#Tamil News Channel

[rightnewshindi]

दिल्ली-जयपुर हाईवे बनाने पर खर्च हुए 1896 करोड़, टोल प्लाजा वसूल चुका है 8349 करोड़; आरटीआई

दिल्ली-जयपुर हाईवे बनाने पर खर्च हुए 1896 करोड़, टोल प्लाजा वसूल चुका है 8349 करोड़; आरटीआई #News #DelhiNews #DelhiLifestyle #DelhiVibes #DelhiDiaries #DelhiUpdates #DelhiCulture #DelhiEvents #ExploreDelhi #DelhiBuzz #DelhiNCR #DelhiTraffic #DelhiMoments

Delhi News: इन दिनों सोशल मीडिया पर सड़कों और टोल वसूली के मुद्दे पर बड़ी चर्चा शुरू हो गई है। यह बहस तब शुरू हुई जब यह जानकारी सामने आई कि एक राष्ट्रीय राजमार्ग का निर्माण 1896 करोड़ रुपये में हुआ, जबकि इस पर बने टोल प्लाजा से 8349 करोड़ रुपये वसूले गए। दरअसल, आजतक पर प्रसारित होने वाले लोकप्रिय कार्यक्रम ब्लैक एंड व्हाइट के एक दर्शक ने पत्र भेजकर कुछ जानकारी दी। राजस्थान के जयपुर से पत्र लिखने…

[doty23]

Tamil YouTube channels

NOVA YouTube Channel

Channel Link: https://www.youtube.com/@CallUsNova

Madan Gowri

Channel Link: https://www.youtube.com/channel/UCX6XDXQQpeP-0ddEm-47NDw

Put Chutney

Channel Link: https://www.youtube.com/channel/UCgPM1zATQkssE303gCu7hlQ

Eruma Saani

Channel Link: https://www.youtube.com/channel/UCHwEevqjjgIqR0jwHy0xHAg

Black Sheep

Channel Link: https://www.youtube.com/channel/UC9vwJXsR0oIgYnzJ0xfsTlg

Smile Settai

Channel Link: https://www.youtube.com/channel/UCrzUlEacpkb7E2BmXe9m8yg

Jump Cuts

Channel Link: https://www.youtube.com/channel/UCOgDc6MPJfUcjB9fBqKQiyg

Nakkalites

Channel Link: https://www.youtube.com/channel/UC84X0epDRFdTrybxEX8ZWkA

Tamil Talkies

Channel Link: https://www.youtube.com/channel/UCvGnquG6Z7CoMK9zEzKMJ6A

Parithabangal

Channel Link: https://www.youtube.com/channel/UC0pB69m_ek-b6E9LhZT6-9w

[tamiltravelman]

யாரும் அறியாத தனுஷ்கோடி அழிந்த கதை Dhanushkodi Tourist Places | Tamil Travel Man

தனுஷ்கோடி அழிந்த கதை, Cyclone Attack 1964, இந்தியாவின் கடைசி சாலை தனுஷ்கோடி, The story of the destruction of Dhanushkodi Ghost town.

Dhonuskodi is about 25 km from Rameswaram. Its wonderful to drive in straight with both sides sea.

#dhanushkodi #tamiltravelvlog #dhanushkoditouristplaces #tamiltravelman #destructionofdhanushkodi #trending #tamiltravelvlog #tamilnadutourism #travelindia #tamilan #dhanushkodipuyal #road #roadtrip #viral #tamilvideo #dhanushkodighost town #rameshwaram #CycloneAttack #tamiltravelmannewvideo #tamiltravelmanvideo #trendingtamiltravelvideo #lastlandofindia #தனுஷ்கோடி #tamilnadu #tamilvlog #tamilvlogger #ramsetu #tamiltrending

[chimaeraonwards]

Pendatang and why I think it's important for the fight against censorship

Malaysia's first fully crowd funded film is finally out and its free on YouTube!!!

(btw its fully subtitled in English, Malay, Chinese (Simplified), and Tamil for those who want it)

Pendatang by Kuman Pictures is set in a dystopian future where, due to racial extremism, Malaysia is fully segregated. Citizens live in their own areas based on their race and mixing between the races is punishable by 25 years in prison.

