#Someone actually wanted me to fight them

[hamilton-wh0re]

Status Update: Garrett is currently both laughing his arse off and pissed from Trump being shot.

@writerman @denalilily Others I forgot feel free to tag yourselves cos you may have changed your blog and I didn’t see. ^^)

(Tagging y’all cos the whole situation is insane and this I think would actually happen lol)

[poorly-drawn-mdzs]

Thank you. I'm sorry.

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[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[sofiaruelle]

Sooooo the last few days i’ve been seeing stars and suddenly i’m juggling 6 sorcerer boyfriends. Whats a polar bear to do?

Also this is my MC, 🍨✨ Sorbetes ✨🍨.

Context why my MC is a sentient polar bear.

The MC doesn't have a set appearance and then there was this dialogue. And the emotes are polar bear themed 😂😂😂 is also literally its own spoiler

[acearohippo]

I love fandoms, especially witnessing what fans take away from source material and how fans interpret it based on their experiences. Not to mention the stark difference of interaction between new fans, casual fans, experienced fans, and long-term fans.

I say this because the SVSSS fandom has continuously fascinated me in insisting in discussions that there are parallels between Shen Jiu and Luo Binghe (tell don't show), but in their fanworks, I just see parallels between Luo Binghe and Yue Qingyuan (show don't tell).

And it's not even (fully) a case where they're blending character personalities because they want what the other dynamic has, it's just how the characters are based on canon in two different timelines.

All of this to say, perhaps original draft PIDW (NOT original!PIDW nor pre!SY PIDW which are completely different) was supposed to revolve around the dynamic between SJ and YQY vs SJ and LBH. Perhaps YQY was to be the last hour mastermind, the true foil to LBH.

And fandom is just circling this idea without realising it because, once again, the unreliable narrator that is SY has already convinced this fandom that any version of SJ has to be a/the villain, regardless if it's through his own actions or baseless rumours.

Warning, run-on sentence ahead.

I don't know, mans, but it's gotta mean something that LBH and YQY have such similar life beats of being orphaned and having a tough life but remaining kind/compassionate because they had someone to live for until they didn't which left them empty until they found (or refound in YQY's case) one (1) man to obsess over in an uncomfortably intrusive way with no regards for his feelings and rejections, eventually reaching a position as the most powerful being in existence with a huge caveat that their sword is 83% of that power and is slowly killing them which did nothing to soften said man of their obsession's into showing them kindness leading to the ultimate confrontation between the two in which only one could survive and keep their obsession, not that it mattered because neither of them got to experience his feelings reciprocated, except in another timeline where the same things are happening until their obsession suddenly stops rejecting their (still intrusive) advances even if he is acting a bit silly, but hey take advantage while you can and take advantage they did because now they have that reciprocated feeling (except one still "won" as he gets to keep him for himself) and be thankful that all it took was, in their perspective, a near death fever that drastically changed his personality and most likely left him crippled in some other way, preventing their obsession from not NOT needing them anymore, all-in-all fulfilling their desire to be relied upon again, hooray! 😋😁✌🏽

In all seriousness, at the end of the day people are going to draw connections between characters that fit whatever narrative they understood from the story. SVSSS fandom just seems to be trying to convince others of one narrative while believing on a deeper level of another narrative. It's amusing and makes following the fandom fun.

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[dirtytransmasc]

You wanna know what I need? I need Miles 42 to meet Miles 1610's dad.

I just know this kid who's supposed to be all big and tough and scary, the prowler, would turn into a teary-eyed little kid if he saw his dad again. I need to see him hug his dad, even if it isn't his dad, because Miles (1610) is very willing to share with his "twin".

I need to see this kid break down, but in all the best ways, letting himself be a little kid again, just clinging to his dad, because for fucks sake he's just a kid and he just wants to feel safe and protected, he just wants to feel his dads arms around him and hear his voice calming him down and the sound of his heart beating. Its not a need, its a want.

