#Tony Cervone

[skullislandproductions]

Check out this article that Tony Cervone and I were interviewed for about the crazy path that “Duck Dodgers” took to become a show on Cartoon Network. We were interviewed about this project at length, but given the space allowed, many of the stories and people we mentioned were not able to be included in this article, but still a fun read that provides insight into the creation of the show. Lots of stories yet to be told. Link to "Duck Dodgers" Cracked.com Article.

[acmeoop]

Hey! Get Your Hands Off Her You Little Squirt! “Carrotblanca” (1995)

[mikyapixie]

𝟏𝟑 𝐲𝐞𝐚𝐫𝐬 𝐚𝐠𝐨 𝐭𝐨𝐝𝐚𝐲 𝐓𝐡𝐞 𝐋𝐨𝐨𝐧𝐞𝐲 𝐓𝐮𝐧𝐞𝐬 𝐒𝐡𝐨𝐰 𝐩𝐫𝐞𝐦𝐢𝐞𝐫𝐞𝐝 𝐨𝐧 𝐂𝐚𝐫𝐭𝐨𝐨𝐍𝐞𝐭𝐰𝐨𝐫𝐤!!

This is my favorite adaptation of Looney Tunes!!

But I really hate how they completely trashed Lola Bunny’s character!!

[seeksstaronmewni]

Gorgeous drawings from The Looney Tunes Show episode "Off Duty Cop" (2011)

Tweet post here.

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LAYOUT SUPERVISOR: Levy Vergara

[vintagewarhol]

[acmeoop]

Yeth Animation Drawing “Space Jam” (1996)

Space Jam Original Production Drawing: Daffy Duck

MEDIUM: ​Original Production Drawing IMAGE SIZE: 16.5" x 11.5" PRODUCTION: Space Jam SKU: IFA6144

[velmautism]

I wish modern Scooby-Doo wouldn't hate Velma :( I wish modern Scooby-Doo would like women :(

[that-rackin-frackin-varmint]

i know you were speaking rhetorically, but in response to your tags on the latest post, i definitely think it’s a sign of the times as to the direction the characters are being taken! Duck Dodgers i think is a convenient domino into TLTS, as it’s the first show to really play up Daffy’s “stupidity” (which i have.. opinions on, lol) and TLTS kinda took it and ran with it. or Porky being subservient to Daffy, and TLTS running (way too far) with that too. i haven’t done a good job of keeping up with this blog so i apologize if you know or have said this already! but the “they’re actors” thing sort of applies by a case by case basis—the assumption is that they’re actors when they establish that they’re actors, (but of course actor aus are great and headcanons are strong 🙏), but i just say that because DD is not a show that follows that “they’re actors” thing EXCEPT for the one episode that DOES do that, Hooray for Hollywood Planet and the last episode (esp the very end with the voice actors), but in the latter case it’s more of a cute consideration of meta rather than a “reveal”. i also (personally) think it’s one of the shows that does Porky and Daffy’s dynamic better than anyone after the original run of shorts, definitely has some issues that domino’s into more issues but i’d say their dynamic is relatively to the blueprint that Chuck Jones established! at least in comparison to other shows that followed

THIS IS A LOT HAHA i just like chatting about DD, if you know all of this already then feel free to ignore! but that’s my personal interpretation of it :)

No need to apologise, I like going over things even if I've said versions of em a billion times before haha!

I dance between my headcanons and analysis of creators' intent without much clear distinction, so it's best when I'm asked for clarification on when I'm actually working under a conspiracy theorist lens, or directly analysing the given text. In this case, I'm very much conspiracy theorist brained using given text.

The reason I'm quite fixated on the 'actors au' viewing of DD is because I found many instances where it broke from the immersion of being a story, and was a "production." Instances for example:

1) The intro having Daffy, Porky and Marvin's names attributed to the roles they played as.

I find it interesting that they used "Eager, Young Space Cadet" here even though this show's version of Dodgers is far too lazy and informal to actually refer to Cadet as that.

2) Season 1 and 2 having a tradition of doing Marvin the Martian shorts, and in K9 Quarry (1), Dodgers makes it a point to say:

"Don't blame me. The martian gets one solo cartoon per season."

My conspiracy theory for why this joke doesn't carry into season 3 is because the writing team for season 3 changed from the core group in seasons 1 and 2.

Seasons 1 and 2: Spike Brandt, Tony Cervone, Paul Dini, and Tom Minton [Tom Ruegger is only credited for the last two episodes of Season 2]

2005: Mark Banker, Spike Brandt, Tony Cervone (...) Kevin Seccia, Ken Daly and John Matta, Michael Grodner, Jeff Goode, Bradford Shultze, Tom Minton, Michael Banker, Tim McKeon

3) Talent Show a Go-Go: an episode that spends a portion of its runtime cutting to shots of numerous women swooning over Dodgers

Feels like something Daffy would write into his own show...

