#There are so many versions of that song as expected

[mali-umkin]

More than 4 years ago I was lying on my bed in Northern France listening to Mairead Nan Cuiread by Tannas. I was thinking how beautiful that song was, how intrinsically musical and rhythmic the language sounded, how enchanting it would be to learn more about the Gaels. I wrote my application to the University of Edinburgh listening to it. Today in my last year of uni my Celtic teacher contacted us to ask us to go over Mairead Nan Cuiread as it is the waulking song we will be studying tomorrow. We have gone full circle. I couldn't be more grateful

[ariiiiih]

About <辜(Gu/Guilty)> (a TGCF AD song)

The last two versions of 辜 are really great, so I wanna share some thoughts and provide some supplementary materials.

The first one in episode 17 is a ballad version. As Xintong (新桐, TGCF AD’s music monitor) said in her webio, “[it’s] to unfold and highlight He Xuan’s mood from his perspective.”

This version is sorrowful but soft, and the lalala childish humming at the end, which sounds like a nursery rhyme, gives this song a sense of purity and innocence. In the blackwater arc, which consists of horror, anger, hatred, and despair, this feeling never appeared. Then, why use this song, this feeling to express HX?

The song was like out of the story, just like the feelings that HX never directly expressed. Actually, the warmest and touching scene in this story, from the RoEW to the end of revenge, was told in the first extra of TGCF----HX’s family, who gave XL a bowl of Yuanxiao and wished he would reunite with his family:

“Do you not have the money?” the owner asked. Still stricken, Xie Lian couldn’t reply, but the owner simply said, “Forget it. I’ll give it to you for free, considering how tragic you look. I'll be packing up once you’re done, so hurry home. Today is Yuanxiao, the day for family reunions!” …

The little girl was biting on her spoon with her head tilted. “When is gege coming home? I wanna wait until he’s back before digging in.” “He’s so late,” the owner chimed in. “Coming home so late on Yuanxiao; how outrageous!” “He’s working hard. He’Il be home soon,” the old woman chided. “Don’t scold him when he comes back. Miao-er! Miao-er, stop working. I feel awful always needing you to help out. Come here, and let’s eat together.” “Not at all!” the young woman replied. She cleaned the last table before sitting down with them to share yuanxiao. They seemed to be waiting for another member of the family to join them, and the four of them chatted and laughed all the while.

And the tragedy of this family in TGCF AD, when HX’s sister said “Gege, let's be brother and sister in the next life” and when his father told him “Son, father’s going with your mother,” was heartbreaking.

So, this ballad version of 辜, from He Xuan’s perspective, was like He Xuan remembering his family, his life, and all the happiness and suffers in it; it was like He Xuan looking back to the path that he had walked so far over hundreds of years and the three lifetimes of man, god, and ghost; and lamenting the people who had been involved in this fate-switching incident, the lives of those who had died innocently and tragically. Humming is a primitive expression of feelings, compassionate and pure like a god, while the mourning for those low-level, insignificant mortals shows the idea that gods should not love only abstract humans, but real people.

As an avenger, it's easy to think of HX's anger and hatred. But when they are stripped away, we can find that deep in his heart, the feeling and reason of his revenge that we easily overlook, is the pure love between him and his family, the warmest and the most joyful past. This love may seem ordinary, less splendor than other ghost kings’ beliefs or the relationship with Shi brothers, but it is this love that supported him to resolutely carry out an extremely long and lonely revenge that no one has ever done. Even though he would never rest and would suffer forever and he knew it, some people were worth doing that for.

That’s why I like this version. It reminded me of “true voyage is return”. The character of He Xuan is very complex but easily flattened and stereotyped because his inner self and his inward exploration are hidden, and this song shows the neglected side of He Xuan, a more human and even divine side.

The last version in episode 18 is an omniscient perspective (I haven’t seen the translation yet, so I tried to do it by myself, sorry if it sounds weird in English).

运数又何为 命中误

What fate has done,

A mistake in life.

似这般无妄劫 怎可渡

Like this undeserved trial,

How can it be passed?

一个是琳琅材 一个是凡间骨

One is a precious jade,

The other an ordinary bone.

偏谁得奇缘 放醉入仙府

Yet, who is destined

To stumble into the immortal realm.

做仙的眼无珠 做鬼的有恨难诉

The god has eyes but blind,

The ghost harbors hatred but hard to tell.

骨肉终消散 尝尽悲与苦

Flesh and blood dissipated,

Sorrow and Pain tasted.

这欠命的已还命 赎命的却无人赎

The one who owed a life has paid,

The one who atoned remains unredeemed.

问去去来来谁赢输

Ask who wins and who loses.

叹尘归尘来土归土

Sign, as ashes return to ashes,

And dust to dust.

This song has the style of Dream of the Red Chamber (the greatest classical novel in Chinese literature). Here are the songs in this novel, where you could find some similarities.

Vain Longing: One is an immortal flower of fairyland, The other fair flawless jade, And were it not predestined, Why should they meet again in this existence? Yet, if predestined, Why does their love come to nothing? One sighs to no purpose, The other yearns in vain, One is the moon reflected in the water, The other but a flower in the mirror. How many tears can well from her eyes? Can they flow on from autumn till winter, From spring till summer?

The Birds into the Wood have Flown: The office jack’s career is blighted, The rich man’s fortune now all vanished, The kind with life have been requited, The cruel exemplarily punished; The one who owed a life is dead, The tears one owed have all been shed. Wrongs suffered have the wrongs done expiated; The couplings and the sundering were fated. Untimely death sin in some past life shows, But only luck a blest old age bestows. The disillusioned to their convents fly, The still deluded miserably die. Like birds who, having fed, to the woods repair, They leave the landscape desolate and bare.

Also, in the Bloody Fire Social of AD, the first time we heard Scholar He (*in ancient China we called a scholar ‘Sheng’, that’s where He Sheng came, not He Xuan’s another name), the verse that artist sang also shared a similarity with a song from Dream of the Red Chamber.

