if you want to talk about hades town you can do so on this because i am very much interested in your thoughts about it!
fdsfjdskfds oh anon i am at Work and when i get out of work i will be Homework but......... listen. listen.
(ok a lot of this i’ve already rambled abt in my hadestown tag but. BUT). i got into hadestown pre-broadway, which means i listened to the original cast recording from 2017 a BUNCH. and while i adore both version, there were... changes. which i feel did orpheus a disservice, and the overarching plot a disservice, but in some ways treated eurydice better by filling her out more and making her more of a revolutionary.
anyway, i defos don’t have time for a full song-by-song comparison, and also some of the songs available for the broadway version never made it onto the release of the 2017 version, not bcos they weren’t in the show, just bcos.... idk they weren’t released? weren’t recorded? i do not pretend to know the inner workings of the music industry.
BUT of note: the major changes to epic ii. in the original, orpheus was mocking of hades (’king of a kingdom of dirt’ yo), while in the broadway version, orpheus is just singing abt hades and persephone’s history. epic iii also removes that like, ‘a king who loves everythign like a hammer loves the nail’ and ‘he comes down heavy and hard on us’, so it’s MUCH less about the workers’ resentment of hades and just. about hades and persephone.
btw fuckin miss me with that narrative abt orpheus solving global warming by reminding the ruling class that they’re in love with each other? like, i’m sure that’s more appealing to ur standard can-afford-broadway audience, and as a LOVE story it’s cool, but. just not a good lesson actually.
also ‘living it up on top’ completely cuts out his ‘why would a man of his own free will go to work all day in the mine and the mill’ which is, y’know, callous when considering the people (like, later, eurydice) driven to work for hades, but is TARGETED at hades, who for real does not NEED to work the way he does. miss that....
we also, throughout the broadway version, get a LOT of hermes speaking for orpheus. in the original, ‘come home with me’ is orpheus convincing eurydice, while the broadway version has hermes telling her that orpheus will make her feel alive. ‘living it up on top’ also changes from persephone speaking directly to orpheus and letting him take up the ‘bless this round’ bit, to having hermes volunteer him. blah blah ‘under my wing’ blah, but having a god (again, member of the ruling class, even if this one’s helpful) speak for him? when we have a version where he speaks for himself? come ON. i am not a fan of orpheus being made helpless! let him make his decisions! let his voice be one of persuasion even BEFORE he goes to the underworld!
(this also ties into my personal take that as a demigod, the son of a muse--and you know how those muses are--orpheus’ carelessness is what originally loses him eurydice. he does not care about eating through the winter, he’s never had to worry about that bcos hermes looks after him, while eurydice has had a harsh life and knows they DO need to worry. art is all well and good, but it is also important to care for the people in your life. it’s later, when orpheus loses eurydice and must venture into the harshness of the underworld, meets the workers/the wall and has to find SOLIDARITY with them in order to stand up to hades, that he finally recognizes the value of working with others to create a better life for all. in this essay i)
i also rly miss the original ‘promises’ bcos like, while orpheus & eurydice as always-in-love is sweet, i really enjoyed the fighty version where they are both resentful & angry abt broken promises, and both acknowledge that what they originally claimed to want from the other & give to one another was both unrealistic and not what they actually wanted, eventually coming to a conclusion that was more based on reality. like. communication resulting in a healthier relationship after dealing with unrealistic expectations.... we stan.
now that i’ve gone over how i think the original was better, i did still LIKE the broadway version, and there were some improvements! most notable, eurydice’s stronger role as like, an active revolutionary (or attempted one, anyway) rather than a more passive rescue.
i genuinely adored the change of ‘anyway the wind blows’ from an intro song by the fates to eurydice singing (with the fates backing her up/singing in her ear), bcos it sets up eurydice as an average sufferer of the world the gods made, and lets us hear it in her voice, her experience, and her opinions. she is the one to say weather ain’t the way it was before--and when we later get persephone telling us ‘some might say the weather ain’t the way it used to be’, she’s dismissing eurydice’s suffering (and the suffering of all humans), bcos she’s more concerned with her own issues with hades than with how she’s impacted the world.
