#They're the stories that we grew up with

[aquitainequeen]

Me, so physically exhausted that I am basically the equivalent of sloshed, stabbing the table with my finger for emphasis:

The point is. The point is. The point is. Everyone's always adapting Greek and Classical mythology, and Norse mythology. Maybe Egyptian, if you're lucky. More Chinese mythology now, that's good. But. They never do Irish mythology. Where's my adaptation of The Táin/The Cattle Raid of Cooley????? I want to see Cú Chulainn use the belly spear!!!!

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[reanimatedgh0ul]

glad to see ppl are appreciating and/or enjoying the gay and trans aspects of nimona's story but ngl i kinda want to see more ppl acknowledge and/or discussing the fact that both of the leading men are asian and how that is relevant to overall message of this movie actually

[magnusmodig]

||. thor's heart's desire being that he wants his brother back by his side constantly has me in a chokehold you guys don't understand

T: Loki! I should have realized such mischief wasn't the result of past misdeeds... but a real and present plot from my scheming brother. Was father's punishment not enough for you? F!L: All-Father Odin released me, Thor. For in his wisdom, he believed I'd learned the error of my ways. This is no trick, Brother. Only your heart's desire. T: I'll admit... such an outcome has never been far from my hope.

The fact that Thor auto-assumes it's a malicious trick and that Loki is up to no good... even in his own illusion of his own make.... the way he so readily wants to believe that Loki could change and that Odin could spare some mercy to let that happen... my man just wants his best friend back it's so tragic.

F!L: What does your heart tell you? T: How I've longed for this day...brother... F!L: Your hammer! My staff! Father conceded his own failings as well, and ordered we rule together, and crush the enemies of Asgard as Odin should have but never could!

like obviously, yes, he figures out literally immediately that this tower is preying on his heart's desire and kicks its butt, but in the small space of time before that? There was nothing that Thor wanted more than to go back to how things were... back when things made sense. Back when it was him and his brother and they were meant to rule together as one. Close-knit brothers. His hammer, and Loki's staff.

(It's probably also worth noting that in this same heart's desire illusion he kinda wishes Odin would stop being a jerk but y'know that's for another post)

[the-acid-pear]

The thing about FNAF is that you'll watch one good video and go man so true!! and get a FNAF kick but then you go watch more FNAF videos and you're reminded ah, right, this franchise sucks massive ass.

[bravevolunteer]

i still don't talk enough about charlie's death actually it makes me SO upset to think about like what do you mean michael not only lost his siblings but also his childhood friend who basically felt like family...

[sufficientlylargen]

It always gets me that the name "Gandalf" literally just means "Wand-Elf" or "Stick-Elf". I'm imagining old Gondorians just being like:

Librarian: I saw that weird guy at the library again today.

Guard 1: What weird guy?

Librarian: The old guy with the beard? Kinda elfy-looking, apart from the beard?

Guard 1: Oh, with the big-ass stick?

Librarian: Yeah, looked like he was carrying an entire tree branch.

Guard 2: Yeah, that's the Stick Elf.

Guard 1: Hell yeah, I fuckin' love the Stick Elf.

Librarian: The "Stick Elf"?

Guard 2: He comes by every few years, usually after some weird book or other.

Librarian: Oh. Yeah, he wanted a treatise on goblin breeding habits.

Guard 2: Like, how they have sex? We have books on that?

Librarian: Yeah, turns out we do. I was as surprised as you are.

Guard 1: What'd the Stick Elf need a fuckin' goblin-fuckin' book for?

Librarian: I didn't ask. So you just call him "Stick Elf"?

Guard 2: I mean, he looks kinda elfy and he always has that stick, so, like, yeah.

Guard 1: Dude also has some fuckin' dope pipeweed.

Guard 2: Oh yeah, his pipeweed is awesome.

Librarian: How long has he been coming here?

Guard 2: Oh, for decades. He's, like, super old.

Guard 1: More like fuckin' centuries. Dude's old as balls.

Guard 2: Wait, really?

Guard 1: Yeah, my gran-gran used to talk about him. She loved his pipeweed too.

Librarian: So he's… an immortal pipeweed dealer?

Guard 2: I think he's just, like, a connoisseur. He doesn't sell it or anything. He just always has some really top-notch pipeweed on him.

Archivist: Oh, are we talking about Stick Elf?

Guard 1: Hell yeah we are!

Librarian: You know about the Stick Elf, too?

Archivist: Oh, totally. Stick-Elf's a super chill dude. Gave me some awesome pipeweed when I was maybe 12, and tee-bee-aitch I think I'm still a little buzzed from it.

Guard 1: What'd I tell ya, fuckin' dope pipeweed!

Archivist: Also he's really old.

Guard 1: Old as balls.

Librarian: Yeah, so Éodan and Jenniforomir were telling me.

