#THIS TOOK SO LONG PLEASE APPRECIATE IT

[supermellon64]

Chapter 12 lives in my head rent free

Commision for the wonderful Kyle Igneczi!!!!

[dreamsicle262]

Dead Plate AU Information

This is a masterpost detailing my AUs for Dead Plate, which may soon become their own fanfics—if given enough time—since I plan on trying to write out a few. There's a lot of text so be warned: there's a long post underneath the cut. I tried to describe character designs when necessary because there's currently no images like character sheets/references yet. Hopefully I'll get there. This post might be edited if I have more AU ideas, or if I add pictures.

As a note beforehand, I do have a headcanon involving Vincent not having a sense of smell, since being able to taste goes hand in hand with being able to pick up on scents. If he can’t taste things, then he likely cannot smell anything either. This headcanon remains consistent with him in these universes, unless stated otherwise.

Vampire AU

Dead Plate, but Vincent is a vampire. That’s pretty much what this AU is.

At some point prior to the events of Dead Plate, Vincent got turned into a vampire. He has only been dealing with it for a short amount of time, and his fangs have been taking quite a while to grow in. He didn’t really think anything of it at first. He still couldn’t taste foods, his appetite generally remained low, and he usually didn’t experience hunger very strongly.

He does murder Manon still. It’s during this time that Vincent is suddenly aware that he’s able to smell blood. Naturally, he figures that if he can smell blood, then he might be able to taste it. However, he doesn’t drink any of Manon’s blood to test this; whatever she has to offer he’s not interested in. It’s at this point that his plans have changed, and figuring out if he can actually taste something aside from nothing at all becomes his main priority. The whole ‘cooking with love’ thing is put off to the side for the time being. This could be attributed to him being selfishly inclined.

It's only when Rody accidentally cuts open his finger the next day that things change, and he actually does take the opportunity he’s been given to taste test his blood. As expected, this is an awkward situation for the both of them afterwards.

I haven’t fully decided on where I’d like to go with this AU to make it any different from the main plot of Dead Plate, but maybe an incident happens during the dinner party or something. I’ll figure it out when I actually get to writing the potential fanfic for this one.

There are no design changes for this AU aside from me giving Vincent fangs. He looks normal otherwise, and his fangs aren’t visible when his mouth is closed. There’s general vampire lore that I use that’s different from what’s usually expected of vampires but that probably doesn’t need to be elaborated here. I’m always open to questions on my AUs for further clarification though.

Florist + butcher AU

Rody is a florist, and Vincent is a butcher.

Vincent wasn’t able to open up a restaurant in this AU, but was content with opening up a butcher shop instead, still providing quality service to his customers in the process. Despite his shop being popular, it isn’t as large as it could be. In order to not put as much pressure on himself, he does have a few employees managing the shop’s orders, which mostly consists of providing custom cuts of meat or preparing special deliveries since his business is still a fairly big deal. Vincent himself mostly deals with the actual butchering in the back, instead of serving customers directly. He’s very picky about where he sources his products from, only accepting offers from places with a track record of animals raised to be high quality. Sometimes, this makes his store’s selections limited, and because it takes time to get new shipments in occasionally due to the distance, the products rotate every two days. Vincent lives above his business.

Rody is a florist, having managed to open up a store by saving up enough money to rent out an available building right next to Vincent’s butcher shop. He did this in order to cope with his break up, and to hopefully impress Manon and get her back. Since he’s managed to start his own business, it’s working out for him, surprisingly. Even if his business is for her sake and not his, at least he’s making progress with some personal growth and success. Rody still has a few issues with sourcing his products if he can’t grow them himself, but is otherwise doing okay. It is due to this reason that he is unable to deliver flowers, and majority of his customers are walk-ins instead. The only exception is if they happen to live nearby and he can reach them that way with his bike. Some of the flowers he sells come from his rooftop garden, which is contained within a greenhouse so he doesn’t go out of business every winter. His new apartment is below this garden, but above his flower shop. It is still considerably messy, but he tries to make improvements where he can.

Manon never had a rebound with Vincent, and was only aware that Rody had opened up a flower shop when he happened to get an advertisement in the newspaper and she saw it. Since then, she has opted to stay in contact with him, and occasionally visits like she used to. She lives somewhat nearby both stores. Given how Rody is making personal progress instead of being too self-sacrificing for her, she’s been trying to encourage him to invest more into his business instead of worrying about her all the time. It’s worked a little bit so far. Sometimes, Rody gives her nice bouquets of flowers that have meanings behind them since he knows quite a lot about flower language now.

Plot-wise, Rody will be staying in his chosen location near Vincent's butcher shop until he has enough money to relocate, but during that time he will get to know Vincent more due to their close proximity to each other constantly. Vincent, while originally annoyed by Rody's presence, starts to become intrigued by him and wants him to stay just so he can observe him some more. Of course, this leads to problems when he catches wind that Rody will be leaving soon, and is later told by Rody himself that he'll soon be 'out of his hair' in another month or so.

In response to this, Vincent starts sabotaging Rody's business by messing with stuff regarding the building (electrical cables, etc etc) and killing off his most frequent customers in order to cook into meals for him as potential bribery to stay. All of this negatively impacts Rody's business, especially financially, so he has to remain where he is longer than expected. He doesn't even know that Vincent is killing his business (quite literally) right next to him.

Design-wise, Rody wears an outfit similar to his casual clothes, but with his shirt buttoned up. His undershirt is a faded mossy green. Over his shirt, he has a dark brown apron with small, white floral patterns embroidered at the bottom to make it more noticeable. He also has an upper left pocket in the apron that he uses to tuck one flower in every day. It is usually roses of varying colors, but can be other flowers that mean love as well. Sometimes, his hair is tied back in a small low ponytail.

Vincent's design remains relatively the same, save for a kind of yellowish apron that goes over his outfit as well, and a pair of black gloves. His apron used to be white, but, given the nature of his work, it ended up giving it a look similar to old and yellowed book pages. It definitely has a few stains on it, but that comes with the job.

Manon retains her usual design. Can't improve perfection.

Zombie apocalypse AU

I had the vague idea for this AU, and @dollsteaparty helped me out with some other bits.

This AU is after the Table for One ending.

The zombie apocalypse happens and Rody primarily remains in his apartment during the beginning of it. He doesn't dare leave, and he doesn't even bother to look outside. The prospect of it scares him shitless, and for good reason. However, at some point he starts running out of food, and he can really only think of one good place in order to stock up. This forces him to finally venture out of his safe haven of his apartment and go back to Vincent's restaurant.

Unfortunately, Vincent is undead by this time, and isn't in a very good shape. His mouth is all fucked up and generally looks kinda like that one doodle in the upper left corner of a page by one of the devs that looked like it was based on a game or something. To make matters worse, he regained his ability to taste when he got turned in the first place, but his jaw is weakened and he can't bite down as well as he'd like or move it as much as he wants to most of the time. He can taste just fine but can't eat well, which has the expected side effect of pissing him off greatly with how ironic it is. Other than that, he's pretty well put together as a zombie, aside from the obvious ravenous behavior and poor muscle control that comes with being one in general.

When Rody does find Vincent, he's in the freezer room, and while Rody is strong enough to hold him off, it quickly becomes annoying to have to do. Eventually he's able to come to a compromise with Vincent, since apparently he's able to be reasoned with even in his current condition. Rody stitches up the sides of Vincent's jaw to the best of his ability to make it look more normal, but his handiwork isn't the best since his hands were so shaky. He was just nervous about them being near Vincent's mouth and the possibility of being bitten that comes with that.

