#THESE CHARACTERS DONT HAVE LOVE INTERESTS.

[mythalism]

im so sorry to be a mythal lover like my icon and url suggest but i genuinely think her relationship with solas in this game was one of its best writing moments and specifically their confrontation is the highlight of this game for me and i have to talk about it.

it is so fucked up and tragic and raw. it shows us a side of him we have never seen before. she is so brutal but also somehow kind. she is probably the most complex and nuanced character in the entire dragon age universe. what she did to him was inexcusable and she takes full accountability for it but she also does not apologize. its SO INTERESTING!!! ITS SO INTERESTING!!!!

WHEN HAVE WE EVER SEEN HIM LOOK LIKE THIS>??? HIS FACE??? HIS BODY LANGUAGE????? HE LOOKS TERRIFIED AND WRETCHED. WE HAVE NEVER SEEN HIM LOOK LIKE THIS EVER.

HE WHISPERS HER NAME, AVERTS HIS GAZE. HE CANT EVEN LOOK HER IN THE EYE. HIS NAME IS PRIDE??? HE IS THE DREAD WOLF AND HE IS THE MANIFESTATION OF PRIDE AND LOOK AT HOW HE LITERALLY CRUMBLES IN HER PRESENCE???? HOLY SHIT. THIS IS SO UNLIKE HIM

i love that she does not apologize. it would have been out of character. she isnt sorry and she never was, but she at least takes accountability for what she did to him and the effect it had. she does not offer meaningless platitudes of sorrow. why would she??? she just plainly states the truth.

I RELEASE YOU FROM MY SERVICE. I RELEASE YOU FROM MY SERVICE. HE STILL CANT LOOK HER IN THE EYE. HE IS SOOOO SUBMISSIVE HERE WHAT THE FUCK. honestly i need to make a comparison between their body language here and his body language with lavellan in trespasser but that'll have to be for another time. but i am so obsessed with this line being what she says of all the things she could have said. again no apologies. just catharsis. and she talks to him like a loyal dog, someone under her command, a subordinate, not a lover. did she always see him that way? where did those lines blur? this would have been a good moment for an "ar sala mala revas" but this line is so brilliant on its own i cant complain.

AND THEN YOU HAVE THIS NEXT. THE WAY THEY ARE THE INVERSE. mythal stands over him and looks down upon him, while lavellan literally GETS ON HER KNEES TO SEE HIS FACE. TO LOOK HIM IN THE EYE. BRO THIS IS SO SICKENING. once again it mimics the way they kneel in trespasser, the way they kneel when he removes her vallaslin. and even though he's not kneeling he is bent over in agony and she is quite literally meeting him where he is at ohhhh myg od

and then when it is finally his time to address her directly he looks her right in the eye, his face is calm and not wretched like before when he looked upon mythal, im literally so sick over this look like how long has it been since they stood face to face like this, 8 years????? i havent even gotten into the way his face is bloodied and bruised like this is so vulnerable im literally dying i dont even remember what my point was with writing this i just needed to scream about it. i think mythal's presence here gives so much context to solavellan's dynamic. seeing how he is with mythal versus with lavellan back to back, how mythal speaks down to him while lavellan literally looks up to him. also something something about how lavellan offers him forgiveness while mythal offers him freedom. maybe i can make these thoughts more coherent in like a week from now but right now im running on 3 hours of sleep and pure dopamine. this scene is so fucking crazy i love it.

[paging-possum]

no because what if you had a wonderful friend who was a single, educated, unmarried older woman who was semi-known for her physical prowess and you love her, you're not sure in what way, but you love her but you also look at her and see the person you were supposed to be and you see the opportunities that were taken from you without your knowledge and its not her fault and its not your fault either, really, it's nobody's fault but his and the bad luck you had of meeting the wrong man at the wrong time and the bad luck of the doctors being wrong and the bad luck that he found you again but you can't help but hate her just a little bit for having the life that was meant to be yours

[literallys-illiteracy]

New Trailer thoughts and notes:

Oh wow im so gay:

Mommy? sorry. Mommy? sorry. Mommy? sorry. Mommy?

I dont even like Rodion, in fact i still dislike her but... Uh. wow?

