#TABLEAu
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viviesquisse · 6 months ago
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My first shiro coord and doll style look!
Inspired by doll gloves by tableau 🦢
Headdress — metamorphose
OP — baby the stars shine bright
Bag — alice and the pirates
Leg wear — tableau
Shoes — baby the stars shine bright
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praline1968 · 28 days ago
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fidjiefidjie · 10 months ago
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Ils lui ont donné un chat 🐈 pour voir si elle sourirait dans la version générée par l'IA du 🖼 tableau de Mona Lisa .....
Source: Volkan
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jeanfrancoisrey · 3 months ago
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Vu à Ménerbes…
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transparentgentlemenmarker · 3 months ago
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Réalisation d'un tableau avec un peu d'imagination
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saladscream · 4 months ago
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One can always hope.
Have yourself a merry little weekend, folks! 😊💜
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sprinklecipher · 8 months ago
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How Much Dialogue there is in Dual Destinies (in Graphs)
Made some more Ace Attorney graphs--these ones are about Dual Destinies ~
Total Dialogue by Episode:
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Total Dialogue by Character:
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(Character graphs broken out by episode and additional details below the cut)
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Overall, there's around 240,000 words of dialogue in the main game, which jumps up to about 311,000 if you include the DLC case.
Data source: I’m using a dataset that I put together pulling from the episode transcripts on the Ace Attorney wiki (which I did almost entirely via Python, but with a bit of manual cleanup). There’s bound to be some error resulting from that process, but the numbers should be pretty close.
Other graphs: I made similar graphs for the AA trilogy here (for dialogue by character) and here (for the dialogue by episode), for AA4/Apollo Justice here, and for the Investigations duology here
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szuszanapapryka · 4 months ago
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Macie jakieś sprawdzone sposoby jak kupić leki na receptę bez recepty?
Albo coś tego typu jakieś fajne tipy
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damn-these-eyes · 3 months ago
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financial gym
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bleublancrage · 9 months ago
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scavengedluxury · 10 months ago
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Excursion, 1932. From the Budapest Municipal Photography Company archive.
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praline1968 · 28 days ago
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Artist : Kathy Bradshaw
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fidjiefidjie · 1 month ago
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Bonjour, bonne journée ☕️ 💼
Au tableau noir 👩‍🏫 1956
Photo de Robert Doisneau
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caminholonge · 4 months ago
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@ineffably-queer-book-lover
Hello! I did post my two little lego tableaux on Tumblr but I can only find one now! I have fun with Funkos too. And PocketLove. "Is this about Good Omens? It is now!" 😂
Anyhoo, here they are, having that long-awaited picnic in The South Downs (my photo, I went there! 😊), and at The Ritz (not my photo 😆).
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linathyssen · 3 months ago
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[Watercolour painting]
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amomentwiser · 2 days ago
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Valentine
Will was sitting alone at the bar, nursing his second glass of whiskey and dispassionately watching the baseball game, when someone changed the channel to the news. He was yanked out of his temporarily peaceful existence when the day’s breaking news flashed across the screen: the Chesapeake Ripper had struck again.
Will quickly pulled out his phone and rushed to TattleCrime.com for HD pictures of Hannibal’s latest tableau. He’d give Freddie this: she always managed to be the first to publish multiple angles of the crime scene and classified details that took reputable news outlets a while to procure. This was probably why she wasn’t dead yet: Hannibal’s god complex probably rejoiced in reading someone write about every single detail he put into his art.
What he saw took his breath away. Will closed his eyes and imagined walking through the scene himself.
■ ■ ■
A male corpse stands upright at the centre of the stage, dressed in an expensive, well-tailored suit. His shoes are polished to a shine, his hair carefully styled. He is ID’d as one of Baltimore’s society elites. (An expert performer of civility. The embodiment of a person suit.)
He is posed with both hands cradling a severed head, held upside-down. The head has piercing blue eyes, chestnut-brown curls, and light stubble. He might appear to be the victim, but he is actually the antagonist of this artwork — an equal to the man who literally holds his fate in his hands. Dead snakes — taxidermied and twisted into shapes using wire — are braided through his hair. He is assigned the role of Medusa. (A place of honour. Being a part of this masterpiece — representing Will — finally gives some meaning to his otherwise unremarkable life.)
The standing figure holds the inverted head almost tenderly, his arms raised so their eyes are at a level. A white bridal veil covers his head, ethereal as it flutters gently in the breeze. The delicate lace has been ripped across the middle, creating a clear window so the man and the severed head can gaze into each other' eyes without obstruction. (Will has finally seen what lies beyond the veil. Beyond Hannibal’s person suit.)
The suited man’s chest is an open cavity — his torso has been surgically opened, all flesh and muscle stripped clean to expose just his ribcage. (Will sees right through him. Hannibal feels stripped bare, and the feeling of exposure is in turns welcome and disquieting.)
Nestled within his ribs, encased in a sealed transparent box, lies a human heart.
With both horror and reluctant fascination, Will realizes that the heart is still pumping, even though the man is undeniably dead. The corpse is propped up against a TransMedic machine — a portable organ preservation unit usually used to transport hearts for transplants. Tubes erupt from the valves of the heart, connecting it to the machine and making it beat rhythmically. (Instead of turning someone into stone, Will is an inverted Medusa who has the opposite effect — he’s turned Hannibal’s stone heart soft.)
The tableau is a marvel of medical advancement and a testament to the Chesapeake Ripper’s surgical expertise. The sight of the organ gamely beating outside the body is profoundly unsettling. It’s Hannibal playing God yet again, demonstrating his disturbing intimacy with human anatomy.
I seek to elicit in the observer a wholly unfamiliar emotion. They will recognise the machine as essential to the heart’s life-force, yet be consumed by a visceral sense of absolute wrongness.
I shall show to my beloved what his love has done to me. Vulnerability is grotesque and unsustainable, yet it has somehow transfigured into something vital to our shared existence. There is no escaping this connection — it is, at once, a reminder of mortality and a defiance of it.
This is my design.
》 Full fic on AO3
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