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Pair of Gold Earrings
Hellenistic period, 2nd century BC
Gold, plasma, pearl
H: 6.70 centimetres (each)
W: 303 grains
Although missing some of their pendants, these earrings are intricately made, with careful attention to detail. They follow the common disc and amphora type of the middle and late Hellenistic period, but the use of a large emerald is unusual: emeralds became more popular during the Roman period.
These earrings have a highly decorated disc, above which is a large stylized floral motif, either a palmette or an acanthus leaf. This is soldered on to the main disc, which has a central motif in the form of a double rosette, with berries formed of tiny granules, some now missing, between each leaf. Small flowers further decorate the design, originally filled with blue-green enamel, the colour perhaps emulating the emerald, some of which survives. Below the disc hangs a large amphora, with dolphins forming its handles and an emerald for the body. The casing for the stone is decorated in a design familiar from vase painting and metal vessels. The foot of the amphora is in the form of a square box formed of sheet gold. Originally, on either side of the amphora hung pendants, and on one of the earrings the chains and two of the pearl beads survive.
A hook is soldered to the back of each disc.
from The Metropolitan Museum of Fine Arts, New York
#antiquities#greek art#gold#ancient art#ancient artifacts#hellenistic art#art history#met museum#archeology
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Workers at the Metropolitan Museum of Art uncrating "The Madonna of the Rosaries," a painting by Caravaggio, on loan from the Austrian government, 1950.
Photo: Wikimedia Commons
#vintage New York#1950s#Caravaggio#painting#uncrating painting#Met Museum#art#artwork#museum exhibit
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18th century daggers from India and Turkey
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˚ ༘♡ ⋆。˚
lana del rey at the 2024 met gala after party
#met gala#met museum#garden of time#sleeping beauties#lana del rey#fairycore#coquette#dollette#nature#fashion#fashion inspo
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Cosmetic Dish in the Shape of a Trussed Duck
Metropolitan Museum of Art, Egyptian Art Collection
On view at The Met Fifth Avenue in Gallery 121
Period: New Kingdom, Amarna Period
Dynasty: Dynasty 18
Reign: reign of Akhenaten–Tutankhamun
Date: ca. 1353–1327 B.C.
Geography: From Egypt
Medium: Hippopotamus ivory (tinted)
Dimensions: Part A: l. 9.5 cm (3 3/4 in); w. 4.6 cm (1 13/16 in); th. 1.8 cm (11/16 in); Part B: l. 7.3 cm (2 7/8 in); w. 4 cm (1 9/16 in); th. 1.2 cm (1/2 in)
Accession Number: 40.2.2a, b
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Green wool dress, ca. 1887, American.
Designed by Catherine Donovan.
Met Museum.
#Catherine Donovan#green#womenswear#extant garments#dress#silk#wool#19th century#met museum#usa#1880s#1887#1880s dress#1880s usa#1880s extant garment
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Fleur de Lis (c. 1895-1900). Robert Reid.
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Met Costume Institute
Walking dress. British. ca. 1830
#fashion history#historical fashion#antique#1800#1830s fashion#1830s#extant garments#met museum#floral#this is my absolute favorite 1830s dress but I don't know if it's been posted before
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William Morris - Jasmine Print
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Greek Gold diadem with Hercules knot (250–150 BCE),
Gold, garnet, carnelian, sardonyx
3×9 1/8 in. (7.6 × 23.1 cm).
On loan to the Metropolitan Museum.
#greek art#ancient artifacts#ancient art#antiquities#antiquity#jewellery#archeology#met museum#art history#history#garnet#carnelian#sardonyx#heracles#hercules
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the Met Museum's weirdly fetishizing description of that one gorgeous blue velvet Victorian cape squats in my mind without paying rent
this is the cape:
Pretty! Made by Emile Pingat! Very Gothic! love it.
this is part of the description:
The rich color of the royal blue velvet is evocative of the original wearer who at that point in time would have been seen as a precious jewel who required continual attention and assistance. That perceived helplessness is also reflected in the cape's lack of armholes, which would limit easy mobility.
...I. what.
I suspect it's blue because she liked blue and commissioned it that way (or selected that one ready-made for the color). and, my guy, there is clearly a big front opening through which one can reach for things. would you say that about a men's cape without armholes? they definitely existed, and plenty of women's capes DID have them. how does this No Armholes For Female Helplessness theory play out in view of those facts?
I also suspect this person wrote that part of the description one-handed
#dress history#met museum#victorian#fashion history#even big institutions can get it wrong or at least get it Weird and Uncomfortable
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6/7th century gilded copper crab of the Moche culture of Peru
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"Occupations for Women" 1887 trading cards
Bandmaster/ Fireman/ Teacher Highwayman/ Fisherman/ Sailor
#lesbians pspsps come get your vintage crossdressing pinup#id in alt text#ask to tag#lithograph#19th century#pin up#newspaper clippings#probablyrambles#victorian era#met museum#1880s
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-ˋˏ ༻❁༺ ˎˊ-
met gala 2024: garden of time
my fav looks so far♡
#met gala#met museum#garden of time#sleeping beauties#emma chamberlain#lana del rey#elle fanning#zendaya#coquette#dollette#fairycore#fashion#fashion inspo
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Anna Wintour in bespoke LOEWE at the Met Gala 2024
'Inspired by a circa 1944 evening cape by 20th century designer Charles James and tailoring from the LOEWE Fall Winter 2024 women’s collection, Anna’s tuxedo in wool with a silk satin shawl collar is decorated with floral motifs using hand-dyed feathers, tonal beading, and pearl embroidery. The jacket is paired with a long sleeve dress in bias-cut silk satin.'
'Awakening Flower Bouquet' embroidery inspired by Tulipes Hollandaise fabric by Charles Frederick Worth, 1889, from the Met's archives.
#anna wintour#met gala 2024#met gala#red carpet#loewe#fw24#fashion history#fashion#met museum#charles james#couture#couture embroidery#plumasserie#surface decoration#textile design#textiles#tulip#tulipes hollandaise#charles frederick worth#1889#1880s#woven fabric#pattern#surface pattern#surface pattern design#pattern design
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