#THIS MOVIE WILL BREAK RECORD

[afterlife-2004]

SONIC MOVIE 3 POSTER BABYYYYYYYYYY!

🦔💨💙💥🦔❤️🖤⚡️

[sciderman]

i’ve been eating up the DP/W brain rot like slop, but your critiques are making me think too much about it and now i realize it’s. it’s not that good 😭 i feel like a toddler being spoon fed by marvel and disney. i’m still gonna like and reblog the homo fanart and such, but damn.

do you think there’s any way for marvel comics to be made into movies well?? i feel like everything is just run by the same people

i feel a little bit like those stories where like, everyone gets like a mind spell on them or like, a love potion or such, and i'm here (immune) to that love potion so it's up to me to shake everyone out of the spell. thank you @makehimwhimper... i love the url, by the way.

marvel comics have been made into movies well! i mean, they won't be anymore, if disney continues to swallow everything up, but - once upon a time, they could be done well! i do think logan is just - straight up a good movie. okay, it's not fun. but it's a good movie. and i think the first deadpool movie - though not perfect, and not any sort of milestone of cinema - has all kinds of charm and a respect for the source material.

i think the best we'll be getting in the way of marvel adaptations is probably whatever sony's doing with spider-verse - but i think a big thing about what makes those work for me is all the new things they did with it - fact is, i think audiences actually DO want to see something new. and i don't know if faithful 1:1 adaptations of comics is necessarily going to work. but just - there's a curse in marvel that i can just smell right now, it reeks - it's the smell of the people working at marvel just not respecting their audience at all. and i think it's a disney problem, really. where disney is in this stage where they'll avoid creating anything new or innovative and depend solely on you recognising IP (but ideally, only recognising it at face-value, so you're not critical when they inevitably get it wrong) - because recognition is just what is selling right now. and it works on 100 different levels - because even if you hate the new deadpool and wolverine movie, you're nostalgic for the better x-men movies. now streaming on disney+. disney has your wallet regardless of if their new movie is good or not. you didn't like the new star wars stuff? you're in luck. the original star wars. now streaming on disney+. they're remaking lilo and stitch. you think it's a stupid idea. the original is so perfect. come to think of it i should rewatch lilo and stitch on disney+. i'll buy some merchandise. so even if you're upset with disney, you're running back to disney's open arms. there's no escape.

it's kind of disney's business model now - that actually works in their favour - to give you a bad movie that reminds you of better movies. because they still own the better movies. they still own the merchandising rights. you don't like the new spider-man? here. the better, older spider-men are here to save the day. but we still own the merchandising rights. anything with that guy's face on it. that's money in our wallet.

disney's found an infinite money loophole. why would they expend effort making a good movie or take risks when a bad movie that references better movies generates so much more income?

[try1n9mybe5t]

i have no idea if anyone will see this but 🙏 please be nice at the theater when you see mario. i work at a movie theater. and mario has rained hell upon us. people are rude and impatient when it takes a while to make their food (when there's literally like 50 people in line do you realize how stressful that is) and people are especially messy. if you don't work at a movie theater, you probably don't realize how much trash people leave behind. we get that there are accidents but leaving popcorn scattered down the rows and leaving entire meals worth of trash behind are not accidents. and we definitely have it a lot better than other theaters, since ours is relatively small (14 auditoriums). but it has been awful. ive been working here around 8 months and this is definitely the worst i have seen. but yeah. basically be considerate and nice to your theater crew we're doing our best. ✌️

[awoogaslashers]

[hacked-by-nymos]

𝙄 𝘼𝙢 𝙉𝙤𝙩 𝙖 𝙎𝙚𝙧𝙞𝙖𝙡 𝙆𝙞𝙡𝙡𝙚𝙧 - 𝙎𝙘𝙧𝙚𝙚𝙣 𝙖𝙙𝙖𝙥𝙩𝙖𝙩𝙞𝙤𝙣 (2016) 𝙙𝙞𝙧. 𝘽𝙞𝙡𝙡𝙮 𝙊'𝘽𝙧𝙞𝙖𝙣

[brittie-frog]

As someone who grew up barely protestant, the only consistent church service I went to was Christmas and the nativity play at my junior school until I went to a secular high school and also as someone that unironically likes the glee version of some songs and had like a 5 month long high school musical kick recently, just generally likes musicals:

Journey to Bethlehem is actually so entertaining and they did not have to go so hard with the songs. I could immediately tell it was a modern retelling not intending on being accurate (biblically or historically) and that's fine. It's a movie with Milo Manheim and a donkey named Fig as a repccuring character, it's meant to be campy and for shits and giggles.

