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galactic-glamour-girl-posts · 1 year ago

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In celebration of Animaniacs' 30th Anniversary...

I'm gonna list some of my favourite segments/episodes from the franchise and explain why they're my favourites! The segments/episodes will be listed in order of their debut in their respective series.

I'll start with my favourite episodes from the original Animaniacs:

Taming of the Screwy

I see this episode as the turning point of Warners' and Scratchy's relationship. Before they'd drive him crazy and he'd want nothing to do with them, but because of his job he's forced to deal with them. This episode was the start of Scratchansniff realizing that the Warners' aren't all bad, which eventually leads to them to getting along a bit better later on. The Warners still mess with Scratchy a lot because, as they say in this episode, it's their way of showing affection, but he genuinely tries to tolerate them (key word being "try"), and they even help him a bit ("La La Law"), until eventually he starts acting somewhat like a guardian to them and he's even willingly choosing to hang out with them (like in "I'm Mad", "Fake", "The Party", etc).

This episode also puts the Warners' characters in a new perspective, being the first that tries to get the audience to genuinely sympathize with them. We knew about them being locked in the water tower, but that wasn't taken too seriously and (because of how "Newsreel of the Stars" presented their origin) you could argue the studio's treatment of the Warners was just a reaction to the Warners' antics. Here the Warners kept their end of the deal and were well behaved, yet were betrayed anyway. They had gone up against a "special friend" before this episode, but this episode was pretty much the first to firmly establish that the Warners are capable of behaving if treated fairly (although they'd rather mess about, not out of maliciousness, but because they just wanna have fun), but if not they're not afraid to fight back and wreak havoc.

A big reason why I like the Warners so much is that they seem like simple characters on the surface, but there is nuance to how they act, and this episode is a good example of that ("The Sound of Warners" also being a good example). It would've been easy to write the Warners as one-dimensional characters who all act the same, are completely incapable and/or unwilling to behave and do nothing but make anyone and everyone's lives worse for no reason, especially since it's a variety show, but they didn't and I appreciate that. I also think the way they're drawn in this episode is adorable! They don't look how they usually do when animated by TMS, but I still like it.

The Warners' 65th Anniversary Special

This episode gives a more detailed retelling of the Warners' origin story. This time it is presented as a "live" TV special, which is a unique premise for this show that helps this episode stand out. I like how "Newsreel of the Stars" tries to make the studio look as good and reasonable as possible, only for that to be flipped on its head in this episode which makes it clear that really the problem was that Memlo and Plotz were the unreasonable ones. The Warners' backstory itself expertly manages to be both comedic yet sad at the same time in a way that doesn't feel tonally inconsistent at all. I still find it hilarious that they took an actual Looney Tunes character and made them into a twist villain just because they were unpopular in real life (let it be known that Animaniacs did that joke before the 2002 Scooby Doo movie did). Combine all that with some fun cameos and beautiful TMS animation, and you've got one of the show's best episodes.

Episode 92

Yup-the whole episode. This episodes is a great summary of Animaniacs' strengths, because each segment is a perfect example of an aspect (or multiple) of Animaniacs that the show does expertly well. "It" has some of the best animation in the whole show, "Dot-The Macadamia Nut" is one of the best parody songs in the show, and "Bully for Skippy" provides some of the best meta humour, political satire, slapstick, and irreverent humour in the show. It's one of my favourite Slappy segments, and although I think the message isn't supposed to be taken seriously...I legitimately think it's a good moral? After seeing other shows/movies/etc (particularly since the 2010's) have their protagonists easily talk down and redeem multiple incredibly vile villains, or sometimes just outright let the villain get away for the sake of keeping them passive/non-violent, this episode's conclusion was incredibly satisfying.

Children's media will often tell kids to just ignore bullies or to constantly try to "get through to them" no matter what, because if they don't that makes them "just as bad" and I'm sorry but that's not something we should be teaching kids, and I'd argue they're not just bad but straight up dangerous messages. Ignoring bullies doesn't work most of the time, it just makes them try harder to get your attention, which often means acting more aggressive and malicious. I do think teaching kids to try and make peace with people non-violently is very important, but if the bully keeps harassing them, at some point you have to draw the line and stand up for yourself. Sometimes you have to yell. Sometimes you have to fight. It sucks but that's life...so anyway, back to Animaniacs. Duke seemingly does learn his lesson in the end, because he's seen helping Slappy, but only after getting his butt kicked, and it's not like him and Skippy are BFFs or anything.

