#Symbolism movement

[life-imitates-art-far-more]

Maximilian Lenz (1860-1948) "A Song of Spring" (1913) Symbolism

[weirdlookindog]

Alméry Lobel-Riche (1877–1950) - The Sun of Death, 1922

[zephyrine-gale]

day five of drawing one mydei a day until he comes out eye of strife

[preraphaelitepaintings]

Venus Verticordia

Artist: Dante Gabriel Rossetti (English, 1828–1882)

Date: 1864–1868

Medium: Oil on canvas

Collection: Russell-Cotes Art Gallery & Museum, Dorset, England

Description

The title of the painting refers to a quotation from the Roman poet Ovid, who describes one of Venus’ attributes as being able to assist Roman women to turn their hearts towards virtue and modesty. This does seem somewhat contradictory for such a heavily sensual and sexual image, but perhaps it is a warning of the dangers of sexual obsession.

The painting is heavy in symbolism. Venus is surrounded by flowers, the roses represent love, while the honeysuckle symbolizes sexual desire and lust. The golden fruit may be seen as the fruit that tempted Eve and led to Adam’s downfall in the Garden of Eden. Alternatively, it may be interpreted as the Apple of Discord from the Greek myth of the Judgement of Paris. In both stories, the presence of a tempting fruit in the company of a beautiful women leads to the downfall and death of men.

Venus points Cupid’s arrow at her own breast to show how she will inflict its power over others. A blue bird in the top right corner foretells doom. The moths or butterflies drawn to the light of Venus’ halo, only to perish, illustrate the brevity of life. There is a golden aura around her head, her hair is long and flaming red. A hair colouring favoured by Rossetti, the other Pre-Raphaelites and their followers. Red hair was chosen because of its rarity, and associations with excessive emotions for example sexual desire.

[tategaminu]

Ear twitch!

[anashulya]

I really don’t think a lot of these pro-lifers, misogynists, etc understand that the divine rage is rising. The Goddess is done watching people attack the divine feminine and trying to enslave the feminine. She will eat you alive and give you no warning. For she is wild and free.

[distant-velleity]

—looking backwards

a little sketch about why yuhua was sent to twisted wonderland

(WARNING: references to suicide and self-harm)

“I see… I’ve always been a hopeless child.”

when yuhua first arrives in twisted wonderland, he doesn’t realize he’s lost a few months’ worth of memories— he slowly regains them over the course of the main story, memories of failure and steady mental decline.

it isn’t until a little bit after book 7 that it finally hits him: he committed suicide, and that’s why he ended up in twisted wonderland.

he has a history of suicidal thoughts and abandoned suicide attempts, but just when he thought he was getting better for sure— he tipped back over the edge and, for lack of a better word, gave up on living.

…he doesn’t take this realization very well.

~

taglist (ask to be added or removed): @thehollowwriter @theleechyskrunkly @elenauaurs @casp1an-sea @nahelenia

@skriblee-ksk @boopshoops @scint1llat3 @nyx-of-night @nemisisnemi

@sillyslipperybananapeel @beneathsakurashade @kathxrat-01 @lumdays @twistedwonderlandshenanigans

@taruruchi

[weirdlookindog]

Jan Frans De Boever (1872–1949) - Les fleurs du mal

[stagefoureddiediaz]

apparently severe CO poisoning can cause lesions on the skin, so maybe it's all connected? It would be just in the weewoo show wheelhouse to turn something silly into something deathly serious

Yes I was wondering if it would be a CO poisoning thing - which is where I was going with the post I made at 3am (my time) about the pipes Gerrard mentioned - it was 3am so I didn't actually state CO as the thing because my brain was not in fully functional mode 😂

It would be so on brand for the show to go down that route! especially as Buck has been stuck on latrine duty for so long - hence more exposed to those pipes perhaps!

My post about Tommy hitting Buck was more of a bit of speculative fun - to explore aspects of Bucks character and how the show might choose to address them - there are lots of possibilities!

I am very much of the opinion that it will be a poisoning thing - and that Hen will also be affected - hence the hallucination of Denny getting hit by a car and trapped - seeing her worst nightmares!

I actually really like the metaphor of CO poisoning to be honest. CO poisoning can also cause, increased heart rate, sleepiness, delirium, confusion and the depression of the central nervous system, alongside hallucinations and lesions.

