#TRIBL

[searchingwardrobes]

Battling Anxiety Day 544

Tagging @jrob64 @snowbellewells

[queen-daya]

Song of the Day-Sunday Worship (3/5/23)

“I Thank God” by Maverick City and UPPERROOM

Reblog or Comment If You Listened To It

[escritos-que-edificam]

I used to damn those desert valleys But now I thank you for those droughts I used to curse the walls around me But now I see You had it figured out

Eu costumava amaldiçoar aqueles vales desertos Mas agora eu agradeço por essas secas Eu costumava amaldiçoar as paredes ao meu redor Mas agora vejo que você já descobriu

It was all working for my good If only I knew back then what I know right now Nothing is wasted in Your hands God You didn’t forsake me And I know You never will

Tudo estava funcionando para o meu bem Se eu soubesse naquela época o que sei agora Nada é desperdiçado em Suas mãos Deus, você não me abandonou E eu sei que você nunca irá

There is beauty in the ashes There’s a peace within the storm There’s a song for every season So don’t stop singing Há beleza nas cinzas Há uma paz dentro da tempestade Há uma música para cada temporada Então não pare de cantar

[o-i-w-u]

DUDE I'VE BEEN POSTING SHIT ON THE WRONG BLOG ALL DAY THIS SHIT SUCKS

Anyway

Love your Lord Bloodmoon that's what I'm trying to say

LMFOAJROAJ ITS OKAY WE JUST HAVE A SLIGHTLY THIRSTY BLOODMOON ITS ALRIGHT LSMKANSJSJ

and ty ty :D i love him too hes awful

[a-queer-seminarian]

“For certain, the authority of the Bible does not rest on its being a seamless document with a homogeneous or monolithic meaning. To the contrary, conflicting voices keep open meanings and appropriations. Despite efforts by editors, canonizers, and interpreters, no one person or group controls the meanings of the content. Biblical authority embraces the authority of struggle and difference; the authority of struggle and difference undergirds biblical authority.”

- Phyllis Trible in "The Authority of the Bible," appendix to The New Interpreter’s Study Bible: NRSV.

[meatguy]

TRIPLE BAKA AND MY BULLY OC (◍•ᴗ•◍)

[atlantahammy]

Turtle Trible Tattoos.

Oi, clip users, I did a thing in converting the bay-verse turtle tattoos into patterns for Clip Studio! ;3 I don't like bayverse, I'll say that, but not all of it was bad, like the tattoos, so if someone wants to slap them on another version, by all means! go nuts. c:

[talia-my-darling]

ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON ALABASTER TORRINGTON

[snazzystarlight]

This was so pretty! This is "Defender" by Tribl and Cecily as I see it because of synesthesia!

Shop | Patreon

[mixamorphosis]

Blog post and linked up tracklist [HERE]

Tracklist

01. Luftrum - Dawn Chorus (Self Released) 02. Andrew Wasylyk - Blossomness #2 (Clay Pipe Music) 03. D. Rothon - The Ghost We Bring (Clay Pipe Music) 04. Trigg & Gusset - Blue Shades (Preserved Sound) 05. Amanda Whiting - After Dark (Jazzman) 06. Nat Birchall - Mirror Mind (Ancient Archive Of Sound) 07. Ishmael Ensemble - The River (Reprise) (Severn Songs) 08. Dwight Trible ft. Matthew Halsall - Deep River (Gondwana) 09. Yusef Lateef - Like It Is (Music On Vinyl) 10. Chip Wickham - Pushed Too Far (Lovemonk) 11. Katya Yonder - Mood (Meteron) 12. Arooj Aftab - Last Night (New Amsterdam Records) 13. Warren Hampshire - Eye Of The Deluge (Athens Of The North) 14. Luke Howard Trio - Phases (Hobbledehoy)

Download available via [Hearthis]

[searchingwardrobes]

Battling Anxiety Day 563

Tagging @jrob64 @snowbellewells

[nikechristos]

Me..IN WEBCAM!!!!1!!

[rabbitcruiser]

National Pie Day  

From chicken to apple, pecan to mushroom, indulge in classic pastry  stuffed with any filling you fancy by visiting a bakery or hosting a pie  contest.

We’re going to need more days in the year if we want to have a  celebration for every type of food in existence. Luckily, most of the  important foods, such as pie, already have their assigned dates!