Archivist: My grandpa used to tell me stories - he said one time he saw Stick Elf enter a smoke-ring contest.

Guard 1: Ooh, I'll bet he kicked fuckin' ass.

Archivist: Apparently the guy made an entire warship out of smoke and it flew around shooting down the other rings.

Librarian: And how much of this "fuckin' dope" pipeweed had your grandfather had by this point?

Guard 1: No no, that's totally plausible. Dude's got weird elf powers and shit for sure.

Archivist: He brought fireworks for the king's birthday one year, too.

Guard 1: Oh fuck, I forgot about those! Fuckin' incredible fireworks! Dragons and knights and glowy trees and shit! I was fuckin' 6 years old or something, they totally blew my mind. Hey Éodan, did you see that shit?

Guard 2: No, I think that's before I lived in Gondor.

Guard 1: Wait, you're not from here?

Guard 2: Oh, no, I grew up in Rohan. We moved here when I was, like, thirteen because my uncle Éojeff said he could get my dad a sweet job. And also that there were houses that didn't smell like horseshit.

Guard 1: Oh shit, are you related to Éojeff and Éosteve who run that æbleskiver stand on Norndîl St?

Guard 2: Yeah, they're my uncles!

Guard 1: Shit, they cook a fuckin' great æbleskiver!

Librarian: Ok, hold up a sec, "Stick Elf" can't possibly be his real name.

Guard 1: Why not?

Librarian: What? You think his parents named him in the hopes that he would carry around a fucking tree when he got older?

Guard 2: Maybe they gave him the tree when he was born!

Archivist: I don't think a baby could carry that stick.

Guard 1: You ever seen a baby hanging onto something? They're hella strong.

Archivist: It's not a strength thing, their hands are tiny. That staff is enormous!

Guard 1: My halberd's bigger 'n I am, I can hold it just fine.

Archivist: You're not a baby.

Librarian: Also why would elf parents name their kid "stick ELF"?! Presumably they know that their kid's going to be an elf!

Archivist: Is he actually an elf? I didn't think they grew beards.

Guard 1: How'd he get old as balls if he's not an elf?

Guard 2: His ears aren't that pointy. Maybe he's just a really old guy? Like, a Numémoriam or something?

Guard 1: Did you just say "Numémoriam"?

Guard 2: Nûnenorman? Munimõrbitan? Y'know, those guys like the king that can get super old.

Guard 1: You mean the fuckin' Númenóreans?

Guard 2: Yeah, the Númenóreums.

Archivist: Even the Númenóreans don't live THAT long.

Guard 1: Plus he carries that fuckin' stick around.

Guard 2: Wait, what does the stick have to do with it?

Guard 1: That's an elf thing. Y'know, trees and shit? Very elfy.

Librarian: Ok, look, but his parents naming him "Stick Elf" would be weird whether or not he's an elf. In fact, it's even weirder if he's not - what human names their kid "elf"?

Archivist: Huh. Yeah, you're right, he probably does have another name.

Guard 2: Yeah, I guess so.

Librarian: He's been coming here for decades and nobody's ever asked his real name?

Archivist: I dunno what to tell you, he's Stick Elf. Even his library card just says 'Stick Elf'.

Guard 1: Fuck yeah, the Stick Elf!

Guard 2: Maybe we could, like, ask him his name sometime?

Guard 1: Hey, look, Elrond's over there. He's old as balls too, maybe he knows?

Guard 2: Oh, we shouldn't interru-

Guard 1: HEY ELROND, YOU'RE OLD AS BALLS, RIGHT? WHAT'S THAT OLD ELF WITH THE STICK'S NAME?

Elrond (coming over): Do you mean an old man cloaked all in grey and blue, leaning on a rough-cut staff, who came to the great library this day?

Guard 1: Yeah, the Stick-Elf!

Guard 2: (Sorry to bother you, sir...)

Librarian: He's got to have a real name besides 'the Stick Elf', right?

Elrond: Indeed, for no elf is he. You speak of the wizard Olórin, wisest of the Maiar, older even than Eä itself. Many are his names in many countries: Tharkûn among the Dwarves; Incánus to the south; Mithrandir he is called among my people, the Grey Pilgrim.

Librarian: Oh.

Elrond: And here in the North he is called Stick-Elf.

Librarian: Oh.

Guard 1: Fuck yeah!

[askshivanulegacy]

So I remember when you could watch anime on Crunchyroll for free, with "ads", which ofc didn't exist with an adblocker. It wasn't the highest resolution, but it was watchable and entirely reasonable for being free.

I got away from that simply because I got busy with other stuff. Today I discovered that Crunchyroll is no longer free but requires a sub to watch literally anything at all???

And there are fruitcakes on Reddit who are DEFENDING this. Like, ok, I do advocate for paying for the shows you want to watch and the games you want to play. Piracy is pure selfishness. It has its place, especially when you have no other reasonable way to access things, but it is always selfish and there is nothing morally "good" about it. Morality does not play a role.