The story centers around a Malaysian Chinese family who is forced to relocate to a designated house by the authorities but they find a Malay girl hiding in their attic.

Anyone who is familiar with the Malaysian film scene would be wondering, "A Malaysian movie about race and inequality? How the fuck did this movie get through the censorship board?". Well, easy. They didn't even try.

In the name of keeping peace in the country, The Malaysian Film Censorship Board (Lembaga Penapis Filem - LPF) is notorious for censoring local movies to the point it loses its impact or keeping movies in a limbo for years. But films need LPF's approval to be able to release theatrically local cinemas.

The makers of Pendatang knew that this film wouldn't have made it past the censorship board or any other kinds of local governmental/commercial release or funding channel. So from the start, they set out to crowd fund this movie to release it for free online - where the LPF has no jurisdiction.

They managed to raise past their goal of RM300k (which is about slightly less than 100k USD). And one year later, they've kept their word - the movie is available on YouTube for free with no ads (making it a non-profit movie).

This is what the makers have to say about this move and what they hope it achieves:

So not only is it a badass move to bypass censorship and non-profit, its also a ground breaker and this opens up a whole new avenue for Malaysian filmmakers.

But it can't be that bad, can it? Well here are some films that weren't so lucky with the LPF.

Mentaga Terbang a story about a young girl's religious journey after her mother's passing to find out what happens after death. It was banned in Malaysia.

Tiger Stripes, the Cannes award winning teenage body horror film detailing a girl's journey with womanhood. It was so heavily cut by LPF that the filmmaker has disowned the censored version and has come out to say that essence was removed from the movie.

Spilt Gravy on Rice is a dark comedy based on a play of the same name. It is a story about a journalist who is close to death and decides to fix his family issues with his 5 kids who all have different mothers. The film was submitted for approval in 2012 and was forced to make changes (including an alternate ending) and was finally approved in 2020. Due to covid, the premiere was delayed till 2022. The original playwright, Jit Murad, passed earlier that year and never got to see his story in the big screen. You can find the film with its original ending on Netflix now.

This is why a movie like Pendatang is so important. Some suspect that Pendatang will be taken down or blocked by the government. I hope it won't.

Malaysian filmmakers want to share good stories that shouldn't be watered down. Malaysian voices want to be heard and shouldn't be unnecessarily filtered and censored.

[nspwriteups]

Pehla Nasha | Kundavai x Vanthiyathevan OS (Modern AU)

A/N:This had been sitting in my drafts for weeks... finally found the confidence to post it. Happy reading 😊

Kundavai = Keerthana , Vanthiyathevan= Vaishnav, Aditha = Adithya and Arulmozhi= Amal

Keerthana stood at the return section of the public library, glancing at the news channel in the tv mounted on the wall. She waited for the staff to return her library cards and made her way to the book section. She scanned the stacks for the book she had been searching for weeks. It was too boring for her to use the Web Opac on the library computer to get the book of her choosing. She preferred searching through the long rows of paperback until an interesting title or an attractive book cover caught her attention. But try as she may, she wasn't able to find THAT book yet. She looked around for a minute. Maybe because it was almost noon or maybe it's because it was a Sunday, there were only two people in the book reference section there - she and another guy,who seems to be in his own world - whistling an unrecognisable song and staring at the books ahead of him with hands in his pocket. She was again too lazy to go all the way over to the staff section to enquire and so she briefly glimpsed at the seemingly oblivious guy again. Her friends always called her out on her introverted nature. She wasn't really introverted, she just preferred to listen and observe others over talking non stop. She slowly walked over and tapped the guy's shoulder. He was taller than her and when he turned around she noticed his brown eyes meet hers in a look of confusion and curiosity. 