Theres not too much to note here, im the EGO person not the ID analysis person (at least for now :3), but for the skills.

Skill 1 appears to be 2 coins piercing. Skill 2 appears to be 3 coins, likely Piercing. Skill 3 appears to be 4 coins, almost certainly Piercing as well. Unlike the other 2 La Mancha Land ID's we've received so far, she seems to have a skill 4 rather than an empowered skill 3, being Dulci's Finale attack, which appears to be 4 coins of AOE piercing.

Finally, she appears to mark the return of playable clashable counters, hopefully we get an unbreakable coin counter, but thats just being a bit too hopeful.

also this ID has the most fanservice of any in the entire history of the game, and of COURSE it needs to be on a character that i dislike just so i cant thirst as hard over her.

Fell Bullet Yi Sang:

First i want to note some things about the art within this EGO's art; most notably is the shattered glass effect and presence of the fluchshutz itself in the background, while it does appear in Heathcliff's fell bullet ID, with its back facing heathcliff's, instead it appears in the centremost shard, with its barrel facing Yi Sang's head.

This note is furthered by the awakening line making mention of "The gun barrel on *My* viscera", rather than another's as in the fluchshutze's story.

The second divergence from Heathcliff's art is the lack of the fluchshutze's traits, having not the halfed face covering that heathcliff had, nor the reddened scarf. This is notable for the main reason that, in the awakening animation of heathcliff's, his face was entirely obscured with said mask of the shooter — These differences in appearance could be due to a number of reasons, even as an arbitrary choice, but it is likely due to resonance with the EGO itself, Heathcliff's being much stronger and thus taking on more traits of the abnormality.

The third divergence and one i will return to later, is the lack of a pendant. If you look at the shooter's art, at Heathcliff's fell bullet art as well, there is a clear pendant visible around their neck, the last remnants of their loved past. Keep note of that i suppose.

Now onto the awakening skill, something interesting to note is the fact that it seems to hit an ally as well as multiple enemies, shooting through heathcliff's Heart'(?), (its not a visible enough detail to note for sure, but i am assuming that this is intended), just in the same way that the devil's final bullet peirced the heart of the freischutz. Also, I think that PM still don't really know how guns work, because, just like the Thumb's "Muskets" that is a rifle. Im not particularly into guns but im 90% sure so.

If we're counting friendly fire, then it seems to have an attack weight of 7, with the latter coin (as he fires twice) seeming to only hit 2, the ally and one of the enemies targeted by the first.

The Corrosion is interesting, the sprite making Yi Sang take the form of a mirror, likely the form of the pendant itself (although there are like 4 mirrors in the sprite so take with that what you will). Contrast this with Heathcliff's corrosion sprite, being that of the heart, for that same reason that Heathcliff seems to be the one used as a friendly fire target in the awakening, for the devil wishes for despair, and to eventually claim their heart.

The corrosion appears to have one coin, and about 6-7 attack weight, once again counting Heathcliff, who remains in the very centre of the ironsights, (Or scope rather, as the gun is changed in the corrosion to include one, despite the art of the Fluchshutz' depicting the ironsights.

The screen that flashes before the shot is "IFF system - Level 3: Deactivated". From what i've found, an IFF system is "Identification Friend or Foe" which should be pretty self evident to its relation here.

Ill make a longer/separate post discussing the WHY of Yi Sang getting this EGO, and any other tangents along the way, but from what it seems, this is likely going to be a Pride or Gloom skill (if i were to guess), and have 2 coins on awakening. It seems to be the first awakening since SOUPCLAIR to be indiscriminate.

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi

[thymejot]

About your meta, I guess the thing is if you believe that Word Of God is canon or not. Jac Schaeffer said that Agatha was thinking she wanted to save Billy and kiss Rio and that she never wanted to bring Nicholas back. For me it’s not canon unless I like what they say ���� but the fun of reading meta is to see everyone’s sometimes wildly different takes and in the end of the day people can think anything they want because we all bring our preferences, our bias and even our traumas to it

I believe Agatha truly loved Rio, I believe there was considerable time in their lives that they weren’t toxic to each other in any way and I believe that aren’t done, they still have centuries to work out their issues but I know there are plenty of fans that don’t believe in any if that. who’s right, who’s wrong I don’t think anyone can know and as long as everyone is respectful it’s all good. I just hope this fandom continues to be fun for a long time cause we all need the distraction

It is what I love about shows like this. Honestly, I dont think there is a right or wrong way to look at things.