[clotpolesonly]

you ever think about how, even with how messy and traumatizing and dysfunctional the guardianship period of their lives was, the second Ronan realizes that Declan might actually be capable of settling down with one girl, he immediately imagines him as a father? i do

[herearedragons]

tag the oc that's most likely to get stuck in a time loop and what kind of time loop it would be

[feroluce]

So I went to the wiki page for the henghill Bullet & Brain mission of 2.2 looking for some dialogue I had missed and

a) I found something incredibly tasty that slotted into some other thoughts I'd been having, more on that on another day, and

b) I saw this super fun little trivia at the bottom, which!

I knew Penacony characters like Boothill took a lot of inspirations from old movies, but I didn't realize it was even in his and Dan Heng's relationship, that's so cool!!

It fits them very well, it's such a fun reference. "Butch Cassidy and the Sundance Kid" was an old buddy Western film (from 1969- nice) about a pair of outlaws. Butch Cassidy was the leader of a gang, and described as clever, affable, and talkative. Meanwhile, his closest companion, the Sundance Kid, was known as a man of few words.

Cassidy's original birth name was much more plain, but similar to Boothill, he took on a new moniker when he became an outlaw. "Cassidy" had been the last name of his beloved mentor, who taught him how to shoot and ride. And Sundance Kid was known as he was because Sundance was the name of his hometown, and it was the only place that had ever managed to catch and jail him, back when he'd been younger (also similar to Dan Heng, but ouch).

These two stick together like glue throughout the length of the film- through Cassidy's leadership of the gang being challenged, through a train robbery gone wrong, through being pursued by mercenaries, and even through fleeing to Bolivia and trying to start over together.

I don't want to say too much more, since the mission title is referencing one specific movie that I've never seen. I kinda wanna watch it now, though, just to see the inspiration that went into Boothill and Dan Heng and how they get along. I just think it's really sweet that these two were literally made to be the best of bros, how lovely is that. 💕

[pianostarinwonderland]

Now it's likely we will enter everyone's dream what do you think azul dream would be?

rubs hands Ohhhh anon, you're in luck because I have so many thoughts.

Since I also have ideas for the tweels, I'll take this time to write what I think all the Octavinelle dreams will be like. Most of these are my own thoughts, but some ideas are from friends. And because I love the trio so much, I'll also write my own ideas of what would possibly get them to wake up and such.

General notes before listing the individual dreams:

May be an obvious point, but I think all 3 of them will have each other in their dreams. Octa trio are very close, and I don't think they can imagine not having each other in their lives. It also matches how their initial dorm card art have each other + how all three of their stories are tied together.

I think that Jade is going to be the Octavinelle dream segment's SSR because of the twins, Kalim and co. will likely have an easier time waking Floyd up. Jade may need some prodding from someone more familiar with him.

However, I do acknowledge the argument made by my friend that it is possible for Floyd to be the SSR as he's the rightmost one in the order you find at the lessons (if you notice, the order goes Ortho > Lilia > Rook > Kalim (though Kalim is an exception) with Sebek in between Lilia and Rook, and they're the rightmost ones in their dorm order seen in lessons. Floyd is the rightmost one in the Octavinelle order). And I wouldn't be surprised if TWST decides to pull that out. But admittedly, I don't know what exactly would make Floyd's dream deep enough that he needs to be woken up by someone more familiar, so I write the dreams with the assumption that Jade will be the SSR.

Though not necessarily going to be important in the following ramble, I have a feeling that they will release Coral Sea's hometown event to be able to use certain assets (i.e. backgrounds, possible official reveal of Azul's merform) in book 7, just like Vil's hometown event was used for the Pomefiore dream segment.

As a disclaimer, I don't have full translations of the last two updates so I may not have the most accurate ideas for how the Octa dream segment can turn out because there are patterns they're following here. Many of these are still brainrot induced (even though I think I make good logic wheezes).

