#Story: Singer (Not the Song)

[theshiningdiamond]

(claps) alright, finally got to finish off this which i started back in January! Definitely one of the more fun animatics I've done with UTMV personalities!

Personalities based on original AUS and @seirindono's The Missing Scarf comic(you should totally read it!). Their character Mel joins all the boys at the game table

[strangersteddierthings]

The Conversation

Final Part of The Interview [Part One] [Part Two] [Ao3]

Steve finishes putting on his boots, shoves a beanie on his head, and grabs his thermos of coffee before heading outside. Robin had texted when they left Pendleton so they should be arriving soon, and he wants to make sure the dogs stay clear of the driveway, and also finish some of the chores he is being lazy about. The mountain air is cold in February, and the snow is deep, but it's still warm for a winter day in Eastern Oregon.

His childhood house had been at the edge of a little forest. His current home is tucked away in the woods, trees for miles, and the nearest neighbor farther still than that. He's lived a lot of places, been able to see the whole of America almost, and in the process, he's learned that he'll always be a small-town boy. The real revelation is how at home he feels in this two-bedroom cabin sequestered away from any town at all. Sure, he's got to drive a little over half an hour to get to the nearest grocery store, but he's learned he likes that.

He's got 1600 acres of woods all to himself and the dogs. He's owned this property for almost four years, but recent events made him finally move out here. Originally, he'd bought it to make it as another flip project, but something in his gut told him to make it a vacation home / safe haven for his family instead. Robin, mainly, as a getaway from the LA life and overwhelming spotlight she'd started to face as her music career took off. He might be turning it into his permanent home and base of operations, but everyone knows they're still welcome.

Anyway, the day might be warm for winter, but the night won't be, so Steve sets his thermos on the top of the wooden railing of the porch and heads down the steps to the woodshed. The plan in the summer is to update the cabin, which includes adding central air and a good heating system, but until then, portable heaters are in the bedrooms and the wood stove gets the rest of the cabin. There's also plans to start the construction on the guest house. It's going to be a busy summer.

He replenishes the woodpile on the porch from the woodshed and debates chopping more but decides against it. That can be a tomorrow chore. Next is cleaning up the snow paths he's made previously. Doesn't want anyone falling on their ass on the way to the house, no matter how funny that'll be to watch. As usual, Pancake makes the task difficult because she wants to play with the snow shovel. Melody cries until he throws snow into the air by the shovel full for her to play in. Chowder, old man that he is, supervises from the porch, front paws hanging just off the top step.

It's rough going but he manages to complete the few chores, even with two dogs underfoot.

Steve is on the front porch, forearms holding his weight as he leans against the railing, thermos of coffee between his hands, taking in the afternoon sun and enjoying the silence when Dustin's work truck slides into the driveway. Almost literally, given the foot and a half of snow still on the ground. The driveway is long, okay. Steve's doesn't have enough time in his day to keep up with salting it all.

It'll be strange to see Eddie after all these years. He still can't believe Robin got him to come. When he'd asked how she did it, she brushed him off with an it's not important.

Speaking of Robin, she's the first person out of the truck, sliding out of the passenger seat and then cursing when she drops right into the snow. She shoots an accusatory look towards the cabin, and therefore Steve, like he placed the snow there himself, when the fault is Dustin, who has left the driver side with plenty of room between the truck and the snowbank.

Dustin gets out of the truck and Steve faintly hears him say this side, man, less snow before pushing his door closed and turning to brace himself as Pancake and Melody rush from the porch to circle like sharks, barely restraining themselves from jumping up. Chowder follows after slowly, taking his sweet time getting to Robin, his favorite human. Steve can't even be jealous about that because Robin is his favorite human, too.

The back driver side door opens, and he watches as Eddie Munson all but falls out of the truck. It's the least graceful anyone's looked getting out of the back of the truck and that's counting Chowder and his old man hips. Seeing Eddie again is- well, it's a lot of emotions all at once, but they're are all overshadowed at the moment by how Eddie looks... well, bad. His hair is longer than Steve's ever seen it, a little longer than mid-back length, but it looks like it hasn't seen a proper hair brush in a couple of days. Even from this distance Steve can see the bags under his eyes. He looks like he hasn't slept in days.

