#Slave Eric

[siremasterlawrence]

Lawrence’s Playground: Opening

“Bondage…Dominance…Master…Slave. All of that and anything your inner freak can imagine. Join us at Lawrence’s playground. We will fix you right up.” - Master Lawrence.

I read my new sensational store ad that will appear on rather don the cover of popular magazine, splash the newspaper ads, tv commercials, radio jingles and so much more.

The building literally in a small store in the midst of Queens, New York is quite boring on the outside but the inner area could truly rival the craziness of Manhattans window decorated stores.

I smirk walking inside the door automatically locks behind me as I turn my attention to the naked displays and the recruitment process that is unfolding for me. Thinking for a hot minute it hit me.

I snap my finger using my hand to stir with my finger spinning a portal into a new reality as a small herd young men exit the hole into my store and watch them stand in front of me.

My magical reinforcement moving assembly belt they roll out one after another former human beings now modified dolls ready and willing to be programmed to serve in any and all ways.

I spot one so fine I could not help but stare as he turns to me his neck so robotic walks over to me and he stood in motionless also rigid robotic motion but stares down at me with piercing eyes.

His eyes begin to scan mine taking a map like blue print of my mind, scanning my body to register everything with precise precision of every inch and slowly I begin to imprint on him.

His mind spins shutting down to reboot as my own even though I know it’s a natural meet where a slave instantly chooses his Master at first glance and he knew that automatically he is mine.

I can feel the energy burst through his body as he woke up in excitement a bright smile cover his face looking at me with love and devotion taking my right hand in his he sets it on.

The imprint is complete I command him to sit up on the floor then to kneel without any effort because he knew his place at my feet the man is mine project now for the longest time.

His eyes roll back coming down the changes have begun his hands settle on to my waist firmly and he yearns to kiss me feel my lips on his.

The rest stand motionless as I point for him to sit on the available chair then I pop onto his lap and face him soaking up all of the enjoyment in his body the hot heavy move of his soul connecting to me.

The assembly like moves ever forward onto the next station a new mold is made to be polished into perfect clear skin as I watch them from her.

I have no idea when the lot of them appear into the room setting up in the window and the rest of the store for display this business will be a smashing success I have no doubt in that matter.

“What is your name?”

“My name is Al”

“I am your Master Lawrence “

“Processing….processing”

“Master Lawrence “

“Good boi “

“Mmmmm…how may I please you?”

“I have great plans for you but for now”

“Yes Master”

“That main spot in the window that says not for sale.”

“I’ll go there and wait for your instructions”

“I will pick you up at lunch time”

“Yes, babe”

“You are statue”

“Yyyyyeeeesssss”

“Pretty Boi Pose”

“I will not regret this”

“Back to work “

“All of my products so obedient “

“Who is the next to succumb?”

“So many fine choices”

“Ripped”

“Hot”

“Work horse worthy “

The end

Lawrence’s Playground: The Defective

A week later thanks to a ridiculous massive successful opening weekend to the insane viral campaign I worked on the sale are in the thousands.

One night Al is fast asleep when the alarm for my storage facility is triggered causing me to speed down the block to the factory to find nothing is broken.

“Must be a defective alarm”

“I might as well check around”

“Who are you?”

“Eric! I think”

“You think?”

“I am confused”

“I can help you “

“Please….”

“Do you know who I am?”

I yell at the flash light hitting someone’s face except it is one of my creations standing in the middle of the area he is lost it’s pretty obvious.

I can see his pupils react zooming to inside and outside at unrecognized speed in a fast attempt checking me out it hits him his one true maker.

He is defective I offer my hand for him to be able to take in his he stares aimlessly then happily grabs it imprinting on me as he is instinctively almost imprinting before me .

“Your name is Eric”

“You are my slave “

“Yes Babe”

“You are no longer lost “

“You are not defective”

“I am at your mercy”

“Kneel for me”

“I am your everything “

“I will do whatever pleases you “

“Mmmmmmmm….Master”

“Yes boi”

“I love when you call me that “

“May I come home with you?”

“It’s your new home”

“Follow me”

“YES SIR”

“Head up the stairs”

“Zip your mouth”

“Wait here”

“Al this your brother”

“Yes bro”

“Both of your crawl to me”

“Yes Master”

“All worship my body “

“Eric kiss me”

“Perfect “

“Two tight bodies”

“Mmmmm”

“I am loving this “

“We hope so”

“Bend over “

“Let them swat that ass”

“As you wish “

The end

[posmotrinaunitaz]

А давайте вы будете комментить и ставить лайки на мои обосраные скетчи ну пожалуйста ! А я вам за это спою

[southieparkie]

My South Park personality test, when that was going around.

[nellarw95]

Happy Birthday Michael 🥳🎂

April 2,1977

Buon Compleanno 🥳🎂🎈🎁🎉

2 Aprile 1977

[average-acorn]

[Image id in alt text]

EVERYBODY SHUT THE FUCK UP CHAPMAN WEARS GLASSES????

[broflovmarshick]

Am I a red flag yes or no?

[rolandrockover]

Reprise Vol. 1 - Master & Slave

I think it's no big secret that Paul doesn't have much good to say about Kiss' Carnival of Souls. To put it mildly. Or he simply does everything imaginable to at least create such impressions whenever this album title should rarely enough become the subject of an interview question. Of course, he's welcome to do as he pleases, but personally, from my humble perspective, I think it's a bit of a shame, because I can also remember times when he spoke a tiny bit differently about it.

