#They haven't talked to me all week

[waiting-makes-me-antsy]

vote ✨✨

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[bizarrelittlemew]

calling it right now that season 3 starts like this

[adustoflove]

Having bpd to me is like I'm the loneliest person on the planet, no matter how many people I talk to, no matter how many connections I make or have, I'm a lonely void who will die alone. I have to be talking to someone or with someone every second of every minute of every day. I love people so much, I need people. There's so many people out there with different things to teach you. And then, if I have to talk to one person for more than 6 seconds today, I'll kill them. I'll kill myself. I need to be left alone for the rest of the day, I need no one but myself to be happy. I don't want to partake in anything with anyone because it's all draining and taking out of my alone time. Everyone is the same, they're all boring and self-absorbed. Every conversation feels like I'm forcing myself to be actively present. I just want to be alone in my room with nothing or no one. I don't see a future where I'm happy with anyone other than being by myself.

[imaginariumwanderer]

Mkay last post before logging off. Featuring silly pixel art I made w/ my mouse.

This chart was actually made out of pure self-indulgent a while back with no intention of being posted, I ended up scribbling(?) all over the thing. Hopefully it's readable when zoomed in.

It's "my ship in 5 minutes" but I can make it 30 if you want. WARNING: Tons of sappy yapping+pixel art download under cut.

About "tropes": The trope is called Angel-Devil shipping, oh but I don't think PV is an angel. He's more like a God for SM (at least that's my preference)… Thinking at all the possible tropes that suits them make me really wonder why some people consider Shadowvanilla a crack/pro ship. Enemies to lovers or villain/hero ships have been pretty archetypal since the day of olds. Compared to all the ships I've encountered in the past… Shadowvanilla is more or less the "slightly out of the norm" on the "problematic ships scale" <- typing this out make me feel like an old fandom veteran haha

About "how it happens": I have no idea where to put PV on that chart. He's the one who approached first, but not out of romantic intents, him falling for SM is as unexpected as can be. SM fell first and slowly, and in 'slow' I meant decades upon decades. It's inevitable, painfully so, spending all those years watching over this cookie who's so perfect in his imperfections, how could one not feel something? Of course it's not so simple, that 'something' is a horrid mixture of disgust, envy, hatred, understanding, both the need to preserve and destroy… And maybeee the tiniest crumb of affection? SM realized something around the first couple hundredth years mark, he then spends the next thousands in denial of it. No matter. Whether it's PV or the Soul jam, his birth-given rights. SM knows what he wants and he WILL get what he wants. (He's wrong on both fronts. And somewhere in the back of his mind, SM knows that. But he'll never admit it. He'll never ever admit anything. Until it's too late. In a way, the same goes for PV)

About a certain someone who's not clingy, but would die for attention: I think PV gets lonely easily. As he's hyper-aware of himself and considerate of others, appearing clingy is the last thing PV wants. So PV would put extra efforts in taking care of those around him, be it cookies, animals or the greenery in his garden. A healer is always busy, always helpful. If he's always needed by others then he would never be afraid of being alone. Ironically enough, this ended up making PV come off as a little overbearing. As of late, the only ones able to see through the facade are Hollyberry cookie and you-know-who.

Other scattered thoughts: These two are completely different yet can't be more similar, on the various sliding scales they're either stuck to one another or are flung to both ends. On another note, honestly I can't see these two doing anything domestic together, the most I can see is cooking, which is basically the same as magic in the cookie world. Anyways, are they in "love"? Are they dating? Not really, no. It's more of a a parasitic-turned-symbiotic-soulbond, a will-they-won't-they-destroy-the-world situationship (iykyk) I do enjoy relationships that's hard to put into words. Their feelings are somehow romantic, somewhat deranged and something much, much deeper.

My desire to ship these two comes from the desire to see them grow beyound their archetypes. Being with PV does give SM the chance to be horrible as can be, yeah, but I'd like to think SM does have a personality outside of being a villainous tormentor. He spends so long observing others, and now for the first time he's being seen. Now SM have met someone who can see right through him, who can glimpse into those dammed vulnerabilities of his. Being with SM does let us see PV in his darkest moments, but it's at the same time the moments where PV can shine the most, to prove SM that his ideals isn't naïveté or simple platitudes. In canon, SM+PV works well as enemies, but it is the many contradictions born when romance is added into the mix that got me shipping. They simultaneously break down and bolster one another's greatest traits. Like binary stars, they orbit around the other, so close yet so far apart, lest they collide. They could've been so perfect for each other. But not in this life, or the next, or the next...

Pixel art time! I have way too much fun w/ Smilk's many faces, his and PV's combined came to around 22 expressions. These are quick to made due to their small size (25x25 px). Zip file includes both the og and 75x75 sizes. I don't mind if any Vanilla milkshakers might use these, just please remember to read the my art terms and conditions first! (which can be found in my About)

Some disclaimer: some images may have different names. This is the first time I'm using Getuploader so sorry if something broke.