He pushes himself off the railing and meanders down the two steps, waiting for them to notice he's waiting. Robin trudges out of the snow berm and to the front of the truck, where Chowder is waiting patiently for his pets and kisses. Dustin has managed to get Melody to stop hopping in front of him so she can get her side scratches, and Pancake has realized there is a new, third person with a set of hands currently not petting her, and is circling Eddie, waiting for him to reach down and pet her but he just stands completely still, heading tracking her in her circles.

"She's friendly, I promise," Steve calls out, which makes Eddie's head snap up to look for the source of the voice. Well, everyone looks, but Eddie looks like he's seeing a ghost, which. Fair. Steve kind of feels the same way.

"Hello, Dingus," Robin calls as she stands from her crouched position, where she's been cuddling Chowder. As soon as she stands, he starts making his way back to the porch. "I have delivered one Edward Keaton Munson. You are not allowed to ask anything of me for, at minimum, a year."

"Steve! Why didn't you tell me you knew the Eddie Munson?" Dustin shouts.

Robin is scoffing, clearly offended. "Am I not famous enough for you Henderson!?"

"Get back to me when you've run a 24-hour Dungeons and Dragons live stream for charity!" Dustin shoots back, then has to dodge Robin's half-hearted punch aimed for his arm.

Eddie stays silent, looking more pale than when he got out of the truck. Steve's a little concerned he's going to faint.

"You been living under a rock, Dustin?" Steve asks. "My knowing him is apparently the only thing on the internet currently."

Dustin puts his whole head into the eye roll. "You spend a month backpacking with your girlfriend in the southern hemisphere and you never get to hear the end of it. I told you I'd catch up on your drama after I catch up on my DnD Live Plays."

"You also missed me winning a Grammy, you know."

"I thought Steve's thing was more important?"

"You are impossible, Henderson."

"You guys going to argue in the snow all afternoon, or do you want to come inside?" Steve says then places his fingers in his mouth and whistles. Melody and Pancake dash for the front door, where Chowder is already waiting. Dustin, Robin, and a still eerily quiet Eddie fall into line to walk the trail to the porch Steve had cleared.

Steve jumps the steps, grabs his thermos, lets the dogs in, and then holds the door for everyone else. Robin and Dustin breeze past, but Eddie slows, eyes jumping around Steve's face as they just look at each other for a moment. Eddie opens, then closes, then opens, then closes his mouth.

"Hi," Steve offers up, shifting a foot to hold the door open so he can wave his fingers at Eddie.

Eddie swallows thickly, then whispers back, "hey."

"In the house, Eddie. Don't want to let too much cold in," Steve tilts his head towards the doorway.

"Oh, right, sorry," that kick starts Eddie again and he crosses the threshold, Steve close behind.

Robin and Dustin are currently occupying the bench just inside the door, taking off their shoes. Once Dustin has his boots off, he leaves the bench, heading to the kitchen. Eddie seems lost, just standing in the entryway, so Steve takes the spot Dustin just left and proceeds to undo the laces on his boots. He gets one boot done by the time Robin stands, wandering after Dustin once she's hung up her coat, scarf, and gloves. Eddie doesn't move still, so Steve pats the empty spot beside him.

"No shoes in the cabin. Dogs track in enough snow, don't need us doing it too," Steve says, then busies himself with his other boot.

He sees Eddie sit and begin to untie his- jesus, he's not even wearing boots. Just a black pair of sneakers. Eddie unties his shoes in silence, sitting rather stiffly next to Steve.

This quiet, obedient Eddie is not what he expected.

"You want something to drink?" Steve asks, once both of them are free of their shoes.

"No, thank you."

"Alright. Have a seat, then," he gestures towards the couch. The cabin door opens up directly into the living area, which Steve has set up as 3/4th a living room and 1/4th dining room, in that a small kitchen table is along the far wall. Beyond that wall is the kitchen, where Robin and Dustin are undoubtedly helping themselves to his coffee or hot chocolate.

Eddie shuffles off to sit on the edge of the couch, as close to the armrest as he can get. Now that Steve can see him closer, he can see he's added more piercing to his face than just the eyebrow ring he wore in high school. Snake bites, a septum piercing, and a second eyebrow ring next to the original. He's sure that if Eddie's hair wasn't covering his ears, he'd see more metal there. Eddie had hung up the coat he'd been wearing but under that is a hoodie he didn't take off, so Steve can only guess if he ever got those tattoos he'd been planning in high school. His entire outfit is black, which just makes him look sickly in the cabin lighting.

