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queers-gambit · 2 years ago

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And Let Me Love You Anyway [ part two of two ]

part one: Tell Me Every Terrible Thing

prompt: you embark on a secret but passionate affair with the Rogue Prince, and when his wife, Rhea Royce, passes away, he chooses you to wed next - a decision that angers his niece and changes history.

pairing: Daemon Targaryen x female!reader -> hair color specified reader

fandom masterlist: House of the Dragon

word count: 6.3k+

note: what the fuck is this, Cherry? also two parts 'cause author gets carried away!

warnings: show spoilers, cursing, author has small bouts of feministic ideas, author also really likes the "little birds" storyline (let her live!), wonky brain is wonky, i think hurt and comfort, angst, very mild NSFW (female receiving oral), technically alternative timeline 'cause this goofy-ass author has an overactive imagination, #icanmakehimworse, another reader insert (this warning is for the fucking losers in my inbox).

"Alicent, we're late," you sighed with a frown, wiping your sweaty palms nervously as your necklace was latched in place and perfume spritzed on your pulse points. YES - that included your ankles.

"That's the point, sister, we're supposed to be late. It sends a message."

Your eyes rolled, snipping, "The King will not be pleased. I am not his wife, he can get angry at me, you know!"

"He'll manage," she snapped, glancing at Talya. She continued, "He dismissed Father for telling him a truth he would rather ignore. So much so, after years of service, he'd - "

"Yes, yes, the King removed Father as Hand, sent him back home," you nodded with understanding. "But we both know how he feels about his daughter, The Princess! The rumors circulating would cost him his life in the end, we are lucky he was only sent home!"

"Rumors! Rumors, sister, truly!? Tell me, do you think Father lied?"

"I know he didn't."

"Exactly why we're late to tonight's affair," she huffed, fixing her hair in the mirror again. "It's a statement, it's deliberate. We will stand out, prove we are not happy with the turn of events. Why offer Rhaenyra blind respect when she continues to do as she pleases - regardless of consequences."

You paused, sensing her anger brewing and trying to distract, "You know, Ser Lyonel Strong is not a bad replacement for Father."

"This is not about Ser Strong."

"Isn't it? Father's served long and faithfully, but perhaps it is time for a new guidance. Lyonel Strong is a smart man - qualified, even!"

"Yes," she agreed, turning to face you in a shimmering emerald gown. "But this is still an injustice to our family that I fear I cannot overlook any longer. It's been weeks..."

"Yes," you allotted, nodding with a sigh. "All right, yes, you are right, sweet sister. This is all just - it's a lot to take in, to try and digest. And we talk of playing a game with the Throne - I do not think we've the strength to endure alone."

"This is not about Lyonel Strong, sister! It's about Father and the disrespect the Crown continues to offer. Remember that," she advised softly.

You nodded, "I know, sister."

She frowned, "And remember... They aren't our kin. Despite previous displays of kindness, the Targaryens have made it clear that we are not family to them. They are not blood to us, sister; they will protect their own, not us. If we wish to survive, we will need to ally ourselves."

"I understand," you told your younger sister. "I am not arguing, I know what our reality is now - I merely implore to explore the routes that won't label us as traitors."

"I know, we have much to discuss going forward. But none of that for now," she took a long breath, smiling as she looked you up and down, complimenting, "you look stunning. Truly, you might outshine the bride tonight."

"Let's hope it doesn't come down to that, and that The Princess has a mature bone in her body - though I do not hold out hope." You smiled at her, "But enough about me, you look - you look like a Queen, sister-dearest. Gods, you're gorgeous, you look just like Mummy." The two of you shared an emotional, watery smile; embracing tightly as reality settled in your guts: it was you two Hightower Ladies against the whole of the Targaryen clan. "Come," you decided, taking a deep breath, "are we ready to go? Any later and I fear we might not get any cake."

"Oh, you and cake," she smirked, looking you over in a matching emerald, lighter-weight gown that had layers of thin fabrics clinging and dripping from your form. Golden jewelry was clasped around both your necks, wrists, tight around your fingers, and plugged into your ear piercings.

The Queen took your arm and left the dressing chambers you took refuge in, coming to a gasping halt when you were greeted by a well-groomed man in green velvet. "Father," Alicent exclaimed in shock.

"My daughters," he smiled, offering both arms, "I do believe we are now fashionably late. Hmm?"

"Exactly as we intended," you mused, taking his arm. "How is this possible? How are you here?"

"I was invited, if you believe that," Otto answered, the three of you walking slowly. "Though, I suspect your sister had something to do with that?"

"I only told Viserys I'd be deeply offended if you were ignored for this event," Alicent quipped.

"None the less, I am happy to escort my daughters to such a historic event," he spoke diplomatically, aware of the guards and servants milling around. Otto lead the way to the Throne Room - where you could hear King Viserys' echoing speech from the foyer.

None of you spoke, approaching the open doors and pausing to let everyone see the united Hightowers. Alicent wore her dark auburn locks pulled back from her face to cascade in thick ringlets down her back, your own Hightower-red hair left down around your face with the longer locks pinned off your neck. The entire room - the entire court - all wedding attendees and royal procession stared at you three in shock for entering during the King's speech. Your statement was clearly made.

Even from this distance, you could see how startled Rhaenyra was by your arrival, needing to fight off a smirk of amusement in order to keep your neutral façade.

You and Alicent walked arm-in-arm with your father, the once-Hand, down the stairs and up the aisle of banquet tables full of people, staring forward and giving no emotion away. The people buzzed in quiet gossip. The attending Hightowers of Oldtown, sitting closest to the royal banquet table because of their relation to the current Queen, stood first; everyone else following in a show of respect.

You and Alicent paused to let Otto sit with his relatives at the lower banquet table before joining arm-and-arm together. Over the muttering of the entire room, you whispered almost mutely, "Be kind, remain composed, we'll kill 'em with kindness."

Alicent gave a subtle flex to give indication she understood.

When you looked up at the table you approached under the King's heavy glare, you noticed there was an empty chair between Ser Strong and... Prince Daemon? Was that really him? When did he get here? Why was he back? It's only been a few weeks!

Your shock did not slow you, and as you approached the table reserved for the Royal Family, you saw Daemon smirking at your theatrics. Alicent did not let you part from her side as she greeted Princess Rhaenyra with a sickly-sweet voice, "Congratulations, stepdaughter. What a blessing this is for you."

She ignored any other reaction to let go of your arm, kiss her husband's cheek in greeting, stand beside him, in front of her chair, and stare forward with zero other emotion.

"Congratulations, Princess," you whispered, bowing your head. "Your Grace," you acknowledged, doing the same and taking the empty chair between Lord Hand and Rogue Prince only to stoically stare forward in silence. You did as Alicent did, not looking at any other, and just waiting for a pregnant moment that seemingly never ended.

"Please be seated," Viserys finally permitted, everyone sitting at his behest. He cleared his throat, whispering to Lyonel Strong, "Where was I?"

"The joining of the two Houses, Your Grace."

You swallowed when a warm hand laid on your right thigh, Viserys continuing his speech. You glanced at Daemon, seeing his smirk, and instead of throwing his hand off you, you laid your own over his to give a long squeeze. You had wrestled with the idea of his favorite whore, Mysaria, and the idea of whatever he did with Princess Rhaenyra for weeks. Then when you heard word that his wife, Lady Rhea Royce, had met her untimely end, you knew he was involved, yet said nothing. You could only think deeply about what it all meant - and how you fit into the equation that was Prince Daemon Targaryen.

Tell me every terrible thing you ever did...

All you could understand was the overwhelming affection you held for him. His shocked-wide-eyes found yours for a long moment, seeming communicating telepathically - you telling him you wanted him. His hand tightened to keep hold of yours, hidden from the public for the time being.

And let me love you anyway...

You tuned back into the King's speech in time to clap with the others, showing your support of the union you technically helped influence between Targaryen and Velaryon.

However, you caught the way Alicent glared at Rhaenyra, sighing to yourself; having heard through long private dinners what Alicent came to know and why this upset her so much. How strange to learn Ser Criston Cole admitted to Ali that he was coerced into soiling the Princess' purity - not her Uncle Daemon, like rumored. Yet none the less, the girl had sworn on her beloved, dearly departed mother to Alicent that she was still a maiden... A huge, glaring lie - that both you and Ali took personally.

You found all of this terribly interesting, yet did not let the distain show so boldly. After Daemon came to you in confession, you had yet to speak a word outside of public politeness to the Princess; feeling betrayed by what your lover had told you. He had been right: you were Rhaenyra's friend, she wasn't yours. So, you demoted yourself to create distance.

When the drums rumbled and the Princess took to the dance floor with her intended, you spared Daemon a look and muttered, "You do not have to look so annoyed."

"I'm not, sweet one."

"Nor so amused," you tacked on.

Daemon smirked at you, leaning in and pondering, "I am only wondering if you would care for a dance later, my Lady?"

You lied, speaking in a teasing tone, "I'm not one for dancing, my Prince."

"A single dance with me, then. Just one, pretty lady."

"You're pushy," you whispered, nudging him to keep quiet; but the grin on your lips assured him you were completely enraptured by his antics.

He sat back with a smirk, watching his niece and her fiancé dance. The entire courtroom clapped at the end, others flooding to the spaces around them. You glanced over as your sister stood from her seat, meeting your eyes and offering only a soft smile before descending from the table to approach your aunt and uncle from Oldtown - standing with your father on the side of the room. You sighed under your breath, your lover tightening his grip on your thigh.

Daemon made for a great distraction. "Did you hear the news?" He asked softly, reaching for his goblet of wine with his free hand.

"Which news would that be, my Prince?" You asked casually, pretending your heart wasn't hammering in your chest.

"Of my dear wife's passing."

"I did, actually," you fought off your smirk. "I am truly sorry to hear of it, I understand Lady Rhea was truly one of a kind. You shouldn't speak ill of the dead, love," you reminded in a whisper.

"Hmm. Don't be sorry, I'm not," he eased.

"You're not? Your wife died, Daemon..."

"I know," he met your gaze, "I'm not sorry because now it gives me vocation to follow my own desires."

You smirked, "Which desire will you follow first?"

His hand tightened to a bruising grip. He was not able to answer yet because your gaze was caught by movement, Rhea Royce's cousin approaching slowly, evidently a cup or two deep in the wine; making you remove Daemon's hand so you both could sit casually - without touching.

The man gruffly leered at Daemon, "In the Vale, men are made to answer for their crimes." Your lover spared you an exasperated look as he tacked on, "Even Targaryens."

"Who are you?" Daemon asked dully.

"This is Ser Gerold Royce, my Prince," you told him softly, "of Runestone."

Daemon perked his brow, asking sarcastically, "An excellent show of your knowledge, my sweet lady, but what does that matter to me?"

You didn't answer, Ser Lyoel Strong (who was listening in) didn't answer, because Ser Gerold was approaching the table by climbing the stairs. He growled at Daemon, "I am cousin to your late Lady wife."

"Ah, yes... Terrible thing," Daemon offered. "I'm positively bereft. Such a tragic accident."

"You know better than anyone, it was no accident."

Through a smirk, Daemon quipped, "Are you confessing some guilt, Ger Gerold?"

"I am making an accusation."

You shared a look with Lyonel to your left, catching sight of the King's turned head - showing he was listening, too. Daemon easily deflected, "Here, in King's Landing, men are made to answer for their slanders. Even old bronze cunts like you." This angered Ser Gerold visibly, the man stepping closer, but obviously restrained himself. Your lover continued, "The truth is I'm glad you've come. I wish to speak to you about my inheritance."

"What inheritance?" Ser Gerold demanded.

"Lady Rhea and I had no heirs. As her husband, whatever she was due now passes to me. She stood to inherit all of Runestone. Did she not?" Daemon had Ser Gerold pinned by legality, the man looking disturbed by his own realization. So, naturally, Daemon taunted, "After my niece's wedding, I plan to fly to the Eyrie and petition Lady Jeyne myself. Perhaps I'll see you there, Ser Gerold."

The man sheepishly walked away, his inebriated mind whirling with possibilities. You glared, pinching Daemon's arm so you could scold him when he turned to face you, "That wasn't very kind."

"And?"

"You don't truly care for Runestone," you snapped. "Now that man will fear for his home, fret over the laws, and that's not very nice."

He sighed, "What would you have me do, sweet one?"

"Leave House Royce to grieve and rearrange their succession without your pettiness."

Daemon smirked, "Whatever my Lady wants."

"You're dreadfully annoying tonight, do you know that?" You whined. "I'm going for a dance, and no, this is not an invitation to follow," you warned him - albeit playfully - before standing to excuse yourself.

"Sister," Alicent paused you before you could pass her by. "Are you well?"

"Yes, yes, just felt like dancing, too much energy to just sit. Come join - "

"No, no, I should sit. Eat," she smiled. "Perhaps tonight will be when you meet your match and we can plan another wedding."

"Perhaps," you mused, squeezing her hand. "You all right? What did Father and Uncle say?"

"Later," she whispered. "Go on, go."

You joined the stream of people dancing, instantly grinning when you were welcomed joyfully by different suitors. The band played a lively beat, the crowd cheering in rhythm; you being twirled around men and women with matching grins.

You heard your name being cheered through a small giggle.

"Hi, Princess," you greeted Rhaenyra as you both marched along to the beat. You reminded yourself this was all a game and if you wanted to survive, you'd have to play your part strategically. So, you quipped as you danced with Ser Arryn Blackwell, "Nice party you've got, huh?"

"Oh, you know how we Targaryens do," she teased. "Where've you been lately? I feel as if I've hardly seen you."

"Just busy with chores since Father was replaced as Hand," you answered, spinning under someone's arm.

Nyra didn't comment on that, instead, waiting a few moments before complimenting, "That's a beautiful dress, really goes with your hair!"

"That's what I hoped for," you gasped girlishly, deciding to play nice when she reached for your hands. You felt weak for a moment, but the truth was, you missed your friend... So, you might've giggled a bit when you joined hands, dancing together instead of with anyone else. With kindness, you offered, "You look gorgeous, as well, Princess, I love this dress - "

"Yes, yes, we all look fantastic," Daemon interrupted abruptly, crowding over you, asking quickly, "can I speak to you a moment, my Lady? The Princess won't mind, right, Rhaenyra?"

"Uh, no, I guess..." She eyed the two of you with suspicion as she stayed in-beat with the music.

"Daemon, not now - "

"We need to talk," he pulled you from where you danced, glancing back at the head banquet table as he took your hand, and lead you deeper into the crowd. He turned you to face him, pacing a small circle around you, demanding, "Do you still want to marry me?"

"What? Why are you asking now?"

"Because I just asked your father for permission," he seethed, pausing in front of you, "and he outright refused, saying he's negotiating with the fucking Lannisters. I need to know what you want."

"I was not aware what I wanted mattered to you, the man who views marriage as a political arrangement," you eyed him with a curled lip of annoyance.

"What arrangement could I want? Your sister is Queen, my family is bound to the Hightowers already. My political marriage is recently dissolved, I am free to do as I please, regardless of what others want or say - "

"Then tell me what you want. Tell me plainly what you want from me, Daemon, no more pretty words and veiled truths. Be plain."

"You said I had a year, and look - it's been weeks. Weeks, my love, how much more plain can I be? I'm here, now, free to marry, and I need to know if you still want to marry me. I'll marry you tomorrow - "

"Oh, please! Would you steal me away?" You mocked with a chuckle. "Take me to Dragonstone? Make me your little wife that you'll come to resent, too? Just as you did Rhea?"

He reached out to aggressively hold your cheek and jaw. "I had no choice in my first marriage, I could never come to resent you - you're all I've ever wanted. I'd do anything for you," Daemon snarled over your lips, "including risking your father's wrath. I'd do anything to make sure we end up together, you are my heart - do not forget that."

"Then pull out your sword, cut them all down," you purred, feeling his hand tighten, "and claim me as your own - do not let anyone stop us."

