#man vs horses

[kateis-cakeis]

Thinking about how Gaius was on a white horse while Merlin and Arthur were on black horses.....

Like Gaius is riding back to Camelot, to life, to live

And Merlin and Arthur are riding towards nothing but despair, pain, and death.

[dykedvonte]

It’s crazy how expendable all the crew members were to the Pony Express.

A 30% chance that your shipment would be lost. Cargo and crew are inseparable if we are to believe the shitty layout of the Tulpar. People use it because it’s cheap. The labor is cheap. The lives are cheap.

They are all relatively easy to forget about. It’s implied Anya and Curly don’t have many friends or much family to be concerned about them back home. She mentions nothing and no one to fall back on and he feels like wasted his life with the company. Jimmy probably only has Curly, otherwise people wouldn’t care or ask. Of course Daisuke and Swansea have family’s but Swansea thinks poorly of his and Daisuke’s poorly of him. All people in the companies eyes that wouldn’t stir up too much trouble if they became part of the 30%.

It makes it so much sadder because that ladder they were climbing was so small and shitty. There were rungs, ranks, but even the highest was barely off the ground. Jimmy wanted to reach the top of something that was brutally cut off and knocked everyone else off just to not see it.

[sarahwatchesthings]

[youdelight-itolerate]

[hanasnx]

i’m so very proud to present the brand new nominee for the bison cock category:

taishiro toyomitsu!!!!!

he’s alongside hak on this one, which is a very rare feat indeed! let’s all congratulate him

[starheart-blog]

FNF - VS CARTOON CAT V2 - ALL CHARACTER INFO

[omegapheromone]

Hiya, I've been on a lengthy hiatus from online misce spaces for various reasons, but I'm preparing to get a bit more active again finally! Sorry to everyone who sent asks either before or during this time, I know I've been away for AGES so I don't know if I'll answer every single one right away.

That being said, how has everyone been? What's new? Are people still having random drama over nothing? Have the misce spaces and omegaverse fiction/author spaces separated further again? What's the hot topic to talk about currently /hj

No but I do want to know. How has everyone been? I won't tag any specific people since it's been a long time since I've interacted with anyone, but please don't hesitate to respond to this post, send asks, dms, whatever- I'm glad to be back and feeling more stable again ^^

[rabbits-of-negative-euphoria]

Two questions; is your current fixation still Shingeki no Kyojin?

Secondly, if you have time, I want to hear your thoughts about a recurring thought I have. Would you agree that men don't tend to take media made for women seriously? Doesn't matter if it's made by a woman, but media or things in general made for girls. The two main things I think about is the Barbie movie and anything by Jane Austen. A lot of conservative bros I see have a legitimate hate for both of those things and ...Why? I think they're both really important for different reasons and I don't understand the perception of "silliness" around them. I mean, Barbie obviously is silly in a lot of ways but.... It's a Girls Girls movie, like how Braveheart is a Mans Mans movie and also is a bit silly in the way that men are (but it's still one of my, a girls, favourite movies).

Maybe it could be said that girls don't generally understand media made for men either, since a lot of girls hate reading Charles Dickens or Mark Twain. But neither of those author's really made them "for men," it's just that men seem to gravitate towards them -- and at the same time, you don't hear women saying they want to take Mark Twain's jawbone and beat him over the head with it (quote from Ben Shapiro about Jane Austen. He was joking but it still rubbed me the wrong way).

Yes, in the sense that I'm not fixated on anything else, but no, in the sense that I'm avoiding SNK content until I can reread/rewatch before (finally) viewing the finale.

Next, I think men do have a hard time taking women's media seriously, but part of the reason is that media geared toward solely men or solely women isn't generally setting out to be the most serious thing in the first place. I don't know anyone, male or female, who takes chick flicks and action movies seriously, and if we get the sense that a new film leans toward one or the other (even if it doesn't strictly fall into that genre), we reach a conclusion about it in that moment because there's only so much time in the day and money in the pocket we can devote to entertainment.

But then, not taking something seriously is very different from legitimately hating it. I can understand why a man would hate the Barbie movie, especially if he hasn't seen it. Like all feminist media, it's going to be about how all men are oppressors and all women are their victims, right? And that's obviously a despicable message worthy of hatred. And if he's already decided that's what it's going to be about, he's probably not going to change his mind when he watches it, because as I've previously explained, Greta Gerwig failed to send a consistent message, as she has failed to do in all her blockbuster movies. I've described her to my mother as "a conservative trapped in a liberal's body." She just can't reconcile the two belief systems that drive her. (Conservative men aren't the only people who hated it either, I know plenty of conservative women who hated it. And I know conservatives of both sexes who enjoyed it immensely.)

Very rarely do I see a man's film morally disparage women the way that so many women's films do to men, and this probably contributes to more men hating women's films than vice versa.

I think it's true that neither men nor women can fully understand the appeal of media made for the other, but because we are complementary, I do think we owe each other at least an attempt to understand. Which, by the way, is never going to work for you if you've accepted the premise that we are fundamentally the same in spirit and our differences are merely social constructs.

