#THERE ARE LITERALLY RUSSIAN FLAGS

[the-jam-to-the-unicorn]

I mean ... they could also arrest the farmers who commit crimes and do something against them and their behaviour towards Ukraine and do something against the fact they're illegally blocking the border and do something against Russia financing the farmers and Russian collaborators and actual Russians being part of the farmers and fueling the hate.

Or they could close the border "temporarily" but "only for trade" and destroy the Polish-Ukrainian friendship a bit more.

I mean, there is foooor suuure absolutely nooothing about this plan that does sound bad or problematic or could lead to bad consequences.

🙄🤦‍♀️

[gurorori]

haha oh no im definitely not at all disturbed by the prevalence of leftists on all platforms who are loudly 'anti-genocide' when it comes to the palestinian cause (and a couple others at best :3c) yet the only time ukraine [ʊkrɐˈjinɐ] leaves their mouths is in critique, in stark comparison to the former or in complaint about their (american) government sending aid.

at first what i saw often was pointing out the differences in western media framing [ukraine vs palestine], and that's fair (until the words and the agenda of western journalists are used to paint, as a whole, ukrainians who have been actively going through genocide as some kind of white supremacists hogging the blanket of global attention when they kinda just want to live and have the rights to their own land, culture, names and families)

but no one is even caring to do that anymore, today bitches just invent metaphorical scenarios and people to get mad at and to throw an entire ethnos away because wahhhh i decided that you care for X but not for Y!!!.... all while doing the exact thing they are condemning. the exact absolute same and they don't even hide it but do lack the self-awareness to realise

[aesteries]

18+: currently watching anora and this russian kid just did a naked backroll on the bed to get comfortable... modern!jace?

[noknowshame]

this is your reminder that -to this day- maritime law upholds that pirates are hostis humani generis ("enemies of all mankind") and people can and very much have been legally convicted under those terms in this century

[darlingandmreames]

The Bigfoot/mountains quote in your bio, where is that from? (is it original?) I just stumbled across your blog and found it super poignant! Thank you!

OKAY so a while back my sister and I watched an absolutely wild fucking movie called The Man Who Killed Hitler And Then Bigfoot. Which was as. Buck Fucking Wild as one would expect from that sort of title. It was somewhat wanting in the dramatic storytelling department though and not nearly as bizarrely wild as it could have been, so my sister and I promptly set about remedying that and came up with a novel length, highly dramatic fanfic version that involved kidnappings, faked deaths, secret children, and secret government projects turning people into Bigfoots (Bigfeet?). There might have been were-Bigfoots? It was going to be my masterpiece. My pièce de résistance. My Sistine Chapel. Once it was done, there would be no further creative heights for me to reach because I would have already created the most dramatically splendid work of art I am capable of producing.

Or, in other words, it was to be my Bigfoot, after which there would be no mountains left to climb.

[fairuzfan]

I think something that also drives me up a wall is that people like don't realize that you don't get fired or blacklisted or ignored for being a zionist or a zionist sympathizer whereas if you so much as wear a palestinian flag pin you get fired or in trouble like no actually i constantly have to watch myself irl to make sure I don't have my words potentially misconstrued because the entire American sociopolitical system will come at me if I so much as accidentally say one word out of place I can't even say "from the river to the sea" without being accused of genocide meanwhile people publish literal thinkpieces about how an overwhelmingly Muslim town famous for their sweets is a center for terrorism like come on. Like there's a levels of fuckery happening right now and we have politicians openly calling Palestine protests as "Russian funded" I'm sorry but Palestinians, Arabs, muslims and people racialized as from these groups are in pretty immediate fucking danger??? Like??? Can you not see the fascism unless it directly happens to you????