His lips hovered over yours, breathing the same air, and before he could respond or kiss you, a woman screamed shrilly from behind you. Daemon instantly latched onto your body as a crowd formed to your left and right, and when you both looked, you were shocked to see the commotion happening at your feet.

"Love - "

"Daemon," you paused him, shocked as Ser Criston Cole was engaged in a fist fight with some Velaryon knight before Ser Laenor Velaryon, the groom, was tackling him to the side. What an interesting display of protectiveness from Ser Laenor over his knight.

Daemon rushed in your ear, "Do not look - come away with me."

"Wait," you held his hands to your waist, letting him crowd into your back as Cole had punched Laenor to the side and straddled the blonde on the floor once more.

He landed one blow before the knight was brandishing a dagger; but the White Cloak caught his arm and easily snapped it broken, startling the crowd. Beyond your ring of spectators, other men were trading blows and engaged in their own fights; total chaos taking over the whole of the Throne Room. You flinched back into Daemon's embrace when Cole screamed like a wild man in the mountains, repeatedly pounding his fist into the knight's face; literally caving it in, creating a human minced meat pie.

Someone better contact Mrs. Lovett!

"No more," Daemon decided, Cole rearing himself back as Daemon stooped to heave you over his shoulder. He was able to find safe (enough) passage through the people, approaching the royal banquet table. "Hey, hey," he whispered, setting you down and taking your face in his hands, the wailing of Laenor Velaryon seeing his murdered knight echoing in the Throne Room. "You all right? You hurt? Look at me, love, are you hurt?"

"No, no, I'm okay," you whispered, swallowing unsurely; reaching up to hold his wrists. "I'm okay."

"Sure? You shouldn't have seen that - "

"It's all right," you assured, stroking his wrists. "I'm okay, Daemon, truly. Just... A little startled, maybe?"

"What's this then?" Harwin Strong smirked, panting lightly from his rescue mission as the Princess was attending her father, the King. "You two hit it off then, yeah? Is it me or are sparks flying?"

"Something like that," you whispered, trying to regulate your breathing after the adrenaline-inducing scrimmage.

"Easy does it, love," Daemon whispered, keeping you close as you didn't let go of his hands; wanting to stay connected. He told Harwin, giving a half-shrug, "They aren't sparks. She's everything to me."

"Perhaps your second wedding will go better than this one," Harwin sighed, hands on his hips.

"In some cultures, deaths at a wedding are considered good luck," you muttered, Daemon snorting lightly in amusement before running his thumbs over your cheekbones in soothing gestures.

"Didn't your wife just pass, Prince Daemon?" Your father demanded publicly with a heavy glare. "You'd offer insult to her memory by remarrying so quickly?"

"I've grieved Lady Rhea plenty, Ser Hightower, it's time to look to the future," Daemon declared, eyes daring your father to challenge him. "The Lady Hightower and I will wed. The sooner, the better, in truth."

And history would never be the same.

"What?" Rhaenyra demanded, whirling around at the news, making all others pause in confusion. "What did you say?"

"That I intend to marry the Lady Hightower."

"Her? Her? Fucking her - who is more prude than woman?!"

Well, that was mildly offensive...

"Rhaenyra - "

"What makes you think you're worthy?" She demanded of you, turning from her father to stalk across the platform. "Worthy of a man like Daemon, of a husband like Daemon? You've done nothing to - to deserve such a title! The title of Princess, of wife!"

You were honestly confused to your core.

"I deserve a man like he - not someone like you!" She continued, shocking the group as the Kingsguard cleared the Room of any lingering stragglers to keep this as private as possible. "You think I didn't see you on my tour? You were fawned over, all wanted to talk with you, but were forced to line up for me! You rejected them all on your own, and now I see why! You wanted to wait until the Lady Rhea passed, which makes me wonder - what part did you play in that?"

"Rhaenyra!" You gasped.

"What? Honestly, it would make sense - the day Daemon's banished, you weren't seen! I wouldn't be shocked if you were seen somewhere lurking in the Vale! You cannot have it all - you've always wanted my life, and now look! You have to have what I have, and now you've taken a liking to my uncle after our scandal! What? He wasn't interesting before? You heard rumors about us and decided you wanted him for yourself? Just because he was mine first? You just want to be me, you always have - you've always reeked of jealousy! This is all you wanted, to steal my family, and - "

"That's enough," Daemon tried. "You are out of turn here, Rhaenyra, do not make this worse."

"Why? Because little Lady Hightower's façade of being a respectable, pure woman is now tarnished?"

"We share one dance, albeit intimate, sit next to each other at a single dinner, shared some conversation, and you now think it's appropriate to call my virtue into question? What of your own, Princess? You just admitted to scandal with Daemon - but I wonder why the service of Moon Tea if your virtue was unimpeachable?" You demanded, feeling defensive on a new level. Even Alicent straightened up at your words.

However, Daemon rushed to add, "With all due respect, Princess, I don't want you, and you can't claim me as your own when you never had me. You might be angry, but it is no use to take it out on my intended, she is of rare stock and breed - she will not be questioned. Nor will my intentions with her."

Rhaenyra snarled, "Yeah? You don't want me? Well, you wanted me enough to try and fuck me at that whorehouse!"

There were gasps and murmurs all around, but Rhaenyra was glaring at you and Daemon, still standing together. His arms actually dropped to hold your waist, keeping you close as he snarled at his niece, "But I didn't. If memory serves right, I walked away!"

"You wanted me!" Rhaenyra raged. "You always were and always will be mine - regardless of the whores you bed in the meantime! And I want you, I am not yet married - "

"Yet I will not be who marries you, I am betrothed to another," Daemon reminded with a venomous tone. "There's nothing you offer that I want, Rhaenyra."

"I am not some inexperienced little girl anymore, I'm a woman grown, and I could do more for you than she ever could!"

"Rhaenyra!" Viserys roared.

Everyone knew she had gone too far and there was no coming back from any this. After a beat, Alicent stepped in as if questioning for the first time, "And yet, sister, you said the Princess was served Moon Tea? If Prince Daemon did not touch the Princess, does this mean she still," she scoffed as if the idea were absurd, "sullied her maidenhood? Before marriage?"

It should be noted that Ser Criston Cole was already gone from the hall at this time. In fact, he lingered just outside a side door, listening, in case his name came up. When Alicent spoke, he straightened up and started the slow trek to the Godswood.

"Ser Lyonel? Do I misunderstand?" Alicent pulled the Hand into the fray.

"Well, that's what that would sound like, Your Grace," he agreed begrudgingly. "Moon Tea is beneficial to prevent unwanted consequences outside of marriage."

"From what I understand, she was served by Grand Maester Mellos himself," you told Ali, minds strung together by a common thread. "The castle likes to gossip, you can learn a lot if you just listen."

"This is..." Viserys seethed, "Unacceptable."

"I'm sorry, Your Grace," you instantly apologized.

"No, no," he deflected, hand held up, "you have a duty to the Realm to flesh out any deception. And this," he directed his glare at his daughter, "is a grand deception that cannot be undone, unknown, covered-up, anymore, Rhaenyra!"

There was a meltdown. Everyone began yelling.

Viserys was enraged. Rhaenyra was desperately trying to plead with her father. Lord Corlys was demanding to know what the hell was about to happen with the impending marriage to "the future Queen". Ser Strong was trying to keep the people from each other's throats.

His sons stood to the side and just let them all fight.

Daemon kept you out of the line of fire, away from the action; sighing as you deflated into his chest. Over it all, Viserys' voice was angriest, and you heard, "You are no daughter of mine! The position you have put me in tonight - I cannot undo this, Rhaenyra! I should have never disinherited Daemon for you, breaking centuries of tradition because I wanted to see your mother in you! You have spat in my face around every bend, but this? This is unforgivable, we will not recover from this and I will no longer endure your insolence!"

"Father, please, let me - "

"No," he snarled, "I have had it with your disresepct the past several years, this is beyond any scale." You blinked up at Daemon, his lips curving down as his hands tightened around your form. And then, Viserys said the words, "I made a mistake naming you my heir. You may marry Ser Laenor, if you so choose to, but after that, you will reside on Driftmark with your husband - you will no longer inherit the Iron Throne after me."

"Father!"

"No," he snapped, "you've exhausted my patience, Rhaenyra!" Viserys roared. "And while Daemon might be unpredictable, the woman he wants to marry is not - and from where I am standing, she will make a far better Queen than you!"

It was quiet as everyone forgot their own selfish woes as father disinherited daughter.

"Your Grace," your father tried to step in, "with respect, why not place your son, Aegon, in line after you?"

"Oh, for the love of the Gods, Otto," Rhaenyra raged, rounding on your father, "give up this campaign, you get all you want and more! Your daughter is Queen now and your other daughter will be Queen after that, aren't you listening? Your grandchildren will still inherit the Throne!"

"That's it," Viserys breathed, needing to hold onto the banquet table for balance as all eyes turned to him again. "It's time to do what I should've done all along. Rhaenyra," he shook his head, "I can no longer have you as my heir, this type of behavior cannot stand. I will give you permission to marry Ser Laenor, and if he chooses not to, I will allow you to reside on Dragonstone until a match is made. Until then," his eyes shifted to where you and Daemon stood, "I name my brother, Prince Daemon Targaryen, as my Heir to the Iron Throne."

"You would not name your son?" Alicent asked in mild disbelief.

"No," Viserys told her, "no, I would see my brother as my heir. Should Aegon prove to live up to his namesake, we can talk about succession again, but I know my brother is capable... And though he might be overly wanting, he will learn patience, because I know the love of a good woman can change a man for the better."

You smiled, feeling emotional for a moment, but Daemon asked for you both, "Brother, do you mean to give your blessing?"

"Of course," he nodded once, "why waste a good wedding tourney? We shall announce on the morrow our new intentions - to crown Daemon as heir and marry him to the Lady Hightower. This matter," he panted, glaring at everyone, "is resolved, I will not hear more. Make the preparations!"

It happened in slow motion. Rhaenyra's rage flared to a temperamental height previously unknown; lunging to seize her father's Valyrian Steel, prophesy-engraved dagger, turn, and charge straight for you as the remaining audience shouted in panic. You felt Daemon try to push you behind him, but instead, your own temper flared and you stepped up to meet Rhaenyra; catching both her arms to hold her at bay.

Daemon was at your flank if you needed him, otherwise, he kept the Kingsguard away from you two - knowing this needed to happen now. Or else something worse would happen later...

"For fuck's sake, Princess! What is this? Jealousy? Huh?" You asked through your tears, struggling to hold your old friend's weight away from you. "What is this jealousy, Nyrie, hmm?"

"Don't call me that," she grit. You just sighed, pushing her back a little but not enough to overpower her; the girl's anger making her stronger than you would've previously guessed. "You've gone too far," she seethed through tears.

“I? What have I done but what was expected of me? Forever upholding the Kingdom, the family, the law. While you flout all to do as you please! Where is duty? Where is sacrifice? It’s trampled under your pretty foot again!"

"You think you finally get my life, huh?" She snarled. "You won't ever be accepted - not as Queen - not as part of this family! You've wanted this all along! Haven't you!?" She struggled against you, hands sweating. "You've always wanted my life, that's why you stuck around! Your mother died - so you tried to take a place in my family, make them yours - and now, look! You're nearly there! Pouncing on my uncle the moment he's widowed!" She snarled, bearing her teeth.

“Exhausting, wasn’t it? Hiding beneath the cloak of your own righteousness. But now they see you as you are, Nyrie," you whispered with a broad smirk.

"You aren't fit to play this part! To have my life! You'll never be accepted as their Princess!"

"I wager I'll do a better job than you ever could," you hissed. "There's not much to live up to, you don't leave a lot of room to fill."

She screamed when Ser Harwin's arms seized around her waist, but the momentum of him pulling her back and Rhaenyra's thrashing cause the Valyrian Steel dagger to slice your forearm. You yelped and reared back amongst the startled gasps and panicked murmurs from the crowd, Daemon catching you. The dagger clattered to the floor as Harwin backed up several paces to keep the belligerent girl at bay. You whimpered quietly at the sting, a pool of blood forming to the side you held your arm at.

"Fuck's sake," Daemon growled, "lemme see, lemme see, my love, c'mere," he winced, looking around before using his own belt to yank free and tourniquet around your lower elbow. "You're bleeding a good bit," he whispered, "you'll need stitches, sweet one."

You pouted at him, wincing again in pain when he tightened the belt.

Around you, the Kingsguard was ordered to escort Rhaenyra to her chambers, and the moment she was marched out of sight, Daemon was warning his brother that she knew about her secret passage door and parts of the tunnels.

Go stand watch," a personal guard was ordered by the King. "Someone go - go find Ser Cole - I want him posted in the Princess' passage, he's trusted to us."

Alicent slunk off to do exactly that, and she'd tell you later that Cole was found only moments from taking his own life. He was overjoyed to hear the King had requested him personally to stand guard for such a sensitive situation.

In the meantime, Lord Corlys Velaryon and his wife, Princess Rhaenys Targaryen, thought it best their son not marry Rhaenyra; now that she had been disowned, she was less appealing. Viserys was free to offer her again later if Laenor was not married in that time and if she showed true change, but after tonight, nobody thought that possible.

Daemon tried helping your wound, your father approaching as he laid a clean cloth over the cut. Your lover tisked, "It's deeper than I thought. We should get this looked at."

"A moment," Otto prevented.

"If it would please you, this is not an injury I'd like to wait to attend to," Daemon sighed, nodding at your bloodied forearm that he held.

"I only meant to say, you have my blessing to marry, my Prince," Otto nodded at him. "Seeing the kindness you show my daughter, I feel... Content knowing she will be loved and cared for."

"Thank you," Daemon nodded.

"Yes, thank you, Father, but we really must be going, this doesn't feel very nice," you rushed to explain, watching him nod and eye your injury with worry.

"This way," He even instructed, a few handmaids rushing forward to help herd you away.

"Doing all right, love?" Daemon muttered as you walked.

"Bit shocked," you admitted.

"I'd say," he mused.

"It burns," you pouted at him.

"We'll get everything tended to, you'll feel better soon," he soothed.

You peaked up at his worried brow, pouted lips, darting eyes; whispering, "You're heir, again, Daemon."

"So it would seem," he deadpanned. "Can we not talk about it now?" He requested quietly, "I only wish to see to this wound of yours."

You nodded, and once in Mellos' chamber, you were left alone with your father - since Daemon was not yet your husband. Otto was silent as your forearm was stitched carefully; the bleeding staunched, herbs stuffed in the wound to prevent pain and promote healing. As you let Mellos wrap you in gauze, you glanced at your father.

"So... Your blessing, is it?"

"He's different with you already," he nodded stiffly. "And after his nieces' display tonight, I can think of no better future Queen."

"I do not wish to talk about future station, Father, but instead, that... That Daemon makes me happy and I am relieved you have given us your blessing. It would've felt very wrong to marry without my father in attendance."

Otto wasn't affectionate in the least bit, but he showed his love by doing his best to understand situations before passing judgement. It created a sense of trust and security between father and daughter. So, he asked earnestly, "And you will overlook what he did with Princess Rhaenyra?"

"He told me of it all the morning after it happened, I've had time to think, and I've had time away from him. I know what I want, Father, and while Viserys has changed history - again - tonight by naming Daemon heir, I know he is the man I want for the rest of my life."

"I see," he nodded. "Then... By all means, I will see this union happen."

"Thank you," you whispered, the Maester tying the gauze. "Thank you, Grand Maester," you spoke calmly.

"Of course, uh, um, Princess."

"I don't think I'll get used to hearing that," you whined, standing off his table. "Will you talk to Daemon for me, Father? I think you need to clear the air... I will not say the King will instill you as Hand again, but if I am to marry the Prince, I will need there to be peace between our families."

He nodded, opening the door for you, "It will be arranged, my daughter..."

As Otto took his leave, Daemon, pacing the hall, approached you. He took hold of your waist, asking, "Are you all right?" You let him hold your injured wrist in a soft grip, viewing the wrappings.

"Yes, Your Grace," you teased, watching his pale face flush.

"Don't start with that."

"Mellos just called me Princess."