I think this is one of the most well-balanced non-singular story episode of the show, quality wise that is. Most Animaniacs episodes with multiple segments have at least one that is mediocre or straight up bad in comparison to the other(s), but that's not the case here. They're all great.

Honourable Mentions: The Sound of Warners, La La Law, Meatballs or Consequences, A Christmas Plotz, Super Strong Warner Siblings, Morning Malaise, Season 3's Finale (Episode 82), Win Big, Puppet Rulers, Bubba Bo Bob Brain, Yes, Always, Bumbie's Mom, ...And Justice for Slappy, One Flew Over the Cuckoo Clock, Critical Condition, Woodstock Slappy, When Rita Met Runt, Smitten With Kittens, Phranken-Runt

Best Songs: Yakko's World, Wakko's America, I'm Cute, Yakko's Universe, The Ballad of Magellan, Variety Speak, I'm Nobody's Mama, Let's Try for Two, Humans Ain't What They Seem to Be, A Quake! A Quake!, The Senses Song, There's Only One of You

Now on to Pinky and the Brain:

A Pinky and the Brain Christmas

Yeah, yeah. I'm just gonna get this one out of the way now. You love it, I love it, and we all know why...but I'll explain anyway!

For one, this is the only episode TMS animated for the spin off, and it looks gorgeous. The writing's as good as ever. I'd like to point out the Donner Party joke for being clever; but Bill Clinton being unable to open the window is the joke that gets me to chuckle when I think about it. Although let's be honest, people mostly like this episode because of the ending. I get it though, it's touching! It shows just how much Pinky loves Brain and how selfless he can be, dedicating what was supposed to be his Christmas list to Brain. Then the smashing, the keychain, the credits, blah blah blah we know how it goes.

I mean if you're reading this then chances are I don't need to convince you; it's the show's most well-known episode, and it's really good.

Welcome to the Jungle

This episodes flipped Pinky and Brain's dynamic on it's head. Brain was out of his element, meanwhile Pinky took charge. This is the main reason it's one of the most memorable episodes of the show, although another is that Snowball makes his grand return in this episode, and is even more antagonistic this time by trying to get Pinky and the Brain killed, whereas last time he was really only trying to one-up Brain. I find it interesting that Brain’s more sympathetic towards Snowball this time around, insisting that he needs help and attempting to save his life. Perhaps he always missed Snowball as a friend (and still cares about him deep down), perhaps being so out of his element softened him, maybe both? And when Brain defeated Snowball towards the end, after what he went through in the episode that genuinely felt triumphant and deserved.

This episode really shows off how Pinky and the Brain is distinct from Animaniacs. The Warners don't take serious situations seriously, they're always on top of things and are ultimately winners. Pinky and the Brain are kind of the inverse; mice wanting to take over the world is ridiculous, but they take it completely seriously, and fail every time. Though it is exactly that that allows the protagonists to be vulnerable and struggle more often, hence allowing the characters and their stories to often times be slightly less zany and a bit more sincere.

Star Warners

This episode was just fun, what more can I say? It was nice to see many of the Animaniacs characters again, especially the Warners and Slappy, but we even got to see the more obscure characters like Pip, Zalgar, the aliens from “Space-Probed”, Sid the Squid and Beanie the Braindead Bison. Some Looney Tunes characters and Freakazoid appear too. I also like a lot of the "castings": in particular Yakko as Han, Wakko as Luke and Dot as Leia are perfect choices.

There's more to this episode than cameos though, like the interactions between characters who pretty much never interact. Dot and Brain, Wakko and Mindy, etc. My absolute favourite aspect of this episode is that the Warners, Pinky, Brain and Slappy all got to star alongside each other throughout the episode! The Warners have interacted with Slappy a few times, they've also interacted with Pinky and the Brain too, as has Slappy (very briefly in "Spell-Bound"), but they've never all interacted as a group for an extended period of time. I haven't kept it a secret they're my favourite Animaniacs characters (and also have pretty much the only segments I truly care about aside from maybe also Rita and Runt), so to see them interact as a group was great!