National Pie Day is, as you might expect, a glorious opportunity to  celebrate all of the wonderful things about pie. Whether it’s sweet  fruit pies, meat-filled pies with gravy or those silly whipped cream  pies that people throw for comical effect, no pie is left out during pie  day and they all have an opportunity to shine!

Pies have been around for thousands of years and the recipe hasn’t  changed much. It’s still a pastry that’s filled with something, either  sweet or savory, and served on a plate or dish that it’s baked in. It’s  simple, it’s effective and it’s incredibly filling. But what exactly do  people do on National Pie Day and what is it all about?

Most people see National Pie Day as an opportunity to stuff  themselves with all different types of pie. This may be especially easy  during National Pie Day as many stores and bakeries have started to  celebrate it, offering discounts or even free pies as part of the  celebration. However, others prefer to use National Pie Day as an excuse  to bake something of their own, usually with the intention of sharing  it with friends and family members. Even if you don’t have a clue how to  bake, this might be a perfect opportunity to learn!

History of National Pie Day

National Pie Day was started in the mid-1970s by Charlie Papazian.  Papazian worked as a nuclear engineer in Boulder, Colorado but also had  experience as a brewer and teacher. We’re not sure why he decided to do  it, but he declared that his birthdate would also be known as National  Pie Day. Everyone seemed to agree (who wouldn’t agree to a pie day?) and  ever since 1986, it has become an official celebration that is even  sponsored by the American Pie Council.

How to Celebrate National Pie Day

Celebrating National Pie Day can be easy even if it is fairly  obvious–just eat pie! Whether it’s a delicious blueberry pie from your  local bakery or a filling chicken pot pie for dinner, there are  countless different options for giving pie a rightful nod, and they all  deserve your attention. In fact, you could probably serve pie for all  three meals of the day if you really put some effort and creativity into  it!

Consider these interesting ways to celebrate this auspicious day centered around golden crusts filled with tasty goodness:

Start Making Pies

Although it is possible to simply buy the pies from a bakery or store  (especially because there will likely be sales or even free pie!), we  do suggest trying to make your own pies. This will give a greater  appreciation for pie as you can learn more about the process, pick up  some new cooking skills, and maybe even learn the history of pies and  how they were made in the past.

Host a Bake Off  

Invite friends, family or co-workers to a National Pie Day bakeoff  challenge. Whether choosing sweet or savory, it’s always loads of fun to  gather people around a common interest (and what could be more  interesting than pie?). However, the champion of the pie contest could  win a creative prize such as a special parking spot at work, a free  lunch, or even a giant box filled with pie baking supplies. Of course,  those volunteering to be judges are the real winners because they get to  taste all of the scrumptious pies!

Watch a Pie-Themed Film  

Okay, a film centered completely around pie probably wouldn’t be that  great. After all, it would probably just make people want to eat!  However, some films have scenes that feature prominently within their  larger plots. Check out these films and see if you can spot the pie  themes (note: these may not be suitable for younger watchers):

Labor Day. Released in 2014, starring  Kate Winslet and Josh Brolin, this romantic thriller focuses on the  relationship between a single mom and an escaped convict. In one scene  (which was used in advertisements by the American Pie Council) the  making of a peach pie is featured.

Waitress. This  2007 comedy stars Keri Russell as a server in a small town who enters a  pie bakeoff that she hopes will lead her away from her abusive husband.  

Blazing Saddles. This 1974 Mel Brooks western satire includes a memorable pie fight near the end of the film, where hijinx and mishaps ensue.

Julie & Julia. Inspirational  for those who love to cook, this 2009 film is about a young woman’s  experience with cooking for a year from Julia Child’s cookbook. The  beginning features a chocolate cream pie that is to-die-for, but the  whole film is sure to cause taste buds to demand something yummy!

Play Pie-Themed Music  

Most people don’t think about the fact that many songs and poems have  been written around the theme of pie. From oldies to metal to pop, pie  songs have been made available for more than 40 years, no matter what  kind of musical taste a person has. Filling a playlist with pie-themed  tunes can be fun and entertaining with songs such as these:

“American Pie” by Don McLean 1971

“I Can’t Help Myself (Sugar Pie, Honey Bunch)” by The Four Tops 1965

“Wild Honey Pie” by The Beatles 1968

“Cherry Pie” by Warrant 1990

“Sweet Potato Pie” by James Taylor 1988

“Where’s My Apple Pie?” by Joan Baez 2003

“Apple Pie a la Mode” by Destiny’s Child 2001

“High Hopes” by Frank Sinatra 1959

“Custard Pie” by Led Zeppelin 1975

National Pie Day is a fun and exciting day to celebrate, and it gets  even wackier when you include fun music, films, and delicious desserts.  People get  up to all sorts of crazy things on social media. You’ll find lots of fun  pictures of people gorging on pies, you might come across some new pie  recipes and you might even learn a few pie-related facts!