"You are," he grinned. "And we will be married in less than a week's time."

"I can hardly wait," you whispered, letting his lips find yours in a searing show of rare public affection.

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lej222 · 10 months ago

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Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot. The list contains spoilers for the newest KR episodes and it keeps being updated.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. That day Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

While Miae leaves for school, their phone suddenly rings and her mom answers it. Miae sees posters about love on her way to school. For the first time, Jisu arives early for cleaning duty.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence.

The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world (so you have to notice and acknowledge the deeper meaning of these coincidences in order to experience synchronicity). Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....One has to be open to the possibility of the connection between our inner world and the outside world, only then they can start to notice the signs the universe is sending them. Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

a little bit of strange wording here:

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Every time Cheol is flustered, he accidentally drinks his sister's coffee and he cannot sleep at night..in a story where dreams are relevant I'm sure this is just a coincidence, right???🧐🙃😏

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. He remarks it's almost like as if some higher power is involved (!!). Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae thinks that for a while she's had a feeling as if something wants to get between her and Cheol, but brushes it off

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

Episode 150

For the first time, Miae says she and Jisu will see each other again sometime. Before this, it was always Jisu who said it and Miae would reply that she didn't want to meet him again.

Miae remembers Jisu transferring, but doesn't know why he singled her out (so she will probably recall more memories later)

As Miae leaves Jisu's house, the car ads are flying in the air around her

Jisu enrolls at the academy and for the first time he says it's not a coincidence

Episode 155

Hwani tells her mother it would be great if they could keep being neighbours with Miae because she's fun. After a pause, Cheol's mother agrees.

Jisu keeps telling Miae she's a "traitor" or "bat" (depending on the translation, meaning she keeps secrets from others like the Yonghui Yunhui situation and the fact that she went to Jisu's house) and she might get into trouble because of that

Episode 156

The narrator directly communicates with Miae again, and informs us about Miae's thoughts. It makes heart-thumping sounds when she's with Jisu just like in previous episodes, but Miae ignores them.

Jisu again says how the coincidences are so fun. He counts to three until the teacher interrupts Miae and Cheol's bickering (similarly to Taekwang in ep 158)

When Jisu tells Miae he'll go out of the room to let her talk with Cheol, Miae thinks she'll talk to him regardless of anyone's interference and we get a close-up of an academy notebook saying 'NO' and a plane flying in the sky.

Episode 158

Flashforward in the episode to a scene with Cheol leaving Miae at the academy while a storm is coming and Miae looks like she's about to cry

An hour earlier in the story the dark clouds are already gathering (I mentioned how rainy weather is always connected to the change in Miae and Cheol's relationship, and how it's usually an ominous sign). After seeing Jisu's flustered face, Cheol tells Miae that he wants to change the lightbulb in her house before she gets hurt. The lights at the academy are highlighted as they keep vibrating. (I also noted how the lights are signs of the supposed higher power, they get their own panels in Miae's room, and they went out 2 times when Miae and Cheol's relationship changed)

After Jisu reveals that Miae was in his house and Cheol gets angry, Miae's pager starts buzzing (again, the pager messages always appear when the higher power wants to communicate with Miae).

Taekwang is an interesting character because the things he says are sometimes connected to the greater theme of the story. Like when he listened to his music and said how Miae cannot choose two things at the same time (come on, it was the foreshadowing for the current conflicts!), he smelled Jisu on Miae (???), Jisu even said he's the one he cannot deal with, and now he was counting the seconds until Miae got another sign. Is he used as a medium? (who knows lol)

Miae wants to check the pager message but the fluorescent lamp(?) breaks. Jisu shields Miae from the shards while they fall on the ground, making it his first successful attempt to save Miae in the story. The pager lands in the corner of the room.

Episode 159

Miae goes to a phone booth to check her messages and it's filled with the car ads so she kicks them away

The first message is a loud noise of a song recording. I personally think if there's a higher power in the story, this message came from it. The other is about Miae's friends telling her they'll visit her at her academy which gives Miae a sense of panic knowing Yonghui and Yunhui might meet.

Miae sees an airplane in the sky and the narration says Miae has a feeling that something is interfering with her and the panels get fuzzy with flashbacks to phone calls earlier in the story (omg this is actually crazy)

It starts raining and we get a glimpse of the last countryside memory we haven't seen yet about Miae running after Cheol at night. In the present, Miae trips just as she did as a kid, but instead of Cheol she meets Tae Uk.

#aslfua #after school lessons for unripe apples #theory #this became so long I feel like dying lol #there's so much work behind this so please be kind and respectful about it #no this is not a post about how Miae and Jisu should end up together #these are my observations about the story and the role of the supernatural entity #it's not a shipping post #sorry for the mistakes #but I'm incredibly tired #These kids are 15 stop arguing about their love lives #Meta

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marudol · 11 months ago

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kabru and the dungeon lords

kabru is a very critical character to dungeon meshi for a thousand and one reasons, and not merely for his status as the point-of-view character in the story's b-plot. kabru represents the compass by which dungeon meshi's world works. he has big-picture motives that involve the entire world, much grander than the original a-plot of "let's save falin."

he is our classic hero, a character who suffered great personal tragedy and must ensure that no one suffers the same fate. as such, he is a great parallel for dungeon meshi's most integral characters:

the dungeon lords themselves.

🚨manga spoilers ahead.🚨

thistle

picture this: you are a child, separate from anyone else in the world who looks like you due to circumstances beyond your control. you are taken by pale-skinned adults who try to treat you well; who clothe you, feed you, and put a roof over your head.

it is not enough.

who am i describing - kabru, or thistle?

kabru-thistle parallels focus on their shared past as trans-racial adoptees. their shared experiences are not a universal one to all trans-racial adoptions in the dungeon meshi universe: the floke twins are treated well by their gnomish foster (grand)parents; allowed to be children while they are children and treated as adults when they are adults.

not all trans-racial adoptees are given the same courtesy. kabru was raised by an elf who infantilized him, even once he was fully-grown. milsiril did not always know what kabru needed from her, so she defaulted to treating him the way she would treat an elf his age rather than understand what his age meant as a tall-man.

by contrast, thistle was raised by tall-men. freinag saw thistle as a son and so he and delgal thought themselves as brothers. but as delgal aged and matured, thistle remained stagnant. eventually, delgal's relative age surpassed thistle's- but no one could even conceive of that, because thistle's numerical age made the tall-men around him treat him as an adult rather than a teenager.

they both feel immense responsibility for the tragedies suffered by their people. kabru explicitly believes there must be a "reason" he survived utaya and that the reason was to destroy the dungeons to ensure it never happened again, and thistle IS the reason the golden country survived their war, and why eodio made it to adulthood all.

kabru and thistle are characters pre- and post-accomplishing their goals. kabru has yet to assume total responsibility; thistle already has.

they must save them- they must protect them all.

[🩵]

marcille

once upon a time, a child lost a parent before they were ready to, and the trajectory of their life changed forever. desperate to understand, the child grew into an adult and dedicated themself to preventing their personal loss from happening to anyone else ever again. as a result, they looked downward into the dungeon's depths.

they will find the answers they seek.

who am i describing- kabru, or marcille?

marcille and kabru stand as important secondary figures to laios, our main protagonist. in the words of another excellent post, they are the heaven foils to laios's earth. where laios is grounded and thinking about the here and now, they have both identified big picture problems plaguing their world and pursue these goals with intense fervor.

however, these goals have been diverted by censorship. marcille cannot access information about historical ancient magic through traditional means and the elves won't tell kabru what happened to utaya's dungeon, so they both decide to go and do something with their own two hands.

entering the dungeon is a step towards their grander goals, which are both rooted in opposition to long-lived supremacy. critically: the solutions they come to are vastly different.

marcille's solution is very fantastical - "fixing" everyone's lifespans by making EVERYONE long-lived (though her original solution seemed to be more grounded; being a lord gave her the chance to indulge in the full fantasy).

on the other hand, kabru wants something more concrete and based in the real world. he wants to use the dungeon as a means to an end before destroying it entirely, whereas marcille wants the dungeon to be the end. hers is a magic idea borne about by escapism, while kabru wants to solve a societal problem with something tangible to improve the lives of the shorter-lived without resorting to the fantastical.

(note the similarity in these compositions!)

kabru and marcille are aiming for the heavens; they have chosen to act as stewards to bring about a better future for as many people as possible.

but eventually, they must crash back down to earth.

[🩵]

mithrun

a long time ago, a dungeon lord met their maker and the demon ate its fill, but failed to breach the surface. carnage and destruction was sown in its wake. in the aftermath, a survivor dedicated himself completely and utterly to the cause with no room for reproach.

the dungeon will be conquered. and if he has it his way, it will be conquered by his hand.

who am i describing- kabru, or mithrun?

if thistle represents kabru's past and marcille represents kabru's present, than mithrun represents one branch of kabru's future- and a rather bleak one.

mithrun has suffered great tragedy at the hands of a dungeon and, as a result, dedicated himself to be what he believes is his one remaining desire: to finally be consumed entirely. he thinks he has nothing else to live for, so he runs himself ragged every single day just to inch closer and closer at a chance to kill himself while pursuing his goal.

this great fervor is one that kabru artificially mimics long before meeting mithrun. kabru is willing to die for his goals. he does die for his goals. he thinks he is going to die without a chance for resurrection when he sabotages the canaries, which is why his 'last' thought is "it's up to you now, laios!"

remember: kabru believes his survival has to serve a purpose- his survival must have been 'worth it.' in order to make his own survival palettable, kabru dedicates himself entirely to the dungeon's destruction without long-lived intervention as a means to avoid repeating utaya's fate. kabru self-deprives, fails to care for himself, and he is constantly killed in pursuit of his goal to conquer the dungeon before people like the canaries can. while kabru has desires, he only indulges in the one that has guided him for over a decade.

functionally, he and mithrun are identical when they first meet.

kabru has purposefully deprived himself of his desires beyond ensuring another utaya doesn't happen again, and mithrun is proof of what happens when you follow that to its logical conclusion. however, over the course of their week together and the final arc of the story, kabru makes the choice to divert from mithrun's fate.

kabru looks into the eye of his ultimate goal, and in the culmination of his arc, ultimately refuses this destiny.

what do you want, kabru? are you hungry, kabru?

kabru indulges. instead of blindly following through the dungeon's destruction and sacrificing what he wants for the greater good, he wants, and he befriends laios instead of ending his life. he leaves mithrun's fate behind...

...and senshi- one of the most steadfast representatives of dungeon meshi's thesis- sets mithrun on a path where he, too, can learn to chase after newer, healthier desires.

[🩵]

laios

one day, a child was hungry for the answer to a question: "what is wrong with me?"

there is no satisfactory answer. a mother and a sister believe nothing is wrong, but everyone else in their small world disagrees. those eyes, that personality- something must be wrong.

but there is no recourse.

so, these children endeavor to focus on the world around them in ways that won't hurt them. one chooses to study and love humans, because humans are beautiful and complex and amazing. the other chooses to study and love monsters, because monsters are easier to understand and always obey one simple rule: eat or be eaten.

they double down on their interests soon enough. monsters have hurt one child enough, and humans can't get enough of hurting the other.

you know which one is kabru. you know which one is laios- dungeon meshi's fabled narrative foils.

laios and kabru are as textually close to being explicit foils as humanly possible. the first sentence of kabru's page of the adventurer's bible says it perfectly: "in every possible way, he's a contrast with laios. laios loves monsters, while kabru has an endless interest in humans" (56).

in basic terms, a foil character is a character with traits that contrast against another's, typically the main protagonist. this contrast serves to highlight the themes of the story, and we see that illustrated perfectly with laios and kabru.

where kabru has denied himself care, laios gives it to him without thinking. where laios believed no one could ever want to be his friend, kabru proves him wrong. the nature of nourishment and human connection are both critical foundations to dungeon meshi's story, and the main character struggling with human connection while his foil struggles with nourishment is no mistake.

kabru wanted to be laios's friend all along. the b-plot of dungeon meshi is driven by kabru's unconscious desire to understand and ultimately aid one inscrutable laios touden. the reason they cross paths at all is because kabru wants to meet him! he takes a chance when toshiro appears and sees his chance through.

but kabru doesn't realize it until he's already said it. he betrays himself, completely unaware that his supposed interest in the touden siblings skews a little more to the right than he could have possibly known.

killing laios would have been the ultimate preventative measure. he was yet to be dungeon lord, and with the canaries intent on handling marcille, kabru could have dealt with him right then on that cliff. but kabru doesn't take the opportunity because he doesn't want to.

he'd rather befriend laios than see him dead, and he takes the chance by the sleeve and doesn't let go until he is listened to.

and in the end, kabru is rewarded for his leap of faith: laios puts an end to the demon. laios has ensured that another utaya will never happen again.

laios saves the world.

all because kabru allowed himself to be selfish.

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unintentionalseductress · 9 months ago

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When The Snow Melts

Warnings: MDNI, soft sex, virginity loss, angst, and some spoilers for those who aren't familiar with Zayne's lore. A/n: Curiosity got the best of me. I wasn't playing LaDS when the Master of Fate card came out so I went to YouTube and immediately regretted it. Like can this man not catch a break? He sacrifices himself again? I couldn't leave it, so this me, correcting the wrong. A fix-it fic if you will. Because I need Zayne to win, at least once. Also, since Zayne appears according to how MC perceives him, I do believe he will have aged exactly as she has.

The night is bright, and the small cobbled lane you walk on is lit with lamps. The streets are bustling with life. The feeling of excitement, togetherness, and aromatic food graces the air as you wander closer to the town square. Another festival, similar, yet not similar, to the countless ones you’ve seen with your keen eyes.

You’d wanted to be in company, maybe see the world when you were young, and the curse that was also a blessing was granted. Your body, now wispy and weathered from the years spent wandering cannot move as quickly as you used to, the ever-reminding aches in your joints, the beginning of arthritis weighing down in your bones. Yet you still had a zest for life. Because what else could you do but seek, and take in everything that life had to offer? How could you not? Because it was the grace of the god that allowed it and the terrible price that was paid for you to experience it.

It had been decades since you had last seen the god. You had traversed as far as you could, carrying your umbrella with the everlasting snow coating it like wool on a freshly birthed lamb. The things you had witnessed! Ships with sails as tall as oak trees, strangely flavored meats and delectable sweets, festivals where people had danced, music from instruments brought in from faraway strange lands. You had eaten, traveled, danced, and sung, picking up small jobs to afford simple pleasures. You were a quick learner. Once you were a seamstress helping a small garment shop, another time a jewel polisher. You had even worked as an errand maid for an elderly couple who were profuse with their thanks and offered you a roof over your head for a short while. But staying in one place wasn’t an option. You had to keep looking after all. How else would you find him again?

As your feet carried you into the square, a burst of light and color filled your vision. It’s so lively, as the people flock to the different food carts, admiring the small handicraft booths, and singing folk songs well known to all those who grew up in this region. Children joyfully chased each other, dressed warmly in bright clothes. A hint of winter was already in the air. Based on what you had observed, this festival was celebrating the end of the harvest season, probably one of the last for this year until the harsh snowfall of winter faded. The breeze, not quite chilly enough to make you shiver, felt comforting on your face.

You supposed you could work as a midwife again. Midwifery was good work, reliable since winter did not stop the delivery of children into the world. It could also guarantee a place to stay if you played your cards right, though you hated staying in one place. The nomadic lifestyle you had adopted suited you. And the winters made you nostalgic.

It made you long for those days before you had picked up this umbrella and set off to see the world. Of amber eyes flecked with green, like the jars of whiskey at the inns when the early morning sunlight brushes against them, bringing forth colors hidden in the dark glass. Or of soft hands, covered in scars, and whispers in your ear of sleep, of priestesses calling gods down to earth to make love to them. Sometimes the memories consume you to the point of anger. How dare he leave you? With no explanation as to what his blessing was.

You vaguely recall those days, back when your fingers weren’t gnarled and wrinkled, your face unblemished by the years in the sun. All spells have limitations, he had said. But he also said he had taken care to make the spell extra strong since you were particularly clumsy. The snow had to melt sometime…didn’t it?