But these nuts on Reddit are ignoring the fact that Crunchyroll going mainstream with paid subs is ABSOLUTELY enshittification. You should be able to watch any show (and especially anime) in a reduced resolution for free, especially when the real streaming sites like Netflix and Prime and Disney have already taken your TV subscriptions.

Where are my free anime sites?? Where are people watching them and getting all these gifs from?? What happened to the good ol internet???

[jewishvitya]

A pro-Palestine Jew on tiktok asked those of us who were raised pro-Israel, what got us to change our minds on Palestine. I made a video to answer (with my voice, not my face), and a few people watched it and found some value in it. I'm putting this here too. I communicate through text better than voice.

So I feel repetitive for saying this at this point, but I grew up in the West Bank settlements. I wrote this post to give an example of the extent to which Palestinians are dehumanized there.

Where I live now, I meet Palestinians in day to day life. Israeli Arab citizens living their lives. In the West Bank, it was nothing like that. Over there, I only saw them through the electric fence, and the hostility between us and Palestinians was tangible.

When you're a child being brought into the situation, you don't experience the context, you don't experience the history, you don't know why they're hostile to you. You just feel "these people hate me, they don't want me to exist." And that bubble was my reality. So when I was taught in school that everything we did was in self defense, that our military is special and uniquely ethical because it's the only defensive military in the world - that made sense to me. It slotted neatly into the reality I knew.

One of the first things to burst the bubble for me was when I spoke to an old Israeli man and he was talking about his trauma from battle. I don't remember what he said, but it hit me wrong. It conflicted with the history as I understood it. So I was a bit desperate to make it make sense again, and I said, "But everything we did was in self defense, right?"

He kinda looked at me, couldn't understand at all why I was upset, and he went, "We destroyed whole villages. Of course we did. It was war, that's what you do."

And that casual "of course" stuck with me. I had to look into it more.

I couldn't look at more accurate history, and not at accounts by Palestinians, I was too primed against these sources to trust them. The community I grew up in had an anti-intellectual element to it where scholars weren't trusted about things like this.

So what really solidified this for me, was seeing Palestinian culture.

Because part of the story that Israel tells us to justify everything, is that Palestinians are not a distinct group of people, they're just Arabs. They belong to the nations around us. They insist on being here because they want to deny us a homeland. The Palestinian identity exists to hurt us. This, because the idea of displacing them and taking over their lands doesn't sound like stealing, if this was never theirs and they're only pretending because they want to deprive us.

But then foods, dances, clothing, embroidery, the Palestinian dialect. These things are history. They don't pop into existence just because you hate Jews and they're trying to move here. How gorgeous is the Palestinian thobe? How stunning is tatreez in general? And when I saw specific patterns belonging to different regions of Palestine?

All of these painted for me a rich shared life of a group of people, and countered the narrative that the Palestininian identity was fabricated to hurt us. It taught me that, whatever we call them, whatever they call themselves, they have a history in this land, they have a right to it, they have a connection to it that we can't override with our own.

I started having conversations with leftist friends. Confronting the fact that the borders of the occupied territories are arbitrary and every Israeli city was taken from them. In one of those conversations, I was encouraged to rethink how I imagine peace.

This also goes back to schooling. Because they drilled into us, we're the ones who want peace, they're the ones who keep fighting, they're just so dedicated to death and killing and they won't leave us alone.

In high school, we had a stadium event with a speaker who was telling us about a person who defected from Hamas, converted to Christianity and became a Shin Bet agent. Pretty sure you can read this in the book "Son of Hamas." A lot of my friends read the book, I didn't read it, I only know what I was told in that lecture. I guess they couldn't risk us missing out on the indoctrination if we chose not to read it.

One of the things they told us was how he thought, we've been fighting with them for so long, Israelis must have a culture around the glorification of violence. And he looked for that in music. He looked for songs about war. And for a while he just couldn't find any, but when he did, he translated it more fully, and he found out the song was about an end to wars. And this, according to the story as I was told it, was one of the things that convinced him. If you know know the current trending Israeli "war anthem," you know this flimsy reasoning doesn't work.

Back then, my friend encouraged me to think more critically about how we as Israelis envision peace, as the absence of resistance. And how self-centered it is. They can be suffering under our occupation, but as long as it doesn't reach us, that's called peace. So of course we want it and they don't.

Unless we're willing to work to change the situation entirely, our calls for peace are just "please stop fighting back against the harm we cause you."

In this video, Shlomo Yitzchak shares how he changed his mind. His story is much more interesting than mine, and he's much more eloquent telling it. He mentions how he was taught to fear Palestinians. An automatic thought, "If I go with you, you'll kill me." I was taught this too. I was taught that, if I'm in a taxi, I should be looking at the driver's name. And if that name is Arab, I should watch the road and the route he's taking, to be prepared in case he wants to take me somewhere to kill me. Just a random person trying to work. For years it stayed a habit, I'd automatically look at the driver's name. Even after knowing that I want to align myself with liberation, justice, and equality. It was a process of unlearning.

