#The sovereignty of God

[kdmiller55]

Rejoice and Be Glad

11 “Blessed are you when others revile you and persecute you and utter all kinds of evil against you falsely on my account. 12 Rejoice and be glad, for your reward is great in heaven, for so they persecuted the prophets who were before you.” –  Matthew 5:11-12 ESV This command, given at the beginning of Jesus’ Sermon on the Mount, must have sounded strange to His Jewish audience. He had already…

[irishgop]

“Though the nations rage

Kingdoms rise and fall

There is still one King

Reigning over all

So I will not fear for this truth remains:

That my God is the Ancient of Days”

Song Credits:

Jonny Robinson, Rich Thompson,

Michael Farren, Jesse Reeves

CCLI: 7121851

[hadesoftheladies]

anti-abortionists and pro choicers like me can agree on one thing: whoever creates the life can destroy the life. only the former have the male-self-insert god character who metaphysically acts as the one "knitting" the fetus in the womb, while those who observe the world as-is without invoking yahwhist lore rightfully attribute that ability to the woman.

[aphel1on]

neuvillette's lore is actually insane. we all took one look at him and went "haha dragon🫵" but i significantly underestimated how big of a role he would play. he's the incarnation of the original hydro sovereign. he took back his rule right under the heavenly principles' nose. he's the one handing out hydro visions now (not even because he has to, he doesn't, he just grew so fond of humanity that he chooses to). he gave away the hydro gnosis bc he straight up doesn't need it. he's planning to DETHRONE ALL OF THE ARCHONS (in a few hundred years, when the traveler's not around to see it, so it won't be awkward for them). he's kind and soft-spoken. he's full of vengeful rage. he's a father to hundreds. he found his purpose after feeling lost for 500 years. skirk pulled him aside for a super-secret convo and when he saw us again he immediately spilled the tea. as far as i can tell, he spawned into existence fully formed. no other character can fucking compare

[windienine]

realizing with excitement and concern that not only is soulsov a jrpg-inspired game where a human claims the power of a god for herself but ALSO one where someone's dad becomes her willing underling...

when, historically, two of the most deadly roles for endgame antagonists to occupy in a jrpg are "mortal-turned-god vying for power and upheaval" and "a party member's father; a sympathetic villain turned to the antagonists' side"

they're our protagonists, but they're also the exact archetypes a team of typical fantasy rpg heroes eventually has to square off against and kill.

[tmcphotoblog]

[thepersonalwords]

God strengthen and brighten your paths.

Lailah Gifty Akita, Think Great: Be Great!

[quotelr]

I am on a mission, I will depend on a greater power to accomplish the task.

Lailah Gifty Akita, Think Great: Be Great!

[eelwolfcrow]

cosmic bliss is horror because you are your trauma afraid of being purified into your whole, actualized self.

trauma is the virus convincing you that it doesn’t want to die

caz is a representation of trauma.

his journey on the boat is representative of the healing process.

the gameplay of monotonous tasks is representative of trauma, like a hungry dog on a short leash, clawing and gnashing at anything it can reach to stay alive.

and in the end, he lets go, and becomes one with the creature.

if caz had stayed, he would have rotted in his trauma, and gone to prison, which would have been representative of him being forever married to his pain.

the creature is horrifying because it is unknown.

you don’t know who you will be once you go through the process of healing, and letting go of your traumatic traits.

to become one with the divine, is to self actualize. it is to have *true* self sovereignty.

[kitsoa]

The Dystopia That Made Trigun

Ya'll the problem with Triguns insanely long speculative sci-fi timeline is the conundrum of trying to imagine exactly how a dystopian Earth could get so bad that massive amounts of folks needed to yeet themselves blindly into space, but could become so advanced that they single-handedly solve the energy crisis and maybe confirm the existence of god at the same time.

I am not a very skilled dystopia engineer, and there are a lot of flavors but I'd like to think the revolution of Plants on Earth has the potential to alleviate a lot of the aggregators in a full (or seemingly imminent) societal collapse. I'm struggling to work ahead of late-stage capitalism doomer scenarios right now which maybe puts me at a century out. I'm placing Trigun's timeline at 5 centuries out, But the tech advancement can pause at like 3 centuries in since 2 of those are used for space travel before the Big Fall.