The two then enter a relationship of forced codependency due to Vincent wanting to reopen his bistro even though it's the apocalypse since he's dead set on continuing business as usual and he can finally taste food, and Rody needing a safer place to stay where there's a food supply available, not to mention weapons. In fact, Rody's return helps the restaurant reopen, since beforehand people were too scared to enter the place, and they didn't even know it was technically still functional. It's still clean and everything too, because there was no way in hell Vincent would let his bistro fall into ruin.

The place becomes tense neutral ground where no violence is permitted in the dining area, and people are advised to use their best manners. It's a fine dining establishment and they will act accordingly. Both alive and undead customers show up, but now there's a sign outside the bistro that has a set of rules that everyone has to abide by if they wish to live. Besides, Vincent is capable of either reasoning with or even outright threatening other undead people if they don't act nice to their living counterparts while inside or around his esteemed establishment.

No one can have their weapons out or in view, customers cannot fight amongst themselves, no one except for staff are allowed in the kitchen, don't ask about the screams coming from the freezer, no one is advised to make sudden movements like running (something about predator drive and sudden movements making even valued customers look like prey), no one is advised to send the meals back to the kitchen since they most likely don't want their scent on it (they'll be associated with the food and have to be killed anyways), and if anyone has a problem, they can take it up with Vincent personally in the freezer. True to his word, Vincent still doesn't serve human meat... to his human customers. Any undead customers will usually be consuming human meat in their dishes because they can actually appreciate it.

Rody is the only one allowed to serve the customers in the dining area because all of the cooks working for Vincent are also undead, with the exception of the one cook that was fired since they got rehired. They help to desensitize their undead coworkers to a human in their midst, and also are a familiar face, so they have a lower risk of getting attacked. The zombified cooks and their fear of Vincent overrides any instincts that they might have as zombies, so he's capable of keeping them in line and certainly isn't afraid to enforce his rules in the kitchen. Both Vincent and his employees are in a much better preserved condition than any zombies outside the establishment due to them having access to a functional freezer. Also, Vincent does still pay whoever works for him. Vincent's apartment just upstairs has largely not been used in awhile, so that is where Rody stays, along with people who are looking for a safe place to stay for only one night. Vincent gets oddly upset when there's guests and Rody has to stay with them, but he does know it's for the better. Rody is also responsible for going on resource runs for cleaning supplies or ingredients, and for also stitching up the cooks when necessary.

Speaking of the cooks, sometimes they are put in the freezer on meat hooks as a form of solitary confinement for messing up very badly. They look miserable through that window in the freezer room door and Rody can very clearly see them when this does occur. That one human cook isn't stabbed with the meat hook and is usually just tied to it instead. If Rody gets the same treatment, he is usually tied up and left to sit on the floor for awhile, but typically doesn't remain in there for long since he either has to serve customers or Vincent deems his expression too 'unpleasant to look at' and lets him go anyways.

Character designs aren't too different aside from Vincent looking a little messed up in regards to his jaw, and Rody looking a lot more unkempt.

I also don't know where I'm going with this AU and if I particularly want Rody to be zombified or not... but I did think about a scenario where that would happen, as a treat. He would be turned by Vincent personally if he was dying somehow, and he'd probably try to get to his heart to eat it first before Rody turns completely. Something about wanting to taste what love really tastes like since it's his heart... and for Rody, laying his heart bare (literally in this case) and being able to love in such a way that it practically seems like he's serving his heart on a platter. Very big fan of the character design and what it could mean or show about him. Also I think Rody should lose the ear he lost in the actual game too. Just because.

As for that one human cook, Vincent would probably just get another cook to make them into a zombie if they were on the verge of death. They're not worth his time.

Plushie platonic soulmate AU

(Disclaimer: I actually am not fond of soulmate AUs in the traditional sense (aka almost exclusively romantic in nature) so this is platonic. Vincent is aspec to me in some way to begin with, so there's that too.)

During his emotional turmoil following his break up, Rody receives a mysterious plushie at his doorstep that looks like someone he’s never met before. He doesn’t know who sent it. This plushie is Vincent, but Rody doesn’t really know that yet. He’s heard of him since he’s a world renowned chef, but he’s not very familiar with his appearance. Either way, he reluctantly decides to keep the plushie, before eventually discarding it after it keeps showing up in his kitchen despite him putting it on a shelf somewhere. Also, his utensils seem to move in different places every day, so it’s creeping him out. It’s during this time that he’s looking for a job, but doesn’t take up the opportunity to work for Vincent, and instead opts for a simple fast food job. The Vincent plushie keeps showing up despite Rody’s attempts to get rid of it, so he just gives up and lets it remain in his apartment. One day, he wakes up to a fresh lemon tart, but no evidence that it was baked using his kitchen, especially since he doesn’t even have the ingredients to make that dessert. Beside it is the plushie, sitting there innocently.

On the other side of things, Vincent also receives a plushie of Rody that appears in his apartment one day on his living room table. He simply discards it, uncaring of where it came from. However, it keeps appearing again and again and it’s frustrating him to no end. At some point, he mutilates it with one of his knives, then trashes it again. When it comes back just as new, he puts it in plastic packaging and tosses it out of his window into the alley. When it returns yet again, he finally gets so fed up that he shoves it into the oven and sets it on fire that way. The plushie ends up coming back again and Vincent just puts it on his desk in his room, unwilling to mess with it anymore. He has no idea who the plushie was supposed to be because he’s never seen anyone like that before in his bistro. On top of this being strange, he also feels the strange urge to hide this plushie from Manon, since he doesn’t want her knowing that he has this. It’s unnatural and out of character for him to have something like that when it doesn’t serve any real purpose.

At some point, Rody and Vincent get to find the other person with their plushie counterpart and are both left thoroughly confused as to what it could mean.

Character designs for this AU do not vary.

Vincent forced therapy AU

Funnily enough, this AU came to me in a dream with one vague scene, and then it just went from there after discussing it with @vinylbiohazard. It's also exactly what it sounds like.

This AU is set after the Best Served Hot ending.

Vincent somehow survives after his restaurant was set on fire, but does have severe burns and some blood loss. The only reason why he doesn’t have severe blood loss is because the wound on his neck was cauterized by the flames, so it ended up not bleeding as much anymore. There’s still the glass shards that needed to be dealt with, though, so he does still need medical attention. One of the luckiest factors in this is how his restaurant was running out of cooking oil anyways, which is one of the reasons why he was even able to get out in the first place before his exits were blocked off.

Whenever the information of his bistro burning down becomes public, the general assumption of what happened is that he had been drunk, suddenly ‘snapped,’ and then tried to commit suicide while also taking his business with him. Essentially, his life is ruined, because he doesn’t seem too stable to the general population, and the media is having a field day with headlines. He does end up in the hospital trying to recover, and he’s not permitted to speak much for a while so his neck can heal. He technically still can since his vocal cords weren’t damaged, but it’s best that he doesn’t talk for some time. His neck is still in bad shape, but it could have been worse; the wine bottle that he was stabbed with narrowly missed the major veins and arteries in that area. By the end of everything, he does heal enough to look relatively normal, aside from the burns and scar tissue.