(also the changes made had some Interesting Implications abt persephone’s complicity in that whole ‘keep your head low’ thing, that i think is p cool, actually? like afaik the 2017 version didn’t have ‘no spring/no fall’ going on, so the fact that the broadway one DOES and yet keeps her having spring flowers & autumn leaves only to the ppl in the underworld when she arrives.... inch resting. something something the ruling class provides ‘charity’ of resources people should already have as a reward for ‘good behavior’ something.)
eurydice at the beginning is isolated. she falls in love with orpheus and decides to stay with him, but even them being together does not mean he understands her, or values the same things she does. this is evident in both versions, but in the broadway version, when eurydice goes to the underworld, she does something interesting; she tries to introduce herself to the other workers. now, i never saw the 2017 version in full, only heard the album, but in the album she signs the papers and is rejoicing that she’s ‘free’ and has to be told that she isn’t. she doesn’t really speak to the other workers, beyond this exchange about ‘freedom’. in the broadway version, she’s dejected--she did what she had to do. she knows that’s what the other workers did. and she goes to talk to them about it, bcos in spite of where they are, she wants to create a connection with her fellow workers (building solidarity! my girl!!) (also interesting: at the start of the show. she’s alone. she’s always been alone. she sings about how people always turn on you and she’s better off alone before she meets orpheus, but even after she has to leave him, she tries to make a connection with other people. oh...... character development, we love it.) she doesn’t SUCCEED, but she TRIES. which may be important in why they choose to follow HER later.
now we come to chant (reprise), wait for me (reprise), and doubt comes in, the BEST revolutionary eurydice songs in the ENTIRE show. in the 2017 version these were mostly orpheus-focused (and altho i miss the ‘he said he’s shelter us/he said he’d harbor me’ parallels from the 2017 version of chant ii, the company singing with eurydice & orpheus about ‘if i raise my voice, if i raise my head’ fucks SO HARD). eurydice sings with the workers as they’re revolting, and when they walk out of hadestown, the workers follow her. (they don’t follow orpheus, even tho that’s who eurydice is following; ‘if she can do it so can we’. she’s one of them. she’s the one they’re following. can you BELIEVE). eurydice also gets to echo (louder, stronger, and using our instead of my) orpheus’s fantastic fucking ‘i hear the walls repeating the falling of my feet and it sounds like drumming’ bit, with the workers giving her backup. god. so fucking good.
and then, again, i never saw the 2017 version, but ‘doubt comes in’ in that one is still melancholy even on eurydice’s parts; she’s hopeful, but she’s alone, entirely relying on orpheus to lead her. i did get to see the broadway version (and bro.... the production value on that.... the LIGHTS first of all, the LIGHTING, and this song in particular? all dark when orpheus sings so you can’t see eurydice, and then cut to eurydice in lights with the workers following? MY DUDE.) and eurydice’s bits in this song are triumphant. she is sure they will get out, she is dancing and turning back to the workers as she sings she is right behind him (they sing back: we are right behind you). she is following him and sure of him, and she is with the workers and they are with her.
which is part of why ‘sing it again’ does so little for me, actually? like, orpheus had his chance, and he fucked it up, and yes it’s a beautiful story and we want to think he’d do it right, but this is nothing like the end, and singing it again leaves no way to move forward. eurydice led the workers! she gave them her name, she made them care, she was their beacon of hope and what they could become (compare to their previous beacon of hope, persephone, who shows up once a year and sells them remnants of their former lives and does not try to lead them out bcos she’s too caught up in her own anger). eurydice did not make it out with orpheus, but i HAVE to imagine that she and the workers got that taste of freedom, that taste of memory, that taste of solidarity, and would not just forget it again. it becomes more than a love story, it becomes about eurydice’s position of solidarity with the other mortals (something orpheus almost gets, but fails due to insecurity and inexperience and being the outside-savior rather than one of them). and obvs that doesn’t work with the original orpheus and eurydice myth, but listen...... let them bother hades after the end. let them fucking unionize. pls it would be so GOOD i am just! i am just!!