"Hello. I was wondering if you know where I can find Kalki's Ponniyin Selvan novels?" She put on her friendliest smile and politest tone. He looked around for a moment before turning back to her with an embarrassing expression. "I am not the library staff.. I'm just browsing books like you" 

She knew that. Of course she knew that but still she couldn't help but feel awkward all of a sudden. Maybe he noticed it because he quickly added "But I have time to kill. I can help you find the book". She gave a quick nod and together they went to the Tamil literature section and started digging from the opposite sections. As she searched, she couldn't help checking out her helper of the hour - his olive green jacket fitted him well and his entire body language gave him a laid back demeanor. He looked like a Wattpad male lead character with his tall frame, boyish outfit, silver chain peeking out of his jacket collar and striking brown eyes. She saw him turning slightly to look in her direction and quickly turned her attention to the books in front her. Get a hold of yourself Keerthana! She thought to herself.You are a research scholar for God's Sake! Don't act like an infatuated teenager. Keerthana prided herself in being clever, practical and disciplined -  a complete opposite to her brothers who were prone to spontaneity. Even though her friends teased her for shooing away even the slightest chance of a relationship coming her way, she never told them the real reason she wasn't willing to give her heart away. She had her moments of checking out the cute guys she met now and then (like now for instance) but deep down she was waiting for a romcom version of love - an unexpected meeting followed by a series of chance encounters until the hero says something like "You have Bewitched me body and soul" (She absolutely loved Pride and Prejudice) - that was her secret, that behind her calm,composed and strategic facade was a girl yearning for a silly and magical romance. She was snapped out of her thoughts with a book waving in front of her."Found it" He declared with a grin. She smiled and said "Thanks a lot. You were such a great help". It was true, he was such a friendly person."How can I not help someone as beautiful as you" He replied with a smirk. Huh, friendly and flirty then. "I am Vaishnav. And you are?""I'm Keerthana" She said as she made her way to the book issue section. He caught up with her easily, a book called Exploring the World tucked in his arms. So a wattpad-ish looking person with a love for reading travelogue? This guy seems to be the dream vision of many of the reader girls out there. "Keerthana as in Keerthana Viswanath? Adithya's sister?" He asked and Keerthana stopped on hearing her older brother's name. "Yes. How do you know?""I'm in the same football team as him. He always talk about you and your brother Amal. It's so nice to finally meet you" He said with the same grin as before, looking at her amusingly. Aah, so that must be why she felt a familiarity with him. They exited the library together, both unintentionally walking at a snail's pace, engrossed in their conversation. She learnt that his favourite colour is green, aspired to become a travel writer and was best friends with her brother. He got to know that she was a bookworm with a love for classics, loved boat rides and was as impressive as her brother. They faced each other once they reached the parking lot.

"So.." He began, not knowing what to say despite the fact that he prided himself in being a sweet-talker.

"So..." She also initiated, feeling the awkwardness climbing back up

"I hope I can see you around. Maybe another encounter at the library? " He joked

"We'll see" She joined in on the joke, with a playful smile and a thumping heart.

Later, when she was in her room, already pages deep in the first book of the Ponniyin Selvan series, she imagined him to be Vallavaraiyan Vanthiyathevan and herself to be Ilaiya Piratti Kundavai. Because she couldn't picture anyone else to be the flirty and enthusiastic Vana Kula Ilavarase. And the more she imagined, the more she felt as if maybe there is something about this boy that is pulling her towards him, a sort of feeling that somehow he will come into her life as more than Adithya's best friend. She placed a hand over her heart beating faster than usual at the thought of such a possibility. "Silly heart" she whispered with a soft giggle.

@ramcharanobsessed @dumdaradumdaradum @vibishalakshman @harinishivaa @hollogramhallucination @kovaipaavai@rang-lo. @willkatfanfromasia@thelekhikawrites@thegleamingmoon@deafeningflowercat@yehsahihai@whippersnappersbookworm@itsfookingloosah@gemsmusings@chiyaanvikram@elvenladysakura. @matka-kulfi. @madatdisney@bumblebeeskywalker@vahnithedreamer@nkarti@dosai-maavu@utterlynotperfect@winter-birds@happy-bookworm @tumbledout @anabanana4115 @freeunknownwasteland @bhataktiatmacore@rapunzels-stuff@celestesinsight@mairablue@rationalelderberry@existenceiswhateven@arachneofthoughts@spider5884fan11 @cara-2003 @nirmohi-premika @stella12

[ng2333]

Who want join malaysia vandi sarake group can pm me in telegram video and pics all malaysia tamil girl@Rara240196

18 CHANNEL

With offer price All new and latest 🫡

[iraivilgbt]

"HONORED TO SHARE OUR STORY!

