thing about deltora quest that only occurred to me in hindsight is not only just how much jasmine carries the entire party on this quest but also how genre-defyingly brutal she is lol. like, this is a kid's series that hinges on riddles and puzzles far more heavily than combat - even when deaths occur, they're often the result of cleverness in some way rather than straight up combat ability. that said, let's look at the villain kill count at the end of book five of eight of the first series:
- lief: 1 - even there it's with a well-thrown bottle of cursed water rather than his sword.
- barda: 0 - i'm not counting that one unnamed sand beast, that's an animal not a villain.
- filli: 0 - he is a squirrel, this is unsurprising.
- kree: 1 - killed an invincible sorceress all by himself, good bird best friend.
- jasmine: 5 - dropped a tree branch on a mf, drowned two cannibals in quicksand, cut a giant snake's throat, shoved a dude down a pipe full of toxic mold (after having to be told not to cut his throat while he slept jfc).
idk it just suddenly struck me as really funny how this one character who isn't the protagonist is almost from a different, far more brutal story, and uses that fact to consistently be the mvp and save everyone else's asses. i need to read this series again it's been too long.
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“You don’t have to do this.”
"You don't have to do this."
Demeter's voice comes from somewhere behind Alonzo's shoulder, thin and reedy but heavy with intent. She is frighteningly calm, all things in considered, though Mungojerrie can hear the tail edge of something foreign tightening each syllable.
The decided emphasis of the statement gives Alonzo a solid beat of pause; he's hearing what Demeter is saying, but, more importantly this time around, he's deliberating it. It's gotten through to him. Mungojerrie sees every millimeter of muscle beneath his eye twitch and shift. He holds his breath.
The speed at which Mungojerrie had been off his paws and slammed back against the wall was - admittedly - startling, knocking the wind and words clean out of him. He'd been midsentence, explanatory excuse just on the tip of his tongue, attempting to keep pace with the cats walking with him, but every time he caught up front, they continued on. Alonzo wouldn't even look at him - that should have been his first warning.
They'd been silent amongst themselves when he'd made his meager attempt at explanation. Even Teazer was frighteningly quiet, trailing hesitantly behind Demeter, in the way that suggested whatever she'd seen back in that room hadn't been good. The silence had been deafening and uncomfortable, tension thick and wounded like a noose set to decorate a neck, and every nervous bone in Mungojerrie's body screamed to fill it, interrupt it - say something that would diffuse everything and stitch them back together instead of feeling like he'd been trapped behind glass, screaming and screaming with no one around to make it mean anything.
He'd said the wrong thing; he could feel it the moment it whistled through his teeth. He'd said the wrong thing, done the wrong thing, pissed off the wrong cats. Or just one of the wrong cat; the most important of wrong cats. And they'd all surely pay for that slip up down the line. But it could be smoothed over; surely everything could.
The last thing he had heard before being suspended was a sharp, flat exhale - a decisive, frustrated kind of noise that, perhaps if he were paying more attention to his surroundings instead of his fear, Mungojerrie would have recognized as something foreboding.
Now, he was face-to-face with a very angry looking tomcat, and struggling a solid few inches off the ground, every instinct in his body screaming at him to escape, lash out and yowl like his tail was on fire, do something, but he was completely frozen. Alonzo held onto the scruff of his chest firmly, shoving his nose into Mungojerrie's muzzle and the rest of him bodily into his space so he couldn't look away from him even if he tried. There were bright coals of anger burning in Alonzo's eyes, fanned to life with an undercurrent of fear. Danger. A reminder - Mungojerrie thought distantly as his attempts at squirming free from an iron grip slowed to a trickle, then an icy stop - of how he'd gotten to be where he was in the first place. It was easy to forget; easy to pretend they were playing one long hauled game. Alonzo was grumpy and aloof, but never dangerous. Never any real threat.
There is a scar running through his lip and up into his nose, deep and pulled taught against his snarl. Mungojerrie wonders where he got it. He'd never asked.
"What the fuck were you thinking?" the larger tomcat growled, low, menacing, cold, shaking him for emphasis. "What is the matter with you?"
Send me a sentence and I’ll fill at least five more in after it for a little mini-fic.
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AEW saw how well Max & Wardlow's dynamic worked in the early days and decided to genderbend them and quite frankly, love that choice for them
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You legit have the best spn takes I love the patheticness of Rowena but never actually thought too much about it but your post makes me appreciate that part of her sm
Thank you! People are so nice to me 🥹 she needs to be a little scheming worm who gets maybe two thirds of what she wants maximum. She needs a project. She would be bored of running Hell with no conflict or further goals within about a week. Rowena has wanted the IDEA of running Hell for a long time but from what we've seen of what being monarch of Hell actually IS with Crowley (or, what he made it into) she's going to be bored out of her skull. She looked bored in the episode. She's a schemer!! Let her scheme! It's like if Chandler from FRIENDS just stopped telling jokes forever as his final position on the show and all his (titular) friends agreed it was good for him. Or if Winston from New Girl put down his racoon costume and said "I'm going to become an ivestment banker" and did it with no issues and no silliness that was his endgame. It doesn't feel right.
Anyway!!!!! Pathetic Rowena is so good. When she was trying to build a coven and all the witches were like. Have you forgotten that you're a complete loser??? Or when she "reconnects" with Crowley as his untrustworthy advisor and gives the most obviously scheming bad advice and the only reason he lets her get away with it is because she's his mother and he pities her a little. Or when she manages to get in good with Amara but Amara's like hm. You kind of suck huh. like that's golden.
I would have had, for her final appearance as "queen of hell", she does her whole big grand entrance being carried around by demons (loved that for her), giving (slightly quicker) lofty advice* about working on relationships (because that IS necessary for the theme of the episode) and getting her demons to look for Michael. And THEN after they get the news that he's not in Hell, have one of her demon aides warn her that the actual queen is coming so she's gotta go and the boys are like. The who. What. Meanwhile Rowena is scrambling to get her things and is like 'aye well maybe introducing myself as queen was a tad preemptive, but I will be. Good luck boys, best get out of here sharpish if you want to keep yer heads ❤️" and a specific goodbye to Sam with a kiss on the cheek since she was. His best friend???? and they don't presently have A Moment in the episode. It wouldn't take much. It would also solve the weird place of them being best friends with the queen of hell where - presumably - eternal torture is still happening. Easier to handwave if the position of power is incredibly tenuous like Crowley's was always depicted as.
To conclude. Kiss kiss kiss 💋
*not to be confused with giving Lofty advice, a character from BBC Casualty who crossed over to BBC Holby City and whom I hate with the fire of a million suns.
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