Source

[hypersaw]

ARE THESE ANYTHING

[burlveneer-music]

Dwight Trible - Ancient Future - new album on Gearbox Records with a sweet guest list

Today, the inimitable jazz vocalist, activist, and nominal godfather of the LA jazz scene, Dwight Trible, returns with the announcement of his new album “Ancient Future”. Out 17th March via London jazz aficionados and analog specialists Gearbox Records , the new record follows his critically acclaimed album “Mothership”, which was released in 2019 and saw him collaborate with the likes of Kamasi Washington, Mark de Clive-Lowe, Miguel Atwood-Ferguson, and more. On “Ancient Future”, Trible collaborates once again with Kamasi Washington (saxophone), as well as lauded LA multi-instrumentalist Georgia Anne Muldrow (vocals), who is signed to Brianfeeder and has previously worked with the likes of Madlib, Denzel Curry, Mos Def, Blood Orange, and Brittany Howard. Elsewhere, the record also features double Grammy winning pianist, John Beasley; Kamaal Williams touring drummer Greg Paul; gospel bassist André Gouché; percussionist and backing vocalist Megashia Jackson; LA guitarist G. E. Stinson; and percussionist Rene Fisher. A key figurehead in the LA jazz scene, Dwight Trible is a legend in waiting. With an incredible career spanning decades, he has played a pivotal role in creating as much jazz history through his work and inspiration in the new wave of US jazz, as he should be noted for in his undoubtable vocal and songwriting talent. He is the vocalist for the Pharoah Sanders Quartet and has collaborated with a huge variety of artists such as Kamasi Washington (singing on ‘The Epic’ and ‘Heaven and Earth’), J Dilla, Life Force Trio, Carlos Nino, John Beasley, Bobby Hutcherson, Charles Lloyd, and is also the vocal director for the Horace Tapscott Pan Afrikan Peoples Arkestra - a Los Angeles institution with a history stretching back forty years and an active engagement in the city's Black community since the Watts Uprising. Trible has also been on the forefront of the US jazz resurgence, working as executive director of the hugely crucial arts space The World Stage - a vital component to Leimert Park, which has been the epicentre of African-American art and culture in Los Angeles since the late 1960s. Artists such as Kamasi Washington and Terrace Martin have credited the venue as having helped to shape their sounds and the sense of community surrounding the scene, whilst also being an essential influence to the likes of Kendrick Lamar and Biz Markey, as well as number of artists from LA tastemaker label Brainfeeder and more. An avid and passionate activist, an enabler of the local scene and a figurehead in the LA jazz community, Trible’s focus is rarely self-seeking, always facing outward his focus is largely centred on giving, inclusion and teaching, whilst also inspiring others and expressing himself both on-stage on-record behind the scenes. Dwight Trible; vocals John Beasley; piano and keyboards André Gouché; electric bass guitar Greg Paul; drums and percussion G. E. Stinson; electric guitar Megashia Jackson; percussion and background vocals on ‘African Drum’ Rene Fisher; percussion on ‘African Drum’ Kamasi Washington; tenor saxophone on ‘African Drum’ Georgia Anne Muldrow; vocals on ‘Black Dance’ All tracks composed by Dwight Trible, John Beasley, André Gouché, Greg Paul and G. E. Stinson All lyrics written by Dwight Trible and Megashia Jackson

[fierysword]

[Phyllis Trible] concentrates on the use of womb and breast imagery as metaphoric symbols of divine compassion, mercy, nurturance, and grace... [The] uterine analogy to God as mother, nurse, and midwife in some accounts of Yahweh’s relations with Israel tends to subvert the more usual perception of God as a male deity...

The use of female as well as male imagery in reference to God’s transactions with people was distorted in early and subsequent translations from the Hebrew. The translators assigned more sexually restrictive, or only masculine, traits to Yahweh, e.g., in Deut. 32:18, whereas the original Hebrew was more sexually inclusive in its meaning... The last suggests an initial monotheistic view of divinity as God the Mother along with God the Father.

The Female Experience and the Nature of The Divine

by Judith Ochshorn