#THE READING STORY OUT LOUD
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factual-flittermouse · 17 days ago
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DC confirms that the bat cave is just part of a really huge cave system, and that’s just how Batman gets around without people seeing him. Some people question how nobody else has discovered the batcave if this is true, but it /is/ Gotham - there’s a man eating pseudo crocodile and a zombie in the sewers. Would you risk it?
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ghost-proofbaby · 4 months ago
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never love an anchor (e.m. x reader)
"On some level, I think I always understood that a ship could never really love an anchor."
warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.
wc: 5.8k+
an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.
if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.
that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.
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Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 
So why does it currently feel like you’re dying?
The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 
Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 
It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 
Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 
We still on for tonight? 
The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 
He wasn’t a part of the issue. If anything, he was part of the solution. 
A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 
Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 
You can’t remember. Or maybe your brain is simply refusing to recall. 
I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 
What? Is everything okay? Are you okay? Do I need to bring you anything? 
Please don’t.
The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 
But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 
Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 
Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 
A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 
Does it even matter anymore? Would it even matter if I simply vanished? 
Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.
Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 
Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 
And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 
There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 
There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.
Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 
You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 
Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 
But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 
A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 
You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 
There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 
You can’t move from this very spot. You’re terrified of what will happen when you do. 
Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 
Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 
You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 
The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 
Does it even matter anymore?
You’d left the bathroom door wide open. 
Were you worth it?
You’d been home alone – past tense.
A more durable mind, a more capable suit of skin to occupy.
A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 
If you had been, would it all feel a little less heavy? 
“Hey, Eds.” 
You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 
Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 
“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”
You felt like shit. 
Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 
You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 
You’re not his weight to carry, not his burden to shoulder. 
After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 
Immediately, he knows something is wrong. Because of course he does. 
Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 
He’s good. 
And you’re simply rotten.
You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 
You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 
He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 
“I’m sick.” 
“This isn’t just some stomach bug.”
Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.
You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 
Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 
“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 
You can’t get out the proper words. You don’t know how.
How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  
Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 
His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”
It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 
“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 
“Bullshit.”
“Eddie, don’t-”
“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”
“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”
Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 
“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 
Can he see it? All the fractures and splinters and pits and metaphors? 
Can he smell it? All the rot and the destruction and hopelessness?
Can he feel it? All the pressure? 
Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.
“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”
If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 
He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 
And yet, he doesn’t. 
You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 
He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.
The thought makes you cry harder. 
If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?
“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”
His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.
There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 
When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”
And if you hadn’t already been shattered previously, that would have finally broken you. 
You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 
“I don’t know.”
In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 
But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.
Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 
The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 
You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”
It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 
Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 
He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 
“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”
There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 
“I couldn’t do it, even if I want-” 
Even if I wanted to. The words you can’t speak, dying on your tongue. 
Do you want to? Where does the pain begin? And where could it end?
“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 
He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 
But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 
“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 
Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 
He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”
He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 
“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 
It’s not your job. That’s not your job. 
You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 
All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 
How can such rotten hands pull such love from others? How have you yet to infect him? 
“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”
He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 
But he’s still holding you like he’s terrified. You did that – you instilled that fear. 
“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”
“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 
You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.
“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 
“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 
“I didn’t.” 
“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 
Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 
“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 
“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”
“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 
“Please, stop.”
You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 
“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 
You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 
“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 
“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 
“Exactly.”
He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 
“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 
No bridges.
No failures.
The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 
“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 
His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”
You’re worth it. 
He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 
It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.
He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 
You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 
“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 
Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 
Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 
He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 
His words shake just a little less than they had when he’d first entered the room. 
He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 
He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.
Hesitantly content. Just for now. It’s enough. 
The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 
It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 
One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 
And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.
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basket-of-radiants · 8 months ago
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Sorry, this was gonna be a comic with an actual punchline, but this part was funnier just on its own.
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shadowboxmind · 1 year ago
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Maybe a hot take, but I don't think the Traveler was being inconsistent or out of character in the last archon quest at all. People are getting upset at their reaction to Lyney and Lynette's behavior from the perspective of players, with meta knowledge of the story that the Traveler, the character, doesn't have.