The episode feels driven by fanservicey performance rather than plot or character, I'd liken it to the short "The Night of the Living Duck" or the structure of classic shorts like "Book Revue." The former similarly has a famous singer lend their voice to good ol Daffy to sing sweet songs. The chase sequence afterwards is an afterthought in all honesty.

4) Deathmatch Duck (1): The scene of Taz beating up Daffy instead of the dummy

[The subtitles fib a little. He doesn't namedrop Taz, he just says "Ahh" I don't know why the subs are like that.]

5) Deathmatch Duck (2): On-the-nose flaunting he incorporates into his character's lore.

This is a certified "and then the whole bus clapped" moment if I've ever seen any.

6) K9 Quarry (2): Wile E. makes a cute pointed reference to his formula of chasing Road Runner.

I'm over the image limit-

7) Deathmatch Duck (3):

In 8:05, Taz eats Daffy, we cut to a kid and his parent arguing about the cartoon logic of Daffy fitting in Taz's stomach. (Meta commentary on pop culture's disillusionment with exaggerated logic, and deteriorating suspension of disbelief perhaps?) The parent suggests that it might be less immersion breaking if they do something visually engaging, kid complies. Dodgers does something visually engaging lts-style, we cut back to a tv room accompanied by cricket chirps. Dodgers speaks directly to the camera deadpan: "Once again, I've alienated our target demographic."

8) Hooray for Hollywood

To me, watching this episode after multiple watches feels like I'm watching a character study on Daffy's relationship with Warner Bros. I don't want to go over everything since I've written quite a bit in one post, but one standout scene in this episode for me is when Dodgers confronts the director, Vermin, about the script.

9) The Bugs Bunny references.

Daffy's rivalry with Bugs makes the omission of the rabbit very pointed, and almost cathartic. But because this is Daffy's show, it doesn't completely remove all traces of Bugs' name.

Bugs' name is added in the credits to add star-power to Dodger's movie credits in "Hooray for Hollywood"

In "The New Cadet" dedicates a scene to having Dodgers and Cadet enjoy rabbit stew

(Allegedly) Bugs was offered to play a role as a rabbit hunted by X-2 in "K9 Quarry"

In "Of course you know this means war and peace (1)" when Queen Tyr'ahnee says the episode's namesake, Dodgers can't help but point out the line's significance to a certain someone, with the added air carrot nibble

In "Bonafide Heroes" Dodgers is seen wearing Bugs Bunny slippers

Sorry for the unprompted list! I go overboard in Duck Dodgers discussions!

For me personally, I'm not the biggest fan of Daffy and Porky's dynamic in this show. Don't get me wrong, some episodes I'll come back to and watch with a big dumb grin on my face -- but I personally find that the show starts off pretty strong with a decent ratio of competent and incompetent Daffy/Dodgers moments, and sassy and patient Porky/Cadet moments -- but falls off at season 3, with Cadet radiating burnout murder energy whenever Dodgers so much as opens his mouth, and Dodgers is unironically dead weight on him.

And I'm not sure if you've happened to see some of my tlts posts, but you read my mind ha! I agree with your assessment that Duck Dodgers was sort of the catalyst for popularising a doofier Daffy, and a doormat Porky. I find it a little reassuring that tlts left their relationship development on a high note, which is also funny considering they weren't meant to be the focus duo of the show.

I also agree that this show is more aligned with Chuck Jones' version of the duo -- but tbh, I'm more biased towards Clampett era Dafpork <3 I see Duck Dodgers as a love letter to the classics, but at the same time, I'm very particularly vexed at how Dodgers isn't proactive and overzealous -- I agree @/marsnolias' take on this, even Jones Daffy is a tryhard!

All that said, your ask inspired me to post an old unlabelled ramble I had about this show ahead of schedule! Thanks for reaching out!

[grutadodaibo]

So, I decided to rewatch Scooby Doo: Mystery Incorporated, it's been 3 years since the last time I watched it, by now I am midway season 1, it has been a nice experience, I really appreciate the writers effort for trying to make a plot focused Scooby Doo show while keeping all the tropes the franchise is known for, and I keep wondering why someone at Warner Bros. haven't tried to give it a try on it again (Unless you count HBO'S Velma, but let's not talk about this, we all know how bad this show is).

But one thing that keeps coming back everytime I watch an episode of the series, is how in order for the series to work, the gang needs to be either out of character or very one note. Their dynamic is really weird because you have these two opposing forces on the series where in one hand they want us to root for their friendship and for them to stay together but at the same time when they are together they are this close 🤏 to split up and never see each other's faces again.