Steve drops himself into the chair facing the couch. It's Melody's favorite chair to curl up in, but Steve thinks she'll forgive him for taking it. There's tension in the room, so he tries to break it. "You look like you've seen a ghost, dude."

Eddie makes a weird nose, almost a whimper or a whine, but before he can say anything, Robin rounds the wall, holding a mug of hot liquid and she says, "Oh, I'm sure he feels that he has. I didn't tell me we were coming to see you."

"Robin!" Steve is shocked.

"What? You said you wouldn't mind getting some closure, so I got him here. Does it matter how?" She takes a seat on the opposite end of the couch from Eddie, making a show of how comfortable she is in the space by sitting cross-legged and leaning back against the couch, in comparison to Eddie who is sitting up completely straight, barely on the couch with how close to the edge he's sitting.

"Yeah, it does! If he's not here voluntarily- if Eddie doesn't want to talk to me you can't-"

"I do," Eddie says. It grabs Steve and Robin's attention and Steve sees Eddie almost wilt under their twin stares. He clears his throat before continuing, "I mean, I would have come still, if she'd told me. I do want to talk to you. Apologize for.... for everything. So much I don't even know where to begin, or how."

"Uhh, this feels like something personal," Dustin says from where he's standing with his own mug, hovering nearby. "Should I be here for this?"

Good question. Steve doesn't care if Robin and Dustin hear what they talk about, but Eddie might. "How about we just relax a bit. How was the drive?"

Eddie scrunches his face, a half confused expression on his face.

"Fine," Robin says at the same time Dustin says, "Tense as fuck."

"Those two things don't seem like they match," Steve says.

Dustin moves to plop himself on the couch in between Eddie and Robin, then quietly curses as his drink sloshes over the edge of the mug. He starts mopping at it with the sleeve of his shirt as he says, "Robin is a liar. The tension in the truck is going to linger that's how bad it was. I'll be feeling the tension every time I get in the rig. Clients will feel the tension when I pull up to their curbs!"

"It was not that bad!" Robin swats Dustin. Successfully this time, since there's no way for him to dodge unless he wants to spill his drink again.

Steve just laughs. "Robs, light of my life, mate of my soul, knowing you and your grudges, Dustin's probably going easy on the description of the tension here."

"Well, there wouldn't be tension if I was allowed to say what I want to say."

"Can we go, like, five minutes without your negativity?"

"My negativity!? I'm not negative, I'm rational and level-headed!"

"You are not sounding very level-headed right now."

Dustin chimes in, "Steve's right. Level-headed people don't have to shout that they're level-headed."

"What say you, Eds?" Steve asks, the old nickname slipping out. He doesn't have time to be embarrassed about it though.

Eddie stands quickly and flings his hands in the air, having reached an invisible limit Steve is unaware of, pacing about the living room as he basically shouts, "Why don't you hate me!? You should hate me! I hate me! I can't- why are you just sitting there, trying to have a-a decent conversation with me? You should be screaming at me! You should be mad! Why aren't you? My fuckin' song ruined your life!"

The silence in the living room is heavy following that, all eyes on Eddie. Even the dogs, who had been in various states of sleep, lift their heads and look in Eddie's direction.

He looks mortified by the out burst, and his face turns red. "I-I'm sorry. I- I'm just, I'm sorry. I need air."

They all watch silently as Eddie jams his shoes back on and goes out the front door without tying them or grabbing his coat.

Steve sighs, deep and annoyed. At Robin and himself. He looks to Robin and she looks shocked by Eddie's outburst. She was watching the door, but turns her head to meet Steve's eye, a small frown on her face.

"Well, it's not like he's going far," Dustin says. "You going after him?"

"I don't know if I should."

Dustin scoffs. "Don't be an idiot, of course you should. We drug that guy to the middle of nowhere to talk to you. He agreed to come to the middle of nowhere even though I could have been a hit man hired by Robin to off him in the woods and he didn't even complain. Didn't even question. I don't know what happened, but I think you two need talk it over."

Steve blinks at Dustin. "Since when did you get so wise?"

"I've always been wise. You just refuse to see it with your ageism. Go. Robin can fill me in on the beef, here in the toasty, cozy cabin, while you two chat in the cold, and freeze your asses off."

"I don't have ageism-"

"Wrong argument to be having, Steve!" Dustin interrupts. "And take another cup of coffee with you. Even if he doesn't drink it, dude doesn't have gloves either so y'know, warm the hands."

