#Take Back Tomorrow

[beholdthemem]

My fellow bitches under 5'5. Whatever the money, do not take a job working at a middle school. A fellow adult tried to put me in detention last month and would NOT give up until I showed her my badge proving Yes, The School Hired Me To Work Here. It's not meant for people our height.

[rockposerdotcom]

She Burns Red Announces Debut Album 'Out Of Darkness'

Turning heads since the release of their 2020 acclaimed debut ep ‘Take Back Tomorrow‘ (produced by Toby Jepson), Scottish rock band She Burns Red are finally ready to release their highly anticipated debut album following a hugely successful Kickstarter campaign which saw them smash their target within 48 hours of launch. Titled ‘Out of Darkness‘, the upcoming album demonstrates why they are the…

[hinamie]

shows up a day early with a nobara birthday tribute

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[xxplastic-cubexx]

oh noooo or whatever

bonus aka The Real Motive Behind This:

SURPRISE double bonus. textless ver of the first pic under the cut

[kalicocal]

Let's talk about that CaitVi Scene

For me, what made this scene impactful has to do more with the fact that the prison cell is the physical representation of Vi's mind more than the fact that it's where they first met. (Although the latter does add merit to Fortiche's capacity for telling circular narratives.)

We know this because we see Fortiche use this same motif in S108, where we see half of Vi behind bars and the other half unobstructed, which signifies how Vi is torn between going back to help her sister and helping Caitlyn take the gemstone back.

In this context, though, Vi is shackled by the mantra, “Whatever happens, it’s on you,” and we know this because Vi admits it herself, “I choose wrong every time. And because of it, I’ve lost everyone.” 

And the implication of Caitlyn unlocking this cell and entering this space—this space filled with emotional and physical scars, this space haunted by phantom pains and memories with teeth—was just like an “I got you” moment, the perfect affirmation that finally releases Vi from the shackles of this inherited responsibility. 

Caitlyn not only predicted it, but she actively took measures that enabled Vi to free Jinx safely. By doing this, Caitlyn implicitly confirmed that Vi didn't choose wrong this time and that she wasn't alone in the decision to offer Jinx a second chance.

I know some people have their own opinions about them doing it in a jail cell without explicitly talking about what happened between them in Act 1, but as much as I appreciate the idea of open communication, romance, and making love in a bed, I understand why they saved the talking for later. After all, facing imminent doom and Armageddon can influence people to rush into things. 

All jokes aside, there is one thing about this scene that makes my heart ache with joy: that Vi finally has one memory that outshines all that was made in the prison cell. And that memory is of warmth, a gentle touch, and soft eyes—the only memory that matters.

And for me, that's enough.

[nibbelraz]

Winter blues, but it won't last for long.

[pmpwbrrs]

swapping clothes !!!!!!! rascals !!!

[tomahachi12]

Day 12 - SD-Y (bg) and SD-T (fg)

Oh no, the girls are fighting

more oc stuff

[campgender]

Whenever a player safewords, this is an occasion for mutual support. We understand that nobody safewords from a happy place, and that all of our egos feel frail and kind of runty when we need to back out of a scene. It is completely unethical to respond with scorn or ridicule to a person who has safeworded: S/M is not a competition, we are not playing against each other.

As tops, we have noticed that if we are having a good time and our bottom safewords, our initial feelings may not be happy. Whaddaya mean you don't like that? I do all this work and you don't appreciate it? I'm hot for being in control and you want me to stop? We have felt real anger and felt challenged in our top role... and, on a deeper level, we have felt put down, hurt and rejected. It is okay to have these feelings. It is not okay to act on them. Take three deep breaths and everybody start taking care of each other.

Sometimes bottoms get so deeply engaged in a scene that they fail to safeword, or forget, or so profoundly believe in the fantasy that it doesn't occur to them: many of the techniques we play with, like interrogation, function in the real world to undermine volition. Dossie remembers a scene in which a top offered her a choice of something or other: "I felt very confused. Some distant part of me vaguely remembered having made choices, but the response from my state of consciousness at that time was, Choose? I am not a thing that chooses." So then what is the top's responsibility?