(Bloody Fire Social):

世人皆说贺生好

All men long to be He Sheng

功名利禄少不了

With riches and rank that all aspire;

如今贺家在何方？

The kind family of He, where are they now?

荒冢一堆草没了

Their graves are a mass of briars.

All Good Things Must End (first part): All men long to be immortals Yet to riches and rank each aspires; The great ones of old, where are they now? Their graves are a mass of briars.

An interesting coincidence is that “All Good Things Must End” is the opening verse of Dream of the Red Chamber, while “The Birds into the Wood have Flown” is the closing verse of Dream of the Red Chamber. And the two similar songs in the blackwater arc are told from He Sheng's life to the end of He Xuan's revenge, which I personally like as a literary homage.

[lock-my-feelings-in-a-jar]

me: wakes up and uses my entire photo upload limit immediately

[chandelier-still-flickering-here]

I'm in my "disillusioned with taylor swift" era.

[dreamsy990]

love how free spotify used to be like "heres two ads and now heres 30 mintues of song" and now its "heres five ads and one (1) song". love how i cant play the one song i want. love how i would probably be better off using any other service but the desktop version is good enough that ill put up with the terrible mobile version that barely qualifies as a music service.

[astrxealis]

got emotional almost cried because of the beauty of octopath traveler and bloodborne music multiple times today

[chisatowo]

Some vocaloid songs shouldn't be covered because too much is lost from a human singing it and sometimes vocaloid songs shouldn't be covered because every single damn person who tries gets the vocals fundamentally wrong

[radio-4-is-static]

KATATOKI Teaser | Yojiro Noda x J.I.D Listen to WONDER BOY'S AKUMU CLUB here !!

[wheelie-butch]

The wildest thing about the kendrick drake situation to me is until now i only knew kendrick lamar as the guy who did the rap in radioactive imagine dragons

[sillyfudgemonkeys]

P3 Fandom, apparently: Full Moon Full Life???? What???? No Burn my dread???? Noooo! THis game sucks! Me, blinking in Soul Phrase: .............sooooo will this one be remixed in the final fight too? Or is it just gonna be Burn My Dread Last battle again?..... ;w; it's gonna be the BMD LB again..... orz

[myblogisatotalmess]

MILD MOANA 2 SPOILERS AHEAD

I saw Moana 2 as a Polynesian person. I thought it was INCREDIBLE. I know many people already don't really like it, but I think it's because THIS specific movie, they went harder on the Polynesian culture.

The music is even more Polynesian, and written pretty much solely by Polynesian people. The culture is even more included in it's narrative and in the details, they show more tattoos, the Kava ceremony, speaking more of the Pacific Islander native languages, even some the humor is very Polynesian humor.

I personally really enjoyed the storyline, and I liked that it introduced a "morally gray" character to help guide Moana into realizing that you have to just embrace what's given to you. It's a great representation of what the ocean is. It's sometimes not as reliable and friendly as Moana expects it to be, and has grown accustomed to. So when she asks for the ocean's help and receives no answer, she's better prepared to face it as it comes, and adapt, and embrace it.

Not only that, but in terms of Polynesian deities, there isn't just one "good" or "bad". There are complicated morally gray deities. Pele, for instance, is a goddess known for volcanoes and destruction, but she is also known as creation and rebirth. The Earth is scorched by the flames and lava to make way for new land and healthier vegetation.

The songs aren't as "memorable" to those who aren't fully embracing the culture. For me, I got chills hearing the music. It felt authentic and from the heart and soul of the Polynesian people who sang it. Sure, many outside of the culture can't "sing along" to it, but that doesn't make it inherently bad, just because it's not marketable TO YOU.

For someone who's waited forever to have representation, and grew up with Lilo and Stitch being the only one (which wasn't that much in terms of representation.) To then seeing Moana come out when I was 16, and cried then. For then Moana 2 to come out tonight, and I cried AGAIN at 24 years old. My inner child was so excited to hear and FEEL what that representation sounds like, looks like, and means.

The original Moana was tippy-toeing into Polynesian culture, where it could still be marketable so everyone could enjoy it. Because they didn't want it to flop. It feels the same as a Polynesian person having to cater to tourists who only see the Polynesian culture as something they can exploit and be entertained by.

That doesn't mean that it was bad, it was moving tides in that time, and I would take that representation over the crumbs we've had before.

But this movie? Moana 2? This was for US. This was for the Polynesian cultures. This felt like a love letter to us, as a culture, to unite and know that we have community, and to feel seen, in all of our glory, and not a watered-down version to be "marketable" to others outside of our culture.

So, I expect people to not like it. But I also expect it to be because it's coming from a place where they don't understand how it feels to experience, love, embrace, learn, and educate others about Polynesian culture.

I love my culture, and I love my Polynesian siblings as a Kanaka Hawaiian. I love my Maori, Samoan, Tahitian, Tongan, etc. siblings. I love seeing a mix of all of our cultures come together and be represented.

For those who aren't a part of our culture, truly listen to our history and our struggles and successes. Educate yourself on how to be a better ally and find cultural appreciation (not appropriation) for our culture. We are real people with real stories. Not some fictional character (or Halloween costume/party favor/etc.) you can write off and only look at as "entertainment" and can only hold value when we're catering to you. That includes our music, our language, our dances, and our stories.

