#THE REST OF YOU AREN'T EITHER!!

[3456boidone]

I told you...

You weren't safe... @oh-gh0st

[randomnameless]

The quintessential problem with Claude and the deer is that they should not have been involved in the war at all, or at least not Claude. What does he have to gain participating on it? Nothing, and he makes it even more explicit in azure moon when he dissolves the alliance. He could've pretty easely given the power to Lorenz or Hilda and nope out of there (what he does in silver snow), as it is clear througouht white clouds that he doesn't have as much of an attachtment to Fodlan as he does Almyra. And it isn't like the devs couldn't take the deer studients out during post-TS, when Marianne unless recruited is pressumed dead, and Lorenz unless recruited joins the imperial forces and dies helping the empire.

Outside of the problems with racism and the bigoted tropes related to "savage cultures" the Fodlan games perpetuate, the devs did not know how to use one of their house leaders for the main plot of "church vs empire", and idk if that's because they bit more than they could chew, or if it was intentional taking into account who gets the short end of the stick in both games happens to be mixed and from one of those "savage cultures".

TBH...

It's on the devs for having wanted to add a third lord to their game, but failing to, well, link him to any of those plots.

Supreme Leader's war of unification?

Well, Nopes gave him a part this plot - and yet there's no third choice in this plot : you bend the knee or you die. Nopes' wise, Clout decided (in his route) to bend the knee with his "alliance" that is totally supposed to make Supreme Leader reconsider her desire to roll over Leicester and make it part of Adrestia again!

(Granted, Nopes don't tell us how his plea to stop the war after killing the evil lizard lady will play out and leaves an open ending...)

In Houses, well, he doesn't want Leicester to be flattened, and goes on the offensive (counter offensive?) when Billy pops up with basically what is the plot events of Silver Snow (down to using the same strategy with disguises) with the Gronder Map.

And that addition radically changes... well, everything regarding Claude's relevance : he cannot form an alliance with the Blue Lord or the Kingdom to get rid of the Empire because "plot convenient myopia" and apparently Dimitri BaD enough that he attacks Alliance troops for no reason.

Forget SS, GW (and AM, in a way) is just using plot contrived excuse to... not have an united from to face the Empire. Why? IDK. Each Lord must be the hero of his story, or the unification boner means only one of them can "win" an unified Fodlan i'd guess.

Nabateans and the plot ?

No one gives a fig about that "plot", so it's basically pursuing a side-quest for no payoff.

Now, as @fantasyinvader wrote, Claude's story and journey as one who is ignorant and gets to learn and clear his misconceptions + the background of the land we're living in could have been interesting, doubly so given how Billy is voiceless and cannot play the "protag discovers the world at the same time as the player does" role.

But it has... no payoff.

Much like Rhea's infodump about the World, Relics and Nabateans... Claude reacts to the mention that Billy has a rock for heart, and not about his crest, his shiny bow or the fact that Rhea also had a vested interest in, uh, getting rid of prejudice against people who are perceived as "different" because her family was genocided for that.

Hell, the entire "prejudice" angle from Supreme Leader's war is swept under the rug, so we can have the Deers say nonsense like wanting to rekt Thales for Supreme Leader's sake, while only Flayn and Seteth can hear her "nabateans shouldn't have power over the people"...

There's no parallel drawn in the game about Claude and Rhea's situation - since she's at the center of this subplot - about being perceived as "outsiders" and not being able to do various things from existing to "rule over the people" because of what they are, or even faking their identities and building metaphorical walls between them and the people they're living with because they are afraid of rejection.

Nah, we can't have that, Rhea must be irrelevant to the possible, while also being the biggest scapegoat/dragon of this saga at the same time as a nebulous red herring to sell pots of tea.

Ihthe "fight against prejudice and make people accept each other" angle was that relevant to his route, Claude would have most likely talked or interacted with Dimitri and learnt of his plan to cleanse Duscur's name in his Father's assassination, raised a brow at Petra being a hostage and done something else than give a surprised pikachu face at Rhea's infodumps.

He could have reacted at her reveal that if you might want to live in peace with some people, if those people don't want that and label you as nothing more than fodder or things to be looted, it's not going to work.

And of course, gave a reaction at your second in command (unofficially?)'s reveal that, uh, her house keeps identured Almyran children as war prisoners?

Some people already made some AUs or "what ifs" routes for a proper Claude route and not the nonsense that we got in FE16 where it's basically "I react to the same plot events that happen in the other routes but top it all with a zombie".