Using CO poisoning as a way of indicating the reality of Buck's relationships over the course of all 8 seasons - that he's been slowly, slowly poisoning himself by just falling into all these relationships without actually stopping to look at what he wants or needs and how they're making him feel - letting others chase him and just going along with things, until a physical manifestation appears in the form of a lesion. its a really interesting and clever way of exploring Bucks tendencies to not choose for himself and not look internally at his wants and needs and also to not look to closely at his heart (where he'll find Eddie when he does)

CO poisoning slowly increasing your heart rate (abby), headaches and dizziness (Ali), kind of making you sluggish - like you've got anaesthetic in your system (depression of the central nervous system) (taylor), shortness of breath (Natalia) and being confused and disoriented (hello I misunderstood the assignment) when Tommy kissed him. The delirium of realising a new part of yourself you didn't know existed before, and then having it manifest visually in a physical lesion - Tommy being akin to a lesion on Bucks life (in a halloween episode no less) as almost a final and visual symptom is peak comedy (only on 911!) and such an interesting way to introduce baggage and hurdles or whatever synonym Oliver wants to go with in his next interview! Because if its visual - it means Buck has become aware of things - metaphorically he's beginning to understand what he does every time he is in a relationship - and now he has to both stop the cause of those symptoms and treat them before they 'kill' him - basically he has to actually learn from his past relationships (and his current one) and get off that hamster wheel. Its such a clever metaphor for Bucks relationships and his inability to look at things until they become so obvious he cannot avoid them.

He's going to learn that he's going about things the same way with a man as he did with the women he dated and this is where he finally looks and learns and unpacks that baggage and moves forward!

[stormofdefiance]

I wanted to share some wee thoughts about Ratio’s E6 art & why I believe it is a symbolic parallel to Michelangelo’s David. This speaks to both Ratio’s humanist beliefs and possible future plot points.

Ratio’s E6 is Vincit Omnia Veritas or Truth Conquers All. I’ve heard it claimed (although I have no idea if it’s explicitly stated anywhere?) that the character’s E6 art represents them at their innermost core, an honest and deeply vulnerable shard of themselves. Evoking David here is an interesting choice; the biblical figure who, using nothing but a stone and sling, took down the tyrannical Goliath. The parallel is perhaps as simple as this: Ratio views himself - and by extension the truth - as the underdog, someone never accepted into the Genius society, forever to be kept from Nous and THEIR gaze, but nonetheless will, in the end, prove himself the final victor. Truth will topple the seemingly unconquerable, whatever that might be.

But I also think Michelangelo’s David is a specifically interesting parallel to draw on from a historical perspective. Ratio is pretty much the textbook definition of a renaissance man - he is a philosopher, a scholar, interested in medicine and science and the vast array of human achievement. He speaks in Latin (the language of education during the renaissance in Europe that allowed the transmission of information without having to rely on translation) while heavily styling himself on Ancient Greek symbols and drawing from Greek philosophy (often seen at the time as more ‘sophisticated’ and interested in ‘wisdom’ than the contemporary ‘militaristic’ Romans).

Michelangelo’s David was the first colossal marble statue to be carved since antiquity, and it came to be a symbol of the renaissance itself. This is interesting to me for Ratio and what I believe are his humanist beliefs. Humanism was an ideal that propagated during the renaissance that championed the belief that man had beauty, dignity and worth that deserved as much respect and adoration as any deity. Keep in mind this philosophy was emerging following the Middle Ages and at a time where religious institutions across Europe held exorbitant and sometimes absolute power. David as a statue is an ode to the sublime beauty of the human body, completely unashamed and uninhibited in his gigantic nakedness (Doctor! You’re huge!) retaliating against the idea that prominent idea at the time that man’s body is inherently sinful. The humanists sought to recenter humanity, and David became a symbol of man’s independence against the seemingly unconquerable might of the Church.

Consider how Ratio centres humanity in his Simulated Universe project, how he values every life, how interested he is in constant self-improvement. How this symbol - of not just the renaissance but of the re-centring of humanity itself - becomes an echo of an effigy fixed in the centre of his soul.

Ratio has never - as far as I’m aware? - stated or hinted at any desire to overthrow the Aeons or even disparage or rubbish them, but it is clear to me that he believes in the strength man can draw on despite them, through sheer force of intelligence and clever planning and fiercely independent thought, the weak can ultimately overcome, or at least stand shoulder to shoulder with, the strong. Perhaps this will become a more pertinent plot point in the future - who knows? - but this was fun to chew through nonetheless 🫶

[strawbubbysugar]

DO YOU SEE THE VISION FOR SUN AND MOON LEARNING BALLET? DO YOU SEE MY VISION IN MY BEAUTIFUL WORLD? Under a cut bc it got. long.

SPINNING AND SPINNING WITHOUT GETTING DIZZY BECAUSE THEYRE ROBOTS AND THEIR HEADS CAN STAY STILL WHILE THEIR BODIES MOVE THE FLOURISHES

THE JUMPS

THEN WITH THE PRY/NCESS. THE SEAMLESS DUET OF TWO WORLDS, MOVING AS ONE, ORGANIC AND INORGANIC, A VISUAL MELODY. BUT SO STRUCTURED, SO REHERSED AND SO PERFORMED

then... as the story goes on with Moon.. it becomes more of a waltz. a two person symphony. Less impressive but so much more personal, so much closer. Almost playful in a way

Meanwhile with Sun, it becomes contemporary. The structure is removed, the motions ones of instinct, no practice or steps memorized - just movement, in sync

[peasant-player]

Tattoo ideas for curufin and celegorm

For @starsofarda hc!