The players know, for example, that because they're playable characters, Lyney and Lynette are ultimately friendly and on "our" side, and we can also trust that what they told us about their backstory is true. The Traveler does not have that knowledge.
TO BE CLEAR this post is talking about my thoughts on the TRAVELER'S thought process. If we want to talk about how I personally would have reacted to the situation, I'm an overly trusting bleeding-heart who would absolutely get scammed and probably murdered by Fatui in this universe.
(Also characters, even main characters who you normally like, can do things you disagree with and that doesn't mean they're badly written. I mean, sometimes they are, but I don't think that's true in this particular case)
But think about it! Looking at the entire situation from an in-universe, in-character POV, it's a really bad look for Lyney and Lynette overall, because here are the facts as the Traveler is aware of them:
Lyney and Lynette are not only members of the Fatui, the primary antagonistic force in this story, but are specifically members of the House of the Hearth, which is known to specialize in espionage, subterfuge, and sabotage.
Both of them also work in a field that would further require them to be masters of misdirection, audience manipulation, and drama.
They "coincidentally" ran into the Traveler right as they arrived in Fontaine and immediately began to do them favors and be very friendly, including saving them from Furina, bringing them to meet their family, and gifting them VIP tickets to Lyney's show.
During the trial, the twins withheld key information, and not just about their identities (and listen, I get it, I fully empathize with why they did it, I get the reasoning, but it's still a bad look when it gets figured out) but also about what they were doing in the tunnel.
They admitted that the entire magic show was a ruse to do, guess what? espionage! To break into the room with the Oratrice's core and find out how it works. To, through subterfuge, obtain Fontaine's secrets about the nation's most important mechanism and central source of power.
The Traveler has known these people for like, a day total.
So what conclusions might the Traveler draw from these facts? When the evidence shows that Lyney and Lynette have a record of misdirection and obfuscation for their own ends? When the Traveler has no way of knowing if even their initial meeting was orchestrated for an ulterior purpose? How are they supposed to know if the tragic backstory is even true, or if that's just Lyney trying to win back some favor and sympathy? In my opinion, at that moment, they don't. Hence the coldness.
My interpretation of events is that the Traveler does like the twins, and wanted to keep liking them, but was struggling to reconcile their initial impression of two friendly magicians with the realization that these two friendly magicians were dishonest with them for most of the time they'd known each other, so they needed to have some space to figure that out.
And for those saying the Traveler is inconsistent, here's the thing: they still helped Lyney. They still acted as his attorney, investigated thoroughly, won the case, and cleared his name. They've done similar for other Fatui members in their acquaintance—they helped Childe with Teucer, they helped Scaramouche/Wanderer with getting his memories back, they helped that other member of the House of the Hearth fake her death and escape the organization—whether or not they fully trusted them, and generally they didn't.
As for the Traveler's supposed hypocrisy, my view of their relationship with Childe is that it's only improved because, despite Childe trying to nuke Liyue in the past, the Traveler knows that
a. They can handle him if it comes down to a fight again; b. He likes them, regardless of if the feeling is mutual or not, and is indeed aggressively friendly to the point where it's easier to just be civil; c. Childe is generally upfront and honest about his actions and will strike from the front, not stab them in the back; and d. He's worked together with them before when they had a common goal (for example, the labyrinth they went through with Xinyan).
They know how his mind works and what motivates him. Childe is a known quantity, the twins are not, and it took in-story time and shared experiences for the Traveler to get to even this point of neutrality; they were openly suspicious of him during his story quest.
As for holding his Vision for him, the Traveler didn't exactly volunteer for the job, Childe literally threw it at them with no warning and peaced out. What do you expect them to do, drop it in the sea? That would be inconsistent with their characterization.
Wanderer's whole situation is even weirder, since the Traveler was able to experience his actual memories and emotions and therefore has good reason to trust that he's had a genuine change of heart. Not to mention that they're not friends, I'd argue they're in that same nebulous "neutral" zone, and that only because Nahida usually functions as a buffer (and also because, again, the Traveler knows that they can handle Wanderer in a fight, and Wanderer also tends to be blunt and honest).
Also, in Lyney's story quest it seems like everyone got over their problems pretty fast and they're all chummy now, so you can all rest easy that the twins' feelings weren't too hurt about it.