Ok, with all that said, here are my thoughts for the Octa trio's dreams :>>

Floyd Leech: Living underwater with Jade and Azul

It's not a secret that Floyd is at his happiest when he's in his merform. Among the trio, he's the one who transforms the most often into his merform. Some incidents include the time that he transformed during swimming class according to Ruggie (Book 3) and Vargas Camp where he transformed to get fish. Floyd is also the one who tells the most stories of his time under the sea with Jade and Azul. We know about their middle school band because of him (Robe Kalim vignette); we know about Azul's actual size in his octopus form because of him (Beans 2 main story); we know about the music contests they used to join because of him (Portfest Floyd vignette).

So it makes sense that his dream would be in the sea, where he's in his merform. It's also going to be pretty simplistic, depicting a happy life underwater.

TWST tends to be very comedic, especially with the first dream. So my friend suggested it would be fun if there were literal fish versions of the cast in his dream 😂 so we could have live2D assets of a literal goldfish Riddle, crab Ace, sea snake Jamil, etc.

Jade and Azul of course would be in merform along with him. Maybe they might be playing in their middle school band: Floyd on drums, Jade on bass, and Azul on piano (and maybe their audience is composed of the NRC cast as fish).

In this dream, maybe Floyd has no memory of ever being on land with Jade and Azul. So that may be what the others will use to wake him up.

Jamil would probably remind Floyd of basketball club days + dancing, and Ortho would probably remind him of his love for shoes. These could be pretty reasonable as the permanent card vignettes (so SR Robe/Lab, R Uni/PE, SSR Dorm) seem to be compliant with the canon of the main story. Grim would probably remind him as well of Book 3's events and how he'd do fun shit with Azul and Jade at the Mostro Lounge. They would probably remind him as well that Jade and Azul love what they do on land.

I don't know where to insert this, but it's very likely that Azul in this dream does not hate his merform. Floyd talks highly of his merform (whether it looks yummy or very strong), so it's possible that he wishes that Azul loves himself just a little bit more (I really want to say it is hinted at, but at the moment, I have no idea if that's correct, let alone say where it is hinted at, so I won't say it like it's canon). And by extension, this can be Floyd's way of sharing that maybe Azul wouldn't have OB'd if he was more accepting of himself.

Jade Leech: If Azul never overblotted

Jade's dream would take a similar path to Rook's dream, in which the premise for the latter is that Vil never overblotted because he's not in conflict with Neige. And for Rook, that's okay, he just wants Vil to be happy, even if he looks on from afar. Except that for Jade, he wants to be the reason that Azul didn't have to overblot.

See, it's very subtle, but Jade is probably upset or even traumatized from Azul's overblot. While he never shows this (this motherfucker istg) the one small bit of evidence of this is in Book 4. Jamil's hypnotizing everyone, and Kalim, Azul, and the rest are frantic as they don't know what to do. But as Jamil is about to overblot, Jade tells him to stop, or else he will overblot. And that's a very interesting thing: why is it Jade who's the one telling Jamil that he'll overblot at the rate he was going? Why not Azul, who's both fascinated with Jamil and the one who underwent overblot? Or even Grim and Yuu who have 3 experiences of overblots by that time? Of course, that's not necessarily a guaranteed indication that Jade is upset from Azul's overblot, as in general, overblot is very dangerous and could kill a life. Jade may have been saying this to prevent Jamil from entering a life-or-death situation. However, I still find it intriguing that it's Jade who's warning Jamil, especially when another instance of another character trying to stop an OB was Kalim, who followed Vil since he was reminded of Jamil's own OB (and we know Jamil and Kalim have been together since forever).

There's two ways that this can go: either (1) Jade's dream follows like Rook's, or (2) it goes the opposite of Rook's.

In (1), Jade (and consequently, Floyd) would not be friends with Azul, and Azul would continue on as he is, only a lot more independent.

(1) stems from the fact that the plan Yuu hatched to destroy Azul's contracts was hinged on separating the twins from Azul. Jade might have realized this, either in Book 3 or off screen post Book 3. And in a similar fashion to Rook, he might blame himself a little bit for Azul not being able to get the contracts off of Leona on his own due to the fact that he and Floyd are always with him. So in his mind, he thinks he might be dragging Azul's potential down, and he knows how much Azul wants to become the best version of himself. So maybe he looks on from afar as well. Maybe he's still an Octavinelle student, but not the vice leader.

