the Flame Cane and his abomination of a... food choice. "You're tastes in food and honey combinations are the worst thing ever." Kaldo felt an arrow struck through him. The palm of your hand raised up in front of him indicated that you were rejecting his food taste (like everyone else) and flopped to the floor in pain.

The other two visionaries sighed.

"Orter, here is your schedule for today and tomorrow. One of the chiefs in the Police force would like to schedule a meeting with you. Nerey's still clarifying who's attending though." You handed a folder to Orter while ignoring the bickering behind the two of you.

Orter nodded. "I'll take note of that. Although," He took a quick glance at the cup of coffee on your other hand. "I thought you don't drink coffee anymore?"

"Oh, this is for you."

Orter blinked, before pushing up his glasses. "I don't recall ordering one."

"What? Don't tell me you suddenly dislike coffee?" You leaned in with a teasing grin. Any outsider would think that the Sand Cane looks unamused, but working with Orter for a long time means you've known every expression of his, no matter how stoic.

"I didn't say I dislike coffee." Orter sighed.

"Yeah? Then, here you go." You lightly shoved the cup of coffee towards Orter. It looks so casual, as if its something you've done for a long time.

And it is something you've done for a long time.

Orter accepts the coffee. Gingerly taking care of the cup in his hands. His fingers subtly touch against yours.

Its always the same, and yet Orter still feels that small budding affection in him. (Not that he would show it, of course.)

A coworker calls your name. You immediately follow him down the hallway while giving a quick smile to Orter. He nods briefly as he watches your back retreating further.

Actually, Orter already drank a cup of coffee a while ago. He usually doesn't order a second one. He dislikes the feeling him palpitating in the middle of work. It only happened twice, but he refuses to feel it again.

Still, every cup you give him unknowingly, he takes it.

He licks his lips as the warm liquid travels down his throat. Its sweet.

Its sweeter than he's used to. He prefers it with less sugar, and absolutely refuses to let Kaldo brew his cup of coffee.

He takes one more sip.

Orter doesn't mind as he walks back to his office with the cup of coffee and folder in hand.

The next day, you find a freshly brewed cup of tea on your desk.

You tilt your head questioningly. This is a first that's happened ever.

You look around to see if there were someone nearby. Most of them were walking past and chatting with one another.

It tasted good at least. (After confirming that it wasn't poisoned. You wouldn't know what to feel if there was someone who wants you dead.)

Weeks pass by, and there's been at least two times that it has happened. It happens at random times so you weren't sure what the pattern was.

But clearly, the Divine Visionaries know something. Every time you ask, however, they just smile or sigh while giving you a cryptic answer.

Orter just shrugs and walks away.

"Hey-! I wasn't done talking to you!"

"Well, I am." Is what he always replies.

Soon after, Ryoh slings his arms around Orter and gives him a grin. "So... you like her?"

Orter pauses in his steps, before blankly staring at the smug Light Cane. "Her?"

Kaldo emerged from the sides. "Oh? Never thought you were the type to play dumb." His smile grows at the bristled look Orter directed at him.

"I'm not playing dumb."

"Sure."

"Its just that, she's the one you only prepare tea just right before she arrives at work. You don't do that to anyone else." Orter stares at Ryoh, who just smiles knowingly. Nothing escapes the Light Cane afterall.

"My, my, who thought that I have a rival in finding ways to charm a girl? Me, the greatest creation–" Orter shrugs off the narcissist before he can start his self narration.

Kaldo walks beside Orter, "So, you truly like her?"

Orter sighed, pushing his glasses in habit. "I don't."

Kaldo hummed in thought, "I'm not convinced." The Flame Cane frowned. "You two seem to get along well. No plans of confessing?" He tries to push further for answers, which makes Orter irritated.

"If you're not convinced, that's not my problem." Gold eyes glared sharply. "Again, I don't like her. I'm just giving back favors. I don't know about you, but I don't think gossiping is how a visionary should spend their day."

With that, Orter walks away ignoring the stares from the two.

It's natural to repay favors. You don't need to know Orter was the one brewing the tea on your desk after every coffee you give him.

Kaldo and Ryoh stared before smiling at each other.

"He likes her." Ryoh grinned.

Kaldo nodded in agreement.

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

3 - 3 : EASTON ACADEMY

The bell rang indicating that class is finally over. Which also means that you have successfully made it through the whole day while teaching.... enthusiastic students. (The amount of headaches you've received from teaching students the most basic spells. Offense spells, especially.)

You greeted one last goodbye to the class before heading out towards the faculty.

While your main job is a secretary position in the Bureau, you were also recruited to teach at Easton for once a week. Mostly classes that are supplementary for those with borderline failing grades.

"Ah, who is more suitable than the student who excels in different spells regardless of difficulty? Am I right?" Walhberg's voice resonated in your mind.

It's been a year since you've started teaching. Right after the whole Innocent Zero world abomination happened. Can't say that you're surprised that Finn is one of your students, but he's currently doing better than you expected.

"I have to thank you for being patient with me, Sensei!" You recall Finn beaming with joy as he finally got one of the hardest offense spells to master. Safe to stay you were delighted that you had an impact to students.

Right after this class, you usually head straight towards the Bureau to take over the night shift-

A tap in your shoulder made you halt in the middle of the hallway, "Done with class?"

You come face to face with... huh.

"I didn't know you had a meeting here in Easton?" You should know, because you were in charge of handling the Visionaries' schedules. So you should know that Orter has no business here in Easton.

He shrugs, "I don't."

"Well, yeah, you don't. I should know that— I'm your goddamn secretary— but I'm assuming its an emergency?" You tilt your head in confusion. Gold eyes meet yours, his stare seemingly calculating and... hesitant?

"No." Orter replies.

Silence assumes between the two of you. You raised a questioning brow at Orter who just stares blankly at you.

"Then..? Care to elaborate oh divine one?" You add a hint of sarcasm which Orter slightly bristled at. He sends a sharper glance at you while you smile innocently.