Also, the final credits gag was “Nympholepsy - To have a desire for an unattainable idea”. That's a perfect Brain’s Word to end the show on, and this episode was a pretty good way to end the show. Sure, something with higher stakes that takes place in the main setting of PatB (as in an episode where Pinky and the Brain live in Acme Labs in the modern day) like the "Brainwashed" trilogy would've made for a good finale too, but honestly having the final episode of the show essentially be a crossover between it and its parent series is cute. In fact it's probably...eh screw it, it IS the best Animaniacs-related series finale there is.

Honourable Mentions: TV or not TV, Snowball, The Pink Candidate, Pinky and the Brain…and Larry, This Old Mouse, A Pinky and the Brain Halloween, You’ll Never Eat Food Pellets In This Town Again, The Family That Poits Together, Narfs Together

Best Songs: Brainstem, Cheese Roll Call, Just Say Narf!, A Meticulous Analysis of History

And now, because I haven't seen "Pinky, Elmyra and the Brain" and don't plan to, the Animaniacs reboot:

Fear and Laughter in Burbank

I love that the Warners' Halloween costumes were the Marx brothers, it's a cute reference to the fact that Yakko and Wakko were partially inspired by Groucho and Harpo respectfully. That and I really like segments where the Warners torment some evil supernatural being. The fact that these literal children can not only hold their own against but outright best beings like a soul-sucking clown, the Devil or even Death himself is both hilarious and admirable. They're not just pests, they're powerful pests.

It's pretty interesting that Yakko is the only one of the siblings who falls victim to Nickelwise, before being narrowly saved by Dot. His encounter with Nickelwise reveals a few things about him: that he hates being alone, fears losing his voice, and is at least a little insecure about his comedic skills whilst seeking validation via comedy. It also implies that despite the fact that he acts as the most mature, experienced and the de facto leader, he may be the most anxious and have the most self-worth issues of the three. This would make sense since he's the eldest, and therefore presumably has a lot more worries on his mind than Wakko and Dot. I do like this segment overall, but this moment is what made it one of my favourites. It provides depth to Yakko's character like never before, which I appreciate given that he's my favourite.

Rome Sweet Rome

This segment had a lot of good gags, solid satire, a fun song, and each Warner shows off their skillset pretty well: Yakko using his words and not his fists in a fight, Dot weaponizes cuteness to blindside an opponent, Wakko has an endless appetite and is really destructive. Titmouse animated this one so of course the animation was great. Pretty much everything I like about the Warners' segments is here and in top form. Not much more to say other than that, it's just...really good!

The Island of Dr. Warneau

Titmouse animated so once again there's great animation (Jurgen's lab was wonderfully creepy), and I really liked how the Warners were written in this one. I like that Yakko has a picture of Scratchy in his wallet (I'll take all the "Scratchansniff is their dad" crumbs that I can get), the clones are adorable, and of course the comedy was as good as ever ("You're living beings, not unpaid interns!" in particular got me).

Jürgen seems to be depiction of what an abusive family member might act like (although obviously exaggerated, since this show is a zany cartoon and all). In addition to forcing them to do whatever he wants whilst giving no love in return, Jürgen makes the clones call him "brother" to condition them into thinking he's family so they'll feel obligated to associate with him, has convinced them that he's their "protector" so they'll feel helpless without him (unfortunately that worked because Ratto straight up says they're helpless in his first line), and when the clones finally do stand up for themselves he tries to bribe Ditto towards the end by offering her a strawberry, whilst claiming she was always the "sensible one". The ending was very satisfying, with Ditto refusing to call Jürgen "brother" anymore and switching to using his first name (basically disowning him) and calling the Warners her real family. The six of them hug and just before things get a bit too cute-Jürgen gets eaten by a whale. The ending, like the whole segment really, is a perfect mix of both wholesomeness and dark humour.