Anyways if you disagree go ham, refute my points, whatever, just keep things civil.
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mwagneto · 5 months ago
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i left my phone in my room and picked up an actual physical book and sat down on the balcony and read the whole thing can everyone please be so so proud of me
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n4rval · 8 months ago
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the way his words are so carefully curated, not only for the sake of precision, but so it fits a rhythm that is breathable for a slow speaker.
to say exactly what he means in a short sentence, with recurring pauses and a clear pronounciation. to prefer periods(.) over commas(,).
not to be needlessly verbose – much the opposite; because this vocabulary serves the purpose of clarity, organization and to hold the attention of the listener.
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cinamun · 1 year ago
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And another thing: Leo and pixelvibes are the same gahtdamn people, bergdorfverse's shit is horrific in CAS, straight trash. Felix, Harrie, Clutter Cat are all either the same personailities of one person or cousins. Anye created an entirely new patreon account (plush pixels) for maxis match stuff. Why not do like other creators and make it all under one account?
Also its forever fuck early access, I don't give a damn how much gas you don't have in your car.
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skinreflectsthesun · 3 months ago
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gtwshark · 11 months ago
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No okay but what I’m so curious about is HOW is Sam listening to chester and noris read these statements in a completely human voice, pausing and annunciating and emphasizing words and phrases. Like yeah the computer just reads like a dramatic storyteller all the time man. not freaked out by this at all.
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crownedwille · 4 months ago
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Are there still Crown Prince!Wilhelm stans out there despite S3 turning it into the number one problem? Please report, we need to unite and no, that doesn't mean that I don't support Wille's mental health and happiness and that I love the monarchy, some people out there must get it
#young royals#prince wilhelm#any crown prince wille believers speak up please don't let yourself be silenced alskdjdh#i'mma be loud and petty and just obnoxious about loving crown prince wille in contrast to what else i see and what the show says#it just feels so alienating these days and like you're wrong in finding crown prince wille interesting and preferring it#and you're not allowed to even express different thoughts bc canon told you this is how it is and how dare you want this life for wille#I wish i knew about more fics too that write about crown prince wille. it feels like that's forbidden to do now unless he's unhappy in it#and it's just shown how horrible it is and how trapped he is and exploring a different alternative with him actually being a competent +#confident crown prince in the future and simon and him still working out and working together and bring changes to the system#but the show has made sure the fans can't come up with their own interpretation and that's completely 'unrealistic' now#and going against canon and exploring a different possibility is somehow impossible now#and means you're an evil spokesperson for the evil monarchy#god forbid i want him as the fictional crown prince in this fictional show reading/writing a fictional story#stories where he renounces (and that's all I see nowadays implied or otherwise) are just not interesting to me and i hate it#i even try to avoid reading most drabbles bc of the implied reality they portray and barely go through the yr tag on ao3 anymore#when i say it's alienating to be in the fandom these days i mean it. it's tough and frustrating#anyway...anybody else feeling this way?#let me know so i can follow some more i really hope there are more active blogs#mine
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mllekurtz · 1 year ago
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He's often called a monster, but he's not a monster. A monster is an exception, an outsider, someone society doesn't have to be responsible for. But society is responsible here. These "monsters" are not sick: they're healthy children of the patriarchy, of rape culture. Rape culture condones those behaviors that damage and oppress women, starting from things we don't recognize as important but are: controlling behavior, possessiveness, catcalling. All men are privileged by this culture. "Not all men," they often say. Not all men, no, but they're always men. A man can’t be good if he doesn't do anything to demolish a society that makes him so privileged. In this patriarchal society that gives them so much privilege and so much power, men are responsible for educating friends and colleagues when they hear the smallest hint of sexist violence. Say it to your friend who controls his girlfriend, say it to your colleague who catcalls passers-by, make yourself hostile to behaviors that are condoned by society and are the prelude to femicide. Femicide is state murder, because the state is not on our side. The State doesn't protect us. Femicide is not a crime of passion, it is a crime of power. We need widespread sexual and emotional education; we need to teach that love is not ownership. We need to support anti-violence institutions, and we need to give whoever needs it a chance to ask for help. For Giulia, not a minute's silence. For Giulia, burn everything down.