[xslytherclawx-writes]

i'm never posting my actual face here but i'm bored so here

[prokopetz]

I can't believe how goofy people are being about the AO3 DDoS situation. One side of the debate is like "ah, it's probably those Nefarious Russian Hackers carrying out another false flag operation!" and the other side is like "a real hacktivist group wouldn't use this sort of fandom-centric language, so clearly the attack never happened and AO3 themselves staged it in order to make themselves look like victims!", and these are both unhinged things to believe.

Like, it's fucking 4channers. It's always fucking 4channers. Pretending to be from a random African nation is literally a meme for those guys, and who else would be dumb enough to try and hold a registered nonprofit hostage for bitcoin?

[lynxgirlpaws]

was trying to start a flag collection with all yhe coutntries from ww2 in the allies/commintern and the current japanese flag because it was only $2 and god DAMNIT do I appreciate a good deal however it is increasingly awkward as each nation seems to be doing everything they can to make owning their flags a horrible idea

[unclewaynemunson]

Yall voted for the sober version of this premise so here ya go:

Steve doesn't know exactly what he had expected kissing Eddie would be like, but it sure as hell wasn't this. He would've expected something rough and raw, bared teeth and maybe fingers pulling at his hair. But what he gets instead is something infinitely soft, something resembling tenderness... It makes it all the more difficult for him to pull back.

“What's wrong, Stevie?” Eddie asks after one look at Steve's face.

“I need to tell you something,” Steve manages to choke out.

And Eddie wraps his arms all around him, pulling him closer until his head is lying right against Eddie's beating heart. That heartbeat, steady and reassuring, is all he focuses on while he talks.

“Remember last summer? The mall fire that wasn't really a mall fire?”

“You finally gonna tell me what happened there?” Eddie says. It doesn't sound accusatory, just curious and a little confused as to where this is headed.

“I don't really like to talk about it,” Steve confesses. He closes his eyes, flashes of what happened back then floating to the surface of his mind again.

“We – Robin and I – we were captured by Russian soldiers. They tied us up and interrogated us for hours. They thought we were spies, so they tried to get us to give up information. They hit me.” He pauses to take a breath. “They hurt me real bad, Eddie. Until I was bleeding all over. Until I lost consciousness and Robin thought I was dead. The only reason we survived is because they thought we would have useful information for them.”

“Jesus Christ, Steve...”

Eddie's grip around him tightens, but Steve lifts his head up and makes a half-hearted attempt to crawl away from him. The hardest part has yet to come.

“I really, really like you, Eddie,” he says. “But I can't do this with you.”

Confusion flashes over Eddie's features: his eyes widen and the lines around his lips become deeper. But he still doesn't loosen his grip.

“What do you mean?”

“It's the –“ Steve clears his throat. “I know what it means, the – your hanky. I got a cousin in New York who knows all about that shit, they send me magazines sometimes when my parents aren't home. I'm sorry, Eddie, but I can't do that, like, ever. It's only gonna make me relive that shit from last year. There's no way I can ever give you what you need, so it wouldn't be fair to...” He trails off, not quite knowing how to finish that sentence.

“What the hell are you talking about?” Eddie still looks as confused as ever.

“Your hanky,” Steve uselessly repeats. “You're flagging, aren't you? You're into, like, hurting people, right?”

Steve watches how Eddie's jaw drops, almost in slow motion.

“This?” he asks, grabbing behind him and taking the black piece of fabric, covered in skulls, out of his back pocket.

Steve nods.

Eddie laughs, but it sounds fake and on edge, quickly dying out again. “Steve. This is a metal thing. It looks badass, y'know. I literally have no idea what you're – flagging?”

A gasp escapes Steve's lips and he feels his heartbeat speed up with something that must be hope.

“Are you serious?”

Eddie nods, his brows still furrowed and that endearingly confused look of I-have-no-clue-what-the-hell-is-going-on not leaving his eyes.

It feels like Steve's heart is starting to run laps in his chest, now. He can barely suppress the laughter that's bubbling up inside of him.

“What the hell are you trying to tell me, Steve?”

He grabs the hanky that's still in Eddie's hand.