On October, not long after the current escalation of violence, I had to take a taxi again. A Jewish driver stopped and told me he'll take me, "so an Arab doesn't get you." Israeli Jews are so comfortable saying things like this to each other. My neighbors discussed a Palestinian employee, with one saying "We should tell him not to come anymore, that we want to hire a Jew." The second answered, "No, he'll say it's discrimination," like it would be so ridiculous of him. And the first just shrugged, "So we don't have to tell him why." They didn't go through with it, but they were so casual about this conversation.

In the Torah, we're told to treat those who are foreign to us well, because we know what it's like to be the foreigner. Fighting back against oppression is the natural human thing to do. We know it because we lived it. And as soon as I looked at things from this angle, it wasn't really a choice of what to support.

[bmpmp3]

i NEEED to be more annoying about being mixed race in public i keep forgetting how dire it is. sometimes i point out stuff in like visual culture classes about like a magazine cover with a biracial model or something and it blows peoples MINDS because the whole class forgot mixed people were real

[elumish]

I've been reading Iron Flame by Rebecca Yarros, and it's gotten me thinking about how worldbuilding is multilayered, and about how a failure of one layer of the worldbuilding can negatively impact the book, even if the other layers of the worldbuilding work.

I don't want to spoil the book for anyone, so I'm going to talk about it more broadly instead. In my day job, one of the things I do is planning/plan development, and we talk about plans broadly as strategic, operational, and tactical. I think, in many ways, worldbuilding functions the same way.

Strategic worldbuilding, as I think of it, is how the world as a whole works. It's that vampires exist and broadly how vampires exist and interact with the world, unrelated to the characters or (sometimes) to the organizations that the characters are part of. It's the ongoing war between Earth and Mars; it's the fact that every left-handed person woke up with magic 35 years ago; it's Victorian-era London except every twelfth day it rains frogs. It's the world, in the broadest sense.

Operational worldbuilding is the organizations--the stuff that people as a whole are doing/have made within the context of that strategic-level world. For The Hunger Games, I'd probably put the post-apocalyptic nature of the world and even the existence/structure of the districts as the strategic level and the construct of the Hunger Games as the operational level: the post-apocalyptic nature of the world and the districts are the overall world that they live in, and the Hunger Games are the construct that were created as a response.

Tactical worldbuilding is, in my mind, character building--and, specifically, how the characters (especially but not exclusively the main characters) exist within the context of the world. In The Hunger Games, Katniss has experience in hunting, foraging, wilderness survival, etc. because of the context of the world that she grew up in (post-apocalyptic, district structure, Hunger Games, etc.). This sort of worldbuilding, to me, isn't about the personality part of the characterization but about the context of the character.

Each one of these layers can fail independently, even if the other ones succeed. When I think of an operational worldbuilding failure, I think of Divergent, where they took a post-apocalyptic world and set up an orgnaizational structure that didn't make any sense, where people are prescribed to like 6 jobs that don't in any way cover what's required to run a modern civilization--or even to run the society that they're shown as running. The society that they present can't exist as written in the world that they're presented as existing in--or if they can, I never could figure out how when reading the book (or watching the film).

So operational worldbuilding failures can happen when the organizations or societies that are presented don't seem like they could function in the context that they are presented in or when they just don't make any sense for what they are trying to accomplish. If the story can't reasonably answer why is this organization built this way or why do they do what they do then I see it as an organizational worldbuilding failure.

For tactical worldbuilding failures, I think of stories where characters have skillsets that conveniently match up with what they need to solve the problems of the plot but don't actually match their background or experience. If Katniss had been from an urban area and never set foot in a forest, it wouldn't have worked to have her as she was.

In this way (as in planning), the tactical level should align with the operational level which should align with the strategic level--you should be able to trace from one to the next and understand how things exist in the context of each other.

For that reason, strategic worldbuilding failures are the vaguest to explain, but I think of them like this: if it either 1) is so internally inconsistent that it starts to fall apart or 2) leaves the reader going this doesn't make any sense at all then it's probably failed.