17 notes
·
View notes
Sir Reynard and the Red Knight
(aka 'The Tournament')
special notes:
the vibe i chose for this imaginary fair/holiday is a mashup of pieces from medieval christmas and new year's eve celebrations. ofc as I mentioned before most of those were Christianity-based, but some of them had a distintly pre-Christian Anglo-Saxon pagan flavor. now my source material here is from 1827, but the author makes sure to let us know which traditions (he thinks) are older than Christianity. the book (books actually, there's 3 of them total) itself is also kind of a fun read, it's sort of a combo of an almanac/calendar/reference guide/gossip column.
a n y w a y, so, specifically i want to mention (b/c i stole them for this story and i don't want to do that without letting ppl know these are or were real traditions that real people observed) serving a boars' head on christmas day (Essex, England, observed "from time immemorial"), the wassail bowl/toast (a new year custom very definitely from before Christianity and apparently present in various parts of Europe altho I don't have the specific expertise to explain why), and an interesting/weird/gruesome Christmas parade (Kent) which the book describes: "A party of young people procure the head of a dead horse, which is affixed to a pole about four feet in length, a string is tied to the lower jaw, a horse cloth is then attached to the whole, under which one of the party gets, and by frequently pulling the string keeps up a loud snapping noise." This is called a Hodening and whether or not ppl still do it I don't know but, uh, i hope so b/c awesome.
also theres only 1 chapter left if u stuck with it this whole time or, idk, it's 2024 and u read the whole thing at once thanks for bothering love u
----
9.
“Yes, hello,” Gascon said, pretending not to notice Meve’s displeasure. “Good afternoon, ladies,” he added, as the Baroness and Giselle turned to look curiously down at where he stood in the shadows. The Baroness frowned and pursed her lips judiciously; Giselle considered him and glanced uncertainly at the older women.
“Anyway,” he continued, an edge of urgency buried in his easy tone, “Do you have a minute to spare?”
“No,” the Queen said stiffly, turning back toward the empty lists. “I’m busy; whatever it is will have to wait until later.”
“Oh,” he replied, growing very faintly annoyed, “Because it’s about that thing you wanted last night; just thought you’d be interested t’ know I’ve done it.”
She hesitated, ignoring the Baroness’s raised eyebrow and Giselle’s uncomfortable confusion, struggled momentarily between curiosity and base pettiness, and finally said, “Yes, fine; I have a few minutes, I suppose.”
“Fifteen minutes,” the Baroness said, pointedly.
“No time to waste, then,” said Gascon; he winked at Giselle, who took her cue from the Baroness and frowned disapprovingly back at him, and they hurried off.
“So, what is it, then?” Meve asked bluntly, as they turned into the town’s streets at a rapid stroll. “I assume you’ve caught the saboteur, else you wouldn’t have bothered me.”
“Well, I caught Gaheris; he may be the saboteur, or may not,” Gascon said, disregarding her tone. “Gaspar thinks he is, though, and he’s th’ only one who saw th’ intruder close up last night, so odds are good he’s your man.”
“Really?” She abandoned her moodiness in favor of mild surprise, and then asked, “When did this happen?”
“Oh, only about an hour ago. Less, even. Seemed like there was no real need for a public scene, so I just had him snatched off the street and, you know - stashed somewhere convenient,” Gascon explained, leading the way down an alley and into a butcher. The owner nodded and smiled to him as he passed through the door and headed toward the back, spotted the Queen, and instantly looked away at nothing in particular. Pug and Gaspar waited in the yard behind the shop, standing guard over a man with a bag on his head and a bandage around his left ankle. Gascon nodded at Pug and she yanked the bag away; Gaheris squinted in the light and surveyed his surroundings - two large, brightly interested pigs in a pen, his sinister pair of captors, and, finally, Meve and Gascon. He sighed.
“Got ‘im in one piece, as you wanted,” Pug announced in her gruff voice; a dubious claim, as Gaheris had a black eye and a split lip, but Gascon nodded approvingly and jerked his thumb over his shoulder, toward the shop.
“Wait inside for a bit,” he said; Pug and Gaspar departed, leaving their captive to his deserved fate.
“Now, sir,” Meve said briskly to Gaheris; if she had any doubts about his culpability, she kept them firmly to herself. “Let’s not waste time with falsehoods or denials.”
“No,” he said, resignedly, “Doesn’t seem to be much point in trying.”
“Quite. So, explain what it is you’ve been up to, then.”
“Start with last night,” Gascon added, as the squire took a few too many seconds to think it over. “Hurry up.”
“Ah, well. I was trying to get hold of a piece of equipment I knew was among Sir Odo’s things in the barn,” he said. “The girth from a saddle.”
“Continue,” the Queen said, as he paused, clearly thinking the question answered.
