#So many of the 7 dwarves

[kitkat-the-muffin]

Liveblogged my fifth rewatch of Red Shoes and the Seven Dwarfs on my private instagram story

My friends and family are gonna have their work cut out for them skipping through all that

Especially since this morning I filled it with Underworld Office propaganda

[literaryvein-reblogs]

A 7-Part Worldbuilding Template

PART 1: The Basics

What is your world called?

Estimate its population:

In one sentence, describe your world:

Is it set on: Earth; Alternate Earth; Not Earth / Another planet

PART 2: Geography

THE NATURAL WORLD Flora & Fauna; Creatures; Landscape; Diseases

How was the world created? How long ago was it created?

How do the laws of physics work?

How does the solar system move? What celestial beings exist (suns, stars, moons, etc.) and how do they relate to the world?

Flora & Fauna

How does the flora differ from region to region?

Do any plants have special or magical properties? Are any dangerous?

Creatures

What kind of wildlife roams which parts of your world? Where are they most commonly found?

How did the wildlife evolve?

Do mythical creatures such as dragons exist? How do they fit into the ecosystem?

Landscape

Where are the mountain ranges? Rivers? Forests? Deserts? Seas?

How does the terrain interact with its inhabitants?

Are there any “natural wonders” in your world? How were they formed?

Diseases

What natural diseases have evolved over time?

How are they transmitted?

How has this affected population growth?

LOCATIONS OF SIGNIFICANCE Capital City; Flags & Symbols

What are the major cities in your world? Ports? Most populated metropolises?

Is your world split geographically? (e.g. rural and urban, north and south, etc.) If so, how?

Capital City

What is the capital city of the world?

Why is it the capital?

Flags & Symbols

How does each city choose to represent itself (crest, flags, signature colors)?

WEATHER

What are the processes of your world that drive weather and ocean patterns?

Are certain regions more vulnerable to certain weather conditions?

Climate

How does the climate differ in each region?

What are the seasons like in your world? How many seasons are there?

PART 3: People

RACES & SPECIES Physical Build; Mannerisms & Etiquette; Customs & Rituals; Festivals

What intelligent species or races populate your world? Dwarves? Elves? Xenomorphs? Other? How did they come to exist?

How does each race or species perceive each other? How do they co-exist?

Physical Build

What do the inhabitants of your world look like? Do they have any distinguishing features?

What is the societal standard for beauty? How might this differ in each region of the world?

Mannerisms & Etiquette

What is the code of conduct between people of different ranks or classes? People of different cities or regions? Elders?

How do people in your world convey non-verbal boredom? Disbelief? Happiness? Respect?

What would be a gesture that is universally insulting in your world?

What etiquette exists in different parts of your world?

Customs & Rituals

Are there any rites of passages in your world? “Coming of age” celebrations? If so, what age marks the transition from child to adult?

What traditions surround death and burial? What about engagements and proposals of marriage?

Festivals

What are the important festivals of your world?

Why are they celebrated?

LANGUAGES Sayings; Accents; Greetings

How many languages exist in your world? How did they originate?

Which language is spoken most? Is there a universal language?

How do naming conventions differ in each region?

Sayings

What are common sayings? Idioms? Insults? “Untranslatable” words that only a certain group of people would understand?

Accents

If different languages exist, how does this affect the accents in your world? What do the accents say about the person (place of origin, social class, level of education, etc.)?

Greetings

How do people of the same race greet each other? How do people of different races greet one another?

Is there an informal and formal way to greet others depending on the level of familiarity (i.e. friends, acquaintances, elders, superiors, etc.)? What are the proper forms of address?

SOCIAL FRAMEWORKS Class or Caste Systems; Family Structure; Marriage

What social frameworks underlie the communities in your world?

What are the social taboos? What would one need to do in order to be kicked out of society?

Class or Caste Systems

Is there a class system? If so, how much emphasis does society place on it?

What are the tell-tale signs that a person belongs to a certain class?

How does class affect professions and trades in your world? Can anyone become a priest or a wizard, for example — or is it a privilege restricted to certain members of the hierarchy?

Family Structure

What is the normal family unit?

What is the social system within a family unit in your world? Patriarchal? Matriarchal?

What constitutes a good father? A good mother? A good child?

Marriage

How is marriage defined in your world? Is marriage a civil or religious institution?

Do people marry for love? If not, why do they marry?

PART 4: Civilization

HISTORY

How did civilization begin?

When was the earliest known record of history?

What were the significant wars that have taken place on your world’s soil? How have they shaped the present?

Can your world’s history be divided into significant eras (e.g. Georgian, Victorian, Edwardian, etc.)?

Myths

What myths exist in your world to explain the cosmos? How might this have in turn shaped religion?

How were stories passed through generations?

CULTURE Literature, Art & Music; Clothing; Cuisine

Is national culture and history a source of pride or shame in your world? How is it preserved?

What are some things that define each culture? What would a person from a certain city, region, or country be proudest of?

Literature, Art & Music

What is the role of the arts in your world’s culture? How is it perceived by society and how has it evolved?

Who are some celebrated or noted artists in history? What they known for?

How might the arts have changed as a result of outside influences (from other regions, cities, races, etc.)?

Are any of the arts taboo? If so, why?

Clothing

What is the customary dress? Is it gendered? If so, how?

What is considered fashionable and how does this differ from region to region?

How does the clothing one wears reflect status?

What is the dress code for each profession? How strictly followed must it be?

Cuisine

What are the regional dishes? How might this differ depending on the climate and environment?

Is there a difference between what the poor and the rich eat? What is considered a luxurious food? What is considered a staple food?

How are mealtimes approached? Is there a set hour to be at the table? Are there traditions that precede or follow a meal?

RELIGION Gods & Deities; Holy Texts; Significant Prophets

How do people worship in your world?

When and where do people worship?

Gods & Deities

Who are the major and minor gods that people worship?

What function do the gods serve in society?

Holy Texts

What (if any) holy texts exist?

How well-known are the scriptures? Would people of all ages be able to recite them on the spot if asked ?

Significant Prophets

Who are the important religious figures in the world?

For what reason are they significant?

EDUCATION

Does formal education exist? If so, who can access it? The rich? The clergy? Everyone in the general population?

If magic exists in your world, how is it studied? Do schools exist to train it?

What are literacy rates among the general population? How does this affect communication and the distribution of information?

LEISURE

How do people spend their leisure time in your world? What forms of entertainment are most common?

Are there any organized sports in your world? How might its rules and regulations differ from the ordinary?

PART 5: Technology, Magic & Weapons

MAGIC SYSTEMS Rules of Magic; Practitioning Magicians

For what purpose is magic used in your world? Who can use it?

What limits are there to its power? What are the consequences of using it?

What is the history of magic and magicians in your world?

How does society view magic? Positively? Negatively? As the Other?

Rules of Magic

How does magic work in your world? Where does it come from?

Is there a language that’s needed in order to call forth magic? If so, what are its roots?

Is magic regulated in any way? What is the governing body?

Practitioning Magicians

What are magicians’ status in society? Are they trusted advisors of kings or charlatans on the road?

How many magicians exist in your world? How do they perceive one another?

TECHNOLOGY

How advanced is the technology in your world? How does it work?

How does technology impact the different parts of society? Transportation? Communication? Medicine?

How does magic and technology interact and co-exist? Is it a rivalry? A co-op? Are there rules and regulations?

WEAPONRY Signature Weapons; Common Weapons

What weapons are predominant in your world (ranged, combat, anti-gravity, etc.) and why?

Who makes the weapons? How do they work? Is it easy to obtain them?

Signature Weapons

Are there special weapons (e.g. Thor’s Hammer)?

How are they made? How many of them exist in the world?

Common Weapons

Are there professions that necessitate the bearing of weapons?

What about religions?

PART 6: Economy

ECONOMICS

On which economic system does your world operate? A market economy? Feudalism? Socialism?

Is there a central bank?

How does the government regulate businesses?

TRADE & COMMERCE Currency; Major Imports & Exports; Natural Resources

How is trade facilitated? Is it carried out by traveling merchants? By a guild? Are there auctions?

What cities, countries, or regions are allies? Trade partners? How has this changed throughout history?

How is the soft power of a region, city, or country determined?

Currency

Is there a universal currency? If not, what are the regional currencies? What is the valuation?

How is the currency circulated and what are the denominations?

Can the currency be broken down into units (dollars, cents, dimes, quarters)?

Major Imports & Exports

What are the major exports of the region or city? Imports? How might this have evolved throughout history?

Does a particular region specialize in particular trade (i.e. livestock, weaponry, etc.)? Why?

Natural Resources

What resources are natural in each part of your world?

How does this affect trade and trade relationships?

TRANSPORTATION

How easy it is to travel within a city and outside of a city? What modes of transportation exist (horse, anti-gravity car, etc.)?

How is information disseminated all over your world (ink and paper, owl, newspaper, messenger)?

BUSINESS

What crafts or trades are highly valued in your world?

Are some professions considered more elite or respectable than others? How so?

How do people advance in their fields? Are there apprenticeships? How easy is social mobility?

What is the normal work schedule for the average person? What is the average income?

PART 7: Politics

GOVERNMENT

What is the form of government? Is it a monarchy? Republic? Empire? Theocracy?

What are the responsibilities of the government? How far does the government’s sphere of influence spread (magic, religion, etc.)?

How is the government perceived? Is it trusted by the people or is there tension?

LAW Justice Systems; War Systems

What is the rule of law in your world? How is law enforced? What are the most important laws?

What are the punishments for breaking the law?

Justice Systems

What is the legal process in your world? How are people tried?

How does magic fit into the legal system? Is it above the law?

War Systems

How is war declared? Is there a formal process that a country must go through in order to engage in war?

What is the command structure of the army?

How big is the army? Is it composed of humans? Non-humans? Both?

Source ⚜ More: Writing Worksheets & Templates Writing References: Plot ⚜ Character ⚜ Worldbuilding

[dunmeshistash]

Hi and thank you for all the service you do for us!

If it's not too much of a bother, could you please compile everything that is known about the structure of the dungeon? The maps, the floors, and what's there, if there are notes about what monster lives where, it would be amazing! I've found a few useful panels, but I'm not sure if I'm missing anything. Thanks!

So you mean information about "The Island" in specific? That's apparently the name of the dungeon they're in during the story. I can try

You can check the dungeons tag for more general information about dungeons.

Here's what the adventurer's bible says about the Island:

1 THE ISLAND

A new dungeon that was discovered just six years ago. It's rumored that the Golden Country that existed a thousand years ago still lies in its depths, imprisoned there by the Lunatic Magician

And here's what I said about it on that Dungeons post

"The island", which is the name given to the Dungeon Linked to Melini Village's Graveyard, is a "Compound-Style Dungeon" while other dungeons seem to have specific styles linked to other ancient civilizations (Dwarf-Style, Gnome-Style, Elf-Style) 'The Island' in specific seem to be a Compound Style between dwarfish and elvish styles. As Thistle says, continuing in ch 68, it was an ancient Dwarf construction that was then used by Elves. Maybe that's the reason the dwarfish inscriptions are only in the innermost levels of the dungeon. The Style then seems to indicate which ancient civilizations created the manmade Dungeon.

Idk much about the maps, there's some behind the characters in some covers but idk if they're accurate at all or what they represent but here they are:

About the floors we have a cross section that shows floors from floor 1 to floor 5 and a bit of 6

I'll just copy whats on the wiki cause I think it works and add images from the manga.