Steve does just that. Fills his other thermos with coffee, taking a chance by adding cream and sugar, before putting his boots, coat, and beanie back on. He throws Eddie's coat over his arm and tucks both thermos' against his body with that same arm so he can have a free hand to open the door.

Eddie isn't far. He's pacing back and forth in front of the truck, talking to himself.

Taking a deep breath to steel himself, Steve steps off the porch and makes his way to Eddie. "Hey."

The pacing stops and Eddie turns to look at Steve. They just look at each other as Steve approaches. Steve doesn't stop until he's close enough to reach out and touch before he shuffles the two thermos's to his other arm and extends the one with Eddie's coat on it out.

"Thank you," Eddie says, taking the coat and shoving himself into it quickly.

"Brought you coffee, too," Steve holds out one thermos and after a pause, Eddie takes it, too, then almost instantly brings his other hand up to cradle it, warming his fingers.

He looks up from the thermos and meets Steve's eye. "I am sorry, Steve. I'm sorry for how things ended between us, and for the song I wrote, and for-for not thinking about how people would be able to work out that you were the Steve from Hey Steve. You should hate me for that alone. I'm so sorry for everything that's happened because I didn't think of the consequences."

"I don't- I don't hate you man. Not... not anymore. Not for a long time."

"Well, you should!"

Steve frowns. He wants to argue because who is Eddie to tell him how he should feel? But that's not going to help anything. "When Robin called me. During her interview after the Grammy's and asked if she could tell the truth I never- I didn't know what she meant by the truth. But. Well, nothing she said was a lie, but it wasn't the full story."

Eddie stays silent, seemingly waiting for Steve to continue.

"Those first two years after our breakup were- I'm not going to lie, they were fucking awful. I think I received my first bit of hate mail the very same day Hey Steve released. It was harsh. All from the same person, but sent to my Facebook and my Twitter and Instagram. Guess they really wanted me to read it.

"And then, with each passing day, a new person, new message, just as awful. After three days I deleted Instagram and Twitter. Then I locked down Facebook but like- physical letters showed up at my house. I can't lie, it certainly felt like you'd ruined my life."

Eddie makes a wounded sound at that. "That's because I did! What I did was unforgivable and-"

"You don't get to decide for me if I forgive you or not!" Steve snaps. "I haven't actually said I did forgive you, did I? All I've said is I don't hate you."

That gets Eddie quiet again for a moment, then he says, "you ended up hospitalized because of me."

"Robin said I ended up hospitalized, and that's true, but it wasn't- It was more complicated that just being your, and your fans', fault. For people who were supposedly on 'your side' of our breakup, they used a lot of homophobic language. That's how my mom found out. The letters were easy enough to just get rid of because all the bad shit was on the inside, but someone sent a post card, and mom collected the mail that day. It's... I don't like talking about this."

"Then don't," Eddie is quick to say, "you don't have to explain anything to me, or make yourself relive these events. It's- you don't owe that to me."

"I think I need to. I wrote you a song, said I'd do it all again, and I meant that. I want you to understand why. Just. Just give me a minute."

Eddie nods and takes a sip of his coffee. He looks pleasantly surprised and takes bigger drink before his face falls into a frown as he stares down at the thermos and Steve has to look away. He turns and squeezes his eyes shut to continue. "Mom showed the postcard to my father, and he confronted me that evening. It was.... it didn't start off bad. He asked if it was true. That I was gay. I made a choice, then. I didn't have to; I could have lied. I could have told him I was straight and that I didn't understand what the postcard was saying, but I didn't.

"I knew how he felt about queer people, and I told him the truth anyway. I was bisexual. I thought it was a miracle that he didn't kick me out instantly. Instead, he calmly asked me if that meant I liked woman. I said it meant I liked more than just woman.

"Then he told me that didn't matter. That so long as I liked woman, I would be with a woman, and that we never had to speak of this again. And I told him no. He didn't get to decide that for me. He said that he would rather have a dead son than a faggot one. And I thought- I never- surely he was just meaning, like, metaphorically, right? Like, he'd disown me, kick me out or something so I scoffed and said- God, I was so stupid. I knew it wasn't safe, but I was so angry at him, I shouted 'dead or alive, I'm your faggot son so deal with it.' And he- he said 'dead it is' and he attacked me."