A drum begins to pound in the distance, and the crowd gathers around the stage that had been set up at the far end of the square. You halt at one of the carts to buy some fried chicken skewers. The vendor looks curiously at your umbrella, something you have grown accustomed to over the years. After all, snow that doesn’t melt was bound to bring questions. You had woven a different story for each city you had passed through, sometimes recycling them when you didn’t have the creativity to spin a new one. Initially hesitant to reveal how the umbrella with the everlasting snow had come into your possession, you had tried to pass it off as a novelty accessory, crafting tales of snowy mountains and how it was all the rage in those areas.

As the years passed by, your tongue had loosened. Or perhaps the indignation of him disappearing had made you reckless. Although you still hadn’t said the full story, you’d managed to finally say it was a blessing from a god, shocking the non-believers by letting them touch the snow, their gasps of awe as the cold, wet, powder clung to their fingers falling satisfyingly on your ears. Tonight, however, you were in no mood to entertain strangers. You smile politely as you hand over your coins to the vendor, take the food, and walk away towards the stage.

The sounds of a flute and an erhu accompany the drum. Elaborately dressed dancers are swirling in coordinated grace on the stage, enacting a scene from an old tale; the common man sending off the goddess of harvest, thanking her for her blessings that year, and praying to the god of winter, that he be merciful to them and allow them to live to see another spring.

You were skeptical if these rituals really worked. The first autumn after you had been gifted the umbrella when the air started to show signs of change, you had danced, danced amongst the trees that were close to shedding their vividly colored leaves of red, mustard, and yellow. You had prayed your heart out, prayed so hard, danced so long that the soles of your shoes had almost worn out. You had danced till you had collapsed with exhaustion, falling asleep on the leafy floor. You had been so sure that it would work, that he would show himself, and when you awoke, it was with a heartrending pang that you realized you were alone. It hadn’t worked. Wherever he was, the god of the snow wasn’t visible to your eyes. It was the first time you had allowed yourself to cry in all those months. Had he really believed this was the better choice? That to leave you behind without telling you what was going to happen to him would make you happier? That was the worst part; not knowing if he was alive, existing somewhere you couldn’t journey to, or if he had given all his power into making the snow that had fueled your existence, and lost himself with it.

The music becomes faster and the dancers move until the stage is a blur of color. The audience claps as their movements become sharp, with an artistic precision that only years of practice could hone. The last note quavers from the flute and rises into the night air. Cheers and whistles erupt all around you. It was a beautiful performance no doubt, but despite finding it captivating, it also left you feeling hollow. Finishing the last of your fried chicken, you begin to wander amongst the townspeople, enquiring about work that could be had for the winter.

By the time the square had cleared up, and the last of the festival-goers had returned home, you had secured a job; a bakery was in desperate need of an extra set of hands. The pay wasn’t much but the woman had offered food and board and you had accepted graciously. As you sit on the stone steps of your latest lodgings, you gaze at the moon.

You want to not blame him, to not feel this heavy weight that you’ve carried inside your chest. You know you should be grateful for his sacrifice which enabled you to see so much of the world, and at the least, you weren’t alone. The incident with the people in your village was a distant memory, replaced with so many more pleasant rememberings. Plucking apples from an orchard with trees growing as far as the eyes could see. The feeling of a newborn baby, screaming with the rage of life and the mother wiping tears of joy while offering you her thanks. The herbalist with his toothless smile as he showed you which plants were medicinal and which were poison as you plucked various flowers and leaves and dug the earth for rhizomes of turmeric and ginger.

You were a well-traveled woman, knowledgeable in all aspects, a rare luxury during this time, you knew. Yet for each memory that stayed clearly in your mind, there was a sense of loss. Everything tied back to him, and you couldn’t bring yourself to forget him, even in your old age, and even with the passage of time.

The spicy bun the baker had offered you was good. You savored its flavor on your tongue, naming the constellations visible in the sky as you did so, the short astronomy lesson from a young scholar in some past time proving useful. It must be close to midnight based on how still the night is, the whispering rustle of dead leaves as they skitter across the ground audible in the background. With a sigh, you carefully get to your feet, your joints creaking as you rise. As you reach for your umbrella, you pause, fingertips hovering over the handle.

Surely you were imagining it? It must be a trick of the moonlight. The last of the lamps were dying, the faint light casting shadows across the walls of the dwellings. Yet your aged eyes couldn’t shake off the feeling. You stare intently at the umbrella, more so, at the snow perched on its upper slope. A fine sheen of condensation coated the umbrella, surrounding the powdery snow. Had you somehow gotten the umbrella wet? You kneel, observing with fascination as some of the condensation gathers, becoming fat droplets of precipitation, and rolling off the sides.

You’re awestruck. In all your years, the snow had never melted. It had never lessened nor increased but always stayed the same. But now you can see how the powder was turning watery, steadily dripping down into the cold ground. You trace a fingertip on the trails of moisture along the sides of the umbrella, and that’s when you hear it; the unmistakable twang of a guqin.

You had never encountered a guqin again, not since the night he had played one while you danced for him. The unmistakable notes now begin to form a melody. You look out into the empty street and see nothing. But the song was filling your body like the warmth of a fireplace. Your limbs involuntarily stretch out as your eyes close, remembering the movements you had learned so long ago and sworn to never repeat after the failed attempt to call down the god. Your legs feel unsteady, your hands clumsy, a far cry from the controlled accuracy of the stage dancers. Your joints begin to sear as you move, unable to stop the actions. Oh how sweetly the instrument sang to you!

There’s a sharp pain in your heart, not from the ache of moving your tired extremities, but from the grief bottled up, adding on year after year. There’s resentment, but underneath it all, there’s a strong yearning you’re unable to put into words. How do you describe it? The loss of the only person who seemed to understand you, who helped you control your power?

You knew he did something when he placed his spell because, since that day, you hadn’t been able to harness your powers ever again. He had ensured you could live your life as a normal human being. Before knowing him you would have done anything to not have the power. But the cost that came with it was too much to bear. You weren’t alone, yet you were alone. So of all the days, why was the guqin playing now?

Tears roll down your cheeks as you dance, letting loose your sorrow to the crisp night breeze. You feel like each nerve in your body is frayed, all consumed with the bits of memories you had of him. It takes you a moment to realize you’re not dancing anymore. The guqin has stopped playing. You’re standing in a pose, your head lowered, facing the steps you had been sitting on, and the umbrella leaning against them. Shock passes through you.

The umbrella was completely devoid of snow. The only evidence it was there was the puddle of water that had gathered beneath it, muddying the grass.

“Why are you so surprised?”

Your heart skips a beat, then begins to hammer in your chest like a frantic bird trapped in a cage. The deep baritone voice tinged with a hint of sarcasm calls out to you gently. You can’t seem to be able to move.

“It can’t be.” You murmur, gripping your elbows, trying to calm yourself. “It can’t be. I’m dreaming.”

“What are dreams if not another reality?”

It takes all the effort in your body to not collapse to the ground as a sobbing mess. You turn slowly, as though giving the voice a chance to admit it was a figment of your imagination but it doesn’t happen. Your breath catches in your throat as you see him, at last.

His dark hair has tinges of gray in it, and crow’s feet are visible near the corners of his eyes, but the gentle upwards curve of his lips, the broad shoulders, and his pointed chin are all recognizably familiar.

“Zayne?” You let his name fall from your lips, sounding like a strange word, lost to your vocabulary from the years of disuse.

He nods, then stretches out a hand to you. At first, you’re at a loss about what you should do, then, with as much speed as your wizened knees allow, you run to him. He’s solid and grounding, his arms wrapping around you tightly. A brief lick of rage crosses through you, but when you open your mouth to let loose your diatribe, all that comes out is a sob. Your tears flow freely, staining his robes, and you feel his gloved hands gently combing through your hair.

“I’m so sorry,” he murmurs, his chin resting on top of your head.

“Why not tell me?” Your words are choked, your body shivering as you cry.

Zayne leads you to the steps and helps you sit before occupying the space next to you. He leans you against him, your head resting comfortably on his shoulder as he takes one of your hands between both of his. He sighs deeply and his voice, though calm, is filled with regret as he speaks.

“How could I tell you? What would I have said? How do you tell someone special to you that their life was in danger?”

You blink back tears. “Danger?”

“There was a powerful entity after you. I did what I needed to do to protect you.”

“Why was it after me?”

Zayne pauses, as though considering how to word his response. “It was convinced you would bring about a cataclysm, and the only way to prevent it was to take your life.”

“But… I don’t understand. How did your spell prevent this? Now that it’s worn off, won’t it come after me again?”

“No.” Zayne wraps his arms around you, his body bringing warmth into yours. “Even cataclysms go away if given enough time. But the harder part was figuring out how to suppress your abilities until that time passed.” He sighs deeply, gathering you close. “The spell on the umbrella was the only solution I could think of, without restricting your freedom. Regrettably, sealing your power meant taking away your ability to perceive me. I never intended to make it permanent.”

“Why not tell me?” You repeat the question. Zayne raises an eyebrow.

“If I had told you the spell would wear off, would you have left the mountain?” He brushes your cheek with his thumb as he takes in your face, his eyes softening as he looks at you. “I know you. You would have spent all these years in isolation, waiting for me. I didn’t want you to miss the opportunity to live. A normal life seemed like the best option I could give you until enough time had passed.”

You’re silent as you let his words sink into you. After a gap, you whisper, “I missed you.”

“I missed you too.” His thumb caresses each of your fingertips in turn. “But know that I watched over you every day. I saw the world through your eyes and felt your sense of wonderment in my heart. The day you danced so hard for me that you almost fainted from exhaustion-” Zayne draws in a breath and his voice quivers as he continues. “I was in tears. I wanted nothing more than to reach out and comfort you. I was there, separated by a veil, but I felt your pain.”

“That was the year the frost came early.” You recall the memory.

“Indeed. I couldn’t control my grief. I didn’t know how else to let you know I was there, except to cover the world with snow.”

You glance over at the umbrella. “Will you disappear again?”

“Not unless you want me to.” One of his large hands rests on your knee. “I understand I’ve angered you by acting without telling you everything. Is it enough that you don’t want me around?”

You shake your head no. Your momentary anger with him had faded, like the night giving way to the sunrise. “There’s nothing that could keep me from wanting you. I made many acquaintances throughout my life, but the one person’s companionship I yearned for was yours.”

“My beloved snowflake.” Zayne embraces you tenderly. “It was fate that led you to me on the mountain that day. And It was fate that finally broke the spell. We’re all bound by it, even me.”

“Are you?”

“Yes. Otherwise, do you think I would have kept you sealed for so long? Even gods must play by fate’s rules.”

Silence falls between you both, the breeze ruffling your clothes. You become acutely aware that he’s gazing at you, and when you turn to look at him, there’s such tenderness in his eyes that it makes you blush, even at this age.

“You’re beautiful,” he utters, tucking strands of stray hair behind your ears. The amber in his eyes glows as you stare back, captivated by how handsome he is. Your memory didn’t do him justice. You cup his cheek.

“Is this our happily ever after?”

“It can be if we choose it to be.”

“I do. Wholeheartedly.”

Sparks fly between you and almost as if the both of you are following a rhythm, your lips find each other in the darkness. It’s odd because, in the passing years, you hadn’t imagined what his lips would feel like against yours. You had fantasized about lying next to him, listening to his heartbeat, about taking long, leisurely strolls while holding hands, and about the possibility of letting him rest on your lap while you played with his thick locks of hair.

Now you’re glad you hadn’t tried to imagine it because the reality was sweeter than any dream you could have conjured, the warmth and softness of his mouth, the taste of his tongue as it slips past your lips, the possessiveness in his grip as he molds your body against his, as though silently claiming you. There wasn’t an inch of you that didn’t ache for him. When he pulls away, there’s desire flickering in the depths of his eyes.

Wordlessly, you take his hands and get to your feet, quietly pulling him inside your new quarters. You’re careful to not wake the baker; it was quite improper to invite a man into your room, but you didn’t care. You lock the door and allow Zayne to sweep you away.

Clothes slide to the floor, a whisper lost to the dark. There’s no shame as you reach for each other, hands relishing the feeling of skin, enjoying the contact between your bodies as he gently pulls you onto the bed. His lips leave trailing kisses on your skin, no longer supple like the young woman you once were, but worthy of being worshipped irrespective. You wonder if this moment would have felt different if you had consummated this relationship when you were younger but realized you had little choice in it. If the Master of Fate couldn’t control when things happened, then what good was it to think about what could have been?

Instead, you focus on him, on his skin flushed with vitality as you nibble his ear, shyly running your tongue down his neck. He suckles at your nipple, and pleasure, unlike anything you’ve ever experienced radiates into every part of your being. You feel his erection graze your belly as he patiently kisses you, moaning into his mouth as his fingers stroke your sex, finding the little knot of nerves that makes you close your eyes in ecstasy.

It’s all slow and unhurried, and when you finally gasp out your climax, he eases his body into yours. There’s pain, but only for the briefest moment, then as your body stretches around him, you feel a powerful sense of intimacy as he thrusts, his movements passionate and loving. He gathers you tightly against him whispering the same thing over and over as he empties himself.

“I love you. I love you I love you I love you.”

A weak ray of sunlight peeks through the window when you wake up, and you panic for a moment when you see the bed is empty.

“I’m here my love.” Zayne’s voice immediately reassures you and you see him stoking the fireplace. The small flames crackle merrily as he makes his way back to bed, pulling you against him and stroking your skin. It had snowed overnight, and the landscape was now unrecognizable, covered in a fresh coat of it.

“It appears grief isn’t the only thing that can cause the god of winter to make it snow,” you tease and Zayne good-naturedly smirks at you.

“Indeed. All thanks to you.”

You giggle, a soft sound that fills him with joy.

“I suppose we’re stuck in this village until winter ends. Makes no sense to wander for now.”

“Agreed. I suppose I can set up shop as a fortune-teller, or maybe as a herbalist.”

“We’ll decide what to do when spring comes.” You settle against his chest, finding comfort in the scent of his skin.

“The snow has to melt sometime. But we’ll survive. Together.”

“Together.” You agree, and lay your lips over his.