IRAIVI LGBT Charitable Trust's journey was featured on News 7 Tamil Channel. We're grateful for the opportunity to share our mission, struggles, and triumphs with a wider audience.Thank you, News 7 Tamil, for amplifying our voice and promoting inclusivity!

#IraiviLGBT #News7Tamil #LGBTQIA #Inclusion #Empowerment #CharitableTrust #Gratitude #gender #charity #empowerment #mentalhealth #lgbt #india #equality #health #indian #ngo #ngoindia #kids #yoga #young

[shut-up-rabert]

I posted 263 times in 2022

That's 263 more posts than 2021!

139 posts created (53%)

124 posts reblogged (47%)

Blogs I reblogged the most:

@pulihora

@suvarnarekha

@navaratna

@ramayantika

@shanti-ashant-hai

I tagged 256 of my posts in 2022

Only 3% of my posts had no tags

#desiblr - 173 posts

#hindublr - 21 posts

#hinduphobia - 10 posts

#hinduism - 8 posts

#kashmir - 7 posts

#jammu and kashmir - 6 posts

#kashmiri hindus - 5 posts

#kashmir genocide - 5 posts

#kanhaiya lal - 5 posts

#pakistan - 5 posts

Longest Tag: 123 characters

#won’t even be surprised if kashmir genocide is represented as “a dark time when young kashmiri girls couldn’t go to school”

My Top Posts in 2022:

#5

Movie concept: students from pan India living together in a hostel but instead we get less represented states like 7 sisters(+sikkim), Odisha, Karnataka, MP, Chhattisgarh, Jharkhand, Goa in lead along with correct representation of states like Haryana, Punjab, Tamil Nadu, Kerela, Andhra, Bihar, J&K&Ladakh in the background

46 notes - Posted November 20, 2022

#4

Just read a comic where UK and Canada were referred to as North Punjab and West Punjab and I haven’t been okay since

49 notes - Posted September 21, 2022

#3

Why isn’t mass media more neutral?

Disclaimer: I’m not taking any sides here, nor am I provoking any of you to say it, but this has been on my mind quite a bit and I feel like saying it now: Honestly saying, I’ve always felt like the media favours Palestine over Israel way to much even tho media is supposed to be neutral.

Essays in exams, front pages of newspaper, stars on social media always talk about Palestine but seem to be painting a rather black and white “Palestine good Israel bad” picture but never seem to be willing to dwell deeper into the topic, and when they they go somewhat below the surface it’s always from Palestine’s perispective only, nothing explaining Israel’s side of story as passionately even if at all. Even in India vs Pakistan wars, you’ll find motives and aggressions from both sides easily enough if you looked.

“Stars” like Bela Hadid raise slogans demanding Israel’s dissolve under the ruse of Palestine’s independence and no one bats an eye. The founder of Human rights watch left the organisation saying that it was being biased towards Palestine and has forgotten its original purpose. A lot of funding of these pro palestine news channels comes from Pro Islamic nations organisations, most of the said countries being Palestine supporters.

Palestine is suffering, yes, but it’s not just Israel that’s making it suffer. Hamas has a major role to play too. It kills its own civilians more than Israel does. Palestine has seen some serious bloodshed since Hamas came into power but no one seems to focus on that. There’s little to no discussion about how Palestine is bleeding internally due to hamas, but only the stuff that can be used against Israel.

You’ll hear about how Israel “attacked” Gaza and most of the times it turns out to be some retaliation. We always hear about civilian deaths whose names are never revealed but no one ever wonders what civilians were doing around militant bases. We talk about how palestinians are being thrown out of Israel to show them as big aggressors and it turns out that the land was originally Israel’s territory to begin with.

I’m not being pro-Israel here, And I very well admit that it can have its fair share of violations, such as killing of the one Al-Jazeera reporter , accident or not (look, I fucking hate that platform but that doesn’t mean I condone killing of someone who didn’t do anything) but this is something that has always made me curious. It can’t be as simple as “Israel evil”, can it?