He hears Eddie suck in a breath, hears the crunch of snow in what could only be Eddie taking a step towards him but stopping after just one step. Steve doesn't know if he wants Eddie to close the distance and give him the hug he knows Eddie wants to do. Steve doesn't know if he'd welcome the embrace or not. He sucks in his own shaky breath, and continues, "He almost beat me to death that night. The only reason he didn't was because mom dialed 911," Steve turns around, looks at Eddie and sees the tears falling down his own face reflected on Eddie. "As far as I know, dad's still serving time for his attempted murder, so like, at least I don't have to worry about him. And mom... I don't even know what to think of that.

"She called 911, didn't want to see me die, I guess, but also couldn't have a gay son. She sold the house, and everything in it, while I was still in the hospital, and just... disappeared. Robin's family took me in. She told that story during the interview, you knoe, but I wasn't even at the house when that guy with the gun showed up. I was meeting with a lawyer.

"She-Mom was- I don't know what she was trying to do but she gave me the family business. The whole company! It felt like she was trying to buy my forgiveness, except she didn't ask for it and still hasn't contacted me. It's like... she felt guilty about what happened but hated me at the same time. Felt she needed to do something to alleviate her guilt? Or maybe she just wanted to cut herself free of the whole Harrington name; free herself from me and my father. I don't think I'll ever get closure for that one."

Steve quits talking, needs to take another moment. He'd already rambled on about more than he meant to but talking to Eddie had always done that to him. Afterall, before they dated, they'd been friends. He sips at his coffee, not knowing what else to say.

"Jesus, Stevie, I'm so sorry. I didn't know- It's no excuse but I'm just so sorry."

He doesn't think Eddie knows he called him Stevie, but it's nice to hear. "So, see, it wasn't your fault. Your song set things into motion, for sure, so it's nice to hear an apology, but like, if anyone is the bad guy in this situation, it's Richard Harrington."

"But Robin said she just had to help you move to here. That you still get hate mail, and doxxed. That's on me. I saw your list of addresses, Steve! You've had to move, like, eight times a year!"

Steve can't help the cackle that springs from him. He surprises himself with the laugh, and Eddie, too, if his wide eyes and eyebrows hidden behind his bangs are any indication. "I- yeah, I move a lot. And yes, this most recent move was because of a brick with Hey Steve scratched into it broke my living room window, but like, I've only had to move because of harassment like, four times, if I'm counting the whole mom-selling-the-house thing."

"What?"

Steve holds up a finger, adding a new one as he counts them out. "Mom sold house. Scary gun guy at Robin's. The year anniversary of your first album's release. I was still in Hawkins, figuring out what to do with all the money I'd, uhh, inherited I guess, so I was easy to find. And the most recent one. Not sure what inspired it this time. Usually, the hate mail resurges when you go on tour, but it's less and less every time. Anyway, none of those other moves are because of crazy fans."

Eddie blinks at him, a picture of confusion. "But I found a YouTube video and that guy- he showed all your old addresses. He said- I thought..."

"Well, there are a lot of addresses. But not because of your fans. I move for my job. Do you... did you even read the truck?" Steve gestures to Dustin's truck and Eddie steps around to see the printed H&H Project Flip and below that is their website.

Eddie looks back to Steve like that answers nothing. Which, fair, but it would answer a lot of questions if Eddie had looked up the website. "After that surge of anniversary hate, I knew I needed to get out of Hawkins. Robin was graduated, then, and headed to college. I decided I wanted to see more than just Hawkins. I followed Robin to college in Chicago, and uh, bought a house. A real fixer upper but that was fine. I had plenty of money to throw into it. On a whim I thought, what if I try to fix it. I had a lot of free time and if it ended up badly, I could afford to pay a professional to fix whatever I broke. I found that I loved doing that."

He's still just being looked at like he's not making sense.

Steve rolls his eyes, "I flip houses, dude. Me and Dustin. Harrington and Henderson Project Flip. I was in Chicago for three years, lots of addresses for that city. But then Robin pointed out there were a lot of states. That I should see all 50 of 'em by renovating a house in each. She'd moved in with her then-girlfriend by this time, so she said I should go. See the States at the least. So, I did. I find it easier to just live in the house I'm renovating, so I'm not paying mortgage and then rent somewhere else in the same city."

Eddie looks like he's had a rug pulled out from under him and he lets out a laugh that's a little hysterical.

"And moving so much has allowed me to meet so many amazing people, y'know? I got friends in all the states. So, like, yeah, you did ruin my life, but like, just my life from 18 to 20. So, yeah, I'd do it all again. Did you think I've been living in perpetual misery for the last ten years?"

