#THIS IS NOT SERIOUS OBVS

[socialc1imb]

Well folks i dont really know how to explain this one I’ll be honest

Do NOT repost my art without asking.

[straightlightyagami]

“ok is this math really useful though what’s the point of it existing does it matter or is there no practical application” alright. if you write a poem does it matter? Is there an application? What if I killed you

[ariadne-mouse]

This feels like both a statement of potential obviousness, but also a prediction because hey, we're only 2.5 hrs into Episode 1: I don't think Downfall will reveal either the gods or the Aeorians to somehow be uniquely evil, or that the desire on either part to destroy the other is somehow uniquely more justified or deserved.

Like in Episode 1 here we're getting a very strong dose of the shitty things Aeorians are doing to other mortals in their pursuit of control and power - we already knew they were a warmongering surveillance state, and as things get worse on Exandria it's grimly unsurprising that the people on the ground are increasingly treated as disposable. But Aeor is still a city full of people seeking safety in a land torn open by the gods' battles, desperate to survive by any (increasingly ugly and sinister) means. And the gods in turn are afraid for their survival, and are acting accordingly in seeking Aeor's Downfall (immense collateral damage) - all while and the versions of them in the party here have lived mortal lives & hardships, have families, communities. They have lived in the desolation their own godly battles have created. We don't see them portrayed as lofty divine abstracts, not even necessarily in the intro, where they are confused, afraid, and seeking safety from danger.

For Ludinus to think this "footage" is in his favor against the gods, and the complexity of the lore being what it is and the cast being the storytellers that they are, I think it must be the kind of series of events you can look at and see the humanity (using that word deliberately) for good and ill in all parties involved - and leave again with your biases if they're strong enough. Very curious what we will learn. I expect to weep. I can't wait.

[gunstellations]

In the world I love

_

In a different world

[beifong-brainrot]

Im sick and delirious with fever so i unleash these upon ye

[padmestrilogy]

^ rare clip of a youtuber talking about the acolyte worth unmuting

[d-dormant]

something something she smiles at diaval the way she used to smile as a child

[rwbyrg]

Can we take a moment to appreciate just how well fed we are? Both in canon and beyond?

Oscar said "woah" the moment he first met Ruby.

"Woah. You have... silver eyes". Specifically.

The scene of them sparring at sunset and being goofy about it.

They're the two youngest members of the team, and both of their main allusions are stories about growing up (The Little Prince and Little Red Riding Hood).

Oscar's main allusion is of a character that's in love with a rose. Ruby's last name is Rose, she has a rose emblem, and can turn into rose petals.

They also have shared/parallel allusions from in-universe fairytales (Ex. The Boy Who Fell From The Sky, The Girl Who Fell Through the World, and most notably, The Warrior in the Woods).

The Dojo Scene

Their shared attachments to each other keep being put in focus.

Oscar cared more about Ruby being knocked out than Weiss being impaled at Haven.

Ruby's always watching his back in fights, and he always has hers in group conflict discussions.

Neo, the illusionist character, uses Oscar as both the first and last illusion to torture Ruby; going so far as to make Ruby "kill" him with her own hands. It could have been anyone, but it WASN'T. It was OSCAR.

Meanwhile, Oscar in the V9 epilogue laments to Ruby's "grave" about how he is struggling to hold onto who he is more than ever before. In large part because of the merge, but also because Ruby "always saw people for who they really were", and she's not around anymore to help remind him of who he is.

"You're your own person."

The Almost Hug.

The song that plays leading up to The Almost Hug is one about someone pining for a love they've lost and been separated from across worlds. The song airs a few episodes before Oscar and Ruby are the only "pairing" split up between Remnant and The Ever After. The song itself is called Treasure and Ruby is a type of precious gem, while Oscar's name alludes to gold.

Oscar's last name is Pine. Which, aside from the species of tree, is defined as: "to long or yearn for the return of something; to suffer, typically from a broken heart"(please see points 12 and 15).

They have multiple paralleling arcs and themes around choice, identity, responsibility, leadership, grief, etc.

Their character designs have complimentary colour schemes like other canon ships (red/green and silver/gold).

Sun/Moon ship

"Combat gear looks good."

They also follow the same story beats, separations, and reunions that other canon ships have in show (the meet-cute, the getting-to-know-you, the breakup arc, the distance makes the heart grow fonder trope, the (upcoming) emotional reunion, etc).