Its not as if the two of you haven't acted that way before. Working together somehow brought the two of you closer and your relationship is somewhat casual.

Other words, you can be as annoying as you want and Orter won't shove sand down your throat.

"I don't know, you're the secretary." He raised a challenging brow back. You scoff in lighthearted annoyance while Orter seemed unfazed. That is, if it weren't for the ghost of a smile you managed to capture.

If you can be annoying as you want without consequence, then Orter will do the same.

"Okay but really, why are you here?" You question seriously while inviting Orter to walk beside you towards the faculty. He follows while keeping his gaze ahead.

"Hmm... You're headed towards the Bureau after this?"

"Oh? How did you know?" You ask with slight surprise. Nobody ever bothered to know your schedule, except for the ones that are quite obvious.

Orter sighed and sent you a dry look. "We've worked together for a long time."

A laugh escapes your throat, "Yeah, well, I've only started teaching a year ago. Until now, some forget I have to teach weekly then head towards the Bureau. I swear, its laughable at the same time such a headache. They keep on scheduling things when they shouldn't be." You sighed roughly, wondering if you should start scolding your coworkers more.

"They're idiots." Another laugh escapes your throat at Orter's words. "I'm guessing they're the same ones that accidentally added in my schedule that I'm supposed to be here at Easton." You see the way Orter's usual calm expression turns slightly irritated. Not evident that anyone from outside could see, but enough for someone like you who've known Orter since studying at Easton.

"Oh I see, that's how it is." You stifle another laugh, not wanting to irritate Orter further, but can't help the urge to tease him.

"You say its a headache when they do this, yet you're laughing? How annoying." Orter let out a huff while you grin.

"Maybe its laughable when I see others suffer." You teasingly smirk.

Orter rolled his eyes, yet he can't help but feel a minute affection at the casual interaction between you.

"You haven't answered my question, Orter."

Ah right. He hasn't.

Orter paused in his steps. Causing you two pause beside him too before facing him with a questioning smile.

Again, its the same. As if they're back studying at Easton where Orter always sees that smile of yours. Its always the same, so how come he always felt the same emotions where his stomach and chest swirl at the sight of it. At the sight of you.

He cleared his throat, "I did. I told you they sent me on accident. Messing up my schedule."

"That's true, but you could've gone back immediately." You turn your gaze towards the group of students on the field where they were practicing spells or playing around.

"You caused quite a commotion you know? It was hard to settle down my last class because apparently, a Divine Visionary is on Easton grounds." You cross your arms while a playful pout forms on your lips. "They were more focused on the fact that the Sand Cane was here. That was an hour ago, so care to explain?" You sigh in exhaustion. However, your pout was replaced by a smile the moment you see Orter's subtle shift in his eyes while he looked dejected at being caught. Again, only you could see those minute expressions behind his stoic attitude.

Orter pursed his lips, he didn't expect that his presence would be that of a commotion. To think he was confident in concealing his presence right before your class.

Huh, nothing really escapes you.

"That's.." Orter glanced away while pushing his glasses up. "Its not like it wouldn't hurt to—"

"Sensei."

"—visit you.."

Orter went silent before sending a glance to the person who had the guts to interrupt to people talking-!

His mouth opens in slight surprise at the look of one of the students he was mentoring.

Additionally, Lance looked equally as surprise to see Orter right behind you. He blinked, wondering if he interrupted something. He was pretty sure he heard another voice overlapping with his once he called for you.

"Sensei, Orter-san." Lance bows politely then turns back to you.

He sees in the corner of his eye how Orter pushed his glasses up (a tiny bit harsher) and looked away. Lance didn't have time to think about it as you call for his name.

"Yes, Lance?" You smile at the younger Divine Visionary.

"Ah, Finn wanted me to tell you that he can't go to the faculty after class to bring you his assignment. His other teacher told him to stay after class." Lance handed you a sheet of paper.

"He asked me to deliver it to you instead."

"Oh, thank you Lance! Its nice to see you taking care of Finn. Please tell him he did a great job and not to worry." You smile brightly as you felt another wave of pride for Finn. Sure he was called as the "weakest" in your supplementary class, but he's improving. A lot. Especially under your guidance.

One glance at Finn's paper, and you already knew he's going to have another high score soon enough.

"Also, Professor Claude told me to look for you. Apparently there's an emergency meeting with the faculty."

At the mention of Claude, you couldn't help but grimace. Lance didn't seem fazed at your expression, yet he also can't help sending a pitying glance at you.

Orter just raised his brow.

"And he couldn't tell me himself...?" You mumbled questioningly.

"He said he was busy." Lance replied dryly.

"Sure, he always says that." You muttered once again, not bothering to hide your disdain at your fellow professor.

You perked at the sound of someone clearing his throat. You turn to Orter apologetically. "Sorry, Orter. I forgot you were there."

While Orter didn't seem fazed on the outside, Lance could see the slight twitch on his forehead.

"I think Lance may have accidentally cut you off." You smiled sheepishly.

Lance thought so too.

"What was it you were going to say?"

Orter remained quiet for a moment before sighing. "Its nothing. I was about to head back to the Bureau."

While you nodded understandingly, Orter took the chance to sharply glare at Lance in displeasure. Maybe he should teach this kid a thing or two on how to not interrupt two adults when they're having a conversation.

Lance stared back unfazed.

"Well then, I have to go! Can you do me a favor and tell anyone who asks for me that I have an emergency meeting at the faculty?"

The Sand Cane let out a sigh, displeasure thinly veiled in his expression. Orter, however, nodded while his stoic look returns. "Sure."

"Thank you!" You bowed and smiled gratefully before quickly walking away. "See you around as well, Lance!"

The blue haired nodded as he and Orter stood still while watching your retreating back.

Once its just the two of them, it seems tension has risen again between them. Despite the fact Orter is training Lance, and frequently sees him around from the fact Lance is the newest Visionary.