Floor 1

The uppermost floor of the dungeon. Once the graveyard of the nearby Merini Village, the discovery of the dungeon resulted in it filling with merchants and adventurers. There are sellers of manuscripts and incense, as well as an abundance of food stalls. There is also a demi-human slave market

Floor 2

The floor is filled with tall trees and towers, linked by wooden bridges. It is theorized by scholars that the area is the top of the Golden Castle sealed away by the Lunatic Magician.

Floor 3

The entrance to the Golden Castle, now moldy and covered in dust. Footsteps can be heard, but it is unclear if they are those of fellow adventurers or the undead. Most monsters on this floor are undead, rotting or skeletal. There are water fountains in the shape of lion's heads throughout the level. There are also toilets in the busier areas, which have been maintained by Senshi for many years.

Senshi's base camp is located here. There are also merchants on this level, but their clientele tend to be fairly shady.

Floor 4

The floor is a cave made up of the castle and an underground lake. The water has absorbed magical energy and glows faintly. At the bottom of the lake is the castle town.

Floor 5

The exit of the Golden Castle and the entrance to the castle town, which contain evidence of their former splendor. The streets often magically rearrange themselves, making navigation difficult. The orcs' former home is located here. There is an overgrown graveyard attached to the town that is populated by Dryads.

Floor 6

A network of underground waterways built using the mining tunnels of dwarves. It is stated that most monsters on this floor use mental attacks. This floor was once hot and humid, but is now cold and snowy.

Floor 7 (wiki calls it "Deepest part of the dungeon" but the monster guide says the monsters are on F7)

An old dwarven defensive site, filled with pipes, machinery and mechanical contraptions located past a large door with no visible lock. The floor is fairly warm. Further onward is an ancient dwarven city, hewn from the side of a cliff face, with giant fungi sprouting in some areas

--

Besides these floors there's also the Golden Kingdom and Thistle's home, the golden kingdom appears to not actually be conected to the rest of the dungeon directly? Since they need the ghosts to take them to and from there, Thistle's home seems to be past the 7th floor but might just be on the 7th I'm not sure.

About the monsters you can check on that wiki page which monsters show up on each floor (based on what shows up on the manga I think) but here's what the adventurer's bible says about which floor each ones lives:

All over the Dungeon

Walking Mushroom

Big Walking Mushroom

Dungeon Cleaner

Undine

The eyes of the Magician (Wyvern)

1F and bellow

Huge Scorpion

Green Slime (Mostly 1F)

2F and bellow

Mandrake

Man-Eating Plant

Big Bat

Basilisk (only 2F)

3F and bellow

Treasure Insects

Mimic

Living Armor (3F-5F)

Ghost

Golem

Living Painting

4F and bellow

Mermaid

Kelpie

Fish-Man

Giant Frog

Sea Serpent

Ivy Tentacles

Tentacles

Giant Kraken (only 4F)

5F and bellow

Dryad

Minotaur

Warg

Harpy

Cockatrice

Wyvern

6F and bellow

Barometz

Changeling

Shapeshifter

Hippogriff

Griffin

Nightmare

Red Dragon

Green Dragon

7F and bellow

Dungeon Rabbit

Bicorn

Unicorn

Succubus

Dullahan

Gargoyle

- (No habitat in the dungeon, were summoned by the Dungeon Lord)

Phoenix

Familiars

Hag

White Dragon

Easter Dragon

Wurm

Chimera

Flying Pig

Jackalope

Werewolf

Huge Spider

Quetzalcoatl

Hope all of this helps somehow!! Putting a readmore fucked up the formatting so I hope yall don't mind the huge post 😅

[raven-at-the-writing-desk]

Hi Raven!! Easter eggs in case you didn’t notice but Rook’s bedroom in his dream on the Neige side. It has many vector redraws over Epel poses! Credit to @/MoonlightEquin1 and @/lovesfirstkiss_ on Twitter for noticing this.

I think I found the Twitter posts you're talking about (here and here for those who are interested)! It looks like Epel’s Union Jacket, Suitor Suit, Birthday Boy, and School Uniform initial artworks were used as a basis for some of the Neige paper goods shown. (nxebwbkxnskw THE SUITOR SUIT BEING USED AGAIN… First it was for “Epel”, aka actually young Marja/this grandma, now for Neige…)

This just lends credence to Vil’s belief that Epel’s cuteness could rival Neige’s… thus making Epel Vil’s secret weapon and “poison apple” to defeat Neige in book 5. Maybe Neige copies many of Epel’s poses because Rook also sees the similarities between them (this is, after all, his dream). It’s great attention to detail on the part of the devs!! And, of course, very good eye to the fans who spotted this.

OH

You know what I caught while looking around Rook’s rook for any other potential Epel card matches??? Well, besides the fact that RSA!Vil STILL wears friggin tall heels as part of his uniform?? 😭

Enhance…

IS THAT.

IS THAT CHE’NYA IN THE TOP LEFTHAND CORNER… The cat ears and the colors are too similar NOT to be???? Rook knows who Che’nya is???? Somehow??? 😭

I get why there would be photos of Neige, a celebrity, but why photos of Che’nya…Unless… Rook acquired these pictures personally 💀 Like, he snuck on over to RSA campus and hung out in the bushes taking shots of Neige AND his classmates… Or he ripped it out of the RSA yearbook that he somehow got his hands on??? (The creepy part isn’t even that Rook is the type of character to do this, the creepy part is that this is behavior that’s “normalized” for Rook so we don’t even bat an eye at it when he’s involved.)

Also?? At first I thought the others in this photo card were the Dwarves (since, excluding Che’nya and Neige, there are 7 of them), but the hair colors are nowhere near the same. But they obviously must be RSA students because of the uniforms they wear. (Is one of them Vil?) And there seems to be a… redhead…

A… redhead… prince(ss)????

RIELLE???????? HONEY… IS THAT YOU???????? Is this foreshadowing for us meeting Rielle in the Octavinelle dreams and/or in the second huge arc of the main story????? here's exactly seven of them if you ignore Che'nya and Neige, meaning this count of RSA students would be perfect for another seven books of main story... aM I REAdiNG tOO MYCh JntO TH!S?????????

I didn’t expect to fall down this rabbit hole from an Epel and Neige centered ask but here we are, I guess 🤯

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART THREE: if you haven't read previous parts, do it now! —

[ 1 ] [ 2 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] [ 10 ]

Welcome, friends and travelers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(this photo isn't the spoiler, I just like it.)

Today's Discussion:

So far, we've covered a few things. We know Solas was "born" from (or manifested from) a branch of raw lyrium while he was still connected to a Titan. We know there were hints toward this from across all three previous games, plus a lot of external media. We know his "birth" was initiated/instigated by Mythal.

We also know that there are quite a lot of hints about memory and forgetting across what we've covered so far, from Cole's dialogue to old elvhen lullabies.

But from here, we must ask ourselves: What ARE the Forgotten Ones? And if Solas really IS Titan-born, what does that say about the rest of everything we know about the world of Thedas and its magic?

Why the Titans are the Forgotten Ones

Fen'Harel Walked Between Both Clans of Gods

The Abyss and the Fade

Lyrium: Titans' Blood, Emerald Waters of the Fade

What IS a Spirit, Then?

Solas's Magic: What Was He Born With?

Solas and Petrification

Solas and "Blood" Magic // The Red Lyrium Idol

What Did Solas Absorb at the End of DA:I?

Why the Titans are the Forgotten Ones

Okay. This, I admit, could have been its own post. There is a LOT to cover with just this topic. I was in the midst of outlining such a post when one of my favourite Dragon Age theorycrafters (girltriesgames) came out with this video, which summarizes every point I'd gave gone into at length. Go watch it, if you want the full deep-dive!

For now, I will summarize some of the video's points:

There were two clans of gods, according to Merrill. The first was the Evanuris, and the Forgotten Gods were the second.

Fen'Harel walked among both clans without fear, and both believed he was one of them.

The Forgotten Ones have been "sealed" in the Abyss, which we know is the deep underground from the Descent DLC and other sources such as the Anvil of the Void.

The Forgotten Ones are cited by Merrill and the World of Thedas books as being at war with the Evanuris, namely Mythal and Elgar'nan being at war with four Forgotten Ones; in the Trespasser DLC, it mentions that the Titans were at war with the Evanuris, and slain by Mythal and Elgar'nan.

The Hissing Wastes features codices from ancient dwarves who fled to the surface to escape a war that was ultimately... forgotten, featuring dragons being used as weapons that slaughtered their kin. Obviously an above-ground enemy!

There are countless mentions of the word "Forgotten" around the Titans and dwarves. The Titans have been forgotten. They do not exist in the Memories of Orzammar. The sleeping Titans have forgotten how to wake up.

Cole makes many mentions of forgotten songs in relation to the sleeping Titans and also to the dwarves. Curiously, he even ties these concepts to the Templars, who employ the same magic (according to Cole).

Fen'Harel Walked Between Both Clans of Gods

Once I knew that Solas is made from lyrium and that the Titans are the Forgotten Ones, everything clicked into place for me. The legends say that Fen'Harel walked between both "clans" of gods because each one believed him to be one of their own. That sentence made less sense to me before, because I wondered: how does an elf fool an entire other clan of gods into believing he belongs to them?

Understanding that the Titans are the Forgotten Ones, famously the clan of gods that the Evanuris (namely Mythal and Elgar'nan) warred with... well, it makes sense now, doesn't it? Solas was able to walk between both clans of gods because he DOES have roots in both. Solas is crafted FROM a Titan. Solas BECAME an Evanuris. The Titan would recognize him as one of its own; the Evanuris accept him as one of their own.

This is backed up even further by a piece of Solas's dialogue in The Threat Remains.

"I have journeyed deep into the Fade in ancient ruins and battlefields to see the dreams of lost civilizations. I’ve watched as hosts of spirits clash to reenact the bloody past of ancient wars both famous and forgotten."

The Titans' existence was struck from Orzammar's Memories. Cole makes endless mentions of forgotten songs, old songs. Beings that are sleeping and don't remember how to wake up. Beings that have forgotten even themselves. Solas refers to dwarves as the severed arm of a once mighty hero.

"Wars both famous and forgotten," therefore, might refer to a war that was famous among the ancient elvhen, but forgotten by the rest of the world. One side takes pride in the mining of lyrium from slain titans. The other is doomed never to know what was lost.

But the question remains: When Solas created the Veil to imprison the Evanuris, what exactly happened to the Titans?

The Abyss and the Fade

To truly understand what happened to the Titans, we must first understand what, exactly, the Veil was making a divide between. We know much of what happened to the Fade: that Solas says it was once a state of nature like the wind, flowing through everything. That now it is mutable and unpredictable, with little in the way of permanence in anything. That it takes the shape of the thoughts and memories of those within it. That magic functions unpredictably within it.

But what about what that meant for the Titans? What happened to them with this split? And, more importantly, what was the Fade in relation to them?

Let's start with what we know about the Titans' domain. Frequently called the Abyss or the Void, the realm of the Titans is below the surface. Yet, in much elvhen literature found in Trespasser, their domain is referred to as the Earth.