Finally, as concerns Ben Shapiro and Jane Austen, he actually was quoting Mark Twain in that segment, and this is a delightful background of Mark Twain's self-proclaimed--but spurious--hatred of Jane Austen. But for any guys out there who do think Austen is "chick lit," just about every homeschooled boy or homeschooling father I knew loved Jane Austen's work and considered Pride & Prejudice an invaluable tool for the raising of honorable men. Here's an article about why.

[savage-kult-of-gorthaur]

"SUPER BUG-HUNT... THIS SUMMER'S MOST OFF-BEAT INTER-COMPANY CROSSOVER."

PIC(S) INFO: Spotlight on a gallery of bits and bobs from the edition of "Previews" magazine Vol. 5 #3, March 1995, where the first issue of "Superman/Aliens" was solicited.

OVERVIEW: "Have you ever wondered who would win in a fight between the Man of Steel and a Xenomorph?  Well this is the three issue prestige format series for you. Written by Dan Jurgens with art by Jurgens and Kevin Nowlan, this series kicks off when a distress buoy covered in Kryptonian writing crashes to Earth and Lexcorp calls in Clark Kent and Lois Lane to cover the story.

The Kryptonian writing has Clark’s interest so he travels to where the buoy came from on a Lexcorp space craft and discovers what he believes to be a lost Kryptonian city that somehow survived the planet’s destruction. He meets a young woman named Kara but also comes across the Xenomorphs from the Aliens franchise and because he is far from a yellow sun his powers are waning.

Add to that problem are the four survivors Superman sent back to Earth who, unbeknownst to the Man of Steel, are carrying chest bursters. Superman and Kara must survive the Aliens attacking them, so he can get back to Earth to save it from the destructive creatures he inadvertently sent there."

-- THE FORTRESS OF BAILEYTUDE, FCTC ["From Crisis to Crisis] EPISODE 215: "SUPERMAN VS. ALIENS"

Source: www.fortressofbaileytude.com/fctc-episode-215-superman-vs-aliens.

[stanleyoffseventh-oldblog]

one of two possible things is going to happen when brods comes back from ltir:

1 they're gonna shuffle the lines and put faber with spurge as the top d pair

2 i will become deeply unwell, emotionally

[fortunechaos]

SPOILERS FOR THE NEWEST WOE.BEGONE DON'T READ THIS IF YOU'RE NOT CAUGHT UP OKAY

Okay.

I'm very normal about the fact that Texas Michael has a cowboy Ty with him? The concept of the two of them actually being able to reach some sort of legitimate friendship without the horrifying power imbalances of Ty's role with the Flinchites looming directly over them? How did cowboy Ty even get out? Is it the same Ty that freed Michael in the first place? Did he runaway to come and find him? Did he iterate himself to do it or just up and leave the Flinchites? Is he a different rogue Ty that Michael just like, found?

I hope they watch cowboy movies together and that Michael is teaching him to play an instrument and that Ty whoops everybody's ass at poker.

[chipped-chimera]

Currently got the brainrot (dreaming about writing a Cowgirl/Rancher Karlach AU fic)

[boneles-ss]

Hhhhhhhhuuuummmmm Donnie Boy Critical Role and Princess Clara Neverafter.

You agree.

[milkababbage]

WOOHOO! car vroom vroOM!

“I am a horse, and I’m smarter than you.”

[snapcracklepop-myjoints]

wow haha you* think this large area of land is uninhabitable and empty ? wow thats so funny that sounds so much like this fucked up terra nullius thing but surely you arent all mindlessly peddling that colonial narrative of australian land as uninhabited and therefore free for the taking, right ? that would be silly.

and its not like there's a common law doctrine that was only legally discredited in the last 30 years that literally refers to "desert and uncultivated" land as a justification for taking land that is inhabited but is deemed to not have "settled" inhabitants or "settled law" according to colonial standards, right ?

because if there was then it would obviously be super fucking racist to continue to legitimise and perpetuate the erasure of indigenous presence by reaffirming the conception of large swathes of land as desert and uncultivated empty and uninhabitable.

and obviously it would be not only racist but factually incorrect to identify an area as "uninhabitable" purely on the basis that that it was deemed less compatible with colonialist + capitalist agricultural and settler projects and practices, (putting aside the fact that nonnegligible areas are, in fact, settled and used as such) because that would not only continue the erasure of a diverse array of indigenous ways of life, but would also continue to give legitimacy to the idea that presence on land must be identifiable by colonial signifiers thereof, otherwise it is not real and does not count. so obviously you would not do that, yeah ? good talk <3

*"you" as in the ppl in screenshots/ppl who are saying this shit, not op. Just to clarify.

[keycomicbooks]

Iron Man #66 (1974) Gil Kane Cover Art, Mike Friedric Writer, George Tuska Pencils, Mike Esposito Inks, Key Iron Man vs Thor Cover

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