#Son of man

[sictransitgloriamvndi]

Kings Worshipping the Beast (1497 / Woodcut) - Albrecht Dürer

[tomicscomics]

11/15/2024

This guy needs a tree-chers' union.

JOKE-OGRAPHY: 1. In this Bible story, Jesus tells His disciples that there will be signs before the Son of Man (i.e. the Messiah, Jesus) returns at the end of days. The sun and moon will darken, and the stars will fall from the sky. He compares these signs to a tree sprouting leaves, pointing to a fig tree as an example. Just like the fig tree's new leaves are a sign that summer is on its way, these heavenly disasters will be a sign that the Son of Man is on His way. 2. In this cartoon, Jesus starts talking about the Son of Man like in the original Bible story. He gets to the part where he points out the fig tree and says, "Take a lesson from this fig tree." However, instead of the tree remaining respectfully silent like in the original story, the tree in this cartoon turns and interrupts him. It thinks that by "learn a lesson from this fig tree," Jesus meant for the tree to start teaching instead of Him. The tree is incorrect, as most trees are -- a flaw of their kind, and one of the many reasons God stripped them of their voices pre-Genesis (I assume).

[artmindlens]

The Son of Man by René Magritte (1964)

The Psychology of Transgression and Guilt Magritte’s The Son of Man immediately captivates with its two central symbols: the apple and the figure’s formal attire. The apple, suspended in front of the man’s face, evokes not only the biblical narrative of Eden but also the Oedipal Complex, where transgression against the father’s law leads to guilt. In the biblical tale, Adam consumes the forbidden fruit offered by Eve, symbolizing the birth of self-awareness, shame, and the burden of guilt. In this painting, the man’s face is concealed behind the apple, echoing the unresolved guilt from that original transgression.

From a psychoanalytic perspective, the apple mirrors the child’s desire for the mother and the violation of paternal boundaries, evoking the tension between desire and punishment. Before consuming the apple, Adam was unaware of his nakedness, just as the child, before transgressing paternal laws, is innocent of their own desires. Magritte’s man, in contrast, is fully dressed—his body covered by a formal suit, suggesting an overcompensation for that earlier transgression. His attire, like the suit of a corporate leader, represents conformity to societal rules and the defensive structures built to contain one’s hidden impulses.

However, it’s the apple that holds the deepest psychological weight. By hiding the man’s face—his core of identity and expression—it creates a psychological tension between the desire to be seen and the fear of being exposed. For a leader or executive, this speaks to the unconscious burden carried beneath the polished exterior, where the drive for success is continually shaped by the fear of transgression and the guilt of overstepping social or professional boundaries.

The Suit as a Symbol of Conformity and Defense The man’s formal attire serves as more than just a uniform of professionalism—it becomes a psychological defense. The suit, much like the hat perched atop his head, symbolizes social status and conformity, a way to signal adherence to the expectations of society, much like corporate leaders navigate the demands of shareholders, regulatory bodies, and industry norms. Yet, behind this polished exterior, the apple remains—a reminder that no matter how much we align ourselves with social structures, the hidden burden of guilt and the desire to transgress still linger beneath the surface.

Leaders who resonate with this painting might feel an unconscious connection to this duality of identity. On one hand, they must project a facade of control, success, and conformity. On the other, they may grapple with the weight of unresolved guilt from past decisions or actions—choices that, like the apple, remain hidden from public view but deeply influence their sense of self.

Transgression, Authority, and the Pursuit of Power The Oedipal Complex present in this work also extends into the realms of power and authority. The apple, symbolizing forbidden desire, creates a tension with the suit, a marker of societal success and control. For those drawn to this painting, it may evoke a subconscious acknowledgment of the transgressive impulses that often drive ambition—the desire to challenge authority and push past boundaries, while simultaneously seeking approval from the very structures they seek to defy.

For executives or professionals who might display this work, The Son of Man serves as a psychological mirror, reflecting the internal struggles faced in their journey toward leadership. The fear of exposure, the guilt of transgression, and the need for external validation all intertwine within the image. It reminds us that no matter how elevated one becomes in status or authority, the unconscious drive to rebel and the weight of guilt are never fully erased.

The Apple as the Unconscious Burden of Guilt At its core, the apple not only hides the man’s face but represents the guilt of wanting more—more power, more success, more control. In leadership, this often translates into a continuous striving for achievement while carrying the fear of overstepping boundaries. The man’s face, hidden yet central, reminds us that in the pursuit of success, there is always a part of the self that remains concealed—driven by past transgressions and the desire to surpass societal limitations.

For those drawn to this painting, it could signal an unconscious recognition of the cost of ambition—that the pursuit of power, while necessary, also comes with a burden of guilt and the need to reconcile one’s hidden desires with public expectations.

[idylls-of-the-divine-romance]

I "love" when nonchristians and exchristians try to use the title "Son of Man/Humanity" (because in hebrew it's "ben adam" and thus "son of humanity/a human") to try to be like "Seeeee!!1! Jesus was just a man! He said so himself!!!1" Because if you actually read the Bible you would know "Son of Man" is a more Divine title than "Son of God." And random Israelite is a Son of God, my friend, but only Jesus is Ben Adam, Son of Man. It is a claim to humanity AND divinity. Daniel 7.

[dress-this-way]

~ Serve One Another ~

Via The Consecrated Woman | ENCOURAGING AND INSPIRING THE WORLD WITH DAILY BIBLE VERSES

[wiirocku]

Acts 7:56 (KJV) - And said, Behold, I see the heavens opened, and the Son of Man standing on the right hand of God.

[joesbandmerch]

Son of Man - "Letters to the Editor" shirt

not a band, but son of man is the clothing site/record label that josh newton and joe owned together, under which they released schadenfreude as with knives

listen to with knives on spotify, apple music, and support on bandcamp

photo source

[oneeightfournine]

[palatinewolfsblog]

The Outlander (for my old Friend @acommonloon ). "Don't mistake the American Dream for the Gospel of Jesus Christ." Alistair Begg.

[artthatgivesmefeelings]

Carl Heinrich Bloch (Danish, 1834-1890) The Burial of Christ, ca.1873 ”For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.” - John 3:16, The Bible.

[dramoor]

“For as Jonah was three days and three nights in the belly of a huge fish, so the Son of Man will be three days and three nights in the heart of the earth.”

~Matthew 12:40

(Art by Gustave Dore)

[thelordismylightandmysalvation]

Verse of the Day - Luke 12:40

[the-cricket-chirps]

Above: René Magritte, Le Fils De L'Homme (The Son of Man), 1973 Lithograph

Below: Rene Magritte, The Listening Room, 1952

[elijones94]

🐾 “He will NEVER learn! You CAN’T learn to be one of us!!”~ Kerchak

[mother-lee]

gustave doré, “Christ leaving the praetorium”

[wiirocku]

Matthew 12:31-32 (NLT) - “So I tell you, every sin and blasphemy can be forgiven—except blasphemy against the Holy Spirit, which will never be forgiven. Anyone who speaks against the Son of Man can be forgiven, but anyone who speaks against the Holy Spirit will never be forgiven, either in this world or in the world to come.