#The film was great

[emperor-xerneas]

I just finished Nimona and I loved it. I just feel that some of the themes could have been worked on more, like how the class system only seemed relevant at the start. But I loved the film, and you could really feel the characters come to life

[unluckyprime]

four trans people walk into a movie theater …

[life-in-toontown]

AMEN 🙌

[pokimoko]

I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.

[sonics-atelier]

Magneto isn't a villain he's professor X's lame boyfriend who occasionally dabbles in anarchy and helps them only because of Charles' doe eyes.

[superectojazzmage]

Deadpool and Wolverine is the single best portrayal of Wolverine in live action so far because it's the only one that really understands how best to depict him; a grouchy trainwreck of an extremely divorced dad who loves his dysfunctional shitshow of a family but also can't fucking stand them and is THIS close to driving the station wagon off a cliff during the drive to Sunday church with everyone inside in a fit of alcohol-fueled manic depression.

[thecindercrow]

Lackadaisy (Pilot)

[leandrocrossard]

something really cool happened today that i wanted to share:

my nephew is 9 years old, and a stereotypical little boy. he likes dinosaurs, minecraft, and ninjas.

today i walked in on him excitedly watching Nimona with my dad. (minor spoiler warning!)

i had never heard of it, but i sat down and watched some of it, just to see why he was so happy.

he started narrating it, anticipating parts of it, almost as if he’d seen it before. he had.

we didn’t get to finish it, but i watched it on my own, because it looked fun and i wanted to see how it ended.

and i loved it. it was a fun, exciting, fantastical adventure about the importance of acceptance people who are different to us.

and it had a very clear queer subplot.

one that my nephew hadn’t mentioned at all in his explanation of the film. his summary was “it’s about a monster who helps a knight that was framed for killing the queen”.

and honestly yeah, that is what the film was about.

before sharing it with us, he had watched it all, engrossed himself in the story, took it in entirely, and the part he cared about most was whether Nimona got her acceptance. he wasn’t indoctrinated, or confused, or questioning anything about himself.

he didn’t bat an eyelid over a gay love confession. he just enjoyed the film, raved about it, made my 60 year old dad watch the movie about the monster who didn’t fit in.

he’s still the same little boy who’s been asking us how to get a girlfriend.

the only thing a movie centred around queer and queer-coded characters taught my nephew was that those who are different to him are not monsters. that’s it.

and that dragons are really cool.

[bringiton]

"Never jump into a pile of leaves with a wet sucker." IT’S THE GREAT PUMPKIN, CHARLIE BROWN (1966), dir. Bill Melendez.

[backstepping]

ayo edebiri: the movie reviewer we deserve

and her dad also has an account

[twilight-zoned-out]

The Ken dance is so magnificent because it’s reminiscent of the Golden Age of Musicals when there would just be artful dance sequences for no reason other than the director wanted to have one.

[absolutechaosss]

Was anyone going to tell me that the Boy and the Heron is only the international title. The original and real title is How Do You Live?, which is the title of pre existing book that is referenced in the film. More importantly it made me stop obsessing over what makes the heron a deuteragonist so essential his bond with Mahito is crucial to the title and instead look at the themes of progressing in life and over coming grief, something I consider to be a much more moving part of the film. Deeply upset that I was working off that title which feels much blander than How Do You Live. Help

[velvet4510]

“All those years wasted fighting each other, Charles … to have a precious few of them back …” is one of THE most romantic lines in movie history and I don’t get how anybody can possibly be blind to their being in love when these are canonical words, spoken in the most passionate and profound delivery by Sir Ian McKellen (the LONGING in his voice, you guys), followed by Sir Patrick Stewart managing to convey a million different emotions without moving a single facial muscle in the reaction shots, and then a closeup of their hands perfectly fitting together like puzzle pieces. This is some Wuthering Heights-level yearning; it ain’t subtle. I’ve heard some people say this doesn’t really count as an apology, and those people have zero media literacy; this is an even MORE powerful statement than either “I’m sorry” or “I love you” could ever be. It’s the echo of the theme of “Time in a Bottle,” which not so coincidentally earlier played in the scene where the two of them are saved from a brutal death by their son in the past. It’s a perfect summary of the entire tragedy and beauty of their relationship.

[poirott]

David Suchet watching Poirot clips on Instagram

- Poirot and More clip, December 8 2023 (also on David's Twitter)

[deadringers2023]

THE WITCH (2015) dir. Robert Eggers

[flowerblr]

THE GREAT GATSBY + flowers 🌼