“I thought you were flagging,” he weakly explains. “It's like a code. To signal what you like to do, y'know, in the bedroom. The black, it means – I thought you were into, like, BDSM shit. Things I can't do: being tied down, getting hurt...”

“Why the hell would I get off on hurting you, Stevie?”

It sounds so ridiculously innocent and horrified: Eddie the freak, Eddie the scary metalhead – Eddie who is genuinely shocked at the suggestion that he had in any way created an image for himself in which it made sense that he'd be into pain.

“I mean, if you would, I wouldn't wanna judge you or whatever,” Steve is quick to say. “You'd be surprised how many people are into that shit, I'm not here to shame anyone. But if you aren't... I'm really fucking relieved, man.”

He still vividly remembers what happened when he was dating Daphne, who had once taken his wrists in her hands and pinned them down on the mattress above his head while she was on top of him. Or when he was with Melissa, who had half-jokingly slapped his ass one time when things were getting heated between them. Anything restricting his movements, anything unexpected, could make him lose his shit now, as he had had to find out the hard way. It had made him believe that he could never actually have Eddie, that that would be asking too big of a sacrifice of either one of them, an impossible kind of compromise, no matter how much they liked one another. But instead, here he is, with Eddie looking at him with the softest look in his eyes, actually having talked about his shit before they even got up to anything more than kissing.

So he tells him, stumbling his way through the words, about his experiences with Daphne and with Melissa. And Eddie listens to him patiently, his big eyes never once leaving Steve's, nodding as if he's mentally taking notes of what to do and what not to do.

“We can take it as slow as you need to,” Eddie tells him when he's finished, his voice sincere and reassuring.

“It's not about taking it slow,” Steve assures him. “It isn't about not being ready. It's more about...” He pauses to think. “It's about trust. I trust you.”

Eddie's hands, that are still wrapped around Steve's torso, tighten for a moment and he blinks rapidly a few times. He looks overwhelmed by Steve's words.

“Okay,” he finally says, a little bit more hoarse than before. “So if it's about trust, can I trust you to tell me whenever something I do is bringing back unwanted memories?”

Steve nods. “Yeah, I can do that.”

It's always been difficult for him to talk about what happened that day underneath the mall. But he realizes he has already done the difficult part: Eddie already knows about the memories he is carrying with him. That must make it easier to talk about it in case it will ever be necessary.

Soft lips press against his temple and he drops his head back on Eddie's chest.

“Good,” says Eddie. The sound of his voice vibrates through Steve's whole body; he doesn't think there's anything more comforting than being completely wrapped up in Eddie like this.

A hand lands in his hair and starts stroking through it softly.

“Thank you for telling me this,” Eddie mumbles. “That couldn't have been easy.”

In return, Steve wants to thank Eddie for being as sweet and understanding as he has been, but the exhaustion of having this talk is washing over him in big, heavy waves. So he merely hums and lets his eyes fall shut.

“You wanna stay the night?” Eddie asks. “We don't have to do anything right now – we can go straight to sleep, how does that sound?”

Steve nuzzles his head further into Eddie's chest. “Sounds good,” he murmurs. He can't imagine ever wanting to sleep on his own again.

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[sprinkleonthatcriticism]

So, can we bring up the fact that Vivziepop blocked a Ukraine artist for simply warning her that she was quote-retweeting a pro-Russian army artist?

And before people say "But Katya Sair simply has the Russian flag, are you calling all Russians who have the flag on their bio/profile that shows they are from Russia terrorists and bad people??" No, Katya quite literally is supporting what Russia is doing to Ukraine

(thread)

And here's the evidence of the artist being blocked by Viv

[thelittleukrainianwell-armedgirl]

"On 7th of January Ukrainian poet Maksym Kryvtsov and his ginger cat were killed by rssian army on the frontline. He was 33 years old. He was writing poems about the war and his loyal cat friend, while protecting his homeland. He could create so much if russia would not start this unjust horror.