[lenalvthor]

hey i have a fucking bone to pick with sapphic fandoms

like, i get it okay. i've been on tumblr since 2011, i was in the trenches during the bury your gays nightmare, i grew up on buffy, i watched the 100, i've been through the furious and devastating queerbaits, and i've watched helplessly as the boom of proper progress with sapphic rep has burned and disappeared with the faults of the industry as it is rn and the resurgence of bury your gays in the form of tv cancellations

i even did a fucking guest lecture for a film & tv university course a couple years ago on all of this

we joke about the fact that queer (specifically sapphic) fans flock to any show with the barest hint of rep in it because we're so starved for it, and we talk about the fact that if nothing else, that proves that there's a market and an audience and it usually creates a huge wave of viewership and attention for the show

but i need to fucking point out: acting as though a show exists for the sole purpose of the sapphic relationship you've started watching it for is fucking detrimental to how you'll perceive the show, how it'll get talked about in fandom spaces and then beyond that (bc the line between fandom spaces and wider online discussion of media is a lot thinner than it was ten years ago) and isn't actually going to do any good for sapphic rep! like, at all! because guess what! unless you're watching a show where the entire storyline revolves around romance, this couple you're watching for ISN'T going to be the centre of the story! it's a part of it! and there's such a weird fucking entitled toxicity to how fans act around brilliant storytelling and worldbuilding and writing and characters throwing tantrums about not getting more screentime for the relationship they like because they don't actually care about any other part of the story. and the thing about people who watch something solely for a ship rather than the wider story it exists in, is that a lot of the time, you'll fundamentally misinterpret the characters and their dynamic because you're not taking any of the wider context of the world and story into account at all.

and yes, of course i'm talking about agatha all along in the immediacy. because we knew a long, long time ago that billy maximoff was gonna be an integral part of this story, long before we knew anything about what the vibe of this show was gonna be, long before anyone even had the tiniest whisper of rio's existence. the same way wandavision was monica rambeau's origin story even though the show was wanda's, we suspected that agatha all along would be billy's/wiccan's origin story even if the show focused on agatha. and you know fucking what. that's good fucking storytelling. this show is smart, it's funny, it's curious, it's campy, it's queer, and it's ensemble. that's always been the point. agatha and rio were a delightfully unexpected part of it that added such delicious tension and phenomenal sapphic rep, but you know what else! the point of that dynamic is to flesh out agatha's character! this show isn't about agatha and rio! it's about agatha and billy, who they are, how their pasts and their magic are connected, their traumas and their power and how the road shapes their futures! rio is a part of exploring agatha's past, and it's phenomenal, but i am so fucking bewildered by the ridiculousness of people's reactions to billy now having a bigger part in the story and there being less focus on agatha and rio. you do know that you write scenes and characters and stories in a way that makes sense right? that because of the nature of this show, even if we don't get more than a handful agatha and rio scenes for the rest of the episodes, they're both still sapphic characters, this is still wonderful sapphic rep, and this show is still very, very queer?

like, it's obviously not fair that we have to beg for scraps to have queer shows to watch. but that doesn't mean that any of us get to do such a fucking disservice to the people who make amazing shows and fight to put sapphic rep in them within the contexts of the stories they're telling by whining that it's not enough. what we're getting with agatha all along, what kathryn han and aubrey plaza and jac schaeffer have said with such grace and nuance and intrigue and depth about agatha and rio's relationship, is so fucking rare! and it's nestled within a story that's got so much other intricate storytelling that makes agatha and rio richer characters when you actually pay some fucking attention and care about who they are outside of their sexual tension!

and i'm saying this because this is an issue i see with So many other shows, where the worth of a show gets boiled down to fandoms wanting content of their ship and nothing else and then poisoning the conversation and reception around what else it is that show is doing with its story. idk get some fucking media literacy, grow up and respect artists and creatives.

[battyaboutbooksreviews]

🍉 Queer Palestinian Books 🍉

🇵🇸 The algorithm is going to keep silencing my posts, but they're not going to silence me. I grew up with little to no books that made me feel seen as a queer/bisexual Palestinian Arab American. Today, it's still not easy enough to find those books online, even though we have thousands of lists, posts, and directories to guide us. To make your search a little easier, here are a few queer Palestinian books to add to your TBR. Please help me spread this by reblogging. Consider adding these to your least for Read Palestine Week (click for resources)! 💜

🍉 The Skin and Its Girl by Sarah Cypher 🇵🇸 A Map of Home by Randa Jarrar 🍉 Hazardous Spirits by Anbara Salam 🇵🇸 To All the Yellow Flowers by Raya Tuffaha 🍉 You Exist Too Much by Zaina Arafat 🇵🇸 The Specimen's Apology by George Abraham 🍉 Birthright by George Abraham 🇵🇸 Nayra and the Djinn by Iasmin Omar Ata 🍉 Where Black Stars Rise by Nadia Shammas and Marie Enger 🇵🇸 The Twenty-Ninth Year by Hala Alyan 🍉 Guapa by Saleem Haddad 🇵🇸 From Whole Cloth: An Asexual Romance by Sonia Sulaiman