53 notes - Posted August 29, 2022

#2

Hassi to ye sochkar aati h ki mera hone waala abhi kisi aur ke saath jeeney-marne ki kasme kha rha hoga

62 notes - Posted August 5, 2022

My #1 post of 2022

What you see:

What Desi kids see:

156 notes - Posted November 11, 2022

Get your Tumblr 2022 Year in Review →

[sourabhkumar21]

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[devangriai]

The role of media translation in digital publishing, podcasts, YouTube channels and more

Demand for diverse content has never been higher in today's world. Businesses, publishers, and creators are finding wider audiences and more diversified. Media translation has become the pivotal tool for digital publishing, podcasts, YouTube channels, etc. This article talks about the significant role played by media publishing translation in enhancing reach, increasing engagement, and promoting inclusivity, among other cases under the category of Indian language in digital content.

Media Translation Knowledge

Media translation is seen as the act of translating any type of content across any media to reach the target language and culture. It is therefore a translation of writing-based articles and audio- and video-based content on popular YouTube channels. Because many more consumers are searching for material in their mother tongue, it has been a growing necessity for the creators to make an effort and widen the pool of their audience along with maximizing their online reach.

Reach in digital publishing.

In media publishing translation, the method has revolutionized digital publishing. This method helps publishers tap into the mammoth Indian market as it allows access to articles, e-books, and other written matter in various languages. Thus, for example, an article could be translated from the original language of English to either Hindi or Tamil for access by scholars and enthusiasts belonging to different linguistic tongues.

In addition, media publishing translation not only gives access to new markets but also enhances the search engine optimization of its products. Content translated with keywords optimized in different languages will enhance its visibility on results. 

Enhancing Podcasts Through Translations

Most often now, podcasts have become so in-demand content for millions, but a lot of their appeal can be lost due to the language barriers that listeners might face. Media translation fills in this gap for the podcasts by providing podcast episode translations into regional languages, such as Punjabi and Kannada, which will otherwise go unnoticed.

For example, a health and wellness podcast could be dubbed into multiple languages for listeners from different cultures to share their knowledge between them. Media publishing translation of show notes, descriptions, and promotions increases access to the podcast and will result in more subscribers to, and engagements with the content.

More Engagement Through YouTube Channels

YouTube is a very powerful content-creating platform, providing space and sharing of videos over an enormous number of topics. However, without translation of media, it would be very narrowly focused and be confined only to those who understand the language, which in this case is English. Video content translated into multiple Indian languages helps the creator reach multiple viewers throughout the country, thus building community and inclusivity.

Media translation of subtitles and captions is more crucial for YouTube, because not only can it make content reach more people, but also ensures that the audience remains in a video for longer periods. 

The Significance of Cultural Sensitivity

While media translation is essentially converting the language, it is very important to recognize the need for cultural sensitivity in the process. A literal media publishing translation may sometimes fail to convey the intended meaning or tone and thus result in miscommunication or misinterpretation. Hence, good media publishing translation requires not only linguistic acumen but also high sensitivity toward and understanding of cultural nuances unique to Indian audiences.

For instance, comedy, idioms, and regional flavours are quite different in one state from another. The translation has to be done such that it speaks to the audience but still conveys the intended message as presented.

The cultural adaptation evokes authenticity and trust. Therefore, the people are valued and understood in the content.

Inclusive Content Builds Brand Loyalty

As brands and creators increasingly focus on inclusivity, media translation assumes an important role in the strengthening of brand loyalty. By offering content in different languages, the companies reflect their concentration on diversity and accessibility. This method of approach not only fosters customer satisfaction but also triggers brand advocacy among the multilingual audience.

For instance, a business that provides customer support and marketing documents in several languages of India is bound to appeal to an ardent customer following. Customers appreciate the attention to their preference for the language that they will interpret as reviews, referrals, and long-term relationships.

Conclusion - Media translation is part and parcel of digital publishing, podcasts, YouTube channels, and other media in India. Media publishing translation is the ability to reach wider audiences, engage better, and bring more inclusiveness for the brand and publisher, ensuring survival in a very competitive world landscape. This would be important even in the future because, with a growing need for more diversified content, success will come through good media translation in the rapidly changing digital world.