I believe, based on the context of those codices, that the Earth and the Abyss are not the same. The Abyss refers to the caverns in the deep underground. The Earth, specifically, is the Titans who live within the Abyss. Earth, in the ancient elvhen, pre-Veil context, may refer to the Titans' bodies—lyrium—while "Pillars of the Earth" refers to the Titans as sentient beings. The Song to Elgar'nan talks about wanting victory over the Earth, capital 'E.'

Though the Chant of Light describes the Void as more a state of being, the ancient elvhen describe it as Andruil's old hunting grounds.

One day Andruil grew tired of hunting mortal men and beasts. She began stalking the Forgotten Ones, wicked things that thrive in the abyss. Yet even a god should not linger there, and each time she entered the Void, Andruil suffered longer and longer periods of madness after returning. Andruil put on armor made of the Void, and all forgot her true face. She made weapons of darkness, and plague ate her lands. She howled things meant to be forgotten, and the other gods became fearful Andruil would hunt them in turn.

The time of Andruil using the Void as her hunting grounds predates the Veil. Overall, we already know much of what this codex implies about the Void: that it is dark, underground, and that there is reason we know of that would send Andruil back with madness (the abundance of raw lyrium and the fact that the Evanuris are mages, plus Andruil's lyrium armor).

What I want to focus on is that the Forgotten Ones were thriving in the Abyss before the Veil went up. They were alive and, ostensibly, able to fight back. They had access to their will and to their consciousness.

That consciousness seems to have disappeared with the creation of the Veil. Let me rephrase.

The Titans lost access to their consciousness with the creation of the Veil. At the same time. And what did the Veil do? What is the SOLE thing it did?

Separated the Fade from the waking world.

A collection of facts, when taken together, lead me to my conclusion about the relationship between the Abyss, the Fade, and the Titans.

The Forgotten Ones (Titans) live in the Abyss

They were conscious and "thriving" before the Veil went up

Cole remarks that they have "forgotten" how to wake up in the time since

No one has memory of the Titans, not even the dwarves

Lyrium is the blood of the Titans

and lyrium grows in the Fade.

Lyrium: Titans' Blood, and the Emerald Waters of the Fade

I think a lot of us (me included) have been thinking about the Fade all wrong. I think a lot of people consider the Fade to be this Other Thing™ that was once a part of the world, and is now separate. Now, I believe differently. I think that the Fade and the Titans were once two pieces of one whole, and creating the Veil effectively sundered all Titans' consciousness from their bodies.

In short: I think the Fade is the Titans' missing consciousness.

That's why I think it is very important not just that Lyrium exists in the Fade, but that it grows there. It implies that the Fade is still alive, just like the Titans are still alive, but asleep.

When Solas says, "I seek... regeneration" in Vows & Vengeance, I think this is what he means: reconnecting these two sundered pieces.

We've always thought as the Fade as the realm of spirits. Those characters who contemplate the Veil being torn down immediately think about how many spirits and demons that might unleash upon Thedas.

But I must ask: If the Fade is the consciousness of sundered Titans, where did the first spirits come from, before the creation of the Veil? What relation could Titans have with spirits?

What IS a Spirit, Then?

I'm sure that I am not alone when I say that my original guess for Solas's origin story is that he was a spirit that took mortal, corporeal shape. We've all heard Cole say, "He did not want a body, but she asked him to come." We all know that the Dread Wolf's six eyes greatly resemble a Pride demon, and we have seen that Solas' Manifestation achievement icon features those same six eyes.

If you're like me, you might've seen that and wondered how exactly this is all related. How can Solas be a spirit of Wisdom turned to Pride if he came from a Titan?

I'm here to tell you: I think those are the same thing.

And the Chant of Light agrees with me.

Here lies the abyss, the well of all souls. From these emerald waters doth life begin anew. Come to me, child, and I shall embrace you. In my arms lies Eternity. —Andraste 14:11

Many believe that the well of sorrows and the waters of the Fade must have elemental associations with, well... water. But I'd like to put forth a different interpretation.

Lyrium exists in liquid form, once refined. The Bastion of the Pure in the Descent DLC has a literal underground sea. We know that lyrium is the Titans' blood, growing both in the Abyss and the Fade. We also know that the Fade, domain of spirits, is likely the Titans' sundered consciousness.

The "well of all souls," then, is the same as the "emerald waters." Both of them refer not to water, not to oceans, but to lyrium.

I think every spirit on Thedas, not just the dwarves, came from the Titans originally.

To test the validity of my idea, I then asked myself: what do we know of spirits and their nature?

We know that spirits all boil down to one singular quality: Wisdom, Compassion, Purpose, Love, Justice, etc etc etc.

We know that those qualities can change back and forth from "virtuous" to "demonic" depending on the spirit's own feelings and reactions to the world. The trauma of crossing the Veil or being bound can force Wisdom to become Pride (Solas's personal quest) or Compassion to Rage (Down Among the Dead Men from Tevinter Nights).

Not all spirits are named for "virtues" or "sins." For instance, there are Hunger demons, and hunger is not a sin.

Spirits can be killed outright. When that happens, they may reform, but they are never quite the same when they coalesce again. There are also "ancient spirits" mentioned throughout the franchise, which tells me that not all spirits are the same age. They were not all created at the same time.

Many spirits are mere wisps, without one of those one-word qualities. They must gain power before they take such a shape.

To me, that sounds a lot like how thoughts work.

Our singular thoughts could also be boiled down to singular qualities, if framed in a certain way. For instance, my current craving for food is very much a Hunger thought. My constant joy in reading World of Thedas stems from Curiosity. Terrible traffic conditions inspire fleeting Rage, which changes when I remember my Compassion for other drivers who might be erratic because they're going through an emergency or something traumatic.

People don't remember every single thought they have. The ones that stick with us over time? They remain with us because they are powerful. Stronger memories stick around longer; the rest fade away or become shapeless until we try really hard to remember them again.

But when we do remember things we have forgotten? We never remember them exactly the same, do we? If I remember I thought I had as a child, I have to remember it with the context of my current 30-year-old self. I will never experience the thought exactly as my 5-year-old self did.

As long as I have access to my own consciousness, I will constantly produce new thoughts and memories.

Therefore?

Specifically, I think that all spirits on Thedas are the thoughts of Titans, once either held in lyrium or free to drift through the Fade before the Veil existed. Those spirits may then manifest into a corporeal shape, like Cole does, if they have enough power.

And Solas? Solas is one such thought-spirit, who used to be held in lyrium, who Mythal convinced (or coerced) to take shape.

Which explains a great deal about every type of magic we see him use.

Solas's Magic: What Was He Born With?

Oh, Solas, you beautiful enigma. For so long, we thought of you as an ordinary mage. Then, with the big Fen'Harel reveal and the way you began petrifying people in Trespasser, we thought you were something else.

Mages draw their power from the Fade. It looks like the dwarven magic we're seeing (from Harding, from Valta, from Sandal) draws its power from the Stone, in addition to manipulating it. So what gives? How is Solas able to pull from both schools of magic? Is he a mage? Is he kin with the dwarves?

Now, with all the knowledge we've gained through one singular achievement icon jpeg, I understand: you are both, and you are neither.

We must remember that all ancient elvhen are born in a pre-Veil era. With the knowledge we have, that means an era when the Titans were not sundered from their thoughts, and all magic in the world was one thing. If all spirits are the thoughts of Titans made manifest (either as living concepts or as corporeal beings) and the Fade is just one part of Titans' whole existence, then a world without the Veil is a world where we don't need to think of those magics as two separate things.

Rather, they are both magic, but opposing schools of the same magic. When we think of the four elements here in OUR world, we think of earth and air as opposites—but in a lot of media, magic users have access to both. Often, they are weak to each other, one cancelling out the other.

We see this laid out more clearly in this codex from the Vir Dirthara.

"The unchanging world is delicate: spells of power invite disaster and annihilation. The unchanging world is stubborn: the pull of the earth fiercely resists making fire run like water or stone rise like mist. The unchanging world rings with its own harmony. Listen with fearless hearts, and great works will unfold."

This codex is actively encouraging the magic users of ancient elvhen (AKA, all people from that time) to listen with fearless hearts to the "unchanging world" to exert will over the "pull of the earth." They're not saying to avoid the Titans, or to dominate them with an abundance of their own (Fade) magic. By tapping into the Titans' rhythm, even the magic of the Fade is embellished. Made stronger.

To be alive in that time is to be able to wield both magics interchangeably—but just like Aang in Avatar: the Last Airbender, the pull of the earth is a notoriously difficult thing for "air" (Fade) magic-users to grasp, and vice versa.

(A tiny aside: I believe these discoveries about spirits and magic teach us the distinction between elven and elvhen. The latter translates to "spirit-soul," loosely—the spirits that came out of the Titans. I believe elven refers to the corporeal descendants of those elvhen that sexually reproduced.)

Solas and Petrification

Many of us speculated for a long, long time that Solas's ability to petrify people—an ability associated with Sandal and Harding—was something he took from a dwarven or Titan-aligned source. People speculated that Urthemiel, the archdemon, must be somehow connected to the magic of the Stone.

I have a different theory: Solas has always had this capability, but the power he absorbed from Mythal is what has allowed him to once again perform the magic of the Stone from whence he came.

Maybe utilizing both magics to such a powerful degree (remember his Mind Blast from Trespasser?) requires that a mage be more powerful than most, carrying two "sects" of magic within them and using both in such a great and terrible capacity (like how the Avatar is more powerful than other benders, able to carry multiple elements because of bonding with the spirit of Raava, to continue with my previous example).

Solas and "Blood" Magic // The Red Lyrium Idol

I'll preface this by saying: no, I have no idea why Solas has changed his tune about blood magic in DA:tV. I hope to find out in five days!

I do want to suggest that, for Solas, blood magic might mean something different than it does for everyone else. Solas's blood, while he has taken a corporeal shape almost identical to any other elven person, may not be the same chemical make as the blood of mortals. That might explain why he has not experimented with it much during the time of Inquisition, and might explain why he does not want to use his own blood in DA:tV.

Instead, his blood might be closer to lyrium than we expected. And the red lyrium idol might be HIS idol.

Some of you might remember that way back in part 1, I noted that a hint for Solas's origin from previous games and external media is that, in Tevinter Nights, the Dread Wolf refers to the red lyrium idol as "my idol" before slaying the Mortalitasi trying to perform a blood magic ritual with it. It confused me, for a long time, why the Dread Wolf (the big wolf form, not necessarily one with Solas) would refer to the idol as "my idol" before actually retrieving it to keep. The explanation seems simple: it was his first.

This makes me wonder, given everything we know, if the idol first belonged to the Dread Wolf because it is made from the Dread Wolf's blood. Since the Dread Wolf is a piece of a Titan, that would make its blood likely at least related to lyrium, right?

Many have also speculated that Solas's ritual dagger, which gets passed on to Rook, is made from a purified/reforged red lyrium idol. Given the blood connection between Rook and Solas, it makes sense to me that if the dagger is indeed made from the blood of the Dread Wolf (and/or Solas), that is why Rook has access to its abilities.

What Did Solas Absorb at the End of DA:I?

I cannot for the life of me find a well-cropped image, but this post on Reddit talks about a designer note from the post-credits scene of DA:I between Solas and Flemeth. Namely that Solas does not take Mythal's soul when he absorbs power from her. Before he absorbs that power, Mythal passes her soul on to Morrigan.

While David Gaider had previously advised fans to not necessarily take this as canon, it seems to be proving true in Morrigan's design change, featuring Flemeth's crown.