@theimmortalbuns @otomegamesforlife @sweets-kozume @supernaturalbaesduh @ladyparamount

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dyemelikeasunset · 2 months ago

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watched Sinners and I need every diaspora Asian to watch it and understand the role Grace and her family play (Not Spoiler Free)

there is so much here about how our anger and grief cannot be wielded irresponsibly, how when we're invited into an oppressed space, we HAVE to prioritize solidarity over our kneejerk reactions or it will endanger everyone and leave our children as orphans with no guidance

the movie showed a very respectful depiction of the role Chinese people played in the deep south during Jim Crow. Both the good and the bad. It's a very important reminder of how we need to look to the future and fix the problems of the past

Grace's fury and grief was understandable-- it's likely she came to the US with only her husband. Losing him isolates her and strips her of any remaining ties to her culture and her home. And then to be targeted by yellow fever? Infuriating

But it's important to remember that SHE endangered her husband bc she wanted to leave. She wanted to escape the danger that the Black members of the community were facing. She wanted to walk away and rejoin whiteness-- that decision killed Bo

Grace's story hits home because it reminds me of all the pain and sacrifices and mistakes and flaws of my parents. All the things they did right and all the things they did wrong. She's a very needed character for the Asian diaspora right now. We need a hard look at ourselves

#text heavy #sinners

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mapoeggplant · 8 days ago

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skip to loafer chapter 72 analysis // spoilers

“who shall be the one to mend this lonely soul?”: the counterpoint and similarities between the dreamer and the desolate and how to move forward even with the feeling that there is nowhere to belong.

when i opened comic days, i confess that kanechika was the last person i was expecting to see. so much so that, thanks to this confusion, i first thought that the chapter would take a completely opposite direction to what i was expecting, which was the school play. but i soon understood what sensei was trying to do and the overlap she chose for this very important moment.

it’s not new for sensei to intersperse two stories into one in order to develop one character or the other (or both) a little more. this mix of elements brings more life and support to the narrative, since the character is able to open up more when faced with something that is opposite or complementary to them. and here i believe that sensei decided to combine the two forms and gave kanechika the role of being the opposite and, at the same time, the complement to shima.

kanechika has always had a huge passion for cinema and theater. this has been evident since the first time he showed his homemade movies to his insistence that shima join the theater club. but, something that hasn't been explored in depth yet is the loneliness that comes with this passion. not everyone around you will always grow up having the same interests as you or feeling them to the same intensity. sometimes, especially for a child, it’s much easier to ignore the “different boy” than to try to understand what this cinema that he likes so much is all about.

but, even though he felt alone and couldn't really fit in with people his own age, something inside kanechika encouraged him to keep going, to try, until he found people who shared his passion or came face to face with something he had brought to life, understanding that everything he had gone through had led him there. seeing shima blossom on stage not only brought him a sense of pride for the kouhai he held in such high regard, but also the idea that he was indeed on the right path and that there were people in the world who were able to listen to what he had to say and who were able to consume his art.

this insistence on what he loved, even if it hurted you, is the opposite of shima. the realization that your tastes, desires and dreams are valid and that you have the right to feel them would be the complement.

shima finally took the stage dressed as the monster he had always believed himself to be. and this becomes even more vivid considering the moments in the play that sensei thought were important to highlight, such as the monster's understanding of his loneliness, the forced isolation imposed on him and the understanding that the person closest to you, such as the one who raised you, will not always be responsible for curing the persistent pain of not belonging.

while kanechika sees his passion for theater shine with his own eyes, shima stands against the world. even though it is not him himself standing on stage, it is not his words but those of the monster, shima finally stands up to face everything that he swore was much greater than he could handle.

and, in contrast to everything, we have his own victor frankenstein waiting on the other side, with teary eyes and the fear of trying, once again, to connect with the monster. a mother drowning in the open wound sees, for the first time, her son blossom and live for himself, live for his ideals and passions, face his fears and move forward. her creation that she herself could not fix, the soul so sad.

however, next to her, there is someone who has the courage to say out loud what she so desperately wants: yuki does have the right to try one more time, to be honest with her son and listen to him with all her heart, to try not to rebuild something that is broken, but to forgive what cannot be undone and start over something that they can both build together, side by side, mother and son. she sees the child she raised forcing himself to be an adult from a very young age, giving him the chance to be young for the first time, to try to take control of what hurt him so much. why not try again, in a new play this time?

for the first time in years, they look into each other's eyes, completely raw, ready to face this new unknown. for the first time, she allows herself to praise her son, something she was so afraid of doing, with a great fear of putting an enormous pressure on his shoulders once again. and he allows himself to accept the hand that his mother extends, letting himself dive into this vulnerability that the monster gave him. not only that, but he also now shows a new interest in this family that was given to him, an enormous desire to belong, to be the older brother that his little brother admires so much, to be able to be someone who has frank conversations with his stepfather. shima and yuki are, for the first time, experiencing what could be a complete family.

and in the midst of so many new beginnings, endings, goodbyes and new days to be lived, there is that one girl, who still waits for him in the same hallway, emanating the same light that welcomes him so much. letting himself be carried away by the feeling and embracing mitsumi once and for all is another step that shima takes in his favor, another step that he allows himself to take to finally be able to walk side by side with this person that he admires so much and finds so special. falling apart in her arms, not so that she can pick him up and rebuild him, but so that he can show her every little piece of himself.

the monster found not only someone who could mend his oh so lonely soul, but someone who would give him the strength to fight alone and for himself. mitsumi isn’t the saviour nor needs to be saved: she’s the light that guides him to find his own path and our courage. it was she who showed him how beautiful it is to be true to yourself and now that he has finally embodied this monster that haunts him so much, he can give himself the chance to walk side by side with her towards a new future.

how beautiful it is to be able to read such an incredible story about taking a chance on yourself and loving without regrets. we’re once again being able to experience another beautiful chapter and for that i’m so grateful.

before we go, can we also appreciate kanechika's shirt when he was a kid? he once wore a shirt with monsters on it only to later see a monster on stage. what a comeback, huh?

thank you so much for reading and sorry for any gramatical mistakes 💛! please support sensei if you can! we will be on break next month thanks to the release of vol 12. excited to see what comes next!!!!!

#duckmetas #skip to loafer spoilers #skip and loafer spoilers #skip to loafer #skip and loafer #stl spoilers #skip to loafer chapter 72 #I almost went crazy with this chapter #when I say crazy I mean crazier #god I love this manga so f much

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allbark-no-bite · 11 months ago

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call it brotherhood (not love).

jake seresin x reader (wc: 6.2k)

summary: jake meets his match in a soldier rather than a sailor. you’re a bit more war torn than he expected, but it’s okay because maybe he is too

warnings: 18+ smut, * graphic descriptions of injuries and death ⚠️

* if you are uncomfortable with this, please don’t read

author’s note: spoiler alert, i know this isn’t the Jake fic that you’ve all been wanting but i swear that one is in the works. i’m about to go back to school and wanted to get this out there for y’all :) (ps i apologize for the lazy ending)

————————————————————————

"At ease, gentlemen —And woman," Admiral Simpson adds after a moment, shooting an uncharacteristically apprehensive look in Phoenix's direction. Payback snorts at his hasty correction, and Jake is surprised when the admiral doesn't fix him with a nasty look.

If the man's cursory show of inclusion perturbs the female pilot, she doesn't show it, and instead she takes a seat with all the rest of them. Jake turns back towards the front of the ready room, sinking down into his chair just a bit, toothpick clenched between his teeth as he waits for the admiral to address them.

However routine, this training meeting was a bit out of left field, especially for a Sunday afternoon. The Dagger squad typically had one weekly, but it was usually led by Maverick and much more informal. That wasn't to say that seeing Beau was surprising, but the man usually steered clear of the wayward captain and left him to his own devices when it came to training the Daggers.

Today the captain sits in the ready room beside the rest of the pilots. Jake watches as Bradley sends his godfather an inquisitive brow from across the room, to which the older man just shrugs. Interesting.

Cyclone clears his throat. "Good afternoon. I apologize for keeping you all, but I promise this will only take a minute of your time. As I'm sure you are all aware, the United States Department of Defense takes immense pride in maintaining one of the most well integrated military forces in the world. It's our job to work closely with other service members to ensure their safety and the safety of our nation." He pauses. "As experienced as you all are, your time here at Topgun has not reflected that."

Jake's brow furrows, his tongue worrying at the toothpick clenched between his teeth as he listens to the admiral go on. Javy shoots him a look but Jake stares ahead, waiting for Beau to continue.

"The permanent installment of your squad here at Miramar was to create a tightly knit group of elite fighter pilots who would be available at a moment's notice, and however successful that may have been, I cannot neglect the fact that comfort builds complacency. Later today, a squad of U.S. Army soldiers will be arriving to aide in your training for the next six weeks. The integration of mixed branch training units has been widely effective around the country, and it's about time we do the same here at Miramar."

With that, the screen positioned on the wall behind him lights up, displaying enlarged headshots of about eight soldiers. The first seven are males of varying ages, but none older than probably thirty. Jake quickly skims over their names and credentials, but when he gets to the last profile, his eyes stop.

The last solider is the only female projected on the screen, but even so she stands out as compared to all the other members of her squad. He can't quite put his finger on why though.

She's uncharacteristically pretty. And by that he means that to most, her appearance would be inherently off putting— even without the straight-mouthed scowl on her face. She's got a square, almost masculine like jawline that hardens her features considerably. Her hair is light, worn from spending too much time in the sun regardless of however dark it may have been naturally. The same goes for her skin, which is comparably bronze in contrast to the tan line on her forehead, he would assume from wearing a patrol cap out in the field.

Her eyes are wild.

And that's when it hits him.

She'd been all over the news just a few months ago. Something about a patrol gone wrong out in the Middle East, which ultimately turned into a high stakes rescue mission to extract the surviving soldiers. They went in hoping to bring back nine men and came out with one. Apparently they didn't even get to recover the bodies.

Jake can't imagine what that'll do to a person.

Before he can stare at her profile any longer, Cyclone quickly clicks off the projection and the image disappears. This time he appears almost nervous as he stares back at them. "These soldiers are recently returning from a deployment in the Middle East, so I trust that you all will do your best to make them feel welcome. If none of you have any questions, that is all. You're dismissed."

---

The following morning, the Jake receives word from Maverick that the Admiral wants to see him in his office. It's not a strange request but certainly raises Jake's attention as to why specifically he was needed.

Upon entering the room, Jake finds not only the Admiral but Maverick and another female that he's yet to have seen before. All heads turn towards him when he enters, as if he were interrupting something. Immediately, Jake snaps to attention, his heels clicking together and his fingers brushing his brow with a sharpness that would make the academy proud.

Cyclone nods in his direction, acknowledging Jake's customary greeting and dismissing him with the notion. "Lt. Seresin," he begins, gesturing to the female standing across the room. "This is Lt. (L/n). She's uh—a member of the squad that I briefed you on yesterday."

He hadn't noticed that she was wearing Army OCPs but he connects the dots as soon as the admiral mentions her name. He remembers reading it on the projector during the meeting.

Rather than introducing herself, the soldier stands rigidly across from him, her arms folded in front of her chest with a look on her face that Jake can only describe as fucking pissed. Unsure of what to do but aware from personal experience with Phoenix that he shouldn't try to cross any unknown boundaries, Jake settles for offering her a respectful nod. She glares back at him.

"You're two of our only service members with active combat experience," Cyclone continues, obviously ignoring the girl's crossed disposition. "I'm hoping that you and Lt. (L/n) can find some common ground. Perhaps it would do you both some good to—"

"Respectfully, sir, if I wanted to vent to someone about my feelings, I'd go see a shrink," the woman growls. "I recommend you do the same, Lt. Seresin." Her tone makes Jake's brow raise slightly in surprise. No one talks to an admiral like that, not even Pete Mitchell.

"Lt. (L/n)," Cyclone snaps. "That's quite enough."

This time, she rolls her eyes with a scoff. "You can't just—"

"Get out."

She clamps her jaw shut but doesn't budge from where her feet are planted in the ground.

"I said, Get. Out," Cyclone reiterates.

The eyes that had caught Jake's attention in the first place fix the admiral with a chilling stare. To Jake, there's something familiar in those eyes. Some sort of unmistakably justifiable rage that runs deeper than just being dismissed from the conversation. Jake watches, his breath stalled as she sets her jaw, unwilling to move, when it hits him. Identical jawlines and untwitching scowls mirror each other.

The illegitimate child of Admiral Beau Simpson stands before him.

He doesn't know how he didn't see it before, granted they don't share a last name, but Jake was aware that the Admiral was divorced, had been for a while. Allegedly he wasn't the marrying type. Jake isn't surprised by the statement. Beau Simpson is a hard man to deal with.

Jake watches in silence as the girl ultimately releases an irritated huff and storms out of the office, slamming the door behind her. He can hear the loud, petulant stomp of her boots as she retreats down the hall. Evidently her looks weren't the only thing that she got from her dad. She had a temper that rivaled even Bradshaw's.

The clearing of the Admiral's throat removes Jake's eyes from the door. "I hope you can forgive my daughter's behavior. Her return to the states has been...difficult."

"I'm sure difficult is the way she would describe you too sir," Maverick jokes.

Cyclone fixes him with a perturbed glare but decidedly ignores his comment in favor of addressing Jake. "Lt. (L/n)'s squadron was ambushed six months ago. Just about everything that could have gone wrong went wrong and she was the only survivor. As her father, I wanted her to accept the Purple Heart and retire." He gestures flippantly towards the door. "Obviously that's not what she did."

Jake speaks for the first time since he entered the room. "Respectfully, sir, I don't blame her. I'm taking this career to the grave. I'm sure both your daughter and Captain Mitchell can agree," he adds glancing over at his instructor.

Before Maverick can voice his agreement, the admiral cuts him off.

"As I'm sure Captain Mitchell can attest to, as her father, I'm just trying to look out for her."

With his preexisting connection to Rooster, the godson that he would risk his career to protect, Maverick has no room to disagree with the admiral. For once, the captain, who usually always has something to say, stands with his palms folded behind his back and keeps his mouth shut.

"As I was saying," Cyclone continues, taking a seat behind his desk and kicking back as if to signal that he's won the conversation. "It is my hope that given your own—" the admiral hesitates for just a moment too long for Jake's liking "—personal experience, you'll be able to get through to her."

Jake swallows and hopes that he doesn't look as uneasy as the insinuation makes him feel. He has to take a moment to reassure himself that the psych unit has repeatedly cleared him for duty and that no one's threatening to take his wings away.

The nights that he wakes up, drenched in sweat, with his fingers wrapped around imaginary joysticks hard enough to make his palms bleed are few and far in between these days. And even those he's gotten good enough at faking like they don't bother him because he hasn't failed a psych evaluation in months.

It doesn't mean he likes to talk about it or that he won't hear the fear in Rooster's voice if he does.

But he's more scared of not flying than anything, so all Jake does is nod and offer a dry, "I'll do my best, sir."

———

PTSD or modern day shell-shock is what they like to call it. You call it waiting on the other shoe to drop.

Because there is always another shoe.

The slam of a beer bottle down on the bar top lights your nerves up like nothing else. It sends your heart straight to your stomach and makes your palms sweat like when you miss a step on the stairs and for a split second, you think you're going to die. You never do of course, but your body is hard wired that way to keep you alive.

There's a flaw in your system that hasn't been right since the east.

You knew that a popular naval bar on a Friday night wasn't the best place for you these days but your nerves had been yearning for an ice cold beer and fuck all if you weren't going to get one. The alcohol would soothe your nerves anyhow.

But after thirty minutes of waiting on said beer, you were beginning to lose your patience. Normally you weren't bothered by that kind of thing. The place was obviously busy and the lone woman behind the bar was doing her best to satisfy the flock of servicemen that only seemed to accumulate with every beer that she handed out.

Just when you're about to give up and leave, a large hand covers your lower back, pressing you forwards through the crowd and toward the bar top.

"Two more on me, please, Penny."

The voice belongs to the tall man standing behind you. He's removed his firm, but respectfully placed palm from your back and is now leaning over you to accept the two dripping bottles of beer. It doesn't take you long to recognize the green of his eyes from a few days prior.

"My dad didn't put you up to this did he?" you ask, somewhat reluctantly taking the bottle that he offers you. It's finger numbing cold, just how you like it.

He kind of just slowly smiles and shakes his head.

Immediately you feel like a jerk. You sigh, dropping your shoulders and smile softly back. "Sorry. That was rude."

"No, ma'am, he didn't. Just had to find out if you smiled like that all the time."

The part of you that's a little bit of a bitch makes you clench your teeth together, tightening the smile that was once spread across your lips. "I'm not looking for that kind of thing right now," is all you say.

You want to tell him that you used to not be so mean.

At the realization that his words had the exact opposite effect of what he was going for, the guy graciously extends his hand. "Look I don't mean to bother you, I just wanted to say hi."

Despite not being keen on his advances, you aren't going to be rude so you accept his outstretched hand. You're surprised by his gentleness. It's not the rough, over-masculine shake you are expecting.

"Lieutenant (Y/n) (L/n)."

"I know your name," he admits with a light, almost embarrassed laugh. "I think everybody in here knows your name."

Your skin prickles. You stare at him stoney faced, bracing yourself for what's going to come out of his mouth. "Why's that?"

The guy—Lt. Seresin—you're remembering, shrugs. "I mean, you're quite the story back here in the states. A bit of a ghost story, I must say."

Ghost story is right. Because who survives that? How the fuck does a twenty-two year old girl survive an outnumbered ambush and not eight men with years of experience? Not someone who deserves to be called a hero, that's for sure.

You're trying your best to keep your cool with him. You know that you're in a public space and he's just being friendly. You used to be so good at this kind of thing, the flirting and small talk.

The thought occurs to you that maybe this is what you need. Maybe this will make you feel normal again. You need to feel normal again.