That's all for now. ❤️ I'll be willing to have adult, civil, conversations with others about differences in why you didn't enjoy it as much, but hate will be deleted and blocked. ❤️

[curtins]

SO IT GOES — R. Sukuna

prologue. → newly-wed life is hardly what you expected it to be, its hardly a surprise. after all, how many people find themselves bound to the notorious king of curses? but after a frosty few weeks, sukuna finds the easiest way to win you over is when he's on his knees, and between your thighs.

pairing. ryomen sukuna x afab!reader

warnings. implied arranged marriage, sukuna-like jerkish behaviour that you might expect, softer ending, a bit of ooc sukuna and he's hardly an ideal husband but this is his version of trying, øral (fem! receiving), reader is referred to as 'little wife', questionable dynamics?

word count. 2.8k! song inspiration. so it goes — taylor swift, reputation a/n. up to u to imagine how reader ended up in this marriage lol

mp3. scratches down your back now, so it goes.

ryomen sukuna was not a being of great patience. as the king of curses, feared and revered for centuries, he had watched dynasties crumble, empires burn, and warlords kneel. but none of those victories compared to the relentless, quiet struggle he now faced: winning over his new wife.

it was absurd and annoying, really. why did he care what an impudent human thought of him? he had armies of souls quivering in terror before his throne, realms that chanted his name with bitterness and fury dwelling on their tongues.

yet, somehow, he found himself furious that you were as unimpressed with his power as you were by his world.

it gnawed at him, this strange need to see something other than disdain in your eyes. instead, he was growing sick of seeing you merely raise your chin, your gaze cold and unreadable, before turning and walking away, your robes trailing away like a splash of wine-red on stone floors.

and sukuna could only stand there, and scowl, with his arms crossed across his broad chest, resisting the urge to launch a column of fresh flames in your direction.

sukuna's first attempt had been bold, even by his standards. bolder than anything that a mortal like you ever deserved.

he had summoned the finest treasures from his vaults, gifts that would make emperors and khans grovel: strings of blood-red rubies, ivory combs carved with ancient spells, silks that shimmered like starlight under the cold nights. he had ordered them delivered to your chambers, confident these displays would thaw your indifference, for did women not clamour for such things in life?

yet you'd only glanced at them, a faintly polite look of thanks in your expression before you brushed the treasures aside, dismissing them as easily as the breeze stirred leaves in his gardens.

“it’s lovely,” you had murmured, your voice cool. “but unnecessary.”

unnecessary. the word irritated him, a thorn lodged too deep. unwanted. so he tried another approach.

the next evening, he brought you to his gardens — a place few had the honour of ever seeing.

it was quiet, twilight realm, with silver-petaled trees that glowed softly against the eternal dark. the air was scented with flowers that only bloomed under the moon, and shimmering koi would swim in ponds as black as polished obsidians. he'd assumed it would impress you, even move you to see such peace in a palace that was so fraught with the intimacy of blood, flesh and violence. instead, he felt all of his eyes twitch as you gazed around with a calm, fatigued expression, and nothing more.

"it's beautiful," you had admitted, fingers wringing under the long sleeves of your robe, but you had sniffled and looked back up at him with a mild grimace, "but i have really bad allergies to most flowers."

what the fuck were allergies?

later, he learned that it was some ailments that only mortals could suffer, one that would leave them reddened and swollen, gods be good.

sukuna could feel himself growing frustrated, and the urge to toss you in chains was welling up inside. yet, for reasons that he loathed to name, he fought it down. he didn't want you to leave, didn't want to watch you retreat into your shell yet again. but it was difficult letting the silence linger, this strange vulnerability settling deep within his chest.

and as night fell, alone in his vast chamber, the king of curses was ashamed to admit that he was brooding. if treasures and displays of tranquility meant nothing to you, what would? there was another avenue, one that left a curling, bitter pit in his mouth, a trait that he so loathed to display to all.

humility. how boring. how mortal.

but regardless, he appeared at the wide doors of your chambers the next morning. he had even relished the brief look of surprise on your face, but it was quickly replaced by the cool-glass mask that sat over your features once more. he must have made for quite the sight indeed — in his true form, two arms at his side, and the other two folded behind him.

sukuna didn't quite miss at how your gaze lingered over his vast form, and then your eyes twitched.

“today,” he announced gruffly, “i am going to make you tea. myself.”

how ridiculous, he could imagine uraume snickering to hell and back.

he half expected you to laugh or scorn him, but you simply raised your eyebrows, seemingly quietened and more curious. without waiting for you to decline, he led you to a quiet corner of the chambers, where servants tended to lay out such items, as part of a morning routine. there was a simple tea set, nothing adorned with gold or precious stones, but rather plain and finely crafted porcelain.

he waited for you to settle, watching as you arranged your thick skirts and tucked your legs beneath you. only then did Sukuna speak.

"i don’t like you," he said bluntly. "you’re ill-mannered and audacious. i’ve half a mind to send you back."

you blinked, her lashes lifting in surprise, and a small, satisfying crease formed between your brows before your expression turned into a scowl. "that’s rather unkind."

sukuna shrugged, eyes narrowed. "wouldn’t you say the feeling is mutual?"

you glowered back, unflinching. "you can hardly blame me. you’re a demon, after all. i don’t even know you."

"a 'demon' who has been exceedingly kind to you," he replied, his tone curt, clipped. "there are far worse fates that could have befallen you. i’ve been too amiable to a woman like you."

you had jutted your lower lip forward, your skin catching under your teeth, lips dark as cherries dipped in blood and wine, and for a brief moment, sukuna's ire faltered before refocusing.

"and you think kindness is stuffing me into fancy chambers and draping jewels around my neck? like i'm one of your prized and properly bred deer?"

sukuna leaned forward, arching a brow with lazy derision. "don't speak ill of my prized herd. but go on, preach to me of kindness."

your scowl deepened. "you haven’t even bothered to ask me a single thing about myself. showering me with material things isn’t how you make someone happy, much less a wife. the servants told me you forbade me from attending your court, and i'm left alone in this palace for days on end."

sukuna blinked, yes, he had forbidden you from attending court, but that was for both your dignities. it would be disastrous to expose you to the fools, murderers, and curses of his realm — a mortal bride, naive and untrained, would only appear weak and vulnerable.