Still, Orter can't help but stare at Lance who, of course is one of the known people to be stubborn as hell, stares back as well.

Orter is starting to think he should say something to rid of this awkward silence.

"Are you—"

"Did I—"

Both visionaries closed their mouths.

A sense of Déjà vu passes through them.

Orter tries once more.

"Did—"

"Is—"

....If he wasn't annoyed, he'd be very astonished right now.

Lance quickly spoke before Orter could, "Did I interrupt something?"

Orter just sighed heavily, "Sort of." His shoulders dropping as he recalls that very scenario just a moment ago.

"Sorry, I actually didn't see you there." Lance said politely as he could. Rubbing the back of his neck in slight awkwardness.

"Its fine. It wasn't important."

"It looked like it was though." The younger visionary rolled his shoulders as he looks away in thought. Orter raises his brow at the comment while Lance looked as if he remembered something.

"Ah, so she's the one Kaldo-san and Ryoh-san were saying that you liked?" With the way Lance said it with such a straight face, Orter had to process the words that was casually spoken.

"...What?" Orter's face crumbled in irritation.

Lance continued to look to the side in thought, oblivious to the way Orter was seething. "So that's why your schedule changed all of a sudden. I thought there's someone who was going to attack Easton so I was on guard the whole time."

Lance glanced back to Orter. "But Kaldo-san and Ryoh-san told me not to worry about it. It was quite a headache since a lot of our classmates heard news of you in the school grounds. Although, I never thought you were the type to agree to change your schedule for someone you like—" Lance felt a magical aura out of nowhere and began to get his guard up. Ever since Innocent Zero, its like an instinct at this point.

However, he paused as he noticed Orter who looked the same as usual. Straight-faced and stoic, yet Lance could see how tense he was.

"...I see." Orter said lowly.

He began to stare ahead in thought, before bringing out his wand and turn around without glancing at Lance. "Thank you for providing information. However, I would like to clarify everything was false."

One look at Orter, and you'd think he was just as calm and composed. Lance's glance at the hand gripping his wand tightly made him think otherwise.

The other knew to not say anything further, lest he drowns with sand flowing down his throat and out his ass.

"Everything?" But of course, Lance had a stubborn streak. Maybe Mash and Dot were rubbing off him too much.

Orter replied without looking back, "Everything."

"Even the part where they said you like her?" Lance pushed. Call it curiosity, or maybe the fact that someone like Orter indeed has feelings for someone, which makes it so intriguing for Lance to find out more and risk getting buried in sand.

Orter let out a deep exhale, which got Lance tense for a moment, before the Sand Cane started walking again.

"...Yes."

The Adler student watched as his mentor rounded around a corner. He was soon left alone in the hallways.

Lance couldn't help but feel like he caused a murder that's going to happen in the Bureau of Magic.

What's more intriguing, however, was that Lance immediately knew the real answer from the quick moment of silence before Orter replied.

Lance harumphed and went back to his dorms. "...The fact he had to lie even though it was already obvious."

That day, Ryoh and Kaldo struggled to give a lot of excuses to avoid Orter before they were caught.

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

FINAL : LIBRARY IN THE BUREAU OF MAGIC

Orter was getting sick of this.

Its been weeks since that awful interaction with Lance and you, yet Orter keeps finding himself victim of Ryoh and Kaldo's infuriating schemes.

What's worse, is that the other visionaries go on about their day. As if there's nothing going on.

Here, Orter is glaring at Ryoh who keeps on convincing him that Orter should get over it and just confess.

Orter would be drowning Ryoh in tons of sands if it weren't for Kaldo backing him up. "I'm getting sick of this." Orter snapped.

"Well, sucks to be you. We're getting sick of it too!" Ryoh grinned while Kaldo laughs as if Orter wasn't getting bombarded with ideas on how to flirt with someone you've like for a long time!

"It was amusing at first, seeing how you'd suddenly act so soft and caring towards her. Yet it began to look painful at how both of you were acting so oblivious." Kaldo sighed as if it was his personal problem, and the fact that Orter can't even hurt them in retaliation, because damn them and they're actually useful for protecting the citizens.

"I don't-!"

"Quit the act! You like her, she likes you back. Now confess!" Ryoh cuts him off while pushing Orter forward to god knows where.

He's actually going to kill these bastards, visionaries or not.

Of course Orter is true to his words, so he brings out his wand and glares at the two. Ryoh just smiled (even though there's a bead of sweat dripping down his forehead at the sight of Orter's wand so close to him) and Kaldo doesn't seem fazed and watches from the side.

"Oi Kaldo! A little help?"

The Flame Cane hummed playfully, "Why, you're the strongest aren't you?"

"But we're in this together!"

"If you two don't stop this, I swear.." Orter gritted his teeth. He has a meeting for goodness sake. He's busy. He's also getting tired of this bullshit of a—

"Oh? What are you three...?" You had to double take the sight in front of you. Ryoh, who's grin faltered at your voice, still has his arms wrapped around Orter's shoulder while leaning his whole body to push Orter forward. Kaldo, who's playful smile drop and is replaced with a look of surprise as he stands from the sides.

Orter on the other hand, blinks and remains still while his expression remains his usual.

That is, if it weren't for the fact that his wand was gripped tightly in his hand and pointed at Ryoh with tiny bits of sand circling around it.

You raise your brow questioningly. "I think sparring between Visionaries is better suited outside and not in the library, no?"

The three blink once before glancing up at the sign above, which shows that indeed, they're in the library.

Just like what Kaldo and Ryoh planned.

Before Orter could protest, he was roughly shoved inside the library. He managed to stop himself from colliding with you.

Curse Ryoh Grantz and his narcissistic attitude because in the end he's still a strong visionary, and Orter prays that all mirrors nearby shall break once he merely appear in front of it.

Kaldo isn't forgotten in Orter's prayers, as he wishes all stocks of honey shall obliterate.