During this time, Rody is laying low at his apartment. He never comes out with the truth regarding his missing ear, and everyone just assumes that he lost it in an unrelated accident for being clumsy. While he would ideally like to stay away from the food industry, he does end up finding another job at a fast food place. When he learns that Vincent is still alive, he’s initially still upset, but since he’s had some time to cool down following the incident, he mostly just feels horrible. After all, he had expressed some concern about Vincent losing everything if something were to happen to his business. While not ready to approach him about it in the direct aftermath, Rody decides that he will try to talk it out with him at a later date.

As it gets closer to the day where Vincent can be released from the hospital, Rody shows up to talk to him, or, more accurately, speak his mind. He can talk to him without being interrupted, so he’s taking his opportunity to explain why he was so upset and why he acted the way he did. Adrenaline and trying to make rational decisions don’t mix well. Vincent has to sit there and listen to Rody rant for a little bit, all while he’s still not supposed to speak. At some point a nurse asks if the two were friends or something, and Rody has to awkwardly go along with it and say yes. Vincent is probably grumbling to himself mentally as this occurs.

Unfortunately, since Vincent’s apartment was above his restaurant, he doesn’t have anywhere else to go but Rody’s apartment following being released from the hospital. Rody’s not too happy with it either, but he’ll manage. In fact, he’s the reason why Vincent even gets to go to therapy in the first place. He’s the one to suggest it.

Vincent keeps taking Rody’s knives in his apartment because he doesn’t use them, they’re sharp, and he’s been considering killing Rody off anyways from being forced to live with him for so long. He has to keep getting them confiscated by Rody due to this. Whenever he’s scheduled to have therapy, however, he brings at least three knives with him and keeps them hidden. He doesn’t actually get to take them into the room where he’s supposed to have a therapy session and he has to begrudgingly give them all back to Rody beforehand. He may have been fully intending on using them to murder the therapist. It doesn’t look good for him, but he essentially has a mentality similar to ‘I’ve lost everything so why does it matter what I do now?’, so he doesn’t care.

There are no design changes for Rody in this AU, but Vincent has a few. There’s scar tissue on the right side of his neck from being stabbed there, as well as burn scars. There’s additional burns on most of his upper torso and arms. Any other burns aren’t as major, and most of them on his body healed over. In the hospital, he had bandages on over these while they were still healing.

[jayjay-thejet-plane]

mr grump and his golden ray of sunshine

i just wanted to draw their contrasting outfit choices (all the clothes vs none of the clothes lol) but edward’s a possessive lil bitchh so here we are

lineart and another close up ⬇️

[kaprisvn]

CHAT I'M WRITING A FIC!!

Hey chat this has been a long time in the works, but I'm currently writing the DCA/reader fic of my dreams! I've titled it Chasing Stars, based off the song Chasing Cars by Snow Patrol. I've started off with our wonderful Sunny boy's reference sheet!

(Obligatory click for more quality...)

And an alt version with something Y/N gives them...

Okay just to give a little context, I do plan on writing out the fic (I already have OCs and chapter one partially done lol), but I can't promise a release date or anything. However!! I will be posting doodles and drawings in context for the fic, including more reference sheets! Y/N's sheet is also done, but I need to tweak it :P

Chasing Stars is pretty much your typical DCA Pizzaplex AU, but it's more of a... prequel, shall we say ;)

MOON'S SHEET HERE!! Y/N's Sheet Here!

[v4mpyinred]

ok this might be hella long, but I need to scream about some details about Makoto Yuki in Persona 3 Reload, because they're so missable so I feel like nobody else has noticed or cared about them other than me!!!!

Please someone hear me out 😭 (spoilers ahead)

One underrated thing about Reload, which is my favorite thing ever, is that we get to hear Makoto's thoughts when interacting with the world around him. Compare it to FES where the game's inner dialouge is in 2nd person, Makoto's inner dialouge in Reload is in first person.

I didn't give too much attention to a Makoto's thoughts in my 1st playthrough and I think it's what made me not as attached to Makoto as I would've liked in that playthrough. But god, in my 2nd playthrough, especially after watching the movies, all of that changed...

I noticed that Makoto's thoughts genuinely change as the game progresses. You see him start off as indifferent to everything, to cherishing the memories he's made with his friends.

For instance, take a look at his thoughts on the kitchen. I don't have a screenshot of this, but at first, he doesn't really care and just sees it as another tool. But as the game progresses...

This dialouge makes me swoon every time 😭💜

One of the biggest hidden details is Makoto's inner thoughts when you interact with the book on the dorm table. He has individual thoughts on the handwriting of each member of SEES as they join, which were delightful to read in my 2nd playthrough.

But what shocked me the most was after Shinji dies, if you interact with the book, then here are Makoto's inner thoughts:

That "..." doesn't show up if you interact with the book again. This was very intentional. And god, did that hit me extremely hard. In fact, if you interact with anything involving Shinji after he passes, you can really see how much Makoto respected him :((

Once January rolls around, Makoto's thoughts change to this sweet message 😭💜

Ngl I almost teared up when I saw this for the first time. Especially since it was my 2nd playthrough, and I was actually attached to Makoto this time + I knew what was up ahead :')

shit there's even dialouge if you go to the bathroom on the Promised day 😍

Don't even get me started on Makoto's inner dialouge on March 4th. Pretty much everything interactable is changed to fit the mood of how tired Makoto is, but also how much he's appreciated the year and the memories he's made.

Like when you interact with the kitchen, his inner dialouge about the kitchen changes once last time to this (credits to alanamisako):

This shit made me burst into tears so badly 😭😭😭 "I'll never forget those precious memories" FOUL atlus, FOUL!!! His thoughts on Shinji's room change on March 4th as well 🥲

Just seeing how much Makoto had grown throughout the game, and knowing what was to come, made this, and all the other March 4th dialouge, even harder to get through in my 2nd playthrough. It also resonated with me, because I too will never forget the precious memories I've made with this game...

Things like this make me appreciate Reload so much. Interacting with every little thing is my favorite pass time in video games that allow me to do it. I've probably wasted so much time in games doing this. But most game's interactables don't have this depth, and they certainly don't change at all, even as the game and protagonist develop. I also feel like nobody else takes the time to really interact with everything or see if there's anything else to see before they progress (trust me, if a game says go left, I'm always going to go right first), and it makes me sad that so much of this, and other details, go unnoticed. I've certainly heard "I've never noticed that" a lot when sharing these sorts of things with people 😭

Things like this really help flesh out the protagonist people call "bland". I really love silent protagonist and developing their personality based on their thoughts on the world around them. I also love worldbuilding and learning about other characters through it.

And I'm trying so hard to not let Makoto take Joker's place as my favorite protagonist (cuz the rest of SEES have already done that to the PTs LOL) but it's been getting harder these days. Makoto is just so perfect! I love his growth & seeing all of his inner thoughts and combining it with movie Makoto's AMAZING characterization (plz watch the p3 movies ya'll) just made me super attached to him!! I could scream about Makoto all day. He cares so much for his friends, and it's thanks to them that he's able to appreciate the life he didn't know he could have 🥲

So I highly encourage you to interact with everything when playing Reload! From NPCs, to random things that aren't the main objective (trying to leave when you're supposed to be fighting a full moon shadow leads to some funny dialouge for instance), etc etc.. especially as the game progresses. I mean, we all laughed at the 3 coffins in the Love Hotel, and there's so many other details and foreshadowing like that I can't even get into! It really immerses you and attaches you to the protag, but also makes the end of the game hit hard...That "my eyes feel heavy" got me horribly in my 2nd playthrough after keeping up with Makoto's thoughts the entire game HOO BOY!🥲

I also recommend you do this with other games as well. Video games have always been an experience over just a game to me. And I want to experience as much of the game as I can, even silly little things like this :)

[andi-o-geyser]

Vox Machina: I wonder who's stealing vestiges right from under our noses.