Like you say, everyone has their own bias and will project onto characters. I really enjoy it when people want to have discussions about the things I love. I really appreciate you wanting to talk about this with me.

And the fact that while you may disagree with me on some points, you are not mean about it and are challenging me to look at things from a different perspective. So, thank you.

While I find it interesting to read up on writers intent, I don't ever take it as gospel unless it is there on screen. Between now and a potential next project with these characters, the writers could have evolved their ideas or changed their own interpretation of the characters. So I try not to hold too tightly to what they say.

Instead, I like to take what I have seen on the screen. The characters have shown us who they are with word, action, and deed. Every choice they have made forms who they are. A show not tell approach if you will.

I agree with you, Rio and Agatha love each other deeply. There was a time that it was far less toxic, and there may come a time when that is true once more.

I want to see them in all of their evolutions and iterations.

I want to see Agatha, the mentor. She has never been one to pull her verbal punches, so she won't take any nonsense. Her dynamic with Billy is so good that I would like to see that explored more.

I want to see Billy explore his powers, find his brother, and grow up a little more without being hardened by the world.

I want to see Jen flourish as she reaquaints herself with her power once more. Still snarky but less brittle. If she ever sees Agatha and Teen, have her just turn around and get the fuck away from them. Because they only lead to death.

In the end, though, my opinion is just one in a sea of thousands. I will write some ridiculous fanfics to get this show out of my system. Maybe make them a bit too oc for my own liking. Hopefully, I will learn from that and get better.

I just want to have fun with things. I don't want to hurt anyone with things I post unless it is superficial emotional damage (I eat that shit up). I hope you keep having fun with it, too.

In the end, as much as it pains me to admit it, these are not real people. So why not just go buck wild with our imaginations and throw them in every conceivable scenario. It's not like it will hurt anyone, so why not.

Feel free to chat with me any time

[myorgansaremelting]

yup.

her first video was on may 12th 2013, making her either 18 or 19 im not sure how it lines up with her bday but i think it's 18.

the really interesting thing about eugina cooney is that to my knowledge she hasn't directly mentioned her eating disorder since the interview with shane dawson, and she's barely even made any reference to it, aside from saying that she's healthy, addressing the fact that she was having visible muscle spasms on stream.

there's been a lot of people who have talked about her and honestly i think they're harmful which has also been talked about. honestly i don't know how online she is, because i know how controlling her mother is, but even if she isn't directly seeing it, her mom most definetly is, and knows that if she keeps euginia like that, she's going to have a continuous stream of money.

oh also the whole thing with i guess rumors that she's feeding into a lot of anorexic fetishists, i dont know how much she does it now bcs I don't watch her tiktok live streams, but i know people were talking about when she was streaming on twitch/youtube that she got more gifts sent the more she appeared to do anorexic stuff (that sounds vauge, but i remember the person talking about like if she'd struggle with something heavy she'd get more gifts or whatever) and i guess like, she's a 30 year old woman so if that's what she wants to do it's her right? but at the same time i do not know how much free will she has because of her mom and the fact that anorexia stunts both physical and emotional development (which is why theres a very big correlation with pedophiles and anorexia fetishists) so i think theres a big part of her that is still functionally a teenager, and tbh i dont kow how much of that (like the overly high pitched voice which is something she does on purpose and the weird persona that she develops that wasn't there in her earlier videos) is actually her and how much of it is for the camera.

oh also speaking of fetish stuff related to eugina cooney theres an absolutely wild theory that she's anorexic because it's... related to her love of the character jack skellington??? also it's really interesting that eugina cooney and tara terroful who i think are 2 of the most prominent online anorexics both love jack skellington. not that it has anything to do with that as its a popular movie/character it's just a shared characteristic i noticed.

it’s so crazy. my mom would probably kill herself if I looked like Eugenia but her mom doesn’t even care

[bayleaf-2]

*Gritting my teeth* I Will Not add love songs to Lyra's playlist I WON'T DO IT I WON'T!!