"Well!" Ryoh claps his hands gleefully, unfazed at the menacing glare Orter is sending his way. "Orter's schedule is cleared for the day-"

"It's not-"

"It is?"

"-And he has something he wants to tell you!"

"I don't."

"You do?" You tilt your head at Orter, who inhales deeply. He can feel his patience thinning.

"I don't-"

"He does." Kaldo interjects, and Orter was one step away into murdering the two before the library doors shut.

"Also! Miss secretary, your schedule is also cleared for the day! So spend more time together in the library. I heard you like to read from Kaldo." You can hear the joy in Ryoh's voice despite it being muffled. Which makes you even more confused as you alternatively stare at Orter and back at the doors.

"There are new selections in the library! Especially that one series about the legends of magical creatures." It was Kaldo's voice this time.

"Really?" Orter looked at you in slight disbelief. From how efficient and quick you are to adapt, you sure are easily distracted at what's really happening.

So of course, Orter will use it as an opportunity to—

"Ah, but first listen to what Orter will say." You don't have to see Kaldo to know that he's smiling.

...Orter hopes Kaldo will enjoy having sand in his honey as soon as he dealt with what he's gotten himself too (unwillingly).

It was silent for a moment. This time its a truly awkward one as you and Orter stood still side by side while staring at the entrance of the library.

You blink before giving Orter an embarrassed smile, "So.. I'm guessing you were dragged here against your will?"

Orter sighed tiredly, "Yes."

"I see, but I am curious as to why they had to force you to come here. Apparently, you want to say something?" You questioned, curiosity and slight worry evident in your voice.

Did something happen? Were they hiding something? Or was it just something silly that the visionaries (Ryoh and Kaldo you're guessing) planned and somehow, Orter was on the receiving end.

You watched with slight worry as Orter continued to send daggers towards the entrance of the library. Taking a small step beside him as you examine his expression. Not knowing if he was deliberately choosing to ignore you or not.

"Orter?"

Orter's head jerk up slightly at your voice. Indeed he wasn't choosing to ignore you, but was lost in thought on how to punish his fellow visionaries (mainly the two who shall not be named).

He turned his head towards you, sensing the worry in your tone. An apology for the current situation at hand and reassurance are at the tip of his tongue, ready to reply and.. oh.

For someone with great intuition and reflexes, Orter who prides himself in having great situational awareness— its something he thinks visionaries should have— he wasn't aware you two were this close to each other.

Orter finds himself stunned. A thought he's oh so familiar with immediately floats in his brain every time he coincidentally gets a chance to be close with you.

Again, and again, and again, and again.

Its always the same.

His mind always thinks that you're prettier up close. Not that you weren't pretty if you were far away.

Orter watches your eyes slightly widen at the close proximity you two are in, despite the library being so big. Its as if a spell was cast between you two. Designated to stare at the windows of each other's soul, not wanting to look away.

You think Orter's eyes are pretty. Like sand sparkling with hints of powdered gold that's blending well.

Orter thinks your eyes are glowing. Not physically, but with emotions he himself cannot express. He always finds himself melting at your eyes.

Maybe that's what's getting him soft when he interacts with you. Maybe Ryoh is just mistaken and that anyone you interact with also unwillingly goes soft at the sight you.

Orter blinks once, as he regains his composure. He sighs before looking to the side at the moment before looking back at you.

"Uhm, well, you really don't have to say anything if... you're not ready." You let out a chuckle. "Even though I don't know anything about what you uhh, want to talk about.." A light flush blooming at the tip of your ears and across your cheeks. A rare sight even for the Orter Madl himself.

Orter looks at you closely one last time, as he felt that exact swirling emotion in his chest as he takes in your abashed expression.

He scoffs to himself, earning a confused look from you. Before sighing tiredly. He resigned to his fate that Ryoh and Kaldo put him in.

And maybe, Orter has finally come to terms that he's indeed a liar.

"...Do you have anything else that you need to accomplish in the library?" Orter walks ahead of you swiftly taking the books in your hands as he looked at them interestingly.

Your mouth gapes in both confusion and surprise. Orter turned back to you and raised a brow while holding the books. "Well? I'd rather do something productive even if two... nosy idiots decided to clear my schedule."

Orter had the satisfaction to hear your laugh. "Careful, I might get too used to hearing your composure break. Who knew the all powerful Sand Cane had a foul mouth."

The visionary tilts his head, "Hm? I wasn't the one who turned to a blushing mess at a mere eye contact." He quickly turned away but you managed to catch a small smirk on his lips.

The unexpected teasing made you scoff, this time another light blush spread your cheeks in embarrassment. "I—! That was...!"

Orter feigned ignorance as he levitated a few books to organize them to their correct spot. Still, a light smug expression grew as he watched you from his peripheral vision try to defend yourself.

He took a quick step to the side to avoid the incoming jab to his arm. You glared at him unamused before waving your wand and levitating more books, grinning in triumph as one of them managed to hit him in the head lightly.

Orter stumbled slightly as he grunted at the thud of a book against the back of his head. He glared unamusingly, "That's no way to treat a Visionary."

You shrug, "Yeah well, maybe you should be quicker on your feet."

"I am though."

"Didn't seem like it."

Its been a while since you've engaged in friendly banter with Orter. It reminded you when you two would take quick jabs at each other back in Easton.

Orter stared at you, thinking deeply whether or not if he should go along with what his mind thought of.

"Well? Did that book hit you too hard or what?"

You started to shift in place at Orter's gaze. Not knowing if you should be worried or not if you actually hurt him.

Always one to act without thinking, you lift your hand up towards his head. Hesitating slightly at the way Orter's expression slightly shifted in surprise, before resolving yourself lightly touch his brown locks while feeling around the back of his head where the book hit him.

"Did.. did that actually hurt?"

Orter who finally processed everything, let out an amused hum. He grasps your wrist gently before lowering it back to your side. His eyes, once again, examining your worried gaze.