“Well, obviously I didn’t get it, since that - that thug sliced my ankle t’ the bone when I tried. Seems the girth held up, though, regardless, through today; probably because Sir Odo don’t take many hits, luckily for him.”
“No, it’s because I found it last night and changed it out for a new one,” Gascon said, angrily. “You’re the one who cut it, are you?”
Gaheris nodded.
“I knew it,” the Duke muttered; Meve waved his self-congratulatory comment away, scowling.
“When did you do it?”
“Oh, a month ago, or more,” he said. “Just before the duel against Sir Holt.”
“Why?”
He blinked at the question and said, as if it was obvious, “Because Sir Holt told me to, in hopes he’d win.”
“You did a bad job, then,” Gascon snapped; Gaheris looked mildly offended.
“No,” he said. “No, I didn’t. The girth held, did it not? Sir Odo won - or, well he could have, if he’d wanted to.”
He looked at his interrogators’ baffled stares, and then explained, patiently, “Look - I cut through the leather, left just enough to hold a strain for a good while, glued it so it’d look like nothing, and told Holt I’d done what he wanted. Simple. I just didn’t have the chance to get it back, after the fight; too many people hanging around who might’ve seen me. If I had done, nobody would have been the wiser.”
Meve stared at him, torn between confusion and anger, opened her mouth, and closed it again as an echo of distant horns bounced off the buildings.
“Damn,” she said. “I have to go. Gascon, find Sir Holt.”
“What should I do with him?” he asked, as she turned to leave; she hesitated, considered her options, and came to a hasty decision.
“Just keep tabs on him, don’t let him leave town, and - and we’ll sort this mess out, later.”
“You’ll find him in the tavern, no doubt,” Gaheris said wearily to Gascon, as she quickly departed.
She nearly ran back through the streets, but she was still late; she returned to the lists to find the Baroness had started the final round without her. However, she she was in time to see Nolda avoid an immediate defeat by the same method she had used on Sir Eres, but Reynard survived her trick, when his fellow knight hadn’t. She nodded in satisfaction at the display.
“Your man is a quick study, as he’s always been,” said the Baroness, as if Meve had never been away. The next pass involved no deceptions from either side, nor any displays of brilliance; Nolda blocked an ordinary sort of attack on her shield, and never touched Sir Odo.
“He’s testing the waters,” Meve said, slightly bored with her favorite’s typically cautious tactics. “How long have they been at it?”
“You only missed one pass; the foreigner’s better at this than I expected.”
“She’s tricky,” Giselle noted, appreciatively. “What’s the Count doing, there?”
There was a short pause; Meve glanced downfield and answered, “Oh, he wants a different lance, I imagine.”
The delay took a full half minute, due to some confusion on Ethan’s part; the Baroness mumbled a displeased remark about the squire’s ineptitude, and then the combat began again.
“He wants to make up for Nolda’s left-handedness,” the Baroness explained, louder, “That’s what the long spear is for. Most people don’t learn to fight the way she does -”
She broke off; Reynard’s change of weapon had answered, and he had dealt a strike that had nearly unseated his opponent; she managed to stay in the saddle by luck or skill and they lined up again.
“He has her figured out; this’ll be th’ end of it,” said Meve. The Baroness nodded agreement. Giselle looked unconvinced, but, in the end, Reynard landed a direct attack to his opponent’s helm and Nolda crashed to earth at long last.
“A devilishly difficult play,” the Baroness said, in the silence that followed. “Dangerous, too.”
Reynard had turned to look behind himself, before his horse had even reached the end of the barricade; Nolda lay still on the ground for a few moments, and then, as her husband vaulted the fence and came running toward her, stirred and sat up. She waved an irritated hand at Bohault and Reynard, who had trotted back and dropped from his horse as soon as he was rid of his lance, but neither paid attention to her gestures or her repeated insistence that she was perfectly fine. The crowd’s general din returned, drowning out their conversation; Meve breathed a relieved sigh and reluctantly turned her thoughts back to Gaheris and Sir Holt, and then - she frowned slightly - Gascon’s mysterious absence during the day.
“Pity you can’t make her a knight,” Giselle said, of Nolda, interrupting her consideration; Meve’s frown grew thoughtful.