That means there are two things Solas may have still absorbed from Mythal, since her soul was already "spoken for."

Raw power

The soul of Urthemiel, the archdragon slain in Origins. This is true in every world state with Kieran, but I would wager that Urthemiel's soul belongs with Mythal in every world state, since Flemeth said she had an "appointment to keep" in the prologue of DA2, which is why she did not travel with Hawke. My guess is she went to Denerim, poking at the remains of the slain archdemon until, 10 years later in Inquisition, she was in possession of Urthemiel's soul no matter what.

We know, however, that archdemons are sundered pieces of the Evanuris. We've been able to suspect this since Inquisition, where we see Corypheus's archdemon is in possession of a piece of his soul and is therefore the secret to his immortality.

I don't think either of this gave Solas access to any new spells. Rather, I think either one (or both!) might have granted him the power necessary to access spells he already knows from both Fade magic and Stone magic.

However, I'd like to touch on just one thing before this post concludes.

I believe that Urthemiel is June's archdemon. The Chant of Light references an Architect of Beauty, just as it references Corypheus, the Conductor of Silence. These are high priests of the so-called "Old Gods," which were revealed as archdemons when Dumat appeared during the First Blight. Corypheus was the high priest of Dumat, the old god of Silence.

I believe the word Architect being used as the title for the high priest of Urthemiel is indicative of the Evanuris that Urthemiel belongs to. There is one Evanuris known for craftsmanship: June, who we know nothing about.

The reason I mention this is that, if nothing else, June's abilities may have allowed Solas to "purify" and shape the red lyrium idol into his ritual dagger that we see in Veilguard.

In conclusion: I believe Solas has always had access to the Stone, but it would certainly be interesting to see if each Evanuris has their own suite of magical abilities, potentially due to the Titan from which some of them originated (more on THAT in a later post, stay tuned!).

If you read this far, THANK YOU, as always! The collective hype of everyone reading and sharing these is making me all the more excited for Veilguard.

Keep an eye out for the next instalment in this series: What the Chant of Light teaches us about Solas, Mythal, and the Evanuris at large.

[apoloadonisandnarcissus]

“Rings of Power” 2x07 - Speculation and Clues 

Now that we established the “leaks” are fake, let’s get down to business and speculate next episode, for real this time.  

What’s confirmed for Episode 7? 

According to the director, it will be an Elrond-centered episode��

Battle of Eregion: Orcs (lead by Adar) vs. Elven army (lead by Elrond) 

Adar and Elrond share a chat (“You cannot defeat me in battle” Adar warns Elrond)

Arondir joins the battle 

Annatar and Celebrimbor ("what have you done to me?"/“finish the Nine, and I’ll spare your city” )

Elrond at Khazad-dûm with Prince Durin (asking the Dwarves to help in the Battle of Eregion)

Galadriel and Celebrimbor emotional exchange

Want leaks? These are the real leaks.

My guess is this dynamic (Battle of Eregion/Elrond and Annatar/Celebrimbor) will be the core of Episode 7, with Arondir side plot. Maybe Isildur and Theo, as well.

Annatar & Celebrimbor - "Who are you, truly?"

From the preview teaser, we know the “what have you done to me?” scene will take place in 2x07. So, it’s almost certain that Celebrimbor will discover Annatar’s true identity in this episode. He also finds out that Eregion is under attack, while Sauron/Annatar promises he can spare the city if Celebrimbor completes the Nine rings of power. 

Two possible scenarios here: 

Celebrimbor finishes the Nine, and only then he discovers Annatar is actually Sauron. This would mean that Annatar/Sauron would still pretend to be an emissary of the Valar when Celebrimbor finds out Eregion is under seige; 

Celebrimbor discovers Annatar is actually Sauron. Then, Sauron blackmails him into finishing the Nine rings of power.  

I'm betting on the second option.

Mostly because we, the audience, have yet to find out that the “miraculous mithril powder” Sauron gave to Celebrimbor in 2x06 isn’t mithril at all. My guess it’s Sauron’s blood (we saw him performing blood magic in 2x06), to mix into the alloy of the Nine rings of power, to bind and enslave the future ring-bearers to his will and create the Nazgûl (the “Ringwraiths”). And thus explaining why the Nine work differently from the Seven (the Dwarves’ rings of power won’t bind them to Sauron’s will, but create greed and lust for gold).  

I think Celebrimbor will discover this, and that's why he tries to destroy the Nine (to stop Sauron). And, when we see Celebrimbor crying on the trailer, I think it’s after he realizes what he has done; not only at being deceived, or Eregion being under attack, but mainly because he gave Sauron the means through which he’ll conquer and enslave all of Middle-earth.  

Celebrimbor will finish the Nine, and he will try to destroy them, only to find out he can’t.

Will Sauron take a hold of the Nine in 2x07 or 2x08? 

I'm betting late 2x07, because 2x08 has a lot to deal with and many plots to close, and prep-up for Season 3.

This might be a wild guess, but I think Sauron is talking about Mirdania here, and she might be the one who gives him the Nine, bringing full circle as to why Sauron has been earning her trust and loyalty all season: for her to do his bidding, no matter what (causing fraction between the smiths, preventing Celebrimbor from finding out about the attack on Eregion, etc.). Will she leave with Sauron? I don't think so; his eye is set on another prize. She’s R.I.P. for sure, and probably won’t even survive this episode. 

And this scene might actually be Sauron peacing out of Eregion with the rings of power, at the end of 2x07.

Elrond/Adar - Battle of Eregion

From the preview teaser and the trailers, we already know how this will go down (somewhat). In some teasers we’ve seen Elrond with a wound on his face, I think this will only happen in 2x08, and not in 2x07. 

We also know Elrond will go to Khazad-dûm, and ask Prince Durin to provide aid in the Battle of Eregion. I think he’ll see Durin giving a speech to the Dwarves in 2x07, and King Durin III being against helping Eregion, but they won’t show up on the battle just yet (more on that later).

This will probably happen before the Elven army faces the Orc army, because logic.  

This attack somehow stops (probably because Adar will flaunt Galadriel in a cage), and Elrond and Adar will have a chat (as we’ve seen in Episode 7 preview). 

Adar will warn Elrond that his small Elven army can’t stop the Orc legions. My guess is he’ll use Galadriel as bargain here. As I’ve speculated before, Adar already expressed to Galadriel, in 2x06, his desire in knowing what comes after Sauron is defeated and the fate of the Orcs, seeking out a truce between Elves and Orcs, which would allow him and his “children” to live in peace, in Mordor. I believe he will propose this to Elrond, too. 

However, there might be a plot twist in this scene, because every character wants Sauron destroyed: and in 2x07 Elrond might have to choose between saving Galadriel or stopping Sauron.  

Elrond & Galadriel - Elrond's Choice

As I’ve already speculated in Part 1 of my “Last Temptation” megathread, and with 2x07 being an Elrond-centered episode, it makes perfect sense for this to be the moment when he has to uphold the promise he made to Galadriel, in 2x04. And this is exactly what I’m guessing will happen, and the majority of the people on my "People's Choice" Poll are way off mark here. (Or I am, we'll see).

This scene from the trailer is, indeed, Elrond touching Galadriel’s face, at the Orc camp. And it will mirror the first time they were introduced to us in 1x01, but on reverse and sorrowful, because instead of greeting each other, they are saying farewell.

My bet is Elrond will allow Galadriel to remain as Adar’s prisoner, probably to lure Sauron out, in the hope they might save Eregion still, and stop the Orc attack on the city. Plot twist: it won't. Adar is so consumed by his desire for revenge against Sauron, he won’t stop the battle.

Ironically, the clue is in the actual trailer. 

My guess is this scene will play out like an actual goodbye between Elrond and Galadriel, because they believe they both can/will die (we, as the audience, know they won’t, but we can’t look at things that way). And no, there won’t be any kissing on the lips, for f*ck sake. Anyway, it will be a very emotional scene, nonetheless.

And this is why the showrunners decided to throw the Galadriel/Celebrimbor scene in Episode 7 preview, to make it seem it’s Elrond who frees Galadriel from Adar and the Orcs.  But now you’re asking: if we see her in Eregion with Celebrimbor, who lets her out from Adar’s captivity?  

The answer is: Ghûl, the Orc and Adar's wingman, wingorc? Winguruk? The Orc from whom Adar practically rips the war horn from at the end of Episode 6, to give out the signal to the Orc legions, to attack Eregion.

And now you’re thinking I’m out of my mind here, but stay with me. 

Throughout the season, this Orc is the most fleshed out, and has a lot of screentime for him not to do anything relevant to the plot. He’s terrified of Sauron’s return, doesn’t want to go to war, and he’s the one with a family (meaning he has motivation and an character arc).  

He has already shown interest in Galadriel, in Episode 5; he’s the one who tries to cut out a lock of her hair, when she arrived at the Orc camp.

Ghûl's gaze also lingers on Galadriel as she’s being dragged away from Adar at the end of Episode 6, warning Adar that an attack on Eregion is what Sauron truly wants, and that he’s taking his bait. And she’s completely right here, because we saw Sauron planting the seeds of this battle into Adar’s mind in 2x01.  

So, yes, this is my guess, and I've seen other fans have picked out on this as well.

And why an Orc being the one to set Galadriel free is also important to the story? Last season, we saw Galadriel expressing some weird and genocidal views on the Orcs, going as far as vowing to Adar she wouldn’t rest until every single one of his offsprings were dead. Now, we know this won’t happen, and even after Sauron’s defeat in “The Last Alliance” war, there are Orcs on Middle-earth and Mordor (their kingdom) still exists. Galadriel will remain a central part in all of this, throughout the entire story. So, being released by an Orc would certainty contribute for her to broad her horizons and dilute her “black and white” views, and might come into play later on in the story itself.

Galadriel & Celebrimbor

From Episode 7 preview, we know that Galadriel will reach Eregion and reunite with Celebrimbor. Some could argue this scene is actually another one of Sauron’s deceptions, but I don’t think so. My guess is this scene will happen near or at the end of the episode, and Sauron/Annatar has already left the city by then. Sauron and Galadriel won’t reunite in Episode 7 (this will only happen in 2x08 because it’s one of the climaxes of the season).

Charles Edwards (Celebrimbor) has confirmed "Rings of Powers” isn’t following the canon where Celebrimbor was in love with Galadriel, and there is no build up or any foreshadowing for this, so we can scratch the eventuality of any “romantic” undertones happening in this scene.

By the time this scene takes place, I'm 99,9% sure that Celebrimbor already knows the truth of Annatar’ identity. What will these two talk about? Sauron, his plans and the rings of power. Galadriel promises Celebrimbor: “I won’t let you face him alone”. 

There are several possible scenarios here: 

Sauron fled Eregion after Celebrimbor discovered his true identify, but will return to collect the rings of power (like in the books);

Sauron is still somewhere at Eregion when this scene happens (or they believe he is);

Galadriel is talking future here (“Sauron already left with the rings, but if he eventually returns”/"We'll get the rings back and stop him", etc.);

Galadriel is talking about the effects of Sauron’s deceptions and corruption on Celebrimbor’s mind.

This scene will also be important to give extra motivation for Galadriel to go seek out Sauron by herself at the finale. By witnessing first-hand the extend of Sauron’s plans and what he did to Celebrimbor, she’ll go on a hunt for Sauron with a mindset of killing him, next episode.