Maybe that is why you let him lean in closer, buy you another drink when yours runs dry, and another one after that. Maybe that is why you make an effort to laugh when he does, and you close your eyes when he reaches out to tuck a strand of hair behind your ear.

You let out the breath that's been tightening your ribcage and do your best to smile. "Thank you for the beer. You didn't have to do that." You hope the words sound as genuine as they're intended to.

He smiles back like he's supposed to, all polite and inherently forgiving of your original attitude. You catch onto the way it doesn't quite reach his eyes. You're not sure why but it makes you think maybe he's just a bit sad too.

Maybe that is why he lets you wordlessly take his hand and lead him to the back of the bar. Maybe that is why he lets you sink to your knees on the cold, sticky tiles of the men's bathroom floor, his hands already fumbling to unbuckle his belt.

It smells like beer and piss, and you don't even wait for him to get fully hard before you take him in your mouth, your nose buried into his pelvis, where it smells like sweat. It's all wrong and right at the same time, and he won't ask you to stop. He just curls his fingers into a fistful of your hair, pinpricks stinging at your scalp the same way tears sting at your eyes.

He—Jake—he'd told you a while ago, has a pretty cock. At least as pretty as cocks go. Pink and ruddy at the tip, where it mushroomed beautifully. Almost dauntingly long but not grossly so with a throbbing vein on the underside. You run your tongue along it and he muffles a whimper, his fingers wrapping harder around your hair in an effort not to buck up into your mouth. At least he's a gentleman about it.

He's heavy and twitching in your mouth. You feel heavy. He is standing above you, a harsh line of a man against the buzzing bathroom light. You remind yourself to breathe through your nose and he punches himself further, the head of his cock skimming the back of your throat.

You swallow around him, trying to hold together what little is left of your remaining sense of self. It's been a while since you've been so careless as to place yourself in someone else's hands, rolled over and showed your belly to someone who could easily take advantage of you.

Your jaw aches, uncomfortable and familiar, like something you don't want to remember. Tears well up behind your eyes, the threat of an unwanted but unknown feeling looming just out of reach. Jake's hand in your hair hold your head firmly against his pelvis, hips rocking up into your mouth. He sighs like he can finally breathe.

You can't breathe.

You try to and something rasps inside of you, choking. The feeling that had been looming threateningly sparkles through you. Panic.

You know that he tries to settle you, does his best to wipe the tears leaking from your eyes with his thumbs and murmurs softly to you. "Breathe. It's okay, breathe for me."

You can't. You can't breathe.

Your head is pounding and suddenly you aren't kneeling on the bathroom floor of the bar. You're on the ground, crying, screaming like a wounded animal and no one is coming to help. You can almost feel the dirt under your knees, taste the blood in your mouth.

"Y/N, you have to breathe."

Someone's grabbing you, hauling your useless feet across the floor. Your chest hurts like you've been punched with a bowling ball.

"C'mon, let's get some air."

How you end up outside the bathroom is beside you. All you know is one minute you're dying on your knees back in the desert and the next you're being sat down on the back steps of the bar.

The cool air of the San Diego evening brings you back. That and the press of a cup of ice water to your lips, the condensation dripping from the glass and rolling down your throat. You swallow, letting the cool liquid soothe your burning throat.

You're aware of Jake sitting down beside you, close enough to touch if he wanted to but still keeping his distance. You can feel his eyes on you, watching carefully for a moment before he turns to stare out at the not so distance shoreline.

Your stomach feels odd, like you might be sick.

He probably thinks you're insane. You would think the same. But if he's dying to ask what the hell that was, he's doing a good job of hiding it.

How do you tell him that sometimes you think that you should have died, that sometimes the memories almost kill you?

"I hid."

He looks up from peeling off the label around the neck of his bottle. "What?"

You swallow, trying to collect yourself before your words fail you.

"I hid. A—After I was shot, I didn't get back up. I crawled under the humvee and... and I just laid there. I laid there and I closed my eyes and I prayed. I prayed that they wouldn't notice me lying under there or that they if they did, they would think I was already dead."

A mixture of sweat and dust burns your eyes. When you blink, you can feel the sandy grit trapped between them. You squeeze them shut while trying to swallow back the dryness of your throat in an attempt to alleviate the discomfort, but it doesn't do much. An unwarranted tear escapes and runs down the track of your nose.

With your rifle held closely to your chest, you let it slide down and collect on the bow of your lip. It joins the puddle of sweat that has already accumulated there. Out here, the sun cooks you alive. You swear it's a constant one thousand degrees. The twenty pounds of kevlar doesn't help.

Dirt kicks up beside you and gravel showers your helmet as a round of bullets buries themselves into the ground a mere six inches from your face. You hardly flinch.

Somebody is screaming. The sound of machine gun fire is ringing in your ears. Somebody is screaming.

"(L/N), C'MON. LET'S MOVE."

It's Cain. He's grabbing the strap of your kevlar vest and yanking you to your feet. You scramble after him, desperate not to be left behind. Bullets explode at your feet the moment the two of you emerge from the concealment of the dirt mound. Fear makes you run faster.

You spot Manny crouched behind the tire of the SUV to your right. He's firing rounds into the brush. You can tell that he's bleeding from a wound to his arm and you're about to veer off to help him when his head jerks backwards, the scattered remains of his brain plastered onto the white side of the truck.

You stop running, the words caught in your throat.

"RUN," Cain screams. He'd backtracked a few paces and grabs hold of your vest once again to drag you behind a second SUV. You stumble over him, falling haphazardly onto your rear once he lets go of you. He immediately turns to fire over the hood of the truck, and the bullets hitting the truck stop momentarily.

Clawing at the gravel on the ground, you hurry to scramble to your feet. Your head is pounding, your mouth dry and gritty. Huffing, you glance between Cain, who is fumbling to reload his magazine, and the crumpled figure of Manny a few yards away. You can only hope Ronny is still out there somewhere.

Before you can even try to locate him or any other members of the squad, movement to your left springs your muscles into action. You slam your back into the side door of the SUV just as a round of bullets pelt the spot where you were standing just moments before. Automatically, you raise your gun, returning the fire. There are a few more shots fired in retaliation, but they stop a second later.

Once you're sure they're subdued, you lower your gun, breathing hard. There's so much smoke and debris in the air that you can hardly even see Cain ten feet away. He's shuffling towards you in a low crouch.

"Let's move, (L/n). They know where we are. We've got to find different cover."

You nod, your finger still pressed tightly to the trigger of your weapon. You drop into a crouch and follow behind him as he creeps towards the back of the truck. He pauses a moment, scanning the landscape before looking back at you. His blue eyes are a startling contrast to the dirt and sweat covering his tanned face. He lifts his gun in the direction of a flipped humvee about fifty yards away. His mouth moves in a silent command.

One.

Two.

Three.

The gunfire starts up as soon as the two of you spring from behind the vehicle. You can hear the whizzing of bullets as they just barely miss your head. All you can do is pray you don't trip as you struggle to keep up with Cain. Your lungs burn and your boots feel impossibly heavy.

The terrain is barren but the ground loose, and rocks threaten to upend your footing, slipping out from beneath your feet as the two of you flee towards the vehicle.

30 yards from the humvee, Cain tumbles to the ground with a broken cry. The bullet catches him in the thigh, stopping him mid stride. He hits the ground hard.

Without even thinking, you skid to a stop. Bullets spray the ground around you. Somehow you're more afraid of leaving him than being shot.

"Go!" he yells at you, already trying to shove you away. "Go, I'm coming!"

Already, there's a lake of blood beneath him. You step in it and the ground squelches under your boot. Crimson gushes from his left thigh, effectively saturating the fabric of his pants. His face is terrifyingly pale. The bullet must have hit his femoral artery.

Fuck.

Fuck. Fuck. Fuck.

"Like hell," you snap at him, your pervious fear suddenly boiling into the purest form of anger you've ever felt. Angry for being in this situation in the first place. Angry that of all people, Cain is going to die.

It's terrifying how quickly the realization comes to you, how easily you accept it as the truth. There's already too much blood. Without a tourniquet, he'll bleed out in minutes and there's not quite time for that.

"Leaving him behind wasn't an option. It never even occurred to me that it was," you confess, as if saying it aloud will somehow explain away this title of heroism that everyone wants to pin on you. "Dead or alive, he was coming with me."

You shoulder your rifle and use both hands to grab onto the straps of his vest, hefting him backwards towards the truck.

He must clamp onto his bottom lip to stop the scream that threatens to escape because the noise that comes from his mouth is garbled.

You drag Cain about ten feet before you realize how just heavy he is. There's sweat leaking into your eyes and all you can see is the bloody lake that's left behind as you drag him through the dust. Cain's gone quiet, his head lulled to the side, eyes almost shut.

"C'mon, Cain. We're almost there."

His boot snags on a rock, and when you tug him free, he doesn't utter a word.

Something inside of you knows he's gone, was gone long before you started dragging him. You're still ten yards from the SUV.

POP. POP. POP.

You pause, your eyes fixed ahead of you. "Have you ever been shot before?"

Beside you, Jake shakes his head.

"It feels like someone has shot a bowling ball into your chest. Knocks the breath right out of you."

Pain explodes straight through your ribcage. Your vision clouds and you're vaguely aware of your knees buckling beneath you.

When you come to, all of the wind has been knocked out of you from hitting the ground so hard and your immediate reflex is to suck in a reviving breath. Instead all that comes out is a gurgle, the tell tale sign that your chest cavity is filling with blood.

You swallow, looking off at the dark shoreline of the beach, watching as the waves crash against the sand. "I knew that I wasn't dead yet—I did— I just—" Your throat constricts and when you speak again your voice is quieter. "He was already gone so maybe a part of me had already gone with him."

Jake nods slowly, as if putting together the pieces that you're laying down bit by bit. Somehow his green eyes have remained soft this entire time and maybe that's where you find the courage to continue.

Lifting your head, you crane your neck to see the damage, but the thick layer of kevlar strapped to your chest obstructs your view of the lower half of your body. Grunting in frustration, you reach blindly in the direction that the pain is radiating from. Numbly, your fingers find the gushing hole in your side. The bullet had buried itself in the exposed inch of your stomach between your belt and your vest.

There mustn't be an exit wound because there isn't a ton of blood surrounding you. If the wet cough you emit is anything to go by, it's probably pooling in your abdominal cavity instead.

You're going to die.

"I don't know how long I laid there," you admit. "I knew that the clock was ticking, had been since the moment I hit the ground. It was only a matter of time before I blacked out or bled out... I guess I was just waiting to see which one came first."

The scattered rounds hitting the ground around you become muffled background noise as the lull of unconsciousness begins to sweep over you, dulling the world as you know it. Through the haze of your fading senses, your eyes fall on Cain's motionless figure a few feet beside you.

He's lying face up, his desert tan uniform seeped a muddy crimson. You'd known he was dead a while ago. Still, you carried him. He'd have done the same for you. He was your brother, dead or alive.

Blood bubbles from your nose as you struggle to keep yourself breathing. The fact that you have to remind yourself to do that isn't a promising sign. Your body is shutting down, doing anything it can to keep your heart pumping, even if it means shutting down everything else.

Somewhere through the dullness, you hear Cain's voice. MOVE, (L/N).

You close your eyes, trying to picture his face from what had been just a few minutes ago. You remember the urgency in his blue eyes, the intensity of his fear overridden by adrenaline. How had that been only moments ago?

MOVE, (L/N).

"I—I heard his voice," you state, your tone not open for discussion. "Not the gun fire, not God, not anyone else's. I heard his voice."

So many people had tried to convince you otherwise, tried to tell you that it was because of the shock and your brain was shutting down, that you were hearing things. But you know what you heard.

"He saved my life, Jake."

You can see the gears turning in his head, the question carefully forming on his lips. "Were you two— I mean was he—"

It's the first time you have to suck back tears, your chest rattling with a longing emptiness as you fight the urge to cry. Memories of his wild blue eyes and wide smile that could only ever mean he was misbehaving flash through your mind.

You met Sergeant Anthony Cain not long after you commissioned as a Lieutenant. You were still a green officer when you were charged with your first platoon and given orders to deploy out East. You were scared as hell and Cain was your saving grace. He came in as if he'd always known you needed him and the rest was history.

There was never any question about intentions or commitment to each other. Cain was as honest as they came and you left it at that. You never imagined that's where your story would begin and end.

"I don't know, Jake. We didn't get that far."

Forcing your eyes open, you access the area around you. The sound of enemy fire has slowed but that doesn't mean movement won't trigger a return of bullets your way. Still, you know they'll be looking for survivors once the dust settles, and you don't want to be around when they do.

The humvee is only a little over ten yards away. You might would say it was crawling distance if it weren't for the fact that you were actively bleeding out. Even so, you don't really have any other option.

You take as deep of a breath as you can, your chest rasping as you do so, before lifting your right leg and using the weight of it to swing yourself over onto your stomach. Immediately, searing hot pain radiates through your chest and legs. You cry out, curling in on yourself, writhing on the ground like a wounded animal.

Sputtering, trying to breathe through the pain long enough so that you can move, you feel hot tears track down your face. They're tears of insurmountable pain and hopeless desperation.

"All I kept thinking was 'how does anyone survive this?' It was unimaginable, the pain. Looking back now, I don't know how I did it. I don't think I could do it again if I had to," you admit.

Softly, as not to scare you, you feel the gentle weight of Jake's palm on your knee. "You won't have to," he promises. "But you did it. You survived."

You stare down at his hand on your knee.

With a trembling, blood stained hand, you reach out in front of you and dig your fingers into the ground. Heaving, you draw yourself forward, your legs dragging limply through the dust. It takes an unimaginable amount of strength to pull yourself even six inches.

Sniffling back tears and out of breath, you curl your fingers into the ground and drag yourself forward again. This time, you probably only move half as far. You have to fight the urge to just lay your cheek against the ground and cry.

You do this again and again, keeping one hand pressed into the gushing wound at your side while the other drags you forward. Your lower half has become increasingly heavier with each passing minute, your legs nothing but dead weight to pull along. You don't think you could move them if you tried.

It takes you forty minutes to drag yourself to the humvee. By the time you get yourself fully under the abandoned vehicle, your fingers are torn and bleeding, the tips ripped open and embedded with bits of gravel.

Your muscles collapse the very second you give them the chance. Your forehead drops down to rest against the ground, and you finally have a moment to shudder out a sob. Your throat is dry and cracked, and dust coats the inside of your mouth. You're dimly aware that your breaths are dangerously shallow. You just know that you're miserably nauseous and each passing moment is more unbearable than the next.

You turn your own palm over, staring at the scars of your ruined finger tips, scars that tell a story of how you survived. They're ugly, and you wish you didn't have to look at the all of the time. At least your torso is mostly hidden. You've moved to a beach town and will never be able to put on a swimsuit.

Jake’s eyes follow yours and after a moment he flips his palm over, his fingers spread and inviting. His hands are large and calloused from years of flying. There are fingernail divots in his palm.

Almost shyly, his green eyes meet yours. You see a bit of that sadness you saw earlier. “I know it’s not my job to be your shrink or whatever,” he adds with a laugh and you can’t help but laugh with him. “But you’re not alone. We’re all a bit fucked up if you haven’t noticed.” He shrugs. “It comes with the job.”

You can’t help yourself. You trace a finger over the scarred palm of his hand. “My dad would disagree.”

Jake is fighting the urge to close his palm around yours, not wanting to overstep, and so he’s pleased when you intertwine your fingers with his.

“Family dinner must be interesting.”

Jake came from a military family himself and so he knows how deep the ties run. His old man was a sailor and so he knew better than to come home sporting anything other than his dress whites.

You laugh out loud because he’s not wrong at all. Jake squeezes your fingers in response. His hand feels good in yours. Safe and heavy in the way a padlock feels. Like he’s not going anywhere.

“It’s not all ‘Go Army, Beat Navy’ believe it or not. Don’t get me wrong, I was raised a Navy brat and I have a hell of a lot of respect for my old man, but at the end of the day, I had to choose myself. I couldn’t do that with him watching over my shoulder. The Army’s been both the greatest and the worst thing that could have happened to me,” you confess.