Link

[helsensm]

farm boys Valentine's Days 💗

+ close up on the last one

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[moonkhao]

hi.

[wowa-bublord]

i really love being in this community, thank you to everyone who's sent a nice ask or comment, I reread them when I'm having a hard time and they always help. 😭❤

[lovesodeepandwideandwell]

how come I love leading class and reading groups and small groups and lectures and conference papers and book clubs

and I HATE leading Women's Bible Study

[septimusmoonlight]

You doing ok?

hi

[pink-sugar]

watching everybodys rentrys break because catbox decided to kill itself (i think??) has been so surreal. thank you for never betraying me filegarden <3

[skyward-floored]

How do you even tell people you're not okay and what even constitutes 'not okay' anyway because in the grand scheme of things I'm actually doing fine and compared to a few years ago I'm doing great but it's like I'm just. errrrgh. emotions are stupid.

[bittersweetresilience]

can you be baited into talking about the good aesthetics of jingrenheng? the themes? please and thank you and have a nice day?

................okay... just for you anon...

they have complimentary color palettes! jing yuan has a lot of light associations, blade dark associations, and dan heng's teals are gradient or in between

they all have a symbolic plant of sorts, which sounds funny, but it looks pretty. the gingko and the spider lilies and the maple leaves. those are also red orange and yellow which mix well together. and imbibitor lunae has a lotus thing going on but he and dan heng mostly look visually similar

they have sun moon star symbolism. jing yuan is the sun, blade or should i say yingxing (应星) is the star, and dan heng or should i say imbibitor lunae (饮月君) is the moon. you could also argue that jing yuan (景元) is the world that the celestial bodies orbit in... the center of gravity, but also easy to overlook as an unchanging part of the surroundings...

dan heng is also wearing something associated with both of them. yes, The Relic™. BUT his coat also reads the same poem from which jing yuan took the name of starfall reverie

and lastly they are just three beautiful men okay it's impossible for them not to look aesthetic together

THE THEMES ✨

a guy running from his past, a guy chasing it down and driven perpetually by it, and a guy who can do nothing but hold onto it. it's like a soap drama of perfect proportions

someone who represents the right path, someone who represents the wrong path, and someone who represents the neutral path or trailblazes their own path

they were entangled in their previous lives and they remain entangled now, by their own will or otherwise. it can't get any better than this themewise.

renjing

i was going to say something about what each individual ship in the trio brings to the trio but i got distracted. what was i talking about again

okay, renheng has this 'thin line between love and hate going on' (因爱生恨) and it's about the extremes of passion to me. the hunter and the hunted. it's about the things from the past that should be shed but cannot be. then hengjing has the 'reconnecting through lives and through the mire of identity'. it's about forging a future uncolored by the mist of the past while also acknowledging that that past was there and meant something. then renjing has everything renjing has. renjing has

sorry i can't be objective about them renjing has everything because they are my babies

ANYWAY the point is when you put them together you net the ability to explore all of these different relationship dynamics at the same time plus trio dynamics like the mediation, the competition, each of them feeling left out in their own way, varying levels of memory, varying levels of history... a feast for the feasters

i also think jingrenheng successfully resolves all three of their issues in the sense that it's a relatively stable way for each of them to be able to recognize but also make peace with their past, and not let it impede their future. if jingrenheng actually experienced enough character development to get together and not kill each other, that would mean they have fixed things. a win for everybody.

[mintjeru]

taking a break between tasks, time to post old kvthm doodles

open for better quality | no reposts | ID under the cut

[Image description: A page of uncolored digital sketches of Kaveh and Alhaitham.

The topmost sketch is a redraw of a scene from the Archon Quest in which Kaveh frowns while looking up to meet Alhaitham's gaze.

The bottom left drawing depicts Kaveh and Alhaitham in an embrace. Alhaitham is nestled into Kaveh's chest and looking forwards with a neutral expression. One of his arms reaches around Kaveh's waist. Kaveh smiles as he looks forwards. One hand loosely caresses the back of Alhaitham's neck while the other lightly touches his jawline.

The bottom right drawings depict a chibi Alhaitham and smiling chibi Kaveh. An arrow with the phrase "do not separate them!!" points at them.]

[graythegreyt]

Oughe I love my friends. FRIENDS I AM TUCKING YOU ALL INTO BED OR HANDING YOU A WARM CUP OF TEA DEPENDING ON YOUR TIMEZONE!! YOU MAKE FINDING JOY IN THE WORLD SUCH A BEAUTIFUL EXPERIENCE!! YOU MAKE LOVE EASIER TO RECEIVE AND EASIER TO GIVE!!! THANK YOU THANK YOU THANK YOU. Takes your hands and spins us in a circle