“A knight,” she repeated to herself, under her breath, watching the muddle on the field break up - Reynard back to his horse, Bohault and Nolda to hers - a vague connection, or suspicion, growing in the back of her mind. She turned abruptly to the Baroness, interrupted an ongoing reminisce on the handful of times she’d seen another knight employ a tactic similar to Reynard’s winning strike, and said, “Listen, Hilde - the black knight; do you know who he is?”
The Baroness hesitated, slightly confused, and replied, choosing her words carefully, “I believe so, but - wasn’t that what you and the Duke spoke about?”
“No,” the Queen said, disgruntled. “No, it wasn’t.”
“Ah,” she said, looking away toward the approaching victors, “Well, perhaps you should. Count Odo, congratulations on another victory; well fought, Nolda. My lord, you’ve won quite a fine horse, I believe, and you, madam, a sword. They’ll be bringing them along shortly.”
Any personal urgency she felt to finally sort out her ongoing affairs was wasted; the prizes took very little time to hand out, but a number of unrelated problems were brought to her individual attention as soon as the victors rode away. She sent Giselle back to her tavern with genuine gratitude for her service, dealt out various solutions, and then at last she and the Baroness set off toward the castle. The streets of the city were packed, twilight was setting in, and there was no way to hurry their progress no matter how their guard tried. A wagon that had lost a wheel blocked the way, first, and then a succession of other disruptions: a traveling comedic play about a sorcerer and some maidens, some cows wandering loose in the street, a troupe of drunken minstrels playing festive tunes, a strange procession led by a solemn youth holding a freshly cut horse’s head mounted on a pole as a banner, a group of offended clerics in its wake, handcarts selling buns and ale, and, finally, on the bridge over the castle moat, an armored knight still on his charger, who would not be shifted by man or beast until Meve stepped out of the torchlit crowd and threatened to remove him herself.
Then there was yet another feast, this time held in the hall and attended by more of the usual crowd - but, of course, with the horde of knights and sundry that had participated in the jousts, somewhat more of them than normal. There were the typical, expected customs - a boar’s head served, bowls of spiced ale passed around, a number of favors and pardons bestowed, gifts received (and given; Count Odo, for one, courteously gave the warhorse he’d won earlier in the day to Nolda, who accepted it in a fiercely embarrassed but otherwise gracious fashion) - and various other ancient rituals observed.
“I would’ve asked if you thought giving her the horse was a good idea,” Reynard said privately to the Queen, during the Mayor’s inevitable remarks, “But I didn’t catch you in time. If I’m honest it’s less a gift and more a bribe, of a sort; Ethan’s left-handed, same as her, and I thought it might make it easier to convince her to teach him.”
“There were some delays getting back,” she replied, also in an undertone, her eyes resolutely fixed on the speaker as he recited a hopeful list of future developments for the upcoming year. “This whole afternoon’s been nothing but delays, in fact.”
“I’ll tell you about it later,” she added, quickly, as the speech ended, aimed a quick but pointed glance at the distant Gascon, who immediately slipped out a side door, and then dismissed the court in the exact words she’d recited for ten years, and, before her, her late husband, and his father, and their distant grandfathers, for all of remembered history.
Finally getting rid of her guests took much longer than the traditional close to the winter solstice did. As a result, it was past midnight before she made the solitary climb up the stairs to her office, looking forward to finally having a quiet minute to think. However, Reynard and Gascon - and Gaheris - were within, despite the late hour; the squire stopped in the middle of a sentence and all three men automatically turned her way when she stepped through the door. She waved an impatient hand at him to continue and leaned against her own desk, hiding her weariness behind a cold stare. Gaheris returned to repeating his confession; Reynard listened in silence, his expression drifting subtly between offense and genuine confusion. At the end, he frowned and asked, “You - pretended to sabotage my equipment? Why? Why not do it properly, I mean?”
The squire shrugged.
“It’s - listen; before I go on, you should know Holt’s an ass, and a stubborn one at that. Yes, I see you’ve all noticed. Well, I couldn’t dissuade him when th’ idea came into his fool head, but I’d no wish t’ see him win a fight by such a trick, against such an obviously superior opponent. It’s not right, and, also, would be easily seen through. What I did seemed the simplest solution.”
“You could have refused,” Reynard pointed out; Gaheris smiled pityingly at him and shook his head. His response drew an exasperated comment from Meve.
“You could have done nothing at all, and told him otherwise.”
He frowned, again mildly offended.