[edbaldwin]

unstoppable force (the way tarantino is writing and directing dialogue, just chef's kiss) versus unmovable objects (racial and homophobic slurs)

[kingoftieland]

A year after the feature-length epilogue premiered on Netflix in 2021, the El Camino: A Breaking Bad Movie – Original Motion Picture Soundtrack LP was released with a special limited edition of 1,500 copies. Mondo, in partnership with Sony Masterworks, even developed two special colorways for this set: “Orange w/ White Splatter” and “Blue w/ Orange Splatter” vinyls! 🏜️

With a thrilling, pulse-pounding score by Dave Porter and nearly a dozen songs from the movie, this set is essential listening for fans of Vince Gilligan's expanded crime saga. Featuring 2 printed inner pocket sleeves along with exclusive pictures and liner notes, you had to be quick (like me) to preorder your copy before they sold out!

[destinyc1020]

Wow!!! 😃💞💕

[walterdecourceys]

oh NOW they're playing mrs robinson. fucking finally

[tenmatsukasa-wxs-official]

are you aware you are going to be in a movie.

Eh? What are you talking about? I am in a movie! I’m just an extra in it, but I am technically in a movie nonetheless!

[madebysimblr]

Gemma: You losers better make me look good, otherwise there will be hell to pay.

Sorella: Uh-huh.

-

Skid Row (Downtown)

[Anita] Alarm goes off at seven, and you start uptown You put in your eight hours for the powers that have always been...

[Sorella] Sing it, child.

[Anita] 'Till it's five P.M.

[extra] Then you go

[Anita, Mary, and Sorella] Downtown, where the folks are broke, you go Downtown, where your life's a joke, you go Downtown, where you buy your token you go Home to Skid Row

[moonlitlunas]

do not separate my mary jane and peter for ur silly old man yaoi !!!

HOWEVER ... have we considered a throuple instead?

mj introducing them like "this is my husband peter and his boyfriend miguel who is also my boyfriend" like april in that one scene in parks and rec

[spawn-universe]

Comic book creator Todd McFarlane talks Spawn reboot, working with Ozzy and competing with the giants

Credit Calgary herald

Todd McFarlane has not forgotten the vow he made to Calgary back in 2017.

At the time, the comic book artist, producer and toy entrepreneur was a guest at the Calgary Comic and Entertainment Expo and was asked about the long-gestating reboot of Spawn, which had spent years in developmental purgatory. He told the audience at the Stampede Corral that the film would hold its premiere in Calgary if he gets it “off the ground.

Fast-forward six years later McFarlane says the film is back on track. A-list writers Scott Silver, who co-wrote the 2019 hit Joker, and Malcolm Spellman, who created the Disney+ superhero series The Falcon and The Winter Soldier, are currently working on the screenplay. Jamie Foxx has long been attached to play the lead role, a superhero/antihero that McFarlane first created at the age of 16 in his parents’ basement near Crowchild and 24th Avenue N.W.

The 1992 comic book debut, which came out on McFarlane’s Image Comics, sold more than 1.7 million copies and the Spawn series holds the Guinness World Record for the longest-running, creator-owned, superhero comic book title. There was a 1997 live-action film with Michael Jae White, which grossed more than $100 million, and an Emmy-winning animated series that ran on HBO from 1997 to 1999. The reboot has been in the works in one form or another for years.

“On the movie front, hopefully – fingers crossed – by the middle of this year we should be making a big announcement that we found our studio, we made our deal and potentially, as part of that deal, they’ve given us our production start date,” says McFarlane. “Really, all fans care about is ‘When can I go see it?’ But at least I’ve got to be able to say ‘This year. We’ve got the money, we’ve got the backing and we’ve even got a start date.'

When it does come out, McFarlane still wants to hold one of the premieres in his hometown.

“Let me tell you right now, if I possibly can, I’m putting it into the contract,” McFarlane says. “It might be the dealbreaker. And I get two premiere spots. I live in Phoenix, I think the Phoenix people will come out in droves because they did the first time we did Spawn. I think they will come out in droves and have a good time in Calgary. That’s it. There it is: If you don’t give me that, then I pull this entire deal. I’m going to see if I can negotiate that.”

