#THE GOOD ENDING IS NOT GOOD ENOUGH

[i-have-dots-in-my-brain]

TW: DARK GAMES AND STUFF (just a lil rant, nothing hateful)

wow dark games are

idk i wanna stay innocent youtube please let me stay pure just recommend music and fandom shit please not this not the true crime cases and the horror games with dark meanings and ominous endings (especially ones with rape or child abuse) like please what made you think i would want to see this i listen to playlists titled " i have nothing in my head"

[poorly-drawn-mdzs]

Vibes based grading system.

(for @epistemologys, who wanted some post-canon, teacher WWX)

[akanemnon]

That's two jailbreaks in one day!

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[sanzundertale]

babygirl i will invent stages of grief you have never seen before

[acid-ixx]

mild spoilers for chapter six for my series again &. again, but i really feel the need to ramble about this, and i'd love to hear anybody's opinion on this hehe.

as i write outline chapter six (and write for chapter five), i'd like to say i couldn't wait to write the reader's face reveal in bruce's perspective. and it's not just angst, for me, this plays a very pivotal turn for the series— because bruce will spiral to insanity.

to never once see a single portrait of your second youngest child, whose presence has long been erased from the manor, not a single image, nor trace of you is sickening to the heart, even if he scours through the internet day and night for a single memoir of you, nothing— but to find your portrait in alfred's living quarters and seeing you for the first time in forever? graduating a milestone no less?

god, he's in for a ride just analyzing every aspect of your physical appearance.

the color of your eyes, the shape of your nose, the quip of your mouth, the fat in your cheeks; even the length of your lashes! god, does he brand it into the deepest parts of his mind to never forget you anymore. his pearl, his treasure.

the longer he stares, the more he notices and gazes even more, obsessive as he stands lonesome in the room with every bone in his body locking up, his eyes unable to look away from the portrait that showcases his baby child.

and there, there it is that he concludes a detail so small it's unrecognizable for someone who's seen it for his entire life; yet it's all the same triggered deranged emotions deep within him.

— you don't just share him and your mother's traits, no, your smile is also reminiscent of his mother's.

martha wayne, who'd died in his arms, laying in a pool of her blood with a bullet grazed deep inside her body. his loving mother, who caressed his face whenever he'd cry from his nightmares, who'd shown him motherly love that until now he still craves.

she died with her pearl necklace that once decorated her porcelain neck spilling to the ground and stained with crimson.

you wore pearl earrings on your graduation.

the thought alone is enough for him to just snap.

this? this is the child that he's been neglecting far too long? who shares the same, loving expression of his mother's? his child? not even a single memory could be conjured with you but fantasies now do. if your happiest moments were within the picture frame that he holds with shivering fingers at present; could your smile be any wider if you'd be with him?

how come he never once noticed? why is bruce always destined to fail left and right? why, just why is he brimming with jealousy for all the people who must've seen your smile before him, and contempt for himself that he was never there to pick you up from the police station beforehand?

bruce isn't a heckler for favoritism, but a darker part of him is motivated to take you away from wherever you are, and to never let anybody else witness his beautiful, little treasure.

he's gotham's knight, first and foremost. but he's a father, too, with goals to protect his children just like a father should.

and the things he'd do for you, his child, now? anything.

if it means he has to see that smile, then he'll turn the world upside-down.

he has to protect your smile.

[cy-lindric]

Hi! So, while scroling through Pinterest, i came across this art:

which was credited to you. i cannot find the complet artwork in your profile, so i wanted to ask if youre the artist responsible for this piece.

(btw, your renditions of medieval clothing are beautiful!)

Hello ! I did make this a long time ago and the reason you didn't find it is probably because it's almost a decade old (and also very badly tagged). You can find the original post here. I think back then I had no idea what actual medieval clothing might look like, lol. How far we've come.