"fine," he said, with a hint of resignation, and ridicule. "i’ll ask things about you from now on. would that make you feel better, little wife?"

he pushed the tea he’d prepared towards her, holding the porcelain cup in his hands. "now, go on. drink this."

your gaze remained cool as you eyed the steam brewing in the cup. "the first thing you should know is that i don’t like this tea, you picked the wrong leaves. you drink it, good husband."

sukuna resisted the urge to throw the boiling liquid at you, but instead he pushed the cup into your empty hands, "don’t be a fuckin' brat. behave and drink it."

you didn't say anything, but you shoved the cup back into his larger hands, and sukuna snarled, thrusting the delicate tea with a greater force than expected, and splash!

the silent tug of war had resulted in the bitter leaves being strewn across the heavy silk layers of your robes, and despite himself, sukuna couldn't help how his lips quirked upwards at your shocked, angry expression as you launched yourself up, flicking your sleeves in his face like a flapping bird, muttering furious, filthy words that not even a sailor would sing on his most drunken of nights.

as you stormed around the chamber like an angry parrot, sukuna watched you silently, and surely he could not be faulted for this. he would not admit this ever, but it was pleasing to rest his eyes on your figure, on your face, on the cling of your robes to the curve of your hips.

"go sit on the bed."

you whipped around, glaring at him. "i will not! stop telling me what to do."

"enough of being difficult, sit down."

now your voice had begun to falter, "i need to change my robes. this is improper if i'm to leave these chambers."

by now, he had stood and moved quick to the edge of the vast canopy bed, where you had perched yourself gingerly. close, all too close, where he could inhale the intoxicating scent of honey and mint, a fresh soap perhaps?

"i will determine what is proper, and improper," sukuna murmured, and there, for the first time in written history, the king of curses dropped to his knees.

and he relished the flush on your cheeks, a red brushstroke that had appeared as quick as a fallen star, running your skin awash with heat. you had peered down at him, squirming under his many-eyed gaze. and he enjoyed this, relished at bringing himself closer to her long skirts, until his hands found their place on your thighs.

"what are you — " your words trailed off, tone breathier, as he pawed suddenly at the silk, pushing it up, and up. revealing the stockings you had worn to combat the winter cold, where the hem clung to the fat of your thighs, and so close to the silk of your innermost garments that were now starting to feel like an awful suffocation.

"what am i doing? helping you, or is this not a manner of how a husband can treat his unruly wife?"

you couldn't help but feel a shiver run through you, a tremble pass through your very core as the world around you faded, and all you could focus on was the pair of warm, large hands that ran along your sensitive skin.

"ah, ah —," sukuna rumbled smoothly, lips quirked up a fraction, "we can't have you suddenly shy now, can we? had quite the mouth on you a minute ago."

you weren't sure where to direct your gaze. to the window outside, frosted from the cold hands of winter. to your hands, which lay at your side, rumpled up in your bundled skirts. or to the blush-haired king between your legs, whose carmine eyes were crinkled in feigned amusement, and darkened with undeniable lust.

he taps the plush of your thighs once more, watching as they ripple under the press of his fingertips, "enough being coy. spread them. i do not have all day."

it would not have been a falsehood to claim that a deeper, headier feeling lay in your abdomen, purring like a beast that begged for its maws to be free. undoubtedly, a puddle of slick would be pressing against the silk of your undergarments, like a translucent stain that created a darker, glossy patch between your legs.

but you did not budge, did not move your thighs further. you loathed to admit this to a living soul, but perhaps you found satisfaction in this. there was a sort of pleasure in watching a mighty being brought low, and close to the apex of your thighs. but it seemed that your husband's limited patience had worn thin.

his dark nails dug into your thighs brusquely, in a tight and unyielding grip, knocking them back as if he had no time to spare for anything else in the world.

"fuck you, you're so -," and then your voice breaks off, as the king of curses is pressing his tongue against the sleek, dampened fibres of your undergarments.

and it's oddly...pleasing for sukuna. how intoxicating. he runs his tongue between his teeth, catching around a fang as he fights back the realisation that this is no chore for him, not anymore. perhaps both parties in this room have their own vested interests now.

he pushes his fingers past the undergarments, where slender fingers find a home in the gloss that's practically leaking out of you, "i do not bore you so much now, do i?"

"shut up, - ah!"

he's practically twirling his middle and ring finger between your folds now, letting them run a smooth dance over glistening skin and it left you keening and whimpering, for he was so so close to where you truly wanted him, needed him.

but you need not even articulate this wanton request for him, for his mouth is back on your core, and he's clearly enjoying this without abandon, and without shame. strands of sweet slick splattered across his chiseled features, clinging to his lips but he seemed to care not, and you could only moan and squeal when his fangs made contact with more force that intended.

one arm has your thighs pinned back, leaving a clear space for him to slot his wide frame in between the gap, and another works to pump fingers between your tight walls. a mortal man may be exhausted to his limits in such a state, after all, what can one accomplish when limited by two limbs?

but your husband is no mortal man. a third hand has been running down your groin, past the hair on your mound and from there, a thumb right on your throbbing clit. you feel as though you forget how to breathe when his fingers waywardly flick around, and you cry out, the feeling leaving you breathless and your heart absolutely pounding for reprieve.

"so now she can behave," sukuna's voice is low, mocking and your hands find purchase in the surprisingly soft strands of his hair, pulling forward, as you can't help but get another jibe in.

"if only you had done, hah - this from the start," your voice curls up the sky, weak to your own ears.

smack!

a sharp and shrill cry left your parted lips, as the thick pads of his fingers had come pressing down on your swollen bud. and you could feel stars building up between your eyes, caressing you and taking your breath away.

sukuna looks pleased, mouth glistening and his crimson eyes narrow, "that will teach you to speak when you're spoken to, brat."

and you can only yank on his scalp harder, relishing in how you can feel his broad shoulder's jostle as you do so. your husband's face is flushed, brows furrowed and later you will wonder and marvel at just how intently he seemed to be enjoying such a task that he claimed was so menial and beneath him.

you pity the servants who will not speak a word, but exchange glances as they bundle up the sheets after this. for it's nothing but a syrup-laden mess by now, sloppy and purely wet.

by now the world has long disappeared behind you, in front of your very eyes, and you can only heave your chest towards the sky, rolling your eyes back and shamelessly giving into the wanton moans that bubble out from your lips.

and sukuna is nothing short of utterly satisfied. one look at his mouthy wife's expression, cherry lips parted in a perfect circle, and brows furrowed like a painting — like arrows leaving their bow and finding their target. you need to finish on his tongue, he needs you to finish.

so he pushes his face into your sloppy, sticky cunt even harder. he even lets you run your hands through his hair (a criminal offence, he is certain but perhaps he'll let you go, just this once). he almost purrs when your hands wander further onto his neck, leaving small scratches that almost make him release into his pants.

but now all his energy is poured into making sure you get your climax, that you submit to him and let him have you.