(2) also stems from that same fact, but it also has an additional element: In Book 3, Jade asked Azul if they should do anything about Leona, since it was unexpected for Yuu to stay in Savanaclaw. Azul replied that he probably won't act on anything, so he says not to disturb him. What if Jade might have been hooked onto this? That maybe he should have acted more upon his suspicions? That maybe he should have been more attentive when spying on Yuu and co to find out when they hatched this plan? So maybe in dream (2), he had a countermeasure or he just knew when to nudge Floyd to go back to the dorm before Leona destroyed the contracts. Then once that was dealt with, they deal with the photo and bam, Azul wins and they get the Ramshackle branch.

Both (1) and (2) are connected by Jade's wish in the Dances and Wishes event, where he expresses that his wish is for Azul's and Floyd's wishes to come true. In a sense, (1) fits this a bit better than (2). There's also the idea that moray eels have a cowardly nature, according to Floyd. (1) could be an expression of said nature within Jade.

But if you ask me, I think (2) is a bit more in line with Jade. Firstly because I doubt he can imagine not being close to Azul, secondly because I think in his ideal world, I think he'd wish he had more control over what happened (and Jade has a thing for control).

Thirdly, it matches in terms of how his dorm card and Rook's dorm card are both same and different. The gameplay of TWST tends to be intermingled with the story and characters at times. Dorm Jade and Rook both have first spells where they boost their ATK stat for 3 turns, with fire as their duo element. The differences between them are (a) card typing (Rook Attack vs. Jade Defense) and (b) M1/M3 elements (Flora/Water Rook vs. Water/Flora for Jade). This parallel can be reflected in their dreams vs. the reality of their situations. Rook dreamt of never being involved with Vil, but in real life he was in time to intervene and save Neige. Meanwhile, Jade would dream of being on time to stop Leona, while in real life, he was too late and only in time to kick Azul's ass out of his overblot.

And fourth, this is where you may wonder: Isn't Azul's second dream going to be the Book 3 AU, based on the patterns with Idia, Vil, and Jamil? To which I answer: yes! Definitely! But here's where I'm going to point out something: Jade and Azul not only have similar ish mindsets but also have the same paintings in their initial Platinum card art, just with flipped positions. I like to think that this is reflective of their dreams, where both of them wish to change the same events of Book 3, except that they'd go about it differently.

Jade would definitely be woken up by Floyd, who would remind him that what happened has already happened. (On this note, I wonder if we'll get to see one of their vicious sibling fights so Jade can wake up, but I'm just dreaming at this point)

By virtue of him being the SSR, we gotta think of what's the scenario that would make Jade cry! Him having to fight the fake Azul and Floyd might break him. Yeah, he's fought Floyd and all, probably dueled with Azul too, but it could be different when he has to be 100% serious about it. Either that or, there might be some part of him that hates the fact that it was a dream. And Floyd would have to snap him out of it, saying that everything is okay.

Azul Ashengrotto: Ultimate business owner + Book 3 AU

The first dream we enter, in typical Azul fashion, we're likely going to see him owning a whole chain of Mostro Lounge restaurants! And maybe not only that: he's probably running a hotel or two, he's got a delivery service going, he probably has a monopoly running while we're at it. Basically, it's all the stuff that he lists down in Book 6 before he sleeps on Riddle's shoulder.

His businesses expand over both land and sea. Since Azul prefers being on land, we may see him on land first before diving to the sea to check on business there. And that's where the first confrontation happens.

I think Azul would feel practically invincible by this point! And by invincible, he not only has everything he wants, but there's not a trace of his past to be discovered, so people think he's always been this intelligent and strong. So when he's confronted by Jade and Floyd, who share memories of his past (his shared past with them, from middle school to NRC), that's the first instance of Azul slowly starting to wake up and him panicking about his perfect world being fake. And it almost works until the dream versions of Jade and Floyd come in and remind Azul of the kind of invincible person he is.