I’ve already talked about this several times, but it’s always important to remember: in the finale, Galadriel’s plan will be to kill Sauron (probably using Morgoth’s crown + Nenya, as I've speculated before), and there is no doubt in her mind.

Hence the plot twist in “The Last Temptation” scene, and I already shared my theory on the most likely scenario to happen to make her snap her out of her murderous spree (and, as I’ve already said several times, I’m not a huge fan of this myself, but it's what seems most likely to happen giving the foreshadowing and clues so far).

What they will leave out for "next time"?

Celebrimbor's fate. *Spoiler alert*: I'm sure everyone in the fandom knows, but Celebrimbor will most probably die in 2x08.

I can be wrong, but I have the feeling we’ll only see the Dwarves joining the Battle of Eregion in Episode 8. Either way, my bet it’s the showrunners will “deus ex machina” them, and have them arriving when everything seems to be lost and that all Elves are going to die (pretty much like the Knights of Rohan in Battle of Helm's Deep in “The Two Towers”).

I don’t think we’ll see Númenor again this Season. Only if it’s Isildur plot, but it’s almost certain he’ll not join the Battle of Eregion, and just “hang out” with the human Southlanders.

The Stranger arc will be in Episode 8: when when he’ll earn his wizard staff and be finally revealed as Gandalf (because, let's face it, everyone saw that coming from a mile away). And I’m kind of disappointed, because I was hoping for him to turn out to be one of the Blue Wizards.

Unsure if the “Dark Wizard" identity will be revealed. And, no, he’s not Saruman, for f*ck sake, Saruman is one of the Istari and a member of the “White Council”, and he only joins Sauron after “The Hobbit” timeline. I can be wrong, but I’m guessing they’ll leave that “mystery box” for next season, and, most likely, only reveal who the "guys in the masks" are, and why they serve him.

I’m betting we’ll only see the Balrog of Moria in Episode 8, too, and it will kill King Durin III (like in the books, earning its nickname of “Durin’s Bane”). There will be no Balrog in the Battle of Eregion, because Sauron can’t control the Balrogs (they are the same kind, both corrupted Maiar by Morgoth, so he can’t command them, and that's why the Balrog of Moria never joined Sauron's forces).

Just a warning: all comments concerning the fake leaks will be deleted, because we are doing serious speculation in here.  

[tobylix-blog]

LotR Week (6/7): Songs and tales - Aragorn x Reader

Content & Warnings: fluff, mention of alcohol Word count: 0.5k Summary: During the celebration in Edoras you find enough courage to sing in front of the strangers. But some familiar eyes watch you too A/N: couldn't bring myself to put poor poetry in our king's mouth, so this is for reader to bear with. Penultimate submission for @lotrweek

The wind had once caught a banner, And carried it on ever since In cheerful, careless manner Over the mountains and seas.

It waved it all over the cities And forests - those bursting with life. Over blue lakes and white lilies, Brighter than mithril dwarves mine.

The wind had blown on through summers And never had tried to stop. But one day it suddenly faltered, And banner threatened to drop

For beautiful lady watched it From weathered and sheer cliffs. Her dress was of highest merit And so was the shawl she knit.

The wind crawled closer and bargained, “Give me your shawl. In return, I will chase off the clouds And let all your fires burn.”

The lady refused and asked for A single thing in exchange. “Please, give me back the banner From days of the passing age.

This banner I still remember – My love has ridden with it On day that I will forever Have written across my lips.”

The tight circle around you exploded in cheers and clapping. The smell of ale wafted over you as the foam splashed from the mugs. Unfamiliar hands patted your back with encouragement and approval. Someone toasted to your name and your song and more voices joined in. You smiled uncertainly and slowly made way through the crowd to the further end of the table, where it seemed calmer.

A few feet of distance didn’t make much difference in volume, but you found yourself breathing easier while not being surrounded by a living wall of bodies. In fact, it was rather nice to get away and watch the celebration from the sidelines. You looked around the room, noticing familiar faces here and there, but your eyes couldn’t catch a glimpse of the one that mattered the most. Not until a hand covered yours resting on the table and a mixture of smells filled your lungs. Leather and tobacco, and, which surprised you the most, foliage. Even here in Edoras, where everything was but coarse grass and horses, and occasional drink, he still smelled like he just walked out of a forest. You asked him about it a few times, though he simply shrugged it off as a consequence of living in Rivendell for too long.

Aragorn’s voice was low, but with his lips pressed against your ear there was no chance of missing his words. “It was a sight to behold. I thought there was a sun shining in the middle of the night, and a merry rain accompanied it. I must admit it’s a shame that your voice has never rung through the Hall of Fire, that would bring joy to many.”

“You flatter me. Elves have unnumbered songs and tales much more beautiful than this one.”

“But none of them is yours,” he whispered again and added softly, “meleth.”

The last part made you give up the dispute, it always did. And Aragorn, as if in gratitude for your compliance, embraced you. You felt several gentle kisses tracing the side of your face before he pulled you back and down until you were conveniently seated on his lap. His breath tickled your neck as he spoke, "Now, tell me. What is the tale behind your wonderful song?"

[strikefourth]

Fourth Strike Nov-Dec Roundup

Featuring Bandcamp Friday, a new garages goodbye album, and more!

Today is Bandcamp Friday, and we've got loads of goodies in store for you. Before we jump into it, just a reminder that today is Bandcamp Friday. All album sales today have 100% of their profits go directly to the artist (as opposed to the usual 85%). If you've got the funds and are looking to spend on some absolutely SICK tunes, consider giving some love to this month's roundup <3

And with that, let's get started:

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The Garages announced the final installment of their We Are The Garages series, appropriately titled "we've been the garages." It's up for pre-order on Bandcamp right now, along with the first single "we stood at the precipice of total collapse, fingers intertwined, our truths settled with words we'd never speak" by Woosh, Amadis, and Bertie.

The album releases on Jan 5th, 2025, and there'll be a listen party the same day to celebrate the album.

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2. @bardapologist's the sound engineer and editor for the new Dragon Age 2 playthrough podcast Codex Entries! We're linking Spotify and Apple Podcasts below, but you can find Codex Entries wherever you listen to podcasts. For a little extra incentive: Carly's also done the theme song!

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3. Yuppie Supper ( @thwackamabob )'s debut album Dracunculiasis came out at the end of last month, and it's certified sick! Grab it on Bandcamp or stream wherever you stream. They've got some really cool t-shirts out too (though the shirts might be sold out by the time this post goes out.)

And if you missed the release show over in Leeds, catch a recording over on YouTube (from a weird angle):

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4. @dynamicentropy has art commissions open right now and is looking to raise some funds! You can find xer commissions sheet below, along with examples of some of xer art.

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5. Aren't you tired of being human? Why not be tired of being human with lAra-a ( @girltentacles )'s new track, out now on Bandcamp and streaming.

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6. Sparkle on, it's Friday; be yourself: Julien, who you might've seen taking an electric screwdriver to a bass during THE GARAGES SIGN OFF, has some new ✨songs✨ out on Bandcamp!

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7. Keeping up the sparkly, space-y theme here, Gabi ( @girlballz ) has pre-orders up now for faer re-release of infinite spacetime:

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8. Last, but certainly not least, Bertie's got a new Magic: The Gathering inspired track up for pre-order over on Bandcamp. The song releases January 3rd, 2025; sign up for emails to make sure you don't miss it!

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9. This isn't really promoting something I've made, but it was my (roundup writer)'s birthday this week, and I've been thinking some about the privilege of growing up. I've also been, and continue to be, very proud of Fourth Strike's song jam fundraiser from last year, where we raised over $1000 for the Palestinian Children's Relief Fund. Speaking as myself and not as Fourth Strike for a moment, if anyone is looking for places to donate this holiday season, I'd be moved if you chose to donate to some of the many Palestinian relief funds still looking to meet their goal.

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This was a long one, but hey, we've been busy! Thanks for sticking around, and we hope you'll try out all our new directions. Every stream, every comment, every share means so much to us, and the enthusiasm so far has been really cool to see. We'll plug another reminder here to follow the #beyond strike four tag if you want to keep checking in!

We'll see you next month, but until then: Happy Bandcamp Friday. Consider us rounded up.

[sillylotrpolls]

(Relevant reading below poll.)

This poll is one of my favorites, because I love every possible option. When it previously ran, voters determined Legolas had dyscalculia. I'm eager to see if that result holds up in this "extended edition," or if tumblr will find itself swayed in a new direction.

Excerpted from The Lord of the Rings: The Two Towers, Chapter 7: Helm's Deep and Chapter 8: The Road to Isengard

'Two!' said Gimli, patting his axe. He had returned to his place on the wall. 'Two?' said Legolas. 'I have done better, though now I must grope for spent arrows; all mine are gone. Yet I make my tale twenty at the least. But that is only a few leaves in a forest.'

(Rest of the relevant text below the cut.)

...

'Twenty-one!' cried Gimli. He hewed a two-handed stroke and laid the last Orc before his feet. 'Now my count passes Master Legolas again.' 'We must stop this rat-hole,' said Gamling. 'Dwarves are said to be cunning folk with stone. Lend us your aid, master!' 'We do not shape stone with battle-axes, nor with our finger-nails,' said Gimli. 'But I will help as I may.' They gathered such small boulders and broken stones as they could find to hand, and under Gimli's direction the Westfold-men blocked up the inner end of the culvert, until only a narrow outlet remained. Then the Deeping-stream, swollen by the rain, churned and fretted in its choked path, and spread slowly in cold pools from cliff to cliff. 'It will be drier above,' said Gimli. 'Come, Gamling, let us see how things go on the wall!' He climbed up and found Legolas beside Aragorn and Éomer. The elf was whetting his long knife. There was for a while a lull in the assault, since the attempt to break in through the culvert had been foiled. 'Twenty-one!' said Gimli. 'Good!' said Legolas. 'But my count is now two dozen. It has been knife-work up here.'

...

'Things go ill, my friends,' he said, wiping the sweat from his brow with his arm. 'Ill enough,' said Legolas, 'but not yet hopeless, while we have you with us. Where is Gimli?' 'I do not know.' said Aragorn. 'I last saw him fighting on the ground behind the wall, but the enemy swept us apart.' 'Alas! That is evil news,' said Legolas. 'He is stout and strong,' said Aragorn. 'Let us hope that he will escape back to the caves. There he would be safe for a while. Safer than we. Such a refuge would be to the liking of a dwarf.' 'That must be my hope'' said Legolas. 'But I wish that he had come this way. I desired to tell Master Gimli that my tale is now thirty-nine.' 'If he wins back to the caves, he will pass your count again,' laughed Aragorn. 'Never did I see an axe so wielded.' 'I must go and seek some arrows,' said Legolas. 'Would that this night would end, and I could have better light for shooting.'

...

Suddenly there was a great shout, and down from the Dike came those who had been driven back into the Deep. There came Gamling the Old, and Éomer son of Éomund, and beside them walked Gimli the dwarf. He had no helm, and about his head was a linen band stained with blood; but his voice was loud and strong. 'Forty-two, Master Legolas!' he cried. 'Alas! My axe is notched: the forty-second had an iron collar on his neck. How is it with you?' 'You have passed my score by one,' answered Legolas. 'But I do not grudge you the game, so glad am I to see you on your legs!'

[wrishwrosh]

others may be surprised to learn that coal mining: bad experience

my dick has led me places i wouldn't even go with a gun etc etc

[jewishbarbies]

this is the same birthday party where she took a photo “with a fan” and conveniently didn’t see the big red swastika on his white shirt.

