#The Reality of Existing

[biggest-gaudiest-patronuses]

*peering down at my own genetic sequence* uh-huh uh-huh bold choice bold fucking choices my friend

[aingeal98]

The way Orv will dangle the basic premise in front of you like a set of keys and have you going "Ha! So Joonghyuk is the novel's protagonist but Dokja is OUR main character." and you're so busy enjoying that layer of meta text that you don't notice their other hand winding up the Han Sooyoung hammer to whack you with.

[poorly-drawn-mdzs]

In the shape of you, something new.

[First] Prev <–-> Next

[hemlock-dreams]

Not me absolutely frothing at the mouth about this AU. Can we get an info dump on the Lore? It's making me want to abandon my current Spideypool WIP for this. Absolutely terminal brainrot for this boy

BEHOLD: MASSIVE LORE DUMP!

Peter B. Parker is a young troublemaker who has a problem with authority. He also has a knack for picking tech apart and putting it back together, which puts him on the radar for a small-time gang that needs someone to act as their alarm system breaker for a big score.

Unfortunately, said score had bad intel and what was supposed to be a simple robbery turns out to be manslaughter when the resulting fire that was supposed to cover up their tracks ends up killing two guards.

Peter is tried as an adult with the rest of the gang and sentenced to Rykers for 5 years.

Check out the full page HERE.

At Rykers, Peter meets Marko Flint, who takes Peter under his wing. and teaches him how to survive and thrive when wearing the orange.

Life goes on for 5 years. He learns the trade, gets some tats, learns how to make some great shivs, and becomes a better criminal all around. Yay prison!

Peter gets out at 21, and reunites with Uncle Ben and Aunt May. He does his best to clean up his act, but normal life is hard for someone who spent their formative years in prison.

(He also makes questionable hair and fashion choices. What can I say, he's catching up!)

He goes from job to job, trying to pay back his aunt and uncle for all their support but is completely unequipped for the 'real world.' After a few months working/getting fired from soul-crushing menial jobs (HS dropout!), he agrees to take 'one last job' with Marko that is 'guaranteed to set them up for life'.

*cough*

This robbery goes off without a hitch! No one is hurt and they make off after hitting a heavily armored Oscorp Transport with a ton of documents/tech that they aim to sell to the highest bidder.

The biggest mystery is that one glowing vial of untested, experimental serum they found...

Unfortunately, Oscorp doesn't take robbery lightly. Marko finds out through contacts that the serum (whatever it is) is too hot to sell on the market, so he instructs Peter to get rid of it so it can't be traced back to them.

Peter, a rational 22-year-old ex-con, 'gets rid of it' by mixing the serum into ink and tattooing it onto his wrist, triggering the start of his mutations.

It takes a bit, but Peter get's all the regular spiderman benefits (webs are organic), plus one more. The serum was created from the venom of the Portia Spider, a hunting/jumping spider known to be uniquely intelligent among arachnids.

Alongside the speed/strength/spideysense, Peter also grows some fangs that secrete a powerful venom.

The venom speeds up the body's processes, working almost like an insane performance booster and enhancing an injected person's strength, speed, and senses for a few hours.

Unfortunately, repeated doses also eventually induce shock, paralysis, and, later, death.

He gives a few samples of it to Marko as an exit fee.

Uncle Ben was suspicious of how Peter suddenly got so much money, but took him on good faith. But, while he was watching the news that covered the Oscorp robbery, connected the dots and had a blowout fight with Peter that ended with him having a cardiac event.

Unfortunately, he did not survive.

Aunt May and Peter were estranged over this for several years.

This event crushes Peter, sobering him up immediately. He goes back and gets his HS diploma, and works on night courses in college.

However, he spends much of his days wandering, angry at himself and what he did. He beats up a mugger one day and realizes that he could be using his powers to back up the faith Ben had in him.

Spiderman is born!

Eventually, he and Aunt May reunite, and their relationship is slowly healing.

A few years later, Peter is on the up. He and Aunt May are close again! He's got a bachelor's in computer science, has a (semi) steady job, and is well-liked as Spiderman by the populace at large. His rogue's gallery is roguing- etc.

Unfortunately, a variant of his venom (developed by Kingpin) hits the streets as a drug. It's favored by both criminals for its performance-enhancing strength, as well as civilians, for the time-slowing sensation/high it gives them.

His girlfriend, Mary Jane, who has been sober for a few years, relapses. Peter, knowing that he can't stop her from getting it on her own, reveals his identity and becomes her main source.

At least, this way, he can control the dosage.

Marko (who sold Peter's venom to Kingpin) manages to fire off his only two brain cells and realizes that Spiderman IS Peter Parker.

Then he outs him to the world because Spiderman made it personal.

Peter's life catches on fire. The entire world is after him. His loved ones have to go into hiding because there's no shortage of criminals and psychopaths who want to get their hands on MJ and Aunt May to get to Spiderman.