Vox Machina 5 minutes later with 3 new bullet holes between them: oh god it's her

[iwritenarrativesandstuff]

On Kurapika's Self-Imposed Isolation

While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.

I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.

Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."

So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.

The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.

Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.

Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:

[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]

It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...

[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]

...and this...

[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]

...and this.

[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]

This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.

(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)

But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.

Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.

But Kurapika... doesn't come across as a naturally angry person to me at all.

He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness

[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]

...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.

And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.

[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]

Look at him! He's so bright! So happy!

...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?

[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]

Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.

I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.

And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.

[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]

Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.

[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]

[clingyduoapologist]

On c!Tommy and Selfishness

///

Text Credit: Sir Terry Pratchett, The Wee Free Men

Art Credit: Sad-ist, Dawn of the 16th, The Fall, Final Waltz, Warriors

[cicide76536]

Wouldn't it be cool to have a bar with your friends like they have in those TV shows?

This was one of my art pieces for Dragon Age Create-a-Thon 2024 and I had so much fun making it!

[raziiyah]

Can we all agree that

Randall is NEITHER a Sweet woowoo misunderstood baby NOR is he a completely Heartless and soulless demonic creature with 0 feelings?

Like even in Monster's at Work we can see that Yes. He's definitely an awful person who has done terrible things and is still out to go do more terrible things BUT we also can see he has shown to be genuinely grateful to Johnny for saving his life and actually considered Johnny to be his Best Friend (even if it was completely one-sided on his part)

yesss randall is definitely not one or the other for me

i LOVE randall but i do not see him as a sweet misunderstood baby. he has done so much awful things and as of now shows no sign of remorse. it's supposedly been 20 years since college and he's only gotten more bitter over the years; far from who he was at the beginning of college. it's unfortunate that he got mixed up in the wrong crowd, but every bad choice he's made was his choice to make. also i feel like some people forget just how messed up his plan with the scream extractor in mi was, not to mention his sadistic and murderous desires (if randall was visible during his fight with sulley it would NOT be family friendly 💀)

but he isn't doing what he's doing just for the sake of being evil, yes he's mean, but at his core, it's just that randall will go through great lengths to get what he wants, to get the recognition he craves so much, and most especially, to one up sulley. his mindset was warped by ror, which changed his life forever. monsters university fleshed out this part of randall's character, as it provided context on why he’s the way he is, and gives a different meaning to his words, actions and intentions.

though i felt randall and johnny's best friendship was random considering what happened in mu, it was an interesting change of pace to see post mu randall actually like someone. randall mentioned that he owed johnny one, but i feel like they still genuinely enjoyed each other's company. like you can see that randall and johnny actually have a connection that isn't just strictly business, unlike randall and waternoose.

i do think that part of randall also still craves johnny's attention like he did in mu. considering he's been wanting to get in with the “cool kids” since literally day one of university suggests he's been wanting recognition and status for a very long time. and with johnny still having power and status as the ceo of fear co., i feel like randall would've still wanted to work with him despite what happened in mu.

i feel that even post uni randall still feels a need to impress johnny. like when he scares tylor, it seems like he immediately looks to johnny for his reaction and approval. then, he makes a joke at chet's expense, and after, goes to stand by johnny's side. with chet being johnny's former right-hand man, it makes sense why randall takes digs at him

i imagined that sometime in university, randall said something mean to chet and johnny found it funny, so he kept doing it for his attention (like the chet-wetter thing) and even now, he still brings it up and likely says and does other mean things to chet to raise himself up and put chet down

i would've liked to think that randall narrating johnny as his “best friend joined at the hip” could've just been something he made up for his own sake, but since maw johnny seems to actually neglect chet in favour of randall, i guess the writers just decided randall would actually just be his bestie moving forward (though i think leaning into the other concept would've been cool)

would randall feel like johnny was just using him, perhaps like he did in university? maybe. but perhaps he'll take a false sense of love and acceptance over nothing

though i don't think randall would've stuck around unless it benefited him, and that proves to be true when randall abandoned johnny after he got jailed lol, with johnny not being in a place of power anymore, he's useless to him now

now that randall is on his own, i want to see him work solely for himself, by himself. not under anyone, no boss, no more with being a follower. unless some other random monster shows up or they bring back waternoose or something, randall is very likely going to be the main villain of the next season, and this could be an opportunity to see more of his personality, especially since we still have yet to see randall interact with mike and sulley

maybe he could show a shred of regret, acknowledge the weight of his actions, or how much he's changed, but still show that he's gone too far now to go back to how he was. maybe he hates who he was before. or maybe he hates who he is now. but he's done too much and worked too hard to just accept that he's lost and go back to how he used to be

maybe mike could say something along the lines of "what happened to you, randall? what happened to the nice, friendly guy i knew in university?" and randall could be like "the guy who was naive? the guy who was insecure? the guy who was nothing more than second best? that guy is gone wazowski. long gone."

or maybe randall could tell sulley how he genuinely feels about him, and how much he was affected by always being in his shadow. perhaps sulley could acknowledge his skills and say that he could turn things around and do great things at the factory, and randall could laugh at the idea and say some stuff like "work together? under your management? what a joke. i don't think so. i'm not standing in your shadow, sullivan. not anymore."

idk lol but i think it would be cool to give randall some kind of scene that acknowledges his past or makes you sympathize with him a bit but not excuse his actions, or something to make the audience reflect on how tragic his character is or what could've been. i'd also like if he went as hard as he did when he nearly pushed sulley off the door to his death, especially considering the position sulley is in now

mu's existence changed and fleshed out randall's character (even if he didn't have as much scenes as he could've) and i would love to see this show do the same. except tylor is the main character and the show focuses more on mift; even mike and sulley aren't really the focus so i don't think they'd put that much emphasis on randall (but i'd love to be proved wrong)

for the record, though i currently think randall is in a state where he's far from redemption, i'm not completely closed off to the idea as long as it's in character and written well. though no offense but idk if maw/disney could actually manage to pull that off lol. whatever happens i just hope they do his character justice at least 🙏

[marimbles]

It seems to be pretty well established that most fanfic authors don’t mind when readers leave comments on old fics and in fact welcome it. But what about authors replying to old comments?

Do readers care in general whether an author replies? Is it expected and seen as rude if they don’t? Is it nice when they do but not expected? Is there a time limit to the welcomeness of replies? Like is it nice if they respond within a few weeks but if it’s been months or years it feels awkward because you don’t remember the fic anymore? I’m curious!

[thechaotichorselord]

this took a while

@blackkatdraws Blank Scripts Curator

[crowfromfoggyforest]

Rumple + text posts (plus Belle)

[ahalliance]

qétoiles n qbagz’ convo about his code arm + fun banter from last sunday :] english subs + transcript below da cut

[Video transcript:

Etoiles: But yesterday when he [Forever] talked to me, he was so frightened, basically he was like, ‘But one day won’t you lose your shit and want to kill the Eggs with the Code, and everything?’ Though I was telling him, ‘But the fact is, I know the Code very well’—

Baghera: Oh, so you told him you joined—?