This was super fun but also super difficult to do.

No, not because the tattoos where hard to draw. I choosed very simple designs!

The December stress is getting to me haha let me tell you something "fun"

The celegorm drawing is on normal paper! No maker paper. Great idea yes?

NO! I did not realized in my tiny lizard brain that I did not changed the paper

So I colored it on the wrong paper because no way in hell I'm gonna draw all of the tiny scales again. WRONG DECISION AGAIN!

The colors went all through,bleeding over everything, effing everywhere !

And I mean even on me,on my drawing board ,on multiple other papers. There is bright bold red EVERYWHERE.

Other then that it was very fun project❤️

[preraphaelitepaintings]

Demeter Mourning for Persephone

Artist: Evelyn de Morgan (English, 1855-1919)

Date: 1906

Medium: OIl on canvas

Collection: The De Morgan Foundation, London

Description

Demeter was the Greek goddess of the earth, particularly the fruits of the fields, and as normal she is represented here as the corn-goddess. Her hair is covered with ears of corn, from which poppies drop around her. Her daughter, Persephone was kidnapped by Hades and taken beneath the earth to his kingdom. Inconsolable at the loss of her daughter, Demeter refused to allow the earth to be fruitful.

[allegorypaintings]

Life's Illusions

Artist: George Frederic Watts (British, 1817–1904

Date: 1840

Medium: Oil on canvas

Collection: TATE Britain

Description

Life's Illusions is an allegorical painting that explores the vanity of human desires. Watts believed that art should reveal the mystery of being, and he used universal symbols to represent life's emotions and aspirations.

[artemlegere]

The Lady of Shalott

Artist: William Holman Hunt (English, 1827-1910)

Date: c. 1888–1905

Medium: Oil painting

Collection: Wadsworth Atheneum, Hartford, CT, United States

Description

The Lady of Shalott is an oil painting by the English artist William Holman Hunt, made c. 1888–1905, and depicting a scene from Tennyson’s 1833 poem, “The Lady of Shalott”. The painting is held by the Wadsworth Atheneum, in Hartford, Connecticut. A smaller version is held by the Manchester Art Gallery.

“She left the web, she left the loom, She made three paces through the room, She saw the water-lily bloom, She saw the helmet and the plume, She look’d down to Camelot. Out flew the web and floated wide; The mirror crack’d from side to side; ‘The curse is come upon me,’ cried The Lady of Shalott.”

~ Alfred, Lord Tennyson, The Lady of Shalott (1842)

The painting by William Holman Hunt (1827-1910) has a complicated and elaborate symbolism. The Lady of Shalott is herself an artist and may reflect Hunt’s own aesthetic on the consequences of turning away from duty and yielding to the temptations of the world rather than being removed from its material realities.

The lady’s magnificent hair, blown by a stormy wind, frightens away the doves of peace that had settled next to her as she worked, the weaving ruined, as is her own life. The silver lamp on the right has owls decorating the top and sphinxes at the bottom to suggest wisdom triumphing over mystery, its light extinguished now that the she has succumbed to temptation. Hercules, who is portrayed to the right of the mirror is given a halo to signify him as a type of Christ, his victory over the serpent guarding the apples in the garden of the Hesperides the pagan counterpart to Christ’s victory over sin. To the left of the mirror, the Virgin Mary prays over the Christ child, her humility and the valor of Hercules both exemplars of duty and foils to the Lady of Shalott, who personifies its dereliction, as signified by her wild hair and unraveling yarn.

[lord-squiggletits]

Is anyone talking about Megatronus' cog and how maybe Megatron taking that was also a sign of him being not a good leader.

Is anyone complaining about how Orion got the Matrix going to also complain about how Megatron stole Megatronus' cog out of Sentinel's chest even though 1. he supposedly doesn't believe in Primes and false prophets any more and 2. Sentinel stole that cog from Megatronus' body who he murdered, so Megatron is literally just perpetuating that cycle of treating a dead hero's body parts as a collectible one is owed for having the Vision And Initiative To Seize Power. And being a hypocrite because despite supposedly hating Primes, he still covets Megatronus/his iconography so much he stole his cog and used it for his own despite the fact Alpha Trion (the last living Prime) gifted Megatron a perfectly usable one that he got consensually unlike Megatronus'?

Bc like. If we're talking symbolism into account. Idk it felt pretty symbolic to me that one of Sentinel's evil acts was to steal someone else's t-cog and then what does Megatron do? Steal someone's t-cog. Sure, Sentinel stole it first and was a bad guy so he ostensibly doesn't deserve having his corpse treated with dignity, but like... was it not obvious to anyone else that that act was where Megatron definitively went over the line of "revenge on an evil leader" to "stealing dead a dead guy's organs to suck out his physical power and symbolic presence for himself."

Are we going to talk about that or are we just going to keep bitching about how Orion was given the Matrix while he was dead, not expecting to be given a chance at life again, not seeking power for his own gain, with the consent/blessing of the previous Primes which somehow makes him evil and unfair