"Robin certainly made it easy to assume that, so yeah!"

"I think she did that on purpose. To hurt you back."

"I deserve it," Eddie says. "I didn't even try to check in on you. Well, once, but when I couldn't find you on any socials I just. Gave up."

Steve shrugs. "I didn't reach out either. And if you'll remember, I broke up with you. Screamed in your face that we were over and went home."

"I don't know when, or even if, Corroded Coffin will tour again, but I swear to you, we'll never play or release Hey Steve again. And I'll release a statement, or go on camera, or something, and address this. I can't make it right, but I can make a change starting now, to do better and be better," Eddie says this while gripping his thermos to death.

"I believe you, and I forgive you."

Eddie nods grimly, then looks from Steve to the cabin, and back to Steve. "Do you think Robin will ever forgive me?"

"I don't know. You hurt her pretty badly, too. We were all best friends in school and when we broke up, you cut off Robin, too. And then, when she started to gain her own fame- I think when she first moved to LA, she thought you'd try to reach out. But you never did."

A silence falls over them, and Steve refuses to break it. He's done enough talking. They drink their coffees 'til they're empty before Eddie speaks.

"Where does this leave us?"

Steve thinks about it before answering. "You were my best friend before you were my boyfriend. You'd been in my life longer than you've been out of it. We don't have to be anything. We can have our closure and go our separate ways, if you'd prefer. But, I think I'd like another chance at being your friend."

"I can do friend," Eddie says slowly, like he's picking his words carefully. "I can. But, full transparency, I think I still love you."

It hurts to hear, after all the pain and the time, and it's a bittersweet kind of hurt. "I'll always love you, Eds. I meant it, you know, every word of the song. But I don't know if we can, or should, try again. We were so good until we weren't."

Tears spring from Eddie's eyes when Steve says he loves him, and they don't stop falling even as he's nodding along with everything Steve says. "No, I know. I know. I just, I needed you to know. Friend is, it's so fucking great. More than I ever expected, and certainly more than I dared hope."

"Come on. Let's go inside where it's warm and chat with Dustin and Robin like civilized people. I need a break from the heavy talk."

"Yeah. Me too. Thank you, Steve. For the chance."

Steve shrugs and shoots him a crooked grin. "Yeah, well, ruin this a second time and Robin will rip you to shreds on live TV, probably."

There's more to talk about. More hurts to heal and things to discuss, Steve knows. And maybe after all the talking, they'll learn they've changed too much to even be friends. But that'll be okay, because if that's how it goes, it'll be because they talked it out instead of screaming at each other in a living room.

If they've changed too much, this time, it'll end gently.

It doesn't stop Steve from letting a little bit of hope in. That this won't end, that they can find a way to be in each other's lives again.

As friends, or more.

[pistachi0art]

More Ben fam stuff I believe I have neglected to put here

[themanwhomadeamonster]

The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack

Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL

Spoilers under the read-more; TL;DR at the end :'^D

To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long

Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.

Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.

Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.

I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting

In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.

Section B sings these lyrics:

Break it, break it, Break it open!

Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.

In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.

So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:

A:

Sting it, sting it, sting it! Sting it, sting it, sting it in the flesh!

Bridge:

I don't understand! It brings more disease!

B:

Break it, break it, Break it open! (Disillusion)

Bridge:

Sting it, sting it! Sting it in the flesh!

C:

Who's dreaming? Who's the [???] It's a vision[?]!

TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.

[katmcpheeuniverse]

[dreaminginthedeepsouth]

Dancers warming up during the filming of West Side Story in New York (1961) www.vintagehollywoodnouveau.com

Vintage Hollywood nouveau

* * * *

“Why do we care about singers? Wherein lies the power of songs? Maybe it derives from the sheer strangeness of there being singing in the world. The note, the scale, the chord; melodies, harmonies, arrangements; symphonies, ragas, chinese operas, jazz, the blues: that such things should exist, that we should have discovered the magical intervals and distances that yield the poor cluster of notes, all within the span of a human hand from which we can build our cathedrals of sound, is as alchemical a mystery as mathematics, or wine, or love. Maybe the birds taught us. Maybe not. Maybe we are just creatures in search of exaltation. We don’t have much of it. Our lives are not what we deserve; they are, let us agree, in many painful ways deficient. Song turns them into something else. Song shows us a world that is worthy of our yearning, it shows us our selves as they might be, if we were worthy of the world.” — Salman Rushdie, The Ground Beneath Her Feet exhaled-spirals