He really can't believe it.

You thought you managed to hurt him?

Orter let out a light huff.

How cute.

"For someone who's duty is to organize schedules and meet with different kinds of people," Orter finds himself facing his body to you. He grabbed a book on a nearby shelf and raised it in the air, gently hitting your head with the spine of the book. "You still have that quick temper and sharp tongue of yours from way back." He says, and he can't help but let out a more softer tone as he meets your eyes.

Orter sighs (for what it seemed the hundredth time) and places the book back in its proper place. Satisfied at the offended reaction he managed to get from you.

"You-! I was worried and-!"

He watched as you go on and on rambling about how you were genuinely worried. About how he was an annoyance from back then until now.

He sighed, how troublesome.

Orter pushed his glasses up as he faced you. "Really, how irritating." He sighs, "Out of everyone, I had to fall for you."

You paused. Your pointer finger that was in the air that was near jabbing his chest faltered.

Once again, Orter had the satisfaction to see you caught off guard.

"What?" Your heartbeat felt like it was pounding out of your ribcage. If you could hear it, what are the chances Orter couldn't.

Both of you stared at each other, heartbeats beating as one. While silence filled the room, the minds of the two were filled with different thoughts and the sounds of their heartbeats.

Finally, Orter spoke.

"I said," he leaned in closer, bending slightly forwards so his face meets yours directly upfront.

You could see the hint of amusement and affection in his eyes.

"Do you have anything else that you need to accomplish in the library?" Orter questioned.

He smiled in satisfaction at the frozen state you are in before heading off to walk with books in hand.

If Orter had to endure weeks of stress because he was forced to confess, well, you can't blame him for wanting you to experience the same.

He did confess after all. So sue him if Orter wanted a bit of fun messing with you.

He dodges another book thrown at him, a ghost of a smile hidden from the back of his head. Yet, if only you weren't so distracted that you could see the red tints on his ears.

Don't worry though, Orter will do this seriously. He doesn't intend to mess with you for that long.

Not until Ryoh and Kaldo get what they deserve.

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

well... I didn't expect this to be THIS long.. why is this so long oml im so sorry aksdlajfklashglshdf hope you enjoyed though :"D this is not proofread

[funishment-time]

🔵 Kodaka BlueSky Q&As: Female DR Characters (Specific)

⚠️ DISCLAIMER: Please be advised! Translations of all Japanese answers derive from a combination of Google Translate and my manager's three-quarters-remembered Japanese. We've tried our best to work out what he's saying, but there will be mistakes here and there. Do not take this as gospel!

To avoid spreading (too much) misinfo, where we're completely boggled about an answer, we've decided not to even make an attempt. We'll still list the post, but mark it accordingly.

➡️ AN IMPORTANT NOTE FROM KODAKA BEFORE READING:

First of all, the questions answered here are not official. Everything that is official is what is said within the work. In contrast, this is simply what Kodaka, the creator, thinks, and it is not the correct answer. Use this as a starting point to enjoy the depth of each character, or to say, "That's not right!" and enjoy it with your own interpretation. I think of this as a way of communicating with the characters who live in fiction. This is important, so please spread the word.

💕 FEBRUARY 2024:

Q: I apologize if this has already been discussed somewhere, but I would love to hear about the reasons and episodes behind choosing Kitayama Takekuni as the author of the novel "Danganronpa Kirigiri."

A: I like Kitayama's novels. They are mysteries, but I felt there was something in common between them [DR & Kitayama's work] in the writing and dialogue.

/////

Q: In her report card, it was stated that SDR2's Nanami Chiaki has a father and brother who are programmers, but does this only apply to SDR2's Nanami and is she separate from Despair Arc's Nanami? In the reference book, there is no data about Nanami's alma mater, but is there a possibility that information such as the alma mater of Despair Arc's Nanami will be released in some form in the future?

A: That's right. It applies to only SDR2 Nanami. I wonder if there will be any information released about Despair Arc Nanami...

/////

Q: Excuse me for asking a question!! I think games are essential to Nanami, so I wonder how she would react if they were confiscated!

A: I guess she'd end up looking like Gudetama.

NOTE: The adorable Sanrio depressed egg guy.

/////

Q: Mr. Kodaka, do you have any comments about Kitayama Takekuni's "Danganronpa Kirigiri"?

A: Before the series began, I had consulted with them about the overall structure and points of reference, but after the series began, I felt like I was mostly enjoying it as a reader.

/////

Q: Excuse me for my second question. I would like to know the reason why Kirigiri Kyoko has her braids undone on one side in the timeline of the anime "Danganronpa 3: The End of Hope's Peak Academy Future Arc" and the manga "Danganronpa Gaiden Killer Killer" and if there is any background reason for this...

A: I've not heard why, in part because it was left up to Komatsuzaki-kun. I thought on my own that it was because she had become an adult.

NOTE: Komatsuzaki is the guy behind Danganronpa's art.

/////

Q: Excuse me for the second question! Yumeno-chan was called a "shishamo roe" by Iruma and a "grilled horse mackerel" by Ouma, but what does she think about those metaphors?

A: "Huh?"

NOTE: A shishamo is a type of fish. Also, he's answering as Himiko, if it wasn't clear.

/////

Q: Why do we not get any undisguised Mukuro sprites in Danganronpa S?

A: I had absolutely no involvement with Danganronpa S.

NOTE: You'll see him reference this a few times too. He didn't do Summer Camp at all!

/////

Q: Why did you decide to become a maid, Tojo-san?

A: I think that because she could do anything, she felt it was boring to use her power for herself and felt more comfortable serving others, and that is why she was so selfless.

/////

Q: If the characters in Danganronpa were 16.7 years old in 2010, they would be 30 years old in 2024 if they were still alive. What do you think they would have been like when they turned 30 if they had lived a normal life? I don't need to know everyone, but I'd like to hear it.

A: At the very least, Fukawa is dead.