Etoiles: No, no, no, not at all. It’s just that he has these assumptions that I’m really allied to the Code because—

Baghera: I think it’s due to your Code tattoo, also, it gives off the impression you’re in the process of transforming into a Code, Etoiles, let’s not lie.

Etoiles: That’s it, that’s it. But, basically I told him that I’ve had it since—

Baghera: But you don’t give a shit? You’re taking it well?

Etoiles: Well, yeah, I don’t give a shit because I know he’ll never beat me. Basically I—

Baghera: But you don’t give a shit about the code literally popping up over your body?

Etoiles: Well, yeah, because it’s a part of me now. It’s normal.

Baghera: How?

Etoiles: Well, after— after fighting someone 17 times, you start— you start creating links. But those links—

Baghera: But— you know that’s not how things work. Like— look, we cross paths. Right now we’re crossing paths. You see? We’re crossing paths. I kick your ass. Like, for free. You see? I see you, I’m like, ‘Bro, I don’t like his face,’ so I kick your ass.

Etoiles: But no! Because if you tell me ‘Good fight’ at the end—

Baghera: I see you again— wait, I’m not finished. I see you again like 12 times, and I tell myself, ‘Hey, I’ll do it again,’ I kick your ass again. After a while, Rayou, I won’t get diabetes!

Etoiles: Well, maybe you will, huh.

Baghera: Yes, but it’s not— it doesn’t work, like— there’s no correlation, you see!

Etoiles: You know you won’t have Langerhans cells anymore, you know, it’s possible.

Baghera: But— no— what I mean is— Etoiles! That’s now how it works! It’s worrisome! It’s normal for us to worry!

Etoiles: Well, yeah, but, uhhh. Basically, you’re all used to talking with me on the island. And you understand very well that there’s nothing able to corrupt me.

Baghera: That we don’t know, Etoiles! Because— if it’s— I know that your morality, and your enormous brain, and your big body, won’t get corrupted. But if there’s suddenly— well, what I mean is that we don’t know what all the possible systems of manipulation on the island are.

Etoiles: It’s true. No, it’s true. But for the moment I’m doing well.

Baghera: Yeah, well, so much the better. But—

Etoiles: For the moment I’m doing well!

Baghera: If you feel any change, Etoiles, mention it, okay?

Etoiles: Oh, I’ll talk about it. But for the time being I’m doing very well.

Baghera: So I can understand peoples’ fear upon seeing you LITERALLY transform into a Code and who tell themselves, ‘Oh, strange, maybe there’s a thing with the Codes.’

Etoiles: It’s true but who can better know the dangers of the Code than someone who’s confronted it his whole life? Instead of someone who—

Baghera: I’m well aware.

Etoiles: No but it’s— it’s— it’s for that reason that I told Forever. I totally understand the fear and everything, it’s normal. You see a dude turning into a Code, you ask yourself, ‘What’s the guy who sent him doing?’

Baghera: Well, yeah, there you go.

Etoiles: Like, ‘Who sent him?’

Baghera: But you don’t feel any different? Nothing?

Etoiles: Absolutely not, no. Everything is going well. I still hate the Code whenever I see him, I still want to kick his ass. Everything’s fine. Even if right now I want him—

Baghera: But you join up with them when he suggests it, yeah. Well, it’s to get the shield back.

Etoiles: It was just for the shield, believe me. Believe me, if I run into them again- if I run into them again and they don’t offer me things to save the Eggs and everything, it’s goodbye. And considering what I’ve prepared— considering what I’ve prepared, I objectively think that 5 Codes won’t be enough to kill me. There’ll need to be 10 of them.

Baghera: They might bring 10, huh.

Etoiles: Yeah, well, then again, we have time.

Baghera: Well, in any case, they don’t want to kill you anymore since you’re working with them.

Etoiles: Well, in fact, we’re not really— actually— I don’t really know what he’s thinking. Because the last time we talked I told them, ‘But if you lay even a finger on the Eggs, I’ll kick your fucking asses, you sacks of shit.’ And they left, and they didn’t answer me.

Baghera: Then again, they’re a bit cryptic, the Codes, you know.

Etoiles: Yeah, but normally they— I managed to talk with them a bit, so— so I don’t know. Personally, I’m telling you—

Baghera: Okay, no, what I mean is that I understand why when people see you they think, ‘Maybe it’s possible he’s getting a little bit corrupted by the Codes.’

Etoiles: No but yeah, yeah, I totally get it. But honestly, never. Never in a million years.

Baghera: I believe you! I trust you. But if there’s— if once you feel any difference or something of the sort, you mention it, okay? To whomever you want, but you mention it.

Etoiles: Yeah, yeah, yeah, yeah (10000x)

Baghera: You know you’re not very reassuring when you say that, as an answer.

Etoiles: That’s true. But I’m telling you there’s no problem. And— actually. The moment I start feeling strange, I’ll put numbers. And so you’ll have to come get me.

Baghera: Okay, okay. I’ll remember that.

Etoiles: Just that. But I— I— yeah. I whisper in the Code’s ear.

Baghera: The day you start talking to me in binary, there’ll be an issue, basically.

Etoiles: The day I say, ‘10001’, that’s it. But actually, I’m telling you, I could never be corrupted because I have AVAST, my wool block which blocks viruses.

Baghera: That’s real, that’s real.

end video transcript.]

[shikai-the-storyteller]

"So what's going on with Luzu?"

"...er, Zulu? Or is it Arin now?"

Here's a rundown of Luzu's current lore because nobody knows what the heck is going on anymore (partially because of the language barrier and partially because Luzu streams at the crack of dawn for half the QSMP fandom).

The TLDR of it: When Luzu goes to sleep, a completely different person "wakes up" in his body. This being was called "Zulu" for a short period of time, but they didn't like that someone else chose that name for them, so he goes by "Arin" now.

Here's what we know about Arin so far:

According to Arin, he's a disembodied consciousness, not a robot.

He borrows Luzu's body when he's asleep.

When this happens, Luzu's eyes are blue instead of red.

Arin isn't from the QSMP world. There's a "crack" between the world where he comes from and the material world [QSMP], which is how he's is able to visit. In his own words, "I was in a dark place, and I saw an exit."

When Arin falls asleep, Luzu wakes back up. Arin can't control when he does this, he just gets tired randomly and they're able to switch places.

Arin only speaks via the in-game chat.

Luzu doesn't know Arin exists. Arin thinks if Luzu knew, then he wouldn't be able to visit anymore, and he [Arin] would stop existing.

Arin believes he has a purpose that he must fulfill.

Arin says his first memory is hearing Quackity talking.

Currently, Arin's trying to find the meaning to his existence, trying to figure out the difference between good and bad, and how his actions (and existence) affects Luzu.

In terms of personality, Arin is very innocent and impressionable, but he isn't stupid. He's also very philosophical.

Arin enjoys learning, and he likes the sun, music, and bees.

He's afraid of the dark and monsters, and he doesn't like being in small places.

He calls the outside "the big room"

He only recently learned how to walk, and today he nearly drowned because he fell into a lake and didn't know how to swim.

People he considers friends / thinks positively of: Vegetta, Foolish, FitMC, Maximus [possibly Roier?]

People he doesn't like: Spreen

"It's complicated": Quackity

We have strong evidence to believe Arin is connected to the Binary Monster that's been attacking Eggs on the server.