"are you close, little wife?" his voice is akin to gravel now, raw like each clipped syllable was a little too rough for the air to carry. and he only receives breathy whimpers in response, your hips moving off their own accord against his face.

and it's only when you jolt against him, stiffening and crying out praises to the heavens and to the gods, that he loosens up, and pulls you even closer, till your thighs are spread entirely at the widest angle they may reach, enough to leave the muscles in your thighs sore and aching afterwards, "there are no gods here, wife. you best get used to that."

and afterwards, you cannot help the bubbling, bashful grin that erupts over your bitten, stung lips as you peer at your husband who dutifully rests in between your thighs still, you could get used to that indeed.

"do it again."

[viridescentelf]

In your debt

Young druid Halsin x Reader

Ever since I saw the young Halsin art above by @ozumii-fucking-wizard, I have been obsessively staring at his gorgeous damn face (thank you so much for this version of him, I am hopelessly in looooooove)!

Enjoy young Halsin healing you~

Part 2

Warning: Blood, Violence, Swearing

-----

You ventured through the forest, wanting to escape the loud bustle of the city. Carrying your heavy instrument on your back, you strode through the man-made trail into the thicket, to your usual spot you decided was your permanent hideaway.

You knew the forest was home to a druidic group, who adopted young lost children. You never encountered any druids on your many trips here, but you knew they were aware of you: sometimes you found some foraged fruit and vegetables at your spot, packaged neatly with strings or in small sacks. Someone left you these gifts. You assumed they liked your music, since you often came into the woods to practice some new songs you were crafting. You weren’t sure if the children were this fond of you or if it was some druid who kept leaving trinkets. It didn’t matter really, you were grateful nonetheless.

Today, you hadn’t found anything left for you. This wasn’t too unusual; you never ventured here expecting to receive anything. You let the strand of your instrument slide down your arm, placing it next to your seat by the large oak. It was clear this spot wasn’t really used by others, the print of you sitting in the dirt only really matched yours. It always seemed undisturbed, like you left it, with the occasional gifted sack placed there.

You gazed at the lake, where fireflies danced happily over the dawn lit water. It was another pleasant morning and you took a deep breath, enjoying the lovely fresh air you rarely got to inhale. Baldur’s Gate was lively and exciting, but you were always drawn back to this place.

You started plucking the strands of your lute, absentmindedly, taking in the sunrise as the rays warmed your face. You felt the trees sway with your music, as if they were welcoming you back. The forest seemed more alive here and had a distinct personality. Childlike glee vibrated through the branches. The tranquility of this area made you sink back into the tree, leaning against its strong body.

Something boomed in the distance. You sat up with a jolt. Normally, the only sounds you heard here were twigs breaking or the wind whizzing through the glade. You looked around, trying to locate the source of the noise.

Another blast. This time, there was shouting that followed. Some sounded panicked, some aggressive.

You got to your feet, frantically, staring into the distance where you thought the brutal noises were ebbing from. There were screams now. And they sounded young.

Without really thinking, you started sprinting towards the cries. Clutching your lute in one hand at your side to keep it from knocking your hip, you darted through the brush. There were children screaming and wailing, getting louder and louder the faster you ran towards them. A loud, ugly voice was yelling at them.

There were other more distant shock waves bellowing: an ambush? Were the druids under attack?

You heard the angry voice thunder in front of you, as you slid behind a birch tree.

“Move it, you little shits! Or I’ll cut yer hands off!”, a goblin with a bloody handprint across his face snarled at a group of mixed children, who were huddled together, sniveling and trembling uncontrollably. He pointed a curved, dirty blade at their backs, as they sheepishly shuffled along.

“Can’t we just kill them and drag their corpses? They’re so fucking slow…” Another smaller goblin groaned, walking in front of the hostages.

“No, the drows say they need new slaves. We need ‘em alive,” he pushed a small tiefling in front of him, who let out a terrified shriek, “Faster! Before the stinkin’ druids catch up.”

They passed the birch tree, which was rooted opposite a cliffside. The rapids below reverberated up, making it hard to hear clearly.

Goblins were attacking the druids, the far sounds of crashing and clanging meant a fierce battle was commencing.

“They won’t be able to hold them back much longer, Izick,” the short goblin at the front was standing close to your hiding spot. You peered through the branches and saw the poor souls quivering wildly. Their faces were cut and stained with blood. You deduced whoever was watching over them had been murdered in front of them.

You weren’t a fighter. But you couldn’t let them take the children.

The small goblin turned to face the group; his back facing the tree. You grasped your lute hard, making the skin around it paler. You took a deep breath, preparing yourself for guaranteed pain.

This was an expensive instrument, too.

You pounced out of the woods into the clearing and slammed the lute onto the head of the unassuming goblin. It broke over his fat head, but the velocity had done its job. He fell to the side with a loud thud, letting out a last, gurgled groan. You kept hitting him with the remaining pieces of your improvised weapon, making sure he was dead. The blood pooled around him.

Izick was already running towards you, having pummeled through the victims without care, who all fell to the ground and held their heads to the dirt, whimpering and horrified.

You dodged the first swing of his blade, but knew instantly this wasn’t a fight you could win. You had nothing to fight with, except your fists, and you dared not get close to him as she flourished his disgusting weapon.