NOTE: It's true, but he shouldn't say it.

🍀 MARCH 2024:

Q: In the profile of Genocider Syo from Ultra Despair Girls, she lists "girls that aren't moe" as something she dislikes, but since she has deliberately stated "aren't moe", does that mean that "girls that are moe" exist in Genocider Syo's opinion?

A: "I think it's either 'not moe' or 'other.' I don't do moe."

NOTE: Answering as Syojack, it seems.

/////

Q: Does Yumeno-chan ever wear casual clothes? If so, does she wear a wizard's hat?

A: "A robe like a dark mage's is my personal attire. I don't go out on windy days because it all flips up."

/////

Q: when you wrote the ending to Danganronpa Another Episode, were you expecting to use Monaca more or was her arc always going to end the way it did in Danganronpa 3?

A: In truth, Monaka's story ended with just another episode. However, we wanted to have as many characters in Danganronpa 3 as possible, so we decided to add her to the anime.

/////

Q: Does Harukawa-san eat sweet things?

A: She used to lick rock candy on the job to replenish her energy.

/////

Q: What would happen if I confessed to Mioda Ibuki?

A: She sometimes responds with songs, but she usually doesn't know how to answer.

/////

Q: I believe the character of Fukawa Toko (Genocider Syo) is originally based on the protagonist of Clock Tower GH, but are Genocider Syo's murder weapon and motive for murder also based on Tono Masayuki's mystery novel "Scissors Man"?

A: Neither of them are right...! I imagined Genocider as a monster like the ones in Ushio & Tora.

NOTE: Clock Tower GH is a video game known as Clock Tower 2 in the US. It's a point and click survival horror. Ushio & Tora is a supernatural/dark fantasy manga from the early 90s.

/////

Q: Does Fujisaki have a favorite food?

A: Mini katsudon.

NOTE: Katsudon is a pork cutlet bowl.

/////

Q: What kind of clothes does Fujisaki Chihiro like to wear (or usually wear)?

A: Unisex jeans.

NOTE: It's not exactly a question so I won't list it here, but a Chihiro fan responded with excitement, at which Kodaka replied "100 points for your reaction."

/////

Q: Excuse me for asking a question! In Ultra Despair Girls, Fujisaki Taichi had a photo of Fujisaki [Chihiro] in a sailor uniform, looking like they were in their rebellious phase (?)! It's so cute! I'd really like to know how the photo was taken and if there are any untold details about the Fujisaki family!

A: No matter what Fujisaki [Chihiro] is, their father can't help but take pictures because they are a cute kid, but Fujisaki [Chihiro] themself is embarrassed, and since those around them are becoming more and more rebellious, they are acting a little like a rebel, but later they will probably feel sorry for their father and be depressed.

/////

Q: Why is Enoshima Junko so cute? What's her favorite food?

A: "I think it's because I live life the way I want to. I get bored easily, so my favorite things change every day."

🥬 APRIL 2024:

Q: I think Celes' dream is to live in a Western castle surrounded by handsome men, but if she had to choose one of the handsome men from Danganronpa, who would she choose? From watching Celes' fantasy scenes, it seemed like she only had a limited number of handsome men, so it's possible that there isn't a type among the characters that appear, but if there is, please let me know.

A: Probably none of them are in that category. I think she wants to create a world like Interview With Vampire.

/////

Q: Yumeno-chan, what type of handsome guy do you like?

A: Something like a pop star.

NOTE: My manager says another great translation would be "trendy bastards." Kodaka loves his fictional daughters...

/////

Q: Why does Fukawa Toko hate taking baths?

A: It's a hassle because you have to put the clothes on after you take them off, and you have to dry them after they get wet.

/////

Q: Today is Asahina-san's birthday. What would you give her that would make her happy? I'm sure she's been getting lots of donuts from everyone, so I'd like to give her a unique present that will leave a lasting impression!

A: "Shoes for my younger brother!"

🌺 MAY 2024:

Q: Did Enoshima clean up the victims' bodies and rooms?

A: I think she used technology to that extent, though Enoshima, impatiently cleaning up the mess, also looked hopelessly cumbersome and hopelessly kawaii.

/////

Q: Why does Yumeno-chan hate the ocean?

A: Because it's big.

/////

Q: Excuse me for asking a question! Is the story about the school festival in the Danganronpa original drama CD written by Kodaka-san? There is a scene in the drama where Fujisaki wants to wear a cute apron, which was quite unexpected for Fujisaki in the main story, so it was a shock. Was there a possibility that Fujisaki would embrace cute things in the main story as well?

A: I think I only wrote the very first one. The one that has a white and black disc. If I remember correctly.

/////

Q: Excuse me for asking a question! I think that in the articles(?) released during the development stage there were many scenes that were not in the main story. Were these scenes faked to hide the contents of the main story, or were they actually there during production? I'm curious if there were any scenes where Fujisaki-kun was suspected in court!

[This person included this image:]

A: This is an image made up for a proposal. It was made before the story even existed.

/////

Q: What do you think is Kyoko Kirigiri's favorite type?

A: Just look at Danganronpa!

/////

Q: Iruma Miu's favorite thing is "programs for young children," but what kind of programs for young children does she like? Programs where you can sing and dance along, educational programs, or maybe anime programs for young children...

A: "I sing along when the host sings, and I work with her when she's doing crafts. Other than that I just watch while swearing."

/////

Q: Can you cook, Kirigiri-san?

A: "I want to cook but I need to wear gloves and that's where I'm stuck. I really want to cook." In response to all this, that guy…(oops, no more on that)

/////

Q: Excuse me for asking a question! (Sorry for asking so many times lol 💦) In DR2, Nanami Chiaki said, "I have a father and brother who are programmers," and I interpreted this as Fujisaki Chihiro and Fujisaki Alter Ego but are they actually different people (because they were created by the program left behind by Fujisaki?)? She also said other things that reminded me of Fujisaki, so I've been wondering about this for a long time!!! I look forward to your answer!!!