Peter ceases to exist. It's not safe anymore. He spends days (weeks? months?) in the suit. Eventually, on the run and burnt out, he pleads his case to Dr. Strange in desperation. (Ala No Way Home)

"Everyone deserves a clean start."

Dr. Strange agrees, but the spell can't work with Peter still existing as part of the equation. So it fires him off into a reality where Peter B. Parker, and by extension Spiderman, never existed.

So how's an ex-con/ex-superhero (for now) supposed to carve a space in a world that never knew him? By finding somewhere that doesn't ask any questions.

And it just so happens, that St. Margaret's School for Wayward Children has a reputation for both being a bar of questionable repute and looking the other way.

Might as well start there.

~~~~~~~~~

Thank you so much for this lovely, lovely ask! I hope this massive lore dump wasn't overkill, but I'm having a lot of fun with this world and wanted to share.

And I offer this lore dump ONLY on the condition that you do not drop whatever you're working on. There is always space for more spideypool in the world, don't deprive us!!!

[pandadrake]

Horses. I really like that other movie that Hobie's voice actor was in.

IDK why I ended up putting so much effort into the rendering this was just supposed to be a shitpost.

Hobie's pose is heavily referenced from a shot from the movie Nope (2022). The background texture is also from the same frame.

Miguel is cast as the stressed-out, half-Latino, tech guy with an angel name who watches camera feeds all day and bitches about his life to people he just met.

[philosophybits]

A dream! What is a dream? And is not our life a dream?

Fyodor Dostoyevsky, "The Dream of a Ridiculous Man"

[genderqueerpond]

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

[eamour]

the law of assumption.

manifestation refers to the practice of controlling thoughts, thinking wisely and exercising self-awareness. it’s the act which represents the very cause of the materialisation of our own consciousness into the external physical world. but what is this phenomenon based on?

the reason is called the law of assumption. the law of assumption is what the reflection of our inner conversations is dependent on. it’s the law that enables the process of conscious creation done in the mind. it’s the undeniable, inescapable and irrefutable principle which states that our thoughts, moreover our assumptions, shape our outer reality. one of the most known teachers to have coined and defined the law as we know it today was neville goddard. he has provided us with most of the information we have nowadays in forms of books and lectures.

disclaimer · now, the theory or philosophy behind the law has existed for a very long time, way before neville goddard has redefined its meaning by his own conceptions. in terms of spirituality, the belief in the creative power of thoughts has been existent for far longer than that.

assumptions harden into fact.

with the law of assumption, we are referring to a very certain group of thoughts — assumptions. assumptions are merely accepted thoughts, thoughts you claim to be true or thoughts you consistently turn back to, aka continuously persist in.

it is important to note that your assumptions, by definition, aren’t based on evidence at all. you assume things to be correct to you without the confirmation of the senses or any other physical validation or verification. why? because the law of assumption is based on faith. on your own, personal belief. it is entirely separated from anything that could be deemed as factual, fixed or forever. therefore, by this law, you are allowed to assume anything. there has to be NO explanation for why you want to assume something! you just do it.

facts about and along the law.

the law is also no respector of morals and values. the same way it does not respect logic, it does not work with logical reasoning either. your assumptions manifest because of your acceptance in them, regardless of any sense. they aren’t based on any truth but your truth.

your assumptions create the world around you. it's inevitable. the assumptions you have about yourself, your family, your friends,… everything and everyone, all of them build the ground which you call your life.

another point is that your thoughts — and your thoughts only — create. you are the god of your reality, the creator of your life and the only operant power. thus, everyone is you pushed out, meaning everybody is a product of your assumption about them and yourself, leaving no place for "free will" exist. you are the god of your reality, therefore if you desire a change in the world, there is nothing and no one to change other than self.

because creation is finished, because there is an infinite number of states, any reality that you could possibly think of exists already. anything you can desire, you can imagine and therefore manifest. everything is possible. there is nothing in this world that you cannot be or have, as there are no limitations or restrictions to you. reality is simply what you assume it to be.

consciousness is the only reality. everything stems from your awareness. things can only exist within consciousness owing to the fact that imagination creates reality. and that’s where all creation starts — in the mind, mentally. as you are within, so you are without, meaning that signs do not precede but they follow. yourself must be expressed, dictating, directing and determining the contents of your world.

with love, ella.

[lesbianshepard]

me reading a post about non-existent fictional mobsters from a movie that has never existed

[uncanny-tranny]

The hardest, but most important, part of my transition has been untangling what my personal dysphoria is, and what is more a result of cissexism.

What I mean by this is that I learned that I am not dysphoric about certain aspects of myself, my body, and my life, but my discomfort in these aspects was influenced by the cissexist culture I live in which told me I couldn't exist as myself.

It's definitely a slow process, but I have found that it helps me self-actualize and actually see myself instead of what others demand of me.

[389]

In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality.

[autoraton]

same as it never was.

[dhaaruni]

WE'RE NOT GOING BACK

[kodasea]

A woman scorned

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between