🍉 The Philistine by Leila Marshy 🇵🇸 Love Is an Ex-Country by Randa Jarrar 🍉 Shell Houses by Rasha Abdulhadi 🇵🇸 Queer Palestine and the Empire of Critique by Sa'ed Atshan 🍉 Belladonna by Anbara Salam 🇵🇸 Confetti Realms by Nadia Shammas, Karnessa, Hackto Oshiro 🍉 Blood Orange by Yaffa As 🇵🇸 The ordeal of being known by Malia Rose 🍉 Decolonial Queering in Palestine by Walaa Alqaisiya 🇵🇸 Are You This? Or Are You This?: A Story of Identity and Worth by Madian Al Jazerah, Ellen Georgiou 🍉 This Arab Is Queer: An Anthology by LGBTQ+ Arab Writers 🇵🇸 My Mama's Magic by Amina Awad

[appleblueberry-pie]

Explaining your First Love to the Yandere's

A/N: "The Yandere's", meaning as many yandere's i think I can characterize as yandere's as perfectly as possible without burning myself out. Also, are the pictures too much?????? Also, I couldn't find a good pic for Sugu without picking the one where he's literally going insane LMAOOO. Love how my semi-debut for my yandere characterization for him is shown w a not so pleasant picture of him(they're all perfect). Anyways, this is probably gonna be my most chaotic, yet organized, post about jjk ever. I have a solid plan and will go through with it. It's friday and this is me "letting loose" before the weekend. Also, the first love story will be pulled from my own experience. With multiple twists to it to make it sound as interesting as possible.

SCENARIO:

"Mmmm. I remember my first love." You hum in a pleasant tone as you start to reminisce events of who you first gave your heart to. "I loved him so much, it was insane. Because....we grew up with each other. We used to be like this." You twist your fingers together, smiling at him as you explain. "He was an embodiment of me, as I was of him. I don't remember a time we weren't friends. I think it helps to mention that our mom's were friends and they were neighbors. So....we've always known each other. He's a year older than me."

You two were out in the park on the grass. He suggested a little picnic together, hoping to bring you two closer so he could possibly make more moves to be more than a friend. But you were so oblivious to it, even going as far as talking of your first love as if you still missed this stupid asshole.

"I still miss him." You go silent for a few seconds and stare down at the checkered blanket, smiling. He gapes a little and resists the urge to scoff. "We both loved playing video games, we watched the same tv shows, went to the same elementary school....a lot of things happened between us. He didn't like me back, though. I confessed to him when I was 9 and he said no." You laugh. "But even then, I still loved him. I still feel it, too. For some reason, my love for others doesn't really go away. Just sits at the bottom of my heart to make more room for others."

You sigh and continue talking about the guy. "He just grew more and more....attractive as I grew up. I am pretty sure he's why I have my type that I have in men currently. He's very tall....a deep voice." You sigh, closing your eyes to remember. "Relaxed, closed off.....I heard him on the phone when our moms were talking a month ago. He sounds....so different. I don't even know what I'd do with myself if I saw him again." In real time, he watched you unravel slowly to show how.....inf*tuated you were with this guy. You were so focused on naming his qualities. As if you could picture him perfectly in your mind.

"I'm so glad we don't talk to each other anymore. I ruined our relationship. Said a few inappropriate things I shouldn't have said at the wrong time. I haven't spoken to him in....6 years. And I'd rather it stay that way, honestly. Because he's a rather boring person outside of his physical attributes. But I have attachment issues." You pick up one of the snacks laid out between the two of you. "Yeah. I'm done talking about him. I would rather not think of him anymore."

YANDERE REACTIONS:

Sukuna:

Sukuna was baffled. Anger, frustration, fear, and even jealousy kept his tongue from moving. He thought this moment wouldn't ever happen in his life. He thought this wasn't a possibility. Your extreme disloyalty to him was what made him clench his hands in anger. But if he rationally thought about this, you don't know. You don't know how much he loves you. How much the Ryomen Sukuna loves you. You were supposed to be his in all lifetimes. He felt like he absolutely knew you were pure. You smelled pure and your energy felt pure when he first met you. So why were you fixing your mouth to say such disgusting and unfaithful words to him as if he wasn't right there?

He wanted to ask you if you've been trying to give yourself to him like a whore, but he knew that was just him overreacting. He wouldn't ever say such things to you, anyways. He wanted to change for you and was trying, starting with these stupid little date settings he knew you loved. A fucking park. And here he was being stabbed in the chest multiple times without your knowledge of it. It was all your doing.

He might be human in this lifetime. He might be nothing but a mere human for you to toy with freely, and he would let you do it to him. But he would never allow a puny roach get in the way of getting what he deserves. He deserves you and he will have you, one way or another. And if that means cutting a small piece of your heart out just to keep the rest, then so be it. He can't have any piece of you in him. Just thinking about him makes another vessel pop in his body somewhere. He will kill this thing.

