#Sorry lmao i ended up rambling

[cttrajan1206]

At first i was tryna pin it down on one square but tbh my genderfluidity is never really in a solid state, even in the xenogeders I encompass.

So this is as accurate as i can get? I'm one of the X-es right now I think but I very rarely go to any corner piece, and moreso slide acriss one of the directed arrows half the time.

Tag yourself! I'm somewhere between F1 and F2!!

[lazylittledragon]

not to be Anxious on main but i've got my performance review for my apprenticeship in a few weeks to see if they're going to keep me on permanently and i am gently shitting myself hnhhhhh

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[askblueandviolet]

Macaca and the Mayor, what's it like to be parents?

Bai Hae, how does it feel to have two more dads?

Do your parents even know that one of your babysitters is the mayor?

MASTER POST

Asks Start 💙💜

Previous 💙💜(🧡)

Next 💜

[wundrousarts]

Something I’ve noticed for awhile is that I often get comments from people about how they are surprised how I always come up with theories and try to guess what might happen and they “could never do that” themselves. I want to say: yes you can! There’s honestly a shortage of Nevermoor theories and ideas and speculation and etc and I want to see MORE!!!

Want to talk about how Morrigan’s mom is actually secretly alive? How the Scholar Mistresses are a Wundrous Act? Do you think the Tempus Divinity looks like an owl, or do you think Weaving and Ruination would be met together? Or have you ever thought about how this one line, from Chapter 19 of Nevermoor, about Betram Crow actually means he was a Cursed Child? Whatever it is you want to talk about: GO FOR IT!!!

I personally find it very fun to go sort of “English class mode” and look at the text in front of me and think about what different things might mean and analyze it and even overthink it to an unnecessary (but fun!) amount. But that’s just me and how I like to approach things! You don’t need to make long posts and quote specific lines if that isn’t your style. The big thing to remember is that so much can happen in the next six books, so throw any idea out there! You never know what twists and turns will be thrown at us. I think it’s fun to share these ideas and discuss with other people— sure, maybe there’s just something you missed when reading, but perhaps some new ideas spawn might from it. Some speculation could even serve as inspiration for fics!

There are some theories and thoughts that I’ve posted that have been “debunked” when I reread a book, or when someone pointed out something, or even just when something had a real-world basis that I as an American didn’t catch. But it was still fun to think about it all, and there’s some bits and pieces that I see as notable and worth considering. I think most of the Silverborn Masterpost is going to be “wrong”, but if just 1% of it is “correct”, even indirectly, I will take that as a win. I know it feels like during the hiatus everyone’s talked about everything, but I hope that the incoming communal reread (fingers crossed) and obviously Silverborn brings some speculation back to the fandom because I want to discusssssss!

[momentomori24]

You know, for as much as I joke about Grace and Wolfgang having had sex (and it apparently being confirmed by the team too), I'm actually genuinely intrigued if that will be plot relevant later. I've seen some people talk about Grace potentially being pregnant (and side eyeing Wolfgang's corpse too which LMAO). That may sound way out there and a stretch, but it's actually not that unbelievable, surprisingly. The animal that Grace is associated with is the rabbit. Rabbits are known to represent fruitfulness, lust and fertility due to their rapid reproduction. And in Christianity they also represent rebirth and resurrection on top of that (hence why they're so intimately tied to Easter, the celebration of the resurrection of Christ).

Considering how Eden's Garden has a LOT of religious symbolism and parallels to the bible, it wouldn't be too unimaginable if that's going to be how her animal symbolism becomes relevant later on. Her being the character most associated to fertility and reproduction while also being heavily implied to have had sex (probably unprotected) doesn't seem like a complete coincidence, I think. Just food for thought. Love it, hate it-- if nothing else, that'd certainly be one way to put the "dead" in "dead beat", amirite?

[ratatatastic]

my favourite part of hockey being back is that i get to caption this guy and so i bring you the "bad attitude" bit from last season finally being put to rest because we've beat this poor horse to death... only to be revived once more! if theres anything we like around these parts its living for the bit!

Training Camp 24 | 9.19.24 (x)(x)(x)(x)(x)

[fraternum-momentum]

so so so glad ur art has been taking off lately... i've loved ur dol art for ages now, so it's fun to see things with a wider appeal blow up! nwn

ty for sticking with me for so long !!!! it's honestly so surreal tbh,, im just kinda doing whatever comes to mind / whatever i want to do, im glad people seem to like it :33

[kirisclangen]

Zelda

She/her, 65 moons, cis molly

[meamiki]

kagepro day...