The animators, writers, and even voice actors on occasion, engage with fan content or discussions of the ship in a positive manner.

The Official RWBY Twitter Oscars Meme

Miles Luna has said a few times that the ship is cute. He also highlights that their relationship is built on mutual understanding from being in similar circumstances as the youngest kids in the group with too much weight on their shoulders.

Miles also said that in a hypothetical scenario where everyone celebrates Oscar's birthday, Ruby would buy a co-op video game as a present and the two of them would stay up really late playing it together.

Rosegarden won 2nd place in a popular RWBY YouTuber's "Top 10 RWBY Ships" poll as voted by fans after Volume 8 (it would have been third place if Renora and Bumbleby hadn't tied for first).

That one video from Aaron Dismuke, Oscar's VA.

"That kid's got a collapsible staff" -heart eyes emoji-

We've gotten a "Rosegarden Moment" in every Volume premiere since Oscar's debut in V4.

Oscar shouting Ruby's name too many times in the V6 fight against Cordovin.

Maria tells Oscar to "keep that fire fed" after he overhears Ruby talking about food always making her feel better. Then a few episodes later, he suspiciously makes a casserole for the "team" after "they" had a rough day (where he stood up for Ruby when she was looking defeated in a group argument).

Oscar's the only person Ruby opened up to about her grief until the blacksmith. Meanwhile, Ruby's the one who's always assuring Oscar he's his own person despite the merge.

The parallels of Oscar's struggle with the merge and Ruby's ascension in The Ever After.

"I'm just going to be another one of his lives, aren't I?" / "What if you could be anyone?"

Characters within the narrative regularly notice how close these two are to each other. Mainly Nora, Weiss, Yang, Cinder and Neo.

Oscar blushed when Ruby touched his shoulder???

THE FUMBLE?!?!?!?

[swordsonnet]

i did not have "james somerton stealing the title for his second apology video from hbomberguy" on my 2024 bingo card

[allgreekbitch]

ppl saying that timebomb had more chemistry since s1 than caitvi are so funny to me because Where did you get That from😭😭😭😭

[epiphainie]

i think one of the reasons why i'm so giddy about how buck's infatuation with tommy has been played by the show is because i want buck to be stupid in love with someone again. like i'm not gonna pretend buck being bi and with a man now is not an allure in and of itself, this fandom has always been dominated by mlm shipping so idk why that's thrown people's way like an accusation, but personally i, the number one fan of how buck looks when he affectionately kisses someone and how he watches them when they're talking and how he strokes their hair just casually and how he goes out of his way to just adore them, want to see him be insanely in love again. it's been soooo long since abby and like i didn't even care about that relationship that much but i literally tear up thinking about how much he loved abby sometimes, man, like just the way he loves, you know? and i wanna see that again, fuck, because while it's controversially if bucktaylor doesn't have any fans i'm dead yadda yadda here on my part, we haven't seen buck be sooo infatuated and adoring with her like he was with abby and he couldn't have that with ali, natalia, or lucy either and goddamn i just want to see buck be in love again

[tomlivingspace]

okay ive seen vague posts abt my fernsong so ill make ONE POST abt this before i go back to doing whatever i want. even if i didnt portray him any certain way i would still dislike him and it turns out no one needs a moral excuse to dislike a character actually 🤷‍♀️ there are characters i hate a lot more for a lot less LMAO it literally doesn't matter. they're fictional cats and none of them have solid personalities. it's like playing dolls but with kitty cats who kill each other.

[jq37]

I've largely been thrilled with the amount of sister content for Adaine and Aelwyn in Junior Year considering that Aelwyn's main arc was more or less completed last season and she could have easily been benched like so many other NPCs were this season. The only thing I was hoping would come into play but didn't was the Nemesis Ward. Even if it never comes up though, I still love it so much as a point of characterization for her. That action says so much about who she is as a person. That she would take a piece of magic specifically intended for evil and make it good in the same way that her protective magic which should have been good was twisted to be used for evil the first 18 years of her life? Mwah. Chef's kiss.

[forcefemafterdark]

Real rapeplay is forming a headmate that dosen’t want it and then pushing them to front send post

[kbsd]

does anyone else hear this music whenever they watch The Church Scene

[ikomahis]

''do you want to know what he offered me?

children.''