Aubrey Smalls is a content creator with dwarfism that talks about issues people with dwarfism and disabilities deal with, discussing what it’s like for little people in hollywood in particular lately. there’s been a lot of talk about the 7 dwarves since the Snow White movie is coming soon and this came up. apparently celebrities do this often and have for a very long time, hiring little people to dress up and entertain them, often in ways that cause physical harm or just generally demean and dehumanize them. and Taylor seems to think it’s really fucking funny.

“it’s Katy’s party!!” yeah and Tay Tay didn’t unfriend her until Katy supposedly stabbed her in the back business wise, and then Katy’s bad behavior affected HER, years later. so miss me with that bullshit. how many parties like this did she attend?

I’d recommend following Aubrey as a resource for info on his community and the shit they have to deal with.

[verkomy]

okay so I’m rereading the hobbit and I want to make a list of my favorite quotes and parts so here we go:

“bilbo (…) got something a bit queer in his make-up from the took side” I chuckled

“mr. baggins was very fond of flowers” of course he was he’s a blorbo

“it was a beautiful golden harp, and when thorin struck it the music began all at once, so sudden and sweet that bilbo forgot everything else” bombastic side eye

“as he lay in bed he could hear thorin still humming to himself in the best bedroom next to him. bilbo went to sleep with that in his ears, and it gave him very uncomfortable dreams” criminal offensive side eye

“the explanation did not seem to explain” my brain 24/7 (but also when someone’s trying to explain the rules of any board game to me)

“bilbo was wearing a dark-green hood and a dark-green cloak borrowed from dwalin. they were too large for him, and he looked rather comic” bilbo in dwarven clothes, just throwing it out there

“bilbo baggins, a bur — a hobbit,” said poor bilbo, shaking all over, and wondering how to make owl-noises before their throttled him” this one made me laugh

“trolls simply detest the very sight of dwarves (uncooked)” this one too

“his house was perfect, whether you liked food, or sleep, or work, or story-telling, or singing, or just sitting and thinking best, or a pleasant mixture of them all” I want to go to there

“dori, who was at the back next to bilbo, and a decent fellow. he made the hobbit scramble on his shoulders as best as he could with his tied hands, and then off they all went at a run. (…) that sent them on faster than ever, and as poor bilbo could not possibly go half as fast, they took it in turn to carry him on their backs” WE WERE ROBBED

“why, o why did I ever leave my hobbit-hole!” said poor mr. baggins bumping up and down on bombur’s back “why, o why did I ever bring a wretched little hobbit on a treasure hunt!” said poor bombur” comedic duo

gandalf answered angrily “I brought him, and I don’t bring things that are of no use” we love a supportive friend

“(gandalf) gave bilbo a queer look from under his bushy eyebrows” live gandalf reaction

“you ought not to be rude to an eagle, when you are only the size of a hobbit” good life advice

“here they sat on wooden benches while gandalf began his tale, and bilbo swung his dangling legs and looked at the flowers in the garden” a short king <3

“that only makes eleven and not fourteen, unless wizards count differently to other people” I LOVE BOOK BEORN SO MUCH and this whole chapter is probably my favorite by far

“the hobbit felt quite crushed, and as there seemed nothing else to do he did go to bed” what a mood

“long noses are sometimes useful you see” do with that information what you want

“they knew only too well that they would soon all have been dead, if it had not been for the hobbit; and they thanked him many times” AS THEY SHOULD, too bad thorin didn’t see any of what happened

“he did not like being dependent on by everyone, and he wished he had the wizard at hand” honestly, same

“never laugh at live dragon, bilbo you fool” another hopeful advice

“you are more worthy to wear the armour of elf-princes than many that have looked more comely in it. but wonder if thorin oakenshield will see it too” ouch

“then bilbo turned away, and he went by himself, and sat alone wrapped in a blanket, and, whether you believe it or not, he wept until his eyes were red and his voice was hoarse” this one hurts

“he was in fact held by all the hobbits of the neighbourhood to be queer” of course he was :D

[room-surprise]

do you have any thoughts on where rin could be from? I've seen ppl say she could be Chinese or Malaysian but there's barely any info on the eastern archipelago other than Wa

This is a fun question! We have very little information to go off of, that's true, but we do know some things!

(This is an excerpt from a map of the Dungeon Meshi world I'm working on for my essay.)

This is what the Eastern Archipelago looks like, minus the one medium-sized island that is populated by dwarves.

Wa Island has a culture similar to the Sengoku period of Japan.

Izutsumi is from the large island to the northeast of Wa.

Izutsumi's succubi turned into a woman wearing Central Asian clothing similar to a Mongolian deel, and Izutsumi thought that this was an illusion of her mother. Though we now know this isn't exactly true, the succubi is a psychic monster, so it must have pulled the clothing from Izutsumi's memories, something that she recognized from her childhood, and would expect her mother to wear. Since clothing like the deel doesn't seem to be worn in Wa, we can assume that this type of clothing is worn on the island that Izutsumi is from instead. So this island may be similar to Central Asia, which consists of Mongolia, Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, Uzbekistan, and Afghanistan.

We know that ogres used to control the Eastern Archipelago, and on the ogre race illustration page, Kui shows the majority of the ogres wearing clothing that could be influenced by Chinese, Japanese, Korean or Mongolian clothing. 7 of them have Asian-inspired clothing, 4 have indistinct but not-Asian looking clothing, and the rest have no visible clothing.

We don't know what any of the other parts of the archipelago are like, but I think it wouldn't be crazy to assume they resemble other parts of Asia, such as China, Korea, etc.

The far eastern side of the Archipelago is neighbors to the Western Continent, a region that appears to be home to Greek, Roman, and South and West Asian cultures. So it would make sense if some cultural influence from the West naturally migrated across the ocean to the far-far East.

Now, what do we know about Rin?

The beginning of her bio reads: 両親は東方群島 東地方からの流民だが. This translates as: "Her parents were refugees from the eastern region of the Eastern Archipelago." This is interesting because it's different from the official English translation by Yen Press. Their translation skips the second mention of the east, and also calls her parents wanderers instead of refugees: "Her parents were wanderers from the Eastern Archipelago." The original Japanese says east twice, 東方群島 (Eastern Archipelago) and 東地方 (Eastern region). I think the translator, a contractor who doesn't have time to fact-check, maybe didn't understand why Rin's bio said east so many times (the sentences before and after also mention "east" many times) and just didn't bother including what seemed like a redundant mention of it.

SO WHAT DOES THAT MEAN?

What it means is we actually know what part of the Archipelago Rin is from!

Obviously this is only speculation, but I would guess her family originally came from one of the islands I've colored in dark gray here, since they are the furthest east part of the Archipelago.

WHAT CULTURE COMES FROM THOSE ISLANDS?

(I talk about some of this in chapter four of my Dungeon Meshi essay in the section about Rin.)

We don't know! However, remember what I said about how the far-east of the Eastern Archipelago is neighbors with the Western Continent?

The Western Continent is a region dominated by western elven culture. Therefore it makes sense that this part of the Archipelago should have had the most contact with the elves, and foreign tall-men who are a part of elven culture. There should be cultural mixing between the two groups... And there is! Rin's name is evidence of it!

Rinsha Fana (رينشا فناء), is an Arabic name. Arabic is one of the languages Kui associates with the Western elves, which would mean that in-universe, Rinsha Fana is an elvish (or at least Western) name.

THE SIMPLE ANSWER

It's possible that there is a fusion culture in the far eastern islands, and it's the natural result of contact between the West and the East.

Since Rin's name is Arabic, we could theorize that the far-east of the Eastern Archipelago is similar to various Asian cultures in the real world that were influenced by the Arabic world historically.

The ones that I could find are Myanmar, Cambodia, Vietnam, Thailand, the Philippines, Brunei, Indonesia, Malaysia, China, Uzbekistan, Kyrgyzstan, Tajikistan, Turkmenistan, and Kazakhstan.

So the Fana family's home island might be similar to any of those! It's a long list, but it does narrow things down a little bit!

THE COMPLICATED ANSWER

In addition to the fact that the far-eastern islands are physically close to the Western Continent and there being some cultural fusion there, we also know that there are groups of elves in Dungeon Meshi who behave similarly to missionaries in the real world.

There may or may not have been a religious component, but these elves felt it was their moral duty to spread elven culture and knowledge (including elven style magic) to the short-lived races, and improve their standard of living.

Since the far eastern islands of the Archipelago are the closest to the West, it makes sense that elven missionaries would have had a presence there, just like it makes sense that they would have had a presence on the far western coast of the Eastern Continent.

It's strongly implied that Rin's parents may have practiced elven-style magic, since if they had practiced Gnomish magic (the dominant style in the Eastern Archipelago and the Northern Continent), they might have been able to join a local organization (a church, a school, a royal court) in the Northern Continent and not been lynched. Something about their magic was "foreign" and scared the people of the Northern Continent.

The original Japanese text explicitly says they were lynched (私刑).

Kui also explicitly tells us that Rin’s family was lynched in the Northern Continent, using the word 私刑. Lynching is an extrajudicial public execution by an in-group against someone who is outside of their social circle, who has somehow “transgressed” against the in-group. Usually the “transgression” is something like being a foreigner, being of a different race, different ethnicity, practicing a different religion, or behaving in any unusual way (being neurodivergent, gender non-conforming or homosexual).

The Fana family fled the Archipelago, didn't change their family name, and then gave their daughter a western/elven personal name as well. This implies that they are unwilling to give up their culture, even under circumstances where it would be safer to assimilate. This suggests that the culture is very important to them.

WHY DID RIN'S FAMILY LEAVE THE EAST?

We don't know exactly, but the original Japanese text says they were refugees. This implies that they left their homeland due to some kind of danger or threat to their lives.

We know that the Eastern Archipelago is constantly at war with itself, and that could be enough reason for a family to flee. But because of the history of Christianity in Japan, Rin's name, and her family's behavior, I think there may be something more to it.

We know that there are treaties between the nations in Dungeon Meshi that prevents the long-lived races from colonizing the Eastern Archipelago. The nations of the Eastern Archipelago most likely consider any influence from the long-lived races a threat to their sovereignty, and they are probably making an effort to keep long-lived races and their culture out of the region.

This sounds very similar to Sakoku (鎖国 Literally "locked country") an isolationist foreign policy in Japan that began at the end of the Sengoku era (the era that Wa appears to be in the middle of). Under this policy, relations and trade between Japan and other countries were severely limited, and nearly all foreign nationals were banned from entering Japan, while common Japanese people were kept from leaving the country.

The sakoku policy was enforced in order to remove colonial and religious influence from European countries, which were perceived as posing a threat to the stability of Japan.

Japanese people who had converted to Christianity were seen as traitors, and missionaries were foreign enemies trying to undermine Japanese society. Conversion to Christianity, the dominant religion of Europe, was seen as the first step of European nations trying to colonize Japan.

Part of the sakoku policy was the Japanese government officially persecuting, torturing, and executing somewhere between 2,000 and 5,000 Japanese Christians and foreign Christian missionaries. This forced Christians in Japan to either go into hiding, flee the country, or renounce their faith in order to survive.

I think an attitude like this towards foreign culture would logically be common throughout the entire Eastern Archipelago, and not just the island of Wa.