Every time something inside me dies when I see news like this. Every Ukrainian from the beginning of their time in school learns about Executed Renaissance - when on the beginning of 20th century a lot of Ukrainian artists, writers, poets were chased and executed by Soviet Union for creating works in Ukrainian and expressing their national identity. Now it’s happening again, same evil, but under different flag. Besides occupation of our land russia also often talks about how Ukraine is fake country with fake language, they burn our books on occupied territories, mock us, our POWs for the fact we’re ukrainian. They were mocking us even before the invasion, I grew up with watching it on social medias myself. And now a lot of authors can’t create because of the war, russia kills them on frontlines, in their homes, russia purposefully targets objects of civilian infrastructure to leave us without heat and electricity. It pisses me off every time when I see russian “culture” being praised by the foreigners, knowing that it’s made on blood of other nations. Either 100 years ago or now. Because while russian authors can live and create, we have fight for our survival.

Before being killed by russia Maksym published his last poem, where he told about how his body will grow as violets after his death. Every time it’s hard to draw something about the war, I feel literally empty afterwards but I just felt it would be right thing to do. It’s awful that our artists have to go through all of this, so damn unfair, and I keep telling myself that justice is waiting for them but I can’t even imagine what has to happen, everything feels not enough.

Please support Ukrainian authors, until it’s too late."

(c) @ fate_221

[sleepyconfusedpotato]

MWIII Campaign Thoughts and Reviews

(Played in the recruit difficulty because I suck at FPS games, and I want to explore and spent time in the campaign without dying too much). Leave some thoughts!

⚠️SPOILER ALERT⚠️

So… that was devastating. 

(+) To start things off, Makarov - Boy, holy shit. Yes. YESSS. They didn’t hold back with the new Makarov. He’s a mastermind, he’s a charming fella, he’s a psychopath lol. And the fact that he smiles a lot in this campaign just adds to the creepiness. I might get some side-eye here, but this Mak can go head-to-head with the OG!Mak. He’s always onto something, he’s proven destructive, had the 141 hauling ASS to chase him.

Makarov had stolen American missiles from ULF, caused false flag missile attacks on Russian Military base, and successfully orchestrated a false airplane hijacking, all under ULF's name - everything in the span of 48 hours since he got out of prison. I saw people saying that this Makarov ain't got nothing on the OG one has to be inhaling some shit copium because this is only in one single game and he's destroying shit.

I know just one game with rushed development won’t be enough for an iconic character like him, so I’m glad they didn’t kill him.

(-) I absolutely ABHOR, DETEST, LOATH the Open Combat Missions (OCM). It is so very not Call of Duty campaignesque. it doesn’t help anything with the narrative, and if anything, it even took away the narrative for us. The former missions in former games are iconic in their own way because the mission designer put a lot of thought into how the game will be played, the situations we found ourselves in.

But OCM's, we're like... Left to our own devices without any story-driven dialogues.

I think one of the reasons why MWII was so close to everyone's heart was because of the banters between the characters, especially in Alone. Here, because it's literally our choice and our time, it left us with no actual given time to know and love the characters more than we already did. Yes we love the characters, MW19 and MWII did that for us. But in this one? They said "character development is done, mate. Now go to war.”

Then again, is OCM a product and evidence of MWIII’s rushed development? 100% yes. I don’t give a shit if they cover it with “oowh we make OCM so you can play the missions differently each time without repeating the same mission over and over again!”. Let me ask you this, Activision - Have ‘repeating the mission over and over again’ been a problem with us campaign-enjoyers? No! I played the MWII campaign like 5 times, in all difficulty (except realism I still love my life), and I enjoyed it, because the mission designers took a lot of time and thought to it instead of just creating a map, putting a bunch of loadouts scattered around the area and throw us in it. So yes, it’s clear that OCM is a product of rushed development. It sucks the life out of the campaign missions.