So let's hash this out together

Here's what advancements Project Seeds needs to launch:

bioengineering (prosthetics and augmentations)

cloning and gene editing capabilities

cryosleep technology

advanced space travel

gravity control

supercomputing

Here's the rough and estimated environmental factors to cause them to leave Earth:

Resource scarcity

Environmental decline (like global warming and loss of land, and mass extinction)

[speculative] imminent doom from societal factors [like nuclear war and geopolitical unrest]

We know based on the society formed on No Man's Land that capitalism is probably the most familiar and default system used by the immigrants. So we can assume that Project Seeds was created with wealthy benefactors at the helm not only looking for salvation but probably power and influence (cause capitalism gonna a capitalism)-- a true colonial expansion echo despite the optimism.

The Seeds Project strikes me as unaffiliated with a specific country or culture. JuLai and some of the ambiguous ethnicities and lingering languages suggest that it's multi-cultural with English being the primary influence. So it's not a state-sponsored project, but very likely independent-- another point to the wealthy benefactor line of thought. Despite that, those shuttles alone took decades to construct and governmental cooperation to launch so it couldn't have been a completely apolitical endeavor.

Then there's the population. The project's reach is insane, not just in talent, but passenger interest. I'm assuming children were not on board, so you are talking about countless able-bodied adults abandoning their lives knowingly for the promise of a better world. The environmental factors aside, the prep-time for the project had to have been decades in the making. That's a long time to keep the propaganda circling for the promise of better. That kind of interest fades as people age into different stages of life. (Depending on the scenarios we could be looking at a mass draft? Unlikely but very interesting). We know that the survivors of the Big Fall were not specifically tailored to create a society without the comforts they were bringing along or the government of No Man's Land would look a little more stable.

So, what kind of society could form such a vast space immigration project while simultaneously on the verge of collapse?

Well, a desperate one.

The logic follows that as the resources grow scarce and the inequality gaps create vast populations of suffering among disenfranchised people-- fascism rises, which broadly stymies innovation. It's a real roadblock to this scenario. So the jumpstart out of this would be either war or a scientific breakthrough-- or both. There's always going to be interest and innovation in DNA science as a part of the medical field. Even in heavy capitalism that is going to get a lot of money thrown at it. The only thing needed to create Plants is large leaps in gene editing and cloning.

I'll throw out a number, 50 years. We've got cloning and Jurassic Park stuff. Then boom. Angel Mummy discovery. Scientists create the First Entity. But at the same time, geopolitical tensions ramp up because of the destructive potential of this entity. (I mean the First Entity has the Drain ability, that's black hole powers. We're getting wars). But the Plants are developed off of that and the First Entity is destroyed in the Julai foreshadowing lab accident many years down the line. --We've solved the energy crisis and there is probably a huge boom in advancement-- probably those physic-defying advancements to boot. But we have our militaristic flashpoint in technological prosperity, all while the earth is raining hellfire, the cities are flooding, and mass extinction events are occurring. Enough to get Trillionaires with savior complexes to start making Project Seeds.

Aaaand they are probably funding the countless wars so people join the expedition.

Conclusion: Project Seeds is a corrupt colonial project manipulating the hopeful desperation of a beleaguered population, created by the ultra-wealthy to garner absolute control in a humanity reset.

Good thing Nai crashed the ships!

[kdmiller55]

I Have Returned

7 On the twenty-fourth day of the eleventh month, which is the month of Shebat, in the second year of Darius, the word of the Lord came to the prophet Zechariah, the son of Berechiah, son of Iddo, saying, 8 “I saw in the night, and behold, a man riding on a red horse! He was standing among the myrtle trees in the glen, and behind him were red, sorrel, and white horses. 9 Then I said, ‘What are…

[irishgop]

One’s real choice?

[mybeautifulchristianjourney]

Be Strong

Be of good courage, and let us behave ourselves valiantly for our people, and for the cities of our God: and let the Lord do that which is good in his sight. — 1 Chronicles 19:13 | King James Version (KJV) The King James Version Bible is in the public domain. Cross References: 1 Chronicles 19:12; 1 Chronicles 19:14

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1 Chronicles 19:13 Commentaries

[youareunbearable]

Not to be a Hetalia freak on main but im teaching about WW2 again so you all have to suffer with me as this old obsession puts me in a choke hold

I personally just think it would be So Fun to write a story about how Canada (Matthew) changes over the years.