For example, I can still remember the time when the subject of a reunion was still treated as fictitious, and it wasn't on anyone's horizon, least of all Paul's and Gene's. That was back in 1994/95, when Kiss' laudable motto of perseverance and giving their best was for a change increasingly emphasized in their new music.

And I still remember very well that regular little Kiss feature in the German Rock Hard magazine, which was supervised by their Kiss Die-Hard (0), and from whom one got the vivid impression that he regularly got a certain insight into the world of our favorite band. I think it must have been February or March 1995 when Paul and Gene (1), but also Eric Singer (2), apparently got in touch with the interviewer directly from the rehearsal room in a telephone interview and Paul confidently said, not without his usual side-swipe at Gene, that his songs were much more melodious and heavier than Gene's. There was a certain pride in that. At some point later he even went so far as to claim that the new album was the best and heaviest since Creatures of the Night. Oh my!

What I mean, since that's a rather thoughtful and equally rare tribute to their own music, which was previously only outspoken to give a very special shine to the indeed excellent Revenge, and the return to form associated with it. And I must add to this Paul seemed quite proud of Revenge in 1992 regardless of how hard he had contributed to the previous albums in the 80's anyway. But who knows, once again, it was probably just the latest sensationalization of the upcoming album (3). Promotion is a double-edged sword, but to wipe Revenge away so succinctly because of it, I really don't know. But maybe and probably because it wouldn't have sounded so good to say their new album was the best since... their last one.

But to get my act together and to at least briefly talk directly about Master & Slave in this context.

So, as I already mentioned in my original entry, Master & Slave had the working title: Paul's Riff. In my perception, this suggests pride and respect, not necessarily from Paul himself, but clearly from his band environment. And the fact that such a meagre, yet all-saying no-name was chosen as accepted as a working title, if not even honored from everybody involved clearly speaks for itself.

And because this is a reprise, I'll simply feature an excerpt from my original text about what I see in this song:

"What begins in Not For the Innocent with a few approaching, ominous tones, continues in Unholy as a small extension in a slightly different pitch, and a much more compact back and forth oscillation of these tones, which thereby does not form the entire riff, but only a complementary part of it. In Master & Slave the whole thing gains in drasticness, and the motif is doubled to a lower pitch, added to the previous one to secure its terrain, only to turn into a Black Sabbath motif a la After All. An endlessly repeating highly dynamic acrobatic feat in loud and quiet/guitar and bass contrast."

When writing Master & Slave, Paul must have thought to himself: Ok Gene, a dark album full of Unholys shall it be? This time I'll listen to you, then you shall get Unholy. Which must have stimulated his ambition to try to outdo Gene in terms of Unholy by more than a small margin. I think the result shows in all strength what the right ambition can achieve.

"To conjure up this wet dream of riff Paul must have really tried hard and done his very best to achieve such a result - regardless of what he claims about Carnival of Souls as a whole today."

It is a real pity that he no longer stands by it. Gene and, above all, Bruce (4) seem to have fewer problems with this.

Side Notes:

(0) Jan Jaedike.

(1) Gene emphasized the psychedelic component and compared Carnival of Souls to the Rolling Stones' Satanic Majesties Request (1967) (5) , and that they couldn't explain either why it sounded different from the previous album.

(2) Eric said the album was super heavy and exactly the kind of music he wanted to play. I love to mention this because he had also clearly distanced himself from Carnival of Souls over the past few years. Klassik!

(3) Can anyone still remember how they loud-mouthedly advertised Crazy Nights as a mixture of Animalize and Destroyer back then? There's even a Youtube video of it, but don't ask me where. Anyway, that was still was something different.

(4) Or the last of the Mohicans, as I like to call him.

(5) Hmm, which Stones album did Ace's cover of 2000 Man actually come from?

Master & Slave starts from the beginning. Unholy and Not For The Innocent are highlighted. Turn up the volume and open your ears, I assume no liability:

Master & Slave (1997)

Unholy (1992)

Not For The Innocent (1983)

I'll add After All by Black Sabbath on top.

After All (1992)

[ieatnomnom9823]

i got Chef!! i'm just a little concerned how 2nd place is Cartman..........

[fairy-goth-father]

Took one look at the template and just knew I had to draw him 😩👌🐦‍⬛🪦⚰️

[cupidye]

top 10 funniest south park characters

cartman

ned

mr garrison

butters

ike

mr slave

pc principal

jimmy

craig

clyde

[shrekrekrek]

i swear im gonna kms wtf i am 90% mr garrison

[bobbie-robron]

I wouldn’t mind a woman as my master for the day.

It’s time for the pub’s charity slave auction to take place and Robert enters. At the auction, where we get our first Robert/Chas scene, Donna easily outbids Elaine for leather jacket clad Robert (‘a lean machine if ever I saw one’).

31-Oct-2003

[robotpussy]

me falling into the pits of swirl propaganda after seeing the little mermaid 2023 and fighting against it for so long

[just1riqht]

guys guys look at my South Park eggs 🗣️🗣️🗣️

[eizneckam]

i'm gonna bite someone

[roseband]

im sorry but i gotta like...... not look at the recommended page on twitter cuz like MAN

bringing kpop photocards or a cardboard cut out of your fave idol to your fucking arranged marriage wedding is top 5 most pathetic things i've seen

like .........either leave the man you don't wanna marry.... or submit like a good brainwashed girlie lol