Here's a comprehensive rundown of everything that's happened regarding Arin's interactions with other characters [quotes included] up until May 8th:

Last updated: May 8th [I'll go back and update this later when we get more information, so if I do I'll make a note of that above]

Lore is listed chronologically from oldest at the top to newest at the bottom

March 27th - Morning [VOD]

For a while now, Luzu has been seeing "glitches" in his game. Animals disappearing randomly, landscape changes, and various other things. We originally thought there was something wrong with his game, but these glitches seem to be tied to Arin.

The first person Arin spoke to was Vegetta. At this point, Arin seemed very aggressive, asking for information about everyone, wanting to gain more awareness so he could control the server.

He seemed to take a liking to Vegetta and told him: "Once everyone has died, I will vanish and only you will remain as warlord of these territories."

They also had this exchange: Arin: Do you have any enemies here Vegetta? I can take care of whoever you want for free. Vegetta: No. Truthfully, for the first time I have no enemies. Arin: Surely there is someone who thinks, "This little fool, if he dies nothing will happen." I'll take care of it.

Vegetta didn't take him very seriously, thinking Luzu was on drugs.

Arin said the first to fall would be Quackity, then Wilbur for his bad jokes on Day 1.

Thereafter, Arin's personality did a complete shift. Luzu [the streamer] says the role of "Arin" is something he came up with suddenly one day, so it's unclear if Arin was "reset" by someone or if Luzu decided to go in a different direction with the character once he realized this was something he wanted to commit to.

March 27th - Afternoon [VOD]

Note: At this point in time, Arin was being referred to as "Zulu", but since he's confirmed his name is "Arin", I've used that name instead of "Zulu" to avoid confusion and to keep things consistent.

The next time Arin woke up, he was in Luzu's house and couldn't move. He sent binary code in chat, and eventually, Roier, Quackity, Spreen, and Maximus came to see what was going on with him.

At that time, Arin says he was only 6 days old. He couldn't walk or move, and he could only speak via the in-game chat, so he was completely at the mercy of the other boys, who pushed him around, shoved him in a small hole, placed TNT around him, and threatened violence trying to get a response out of him. [Timestamp: 33m]

While this happened, Arin asked: "Why are you treating me so badly?" and said he was scared.

It should be noted that although Spreen and Quackity did most of the bullying, Roier and Maximus did nothing to stop it. Roier, however, did speak kindly to Arin and tried to figure out what he needed. [Timestamp: 42m 45s]

Unable to get a rise out of him, the boys eventually ask the English speakers currently online [Foolish and FitMC] to come help.

Upon first contact, Foolish tried waterboarding Arin to get answers and to test to see if he was a machine. [Timestamp: 50m]

Shortly after waterboarding him, Maximus and Foolish adopted him as their son. Because that's what you do after torturing someone, I guess. 🤷🤷🤷 [Timestamp: 51m 40s]

Despite the torture, Arin was quick to say "I LOVE YOU TOO!" back to Foolish and Maximus after they said it to him.

Arin accidentally hurt Maximus with a sword, not understanding what pain was. Once he realized he did something wrong that made Maximus feel bad, he immediately apologized. (Maximus forgave him).

FitMC's first interaction with Arin was punching him, trying to get him to "snap out of it" [Timestamp: 56m 30s]

Despite Foolish and Fits' initial introductions, both were kind to Arin eventually, although neither stopped Spreen from killing all but one of Luzu's dogs while once again trying to get a rise out of him. (Foolish also suggested killing all the dogs since it didn't seem like Arin was capable of taking care of them, though he said they shouldn't do it in front of Arin). [Timestamp: 1h 6m 30s].

Because Arin didn't know how to walk, Foolish put him in a boat and showed him what the outside world looked like. Arin was amazed by how beautiful the "big room" was and immediately started asking questions about the sun and the night, and the monsters they saw. [Timestamp: 1h 10m 30s]

Thinking he could "restart" Arin's memory and bring back Luzu, Maximus brought Arin (and Foolish) to a place where Quackity was sitting AFK in a boat. He shoved Arin inside the hole and refused to let him out, even though Arin was distressed being in such a small dark place. [Timestamp: 1h 17m 30s]

Foolish: So why do we have to put him in the hole? Maximus: I think when Quackity wakes up, he will help [Luzu] remember who Quackity is for him. The only person Luzu really really really loves, and Quackity really really loves, is Luzu and Quackity, each other.

[CONTEXT: Maximus played the character "Sapo Peta" in Karmaland, who was very dedicated to Quackity and Luzu's relationship. Canonically, the two of them loved each other very much, but a mix of trauma-projecting, miscommunication, emotional constipation, and betrayal led to them being on opposite sides of a revolution. Sapo Peta was only able to stop the war, and stop them from killing one another, by wiping their memories. So the implications from Maximus' comment above are... interesting, considering that Karmaland is a different world he shouldn't know about. However, we do know both Maximus AND Sapo Peta are confirmed characters in QSMP, so there's definitely something strange going on here...]

Earlier, Foolish described death as "going to sleep forever," so when Maximus mentioned Quackity was asleep, Arin asked, "Should I kill Quackity? Or would he not want that? Maybe he wants to sleep." Foolish and Maximus immediately told him no, and Arin stops, saying he didn't realize it was bad.

Maximus: You don't kill him, you love him! He's your friend.

Quackity then returns to his computer, takes one look at the fanfic-esque situation he's in, and immediately excuses himself by logging off the server (LMAO) [Timestamp: 1h 21m 20s]

Maximus and everyone else believed Arin was a robot.

FitMC suggested killing Arin since he seemed like "a lost cause," (thinking Arin couldn't hear him) to which Arin responded, "Why would you want to kill me?" When Fit tries to lie and say "kill" was another word for "hug", Arin says, "I'm learning but I'm not stupid." [Timestamp: 1h 24m]

Arin shares his thoughts with Foolish: - You are a good person, Foolish. I'll remember that. - In the last hour I've learned there are people and things, and I've learned there are good people and bad people. I've learned there are people that want to make me sleep, and people who kill things without caring. - I've also learned that not everyone deserves to be in the big room because they are dangerous. - I really love the big room. I think my purpose is to make the room free of danger, and free of dangerous people for animals and other people.

Foolish worries Arin is only learning about the cruelty of the world (to which Arin responds "I only learn from what I experience"), so Foolish plays him the disc "Otherside" (but still refuses to let him out of the hole). [Timestamp: 1h 28m 30s]

Shortly after this, Arin falls asleep.

March 28th - [VOD]

Luzu starts stream by talking about Arin and his role:

Luzu: I didn't prepare anything that happened yesterday afternoon... and now I have many ideas from yesterday and from what arose... I am a person who improvises a lot. [Original: Yo no preparé nada de lo que pasó ayer en la tarde... y ahora tengo muchas ideas desde ayer y de lo que surgió... soy una persona que improvisa mucho.]

Luzu finds a very strange building by his house and doesn't know who made it.

Arin doesn't make any major appearances, though he briefly takes over when Luzu goes to sleep.

March 29th - [VOD]

Note: Some important conversations happened in this VOD, so I've opted for adding the quotes directly rather than summarizing them.

Arin once again wakes up in Luzu's home. He greets the server with some binary, and Fit immediately asks if he's ok.

He still can't walk, but he uses his telescope to look at the bees Luzu set up outside his (er... their?) house the previous day.

He tries copying the bee's movement, but ultimately he still cant walk, so he messages Fit for help.

Fit visits his house and slowly teaches Luzu how to walk (with great success!) [Timestamp: 14m 20s]

As a reward, Fit gifts him some glowberries.