If a bottom does not safeword and you don't pick up on what's going on, and this will happen if you play long enough and well enough, there is no blame. However, it is still your responsibility to monitor for physical safety as best you can. As ethical tops we make a commitment to never knowingly harm our bottoms. To this end we check in regularly to make sure that things are going the way we think they are, and we constantly monitor the physical and emotional safety of our bottoms. If a bottom is beyond safewording, and you as the top feel unsure about how far you should go, it is your responsibility to slow down or stop the scene and get into communication with the bottom to make sure you have informed consent. If you have to bring the bottom back into reality to do this, please remember that you helped get them into that altered state in the first place, so presumably you can help get them back there again as soon as you are sure of what's going on.

And just because someone safeworded doesn't mean that the scene has to be over. There may be times when the problem that brought either of you to safeword is so overwhelming that carrying on doesn't feel like the right thing right now - but most often we find that after we've dealt with whatever the difficulty is, we're still terrifically turned on, with the added bonus of a shared intimacy.

from The New Topping Book (2003) by Dossie Easton & Janet W. Hardy

(note: the authors use ‘top’ & ‘bottom’ in the historical S/M sense, meaning ‘person performing the act’ & ‘person receiving the act’; the act in question is not necessarily penetration.)

[cuteiemonster]

HI. IM PLAYING CATCH UP 24 DAYS LATER DONT MIND ME HERMIT A DAY DAY 1 - ETHOSLAB

[hauntingofhouses]

yall i just KEEP doing back to mizu and taigen's wrestling scene in master eiji's forge and like i know that taigen literally got a boner from it BUT THE THING IS out of all the scenes these two have together, this scene actually has the least sexual tension ?!? cuz like the boner aside, this scene is actually very soft and emotions-driven rather than pure passion or lust.

arguably, a more passionate and sexually-charged scene would be their previous brawl in the snow with the chopsticks, which is tense and angry and also the scene that mizu thinks about when madame kaji talks about being honest with one's innermost desires.

but THIS scene in the forge? warm colours. their laughter and their smiles that both equally genuine. the WAY taigen looks at mizu in that scene, staring first at her lips, her smile, then looking into her eyes. and you can see by the framing of the scene and the look on his face that he is, for the first time, seeing her eyes as something beautiful rather than off-putting or frightening.

like before this point he's already come to not only respect mizu as a person and an equal but also admires her as an incredible swordsman and as someone who is kind and honourable* for having saved his life at the expense of her revenge quest. so as of the time of them tussling in the forge, taigen has already put aside his prejudices about mizu's blue eyes and no longer finds them as any cause for disgust. but in this scene he's not just indifferent about her eyes, but attracted too it.

and i'd also like to argue that his boner is not from the physical exertion or the act of wrestling itself, but from the intimacy of a playful spar, enjoying each other's easy company after having established a deep trust with each other (taigen endured torture for mizu and helped defend her from archers in the chasm while mizu saved his life from fowler's castle)

and all this while in the safety of mizu's childhood home while both of them are still recovering from near-death, amplifying their vulnerability with each other.

like when was the last time mizu cracked a genuine smile, let alone a laugh that's more than a little wry chuckle?? and for this to happen at such a low point in her life also speaks to the comfort this little friendly spar gives her.

because like, this is after she failed her mission to kill fowler. meanwhile her sword--the embodiment of her soul--is broken, and ringo who is her closest confidant is now angry at her and barely even looks at her. it just further lends to the inherent tenderness and intimacy in this scene. and i just. AHHHH i love them your honour....

* ALSO as a side note about taigen believing mizu to be honourable: he later realises that this assumption turns out to be quite false when she reveals that she'd not only allowed akemi to be taken away against her will but also has said nothing about fowler's impending attack on edo. also i find it very interesting that out of the two revelations, taigen is less angered by mizu letting akemi being married off (he sighs angrily and marches off saying he has to go to edo to find akemi), but much more angered by mizu's refusal to save the shogun and the shogunate as a whole. this is more proof that taigen's central principles are firmly rooted in the bushido and the concept of honour that comes with that. it's why he lashes out at mizu. because he'd believed mizu to be honourable and righteous, but was proven wrong. that's not to say that taigen is in the right for calling mizu a demon, not by any means. but i just find it a very interesting part of his character and it relates to his relationship and perception of mizu

also while rewatching the episode i found this very funny they just lyin there in the cart like this 🧍🏽‍♂️🧍🏽‍♂️

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[realpokemon]

sneef sneef

[housecow]

one of those days i wake up devastatingly hungry btw 😭😭

[dailypokemoncrochet]