Jake hums, dare you say almost disbelievingly.

“What?”

“A few weeks here and you’ll change your mind. No one does it like the Navy does.”

It’s your turn to make a noise of disbelief.

“I guess you’ll just have to impress me, Flyboy.”

Jake squeezes your hand again. “Oh I plan to.”

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elysianstarfall · 3 months ago

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miscellaneous phantom busters hcs

(pre-dating or dating, i have no clue so read however you want)

summary: the title, basically—this is also a chapter on wattpad so check it out (same name as tumblr)

characters: shishikuno mogari, korekishi eugene, kanzaki kaoru, tamon kotaro

s. mogari

✧ randomly sends you the stupidest memes/insta reels/youtube shorts/tiktoks he can find

- he is DEEP into the brainrot (korekishi has no idea what he's talking about)

- considers it part of the "youth experience"

✧ begs you to try weird food combos with him

- "pickles... and nutella."

- "what the fuck?"

- "it's good, trust."

✧ lowkey has a sleeper build

- once you were bored in class and wanted to see his biceps (real)

- "mogari, can you flex—WHOAAA?!"

- he loves when you compliment him because it feeds his ego like crazy

✧ does the thing where he taps you on the shoulder and then looks away and pretends it wasn't him

- fails every time because he cannot keep a straight face

- "there is literally no one else around. who, besides you, could have possibly done that?"

- "...a ghost?"

✧ has, multiple times, handed you his phone and told you to record him doing something "really cool" only to eat shit or wipe out

- "first try!"

- "more like eighth. also, you scraped your knee. come here."

- at least you take care of him when he gets hurt (maybe that's his plan?!)

- when he actually succeeds he expects you to glaze him

- "THAT WAS SICK AS FUCK! RIGHT?!"

- "it was pretty cool, i guess."

- "YESSS!"

k. eugene

✧ stays up on call with you if you need help with schoolwork

- explains topics really well (chatgpt who?)

- is super patient and wants to make sure you understand everything

- somehow never oversleeps even if you both stay up really late

✧ randomly fixes your uniform for you

- adjusts your collar and stuff

- "what are you doing?"

- "making sure you don't get in trouble."

✧ has insanely pretty handwriting

- it actually looks printed

- "can i see your notes, korekishi?"

- "of course. but, i thought you took your own notes?"

- "yours look nicer..."

✧ lets you do whatever you want with his hair

- it's so silky and smooth

- sometimes you braid it during class and he just leaves it like that for the rest of the day

- he carries hair ties around and lets you use them

✧ knows there are dating rumors about you two but purposely doesn't correct people

- defends you with his life if anyone talks shit about you though

- "korekishi, why do people from class c think you're my boyfriend?"

- "blimey, i wonder why."

k. kaoru

✧ sends you out of context manga panels, and when you ask what's going on he just tells you to read the manga to find out

- "wait, that's so funny... what the hell is happening, though?"

- "here's the link. it's chapter 239."

- "fuck off."

- you still read all 239 chapters and beyond

- he's gotten you into like 15 new series this way

✧ sometimes you just watch anime while video calling

- he has to rewatch episodes by himself afterwards because he just zones out staring at you instead of watching with you

- infodumps randomly but makes sure you don't get spoiled

- straight up lies to you if you come across spoilers so you don't believe them

- "he DIES?!"

- "no, what are you talking about? someone totally made that up."

✧ has really long eyelashes and lets you stare into his eyes for however long you want

- you love having "staring contests" with him (totally not an excuse to look into his eyes)

- he definitely knows but just lets you do it so he can stare at you more

✧ talks about you to his sister way too much

- she's sick of hearing about you but still wants you to come over

- you make him happy, so why wouldn't she like you?

✧ lets you trace over his scars and draw on him

- still avoids getting touched by the other guys though

- comes to your classroom during break or lunch just to sit with you so you can use pens to draw stuff on his hands

- he likes how focused you look while drawing

t. kotaro

✧ texts you sometimes but mostly prefers voice calling since he likes how you sound

- occasionally tries to do video calls but starts tweaking after a while from the eye contact

- "y/n, please, please, please turn off your camera."

- "damn, am i that ugly?"

- "what—no!"

✧ speaking of calling, calls you late at night when he can't sleep

- you're literally his asmr

- you don't mind because his sleepy voice is so, so nice

- likes it when you ramble so he can just close his eyes and listen

✧ has a spotify blend with you

- listens to every single music rec you give him but is way too scared to recommend you anything

- made you a playlist, sent it to you, didn't check his phone for the next 12 hours in case you didn't like it

✧ most used apps are the weather and calculator apps

- uses them to look busy and get out of talking to people

- "we're literally outside, you do not need to check the weather right now."

- "...yes, i do."

- "and why are you putting random numbers into the calculator?!"

- "i just... really like math."

✧ has no idea how to start a conversation so he just sends you cat pictures

- wants you to say something so he can talk to you

- every time, it's a different cat... you have no idea where he gets all those pics from

- "tamon, you know you can just say 'hi' or 'hello'?"

- "my bad."

#check out my wattpad plsplspls #there is no content for this manga #phantom busters #phantom busters x reader #shishikuno mogari #korekishi eugene #kanzaki kaoru #tamon kotaro #manga

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a-substantial-trash-pile · 7 months ago

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mouthwashing responsibility au rambles below cut 🫡

(spoiler warning for the actual game obviously)

- even though jimmy got deservedly knocked out by anya and thrown into the cryopod early on, the crash still does happen. it's a freak accident this time, like maybe a piece of space debris just happened to hurtle right into them without time to dodge. it's like the tulpar is destined to crash. but this time it's a story about a group of people finding hope and strength in each other and finding what they themselves can be capable of in a time of crisis. btw i just mean curly, anya, swansea, and daisuke. i am NOT repenting jimmy. he ain't "fixing" shit.

- i'm sorry for frying curly again even though this is supposed to be an au with a happier ending 😭 the way his loss of autonomy reflects anya's own loss of it, making him feel firsthand the suffering she went through in a way, felt too important to just remove. curly's injuries aren't as terrible as in the original timeline since swansea rescued him earlier. and by "not as terrible" i mean he only loses a leg and not all of his limbs. he will get some function in his hands eventually and anya teaches him sign language to help him communicate (she teaches the others too).

- speaking of anya, she really shows her stuff as a nurse (even in the original timeline she does, managing to keep curly alive like that). she treats curly and swansea and is much more of a pillar of strength for the crew than she herself realizes. pre-crash and post-jimmy-getting-fired, she was able to relax and open up more with everyone, building a stronger bond. when the crash happens, anya is of course terrified and hella stressed, but now she knows she has people who have her back, and it helps. she can be more confident in herself without a certain someone being there to belittle and hurt her. this time when she has to deal with something difficult, something traumatizing, she has people to support her. in this au, she is not pregnant because if she was, i don't see how keeping the baby would be a good thing for her. and i don't want her to have to deal with that situation without the proper medical supplies on top of everything else. she's been through enough.

- btw there is no shipping in this au. i personally really don't see how it could happen between anyone on the crew. if there was some sort of spark between anya and curly, it's definitely gone now and won't happen again. the most they'll be are friends (although the friendship/trust will have to be built from the ground up again after everything that's happened with jimmy). the only ship here is the tulpar.

- i know daisuke is seen as a "dumb kid" but i really don't think that's the case. we are seeing him thru jimmy's perspective mostly after all and jimmy is the definition of an unreliable narrator. i headcanon daisuke as having adhd like me who tends to lose focus on tasks easily because your brain is just going 102929 miles a minute and wandering to all sorts of places like me. he feels like someone who doesn't exactly know where they want to go in life like me. also he's definitely a hawaii kid born and raised and talks pidgin sometimes like me except i lost the pidgin :(. i'm totally not projecting my asian ass on the asian boy or anything. BUT ANYWAY i wanted to give daisuke more stuff to do and a chance to prove to himself that he can do these things, he can step up. so that's partially why i made swansea burn his hands rescuing curly. daisuke can now be filled with Determination and be swansea's hands in repairing things as he heals. it's going to be hard and it's going to be frustrating for both parties and sometimes they'll get upset at each other. but it will inevitably be a great bonding experience for the two. i cannot resist the call for more father-son moments.

- swansea my beloved. i am so sorry for burning your beautiful hands please forgive 😔🙏 i have to make my faves suffer a little. swansea's hands will heal up eventually and he'll be able to use them again, but there will be scars. i think him having to guide daisuke with doing repairs n stuff on the ship as his hands recover gives him a mission. something to distract him from completely falling into despair and alcoholism. that man is hanging on by a thread but by god he's going to help get these kids through this. they've all grown closer since jimmy was sacked and swansea feels a sort of responsibility towards protecting anya, daisuke and curly as the oldest one there. it's the dad instincts y'know? on the real hard days, sometimes swansea thinks about cracking open a bottle of mouthwash, but he holds back because he feels he needs to stay strong for the crew. however he does have to learn that he can't shoulder everything and that he can rely on others. him having no choice but to have daisuke take over his tasks is a good way for him to learn that, i think. swansea is definitely a pillar of strength in this and the rest of the crew have a lot of affection for him (and vice versa even if swansea won't admit it). can you tell i really like swansea. he is such a foil to jimmy—a guy who has fucked up a lot in his life but actually acknowledges his mistakes and is trying his hardest to be a better person. aghh swansea i love you 💛💛

- after the crash happens, the cryopod room becomes inaccessible, so nobody is able to check on the state of jimmy in there. so they don't see that the crypod he's in eventually fails from damage and he escapes. this happens a couple weeks into the crash. jimmy is still pissed about everything and still can't see how he's done anything wrong (this is because he is a delusional asshole). in fact, he feels like he's the one who's been wronged and betrayed by everyone on the crew and he wants revenge. there will be a final confrontation between jimmy and the crew. spoilers: jimmy loses. i'm just undecided on who finishes it. it would be fitting if anya shot him, but i'm not sure that's something she'd necessarily want to do. she chose to be in the medical field after all. don't get me wrong, i think she would pull the trigger if it meant protecting the others. but i'd hate to have her kill, because even if jimmy deserves it, anya is a healer and would still probably feel guilty about it. i don't want to put even more shit on her plate. so i think swansea is the one to put jimmy down in the end. with the axe of course. i think he'd feel less guilty about doing it because it's something he's wanted to do since anya first told him about jimmy. oooh what if jimmy gets his hands on the gun, but daisuke tackles him, making him drop it, and anya gets it and shoots jimmy in the shoulder or leg or something to get him off of daisuke, and then swansea comes in with the axe to finish him off. that could be fun. that way anya won't have to actually kill but she'll still get to shoot jimmy. bless.

- the crew gets rescued eventually, but it's going to be a few months because pony express is a nightmare company. i'm honestly still not sure if pony express is even the one who will rescue them or even bother to look. i'm tempted to just have another ship happen across them by some miracle and help. real tempted to make that ship The Unreliable and turn this into a Mouthwashing x The Outer Worlds crossover quite honestly since both settings share similarities (megacorporations, cryosleep, etc). but idk. it's not like i can just write a fanfic or anything since writing is harder for me and who knows how long it will be before i even draw the idea. it's just yet another self-indulgent daydream for now.

#mouthwashing #mouthwashing spoilers #mouthwashing au #responsibility au

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tori111777 · 7 months ago

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FRIGHT AND FURY 2

Part 1, Part 3

Summary: conversations about and with your husband, Caracalla right before the second day of the games.

Warnings: spoilers of gladiator 2

Parings: Caracalla x wife!reader

You had awaken alone in your bed to the early morning light. You stretched beneath the covers, feeling the cool sheets where Caracalla had not lain with you last night, his absence pressing into you with the same weight as the silence that filled the room.

It was a morning like so many others, you got up and got ready. It wasn’t unusual for your husband to sleep in other places when he got upset the night prior or when his mind became too strong.

As your servant was doing your hair, putting into beautiful braids and adding golden leaves you stared at the empty spot of the bed. It shouldn’t have bothered you as much as it did right not, it has never bothered you before.

As the last braid was pinned in place, the golden leaves catching the early light, you caught your reflection in the mirror. The woman was beautiful, of course she was, she was you. Of noble brith and high ranking in Ancient Rome. You are the Roman dream. Yet you also saw you as a girl.

The door swung open and you saw that it was Emperor Geta. It was either him or Caracalla as no such person could open a noble women’s door without asking. He was a familiar face, but also one that carried the weight of his own ambitions.

"Emperor Geta," you greeted him. "I hope I am not intruding," Geta said as he stepped into the room, the sharp click of his sandals on the marble floor accentuating the silence.

"You are not intruding, my lord," you replied with a small bow of your head, a gracious smile curling your lips.

“I’ve come to see if you are ready for the games today. My brother should have been here by now to lead you away.” He seemed a bit concerned about it by pursing his lips a bit. “I am sure he will be here in time soon enough.” You gave a smile of reinsurance to him.

His unease seemed genuine, though his eyes lingered on you a little longer than was strictly necessary. It wasn’t unusual for brothers like him and Caracalla to be at odds, but you did not expect the Emperor himself to arrive at your chambers in his place.

Geta's lips quirked into a faint, knowing smile. "Do you miss him, my lady?" His tone was light, almost playful, but the way his eyes fixed on you felt more intent than playful. You could feel the shift in the air—the way he suddenly filled the space between you both. It made you uneasy, the two emperors have always been… something.

"I’ve grown accustomed to his late night walks," you replied, your voice cool and collected.

"Of course," Geta said, his voice dropping an octave as he took another step closer. "But you should know that my brother is... difficult to read, even for me." You tilted your head slightly, not quite trusting the shift in tone. "I know him well enough." You didn’t say too well, though that was the truth.

"And yet," he said, his voice almost a whisper, "even you must admit that you don't always understand him. Not entirely." He paused, letting the silence stretch between you. "And that can be... unsettling, can't it?" He was trying to see how much you could reveal about his brother. How much he could use against him.

Your fingers tightened around the edge of the dressing table, though your expression remained unyielding. "I understand him well enough to know that his moods can change like the seasons," you replied, meeting his gaze evenly. "But there are things even the gods themselves cannot control."

He stepped back a couple of paces, his hands folded together in front of him. "True," he murmured. "Even the gods are at mercy of fate."

“I’m sure he’ll arrive soon,” you said again, though your voice was tinged with something less certain this time. “I will leave you to your preparations. Caracalla will surely be along shortly.” He made a show of bowing his head, a mock gesture of deference, before turning to leave.

You watched the servant outside your door close it behind him and suddenly a wave of fresh air had come into the room, even if the window was closed. The room now silent as only you stood there and could only hear your breathing.

Your mind swirled. You knew Caracalla had always been restless, but last night was different. There had been something raw in him and maybe even something raw in you for trying to help him. But what did you truly know of him, of his mind?

The second day of the games would be held later today in preparation of getting it ready as they needed to fill up the colosseum with water. Though if Caracalla didn’t lead you out to the area today it would not only be an embarrassment for you but to him as well.

And now Geta’s appearance only added another layer to the puzzle. The way his eyes lingered, the way his tone shifted with that subtle, almost imperceptible playfulness—What was his motive behind it all?

It wouldn’t be until minutes later of being left alone in your mind that the door would soon open again. You sat in a comfortable chair, facing out into the streets of Rome like how you always did.

You didn’t have to turn to know who it was. The presence, though always commanding, was unmistakable—Caracalla.

When he entered, the light from the window caught the edge of his dark tunic, he was wearing black today, seeing from the reflection of the window. A symbol of death, but of course he didn’t know it meant death.

"I see you're ready for the games," he said, his words almost detached, as though he were speaking to a stranger. "Yes," you replied without turning. "Are you well?"

You saw his reflection twitch, his jaw tightening ever so slightly before he took a step closer, closer than you anticipated. "I’m fine," he said, but there was something in his tone that didn’t match the word.

You looked back to him and saw that he was right behind you. He did indeed look fine, his makeup being done, all of his gold glistening, and his clothes all neatly and tightly worn around his body.