“I’m no liar,” he said. “If I can find any other solution, I mean. They say a half-truth’s better than a lie, don’t they?”
Reynard blinked, considered, and then shook his head. Gascon shrugged his shoulders, grudgingly.
“You’re clearly a capable man,” Meve said. “Why do you serve someone you know isn’t?”
Gaheris shook his head again, helplessly.
“Holt’s always been like this,” he explained, “Ever since he was a boy. He’s a decent fighter, but he’s too competitive for his own good, and he’s still not learned t’ pick his battles. However, he is my little brother - well, half-brother; my mother married Sir Ulrich after my father died. He was a stonemason,” he explained, seeing the Queen raise a questioning eyebrow, a gleam of challenge in his dark eyes. “His name was Gors.”
When she failed to react to his admission, he continued:
“Anyway, she wanted me t’ look after Holt, best I can. He isn’t a bad person, really, he just -”
He shrugged.
“He can’t help how he is, when he’s in a mood, and when he isn’t he’s not the worst of men, or the worst of nobles, for that matter. He’s never struck a knight who’s yielded, for one, and he’s not one to steal or run villainous among th’ yeomen. And, he’s all the family I got left,” he finally finished. Meve nodded and said nothing for a long moment; she noticed that he couldn’t have been any older than herself, but he briefly appeared gray and worn down. She was, to her mild irritation, somewhat sympathetic to his troubles. Gascon glanced from her icy frown to Gaheris’s tired stare, curiously. Reynard watched her carefully.
“Keep him under guard,” she said to Gascon. “I’m not sure what to do with him or his brother, just yet. Wait - leave him on the landing; the guards there will look after him for the moment. I’ve another matter to discuss, before you go.”
“He’s the black knight,” she said to Reynard, as Gascon stepped back in without his captive. “Did you know?”
“No, of course not,” the Count said, frowning slightly. “Although, in truth, th’ idea has crossed my mind, but I found it - unlikely.”
Gascon hesitated, then shrugged, grinned broadly, and said, “You caught me at last, m’lady; how’d you figure it?”
“The Baroness it was that discovered you, not me,” Meve said, crossing her arms stubbornly; she attempted to appear angry, but in the end managed only mild, slightly amused, annoyance. “Also, she appears to have found me out, as well, incidentally. In fact, there seems to be very little she doesn’t know.”
“She’s uncommonly sharp, no doubt about it,” Gascon agreed, readily.
“So,” she continued, “Is there anything at all to be gained by asking you what you were doing, today?”
“Won’t tell you unless you first promise not t’ bite my head off,” he said promptly.
“Yes, very well, as it’s the solstice, but don’t expect any more favors from me before the summer, at earliest. I mean it, Gascon.”
Reynard sat down, shaking his head at them; Gascon nodded and said, “Fair’s fair. Well, then, it’s a short tale: I won that fight against Sir Holt, then I saw Gaheris come limping ‘round to scrape him up off the turf, and it all came together clear as mud, so I decided it was time t’ stop playing at knights for the day and do some real work.”
“You could have appeared in the joust as yourself,” Reynard remarked, almost idly, “And not as -”
“As me,” Meve interrupted, a hint of her previous ire returning.
“Yes, well - the black knight’s more interesting than I am,” he explained, with a broad shrug. “People have heard of his prowess, or what have you; the dangerous reputation’s an advantage, of sorts.”
“Yes, we’ve heard, in fact,” Meve said, coldly. “Slew a werewolf, did you?”
“Sure did,” Gascon replied. “Or, I helped, anyhow. There was a witcher involved. Like Gaheris said: half a truth’s better than a lie, so I let the former take precedence.”
“That’s not the saying, as you know perfectly well. It’s worse,” Reynard said, rolling his eyes. “Half a truth is worse than a lie.”
Gascon shrugged at him, grinning slightly. Meve interrupted their tangent, impatiently.
“And you killed a dragon, they say?”
“Not I,” the Duke said, quickly, eyeing the Queen’s scowl. “Th’ only dragonslayer here is yourself - although, I did kill a pretty big snake in a roadside inn. The landlady was most impressed. So was some minstrel who happened t’ be around, it appears; he has, uh, embellished th’ incident, somewhat.”
“Yes, that much is obvious,” Reynard noted, “But how’d he know it was the black knight who did the deed and not merely one Gascon Brossard?”