To start off, I think North America is a lot closer with her nations than other Ancients, like Europa who hasn't really been seen since Grandpa Rome fell. North America, like her twin to the South, spends her time amongst her Nations, spending a summer traveling with her nomadic ones like the Anishinaabe (her three children who live together under the Council of Three Fires) or spending the winter with her nations down south in their sprawling cities carved into her rockbed.

She knows every one of her nations, speaks all their languages, knows all their histories, she celebrates their highs and mourns their lows, she loves them all and grieves when they war with each other and sings her joy to the sky when they make peace

One day, she travels up north. She spends time with her daughters, the Nations of the Beothuk and the Thule people, and on her coastline, she spies something curious. There, watching the waves make the horizon dance as clouds drift by, is a child unlike one she has seen before.

Beothuk gives a frightful hiss, and Thule clutches at her mother's arm. The child is as pale as death, but is not one of the blessed creatures, with snow white colouring and eyes that shine like the sunset of a warm summer's eve. No, this child's skin is the colour of pale sand, its long hair in a tumble of waves, as if a braid was just removed, is the colour of pale corn silk, and its eyes, when it turns to look at the trio, dances with the brilliance of the purple seen in the Northern Lights.

North America knows this child instantly, he is Hers. With a gentle and calming hand on each daughter's arm, she brings them forward with a happy smile on her lips. "Little one," she calls as they approach, "I know you. You are a child of my lands, but your features are one of my almost forgotten sister. Tell me, child of Europa and my own heart, what is your name? Where are your people?"

The little child, a boy no older than 3, waddles up to his mother. He reaches his hands up and she gladly takes him to her breast. He rests his head there, eyes closed in bliss as he listens to her heart beat. His sisters begin to calm as they watch the babe. He's not so frightening after that first glance, this pale little sibling of theirs.

When he opens his eyes again, they shine with that twinkle that all nations have, one that pulls their kind together, makes them recognize each other despite their human form. In the language that his sister Beothuk uses, but with a strange accent that makes her nose scrunch at the difference, the child speaks.

"My name is Vinland, and my people are coming." With that, he snuggles into his mothers embrace, but turns to watch the waves again, where in the horizon, some of the clouds get closer.

--------

Big brother Iceland always growled that it wasn't fair that Mamma found him first. He would clutch little Vinland to his chest and grumble that he was His little brother first, and that Mamma's influence was too much. Vinland didn't see what the big deal was, he spent a lot of time with Big Brother Iceland, and Big Brother Norway even though Big Brother Iceland also didn't like that, saying that Vinland was His little brother, not Norway's. Vinland personally thought he had a lot of Iceland's influence, more than Mamma's. He shared his colouring, with their matching pale hair and skin, even if Vinlands was a lot longer and he refused to let Big Brother Iceland cut it. Vinland's people also had the same housing style as Iceland's and Norway's, and the same customs. Vinland even shared their language and when he spoke to Mamma or his sisters he had their Norse accent.

But Big Brother Norway just shook his head when Vinland pointed this out. "She found you first. You will always belong to her more than us. Her heartbeat was the first you heard, and so that rhythm is the one your heart beats to. No matter what, no matter who's influence you may be under," and here Norway played with a piece of Vinland's ice blonde hair, and pinched his fair cheeks, "that heartbeat is what you will always go back to in the end."

Vinland frowned, his little toddler face sad as he tries to piece together what he was told.

"I'll always have Mamma's heart as my heart, but I'm still yours and Iceland's. She may have been the first to find me, but I Saw you first. When my eyes opened, the first thing I saw, the first thing I knew, was your ships coming towards me." One of little Vinland hands reached up to cover one of his big twinkling violet eyes, the other hand reaching up to do the same to one of Norway's. "You gave me life, and the proof of that will stay forever, no matter what."

Iceland gave a huge groan as he suddenly scooped up the little colony and gave a muffled scream as he squeezed the boy. "Too precious!! Illegal!! Im keeping you forever I don't care what North America says!!! I'll fight an Ancient to keep you by my side!!!"

----

While Iceland and Norway didn't end up having to fight an Ancient, they did have to fight Vinland's sisters. A fight they lost.