The goblin roared as he jumped towards you. You collided and felt a scorching pain in your stomach. He had gotten you, deep in your belly. You screamed. You both fell to the ground near the edge of the cliff. The goblin tried to pull the blade back out while he sat on top of you, but it was stuck. Izick cursed at you, although no insult really reached your ears. Your entire body centered around the searing wound in your abdomen.

The children were petrified. You saw the tears roll down their faces as they watched the pathetic scuffle. If you failed, they would suffer endlessly. You couldn’t allow him to kill you, before you saved them.

He lifted his fists to pummel you. His face was etched with determination, he would beat you to death if he had to.

Your arm moved instinctively. You grabbed his collar, before his fists met your face, and leaned your entire body weight to the side, where the roaring river called to you. It was the only way.

You felt the wind whistle past your ears as you fell with the goblin in your grasp to the depths. You both crashed into the icy water and you felt him drift away, as the muffling water slowed everything. Your body was being pulled to the side, the current dragging you uncaringly down the river. It pulled you violently from one side to the other, not tiring of its new toy, pushing you up and down like a ball. Weightless, you floated and let it take control, unable to do anything else.

Your thoughts silenced. The cold of your surroundings embraced you and you had no strength to resist. The pulsating pain from the blade kept you awake, barely.

After a while, you felt yourself bob up, your head bracing the surface. The sudden blaring of the river crashed into your ears as you gasped for air. Your eyes blurred. The water seemed to settle into a lazy tempo. You didn’t know how, but you kept your head above water. You saw red puddles waft after you.

The current carried you to a small bank, discarding you there as it continued on. You lay on the muddy earth, motionless, staring at the piercing blue sky that seemed to beckon you towards it. The blade still stuck out of you, you saw it move up and down as you breathed shakily. You couldn’t keep your eyes open much longer.

Your heavy lids fell, darkening everything. The pain slowly left, too.

You were dying. And you were accepting it.

Before the complete darkness, you felt tiny hands pressing on your aching belly. That spot felt warm and kind, as the last of your wits evaded you.

Quiet. Emptiness. Nothing.

Halsin’s lips clasped yours, as he breathed into your mouth, holding your nose. The moss on your puncture was absorbing the excess blood. The vile blade lay discarded to the side, already carefully pulled from you.

You convulsed and coughed out, life filling your face first and then gradually seeping into your weak limbs.

You blinked hard and opened your weary eyes.

Halsin met your gaze and placed a hand on your cheek, as his other etched glyphs into the air.

“You’re going to be alright…”, he said softly, as a green mist appeared suddenly from his hand, which he lowered down to your injury.

“Breathe…”, he commanded gently. You obeyed and took a shaky breath. Your body felt heavy. Even breathing was difficult.

You felt his hand pressing on your abdomen. Whatever he was doing, the agony was quieting because of it slowly. You watched him as he attended to your mortal wound.

He was beautiful. A few braided pieces of his long, honey hair fell effortlessly next to his face. The jade eyes were focused, but there was an air of kindness about them. You squinted at the embroidery on his attire. This was one of the druids.  He looked young, but the elf ears suggested he might be older than he appeared.

You attempted to speak, but could only let out feeble coughs.

“Don’t speak. This will take a bit to close up”, he looked down at you and smiled kindly. You blinked as a response, taking another deep breath as you felt the pain flee your body.

There was a brief silence, the only sound was the hypnotic whirring of his enchantments.

“You did something truly courageous back there. The children told me. They recognized you, the singer in the woods…they often spoke about you at bedtime”, he chuckled briefly, “Didn’t expect I’d meet you under these circumstances.”

You watched him, as he seemed to reminisce fondly. So, it was the children who left you gifts at your spot?

His other hand swished and another cloud of green wafted out of it. He placed that hand next to the other on your stomach.

“I am in your debt. You saved the little ones, when they were not your burden. Truly, you’re a real hero.”  

You didn’t know how to respond. You were also more than confused as to how he found you so quickly. You felt like you had been drifting in that river forever. And the druids lived deep within the forest.

Who in the Hells was this elf anyway?

“You are exceedingly lucky. Thaniel found you and tended to you before I made it here.”

You raised an eyebrow, coughing again.

“Oh, haha. Thaniel is the forest spirit here. He seems quite fond of you.”

A forest spirit? Your exhausted brain couldn’t process that thought. You couldn’t really contest the idea either.

The druid lifted his hands briefly, checking how far along the healing process was. Deciding it needed more time, he repositioned his palms. You observed him for a while in silence as he concentrated on the regeneration of your tissue. He was huge. You felt like a child next to him.

“Wh-who are you…” you croaked out faintly.

He turned to you, his eyes softening with a calm smile.

“I’m Halsin,” he put one hand on your shoulder to keep you down, as you tried to sit up at the response. It didn’t take much strength to keep you there. He smiled more widely, then turned his attention back to his task.

Halsin. You had heard that name before. Whispered by folk in the area, he was famous for his incredible healing abilities and knack for getting captured. You only knew one druid by name and that was him. A druidic protégé, yes. A fierce warrior, yes. But a bit different. People in town talked about the impulsiveness of the young druid, which caused the other, older druids to scratch their heads in frustration at his unpredictability. And that‘s who was healing you right now?!

Gods, you never imagined he’d be this dreamy.

You were probably dreaming. No, you were dead. Definitely.

No being was this beautiful.

[flwrstqr]

enhypen having a crush on you

pairings: idol!enhypen x fem idol!reader | genre: fluff | wc: 1200+ | prompt: ENHYPEN members when they have a crush on you as an idol | warnings: not proofread | LIBRARY FOR MORE...

이희승 (lhs)

this man has the fattest crush on you ever. he loves your music, your beauty, your personality, and more (the list can go on). when his manager told him you would be doing a challenge with him for your comeback, he was like 😮. he was so nervous, practicing your challenge 24/7 in the dorms, in the gym, in the car, and at music bank. when you finally meet, he eats up the challenge (as usual). you give him a signed album of yours as a gift, and let me tell you, this man was so excited about it. but as usual, he kept his face with just a smile. other than that, heeseung was astonished by how beautiful and sweet you are both on camera and in real life. when he comes home, of course, he hangs up your signed album on the wall.