Some people may enjoy it, but I play the campaign exactly for the linear style missions, not DMZ style.

(+) Look, I said it before that I will go to the campaign with the lowest expectation possible. I expected Mak to be sub-par, I expected them to play safe with the characters, and BOY WAS I WRONG. Setting aside the point above where the character feels stuck on the character development (which is a huge minus btw), all the characters have time to shine in their own missions, especially Price because I feel like we play him the most. However, I do also love the fact that the girls get shit done here. Farah and Laswell did their work so beautifully and apparently it was revealed that Laswell will be a MP operator, so that’s cool. 

(+) Ghost being a menacing presence, can stood his ground. Price being level-headed though at the same time unhinged as usual. Gaz being the voice of reason throughout the entire fucking game LMAO. Soap being the brave man he is, the passion and fury is evident throughout the campaign. Farah being badass and dependable as usual. Alex being the main supportive guy to Farah (Faralex is canon at this point argue with a wall). Nikolai being our most reliable get-away guy.

And of course, Graves and Shepherd being the fucking goofy ahh duo I actually find interesting. The trial cutscene was such a goofy scene LMAO the fact that they backstabbed each other in the ass is real funny. I side with Graves though. However wrong and unhinged he may be, Graves is just a guy doing his job and did what he’s told to do.

(+) I love the fact that Mak tried to frame Urzikstan to pin the blame on them. It's exactly what the OG!Makarov did but in HD. The Passenger mission is phenomenal and more damn traumatizing if only it was a bit longer and more stretched. There are many more reference to the OG games and I absolutely love it.

Now…

Soap’s Death

Remembering all the MWII missions with Soap... It hits differently now, man. 

(-) I've read a lot of people's arguments about it that the fact that it happened is just for shock value and kind of disappointing. Because let’s be real here, Soap is an SAS who got the name Soap because of how much of a slippery bastard he is. Granted, Mak is an ex-Spetsnaz and can fight with Soap. But how he went down in a goddamn takedown without any chance of fighting is just… it’s not it.

To add to that, the reaction from the boys is just... Underwhelming? Like I get it they're battle-hardened SAS soldiers, but let them show some damn emotions for fuck’s sake. One of the main reason why the OG!Soap’s death is really painful is because of Price’s reaction to it. How he said “NO. NO NO NO SOAP!!” While he shook Soap’s lifeless body in the table. At least let Price kneel to him, straighten his body, touch his vest. Close his eyes, gather Soap’s hand and PUT HIS GUN ON his chest all the while Ghost and Gaz knelt beside them. I do love the fact that they literally went to Scotland to let go of his ashes with Ghost holding the urn though. I cried in this scene. 

And the fact that it happened with the shortest campaign out of all the reboot MW games, it just felt rushed. Yes. It’s completely rushed, there’s no doubt about it. Again, the result of rushed developments.

(+) Now, with that said, I kind of want to shed light on how Soap is literally the youngest guy in the group. He had so much to live for. He's a sunshine in the middle of this gruff emotionally hardened man. He's such a joy to be around. He's brave. He's fresh. The fact that he's got so much to live for adds to the sadness and bitterness, which I actually like.

Sometimes I do kind of like those kinds of deaths, where the character is too soon to die,  because it hit so much harder and in a different way than the OG! one. We got to see the OG!Soap went from when he was an FNG, turn to a captain, to a man of fortitude that  earned Price's honor and sacrificed himself to protect Price. We saw how he developed and changed. We saw his entire career with us throughout all the OG!MW trilogy.

Reboot!Soap's story barely even started, and the fact that he's still so young, imagining how he'd be one hell of an officer, how he'd lead his team in the future. 

OG!Soap’s death is sad because all the times and memories we’ve been through with him, but Reboot!Soap’s death is equally sad for the times we could’ve gone through with him.

I want to say this though, some people said that Soap's death is sudden, but I wouldn't agree with that. I think the telltales are all there.