McFarlane was back in Calgary this week visiting family. On Sunday, hundreds of fans showed up at Video Game Trader in Lake Bonavista for an autograph session. In 1981, the William Aberhart High School grad left Calgary at the age of 18 on a baseball scholarship to Eastern Washington University, where he studied art and design. Within a few weeks of graduation, he got his first comic book job for Marvel. He would go on to illustrate for both Marvel and DC, drawing for Batman: Year 2, The Amazing Spider-Man, The Incredible Hulk and co-creating the Spider-Man villain/anti-hero Venom.

But he is arguably still best known for creating Spawn and for co-founding Image Comics in 1992, which also became home to Robert Kirkman and Tony Moore’s Walking Dead comic-book series. In 1994, he revolutionized the toy industry with the realistic action figures he created for McFarlane Toys. In 1999, he won an Emmy for the animated Spawn series and earned a Grammy nod for directing Pearl Jam’s animated video for Do The Evolution. The following year, he won a Grammy for directing the video for Korn’s Freak on a Leash.

Late last year, he returned to the medium to direct the video for Ozzy Osbourne’s Patient Number Nine, which resulted in a lengthy feature in Rolling Stone magazine about McFarlane’s work in music videos.

“The request came from (Ozzy’s wife) Sharon Osbourne,” McFarlane says. “I knew her from the past. We had done some stuff with toys and comic books with her and had always done well. In the pre-preparation for shooting, I was dealing mostly with the record label and Sharon. I’m sure she showed everything to Ozzy to get the sign-off. The day of the shoot, that dude was a pro. It’s one thing I’ve always been super impressed with for all the music videos I’ve been involved with. When you say ‘Action,’ all of them are performers. They know what to do when they are on stage. This switch goes on and they just do it. At that point when we shot it, I think it was about a week before his back surgery. He just had pretty extensive back surgery and was living in severe pain. You could see he was in pain and his mobility was limited and all that. So he paced himself, which is what a smart person would do. But when I said ‘Action,’ he turned into the 25, 30-year-old Ozzy.”

On top of the promising developments in the Spawn reboot, McFarlane has continued to find success in both the comic book and toy worlds. He credits the relatively small group of people he works with for the company’s David-versus-Goliath success.

“I’ve got a good core of people,” he says. “We’re scrappy. We’re the Bad News Bears of our industry.”

In 2021, Spawn beat out behemoths DC Comics and Marvel to become the No. 1 selling comic book. That same year, his Spawn spinoff titles – Scorched, Gunslinger Spawn and King Spawn – broke sales records. Last year, the crossover Batman Spawn title became a bestseller.

McFarlane Toys’ beat out Fortune 500 companies such as Hasbro and Mattel with the bestselling action-figure line of 2021. The company is currently licensed to create figures for Black Adam, Shazam, The Flash and Batman movies for the DC Multiverse, James Cameron’s Avatar, Dune and even Ted Lasso.

“Their size is their blessing and their curse,” says McFarlane about the giant corporations he competes with. “I could say the same thing about my smallness: it’s my blessing and my curse. Here’s the blessing: I can move quick, I can move fast. Here’s their curse: They are so big and bloated, they can’t move fast. If I see an opening, I can see that opening way faster than they can get into it. I’m not trying to compete, let’s say on the toy front, directly with what the giants are doing. I’m not trying to slay the giants, that’s not the victory. The victory is saying: Where have they left the gap?”

[theodoraflowerday]

RWRB is for sure going to flop now. 😢

I mean......... people who are gonna watch the movie are fans of the book, and most of the promo has been done thru fan word of mouth. like I don't think anything the actors can do promo-wise was ever going to seriously impact viewership because from day 1 this movie was always going to be mostly for book fans (and people that book fans roped into watching)

I don't want it to flop because I would love to get an OLS and IKSW adaptation (though I'd prefer if they were adapted as limited series, at least in OLS' case), but in the end I don't really think it's gonna be as bad as people are probably thinking. idk. maybe I'm just being optimistic.

[mityenka]

i love empire records so much because all of the characters with the exception of maybe corey are what would be the one dimensional side character in a regular movie. the edgy one, the comic relief one, the stoner, the slut, etc etc. except empire records crams all those characters together into a small record store in delaware and makes them dance and hold conversations with each other and in the process lets them transcend the role they’ve been assigned at the start of the movie in a way that’s so human and gives the audience the feeling that they’re watching actual people instead of just actors on a screen