박종성 (pjy)

jay fell in love with you mainly for your music and talent but later on, he starts to love your beauty + personality as well. so a long time ago, he watched a video of you doing a cover of a beabadoobee song with a guitar and then thats when hes like 🫢. he was so in love with your voice, like he was hypnotized. and then unexpectedly months later, he gets told he's gonna do a cover with you. like bro is so flabbergasted from that news, he can't think straight. he would just be like 🧍‍♂️for like a couple minutes after his manager told him. then when you guys start recording the live version, he messes up so badly at first take cause he was so nervous to be around you. you tell him that he's doing great which causes him to get butterflies on how sweet you were. then you guys finally get a good take!! after the whole recording, you exchange numbers with him.

심재윤 (sjy)

so first of all, you and jake are called to be like really "similar". both of you guys had a golden retriever type of personality, similar mbtis, and act quite similar. so obviously when you guys were called like twins or similar, thats when jake fell in love with you. when he saw a news article about this, he would like search you up and look more about you. like he would be like "hmm let me see if this girl is worth my personality". then he would fall in love. he loved your personality and your looks and everything about you, right away. as more and more articles rise about you and jake, hybe thought it would be a great idea to use that popularity as an advantage to put those 2 in a music bank interview together. when you guys are in the interview together, before the camera rolled you guys were just awkwardly looking around the room. and then eunchae and chaemin did their little intro and you + other member and jake + other member comes into the scene. after the whole interview, he would like kind of be forced by jungwon to say hi to you (which went a little too awkward). but then you said a sweet hi back which gave him the most biggest butterflies in his stomach. after that, he would be so proud on saying just 1 word to you. like he would have the most biggest smile in the car, replaying the scene.

박성훈(psh)

you were a famous ex-ice skater (like sunghoon). fun fact, sunghoon and you competed when you guys were ice skaters. so many fans shipped you two, calling you guys the ice prince and the ice princess. which like before you were even an idol, sunghoon admired you so much. he would love the way you skated and how pretty you were. he was really whipped for you. but after you two became idols, you guys met at music bank. the conversation would be a bit awkward even though he met you before + you guys were ex skaters together. but as the awkward person sunghoon was, he just was like talking a bit quietly (mainly cause he was nervous). after the small talk, you guys exchanged your numbers and became friends. a couple of weeks later, you guys go on a small cafe hang out. as expected fans caught this on camera and started a rumor that you guys were dating. but inside sunghoon was so happy. he was waiting for this day to happen. hybe didn't deny any rumors cause i mean they were friends technically not dating but hybe was like "im gonna ship them too cus their cute" so they said nothing. which sparked more rumors and now you and sunghoon are #1 trending on twt.

김선우 (ksn)

so his story is kind of different, he was your predebut stan. you came from a survival show too (under HYBE) so he watched your whole survival show cause he was bored. that's when he met you (watched on the show), and he was so impressed by your talent and skill. he would vote you personally on his phone like every single week. finally after you debuted, he was cheering. and let me tell you, this man is like #1 fan of your group. he knows every song + every single choreography + the whole fan chant. and then that's when you invited all HYBE groups to your group's upcoming concert in Seoul. so obviously, sunoo goes. and he has your lightstick already and he is screaming. of course some fans were impressed how well he knew the group and some fans saying he's probably a huge stan (which he is). then he would go permitted to go backstage where he meets you. you greet him and fun fact, your personalities unexpectedly match. you guys take a photo together. and then you post it on your insta, thanking him for coming. after that, you guys were practically best friends.

양정원 (yjw)

you were a MC at a music show, and jungwon had a big crush on you. he would be so nervous around you every time he had an interview at the music show that you were MC of. when you guys did challenges together, he would be even more nervous. not until he was invited to be a substitute MC partner with you at one of the music shows. he would be so honored, like he would not hesitate and say yes. when it's the day, he messes up one of the lines but as a professional, he hides it up. he just felt too tensed and nervous around his lohl. not to mention, your guys' chemistry is insane. a lot of fans after loved this MC and begged HYBE to keep it (which HYBE thought of). after the whole interviews and challenges, you guys exchange numbers and became friends.

西村力 (nsr)

known for your dancing, you were given the title "fourth gen dance queen," and ni-ki, also known for his dancing, was given the title "fourth gen dance prodigy". of course, as expected, the two were put together in a room to do a dance cover together. when you guys first met, you were so awkward. he would be like 😀 this the whole entire practice session. after that, you guys grew less and less awkward. that's when ni-ki starts realizing he likes you. he starts to admire you and when his hyungs are looking, he would watch your videos of dancing, singing, and rapping. he was truly in love with you when you guys recorded the dance cover. the way you guys teased eachother and talked was so cute. at the end, you guys were like best friends in love.

[lexyeevee]

it's wild to see myhouse having escaped the orbit of Doom People, because so much of it specifically riffs on doom in a way that is laser-targeted at Doom People, to the point that i just wouldn't have expected it to be nearly as interesting if you don't pick up on that stuff

right from the outset, "my house" is even a recognizable genre, because doom was among the first approachable platforms for creating a 3D space, and if you give random people the ability to create a 3D space then many of them will just try to recreate their own house. (i want to say jp lebreton even made an effort to play through every house map on the idgames archive at one point, though hell if i can find it now.) there was in fact already a "myhouse.wad", from 1995!

frankly it's incredible that someone (or someones) put so much effort into this map and then had the gall to simply post it on doomworld as "myhouse.wad", because that is a thread title that guarantees the fewest possible people will bother to look. there are posts in the thread where people outright admit that they only checked because they were surprised how many replies a "my house" wad got.

so anyway, okay, the "classic" doom wad experience is that you download a wad, it contains exactly 1 map, and it has zero custom textures or music or other frills. most wads from the 90s are like this; if you're lucky you might get a bad midi rendition of a metallica song. nowadays there are texture artists and musicians and everything collaborating on full map packs, but "just a map" is still kind of the default mapping experience and is recognizable to anyone who's been around doom for sufficiently long.