[medicalunprofessional]

sorry guys they finally showed me peak fiction . Its called “phantom of the paradise”

[hellspawnmotel]

epsilons

[monalaniussboyfriend]

What "critics" need to understand is that if somebody isn't fit to write a horror series, it's okay! As a fellow victim of child violence (sexual violence specifically), I felt that Cory's painting and the manor of how he was killed was a wee bit distasteful, but it didn't make wanna drop the series at all. It only really made it more interesting, along with the whole episode of PIGS and all the other disturbing aspects of the series.

It's interesting to know that the killers wont stop at ANYTHING to torture their victims. I love having villain characters who are genuinely bad people but have good development and writing. (Take Bill Collins himself as an example of this!)

What people need to do with series' like this is start reading between the lines a little. They see a painting with "questionable" implications, immediately jump the gun and assume that the creator is a total creep. People act like cases this gruesome don't happen in real life, but they totally can. There was a guy who straight up fed customers "people-burgers" made out of human meat! It truly fascinates me how people can immediately assume that because a creator makes their villain characters pure evil means that the creator is "purging their urges" by doing so, and it's not true.

YOU CAN WRITE VILLAIN CHARACTERS WHO DO INCREDIBLY BAD THINGS !!!

THAT DOES NOT MEAN YOURE A BAD PERSON !!!!!

THIS SERIES IS FICTIONAL !! You can do whatever you want with fiction, if you don't like it, don't look at it! (Don't take this out of context because there's a limit to how far that saying goes. Don't straight up post drawn cp/incest/proship shit and say "errr if u dont like it scroll" you're a fucking idiot and you're not understanding what I'm saying)

Thank you for coming to OUR ted talk

TW:for mentions of S.A.

Also I just wanted to mention I mean no disrespect to anyone with this post. I’m just expressing my thoughts. If you disagree that’s totally fine.

Unpopular opinion: I actually really like the painter by urban spook. As a die hard fan of analog horror and horror I found it unsettling. Yes, the names of the portraits and their implications are a distasteful but that’s the only qualm I have with the series. The art,story and music are really engaging and entertaining. Art is supposed to make one uncomfortable. Horror is supposed to make you uncomfortable that’s the whole point of the horror genre. As a victim of child violence I can say that being offended by the mentioning and usage of a certain topic does little to nothing. Don’t like it? Then don’t watch it. You have free will just as urban spook has free will to make his art as graphic as he wants. Do I think he’s a good person? No but I’m here to analyze the art. Thank you for coming to my Ted talk.

P.S. have a wonderful day my loves! Take care of yourself!

[cryptidjeepers]

Actually so fucked up that the x files continues to be one of the few shows ive watched where the relationship between the male and female protagonists feel real to me. Like they arent just love interests from the get go. The romantic subtext isnt as important as their platonic relationship most of the time. Mulder is protective of scully because shes his friend. He checks in on her but it never feels like shes being belittled. She feels comfortable speaking her opinion without fearing that mulder will be condescending to her. Idk it just makes me feel safe to watch as a female viewer, knowing there is this respect between the main characters. That these characters actually care about each other. Very refreshing for a 30 year old tv show

[nerdy-hyperfixations]

Listen, I love Fiddlestan as much as the next guy, but where did we start getting the idea Ford was cold and dismissive towards Fidds during their time working on the portal???

I could totally be wrong because I haven't read every single GF related thing (hell, my journals aren't decoded because I'm a slacker), but like??? The first time he saw him, he bought him his favorite snacks *and* a whole ass banjo and said he'd make it his mission that Fiddleford would be comfortable in his home.

They go adventuring together and talk about things like fashion trends and the future and go stargazing.

Ford is *so* happy when Fiddleford returns that he hugs him immediately. Abd then he feels bad that Fiddleford feels bad about his failing marriage that he throws him a holiday party even though he doesn't celebrate and hates the holidays honestly. And he put on Fiddlefords favorite song (which he despises and honestly? ME TOO FORD. I HAVE BEEF WITH THAT SONG) and drank seemingly spiked eggnog with him despite not usually liking to drink. So that he could make Fiddleford feel better.