A: I am pretty sure that was the impression I had at the time.

☀️ JUNE 2024:

Q: Celes, I believe you usually wear gothic lolita clothes, but do you ever wear sweet lolita, hime lolita or other types of lolita clothes?

A: "I just tried them on and threw them away."

/////

Q: Does anyone in the Danganronpa series get headaches?

A: Fukawa.

🎇 JULY 2024:

Q: Is Nanami-chan popular with the guys?

A: I think a lot of guys like her.

/////

Q: What content does Tsumugi Shirogane like more? Yaoi content or Yuri?

A: "I like all of them, so I change my taste depending on the season."

/////

Q: What were Junko and Mukuro's parents like?

A: They were an ordinary couple and a normal family, but their ordinariness had made Enoshima Junko despair from the moment she was born.

/////

Q: I'd like to hear more specifically about Maki Harukawa's usual diet!

A: Rations.

🌭 AUG 2024:

Q: I would like to know about Mioda's family relationships. I wonder if she often plays alone because she didn't have a good relationship with her parents.

A: It is possible that the whole family is like that.

/////

Q: If there was a punishment for Iruma Miu, what do you think it would be? She has a bad mouth, but I think she's a good girl at heart and I love her, so I want her to be happy.

A: You can't be as happy as a good child. It's so unfair lol

🍁 SEPT 2024:

Q: Do you have any favorite games, Owari-chan?

A: Any where I don’t have to use my head.

/////

Q: What is your best magic, Yumeno-san?

A: Self-hypnosis magic

/////

Q: Did Kirigiri cry as a child the first time she went on detective work with her grandfather (a murder detective would see a body)?

A: Kirigiri has never cried over a dead body.

/////

Q: If there was a motivation video in Danganronpa 2, what would Nanami's video look like?

A: 4K video of the Despair Arc of the anime, in which Nanami Chiaki, the model for the character, dies.

/////

Q: What would Chiaki Nanami do when she's in a desperate situation? Will she become a million-man murderer?

A: No.

[yandere-swallowtailcherry]

☀️Yandere!Apollo with a Female!Gojo!Reader☀️

This is from a poll I made. This was the most voted on that poll (God's School Aphrodite!Reader and Mitsuri!Reader both tied for second, but I'll do those as well.)

The first part is told in the narrator's pov, then it's in your pov.

This won't follow the original plot, so in this, Geto is on Gojo!reader's side!

Reader is 28, which is Gojo's canon age in the series (This won't contain spoilers from the manga, so don't worry!)

Also, thank you @forbidden-sunlight for helping me think of a plot for this!! Appreciate it! 👍

Hades hasn't felt this stressed out over anything in his life.

Multiple reports stated that these creatures called Curses have been the source of his stress. Not only were they killing thousands of humans, but they were also destroying the bifrost, the gate that only the chief gods can access, himself included.

He's tried to take care of them himself, but he couldn't exactly get rid of them. So he resorted to letting sorcerers kill them since they were one of the only ones who can effectively take them on.

(Y/n) Gojo is one of the strongest sorcerers he has, so she was the one who was constantly working. She's one of the only sorcerers who can take down even the strongest curses with ease.

She refused to do so, unless he lets her three students go with her so they can grow. He was against it at first, seeing how they were teenagers, practically kids! But (Y/n) wouldn't have it any other way. Hades reluctantly let her three students go with her.

Yuuji Itadori, a 15 year old boy who was the host of the king of curses, Ryomen Sukuna, Megumi Fushiguro, another 15 year old boy who seemed to be Sukuna's interest and Nobara Kugisaki, a teenage girl.

During the three months of eliminating curses, her students have continued to grow stronger.

They were her precious students, and she won't allow anyone to separate them from her....

"How long until we find this curse?" Nobara complained, already feeling bored from the long walking. Megumi rolled his eyes and continued looking around. Yuuji didn't complain at all and was helping Megumi.

"Relax, we'll find that curse!" Yuuji said, smiling at Nobara.

"He's so handsome." A female said to herself, catching the three teenager's attention, as well as yours. The female revealed herself to be a nymph, but as soon as she was visible, the curse had appeared and brutally murdered the nymph. Megumi immediately summoned his wolves, the black and white ones ready to fight the curse.

A certain god with long, pink hair was nearby, wanting to take a break from the nymphs. Apollo had heard the commotion and went over to see what was going on. The god saw three teenage kids fighting a curse along with a grown woman with a blindfold over her eyes.

But this curse proved to be too much for the three teenagers and you had to finish it off, which you did with ease using black flash.

"I've never seen a human perform such a technique. It's.... Amazing."

Unbeknownst to the four of them, the same god had watched the whole fight, more focused on you. You're very beautiful, and he knew it.

A man your age with long black hair with parts of it tied up came over, asking you to go relax, even for just a bit. At first, you refused because you didn't want to be separated from your students, but they managed to convince you.

You lifted your blindfold up, revealing one of the most beautiful eyes Apollo has ever seen in his immortal life. Multiple sparkles of lights reflected brightly in your sky blue eyes, layered by white eyelashes.

"Her eyes.... They're like the blue skies themselves...." Apollo thought.

"Sure. I can also take a load off for a bit." You replied, putting the blindfold over your eyes. You urged them to go ahead, while you follow behind. When they were far enough, Apollo decided now was the time to get the woman's attention.

"Hey!"

You turned your head, seeing the pink haired God approach you with a smirk on his face. You now looked slightly disinterested, though it was hard to tell.

"I assume you're Apollo?~" You asked, folding your arms. Apollo felt his confidence grow from your acknowledgement of him.

"I am. But that's not why I'm here." Apollo replied, flipping some of his hair back.

"Make it quick then." You said.

"I've seen your beautiful techniques and-"

"Not interested. I've already did what I needed to do for now, and I'd like to relax." (Y/n) replied, turning back around and started walking away. Apollo was surprised at her answer, just watching her leave.