Then they descend to the second dream, which is the Book 3 AU where Azul got his contracts from Leona and probably beat his ass. Except that the difference between this and Jade's dream is that Azul does this all by himself. When dream Jade and Floyd get back to him with the photo, they're praising him, all like, "Good job Azul! You're so strong and powerful! I'm glad I get to hang out with someone as awesome as you are!"

But the real Jade and Floyd would try to stop him from destroying the photo and tell him that it's a reminder of who he was, and how much he's grown. And if Azul succeeds in destroying that photo, Jade and Floyd would pull out the photos that they carry with them (think the album from the opening). They want him to accept the person that he was, and realize the person he is now is someone who's grown stronger. He has become better.

On how his dream would collapse, this is tricky. I would want that Azul destroys his contracts (thereby breaking the deal he made with Yuu, which would entail that his happy end has been broken), but him not destroying the photo would also cause the dream to collapse since the way to his happy end involves removing all ties to his past, namely the photos. He could do both. However, the trend so far is that foreign influence affecting the happy ending is what would break the dream. If anything, if Jade and Floyd do have their own copies of Azul's past photos, that means that the presence of those indicates that Azul's ties to his past are not broken at all, and therefore they would break the dream.

Then as per pattern, the others leave while Azul sinks deeper to try and wake himself up. He meets his OB self, who's steeped in his insecurities and is very unaccepting of his past. And this is where Azul accepts those insecurities and accepts his past but will continue to move forward with his life and grow to be a person he can be proud of, and fight his OB self. Then he faces his first dream and dream Jade and Floyd, and then he wakes up eventually.

[thousandyearphantombunker]

i hate the fact the term karen went from describing a bitchy entitled customer to basically the modern day equivalent of calling a woman a harpy (misogynistic as fuck) and that people use the term on people out in public who are at the end of their rope emotionally from stress or a shitty day. I get it just because your having a rough time doesn't mean you get to be a dick but sometimes I think people are seriously lacking in empathy and I get it a lot shit the customer might be dealing with isn't your responsibility but like if a customer is struggling with something simple maybe don't be a dick? Just a thought.

[kunikiiida-kuuun]

Personal vent time

This is a purely personal complaint but I think one of the major reasons why I'm so disappointed with how things are currently going in the manga is how they kept teasing us with this "once the agency is together there isn't anything we can't do" thing and ultimately divided them again AND killed off Kunikida. They took the idea away before we even got anything 😭😭

They even had Atsushi say this in one chapter ago which got my hopes high and now obviously it's not gonna happen with how easily Amenogozen can slurp people up. I know eventually it's gonna be a SSKK battle in the end but heck, I'd take any crumbs they would offer but give us something?? I just wanna see some ADA action, is that too much to ask for?? 😭😭

[donnatroyyyy]

Dick and Jason fighting:

Dick: you’re nothing but a scummy, worthless piece of shit! I hope you die again! You should’ve never come back in the first place!

Jason: oh yeah?! Well you’re nothing than a big fake who doesn’t deserve to be here with the family or with superheroes in general! There’s a reason why you’re the one Bruce took the longest to adopt! It’s because you’re not worth it! You’re worthless and nobody loves you!

Dick: well at least I can get my own juice box from the grocery shop! But oh no I’m Jason Todd, the favorite child because I fucking died and I need to do everything criminally because I’m rebelling! Get over yourself you ass no one thinks you’re cool!

Jason: and people think you’re cool?! With your fucking mullet phase and need to over sexualize yourself?! Yeah fucking sure, stop blowing this out of proportion it’s a fucking juicebox!

Dick: and you’re just a fucking failure but oh look at that— Bruce still loves you for some reason!

Jason: what you’re sad cuz he doesn’t love you?!

Dick: and you’re sad because you never had a real mother?

*five minutes later*

Dick, in Jason’s doorway, has done this a million times before with all his siblings: I’m going to bat burger

Jason, was contemplating burning down Dick’s apartment, and also wanted to go ask Dick his opinion on some cargos but didn’t want to be the first to cave: I’m coming with

[sotangledupinit]

i’m obsessed your honor