[musicindustry123]

The Role of a Music Distribution Company in India’s Indie Music Scene

In recent years, India's indie music scene has witnessed an incredible transformation. With listeners increasingly seeking authentic, diverse sounds beyond mainstream Bollywood tracks, independent artists are finding new ways to captivate audiences. However, despite the growing demand for indie music, many artists face significant challenges in reaching a wide audience. This is where a music distribution company in India becomes an invaluable asset. These companies are instrumental in helping independent musicians share their work on both national and international platforms, allowing them to focus on their craft while reaching listeners across the globe. In this article, we’ll explore how music distribution companies are not only changing the landscape for indie artists in India but also actively supporting the growth of this vibrant, diverse sector.

1. Bridging the Gap Between Indie Artists and Mainstream Platforms

One of the biggest hurdles for indie artists in India is getting their music on popular streaming platforms where listeners can discover it. Unlike signed artists who may have access to label resources, independent musicians often struggle to get their songs placed on platforms like Spotify, JioSaavn, Apple Music, and Gaana. A music distribution company in India plays a critical role in making this possible, ensuring that indie artists can reach mainstream platforms without the backing of a major record label. This access gives indie musicians the same visibility as bigger acts, leveling the playing field and allowing new voices to be heard.

2. Opening Revenue Streams Through Monetization

For many indie musicians, creating a sustainable income through music is challenging, especially with limited resources. Music distribution companies offer revenue-generating solutions by managing royalty payments across platforms, ensuring that indie artists are compensated fairly for every stream and download. By partnering with a distribution company, artists can earn revenue through a range of monetization channels such as ad-supported streaming, premium subscription streams, and downloads. This income can be reinvested into future projects, giving artists the financial freedom to continue creating music independently.

3. Supporting Regional Diversity in India’s Indie Music

India’s indie music scene is exceptionally diverse, with artists creating music in multiple languages and genres unique to different regions. Distribution companies in India recognize this diversity and work to make regional music accessible to listeners everywhere. By ensuring that Tamil, Punjabi, Marathi, Bengali, and other regional music reaches major streaming platforms, distribution companies help promote cultural diversity within the indie music space. This support is particularly valuable for regional artists, who often face additional challenges in achieving mainstream visibility. Through distribution, these artists can not only showcase their work but also foster pride and interest in regional music traditions.

4. Providing Marketing and Promotional Tools for Indie Success

Marketing is often the most challenging aspect of the music industry for independent artists. Without a dedicated marketing team, indie musicians may struggle to promote their work effectively. A music distribution company in India can provide essential promotional tools, such as playlisting support, social media guidance, and press coverage assistance. Many distribution companies have established relationships with playlist curators, allowing them to advocate for playlist placements that can boost an artist’s visibility. This exposure is crucial in helping indie artists gain new listeners and grow their fan base, which is often the key to a successful indie music career.

5. Offering Data Analytics and Audience Insights

To grow in today’s competitive music landscape, indie artists must understand their audience. Many music distribution companies provide access to data analytics that reveal insights into who is listening, where they’re from, and which songs they enjoy most. With this data, artists can make informed decisions about marketing, future releases, and even live performances. For instance, an artist might notice that their songs are particularly popular in a certain region, prompting them to plan a concert or promotion there. This kind of targeted strategy is invaluable for indie artists looking to build a loyal fanbase and expand their reach.

6. Protecting Intellectual Property and Managing Copyrights

For independent artists, protecting their intellectual property is essential to securing their revenue. A music distribution company in India helps manage copyright protections, ensuring that artists’ music is safeguarded against piracy and unauthorized use. Many distribution companies also have partnerships with legal teams who can provide guidance on copyright issues, allowing artists to focus on creativity without worrying about legal complexities. By taking charge of copyright management, distribution companies protect indie artists’ rights and ensure they are fairly compensated for their work.

7. Promoting Collaboration and Community Building Among Indie Musicians

In the indie music scene, collaboration is a powerful way to grow and gain exposure. Many music distribution companies actively foster connections between artists, encouraging collaborations that benefit both parties. Some companies even offer platforms where indie musicians can connect, share resources, and promote each other’s work. These collaborations can result in exciting cross-genre projects, helping artists reach a broader audience and gain recognition within the indie music community. By facilitating these relationships, distribution companies support a collaborative environment where artists uplift each other.

8. Empowering Indie Artists Through Flexibility and Creative Freedom

Unlike traditional record labels that may impose strict creative guidelines, music distribution companies in India offer indie artists the flexibility to maintain their creative freedom. Artists can release singles, albums, EPs, or even experimental tracks without the pressure to conform to commercial demands. This freedom allows indie musicians to experiment with their sound, explore unique ideas, and express their artistic vision fully. In a culture where authenticity and individuality are increasingly valued, this freedom is essential for indie musicians to stand out.