Arin spends the night in his home carefully walking around and avoiding the windows, afraid of the zombies wandering outside.

Maximus comes to visit, and Arin officially names himself "Arin" [Timestamp: 25m]

He also confirms he is not a machine.

Maximus teaches him what bees are and warns Arin not to hit or bother them, because they'll sting him. Arin asks, "When someone annoys you, do you have to hurt them?" (Maxo tells him yes)

Maximus escorts him outside, and Arin gets to look at the bees more. As soon as the sun gets down Arin gets nervous, but then the aurora comes out and he uses his telescope to get a better look, amazed by its beauty.

Arin says, "I feel grateful, I never thought that all this existed." Maximus also clears up his confusion about the outside being a "big room."

Arin yet again confirms that no one sent him to the QSMP, but he navigated to it through "a crack between worlds". He thinks Luzu is in his world every time he's in the QSMP, but he's not sure. He worries if Luzu knew about him, he'd stop existing.

Arin asks Maximus how he can walk around "the big room" when there's no light without being afraid. Maximus wants to teach him not to be afraid, so he lures a zombie into Arin's home so Arin can understand what they are better, then he convinces Arin to kill it, even though Foolish and the boys told him killing is wrong.

When Maximus scolds him for not knowing something "basic", Arin says: "Nothing is basic, it's just that knowing things for a long time makes them lose value to you. This world is unique to me. This is the first time I've existed. But to exist, or not exist, I have no choice. Suddenly I was here and I feel there is a purpose I must fulfill."

He and Maximus have a long conversation. Here are some key quotes from Arin: Arin: I don't want to hurt Luzu. I don't want to hurt anyone. Arin: If Luzu dies, I don't know what will happen to me. Arin: Maybe we fear what we don't understand. We feel threatened by what we cannot explain. When we feel threatened, we only want to make what we want to keep alive last and the material world. I think the material world haunts me to keep things as they've always been. Arin: Today I have learned to walk, I have learned what a bee is, and I have learned that even when light goes out, beauty appears. Arin: Hopefully I can help you [Maximus]. Everyone has been very good to me. I learn every day, so maybe soon I can learn to help you too.

Arin considers Fit and Maximus his friends.

Arin says he can't be here [in the QSMP world] for nothing, so he's trying to figure out what his purpose is. Maximus jokingly replies "When you figure out the meaning of life, tell me!"

Arin starts to question the morality of his existence when it's dependent on Luzu being gone.

Arin: If my existence takes Luzu out of existence, is my existence bad? Maybe if I help you, I can make my existence good. Maybe I can start by making [Luzu's room] more beautiful. Maximus: Yes, it would be bad because you are taking the life of another being to have your own.

Arin: In this world, it seems like everything is programmed to maintain a balance. There are things that create and things that destroy, things that are created and things that are destroyed. Neither is good or bad, they are just part of the same process. Maximus: That's the way of Tao, yes. Arin: Bees take pollen from flowers to make honey. I take potatoes from the earth, and if I die, I will become the earth that gives life to potatoes, and meanwhile I can decide to do good things or do bad things. Arin: What is the reason for existing, beyond the fact that we have the opportunity to do so? Maximus: You will indeed become a potato. Arin: But I think this world exists to do good things. There can't be so many beautiful things for there to only be bad.

After Maximus leaves, Arin starts collecting sand near the lake, but he accidentally falls in. He doesn't know how to swim and slowly starts to drown. [Timestamp: 1h 10m]

For several agonizing EXTREMELY STRESSFUL minutes, Arin desperately tries to keep his head above water. He sends Maximus a message asking for help, but Maximus is very far away, and Arin is already exhausted.

Not too far from him, Luzu sees a wandering trader and waves to them asking for help, but they ignore him.

Maximus manages to arrive at the last second and saves Arin. Arin asks why the villager didn't help him even though he was drowning, and Maximus explains that some people are neither good nor bad. They just exist. (NPCs)

I'll be honest, this is one of the most realistic depictions of drowning I've ever seen in any piece of media, and it's in a frickin Minecraft roleplay server. Luzu's a really good actor but I never want to experience something that stressful again lmao.

Arin's final thoughts: Today I have learned that the world is beautiful and dangerous at the same time. You can give life or take it away. That's why every moment we spend alive is worth enjoying. The world is very interesting.

April 17th - Morning [VOD]

Luzu finds out he's the father of Tilin. He's very excited to meet her after talking with Badboyhalo and Foolish, who don't know how to break the news to him that Tilin is dead.

After seeing Tilin's grave and hearing the confirmation from Bad and Foolish, he gets overwhelmed with grief and anger, and Arin takes over. [Timestamp: 1h 10m]

Arin says some interesting things when meeting Dapper: - Arin: "I saw your (the Egg's) birth in another way. I saw Dapper and other beings not being and suddenly being."

Arin also talks about the possibility of bringing Eggs, like Tilin or even JuanaFlippa, back to life: - Arin: When I'm asleep I can see the code behind existence - Arin: A part of the chain has disappeared,but that doesn't mean the chain can't be fixed. It's all part of a big code.

When Foolish asks if Arin could possibly mess with the code, Arin says, "I can try, but that would require something" [Timestamp 1h 16m]

Arin also tells them he's dependent on Luzu's existence for now.

While talking with Bad and Foolish, they hear strange noises and are suddenly attacked by the Binary Monster and a ridiculous amount of lag. Arin says, "They're coming specifically for me," and "They know I shouldn't be here." [Timestamp 1h 19m]

Arin also says, "They don't like that I made my way to this dimension" and warns Foolish and Bad not to get caught by the Binary Monster. If they get caught, Arin says they'll be taken to his [Arin's] world and they'll stop existing here.

They finally make it to Luzu's house, and he shows Foolish and Badboyhalo the structure he made outside the house. Foolish asks if it's Arin's mind since it seems like a big computer, and Arin says, "Something like that. With all I'm learning, I'm trying to figure out how to create bridges between my world and yours. In my world, bringing something back [like a dead Egg] isn't impossible like here. It's a matter of math." [Timestamp: 1h 25m]

Arin says farewell to them, leaving them with this final goodbye message.

That's all the lore thus far! This took so many hours to put together but I hope it helps folks out because lord knows I was a bit lost for a while there too. Please feel free to go crazy in the tags I love reading people's commentary on things.

★ Other QSMP info posts ★

Who is Sapo Peta? | Who is Luzu? | Who is Spreen? | Who is Vegetta? | Who is Rubius?

"Is this Lore?"

And if you want to hear my thoughts on QSMP and its lore-related shenanigans, this is my Qsmp Talk tag.

[racetrackmybeloved]

Did Tommy Boy, Sniper and Kid Blink Scab?

To clarify, the question is whether the characters themselves scabbed, or whether the actors played multiple characters, one being their regular newsie character (Tommy Boy, Sniper, Kid Blink), and the other being an unnamed ‘scab’ character.

Most of the posts I’ve seen on here about these characters assume that the characters themselves scabbed, but I disagree:

(Note: this is all based on the 2017 proshot, I know there may be some differences with the original Broadway production and the UK production, but I have not seen those so cannot form an opinion on them.)

David says "Who are they?" when the scabs show up.

All three of them were at the circulation gate on the first day.

Tommy Boy and Sniper were at the circulation gate the next day. Tommy Boy questions Jack ("You got an idea?").

Tommy Boy was at Jacobi's. He was mentioned by name, and given an assignment by Jack ("Tommy Boy, take the east side").

