#Specific dynamics

[muntadhir]

I’ve been in that whole “my writing is stale, blah” mood (wtaf is new, lads) but then my thoughts shifted to how I haven’t even written stuff like, p getting gangbanged by old men while Geppetto watches (participates?) So really, it’s like —— has my writing truly even begun???? Wee fucking snaw, lads.

I have like an internal checklist that I gotta get through before I fuck off from this fandom, and it’s like:

Write Geppetto banging wiktor

Actually play dbh so I can write hank banging Geppetto or p or both (I like how my autocorrect capitalizes Geppetto but not hank. My autocorrect knows who is the man of my heart)

old men gangbang p

actual pregnancy

Write something that genuinely disurbs me to write. Something out of my wheelhouse, that makes me uncomfortable. I want to be made uncomfortable by my own writing because it is mine, and I have the power to continue or pause or fully stop at any time, and that is such an incredibly powerful emotion for me

Tl;Dr sorry for being a bit serious. Eventually I wish to write something vile, even viler than all of whatever ((gestures to my ao3)) that is

[black-quadrant]

sometimes all you need is one passionate person who goes berserk for your work to keep you creating

[ciderjacks]

WAITT ok I just realized this is all the characters in their respective familial/pairing relationships …. Omg

HE HER DAD CONFIRMED…….

[inkskinned]

in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!

they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.

they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.

you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.

but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.

where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.

and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?

doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.

but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.

what if you're both just people, and you're no saint neither.

just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?

your mouth will always have a hole, is the thing, if you remove the tooth.

[benevolenterrancy]

"If the original novel had given this thing more than ten words of description, there was no way he wouldn’t have remembered!"

[sparkoflena]

As somebody who has written Batfamily fanfiction (mostly for myself but I have like two things public), Bruce Wayne's relationship with his kids will always be the hardest part.

Yeah, I could fanon it. But I do try my hardest to be at least vaguely canon-compliant in terms of characterizations/relationships.

BUT the history of Bruce Wayne as a father changes depending on the author you read, which Robin is Robin-ing at the time, and what trauma Bruce happens to be going through. Is he going to be deeply supportive of his kids and attend their events and be both awkward and proud? Is he going to hit his kids? Who knows, certainly not DC writers.

(I'm of the opinion that Bruce Lost-His-Parents-At-A-Young-Age & Adopted-Kids-Like-Him-To-Build-A-Family-He-Didn't-Have-As-A-Child Wayne ABSOLUTELY should be a Good Parent[TM], albeit a bit Overprotective Dad. But there are only a handful of authors who follow this depiction)

[bamsara]

As a writer who doesn't often read other fics because of personal preferences, but also to focus on my own and spend a lot of time writing something completely to my own exact tastes instead I gotta ask

(This is specifically about long-fics, but short fics can work too)

Personally, I have specific preferences/squicks that make it hard for me to read certain things and prefer to write what I like instead of looking for it in other places (That's not to say that it can't be found! I just find writing it to be a lot more satisfying)

[applebees4prez]

riz being aroace as well as fabian’s gay awakening is the only correct option but also the funniest one. this loser (affectionate) is obsessed with you but in somehow the most platonic way possible and there’s a second where you think he might like guys and has even dated one but nope it’s the manifestation of his fears of his total lack of romantic attraction. meanwhile girls are asking YOU why you always bring HIM up and you can’t face the fact that you are actually just as obsessed with him because you are just afraid of your sexuality as he is of his. crazy.

[robo-milky]

Wanted to base the masquerade fit on Anthony Warlow’s version- looking closely, I just love the two bows on the shoulders??? Idk what it is but I love outfits that are huge and accentuate the silhouette- like it screams power-

[sangled]

ship dynamic i eat up every time

[niinnyu]

(^ー^)

[fascinationstreetmp3]

JEFFREY COMBS as HERBERT WEST BRUCE ABBOTT as DANIEL CAIN BRIDE OF RE-ANIMATOR (1990) dir. Brian Yuzna

[lotus-pear]

whatever happens, please don’t break

[mingjoes]

Next time time we meet, I will do everything to apologise to you, Jack. I hope I never see you again, Joker.

Jack & Joker, dir. Rahat Hatsamanat @asiandramanet september bingo: transition

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[jedi-starbird]

No one ever tells Obi-Wan that he is his Master's padawan.

Of course, for most people who had known Qui-Gon Jinn, telling someone else they resembled the the man would in fact be a thinly veiled insult. But still, Obi-Wan feels the absence of comparisons almost as strongly as he feels the absence of his Master.

There is no one for Obi-Wan to push against now, no strong presence at his side, ready to grab him by scruff and pull him back from another reckless stunt. It's an odd feeling. He has been set loose against his wishes. There is no one to his left and Anakin at his heels, but Anakin had needed, still needs, a strong, gentle figure for his prickly but sensitive heart. For even their worst bickering could not hold a candle to the scathing remarks he and Qui-Gon had shot at each other and Obi-Wan knows he cannot push and needle Anakin in the same way.

When Qui-Gon had been alive they had been an amusing, mirrored pair, the maverick and his rule-following padawan. Opposites clashing against each other, yet working together to complete the most difficult missions. Few saw that Qui-Gon's impertinence had indeed rubbed off on his padawan, cultivated from that small, angry initiate, because the only way to rebel against the rule-breaker had been to parrot the Council fastidiously. No one would ever get to see that again. Obi-Wan is one half of a mirrored pair trying to complete a routine on his own. What once was an impish, teasing compliance is now a betrayal of all his Master's values.

"How could Qui-Gon raise such a model Jedi?" He hears them say, "It's admirable that Master Kenobi was appointed to the Council despite his Master's maverick ways."

Padawan Kenobi would have yelled and kicked and screamed. Master Kenobi is serene. It should feel like an achievement. It feels like a disappointment.

Sometimes, Obi-Wan looks at the shape of the man he has moulded himself into, and aches to be his Master's padawan.