It was chaos, tensions had been building and a bull being set loose didn't help matters, and before Vinland knew it, he was curled into a ball sobbing as the pain of mortal deaths burned under his skin. Iceland had tried to grab him, to bring him with him and Norway on their retreat, but he was cut off by Thule, who snarled and screamed for the children of Europa to leave her Mother's land. Beothuk had scooped him up, cooing and hushing his whimpers as they fled the chaos, the deaths, not stopping even as Iceland screamed his name, cursing out at Norway, at Thule, at Beothuk for keeping his little brother way from him.

This was the last time Vinland saw the Nordic countries for a long, long, time.

------

With no colony of people, he was a nation adrift. Iceland's people kept him alive by their stories, and there was the occasional fisherman that came ashore, but none stayed for long.

Vinland felt himself weaken, like he might fade away if he blinked for too long. His Mamma frowned when she came to visit again, and just like last time she brought the little Nation to her breast, rested his ear to her heartbeat, and walked south. She carried him down to his brother, the Mi'kmaq Nation, who was lonely from the loss of his own little brothers, the Anishinaabe Nations who felt stifled and traveled westward down the Big River, a 100 years prior. Here, Vinland was cared for and entertained. While he still felt weak and faint, and would get weaker and fainter as less and less of Iceland and Norway's people kept him alive in their memories, he was loved. Mi'kmaq was kind, treated him well, and would take him all over his territory to meet his people and visit the other Nations in the area, their siblings. Nothing really would help him get better. Mamma had told Mi'kmaq this as she handed him over to his older brother. Vinland was one of her children yes, but he was also a child of Europas' descendants. He could not survive or thrive without them both. For the next few hundreds of years this is how he lived, half alive.

Until one day, as Vinland was resting on the shore of the mouth of the Big River, he suddenly felt stronger than he had in long time. His eyes snapped eastward, and there, faint and distant but there, were ships being pulled by the clouds themselves. Mi'kmaq frowned at the sight, but Vinland's smile split his face in two.

--------

It wasn't Big Brother Iceland or Big Brother Norway, but a different child of Europa. His name was France, and his hair was a darker blonde, like an oak tree in fall, a mixing of bright yellow and brown and a little red depending on how the sun hit it. His eyes weren't purple, like Vinland's or Iceland's or Norway's, but a blue that sparkled like the sea under the sun's brightest rays. His face had hair growing on it, not in a full bush like Iceland or Norway's people, but thin and almost pointy at the ends.

He had the same power that Norway had, he felt strong, not as strong as Mamma, and a different strong than Mi'kmaq. Where his older brother felt strong and steady as the current, this new nation felt as strong as a buck at its prime. Ready to lock antlers to show its strength, but would soon fade with the passing seasons. That didn't matter, however, because France fell in love with Vinland at first sight. He didn't care that Mamma found him first, or that he lived with his brothers and sisters. As soon as France saw him he wept and knelt before him, and though he was shocked that Vinland spoke old Norse, he asked if the little Nation wanted to be his Colony.

Mi'kmaq was hesitant, made France jump through all these hoops to prove that he would take care of his little brother, and not just leave him behind at the first taste of conflict like Iceland and Norway did. He also made France promise that he was just taking Vinland as a colony, not himself or their other siblings, and that France would treat them all with respect.

France, who only had eyes for the little nation, and also had a healthy fear of the knowledge that an Ancient was walking these shores and would be visiting in time, was more than happy to swear to that.

The European nation promised, they even signed a big treaty that ended in a feast and gift giving, but in the end, Vinland, no, Canada, got a new Big Brother.

"If he doesn't treat you right, we'll be here for you, little Brother." Mi'kmaq promised, giving the little Nation a kiss on his golden hair. After the treaty was signed, Canada began to change a little. His eyes stayed the same violet shade, and his heart still beat in time with his Mamma and siblings, but his hair darkened to the same dirty blonde as France's, his skin became a little more tan as if he was used to a stronger sun then what was felt up north. But more importantly, Canada began to feel more solid, more real than he had in a very long time.

Life with France was good while it lasted.

‐--------

Life with England, was different.

To begin with, England hated Canada's siblings, and hated his Mamma. To England, Canada's only siblings were Newfoundland, the American Colony States, and more than a dozen other colonies under England'svast Empire. England, and his people, tried to scrub away any influence of Mamma's or his Siblings had on him.