Kento:

Maybe he was overbearing. He really just couldn't help but feel insecure. There should be no real reason for you to bring up a man from the past. Someone that should clearly be out of your mind. Was he boring? What did that fool have that he didn't? And why did you mention it while you two were on this date??(It wasn't a date, but it felt like it to him) Maybe he was too plain. Men like him were just smokers and loners, of course you'd bring up someone else that can satiate your desire for real love. It's all because he couldn't. Not in the way you want to be loved.

But he knew, he knew that he was enough. He knew he was your type as well, so, what did you mean by he was the type you have in men?? What does that mean for him? Will you use him and throw him away? He doesn't want to be used and tossed out like trash. He wanted to be yours forever. He wanted to be your man. Your man. He wanted to be your lover, your obsesser and the one you obsess over, not that imbecile. He wanted to be skin to skin, he wanted to be under your skin, he wanted to make his mark on you and for you to do the same to him. He deserves your love. But here you are expressing it for another man you haven't even spoken to in over 6 years. He deserves that type of commitment, there's nothing he's done to deserve it this late.

"I love you." The words slip out like oil on water. And it makes his heart oh, so much lighter.

Suguru:

"Heavens. I'm glad you aren't talking with him now." Suguru chuckles and shakes his head, peeling off more strawberry leaves for you. "This is why." He points with the strawberry at the people walking past and then gives you the strawberry. "This is why I don't want you talking with them. They do this to hold you in their clutches, I've seen it." Suguru sighs as he recalls your story in his mind. Jesus, was it trying to hypnotize you? If so, it was working. No worries, it won't be around to mess with your mind much longer.

"They actively lie, they laze around, let their emotions control them, and then try to manipulate you to stay with them to be their stepping stool." He brushes your hair back neatly, and you scrunch your eyebrows at his words. "But I know you're better than him. Better than all of them." He calls out your name and stares into your eyes with a look that makes you flustered. What is his problem?

"You are the light. You are one of the most strongest and intelligent sorcerers I have seen of this time. You hold up your potential and continue to blow my mind with how beautiful your soul is. I am constantly drawn to you and your energy, I never get enough of it. I don't ever want to hinder you and I don't want anyone else to hinder your energy. That's why I will kill that filthy animal that tried to touch you." It's scary, the way he maintains eye contact with you and spits the nastiest insult about the man you once loved with your whole heart.

"I can't wait to get to know you better. You've been teaching me so much. Maybe you can tell me about your favorite nature spots and we can relax there whenever you're free. And sometime later, I could also take you to meet my family. You'll love my two daughters." He laughs lightly, knowing Nanako and Mimiko would adore finally having a real mother worth of raising them. Together, you and him would be unstoppable.

Choso:

Choso was finished with peeling the mandarin for you. You kind of were confused about how he went about doing this, though. Because all over his lap were the smallest bits of mandarin peels you've ever seen. But the mandarin looked perfect. He obviously took his time. He handed it to you softly, smiling. You accept it happily and begin peeling.

He was surprised he didn't rip the thing apart then and there. Maybe be should peel things more often. The way you so freely spoke about your love for another man when your soulmate was sitting right next to you, peeling fruit open for you was preposterous. He needed a hug. A lemonade, had to kill someone, something. But he stopped killing people for you(secretly), so he has to resort to acting like he's peeling off that devil's skin. Starting from where the shiny skin first shows. The first piece is always the hardest to pick off and it's hard to choose where to begin. But soon enough, the color underneath began to show. He slowly picked off every. Little. Piece. He heard a yelp of pain and cries of "sorry's" in his head for every piece.

Every single little piece made the air smell more and more sweet and tangy. The more you spoke, the faster he picked. The stronger the smell was. So citrus-y and delicious. It made him smile. He loved peeling this mandarin. Then picking off white strips connected to the mandarin itself, so that it was smoother and you had no access peel. Like veins, they came off one by one. He simply stared at it when he was done. Smooth, perfect. Scattered remains laying everywhere on his lap.

He's never felt this way before. What were you doing to him? What is this twisting feeling in his gut that makes him want to puke? Why can't he breathe? Why does he want to kill the kids and mothers at the playground not too far away? He needs you to calm him down.

He hates this park.

"Here you go, angel." He hands it to you, smiling. You looked a little confused at first, but then took it from him, opening it to take a slice. "Oh, this looks real nice, Cho. ......Why are you smiling like that?" He shrugs, picking up one of the strawberries you brought from your place. "Like what...?"

Toji:

Toji was silent. The awkward silence he was creating between the two of you made you nervous. He was sitting close to you, leaning over to you, his arm supporting his weight behind your back with your shoulder touching his chest. He was just staring down at the bowl of strawberries. ".....Toji?" Your soft voice made him sigh.

No, he couldn't do it. Killing you won't kill the pain and anger in his chest. This was probably the angriest he's ever been. He wanted to shout at you to apologize for how you were making him feel. But what he really wanted was to feel your lips on his and for you to shut the fuck up. For some reason, every time you open your mouth, it always ends with him degrading further and further off the side of sanity and just going completely ballistic.