The Deers could have been "better introduced" in a plot about getting rid of prejudice, or learning the causes of this prejudice : Marianne was/is hunted because of her blood ties to Maurice - not because what she did, but because what Momo did back then! - Lysithea was treated as a guinea pig and her house rolled over by Adrestia who has a less than rosy views about the "offshoots" that are called Leicester and Faerghus, Lorenz could explain that prejudice, just like piety, are tools used by people whenever they're relevant, like, some people being pissed at foreigners and some who aren't because they make money through international trading like Margrave Edmund does, Hilda justifying her House's animosity towards Almyrans because they lost many people in those pointless skirmishes (maybe a closed ones? Her mom or Uncle or whatever?) which would make Claude realise that "ending prejudice" is a much more difficult quest than, idk, just killing one or two randoms.

The commoner trio might share Claude's views about prejudice and welcoming foreigners, but have more "mundane" worries like being able to have a roof and food to eat, which might be the case of some people in Leicester, or tell us more about Leicester and how it works (give us more insight about the different countries if Fodlan ffs).

Maybe we could have add a Claude who learns and discovers Fodlan, and along the way, starts to love the land as much, if not more, than Almyra and really wanting to protect this land from whatever Supreme Leader's cooking, or becoming an Almyra v.2.

I don't think making Claude the third wheel of the plot was maliciously intentional because of the, uh, implications with RL cultures and Almyra, but more like they didn't know where to put him.

I noticed you wrote the conflict as one that is "the church vs the empire", but I do not really agree - if that was the case, the war would have stopped in VW/AM/SS the second Rhea was caught.

The main conflict is Supreme Leader's war of conquest - with the twist that the devs were really banking on their brilliant idea of making the red emperor the titular waifu of the game that each person/lord/whatever Rhea is must find a way to excuse and/or justify her actions.

With this in mind, AM is basically Dimitri's fall (and rise!) because of his ties to Supreme Leader.

In VW? The game cannot explore too much outside of the Supreme Leader scope so we're left with.. well, what VW was.

Claude cannot go on a journey to discover Fodlan and get rid of his misconceptions... because part of those same misconceptions are used by Supreme Leader to start her war, or the sheer concept of a conquest, aka a nation being rolled over by another is anathema to his, supposed, ideal of wanting people to accept each other despite their differences.

I ranted about it since day 5, but the Nabatean subplot (and Fodlan in general) is accessory to Supreme Leader war, there is no point aka no payoff for learning all of that, because you cannot challenge the one who wants to unify the continent.

As such, Claude cannot deviate too far from this plot - while receiving infodumps about "the lore" - and we end up with third wheel of a bike and characters who, at first and second glance, appear to be irrelevant.

Fodlan ends up unified despite starting as three separate countries, we feel bad for Supreme Leader and mourn her unknown ideals, Rhea is gone and the Agarthans aren't a problem anymore.

the second the devs said leicester was a republic, claude was doomed. Merchant republics are always irrelevent or straight up useless in the FE series!

[ruvviks]

"Colton and Akiyama have a long and rich history, having worked together for Arasaka since their early twenties— Colton as director of the SERPENT projects and Head of Special Programs, and Akiyama as recruiter and quality control manager across all of the corporation's Night City facilities. The two disliked each other from the start and from an outsider's perspective only rarely saw eye to eye; but if anything their rivalry was a challenge, a way to keep each other sharp, and one of the only ways they could have some fun in the megacorporation's grasp. Years later, the two reunite at Club Bodytalk following the incident in spaceship Elysium and the fall of Cobra Cybernetics. Surrounded by the victims of the projects they once ran, their heads are forcibly turned into the direction of their past mistakes— their guilt connects them and it forges a bond of understanding they can't get with anyone else, and while they cannot erase their past they can ensure that no one else ever has to go through any of that again." ↳ andy belongs to @mojaves, template here [x]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf

[arthursfuckinghat]

Not gonna lie I was very set on never playing rdr1 because I know how it ends and I don't care to be in the damn desert all the time but your blogging does make me curious

Hello!! I'm glad I could make you curious at least, the game has definitely aged but I think it's really worth playing <3

Though a lot of New Austin and Mexico is desert, there's actually a lot of variety in the land. Seeing the familiar places in a different perspective is fascinating, there's also so much to do! Fast travelling is unlocked by default as soon as you start playing, its pretty easy to get around, horses are also incredibly fast lol.

I found rdr1 very nostalgic to play, going through John's story is so interesting too if you've played rdr2 first, everything still makes sense even with the context of the second game first. I've found that you get to understand John as a character a lot better, you get to watch him grow and age through playing both games. I really recommend it!