In the helicopter scene after Price and Soap caught him in Verdansk, Mak literally SAID HIS FULL NAME. That is a literal pinpoint death sentence from Makarov. And how emotional Soap’s reaction is compared to the other boys when the airport blew up. The signs are literally all there! I saw it coming actually. 

So is Soap’s death rushed? Yes. Could it have been executed better? Yes. Is it for shock value? Yes. But is it as sad? Yes. Honestly, I blame the rushed development and due dates for this. Activision is a cash grabber who wanted a yearly release so they can catch more money. I fucking bet my ass that initially they didn’t want to kill Soap, but it’s like a last-minute decision to make this game actually look like it’s worth 70 dollars. 

Like by the end of the game, nothing has been accomplished. Big Bad Guy is on the loose, and we lost Soap. Yea we did stop some of Makarov's attacks, but we ended with a loss. It's a completely sad ending. I just wish we get to continue with more missions after Soap's death like in OG!MW3 though :(

WHAT'S NEXT?

Now. Shepherd is positively fucken dead. Price is now an actual criminal and a fugitive. He just killed a 4-star US Marines general in his own office. Price is entering his insane and unhinged era. I do wonder if he'll go even more unhinged than this.

The story will undoubtedly continue in the MP seasons (although probably only 2 seasons that mattered because it'll also undoubtedly be filled with skins and collabs and shit). I think it will also focus more on transitioning to the next CoD games, which will be Black Ops (It is confirmed that for the 2024 and 2025 CoD, it will be Black Ops games).

We're talking future here, so if there's going to be a CoD MWIV, It might be possible that this is the game where we'll finally defeat Makarov while the 141 copes with losing Soap. I do wonder if Price will become too unhinged and will get rid of everything on his way to kill Mak. Price's reckless acts will become too much for Gaz that it's starting to hurt other people and himself, and Gaz will do something against Price's command or wish - and Ghost will have to choose a side. Now that's the kind of drama I want to see.

What do I score this campaign, what do I score this campaign... The story is actually good, but because the development is evidently rushed, the packaging feels a bit hollow. It's a 7/10 for me!

---

Wait you know what

We get to pet a dog named Riley. 10/10, Game of The Fucking Year.

Reboot!Logan/Hesh (?) 👀

---

So there it goes! If you've read this far I love you and Activision will pay for my therapy (ʘ ͜ʖ ʘ)

[city-flag-tournament]

✯ Round 5 ✯ Match 7 ✯

The current flag of Kanepi Parish, Põlva County, Estonia

Propaganda:

KANEPI MEANS WEED IN ESTONIAN IT'S LITERALLY A WEED FLAG FOR THE WEED PARISH

vs.

The current flag of Anadyr, Chukotka Autonomous Okrug, Russian Federation

Propaganda:

Cutest bear ever

Tournament Policies: ✯ Choose the flag that's more meaningful to you! ✯ Be respectful of place names and cultural symbols in your commentary! ✯ If you want to submit propaganda, you may do so at the submission form linked in the pinned post. It will only be included if it is submitted before the next post with that flag is drafted and will be included in all subsequent posts the flag is featured in.

[sunny-day-jack-official]

Sunny Day Jack Report 07/11/2023

Wednesday means it's time for our weekly development report, and this one's a nice big one for everyone to enjoy! Those of you who have been following us on Twitter may have noticed that we redesigned our logo for SDJ. The majority of the devlog will talk about our process behind that, so read it for free on Patreon or click the readmore for the important bits!

Unity Demo Version 0.03

Changelog:

Fixed video rendering while playing on the Steamdeck (via Windows Proton Compatibility)

Added missing CGs

Game extended slightly past the kissing on couch scene

Select narration from Y/N reworded for clarity

Macintosh OS compatible version has been added

Known bugs:

Certain voice lines may be missing or cut-off

This update was largely focused on ensuring stability before adding in more content. Those who backed the SDJ Kickstarter can access their beta testing keys via this link, while SnaccPop Patrons who pledge a minimum of $12/mo can access their beta testing key over here.