9. Access to Global Audiences

Thanks to music distribution companies, Indian indie artists are no longer limited to local audiences. By distributing music on international platforms, artists can gain listeners worldwide and tap into the global indie music movement. This international exposure not only boosts an artist’s profile but can also open doors to collaboration with international artists, labels, and industry professionals. For Indian indie musicians, the ability to reach global listeners is a game-changer, creating opportunities for growth beyond India’s borders.

10. Providing Consistent Support for Career Growth

Finally, one of the most significant benefits of partnering with a music distribution company in India is the ongoing support they offer. Many companies provide dedicated account managers who assist artists at each stage of their career. From strategizing release plans to managing royalty payments and assisting with marketing efforts, this support is invaluable for indie musicians trying to navigate the industry independently. With the guidance of a distribution partner, artists can stay focused on growth and build a sustainable, long-term career in music.

Conclusion In today’s competitive music industry, a music distribution company in India plays an essential role in empowering indie artists to thrive. These companies serve as bridges between musicians and listeners, ensuring that independent artists can reach audiences both in India and around the world. With services that range from platform access and revenue management to marketing, analytics, and copyright protection, distribution companies provide crucial resources that help indie artists succeed. As India’s indie music scene continues to grow, distribution partners are increasingly vital in supporting artists’ dreams, building diverse musical communities, and elevating the voice of independent talent. For any indie musician ready to take their career to new heights, partnering with a reliable distribution company is a powerful step forward.

[rightnewshindi]

हाई कोर्ट ने निकम्मे और लापरवाह अधिकारियों को लगाई फटकार, कहा, ऐसे अधिकारी बढ़ा रहे अदालतों का बोझ

हाई कोर्ट ने निकम्मे और लापरवाह अधिकारियों को लगाई फटकार, कहा, ऐसे अधिकारी बढ़ा रहे अदालतों का बोझ

Himachal High Court: हिमाचल प्रदेश हाई कोर्ट ने अदालतों में मामलों के लंबित पड़े रहने के लिए सरकारी अधिकारियों की लापरवाही और अयोग्यता को जिम्मेदार ठहराया है। कोर्ट ने कहा कि ऐसे अधिकारी अपने कंधों पर जिम्मेदारी लेने की बजाय कोर्ट के आदेशों की राह देखते रहते हैं, जिस कारण सामान्य जनता को कोर्ट का रुख करने पर मजबूर होना पड़ता है। इतना ही नहीं, नकारा और लापरवाह अधिकारी अदालती आदेशों की अनुपालना समय…

[ovosignature]

diwali ends

to the worlsd. guys watch polimer tv channel in youtube. it's a tamil news cahnnel. just see video alone. you will see cars lining up to enter chennai.

everyone use GST road. all over people from south of chennai use that roadway to enter chennai.

traffic police will be like camera fitted in traffic light lapms. just monitor.

there are several ways to enter chennai.

if they make a circuit that allows to enter chennai using all the roadways of chennai everything will be fine.

example.

gst road - right cut - chennagal pattu bypass - use kanchipuram -walajapad - oragadam - sriperumpudur - tiruvallur - ambathur - chennai

gst road - enter chengalpattu - mamallapuram - east coast road - enter other way

like this they sould prepare a network.

or can use rtos.

while they are going from out of chennai - they use tollgate - for - paying money to use that road - can't those tollgate money owners - prepare a circuit - a ticket system - when to re-enter chennai - like movie ticket - alloted with seat and movie time.

all enter at same time - experience worst things - mind fed up - next day to work - how they work.

people work are living like this.

police - tollplaza money owners - politicians - are - living in their shadow.

guys stop this nuisence.

make a statement.

don't pay tax.

let them do what they want.

let me see how they be a garbagge.

fyi - today - i fired garbagge.

tomorrow i will do the same.

till the person who live to put garbagge - i will fire.

i will live forever...

i know how to replace the work i do to clean garbagge.

how like coding like this.

if i code. my people listen.

remember my people are those who work !!!

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