and myhouse riffs on absolutely every aspect of this:

• the music is the MAP01 music, Running From Evil, which is just the music you get if you supply your own map in the MAP01 slot and do nothing else. so a ton of 90s maps had this same track as their background music, so everyone has heard it a zillion times. it is ingrained into so many people's skulls. subtly fucking with it is a great way to fuck with the player

• the house uses only stock doom 2 textures, or occasionally light modifications of them. again this is just what you get if you make a map and don't supply any other resources, so the stock textures are very familiar. only later, with sufficient poking around, does the map introduce new textures, which really help sell the impression of being swept away to Somewhere Else

• if you take the exit, you go to MAP02, Underhalls. this is the expected experience because doom wads replace what's already there — you're not really supplying a "new map pack" or anything, you're overwriting a map from the original doom 2 progression. (there are ways to fiddle with this now, but in vanilla doom 2, the level progression was hardcoded.) so the "ending" of a no-frills single-map wad is always, always to transition to Underhalls. the opening shot of Underhalls is practically like seeing the credits. so roping Underhalls into the experience is completely unexpected, because Underhalls is the sign that you've escaped back to regular doom

• the super shotgun is "hidden" in Underhalls, in probably the best-known super shotgun location in the whole game, because it's the first time you can get it

• incidentally Underhalls itself feels uncanny, because the player camera height is higher than usual to make the house's proportions feel sensible. (part of the trouble with exact recreations of real spaces in doom is that the camera is weirdly low.) i was actually convinced that myhouse included a modified Underhalls, but no, it's stock doom 2 Underhalls, it just feels off when you're slightly taller

but wait, there's more

• silent teleporters are a feature from boom, a very early doom derivative that added a number of helpful mapping features and is basically considered only half a step beyond vanilla. so shifting between two versions of a space without interruption isn't completely unexpected. it's only later that the portal use becomes more obvious

• although if you're especially canny, you should notice that the second version of the house shows both the upstairs and downstairs windows in full, which is impossible — doom cannot do room-over-room. (in fact this is accomplished with a semi-obscure zdoom feature called sector portals — essentially, the whole second floor and the space outside it are a separate area, and the "ceiling" of the yard becomes a view up through the "floor" of that second space.)

• swinging doors are a hexen feature (polyobjects) that gzdoom inherited. (heretic and hexen were modifications of the doom engine, and zdoom started out as a merge of all three codebases into something that could play all three games.) they might also be in other fancy engines (eternity?), but they are very distinctly not a doom thing. if you're deeply familiar with doom's limitations then they'll jump out at you immediately, but if you're looking at doom like it's any old 3D game then maybe not so much

• recreations of other humble real-world locales are also a somewhat common theme, and remind me in particular of Doom City, from way back in 1995

• a very common desire for players is to "uv-max" a map, i.e. reach the exit on ultra-violence with 100% kills and secrets. if you can't do this, the map is (reasonably) considered broken. it is comically impossible to do this in myhouse, and anyone with the skill to create the map would be acutely aware of this

• the extra weapon frames look to be borrowed from the well-known smooth doom, which adds extra frames for everything and is just pretty dang slick overall. so it's not merely "ho ho, got you, smoother weapons" but specific integration of another familiar project

• this might be reaching a bit, but mirrors are specifically a nightmare in zdoom's software renderer because they work by rendering all visible geometry as if it were physically present on the other side of the mirror — and if there be any actual geometry back there, it will also get rendered and you will have a big fucking mess. so a mirror in the middle of a room is a laughable idea. this is somewhat less of a concern now that the hardware renderer is basically the default, but it's still a spectre looming over the very concept of mirrors, so the way mirrors play out in myhouse is very funny to me

there's probably more, like, the way it intercepts noclip is a stroke of genius and not something i've ever seen done before. but i hope you get the idea

[hamletphase]

splatoon tumblr dashboard simulator

🤡 aerospraypro

they should invent a version of turf war where we don't splat each other :(

( 3 notes )

#i just want to paint #talks

🌊 officialdeepcut ✅

🌊 officialdeepcut ✅

if shiver wins again i'm going to splat myself

🦈 sharkbait420

wrong account, frye

( 1,405 notes )

🫶 mrblobloblob Follow

Not to doxx myself but i really should have looked into why rent at flounder heights was so cheap. just found a super chump attached to my front door.

( 78 notes )

#this is literally moray towers all over again

🐻 grizzco✅ Follow

We at Grizzco Industries are devoted to doing absolutely everything in our power to create a brighter future. That's why we have decided to start an official blog here on Squidblr, and are beginning a test phase of company-mandated posting. Chosen workers will have approximately ten seconds between waves to make text posts and memes to share with their happy little coworkers. App posts will be found under the hashtag #grizzco is life !

Now get back to work!

( 6 notes )

#grizzco loves you #grizzco is life #work at grizzco #power eggs #anti salmonid

🍉 hotlantisemployee69 Follow

song that goes bang bang bing bang bing bang bing bing bing bing bing bing bang

( 15,989 notes )

#tetraposting #wow i did not expect this to get this many notes #1k #5k #10k #15k

🦑 squidsister-updates Follow

Marie and Callie spotted heading into their Inkopolis recording studio with Big Man of hit Splatlands sensation Deep Cut. This is big news following their recent collab with "Ian BGM," who many have theorized to be Big Man.

🤭 theeeldeal

now wait a damn minute 🫵

( 389 notes )

👑 mcprincess

pronouns suck lol

🎧 djhyperfresh✅

I love you but please turn off your phone. please stop this. i know this isn't your heart.

👑 mcprincess

youre mom suck me good and hard thru my jorts

( 21,330 notes )

☹️ agent8 Follow

where am i

( 2 notes )

🫀 ihatemyjob

AAAAAAAAAAAAA 🍣

#grizzco is life

( 1 note )