(Elena Cecchettin’s open letter after her sister Giulia’s femicide. In the last sentence she quotes Peruvian poet architect Cristina Torres Cáceres: If it's me tomorrow, if tomorrow I don't come back, mother, tear everything down. If it happens to me tomorrow, I want to be the last one." Read a good article about it (in Italian) and an English one. All translations are mine.)
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thedeafprophet · 1 month ago
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Well gang, I've successfully found Wikipedia scrolling that has lead me to finding more casual incest mentions then the Royal Family Wikipeia pages...
...only because I've been reading up on Greek myth again
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mihai-florescu · 1 year ago
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I think you werent a very good 2winkP then
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hellishvxbes · 3 hours ago
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Seeing all the Cain and Abel talk, do yall read the Bible 😭
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driftingballoons · 3 months ago
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Is there any media that's left a lasting impact on you?
So I’m going to give two answers, one the obvious, and another bonus answer for variety’s sake :3
Pmd explorers has possibly had the greatest lasting impact on me that any piece of media ever has. As my introduction to pokemon, I felt like I was playing partly as Hero would’ve experienced it—with absolutely no idea what to expect, and no background knowledge of anything. But the way it quickly changed from “heehee creature adventure :3” to “what does it truly mean to live and how can you shine as brightly as you can, even in the face of oblivion?” caught me quite off guard. It really made me start to think about how I could try to make the most of my life, how people’s actions can be hugely shaped by their situations, and how you really can’t take even the most simple of things for granted. I played this at 12 y/o during an otherwise very disruptive/isolated time in my life, so I’m not sure if that’s partly why my brain latched onto this as much as it did, but I genuinely felt like it helped me get through it. Whenever I felt weak or powerless back then, I found inspiration from how strong hero, partner, and grovyle had to be to get through everything, and it felt like it made coping just a bit easier. Fast forward to a much better time in my life, and it’s helped me find a wonderful, incredibly talented online community and friends, and I have an absolute blast being able to interact with you guys and see your takes on the series!
The other piece of media that had a lasting impact was Allie Brosh’s book Hyperbole and a Half. I hadn’t known before reading it, but she actually had a blog of the same name around the early 2010s, where she’d post her funny comics and stories. The part that had the most impact on me was actually her iconic ‘poorly drawn’ MS paint kind of style. It made me realize that you don’t necessarily have to make professional quality art to make something worth seeing. This inspired me not only to start posting my own doodles and stuff online, but also changed my approach when dealing with a lot of daunting things. Whenever I feel like I’m not good enough/skilled enough to try something, I remember how popular her stuff was, despite looking ‘low quality,’ and it reminds me that doing something low quality is better than not doing it at all! 
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pergaminaa · 3 months ago
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Modern au
Dorian tries to convince Manon that reading is fun because there are so many different genres and storylines like there is something out there that she will fall in love with he is certain.
Manon is very skeptic and merely rolls her eyes at him when he makes that suggestion.
(Because she was raised on the concept that this is a frivolous activity, a total waste of time. She wasn’t allowed to have any interest outside of what her grandmother dictates, and if she tried something, her grandmother always found out and destroyed it. So in a way, adult Manon having an aversion to hobbies and interests is a trauma response. She is literally scared of getting caught doing something for fun and have it destroyed/taken from her, so she just doesn’t. The problem is, she isn’t fully aware of all of this, and honestly believes that she has no desire for hobbies and the like)
Dorian offered to read her one of the books he has. All she has to do is pick whatever book she feels like getting into and he will read it for her.
Fully intending on messing with him, Manon picked the thickest book she found on his bookshelf. Dorian being serious, set up a nightly schedule. He would read her a chapter per night, and see how she likes it.
Manon did not only fully get immersed in the story, but she fell in love how Dorian is just sitting there reading those lines out loud. His voice was soothing and drew her further into the story. (She’d argue it’s Dorian, not the book. But this is another argument because Dorian is all like ‘you like ME. What an honor, witchling’ so in a way both arguments are not in Manon’s favor lmao)
On days when she is alone and eager to continue the story, she’d pick up the book and attempt to read some pages. But she realizes that she enjoys it more when Dorian is reading it for her so she puts it back and wait for the evening to come.
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