"What?- You-"

"Besides... You're too weak~" You finally spoke, looking back with a grin and looking forward. Apollo knows he should be angry at the audacity of this woman. But he couldn't. Instead...

He was more attracted to her.

And so began his little quest to win your heart. Ever since then, he's been watching your every step, figuring out your likes and dislikes and more effective ways to get closer to you.

Whenever he meets you in person, he later found out that you were oddly playful and nonchalant, despite your cruelty towards curses. Your interactions slowly grew, even if Apollo had to do it first. At first, you didn't want anything to do with Apollo, but he keeps coming to you, so you just let him do whatever.

But doing that only increased his love for you.

Apollo has always seen you with the man with long black hair, whose name is Geto Suguru. From your interactions with him, he has a strong connection with you, and it enrages him. He hates the way Suguru gets close to you. He didn't like the attention you give Geto. You always greeted with a playful smile, and he wishes he was the one you smile at.

He has to get rid of him, so you can only give him the attention you give Geto. Geto Suguru.... Has to go.

So that you'll have no choice but to love him and him only~

[mianexil]

◇ Your first meeting ◇

(pt.1)

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

💫 [ Ah, that most exciting meeting with a young man, before which you did not yet know that this boy would take that very place in your heart ]

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

ㅡ Umemiya, Suo, Nirei

Umemiya

Your family's flower shop

During the holidays, your parents sent you to your grandmother in Makochi, who had a small but pretty flower shop. Spending a few weeks surrounded by flowers and calmness, away from the hectic and noisy city, seemed like a very good solution.

Today, your grandmother left for a meeting of shopkeepers from this street, so you stayed to replace her in the store.

The sound of the doorbell distracted you from the not too thoughtful scrolling social media feed on your phone.

ㅡ Wel..come

A tall white-haired young man in a funny T-shirt appeared before your eyes. He seemed big, but you instantly felt his comfort aura as soon as your eyes met.

His loud voice brought you out of a momentary trance while you were looking at him.

ㅡ Good morning! How are you feeling?

The guy beamed with a smile.

ㅡ Oh? Not bad, thanks. Are you looking for something?

ㅡ Yeah, I want to buy "Bull's Heart" tomato seeds.

You got up from behind the counter and started search shelves for the right seeds. You definitely remembered that you saw a package with such an unusual name the other day. After finding the right seeds on the farthest shelf, you returned to the counter.

ㅡ I didn't think gardening was popular among students.

ㅡ Oh? But it's a wonderful activity! I have recently ripened a sweet pepper, it cannot be described in words!

You stood and listened attentively as the young man in front of you enthusiastically talks about his gardening exploits.

Something about him got you hooked. He didn't look like the sullen boys from your town at all.

ㅡ I've been wanting to grow cherry tomatoes for a long time. I think I should also look for seeds today.

ㅡ Are you serious?

Umemia's eyes sparkled.

He told you that if you want to grow something for the first time, it's better to start not with seeds but with sprouts. And he just has a few on the roof of the school where he grows his vegetables.

He kindly invited you to come and choose one of them if you want.

And how could you refuse when those blue, almost puppy dog eyes were looking at you.

But, girl, don't think he's just giving away his precious plants to just anyone.

He was definitely interested in you at first sight conversation about tomatoes.

Suo

The tea house (Of course, it's a tea house, how could it be anything else?)

You stood and chose between Bi Lo Chun and Tie Guan Yin. It is a rather difficult choice. Both varieties reveal a floral-fruity taste and a sweet aftertaste. And of course, carried away by your reasoning over the choice, you did not notice how an elegant stranger has been watching you from another corner for 5 minutes.

Suo immediately noticed your good taste. It was not often that he managed to meet the same tea connoisseur of his age in Makochi.

When you were already starting to get nervous from the fact that you couldn't make a choice, a young man in a silk tangzhuang silently glided towards you.

ㅡ Bi Lo Chun harvest this year was particularly successful, and its fragrance is felt more deeply.

You turned at the melodious voice and saw in front of you a mysterious high school student with an eye patch and unusual earrings.

There was something fascinating about him..

The corners of Suo's lips lifted in a friendly smile, while you were slightly confused.

ㅡ Oh? Well, thank you..

ㅡ Can I ask, are you also interested in different types of tea?

Nirei

Anime Store

You were standing at the shelf and looking for a Funko POP with your favorite character from a childish but incredibly cute anime.

Having found the right one, you decided to go to the manga section. You were attracted by the bright cover of one of the manga, and you picked it up.

Then you felt someone's eyes on you. It didn't seem to you. Theree was an excited young man in a bright shirt and round glasses standing to your right. He looked like if he had a tail, he would be actively wagging it.

Damn, he really looked like a cute puppy with that expression and the sparkle in his eyes.

ㅡ Excuse me?

ㅡ Oh! I'm sorry for staring, I didn't mean to scare you, it's just... Do you like this manga too? I have not yet met the same fans of this work, but it is really interesting. And the characters here are very unusual and so well written!

You watched in surprise as Nirei quickly took his notebook out of his pocket and began enthusiastically talking about the small details of the main characters from the cover of the manga that you were holding in your hands.

Such information can usually be found only in special publications or artbooks. God, this guy seems obsessed with this case. Is he really okay?

And yet, despite this oddity, he looked so cute and enthusiastic, telling you about everything that you silently listened to, looking at his freckles.

ㅡ So, who is your favorite character?

ㅡ Oh, uh..I'm not a fan of this manga, actually..

The expression on the boy's face changed so quickly to confused and a little sad that it made your heart ache.

He blushed slightly from embarrassment.

ㅡ Oh..sor-

ㅡ But I'll read it, you've interested me with your words.

It's strange, but when this sunshine smiled again, for some reason, it felt better for you.

◇ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ◇ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ㅡ ◇

💫 [ Okay, I've already accelerated now ]