So local people like Rin's family who might have adopted Western elven culture (magic, names, clothing, etc.) may have been seen as a threat, and may have been pressured to renounce their ways, or leave.

The cultural backlash would be extreme, and could easily cause civil war and instability, especially in any areas that have a large Western cultural influence, like I've theorized the Fana family's home island to have.

In the end, I think no matter which way you choose to interpret the information, it's clear that Rin's family has a connection to both East Asia and Arabic culture... So start there, and see what cool ideas you can come up with!

[jasmines-library]

Poisoned heart

WHUMPTOBER DAY 7: Prompt: poisoned.

Fandom: The Hobbit

Summary: after being struck but a poisoned arrow from the Morgul bow, you suffer a fatal injury. Will you get help in time?

Warnings: Blood, Poisoned arrow, poison, sickness, pain.

Word count: 2.9K

Note: this follows the story line of Kili being shot in DoS. This can be read as platonic or romantic and can be seen as Kili x reader or Tauriel x reader, I’ve left it purposely ambiguous for you to decide.

MASTERLIST ⛤ WHUMPTOBER WORKS

🕸 ⋆ ⁶𖤐⁶ ࣪⋆🕸

“No! No!”

There was an uproar when the gates slammed shut, sending the barrels hurtling into the metal, bobbing up and down in the cold, white water. You could hear the rattling of Thorin’s hands gripping the gate and shaking it so hard that his knuckles turned white. The guard drew his sword, readying it before him only to collapse seconds later: plunging over the lip of the bridge and into the water propelled forwards by an arrow which the roaring orc had lodged deep within his back. He landed with a large splash, displacing the water around him.

“Look out!”

You watched in horror as more orcs began propelling themselves over the wall on the other side of the bridge, helpless as your little barrel bobbed along in the river. They barged through, slicing at the armoured guards. Roaring as they attacked, sending a myriad of bodies into the barrels below. Some orcs, some not.

One orc had managed to grasp onto the barrels, after launching itself into the water, leaping on top of Fili, who’s eyes widened in fear. Bilbo heaved himself up, gripping tight onto the barrel before plunging the glowing blue blade into the orc’s chest. It collapsed back into the water.

You watched, shell shocked as your friends fought the creatures ahead of you. Your barrel had just thudded into Kili’s before you. You had been one of the last ones to jump in, trailing at the back of the group. From here, unsheltered by the bridge like the rest of the huddle of dwarves, you could see the rest of the fight unfurl. You could see the orcs catapulting themselves over the walls. You could see that there would be no escape unless you got that door back open.

Honing in on the wooden lever, you clambered out of the barrel. Jumping across the others until your feet landed on the stone steps.

“Y/N?!” Kili called after you, but your response was cut short by another orc which swung at you. You delivered a firm kick to set it off balance before stabbing and twisting with your shortsword.

You hadn’t realised how many there were until you had begun to push your way up the steps. There were orcs flooding in from every direction; billowing down the hills and taking out the elves, flailing in the water, surrounding you.

You were already battling one orc, using your sword to block its attack, when another leaped at you from behind, its teeth bared and weapon lethal. Fili, who had been alerted to your stunt by his brother, flung his weapon at the orc just as you swung, decapitating the one in front of you. They both collapsed to the floor with an ugly ‘thud’.

The lever was just in front of you now. Just a few feet more and then you would be free. You rushed forwards, ducking as another orc soared onto the wall above you, but fueled by adrenaline, you took him down with one well placed jab.

The lever was steps away now, within an arm's reach. You could see the delicate lines etched within the wood. What you didn’t see however, was the scar faced orc chieftain, who had notched and released an arrow from his shiny bow. It lodged itself in your thigh, just short of your knee.

Stopping abruptly, you gasped against the sudden pain, your knee buckling beneath you.

“Y/N?!” Fili cried hoarsely, as his eyes flew open in terror.

Grunting, you leaned forwards, gripping onto the wooden lever and trying to force it down, but your fingers were clammy and your vision swam with pain. You collapsed to the ground, writhing as you clutched the wound - the arrow still embedded in your leg. Time seemed to slow as you lay there, helpless once again to the orcs that had begun to file over the stone wall once again. You forced yourself up on your shaky arms, trying to scoot yourself away from the danger. Then, there was a loud ‘thwip’ as another arrow sailed through the air. You flinched, preparing yourself for a blow that was never to come. This arrow settled itself between the shoulder blade of your offending orc.

Turning your head, your gaze settled on Tauriel emerging from the woods, weapon poised, auburn hair billowing around her. She danced forwards, notching and drawing, taking out the orcs quickly and with what seemed much ease. Other elves emerged too, drawing the orcs away from you and the gate.

Using this to your advantage, you heaved yourself back up. Jumping you wrapped your arms and legs around the heavy lever. At first, nothing happened, then it shifted and you could hear the rattling of the chains as they peeled the gates open slowly, releasing the crowd of dwarf-filled wine barrels then sending them over the edge of the waterfall. Your grip slipped again and you landed flat on your back, crying out in discomfort as the arrow shifted. Black dots danced in your eyeline.

You rolled onto your side, watching as the barrels were swept away, funnelling through the gap.

“Y/N?” Kili called out to you, watching you anxiously from below. His stomach knotted when he spotted the arrow.

Heaving your legs over the side of the wall and fighting through the wave of nausea, you gave yourself one final push. Your body plunged off of the bridge, landing in your empty barrel. You didn’t manage to contain your scream as the end of the arrow caught on the rim of the barrel, ripping upwards before snapping in half. All eyes snapped towards you, including Tauriel whom you had never seen look more concerned. You slumped against the barrel, your vision doubling and wound throbbing.

Another weak cry slipped from your lips as you were tossed about in the barrel as it went hurtling over the edge. The cold water spilled into the barrel as it twisted and turned inside the rapids. You were amazed it had managed to keep afloat. Your hand kept a futile grip on the rim as you whimpered each time your body shifted, sending agony throughout your body. Ahead of you, despite the motion of the water, Thorin stood, craning his head to try and see you within the carnage. Orcs chased after you, scrambling along trees and along the river banks. Some toppled into the water, shot down by the elves.

~

It seemed like an eternity before the rapids smoothed out and the little barrels were left bobbing along with the current. Thorin was using a mossy stick which he had acquired along the way to propel himself forwards. Most of the other dwarves had resorted to using their hands to wade along.

At some point, Bilbo had attached himself to your barrel. You weren’t sure when, your head was too hazy and everything had passed by in a blur, but you suspected it was when he saw you struggling to lean forwards in your little wooden raft. You were unsure how he was seemingly uninjured, despite the perilous rapids, but he tugged you along none the less. Somewhere around you Kili and Fili lingered. You had heard the brunette call out to you a few times, paling at your slumped head.

“Anything behind us?” Thorin called out to those bringing up the rear.

“Not that I can see.” Someone called back.

Thorin Oakensheild nodded, paddling towards a large rock. “Make for the shore.”

“Aye.”

There was another raucous as the rest of the group manoeuvred their makeshift boats towards the rock. They hauled each other up and out of the rafts then helped them onto the safety of the shore. You forced yourself out of the barrel, sliding into the water. It flooded into your wound. You hissed in pain, before rising to your feet then making your way as steadily as you could onto the shore.

You didn’t make it far before the stabbing agony was back, tenfold and shooting down your leg. With a grunt, you dropped to your knees, clutching the wound. You inhaled sharply, swallowing thickly the bile that had risen in your throat. There were hands on you in seconds as the two brothers dropped to your side.

“Y/N?” Kili looked at you, panicked. Fili’s hands did what his brother's mind was thinking, but his body wouldn’t allow him to do; press down firmly on the wound.

You cried out again at the pressure and the digging in of the piece of arrow that was still in your thigh. It sent another wave of nausea through you. Your mind screamed at you that something wasn’t right.

“Im fine.” You brushed him off, trying to push his hands away but to no avail, they were stuck down firmly, quickly being coaxed in your blood. “It’s nothing.”

“Kid,” Fili reprimanded, “This isn’t nothing.”

“I’m fine.” You repeated again through gritted teeth.

Kili was frozen, watching the way your face twitched every time your leg lit up with pain.

“We need to get the rest of the arrow out.”

You nodded. Squeezing Kilis hand, which had found it’s way into yours tightly. His brother dug his fingers into your leg to fish out the shards of the arrow. You gritted out a muffled cry, barely able to contain the vocalisation of your pain. Once it was free, you sagged against the dark haired man. You felt sick. You felt your stomach churn in pain, you felt the bile rise again in the back of your throat as you heaved rapidly. Something wasn't right.

“On your feet.” Thorin barked, scanning the area. He hesitated at his nephew's reply.

“Y/N is wounded. Her leg needs binding.” Fili stated.

Kili tore away part of his damp shirt, handing it to his brother who made quick work of beginning to bandage your gaping wound.

“There’s an orc pack on our tail. We need to keep moving.”

“To where?” Balin furrowed his wispy brow.

“To the mountain.” Bilbo implored. “We’re so close.”

“A lake stands between us and that mountain. We have no way to cross it.”

Bilbo thought for a moment. “So we’ll go around it.”