For our MacOS players, you may encounter issues launching the game due to Apple security, so please follow this tutorial to temporarily disable Gatekeeper (we recommend turning it back on afterwards). We're investigating ways to avoid Gatekeeper flagging the game, so please bear with us! As for our Linux/Steamdeck players, for the time being, please use the Windows version and use Proton Compatibility to play the game.

Logo Graphic Redesign

Like with the previous SnaccPop Studios logo, the SDJ logo was due for a makeover. For starters, the old logo was tiny.

Yes, that's literally the largest size we have on hand for the original SDJ logo source file, and everything else is just blown up bigger in size if need be. Astute viewers may also notice that the Something's Wrong With portion of the logo was also slightly off-center this entire time, as With was hanging off the edge a lot more than Something's. Another issue that came up as we continued working with our translators was the fact that we'd most likely need logos in the target language too; adapting the old logo was near impossible because all we had left of it was a .png file. At this point, making a new logo just made sense.

The new logo largely retains the important elements of the original one. Using the Buddy Belt motif as the background image and the use of two distinct fonts, a formal serif for SWW and a more bubbly sans-serif for the SDJ that essentially captures the essence of Jack's dual personality, were ideas Sauce carried over. Additionally, his signature primary colors palette is much more clear in the text, making this logo more easily identifiable. After nailing down a good foundation and centering the text, Sauce overlaid faint scanlines reminiscent of old CRT display monitors then splashed some blood here and there; all in all, the new logo is a nice visual of the ludonarrative dissonance the game itself aims to achieve.

We'll pass the mic to Gureii here when it comes to the localized logos!

Translation & Localization

Hey there! Gureii (she/her) here. You might know me from one of the previous devlogs posted here on Patreon not so long ago.

 I’ve been asked by BáiYù to present you a tiny (okay, not that tiny) little treat for both the Russian and the Japanese-speaking folks out there who are interested in our upcoming game, Something’s Wrong With Sunny Day Jack.

Let me introduce you to the new localized logos real quick:

One of the most interesting aspects of working on these was the brainstorming session behind both of them. As the Lead Russian translator of this project, one of my main concerns was to come up with the title translation that would be both both simplistic and catchy, hence the name change from a statement to a question. The localized version of the title - «Что с тобой, Джек?» - includes both the questions a player would ask to Jack himself: “What happened to you?” and “What’s wrong with you?”, either depending on their opinion towards him or both of these at the same time.

The Japanese translation team, on the other hand, opted for something much more laconic, to which I was happy to comply! They're only using Katakana to translate the commonly abbreviated title into【サニー・デー・ジャック】, which will be easy for Japanese speakers to read (it'd be pronounced "Sanī dē Jakku"). It's short and punchy, and it's not unusual for Japanese logos to have the English text as well.

Another aspect (a tricky one this time!) was looking up the Cyrillic and Kana fonts that would match the mood of the English logo we got: it gets quite tricky when we talk about anything but Latin fonts, and it gets even harder when we talk about something that is as bold, youthful and bright as it is. For example, with the katakana transcription the Japanese translation team and I had to search for something that would not scare the person interested in playing the game, something much more inviting than the crimson lettering used on the English logo. The bloody Buddy Belt portion of the logo will still indicate to potential players that this is a horror game, so it works out.

By the way, you might be asking yourself, "Why isn't there a Spanish version of the logo?" Both Pierre and Nana expressed that translating the title wouldn't sound nearly as good as the original English title (a literal Latin Spanish translation would be "Algo Malo Pasa Con Día Soleado Jack"). Luckily, both English and Spanish share similar alphabets, so it's as big of a difference compared to Russian or Japanese.

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And that's all we got for this week. Thanks again for your continued support of SnaccPop Studios!