[fluffypotatey]

THUNDER B R I N G E R ⛈️ 🌊 🌪️

LIGHTNING WIELDER ⚡️ 🎶

when…when your name is Jorge and you break apart the verbs “bringer” and “wielder” into “bring her” and “wield her” because the speaker is Zeus who is the head of the Greek pantheon and holds the power of the sky but he’s also known to be a womanizer and so have his lyrics have the double meaning of Zeus not only patronizing Ody but all his metaphors about dominating and staking claim are very clearly a sign of how the god himself harmed the many mortal woman and goddess he fucked over (literally)

[someoneintheshadow456]

My only criteria for Good Music is -

Does the song have A Tune

Does it Tell a Story

And it is shocking how a lot of songs made after TikTok fail both points

[dummerjan]

i just came across ai covers on youtube and people are requesting songs in the comments instead of getting enraged and i am further losing hope in humanity and turning to misanthropy

[fellow-nerd]

Thinking about how hozier is so Irish and Noah Kahan is so American ya know

[arikihalloween]

'Plume slept in'

An animation I made for school ! Featuring my ocs Plume and Goupil from my story Songs of the Forest

Music is Our House Below instrumental by Cecile Corbel

yes its not good and wonky gimme slack I did this one in 48h lmao

[sincerely-sofie]

Let's Be Friends - An Original Song about Self-Love

I wrote this as a teen struggling with self-loathing to a ridiculous degree. It became a personal anthem in the following years and helped guide me on a long journey to actually liking myself. Hope it has a similar impact on anyone listening who needs a pick-me-up!

(Lyrics below the cut)

-

Well, hey there Sofie,

I wanted to sing a song for you. 

I know I was never that kind to you.  

So this is how I’ll say that today all that ends.  

Let’s be friends.  

-

You have a beautiful smile, 

So don’t hide it, it’s bright and it 

Brightens people’s days. 

You also have a nice nose and caring gaze,

So don’t cover your face, it’s all really great.  

You’re shy about your acne, you think that you look nasty---

But I’m here to say no one else is thinking that.

And if they are,  

Forget them. They’re tacky.  

Just own the skin you’re in, lady.  

I have your back, Sofie. 

-

You love lots of stuff but hide it from everyone, even me. 

I want you to know, it’s okay to be happy. 

It’s okay to let yourself have fun genuinely. 

Please just let yourself be you. 

If you do, I’ll let myself be me, too. 

-

Well, hey there, Sofie.  

I wanted to sing a song to you

To say we could take on the world, us two. 

 So— why don’t we do it? What’s holding us back? 

I promise I’ll stop putting you under attack. 

So now that that weight’s gone, 

Let’s sing this song and try to get along.  

Let’s be friends. 

Let’s be friends.  

Let’s be friends.  

-

You try your best and give your all,

You do what you can and answer every call---

But now I’ve got a request 

For you, 

Try your best to love me too.   

Let’s be friends.  

Let’s be friends.  

Let’s be friends.  

Let’s be friends. 

Let’s be friends.  

Let’s be friends.  

Let’s be friends.  

Let’s be friends. 

[allielleaf]

You kept your eyes on the screen,

As if you didn't know the song.

Your voice singing more than I could've seen,

The story of it is so spot on.

Did you do it on purpose?

Picked that familiar song,

avoided eye contact until you reached the chorus.

If you paused, I would've sung along.

— just as I used to.

[juniperhillpatient]

dude what the fuck you’re not supposed to quote SONG lyrics in original stories? I can’t do this shit I quit

[shoku-and-awe]

OBSESSED with the dishes at this place. Especially this autumnal sake cup.

Ordered hot sake which meant I could make the bunny go to the onsen :) Filled it up VERY CAREFULLY to just under his nose so he wouldn't drown. Also so he didn't have enough depth to swim and cause a Jimmy Carter situation. Anyway. This was so cute it was amazing I left the restaurant at all.

[mcpirita]

at 3 am one night in 1988, hawaiian singer Israel Kamakawiwo'ole called a local studio and said he needed to record something immediately. he pleaded with the engineer: "please, can i come in? i have an idea." kamakawiwo'ole recorded the iconic version of "somewhere over the rainbow" in one take, which would soon touch countless people across the world.