You saw his hand on his hip. The hip that wasn't actually his hip, but was his gun he was resting his hand on. He would feel so much better if those shrieking rats would shut up. Fucking rodents running around you two freely like he wasn't about to ruin everyone's day.

He wouldn't say he was often traumatized, but he could've went his whole life without hearing that story. Now he has to find a random man and kill him for stealing your heart. I mean, the least the bastard could've done was reciprocate his feelings and not leave you feeling helpless. "I could treat you better than that dick." You flinch at his words before smiling, averting your gaze as well. "Oh....." He leans in closer to your face. "Where does he live, huh? Is it the prick with the glasses?" "No?" "The one you work with?" "I-I told you I haven't-" "Eh, whatever. I'll find him and kill him." He smiles at your bashfulness and grabs a few strawberries from the patch.

Sometimes he forgets you don't care much for how he says things. If the right message gets across, you usually don't mind how he says it. But he just blatantly threatened to kill him. You grab the leafless strawberries from his hands and begin eating. Nah. You were his, for sure. He sighs and lays down on the blanket, staring up at the blue sky.

Satoru:

Satoru nodded along with your words, his hands trembling. When you smiled, he did. When you sighed, he would, too. And when you finished your story, he had to swallow the thick bile in his throat. You were just....recalling old memories, that's all. Nothing else. He tried to focus on the grass blades he felt through the blanket. He tried to focus on the sounds of the kids running around squealing.

He watched you eat some of the cold grapes he brought you. They were big, and you praised him lightly for finding such a great batch. He nods quietly and stares down at his lap. Everything was fine. You were fine, and so was he. "Satoru...?" Honey dripping naturally in your voice makes his head turn automatically. The worry etched on your face made the strings holding his mind together break one by one. "Are you alright..? You're sweating."

Nothing was fine. He can't believe you just said that to him. Why would you..? Why did...? Why?.....wait, why?? Why??? Why why why why why why WHY would you do that? Why would you say that to him? He sacrificed so much for you. He killed all of the assassins that went after you when the higher ups found out about you and him getting closer. He paid off your parent's debt secretly. He paid your rent. He woke up early in the mornings to talk to you because he knows you like to wake up to see the sunset. He memorized all of your schedules when you have special weeks, special breaks, he memorized all days that you memorized, he knows what mattress you like to sleep on, he knows how you like certain foods to be seasoned, he knows your favorite weather and season, he didn't fucking learn all of this about you for nothing!! WHY don't you ever appreciate everything he's ever done for you? Why don't you notice him? Why don't you love him? He stalks you every day to understand the type of man you would want to live under your roof and be under your covers and that wasn't enough.

He's been so alone all of his fucking life. No one understood him like you do. He couldn't help but open his ribcage, breaking them off of his body to one by one to let you touch his hot beating heart with your cold fingers. He wants you inside of his heart forever and never let you go, can't you understand that? He hasn't slept in three days, predetermining what he was going to say to you during this picnic, and you tell him that?? Just fucking kill him. Kill him, kick his face, spit on him, ruin him like you're doing now. He clearly doesn't matter.

"Satoru??"

He's supposed to be the one you compare playing video games with, he is supposed to be the one you watch the same tv shows with, he was supposed to go to the same school as you!! His skin is on fire, he can't breathe, his mind hurts, the grass blades are irritating his skin and the children are making his migraine worse. Are you saying something? He can't hear you. His ears are ringing.

He wants to be him. He wants to rip open the skin and spine of the man who lived in your soul since the dawn of time and crawl into his body to experience what he experienced. He wants to do all of those things with you as kids and live with you, grow with you, let him be your infatuation. He wants to rewind time. He wants to die. He wants both of you to die and be reborn to be given a second chance he can never ever have.

"Satoru!"

Your face is twisted into heavy concern and slight fear. Satoru sat in front of you, staring at you. He hasn't moved in three entire minutes. His face was covered in bucket loads of sweat, his lips twisted into a tight smile that threatened to break into a million pieces. The corners of his lips wobbled as if he was going to cry, but his eyes were wide open and dry. His legs, arms, and back stiff as he sits in such an uncomfortable position, it had to hurt. You were scared for him.

Can he hear you? You slowly raise on of your hands to touch his cheek and he flinches under your touch, finally blinking. "Yes?" You purse your lips and bring out a cold water bottle from your basket. "Here, maybe you should drink some water." He takes the water bottle you dropped into his hand. "Thank you." He whispers and sighs, twisting open the cap. You watch him guzzle the whole thing in 5 seconds. "......maybe we should go indoors." He nods, closing the now empty water bottle. "Yeah. The sun is hurting my eyes."

No part 2's. Because I don't like continuing old plot and I love seeing people go crazy for me not continuing good content.