This segment essentially emphasizes the importance of who the Warners are as characters. It explored the idea of what the Warners would be like if instead of being chaotic and rebellious, they were meek and well behaved, essentially the opposite of themselves, and it made for an interesting watch! It shows the importance of being assertive, and why being "perfectly behaved" and "obedient" isn't always a good thing. In hindsight, had Scratchansniff actually managed to successfully "de-zanitize" the Warners, it might've been the worst thing to have happened to them.

The Warners aren't perfectly behaved. They're snarky. They're chaotic. They're insane(-y). They're a lot of things, BUT when they see something wrong they don't stand aside, they fight back and make it right, just in a comedic way (they're like the embodiment of karma). Their backbone is one of their biggest redeeming qualities, and although people in-universe give them a hard time over their chaotic and irreverent nature, they'll always be better than the corrupt authority figures (like Jürgen, or many of their "special friends") they tend to take down.

Honourable Mentions: Suspended Animation Part 1, Ralph Cam, That's Not the Issue, Future Brain, Roadent Trip, Yakko Amakko, Christopher Columbusted, Reichenbrain Falls, 23 and WB, Planet Warner, Talladega Mice: The Ballad of Pinky Brainy, Fantasy, Teeniacs, Animaliens, Global Warnering, Slappy's Return

Best Songs: Suffragette Song, The Cutening, Be Like Me, A Zit!, I Am The Very Model of an Ancient Roman Emperor, Yakko's Big Idea (Yakko's Big Song), Magna Cartoon, Warner's Ark, D.I.WHY?, Here Comes the Sea!, Some of Humanity's Wins

Before Animaniacs, many syndicated cartoons (specifically ones from the 60's to the 80's) had either a) good writing but cheap animation or b) more expensive and impressive looking animation but were essentially over glorified toy commercials. Animaniacs had both witty, intelligent writing and downright beautiful animation (seriously, the segments animated by TMS are some of the best hand drawn animation I've ever seen in a TV show). This wasn't unheard of by the early 90's, but only a handful of other cartoons could claim the same at the time. It's higher budget compared to a lot of other contemporary cartoons also meant it could afford a 25-to-40-piece orchestra, and that (along with the extremely talented staff) allowed Animaniacs to have one of the best soundtracks from any cartoon ever. Not to mention it was one of the first TV shows to garner an interactive online audience. Animaniacs was one of the first examples of internet fandom culture. Think about that. That is huge.

The Warners, Pinky and the Brain and Slappy are unironically some of my favourite characters of all time. I love that that the Warners are chaotic, nigh-omnipotent beings who can do anything, but also non-conforming outcasts who look out for each other because no one else will, but also well-meaning rebels, but also cute silly little children all at the same time. And that's just what they have in common, that's not even getting into their individual personalities. To put it very briefly (because I literally already wrote an essay about Dot so if you've read that you know how long I can go on about them but this post is long enough already and I'm still not done) I admire Yakko's wit, Wakko's optimism, and Dot's confidence.

I love that Pinky and The Brain are complete opposites in every sense of the word yet still manage to have an unbreakable bond. I love Slappy's unapologetically violent but never too meanspirited sense of humour (even though she's only one in-universe I genuinely think she makes for a better female Looney Tunes character than most of the actual female Looney Tunes characters) and how despite how bitter and cranky she is, she never lets that get in the way of her bond with Skippy.

Both the original Animaniacs and the reboot are some of my favourite shows of all time. I love their sense of humour, I love the main characters, I love that they never hold back and go places/accomplish things that a lot of other kids shows wouldn't even dare to. Not only was Animaniacs heavily influenced by Looney Tunes but it (and a series of Looney Tunes television spin-offs) helped bring Looney Tunes back from a period of stagnation by popularising its sense of humour (particularly its type of snark, wordplay, slapstick and visual gags). I feel like not enough people talk about just how influential the original show was; not only did it have more pop culture references and social commentary than pretty much any children's cartoon had before it, it played a big part in popularising those two things as well as sharp satire, cynical irony, meta humour, self awareness, and just witty humour in general being in children's cartoons, if not TV as a whole.

And above all else...it was fun. It was a fun show that just wanted to make you laugh above all else. It knew what it wanted to do and was good at it, and sometimes that's all you need for success.

I love this franchise, and I can't wait to see what it does next.

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