[hauntingofhouses]

mizutaigen is literally like. the first "toxic" m/f ship i've ever cared for. cuz like usually my taste in m/f ships is basically "unhinged baddie" x "badass wifeguy" *

* (see:yen/geralt. trevor/sypha. adolin/shallan. kataang but katara is sane and they're literally so wholesome like theyre traumatised kids in love who are each other's emblem of hope in a war-torn world! so basically they don't count. anyway. i'm rambling.)

and to that end my friend called mizutaigen yaoi-adjacent and im like. yeah you're right actually cuz like hell yeah non-binary mizu and bisexual taigen rights and all the gender fuckery in the show in general

but also like.

theres just SOMETHING else about mizutaigen that just GETS me. like there's a special secret sauce like the pheromones in that one sephora lotion attracting spiders and i am the silly spider!!! there's just something about it!!! it's not even the enemies to lovers trope cuz i personally am not even usually into that (obv it's fine if you are. but yk.)

so as i keep rotating these thoughts around i thiiink it's the fact that, yknow, theyre so similar. like i honestly truly think they could be besties in another universe: a kinder universe where taigen was not taught to hate. a universe where mizu was not born a girl in a deeply misogynistic society or half-white in a xenophobic homogeneous society.

yeah now that i think about it that really just might be THE secret sauce!!! like the fact that they COULD be perfect and happy together, if only things were different, if only they werent themselves.

smth v bittersweet about that's just driving me insane and makes me want to root for them to overcome all those obstacles, to say "fuck all that" (re:the world and all its fucked up shit) and find each other in the end. to eventually become each other's fav person and confidant. who obv still bicker and tease and insult each other all the time but they dont really mean any of it and over time it just becomes a running gag between them and no one else has to get it because it's just between the two of them.

[silverselfshippingchaos]

husband.. I love him

[graff-aganda]

No no ikr. The ENT fandom is so quiet around here. And honestly I'm just excited to see art of my favourite dudes, because we rarely get fanart around here, and when we do it's usually Trip or T'Pol solely. Malcolm gets left in the dust quite a lot so I'm happy you drew him as well - and so well done too!

Anyway, ramble over, lol.

OMG... Well I think I can see why a lot of fanart is of Trip and/or T'pol (those two seem like they're doing some heavy lifting for the show/are just a lot of people's faves. I've got a few half baked ideas in mind for them myself.) but the rest of the crew as a whole do deserve more love I think! :]

[pinayelf-archive]

I know fans joke abt how the warden is more competent than the inquisitor bc they did all that w/o much help but the funny thing abt amihan is she actually isn't

she was 20, angry and hated herself and the world, she ended up in the situation she was in bc she was...a petty snitch. she also hates being a grey warden and continues to hate being one through dai - she actually leaves but then decides to search for the cure

for most of the Blight, it was fuck up after fuck up. like I play it so that I have enough ppl to help me fight the archdemon, but in my personal headcanon, she pissed off a lot of potential help (whether it be Circle mages who overheard her saying she was "gonna annul this shit" out of anger, eamon's men who did NOT like her, bhelen who didn't really trust the fact that she knew nothing about politics), left a bad taste in people they came across and picked a fight with anora

which I think makes sense for a 20 year old ill-adjusted young woman who had to learn how to be more selfless. beating the archdemon was pure luck mixed with people just NOT WANTING the Blight to destroy ferelden and realizing joining the fight was the only way to stay alive

amihan does grow, but it's slow, she has to process trauma, understand she hurt people and ruined their lives and to actually experience what it's like being loved (both platonic and romantic)

I tend to not post so much abt how much amihan fucked up and almost let a Blight swallow ferelden bc I tend to feel anxious abt how ppl will receive it but I think it's important to her character and it's fun and interesting for me to play with it in this case

immy is 100% more competent than amihan, in spite of her own flaws, but I love both my messy and my scaredy cat girl all the same

[paxopalotls]

RAHH i just read both your tue danny / phantom / dan centric works, and how does it feel to be so correct and compelling and correct? more seriously - what about TUE / TUE Danny do you find most interesting to explore? do you have any characterization / headcanon that isn't necessarily canon compatible? and free space (please ramble about them as much as you want)

Sorry it's taken me so long to go through my inbox! I hope you don't mind the long text; TUE is one of my favorite episodes and Dan is a character that I find very fascinating.

Thank you for the kind words aahh! I don't often write so it means a lot that you liked my works. For context if anyone else is reading this, I wrote a couple IB fics about Dan/Phantom, and my thoughts about him, which I'll elaborate on here.

I have a lot of feelings about Dan, especially since he as a character is so tragic. It's strange to me that no one ever mentions the fact that when Vlad performed the removal of Danny's human half, it was Phantom that betrayed Vlad, not the other way around. I always thought that meant there was something wrong with Dan after the accident also. I delve into it a little in my fic, but I do have more thoughts about his attitude. It's interesting to me that the comic portrays his actions as being motivated by Vlad's self preservation and selfishness, and I don't necessarily disagree, but I do think it's more complicated than that. I personally believe his actions have a very complex motivation, more than just "Vlad is evil so fusing with him made Danny also evil".