You felt the need to give him a smile of somewhat. Last night conversation was left off but you dare not to bring it to the table. “Are you ready to leave for the games, my lady?” Your husband said, laying out his hand for you to take.

“As always.” You replied.

#fred hechinger #gladiator 2 #gladiator ll #gladiator movie #emperor carcalla x reader #emperor caracalla #caracalla x reader #carcalla #ancient rome #rome #italy

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paperbacksinner · 14 days ago

Note

Some headcanons on how would the marriage be like with Luigi?

And the honeymoon?

Married Life 💍

SFW:

- He’s possessive in the most tender way. Not like jealous-rage all the time — but you best believe that wedding ring is on your finger 24/7. And when you fidget with it? He notices. And he melts.

- Luigi calls you “my wife” like it’s a full sentence.

“Where are you going?”

“To pick up my wife.”

“Who cooked this?”

“My wife. She’s amazing.”

- Insists on doing all the “heavy” stuff: carrying groceries, fixing things around the house, dealing with strangers.

- Keeps a wedding photo in his wallet. Refuses to upgrade to a digital version. It’s crinkled. He loves it.

- Still gets weirdly flustered seeing you in a towel, like you’re not literally his wife now.

“We’re married.”

“Exactly. I should be used to this. But I’m not. You’re not real.”

- When he gets home, he always finds you. Always greets you with a kiss. Always tells you:

“Hi, baby. Missed you.” Like he didn’t just leave 3 hours ago.

- Can’t stop touching you at home — his hand on your lower back when you pass him, fingers brushing yours while you cook, lips on your shoulder while you're doing dishes, arms wrapping around you from behind on the couch.

- Genuinely obsessed with calling you things like:

“Mrs. Mangione” (teasing)

“My bride” (tender)

“Wife” (hot. Very hot.)

NSFW:

- He gets off on being your husband. Like, a lot. He’ll whisper “my wife” in your ear while fucking you slow, deep, and possessive.

- Praise kink central.

“Look at you, taking all of me. You were made for this, huh? Made to be mine.”

- He likes marking you up. Hickeys, scratch marks, even just his scent lingering on you all day.

“You walking around with my cum still inside you? That’s my fucking girl.”

- Public teasing. He’ll touch you under the table, whisper dirty promises in your ear while smiling sweetly at the waiter, and then act all innocent.

- Loves eating you out on his knees, murmuring things like “my favorite fucking meal” while holding your thighs open.

- Possessive but not controlling. If someone even looks at you sideways, he wraps an arm around your waist, grinds his hips subtly into your back, and mutters “mine.”

- Has 100% said, “Wanna make a baby?” in the middle of sex even if you’re not trying. His voice just drops when he says it. And you can’t help but melt.

🌴 Honeymoon:

SFW:

- Somewhere private but beautiful — not super flashy. Maybe a beachy villa in Greece or a quiet cabin in the mountains with a big fireplace and no neighbors.

- He books the most romantic place possible. Big bed, secluded balcony, a bathtub with enough rose petals to drown in. He wants it to feel like just you two against the world.

- Unbearably clingy in the best way. Cannot go ten minutes without touching you.

“I didn’t bring you all the way here to be more than ten inches away, babe.”

- Wakes you up with lazy kisses every morning. And then distracts you so long you don’t leave the room until like noon.

- He lets you sleep in one of his shirts and absolutely loses it every time you pad around barefoot, sleepy-eyed, brushing your teeth in his oversized tee.

“You look like you belong to me.”

“I do belong to you.”

“Say it again.”

- Beach walks, little back-of-your-head kisses, tracing the tan line where your ring sits, forehead touches at sunset. He is SOFT.

- Spends most of the trip completely love-drunk. Keeps murmuring “my wife” when he thinks you’re not listening. Spoiler: you are.

- Slow dancing with you in the living room of the villa. No music. Just his hand on your waist and his lips brushing your cheek.

NSFW:

- Every time you walk past him in a sundress or towel, his hands immediately find your waist or ass. He pulls you in and murmurs, “You trying to kill me?”

- Slow, heated morning sex. He’s lazy and cocky—mumbling praise against your skin, hand between your thighs, soft little “that’s it, just like that, baby” while he wrecks you with lazy thrusts.

- Late-night skinny dips. He pulls you into the water with him and presses you against the side of the pool/lake/hot tub. Hands under water. Kisses everywhere.

“Shh, you want someone to hear how pretty you sound?”

- Muffled giggles and moans in the Airbnb shower when he can’t keep his hands off you. Biting your shoulder. Making you beg.

“Don’t be shy, you’re my wife now. You’re allowed to want it.”

- Aftercare is his religion. He dries you off, rubs lotion into your legs, makes sure you eat something—even if it’s just chocolate from the minibar. Then spoons you in bed, arms wrapped tight around your waist like he’s afraid to let go.

#paperbacksinner #🍒’s inbox #luigi mangione x reader

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thepsychonyx · 7 months ago

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The Dagger is a representation of Solas Duty and Trauma

DRAGON AGE THE VEILGUARD SPOILERS AHEAD

I believe the dagger being left behind in Redemption endings symbolise Solas finally being freed of his duty & trauma whilst non-redemption endings force that pain to go with him. The dagger reminds him all he lost & sacrificed vs in Redemption he is free and regains his autonomy.

Before anyone yells at me that this is a reach, I get it- but walk with me. The dagger was commissioned by Mythal, he was against its creation and against its purpose to sunder the Titans, it was also used to kill Mythal and is essentially a symbol of all of Solas' original sins

Though some of us agree that none of these things sit solely on his head, they do sit on his conscience.

The grief of having a part of your autonomy irreversibly altered as they did with the Titans is a reflection of how he was forever condemned to himself. His one salve? Duty.

I've never thought Mythal's words in the Redemption endings were an indication of him prizing her affection above the chance Rook gave or Lavellan's pleading, she mutilated his spirit and perverted his purpose. For which, her taking accountability unbinds him of the emotional and mental toll. This is only one aspect of why the dagger is key to redemption. The important thing is he needed to be freed of his duty, he feels he has gone too far and taken too much. He knows the price has been too high and that is why he wants to be stopped, one way or another. Hence leaving hints for Inquisitor and Varric, as well as stating to Rook he fears becoming like Elgar'nan, too powerful with no one to check him. He never wanted to be this, and he is ready to die. Solas is exhausted of what this duty has taken from him as it has costed him everything.

Crucially, freeing him from his duty finally allows him to let go of the purpose he made himself physical for. He was brought into the world to give her wisdom, wisdom she denied and without her to unbind, his reason for being physical is left to trying to heal the wounds he made.

In DAI, if you drink from the Well, thus putting you into Mythals service, Solas is incredibly angry for valid reason. He just watched you make the same error he did!

He bears these words so heavily because this is also the burden he bears - he is stuck in the cycle of what this duty demands of him.

Solas asks you what will you do after Corypheus and he only *Approves* if you say "I'll restore what was" - he associates bettering the world with undoing the condition his actions have forced it into.

"You honor the past and work to recover what was lost, even if the cost is high." It is not all about Mythal, it is about fixing his biggest mistakes and restoring the world to what he, someone duty bound to the people for causing the problems, took away from *everyone.*

He knows the cost is high, that's why he wants to be stopped. That's why he leaves hints for Inquisitor. It's why he says to a friend, "I would treasure the chance to be wrong again" - he just cannot see another way because he is bound by his purpose for why he entered the world.

This is why the Trick ending also works because it forced Solas to see another way to atone, but the dagger - the grief and trauma - goes with him. The bad ending is him completely forced (stabbed) into becoming a manifestation of pride. His duty completely corrupting his values.

Whilst the Redemption ending is the most fulfilling as it finally let's him allow himself to let go. He is forgiven, for the first time ever by his friend or true love, he is absolved of the burdens and duty that haunted him, he is given the wisdom he has always been denied.

Someone who only wanted to free others finally being freed themselves, who endeavoured to unshackle the chains of others finally being unbound of his own, isn't that a beautiful ending? He is just a man, a faulted haunted man who did his best and I think that is worth something.

The beautiful thing, is with the Solavellan ending, Inquisitor Lavellan gives him more than just atonement to live for. Bereft of his original purpose of bestowing wisdom as he has confined himself to atone, she posits a new purpose. Their love, eternally, will be their new fate. He will never be alone again, and together work towards his new purpose. For a man who was enslaved by a friend (he wore Mythal's valaslin!) who used him and ignored him, to be given salvation from the love of his life who listened to him and wants to be beside him through everything - I cannot imagine a better conclusion and retirement from his Duty and the first crucial step into healing from his Trauma.

(Ignore me in the corner teary eyed lol)

This post by Trick states that the endings with the dagger mean it’ll be harder for him mentally to become free - it may be a simple association that no dagger = redemption, but this is DA it has to mean more. At least, it does to me.

#dragon age solas #solas dragon age #solas dread wolf #datv spoilers #da4 spoilers #solas is traumatised #solas is free #solas trauma #solas duty #dragon age veilguard #veilguard ending

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tainkirrahe · 1 month ago

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okay humidity in my area is at 86% and I cannot sleep so: Belinda Chandra essay - spoilers for the entire season including Reality War as I rewatched all of S2 today for the finale so this is all still fresh in my head:

Belinda is introduced in Robot Revolution as a competent, hardworking nurse who loves her job and who, seventeen years previously, had the stones to tell a would-be controlling boyfriend to step off at an age where more vulnerable people may have become trapped in an unhealthy relationship. When the robots come for her she fights - verbally - all the way to Missbelindachandra and has a distinct "you cannot treat me like this" attitude with both the robots and the Doctor which forces the Doctor to change the way he acts towards her. In the dénouement of the episode she decides that she will sacrifice herself on the altar of marriage specifically to save an entire race of people - but then the moment she is given an out, the moment she sees Alan holding the certificate, she works out how to save herself and does so. She shows no pity for the guy who tried to force her into eternal marital servitude and the episode is clear that Alan is no great loss. She then tells the Doctor to knock his bullshit off and take her home - she is not interested in being anyone's property and just wants to go back to her normal life so she can carry on doing what she's passionate about. She's Queen Shit™.

In Lux she still has the clear goal of getting home but is willing to put aside her needs to help with the mystery of the missing people because she is as compassionate as she is strong. She sees someone suffering - the lady in the diner - and her instinct is to do whatever she needs to in order to resolve that person's pain. It's probably why she became a nurse. And in that episode she takes an active part in saving the Doctor, even if the action is taken from her by Mr. Pye to atone for what he'd done in allowing the people to stay trapped so he could be with his wife. Still Queen Shit! Still gets back on track the moment the situation is resolved! Get me home Doctor I got a job to go back to!

We then get The Well, in which she uses her skills as a nurse with Aliss to both fix up her arm but also put Aliss at ease. She shows that she's good at talking to patients, keeping them calm, and working methodically with medical tools even if she's unfamiliar with them. And when she spots the entity on two separate occasions she plays a balancing act of trying to keep her fear under control - aware that she's surrounded by soldiers with weapons - whilst also teasing information out of Aliss with her bedside manner. When the entity jumps to her she agrees with the decision to be shot to knock it off, rationally showing that she knows this is the only chance she has. Slightly less agency, but still strong character beats that shows she's in charge of herself.

Lucky Day doesn't give us much, and The Story & The Engine also doesn't have a role for her although the Doctor choosing to tell a story about her work as a nurse is a lovely moment - Fifteen acknowledging the importance of her job because he has seen how good at it she is. I still think Belinda feels like Belinda in these stories, and in Engine she is shown figuring out how to ask the TARDIS what is wrong and goes looking for the Doctor rather than staying put in the only spaceship that can take her home. She still has the initiative to nudge the narrative along. She's still Queen Shit! Just less of her.

And then we get Interstellar Song Contest which is a badly written episode in its own right, and the first episode where to me she stops feeling like Belinda and her writing becomes...jarring. She's horrified by the Doctor's violent side, it's her horror that gets him to stop...then she immediately hugs him and is like :) yay I am glad we are friends again :) you're so wonderful!! and we see that strong independent Belinda from just two episodes ago is...gone. This wasn't written by RTD but he did have final approval over scripts and could have given notes to fix her, but on the whole, okay, the episode is inconsequential to the broader story of the season barring Graham Norton saying the Earth exploded and The Rani bi-generating, both of which had nothing to do with the events of the episode proper.

Wish World starts off suitably jarring, showing a housewife with Belinda's face who acts nothing like Belinda for 90% of the episode. The only two scenes that feel like her are when she questions giving birth to Poppy, and the scene immediately after this where she runs into the woods because she is so horrified by this new reality that she screams in agony at the life she's been forced into all whilst being unaware as to why exactly she feels this way. The episode makes it very, very clear that Belinda is hurting. She's hurting at being left at home to play house; she's hurting that there's something up with her husband she can't place; she's hurting when the two most important women in her life (her mother and grandmother) tell her to her face that she will never be anything more than a wife and that this is the only thing she can wish for her daughter as well. This should have been the part where Belinda woke up, or started to. When she saw Fifteen doing the table trick with the mugs she definitely should have started to doubt, because that's what Belinda from episodes 1-6 would have done - the Belinda who saved herself from Alan, the Belinda who loved a good mystery, the Belinda who had no time for the Doctor's nonsense. But...she doesn't. She calls The Gay Police on her husband and spends the rest of the episode with a :( face yelling that she's married to the Doctor and has a kid and those are her only two concerns. She doesn't even seem to care that she has been arrested, her only concerns are for John Smith and Poppy. She's become a shell, and initially I thought she was written that way to show just how monstrous the wish world is but then...

...we hit Reality War, and Belinda is, quite frankly, brutally murdered on screen before our very eyes. The Belinda in Reality War never gets to be angry at what was done to her. She never gets to take part in any of the action. She never gets to have a single thought about herself or what is happening to her: the only thing she cares about from the first minute she's on screen is the toddler that an alt-right grifter stapled to her in his mummy fetish Daily Mail fantasy land. And even worse, the Doctor also now sees her as only being Poppy's mum. Not the brilliant woman that he has been trying to get home for seven episodes. Not a nurse. Not a companion. Not even a person at all. Not horrified that he was forced into a non-consensual relationship with someone whilst they were both brainwashed. To Fifteen Belinda is Poppy's incubator/babysitter and nothing else; he literally puts her in a soundproof box to remove her from being able to take any part in saving the day.

And then somehow it gets worse. Not only does Belinda have to suffer the indignity of having every single one of her character traits ripped away from her, not only does she spend her last episode we will ever see her in being trapped in a literal box with nothing to do, but she now also has her entire fucking identity and past overwritten on the whim of the Doctor. The guy who has gone around for an hour telling everyone he can't have kids, and the resolution for this is that Belinda must therefore have his child for him. And she must be happy about this. And we, as the audience, must also be happy about this: this is a good and happy ending, coming on the heels of an episode whose central premise is how horrifying it would be to wake up one day in a world where someone else tells you who you have to be, and having the Doctor's big scene be him rejecting masculine gender roles by changing his clothes and attitude, all whilst pummelling Belinda into a box and saying: you're a woman. This is what you want. Aren't you happy you now have your baby? And having Belinda smile through it all and act like having her independence deleted is the greatest thing in the world.

All set to inspiring music as Fifteen rides off into the sunset - because, you see, Fifteen can ride off into the sunset. He's had the kid he wants, he's shoved it into the arms of a woman to look after whilst he gets to go off and have fun adventures. He's technically a dad even if the baby is no longer his, yaaaay! Belinda even gets a moment to look wistful when talking about how she would have loved to see Neptune, but she now can't, because Fifteen wanted a kid and she's now stuck at home with the consequences of his choice.

Russell T Davies looked at the first black male Doctor and said "yeah, I'm gonna finish his season by having him not show up for the kid he wanted lmao" and in doing so also wrote a narrative in which a smart, driven, feisty, confident woman got squashed into a box and told she can't be anything more than her reproductive ability.

I hate this.

#dw spoilers #doctor who #belinda chandra #reality war spoilers #I'm so tired

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