Fortunately, England didn't spend as much time with Canada as he did with his other Colonies, and left Canada behind to stay with his older brothers- Scotland and Ireland. These nations loved to tell little Canada all about how snobby and boorish England was. In their own way, they showed Canada the love that he was missing, and took him back to the eastern coastlines where he grew up and thrived. He even got to visit his older brother Mi'kmaq sometimes, even if the older nation always snarled and huffed about how poorly England was treating Mamma and the others. About how England had no respect for a signed and agreed upon treaty.

When England came back for a visit, he shrieked when he saw that Canada's hair had a ginger shine to it, and that there was a spattering of very pale freckles across his nose. Ireland and Scotland just sneered as he screamed at them.

"Thats what you get" they would mock, "when you leave your little brother to be raised by others. Just cause you own him doesn't mean he'll be like you. Or like you." They laughed at this, and would always smile whenever they caught word of the tensions between Canada's French population and the English one, or whenever their people, or Canada's siblings' people, caused a fuss.

England threatened to make boarding schools that would ensure that Canada became a fine Englishman if he kept having bad influences corrupt him.

(He did end up making those boarding schools, and Canada did end up being forced to attend. Canada never did forgive England for that, nor for influencing his government decades later into keeping those schools, or making them mandatory for his Siblings' people. Canada still had those scars over his heart, still felt his heart weakly flutter sometimes from the long lasting internal damage. No apology would ever make his heart beat normally again)

Canada expanded, he grew stronger and stronger, larger and larger. He fought in wars, in rebellions, he went over seas twice to fight for France, for England against their foes and won. He came out of those conflicts as a known power, as a global power. At one point, he boasted the title of having the third largest navy, and his siblings would just laugh and tease and jeer at him that of course he did, he was born of Norseman and settled by explorers, and his siblings' people used his rivers and lakes as their own personal freeways.

Soon, Canada was the tallest out of all his siblings. Mi'kmaq had to look up at him, Haudenosaunee would make him sit when she spoke to him or else she would wave her lacrosse stick in his face. Even America had to look up at him, peer at him over his glasses as he rambled about whatever crossed his mind. Soon Canada was even allowed to sit in the land where his Mamma first found him, feeling that earth under his fingers once again become a part of him. All around him was a coastline, with rolling hills that hid an ancient settlement, his old being, under its soil.

He closed his eyes, feeling the warm sea breeze brush by his face. Vinland, it seems to whisper to him in a language almost forgotten. He could almost remember how his long gone sisters Beothuk and Thule sounded as they called to him. He had almost forgotten about them.

"Canada," his Mamma called to him from behind. Her son turned around, violet eyes twinkling as he got up, stretching his long sun kissed limbs, pale freckles dotting his scrunched up nose. When he relaxed, he smiled and went to her. No matter how tall he had gotten, he was still able to snuggle up to his Mamma, rest his head to her chest and feel that heartbeat that sounded in time to his own, as weak as it fluttered sometime, but getting stronger and stronger. Her warm, steady hands came up to cradle the back of his head, fingers burrowing in his strawberry blonde hair.

"Oh my child, how far you've come, and how far you will go still." She placed a kiss to his hair. "My darling little Canada."

[ispeacetoomuchtoaskfor]

On the Subject of Susan

I'm going to be a little blunt and my words may seem antagonistic here. But no hate, please. I'm just trying to analyze and provide my analysis based on the very simple facts. Now.

I've never quite understood the anger at C. S. Lewis for how he ended Susan's tale. Mainly, I suppose, because I had the whole story.

Everyone gets angry that Susan is "banned from Narnia" because she likes lipstick and nylon stockings and being a teenage girl in the 1940s, but no one seems to understand that that's not quite how it went, much less that Susan still has a chance.

Let me work backwards a moment and explain the latter. You see, to quote Lewis himself, in a letter to a girl called Marcela in 1955,

"...Haven’t you noticed in the two you have read that she is rather fond of being too grownup? I am sorry to say that side of her got stronger and she forgot about Narnia... ...She is left alive in this world at the end, having been turned into a rather silly, conceited young woman. But there is plenty of time for her to mend, and perhaps she will get to Aslan’s country in the end—in her own way. I think that whatever she had seen in Narnia she could (if she was the sort that wanted to) persuade herself, as she grew up, that it was ‘all nonsense’”

Now, there's a lot to unpack here, but first and foremost, my point is quite simple. "Perhaps she will get to Aslan's country in the end-in her own way." It was always meant to be open ended, for Susan. Narnia is not forever closed to her, unless you and she choose so.