At last, Gascon turned uncomfortably self-conscious and clammed up; Meve watched him squirm for a long moment and decided, after a glance at the amused gleam in Reynard’s eye, to not to press the issue further.
“And you gave poor Sir Orlac a dunking,” she remarked, finally; Gascon looked relieved and seized on the change in subject.
“Yes, that story’s true,” he admitted. “He’s not a bad fighter, at all, thought he don’t seem to enjoy it much. It took some convincing t’ even get him to go against me, actually, but it was worth the time, in th’ end, to get th’ extra practice.”
“You have improved, somewhat,” Reynard observed, casually. He shot a quick look at Meve; she spotted it and broke off her intended response, frowning. Gascon either missed or ignored their exchange and said, brightly, “Why thank you, sir.”
“Although,” the knight continued, “It remains to be seen if you can beat me just yet; Meve, of course, has already unhorsed you once, so no there’s burning question to be answered on that account.”
“By a trick,” Gascon said, and then, as Reynard shrugged unconcernedly, added, “Look, I only really wanted t’ fight Sir Holt and beat him, again, to prove I could, like. I had no notion of much else.”
“Yes, very likely,” Meve muttered, rolling her eyes; Reynard continued, despite her:
“Not afraid to lose, are you?”
“Of course not; it happens all the time,” Gascon said, mildly indignant.
“Well, then, tomorrow, if you’ve no other plans, let’s see how good you’ve really become, shall we? Without your intimidating disguise, I mean.”
“Well, all right,” the Duke said, doubtfully, clearly wary about what exactly he was agreeing to. “I suppose I’m not busy, but - “
“Good. I’ll see you first thing in the morning, then,” Reynard said, a suggestion of finality in his voice; Gascon still looked uncertain, but nodded and then made a tactical retreat to “see to those other matters.”
“What the devil are you at, Reynard?” Meve asked, the instant he was gone. He stood up, strode across the room with a self-satisfied smile, and wrapped his arms around her.
“You’ve had a long day,” he said, “Let me worry about it.”
“Ugh. Fine, then; do what you want,” she said, ingraciously, leaned her forehead against his chest, and continued with a muffled sigh, “What do you think I should do with Holt? I can’t very well banish him for trying to cheat in a duel, much as I’d like to - he is the sole legal heir to Sir Ulrich, who has been a relatively loyal supporter of the crown - nor can I demote him, since he isn’t one of my own knights.”
“Just ban him from your tournaments, and the rest of the realm will follow,” he said, as if it was obvious, “It’s the worst thing that could happen to a young knight.”
“You’d know better than I,” she remarked, unfolded her arms, slid them around his waist, and added, “What about Gaheris?”
“I don’t know,” Reynard said, “He’s not so easy to deal with.”
“The trouble is,” Meve said, darkly, “- the trouble is that, in his circumstances, he’s done nothing worse than you or I have in the past, which makes me feel something of a hypocrite if I consider having him arrested for treason - as I certainly could, given your indispensable position and high rank.”
“Yes, a - a similar thought crossed my own mind, to be honest.”
“Well, it’s true,” she said, raising her head and frowning up at him. “Isn’t it? Reginald -”
“He wasn’t quite so bad as Holt.”
“Because he was older, and the King, and no other reason. Well, and he had you around to clean up after his worst decisions. And, his sons - my sons - are the same, or worse, than Sir Holt. Or were, I mean. Anseis certainly is, in any case.”
“Perhaps,” Reynard said, thoughtfully, “There’s no need to do anything to Gaheris, at all.”
“As you’re th’ one he wronged, in th’ end I think what happens to him should really be your decision,” Meve said, shrugging.
“Well, then, speaking from experience, the man’s trials in keeping control of his brother are worse than anything you might think up.”
“Yes, I know what you mean. I’ve no wish to see him hang or rot in prison, but banishment would be no curse to him, and we’d have to contend with Holt still, regardless, but without a convenient manager. What a waste; were he noble-born, I’d have some use for a man of his talents, and I could more easily secure his future loyalty. A shame, to have Holt be th’ one who inherits old Ulrich’s lands and titles, and Gaheris remain a squire still.”
“I agree,” Reynard said. “However, that problem only you can solve.”
She looked into his eyes, thoughtfully, and nodded.
6 notes
·
View notes