I won't spoil anything, even if you know how it ends, it still hits hard <3

[theultimatekamehamehavoc]

Ramble time about Makoto and a little mini headcanon I came up with cus why not B]

Sometimes, I like to believe that Makoto gets really deep into stuff. Basically him in his own little world, hyper-focused to the max such as him cleaning, research, planning. Stuff like that. In the peak level of him in this state, he'd go, burst into a room, rummage around for anything he might need, and leave all while anyone who was in the now ransacked room is just 100% ignored. Bursting into rooms with the determination of the Kool-Aid Man (def not the strength tho) Makoto doesn't even remember that there were people in the room either. He could have been in a room with 58 other people for instance and if you quizzed him on how many people were in that room he'd just blank out like "People? What people?" This applies to whoever he lives with as an adult as well as way back with his parent's and sister. I can see his parent's never getting why he'd zone out like this. Like, they've tried to get it cus they of course wanna understand this weird part about their oldest child. They never really succeeded with it though and just accepted it as one of his weird quirks. Meanwhile, Komaru teased the shit about it to him cus of course she would. After all, it's the little sister privilege to completely dunk on the older sibling. 'Tis the law. Plus, it's not like it's the biggest piece of ammo she has on her older brother. This is Makoto we're talking about after all. Also, cus why not, (might as well be a BIT self-serving hehehe) I'm slipping in my mini headcanon of Makoto, Kyoko, and Byakuya living together casually in the same apartment/small house. Plus, it's funny imagining these two experiencing Makoto's little moments like this. Feel Kyoko would be more used to Makoto basically forgetting her existence when he gets into these hyper-focusing grind moments. Even when she first learned about it, I doubt it'd affect her much. Like, what is she gonna do? Have a little grudge for a solid week and a half with her roommate and lowkey boyfriend? And, besides, what idiot would have a grudge going on for that lon- oh right... Byakuya exists. Yeah, unsurprisingly, the heir is the type to be petty as shit about something like this. Has 100% without fail been disappointed to some extent and bummed out whenever he gets ignored like this. Or ignored in general. At the end of the day, he's a bit of an attention whore (the bit taking it lightly) It's his tsundere way to act like a needy, bastard cat. He'd basically take it personally while Kyoko's shaking her head cus he's taking it personally and Byakuya's all like "Tch. Stop making the assumption I'm taking it personally" and they go back and forth about it during the week all while Byakuya side eyes Makoto who's very much not aware he's even done anything wrong. His little stunt only happened once that week and he doesn't even remember Byakuya being in the room with him while he was rushing about their living quarters looking for junk like some toothpaste and a hanger. And this goes on until the week ends until Byakuya's basically over it, Kyoko gives him the whole "I told you so" look which for her is just her regular expression but with one of her brows slightly raised which she may or may not be actively trying to raise it higher but can't cus that's as far as it goes. Also this is a common occurrence for them all at least once a month. Oh, and the week is the minimum amount of time for Byakuya to hold a petty grudge for and they've lasted way longer ^v^

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[sciderman]

I would say you’re more of a Mr peanut butter type yeah

doggy doggy what now?

[veliseraptor]

you know what maybe i should've written a shorter version of that post that just ran "the desire of doms and/or sadists are real, we are not simply a kink dispenser for the kink dispensee but actually do have our own subjectivity" since apparently the other one got too complicated

[spacedkey]

the eternal struggle of reading webcomics/manga/manh(w/u)a that i think are really good but have cringe ass titles so i can't recommend them without someone doubting my sensibilities and taste in stories

[crowcryptid]

Certified florida moment.

[darklight-owl]

My life would be so wonderful if the media I like wasn't so abhorrently and undeniably sexist.

[genshin-projection]

i don't think i can be normal about Sunday guys

[basically-fabulous]

u "don't vote" motherfuckers r stupid as shit

[thereareeyesinsidethetrees]

thinking about that ford blood angel thing i made

[nelyos-right-hand]

So I don't think we need to talk about how the Elrond and Durin content was the only good content in the entire rings of power (and the only reason I made it through the 6 episodes I did before quiting) but it also kind of confuses me. I mean you can't say that the show was terrible because the writers were because the Elrond content literally showed us that they can, in fact, write some pretty good stuff, for some reason they just seemed to have decided... just not to do so. So why, Amazon? WHY?!

[c0rpsedemon]

my naming scheme for the resurrectionists causes me undue stress a lot of the time but when it works it Works