"But Peace!" I can hear you saying, "There's that whole 'too fond of being grownup' phrase!" Why yes, yes there is, how clever of you to notice. The whole point of the latter portion of Susan's arc is that she chose that- lipstick and nylons and "being grownup"- over Narnia. She grew and she chose to forget Narnia.

After all, what sort of modern teenage girl (in England, during WW2) would be so interested in medieval times and what they probably explained to their friends to be a good old game of pretend? No, no, she can't remember Narnia right now - she's going to the cinema with a few girl friends, she's going to a party, she's focusing on everything but there and inevitably, after pushing it away for so long, Narnia let her be.

You see, C. S. Lewis was a very Arminian (and yes, I spelled it correctly) Christian theologian. And while I'm sure most of you here on this hellsite would like to ignore that, it is relevant to how Lewis wrote his fiction. After all, it's at the core of his basic beliefs, despite his being a staunch atheist in college and into his adulthood, and despite what you may like to think, it crept into his writing even when he did not intend it. For example, The Lion, the Witch, and the Wardrobe is called an allegory for the story of the Resurrection, despite Lewis' arguments to the contrary. He insisted that it be seen as what it is, very heavy symbolism. Very heavily used Christian symbolism, that is all over the Chronicles whether you like it or not.

Let me explain why this is relevant to Susan, what Arminianism even is, and how that term applies here. Susan is, so to speak, a symbol of an atheist left behind, after all of the Christians she called family died. In a situation where you regard Christianity as true, she is left on Earth while they have gone on to heaven. And this doesn't mean that the gates of heaven are closed to her, quite to the contrary! They would be closed on the day she died insisting that Jesus Christ was not Lord, plain and simple. She has a choice to make, so long as she is alive.

Now, to Calvinist theologians and Christians, Susan never had a choice. Either Aslan, the God symbol here, chose to bring her in, or he didn't. Calvinists believe in a thing called predestination, the concept that every believer that would ever be brought to heaven is chosen specifically by God. Arminianism declares the opposite. It's a whole thing in Christian theological circles, but that's irrelevant to this discussion. In any case, the core of Arminianism is that you and I have a choice in whether or not we believe in God, and in whether or not we go to heaven.

To an Arminian theologian, God, or Aslan in this symbolic case, can influence our choice, Susan's choice, up to a point. Once we reach that point, once Susan forgets, God, or Aslan, steps back. He accepts our choice, allows Susan to forget. It's up to us, up to Susan after that.

Lewis was an Arminian theologian. He made the point, repeatedly, in his theological works, about people having a choice.

He repeats that point with Susan.

One last thing, before you go. You see, there was another letter about Susan, after The Last Battle was released. He'd been asked if he ever intended to finish Susan's story.

This was his answer.

“I could not write that story myself. Not that I have no hope of Susan’s ever getting to Aslan’s country; but because I have a feeling that the story of her journey would be longer and more like a grown-up novel than I wanted to write. But I may be mistaken. Why not try it yourself?”

Well, my people? Now that you've heard what I had to say (and say through quite the essay, my apologies), why not? Go, do what you do and tell her story for yourself. The author has encouraged fanfiction, so go on! And don't worry about Christianity and symbolism too much. It may help you understand how and why Lewis wrote what he did, but unless you're determined to have your tale in his style and overlapping seamlessly with canon, it's unnecessary. Unless you choose to make it a part of your life, you don't have to be concerned about it.

Feel free to ask questions, and I'll answer to the best of my ability, with Google by my side!

Also, I nearly forgot. There are absolutely other problems with Susan being the last of her family, left alone in the aftermath of WW2. This is not the place to talk about those, however, merely to help you understand why she "is no longer a friend of Narnia" and to remind you that there's always hope.

Oh, and besides that, don't forget that I'm talking about the books and not the movies thank you very much, while The Lion, the Witch, and the Wardrobe was absolutely perfect to canon the other two were not and I'm not going to consider them in this post. I do appreciate them, but when dealing with book canon they're both nos.

[christianotome]

“I know that You can do everything, And that no purpose of Yours can be withheld from You.” (Job 42:2)