[w1f1n1ghtm4r3]

got really in the mood to draw a room so i drew one

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[talisthighs]

I’m crying at the idea of Viktor just storming up to Jayce with his “visions.” Girl You Need Help. You Require Medical Attention

This is literally how Jayvik is talking to each other in the lab

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

----------

Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

----------

Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

----------

Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

----------

Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[xxplastic-cubexx]

Marvel's Squirrel Girl: The Unbeatable Radio Show! | All of Erik Lehnsherr's Call-In's

Episodes featured: The Fate of My Universe The Sinister Six Are No More Who Would Win In A Fight? Unbeatable

Full Podcast Playlist (Spotify)

Credits below:

Written by: Ryan North

Directed by: Giovanna Sardelli

Voice Cast: Milana Vayntrub - Squirrel Girl/Doreen Green Crystal Lucas Perry - Nancy Whitehead Leo Sheng - Koi Boi/Ken Shiga Davied Morales - Chipmunk Hunk/Tomas Lara-Perez Erica Schroeder - Tippy T. Squirrel Rob Nagle - Erik Lehnsherr

Key Art: "Squirrel Girl Infinity Comic (2022)" by Derek Charm - Doreen, Nancy, Ken, Tomas, Tippy "Magneto (2023)" by Todd Nauck - Erik

[thatsitso]

So I finished orv

[poorly-drawn-mdzs]

None of our hands are clean

[First] Prev <–-> Next

[benevolenterrancy]

hi!! I think your art is *so cool* o(≧∇≦o)

do you think you could draw more moshang? either post canon or that au you did last time?? (baby mobei has my heart and all I own)

(˵ •̀ ᴗ •́ ˵ ) oh! how about return to childhood—moshang flavor?

don't question this king, shang qinghua, he knows what he's about

[gremnda]

i decided they deserve a hug and a nap so i'm giving them both

[bet-on-me-13]

Ghostly Host AU

So! Ghosts need a physical Anchor in the living world, or they are liable to fall apart and fade away if they stay for too long.

In Amity Park, this usually isn't too much of a problem. Sure most Ghosts can't stay for a week without a Host, but the ambient Ecto-Levels in Amity Park are enough that they can stay for a few days or so at a time with little worry.

This changes however, during Reign Storm.

When Pariah Dark awakens, Tens of Thousands of Ghosts use the Fenton Portal to escape the Rule of Pariah Dark, running away into the Human Realm.

If Amity Park had stayed where it was, this would have been fine. They could have stayed in the Living Realm for a few days, and maybe the Weaker ones would need to find a temporary Host, but that was fine since Amity was filled with thousands of Liminals.

Unfortunately, Pariah Darks first move was to suck Amity Park into the Ghost Zone, alongside all of the Ecto-Energy that had accumulated there.

Now left trapped in the Living Realm with no way back to the Zone, thousands of Ghosts suddenly needed Hosts or they would start dying off by the Hundreds. In a Panic, they spread out across the Planet in search of viable Hosts.

Any normal Person wouldn't do, they needed a Living Being that could actually handle their Power, or someone who matched their Soul. Preferably both. Liminals were the best since they had a durable Body and a Malleable Soul, so any Ghost could use any of them as a Host.

But outside of Amity Liminals were very rare, and finding someone who matched their Soul was time-consuming and hard. Thankfully, in recent years the population of Aliens, Metahumans, Enhanced Soldiers, and even extra durable baseline Humans had spiked across the world.

All across the planet, People suddenly found themselves stuck with a new Passenger in their Bodies.

Those new passengers thankfully weren't malicious, for the most part, but it was still annoying. The only good thing was that they now had new Powers, which neat.

They could summon the Ghosts in their Body outwardly, and then command the Ghost to use their Powers in whatever way they wanted. Only other Hosts could see another person's Ghost, which meant they looked very awkward to normal people when they fought. Generally, Hosts seemed to act more strangely after getting a Ghost, as if they lost a few of their Inhibitions.

Why did they feel the sudden need to strike a flamboyant Pose? Or over dramatically scream?