He also just openly adores everything Fiddleford does. Maybe it's only in his journals. You could argue he doesn't say it out loud but, like, he exclusively describes him as impressive all of the time-

And I get where it's coming from in like a "oh he's a workaholic who has the pressure of Bill breathing down his neck that he has to be working on the portal 24/7." And like yeah, but in the pages he's a workaholic he's a workaholic practically begging Fiddleford to stay up with him because he loves working along side him. Fiddleford and him work *together.*

Like the page where they're sorta fighting with each other because Ford wants to work more its not "leave me alone Fiddleford, I have to do this" it's "hey! How come you won't stay up with me! Ugh this is so unfair that you're going to bed even though you know I plan to continue working for another hour."

I'm just saying if Fiddleford wanted to cuddle, I imagine Ford's response would be "Oh! Awesome, I love spending time with him 🥰🥰🥰" but he'd just end up using Fidds' back as a table for his studies. Or they'd do that thing where one of them is working on a desk and they sit on one chair in each other's arms.

And, while we're here, realistically? Emotionally stunted, slapped by more women than He's dated, "I can't cry in front of people, and the only thing I'm good for is my fists." Stanley Pines??? He's not cuddling shit. He's got that toxic masculinity ingrained into him. It doesn't matter how incredibly touch starved he is, cuddling is too emotionally intimate and "girly" for him. Honestly if Fiddleford tried to cuddle him he'd probably throw him in a headlock because he's also been on the streets for years now with people constantly trying to attack him.

And I'm not saying this to diss on Fiddlestan. Again, I *like* Fiddlestan! But when I read "Ford could never appreciate him like Stan could" I don't understand it.

They so clearly bonded well together, and if Ford truly was being an asshole (or not an asshole, but just generally unpleasant even when he wasn't possessed) the whole time, I doubt Fiddleford would've stayed. Nostalgia and physical attraction can only get you so far, and Fidds is already facing the horrors in Gravity Falls, Stanford has to be a hell of an amazing person to make someone want to stay. Like, he's a grown adult. Sure he really wanted to impress Ford and allotted himself to be "the tech guy to Ford's smarts" but if he wanted to leave, he could've. And there didn't seem to much keeping him there. Especially when he was having doubts on the portal.

[thethespacecoyote]

contemplating what exactly it was about ford that made bill feel important now

[puppyeared]

you are umasou

[charalol]

LOVE IS SO MANY THINGS. I AM SICK OF PLATONIC LOVE BEING ERASED WHEN IT IS ONE OF THE MOST STRONGEST AND IMPORTANT LOVES EVER. IM SORRY. IM SAYING IT. When you get broken up with?! Your friends are there. When someone hurts you and you need to vent or even just share STUPID GOSSIP?!?! Your friends are there !!!! People like me who don't have biological family to rely on. Hell my closest friends are basically siblings to me. I literally call them siblings. Platonic love is so strong and important and it means so much. Yes romantic love is awesome. Yes familial love is awesome but the love that has the most impact on you? Platonic. Sorry. You'll fall in love platonically more than any other love.

Also. Hey. The only rules are the ones YOU set. I'm sick and tired of people saying you cant do "romantic" things with platonic relationships. Yeah sorry. I'm taking my friends on "dates". Yes we can hold hands. You want to kiss your friend on the cheek?! Go for it dude. The world is literally your oyster and as long as you both consent. WHATEVER !!!!!!!!

[arson-09]

Man, Rhysand was never the dreamer in that god awful series. It was always Tamlin

Tamlin is the one who has always done everything he can do to stop injustice. Protecting mortals, always accepting fae from other court in his land, trying his damnedest to find a way to break the curse instead of stealing a mortal. He has always dreamed of a safer and more just world and has always tried to make that come true. Even after loosing so much he always did whats right and true in the end.

but hes doomed by the narrative. His good deeds and genuine soul over shadowed by the biases of the narrator. Hes the age old tragedy of wanting to be the best he can and do the best he can.