It's difficult to deal with grief, and from the few scenes shown, it seems Dan dealt with it by shutting down. I also think he had a lot of conflicting feelings of grief and rage; Danny was the one who regularly defeated the ghosts, but he was also the one protecting them from the human ghost hunters, releasing the ghosts back into the GZ rather than allowing them to be taken for experimentation. I think it would anger him that his lenience towards the ghosts was taken advantage of, leading to the deaths of his friends and family. Vlad never showed an inclination towards abusing the ghosts, so this is what I believe caused him to do such uncharacteristically violent things like paralyze Johnny 13 from the waist down, permanently damage one of Box Ghost's eyes and one of his hands, and destroy Ember's vocal cords.

Something I touched on in my fic too is that I believe Danny has a weird relationship with death, due to the fact that he managed to come back from it, and also due to the general existence of ghosts in his life. AGIT states that all ghosts are people who've died, as well as that some lose their humanity over time. Due to this, I have a belief/theory that Dan expected his friends, if not family, to come back, and when they didn't, he dealt with his loneliness through anger. In TUE, he acts like he doesn't care about any of them, but I think he actually cares too much. He is caustic and taunting towards them, his parents especially, because his anger at them for hurting him is compounded by his grief at their loss.

In addition, the interference of Clockwork probably also contributed to his anger; there are two timelines that exist, the one where Danny lost and the one where he didn't, and the only reason that he won was because of the interference of Time himself. I think this is a lot of what motivates Dan's actions in TUE; he's trying to prove to Danny that the timeline is "inevitable" because he's trying to prove it to himself. His loved ones have already died, and he's angry that this alternate Danny gets a second chance. The only moment of true vulnerability we see in him during TUE is when he realizes that Jazz, his Jazz from his timeline, had always known who he was. It's obvious that despite his efforts to seem unemotional about everything, all of his actions are due to his turbulent emotions, and this is even more evident in canon due of AGIT confirming that ghosts are beings of emotion.

I do think Vlad's emotional state also compounds with this, since Vlad as a character is more prone to hiding his hurts than Danny, which is a large part of what makes up Dan's personality. In addition, Vlad's character is largely driven by a desire for family and affection, but he responds to this insecurity with a need for control and self-aggrandizement. Vlad's goals throughout the show are to amass power, largely to prove himself to those he cares about - Danny and Maddie - as well as to spite those he hates - Jack. His feelings for Jack seem more complicated than that, however; he is upset at what he sees as a betrayal by someone he obviously cared about; the two of them were best friends and roommates before Maddie was in the picture.

I think both Danny and Vlad center a lot of themselves on the people they love, though it's more evident on Vlad's side, and Dan as a combination of them does as well. His tendency is often similar to "splitting" in BPD, where he responds to a perceived betrayal or personal weakness with volatility, which is something Vlad does as well, with Jack, Maddie in some ways and especially with Danny. Dan as well responds with hostility towards people he is attached to who he perceives as hurting him, something that is complicated by the fact that part of what he blames them for is the fact that they died. He is especially ruthless with people he sees as betraying him or his lenience, like Valerie and the ghost rogues gallery; this is also a combination of Vlad and Danny's personalities. Vlad's hatred tends to be more long-standing than Danny's but he also tends to be more methodical with his actions. Danny on the other hand responds to his own anger with immediate aggression, but lets go of slights relatively quickly. Dan, as the combination of the two, holds grudges for a long time, but tends to rely on brute force rather than long term plans like Vlad would have.

He also has a lot of self-loathing, which he projects onto Danny and Vlad from this timeline, Danny especially. As I mentioned earlier, a large factor in this is Clockwork's direct involvement in the current timeline, which superseded his. In addition, I think that Danny and Vlad's interpersonal dynamic might have fed into this; both of them can't bring themselves to permanently harm the other but they do both hold some level of resentment for the other, Danny more-so since Vlad has an attachment to him. Danny's hatred for Vlad especially seems to derive in part from his own fears about himself and his selfishness, and I think that influences the way Dan interacts with both of them.

TLDR: Dan's specific concoction of mental illness derives from both Vlad and Danny, which affects a lot about how he acts and feels. There's a lot to explore about his trauma and how that relates to his new place in the current timeline, and I have a lot of feelings about him. (He makes me sad!!)

[ropes3amthoughts]

I’m so glad I watched Arcane because I got like 3 posts that were full of gifs of Caitlyn and Vi kissing on my dash in a row and if I hadn’t just watched it I would’ve gotten spoiled lmao