That was when the figure appeared.

~~~

You had gotten worse, feverish. Your legs barely functioned as you leaned up heavily against Kili. His arm was wrapped tightly around your waist, helping to keep you upright as they moved swiftly through-out lake town after being smuggled in by Bard.

As time moved forwards, the company had begun to notice that this was no ordinary arrow. That this was not an infection. No, your body was too hot, your skin shades too pale and devoid of all of the life it usually held. Other than favouring your left side, you were hunched awkwardly as though you had forgotten to stand. A thin sheen of sweat glistened on your forehead as you head lulled against the man who was half carrying you through the streets with his brother. You were bleary eyes and too much pain. Something wasn’t right.

Despite being feverishly warm, your body wracked itself with violent shivers. You had dried your hardest to hold in your yells of discomfort, but then your legs gave way completely and you crumpled with a howl of agony and a whimper, causing the two dwarves to stumble in their tracks.

“Y/N?”

You were laid down on the ground as soon as they had found somewhere safe to do so. You didn’t respond, only whined as your whole body was consumed with raw pain. There was a pat on your cheek as your head lolled on the damp ground. Kili cursed under his breath, unwrapped the blood soaked scraps and peeled back the fabric of your trousers. His sharp intake of breath was nearly on par with your ragged wheezes.

The wound was still bleeding freely, although it had slowed slightly due to being bound. That wasn’t what had shocked the man though. What had were the dark, angry tendrils that seeped across your skin from the wound.

“Oh my…Y/N?” Kili cradled your head in his hands.

You could only bring yourself to choke up one pain wrapped word. “Hurts-“

“She’s been poisoned.” His brother muttered. He tore off a part of his shirt to rewrap the wound with.

“Please… make it stop.”

~

Tauriel had come rushing into the village, blonde counterpart in tow. After capturing and interrogating an orc, she had rushed to find you. She couldn’t let you slip away. The elven woman would never have forgotten the way she felt her heart constrict at the mention that you had been shot with a Morgul arrow. The poison was fatal as it worked its way mercilessly through your body, shutting it down. At first, she refused to believe it, but the elf had seen it with her own eyes. She had heard the way you cried out, seen the way you scrunched up your face in agony. She couldn’t let that be her last memory of you. She wanted to remember the way you smiled with your eyes, or the soft lilt of your voice. So, she had raced to find you.

It wasn’t hard to follow your tracks. She had found the barrels at the bottom of the waterfall then seen the blood that laced the rocks. Her chest constricted as she pushed on. Dwarves were not light-footed people, so it was easy to distinguish the way the company had travelled. She noted the closeness of three sets which later dwindled into two and a pair of drag marks. Her issue began when the footsteps entered the town.

Though it didn’t take her long to find you within the village. She would be able to pick your voice out from within any crowd. Though this time she grimaced. It was your cries of agony that she could hear. You were buried within the house furthest from the village. She didn’t take any courtesies when she flung the door open, only to be greeted with the pointy end of a silver sword. Of course you were not alone. Whilst the majority of the group had headed off into the mountains, you had been left sidelined. A few other dwarves along with Kili and Fili had remained by your side; the latter of whom was directing his weapon towards the elf.

When she took a step back, and raised her bag filled with an assortment of herbs. “Please… I’m here to help.”

With a sharp nod, he removed the blade and let the woman into the room. Here, your cries were louder, despite how much you tried to hold them in. The Morgul poison was taking control of your body, drowning you in a pain clad state. The dwarves moved simultaneously to place you on the table. You writhed in their grip, clutching your chest.

Tauriel rummaged around in her bag, pulling out handfuls of herbs and mixing them together.

“Hold her down.” She said, as she moved towards you with a bowlful of herbs.

The four dwarves had to use a surprising amount of force to try and keep your legs still as you twisted and contorted in pain, crying out fatefully.

Kili, who was near your head, had to clench his jaw when he made eye contact with the elf. She had stilled at the sight of your wound, angry and festering.

You were consumed by a blinding pain when the brunette began to chant, pressing and rubbing the herbs into your wound. Your back arched as your stiffened, screaming.

Then suddenly it all stopped, as your body began to go numb. Your blood curdling screams morphed to soft whimpers. Fili glanced anxiously at his brother. Time seemed to slow again as you watched the woman work, tender but with haste. Then, Kili, still clutching your chest, watched as your breathing slowed and your eyes rolled into the back of your head.

~~

You weren’t even aware you had passed out until your eyes fluttered back open. Someone was fastening another bandage around your leg, and another was holding your hand softly. The remaining dwarves eyed cautiously from around the room. You squinted.

“Tauriel?” Your voice was barely a whisper.

“Lie still.” She told you.

“You cannot be her…” you muttered in a pained daze, gazing up blankly at the ceiling. “She is far away. She- she walks in starlight in another world. You’re just a dream…”

Your head rolled to the side, gazing upon Kili, who rubbed his thumb in circles on the back of your palm. He remembered the day the two of you first met her. She had saved his life. He had watched the way the two of you instantly clicked and the way that life had kept you apart.

Your fingers reached out, unexpectedly brushing hers. She took it and squeezed it gently. A smile made its way onto your face and you sighed contently happy two have your two favourite people by your side.

🕸 ⋆ ⁶𖤐⁶ ࣪⋆🕸

<- DAY SIX ⛤ DAY EIGHT ->

Taglist:

@senjoritanana

@deans-spinster-witch

[raven-at-the-writing-desk]

I don't know if this was addressed already but how many fae types have we seen or heard of so far?

Off the top of my head, the two main classifications of fae seem to be nocturnal fae and diurnal fae, and there are several other kinds of fae that fall under each. Here is what I can recall:

All fae have pointed ears.

According to Malleus, fae like to play tricks all year round.

Depending on the subspecies of fae, they may have additional traits or powers.

Some fae can make their own magic, as well as absorb magic from nature to use.

Generally, fae govern certain natural elements such as fire or water.

Fae primarily rely on magic for everyday things.

🌙 Nocturnal fae

Nocturnal fae, at least in Briarland, use the phrase “Night’s blessings” as a term for good luck or wishing others well.

Nocturnal fae have many yet-to-be-named subclassifications; for example, both Lilia and Sebek's mother and grandfather are considered nocturnal fae but Lilia resembles a bat/ and Sebek's family resembles crocodiles.

The Zigvolts’ specific subspecies have not yet been formally named to us. Their subspecies is known for having scales and a strong bite.

Lilia says that "his kind" of fae can live up to 1000 years. It is said in book 7 that he is a bat fae, which may explain his weakness to the sunlight.

The language of the nocturnal fae sounds like animalistic snarls, grunts, and growls to the human ear.

Dragon fae (Dragon fae are also most likely a subspecies of nocturnal fae, which are said to be at the “top” of the nocturnal fae hierarchy. Malleus, as well as the Draconia line, are dragon fae; they are descended from actual dragons. Dragona fae are considered babies at 200 years old, teenagers at 500 years old, and adults at 1000 years old.)

Lilia, Malleus, and Sebek demonstrate enhanced senses. Lilia and Malleus also have enhanced physical abilities (strength, speed, etc.)

It is implied that fae in the Briar Valley are nocturnal fae. Additionally, silver hair is more common for nocturnal fae. Blonde hair is not common.

☀️ Diurnal fae

They do not get along with nocturnal fae.

They enjoy flowery things.

Every spring, they hold a fashion show to welcome the season. There is a new theme every year. If the Fairy Gala does not occur smoothly, it could plunge Twisted Wonderland into an extended winter.

The Fairy Queen from Fairy Gala is considered a diurnal fae.

Pixies are a smaller type of fae that fall under the "diurnal" category; they speak in a language which sounds like bell-like tinkling.

Faelanders wear white in their infancy.

Pixies use fairy dust to help them fly. They keep themselves coated in the stuff at all times and perceive others covered in fairy dust as fellow fae.

Faelanders treasure fairy dust so much that they have official Dustguards to protect it.

Pixies hold the Fairy Gala in a selected venue. The event ushers in the spring by showing off trendy fashion. There is a different theme every year. If the small fae’s wrath is incurred, spring will never come.

Pixies are usually associated with the various elements of nature so there are fire pixies, water pixies, and flora pixies.

We also see crafting pixies (those are the ones with blonde hair and leafy clothes), which fix items and can make a special bell which translates pixie speech.) The leader of the craft fairies is named Macy.

Silver and his family were blessed by three guardian fairies; it is implied they have golden hair due to a blessing from diurnal fae.

Young Silver mentions that oak tree fairies told him about how acorn charms bless others with a long, healthy life.

An honorable mention goes to dwarves, which were suggested to be a kind of fae. In 5-55 of the main story, Yuu thinks the Seven Dwarves are a type of fae because of their pointed ears:

However, even if you select the bottom option it’s not confirmed that the dwarves are a type of fae until a few chapters later (5-59) by Jamil.

It’s not stated whether dwarves are diurnal, nocturnal, or neither. Based on just aesthetic alone, I’d guess diurnal.

Malleus also states in Fairy Gala that there are light far and thistle fae, which I assume are diurnal but we don’t have confirmation of this.

[daitranscripts]

Solas Cutscene: High Approval

Before the Anchor

Solas Masterpost

Solas: Inquisitor, I was… do you have a moment?

Solas leads the PC to the balcony of their quarters.

Solas: What were you like before the Anchor?

The PC looks at their hand.

Solas: Has it affected you? Changed you in any way? Your mind, your morals, your… spirit?

Dialogue options:

General: No, not really. [1]

General: How should I know? [2]

General: Get to the point. [3]

1 - General: No, not really. PC: I don’t believe so. Solas: Ah. PC: Why do you ask?

2 - General: How should I know? PC: If it had, do you really think I’d have noticed? Solas: No. That’s an excellent point. PC: Why do you ask?

3 - General: Get to the point. PC: What do you think is going on here?

4 - Scene continues.

Solas: You show a wisdom I have not seen since… since my deepest journeys into the ancient memories of the Fade. You are not what I expected.

Dialogue options:

General: I’m just like everyone else. [5] -Solas slightly disapproves

General: You make that sound bad. [6]

General: What did you expect? [7]

5 - General: I’m just like everyone else. PC: I don’t think of myself as different from anyone. Solas: Perhaps not in the form of your body, no. [8]

6 - General: You make that sound bad. PC: Sorry to disappoint. Solas: It’s not disappointing, it’s… (Sighs.) Most people are predictable. [8]

7 - General: What did you expect? PC: What have I done that’s so surprising? [8]

8 - Choice dependent dialogue:

Dalish PC [9]

Dwarf/Qunari/human PC [10]

9 - Dalish PC Solas: You have shown subtlety in your actions, a wisdom that goes against everything I expected. If the Dalish could raise someone with a spirit like yours… have I misjudged them?

Dialogue options:

General: Yes. [11]

General: Honestly, not really. [12]

General: No. I am who I am. [13] +Solas slightly approves

10 - General: Yes. PC: I don’t hold the Dalish up as perfect, but we have something worth honoring. A memory of the ancient ways. [14]

11 - General: Honestly, not really. PC: Most of the Dalish care more about impressing other hunters with a good shot or talking about how awful humans are. There are only a few who seem to care about the old ways. [14]

12 - General: No. I am who I am. PC: The Dalish didn’t make me like this. The decisions were mine. Solas: Yes, you are wise to give yourself that due. Although the Dalish, in their fashion, may still have guided you. [14]

14 - Scene continues.

Solas: Perhaps that is it. I suppose it must be. Most people act with so little understanding of the world. But not you. [18]

10 - Dwarf/Qunari/human PC

dwarf PC Solas: Dwarves are practical. They do not dream. The cannot even imagine a world beyond the physical. But you have shown subtlety in your actions. A wisdom that goes against everything I know of your people.

Qunari PC Solas: Qunari are savage creatures, their ferocity held in check only by the rigid teachings of the Qun. But you have shown subtlety in your actions. A wisdom that goes against everything I know of your people.

human PC Solas: Humans are shortsighted, brutish. Blind to the beauty of the Fade, their minds cast in a duality of black and white. But you have shown subtlety in your actions. A wisdom that goes against everything I know of your people.

Dialogue options:

General: What about our friends? [15] General: I try. [16] General: You were misinformed. [17]

14 - General: What about our friends? PC: I’m just one part of this team, Solas. What about Cassandra or Leliana? Solas: Cassandra separates matters of faith from those of the world, and she above all should understand how limited that is. Leliana has a brilliant mind, but her faith was damaged. To her, it is all a game of tactics now. But not you. [18]

15 - General: I try. PC: I do what I can. Solas: You are modest. So many would use this Inquisition as a blunt instrument in their rise to power. But not you. [18]

16 - General: You were misinformed. PC: It seems everything you’ve been taught by your people has some holes in it. Solas: I have seen enough of the world to know I was not misinformed. Most people are small… petty. But not you. [18]

18 - Scene continues.

PC: So what does this mean, Solas?

non-romanced Solas: It means that I respect you deeply, Inquisitor. And I have disturbed you enough for one evening. Solas leaves. Scene ends.

romanced Solas: It means I have not forgotten the kiss.

Dialogue options:

End relationship: Let it go, Solas. [19]

Flirt: Neither have I. [20]

19 - End relationship: Let it go, Solas. PC: Perhaps you should. Solas: Perhaps you’re right. I will always respect you, Inquisitor. Solas leaves. Scene ends.

20 - Flirt: Neither have I. PC: Good. The PC moves closer, and Solas goes to leave. PC: Don’t go. The PC grabs his arm. Solas: It would be kinder in the long run. But losing you would… He turns, and they kiss. Solas: Ar lath ma, vhenan. Solas leaves, and the PC leans against the doorway. Scene ends.