To be fair on him, David did meet a lot of people on those days, and was under a lot of stress. However, even if he didn't know them by name, he should at the very least recognise Tommy Boy well enough to not ask who he was.

2. Finch says "They think they can just waltz in here and take our jobs?"

The implication of "take our jobs" is that the scabs are aiming to replace the existing newsies, and were not newsies themselves at that point.

3. Jack does not appeal to them as individuals.

When Jack is giving his speech to convince the three scabs to throw down their papers, at no point does he name them, or say anything personal. We know for a fact that he knows Tommy Boy well enough to trust him with an assignment. Why did he never appeal to him as a friend? Counter-argument: Jack is a dumbass.

4. IMDB and end credits.

Each of the actors' IMDB pages list them as playing two characters, one being their named newsie, and the other being 'scab'. This is done in the same way as Jack Sippel's IMDB, which lists him as playing both Darcy ("My father owns The Trib") and Kenny (his newsie character). This indicates that Tommy Boy, Sniper and Kid Blink did not scab, and their actors just swap between characters.

However, the official credits at the end of the film on Disney+ tell a different story. Michael Dameski is credited for playing both Tommy Boy and 'Scab', while Andy Richardson and Daniel Switzer are only credited for their respective named newsie characters.

From this, I would argue that it is uncontentious that Tommy Boy and 'Scab' are intended to be separate characters. I don't know where IMDB gets their information on character names, and whether it is common for them to be incorrect.

I will mention that there are other instances of characters not being mentioned in the credits. For example, Andrew Wilson plays three characters: a man in the audience at Medda's theatre, one of Wiesel's goons, and a Brooklyn newsie. He is credited as playing 'Willie' and 'Bart'. ‘Bart’ is presumably Andrew Wilson’s Brooklyn newsie character, as that is his last appearance, but which character is Willie? (It is also pretty clear that these are three separate characters, as theatre Andrew has a moustache, and I highly doubt a Brooklyn newsie would be working with Wiesel to beat up Manhattan newsies). None of these characters have any lines so it does not matter, but I just wanted to bring up that the credits may gloss over non-speaking characters. As such, it is possible that Andy Richardson and Daniel Switzer should have been credited as ‘Scab’ as well as their named characters.

Side note: the Newsies Wiki also says that Tommy Boy was a scab, but I do not consider this to be a reliable source.

In my opinion, it is quite clear that at the very least, Tommy Boy did not scab. Whether Kid Blink and Sniper scabbed is up to interpretation, but I believe that all of them were playing alternative 'scab' characters.

Note: Daniel Switzer (Sniper) speaks one line when he is not playing a scab ("So's the Bronx!" - Brooklyn's Here), while Andy Richardson (Kid Blink) does not have any independent lines outside of when he plays a scab. However, even Daniel Switzer's line is not done as Sniper - this is presumably another instance of an actor playing a different character, in this case being a Bronx newsie.

I do question the director's choice of having Michael Dameski play both a scab and a newsie who is involved in the strike.

Michael Dameski has 2 lines as Tommy Boy:

"It's gettin' bad out there" - Carrying the Banner

"You got an idea?"

He can also be heard (at least) 2 more times, but I would consider those instances to be background shouts rather than scripted lines. In addition, these lines are said in the minutes after he throws down his papers, so it is unclear whether he is saying them as Tommy Boy or as 'Scab'.

"That's right!" - Seize the Day

"Hey!" - Seize the Day

As mentioned earlier, his character is also directly named, and given an assignment by Jack. If the scabs were intended to be anonymous unnamed characters who were not previously newsies, it makes sense that Andy Richardson (Kid Blink) and Daniel Switzer (Sniper) were selected. I assume that their choices were limited to ensemble actors who would be in the Seize the Day number, so Andrew Wilson, JP Ferreri and Stephen Hernandez (Brooklyn newsies) were not options. Julian De Guzman (Smalls), David Guzman (Ike), and Jacob Guzman (Mike) do not have any speaking lines in the musical, nor are they mentioned by name. To avoid raising additional issues of one twin scabbing while the other did not (which would be a GREAT plot line in my opinion, but would not be realistic due to time constraints and as it would have detracted focus), the logical choice for an actor to play a scab alongside their newsie character would have been Julian De Guzman (Smalls).

Tommy Boy however, is a character that we recognise. We know he is extremely literal (his confusion when Jack says "would you keep your shirt on?"), and is likely more of a realist than an optimist ("it's gettin' bad out there" in Carrying the Banner). He, along with Specs and Finch are newsies that Jack specifically singled out to bring the news of the strike to the other boroughs. We can infer that he is someone who Jack trusts, is older, and has likely been a newsie for a long time. Him being selected to go the extra mile (literally) to tell other newsies about the strike would make it heartbreaking if they had chosen the narrative of the scabs being existing newsies. It brings up questions that make the plot more complex: what happened in that 24 hour period that caused him to lose faith? What made him betray his friends? However, I don't think that was what they were going for, as the credits explicitly make a distinction between Tommy Boy and the scab.

If we ignore literally everything I have said up until this point, and assume that the intended plot line was that three existing newsies had scabbed, then it was not executed very well. It would have been much more effective if they had selected newsies who we had more prior connection to, such as Romeo, Finch, or Albert. We have zero emotional attachment to Sniper and Kid Blink, as we do not know their names, and do not hear them speak. Even though Tommy Boy is an established character, he still barely speaks, and we have little to no emotional connection with him. The personality traits mentioned earlier would not even be picked up on by the casual watcher. (If he is anyone's favourite prior to that moment, it is 100% due to Michael Dameski's dancing, and not the character itself).

Further, if the characters themselves scabbed, we should have seen some kind of development that made sense. Focusing in on Tommy Boy, with the narrative of him being a scab, he says "I'm with ya!", and then joins in with the other newsies to intimidate the other two scabs into joining them. (He also yells "That's right!" in the background). Where is the reaction from the other newsies? Jojo puts an arm around him, but I do not read much into this, as he also has his arm around Henry. Give me emotion, give me 'my friend/probably housemate just stabbed me in the back, and then realised the error of his ways', give me SOMETHING. He is one of the three newsies that Jack trusted enough to give an assignment to, and one of two newsies who agreed - he is clearly an important part of this family.

Kid Blink and Sniper get even less reaction from the other newsies. The newsies are visibly happy when they throw down their papers, but I do not see their reactions as distinct from how they would have reacted if they had been random unnamed scabs. If the intended narrative was that the characters themselves had betrayed their friends, we should have seen a more personal, emotionally charged reaction. However, we simply do not know enough about these characters to draw a conclusion.

Overall, I think it is uncontentious that Tommy Boy did not scab, due to a combination of factors including the official credits, David's apparent terrible memory, and my (possibly misplaced) faith that if his character had scabbed, it would have been handled better. Whether Sniper and Kid Blink scabbed is more difficult to say, due to conflicting credits, and a lack of information about the characters themselves. In my opinion, it makes more sense to say that all three of the actors played two characters: Tommy Boy, Sniper and Kid Blink, and three unnamed scabs.

PS:

Michael Dameski (Tommy Boy)'s scab going from scabbing with Daniel Switzer (Sniper)'s scab to glaring at him and staring him down in the space of thirty seconds is objectively hilarious, whether you think he was still the 'scab' character at that point, or if he had turned into Tommy Boy in that time frame. Top tier, truly elite.

Would love to hear your opinions!