I kept remembering the 2002 live action movie where the gang has a similar dynamic, but there they at least have a reason for why they acted like that, they've been together for too long and can't stand each other anymore because every monster they find the same thing keeps happening, that's why they break up and keep acting completly rude and apathetic towards to each other. Here though, there really isn't a reason why, they know each other for a while, have solved some misteries by the time the show begins, but overall, they are just really toxic to each other, the prime example being the way they write Velma and Shaggy's relationship, I know that Tony Cervone has stated that this was because Velma is lesbian in the series, going through a compulsive heterosexual relationship but this is not enough to explain way her relationship with Shaggy is so messed up, with her trying to change how he talks, how he dresses, what he eats and the whole rivalry they pull out of nowhere between her and Scooby, I'm all for Velma being lesbian (Even tho I'm more of the Bi Velma team) but this really isn't the way to do it.

I stil like the show, but we all need to adress criticism when criticism is needed, specially when the show is often regarded as the best piece of midia in the franchise, and that could be a problem for new interpretations of the characters that have the same issues as the ones from SDMI.

[termiteterraceclub]

Termite Terrace Club - November 2nd

1935 - Gold Diggers of '49 - Dir. Tex Avery (first Tex Avery short)

1940 - The Sour Puss - Dir. Bob Clampett

1946 - Mouse Menace - Dir. Arthur Davis (first Arthur Davis short)

1957 - Show Biz Bugs - Dir. Friz Freleng

2004 - Daffy Duck for President - Directed by Spike Brandt and Tony Cervone

TV

1990 - Tiny Toon Adventures Season 1: "Fields of Honey"

1991 - Taz-Mania: "Mishap in the Mist" / "Toothache Taz"

1992 - Tiny Toon Adventures Season 3: "Buster's Directorial Debut" ("Fit to Be Stewed" / "Ducklahoma")

1993 - Animaniacs Season 1: "Chairman of the Bored" / "Planets Song" / "Astro-Buttons"

1996 - Animaniacs Season 4: "Ten Short Films About Wakko Warner" / "No Time for Love" / "The Boo Network"

1996 - Pinky & the Brain: "The Pink Candidate"

1996 - The Sylvester & Tweety Mysteries Season 2: "The Scare Up There" / "If It's Wednesday, This Must Be Holland!"

2022 - Bugs Bunny Builders Season 1: "Beach Battle"

[skullislandproductions]

PROFILES IN HISTORY: On September 13th, 1993 Yakko, Wakko and Dot were released from the Water Tower on the Warner Bros. Lot, and into the living rooms across America, and the world. Thanks to Steven Spielberg, Tom Ruegger, Jean MacCurdy and the whole “Animaniacs” team, things haven’t quite been the same ever since! Happy Birthday guys!

[acmeoop]

Yeth… “Space Jam” (1996)

[mikyapixie]

𝐒𝐜𝐨𝐨𝐛𝐲-𝐃𝐨𝐨! 𝐌𝐲𝐬𝐭𝐞𝐫𝐲 𝐈𝐧𝐜𝐨𝐫𝐩𝐨𝐫𝐚𝐭𝐞𝐝 𝐩𝐫𝐞𝐦𝐢𝐞𝐫𝐞𝐝 𝟏𝟓 𝐲𝐞𝐚𝐫𝐬 𝐚𝐠𝐨 𝐭𝐨𝐝𝐚𝐲 𝐨𝐧 𝐂𝐚𝐫𝐭𝐨𝐨𝐍𝐞𝐭𝐰𝐨𝐫𝐤.

[ptbf2002]

Everyone Hates Miraculous Tales Of LadyBug And Cat Noir

because of that shit, i stopped watching Disney Channel nowadays, proving that miraculous became Disney Chamberlain Cash Grabbing Machine. Marinette is the Mary Sue in this show. miraculous ladybug is keeps on milking the show all over again. it's also like Star Vs. The Forces Of Evil, which was fallen apart and turned into a romantic drama. because of only focusing on Star Butterfly And Marco Diaz. over a stupid Starco. Starco now became my guilty pleasure. i mean seriously?! what in the name of Mickey Mouse is going, airing Miraculous all over again?! this is ridiculous! Disney Channel was like a masterpiece that made a lot of great shows, such as, The Replacements, American Dragon: Jake Long, Recess, Kim Possible, Lilo And Stitch, House Of Mouse, Phineas And Ferb, Kick Buttowski and etc. even great live-action shows like The Suite Like Of Zack And Cody, Jonas, The wizards of waverly place, zeek and luther, aaron stone, K.C Undercover, and others. and now it's nothing but filling up Disney Channel with stupid Miraculous shit. this is why i stopped watching Disney Channel nowadays, and this is why i should move to Disney XD since i want to watch good Disney shows, or watch Disney+. i mean why would Disney has acquired Mediawan and The ZAG franchise, i almost feel embarassed

Original Templates:

https://www.deviantart.com/zmcdonald09/art/Who-Likes-or-Hates-Miraculous-Ladybug-1037238627

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Credit Goes To @Tagirovo

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Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Nickelodeon Networks Inc. Paramount Kids and Family Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Angry Birds: Summer Madness Belongs To Rob Doherty, Scott Sonneborn, Yowza! Animation, Kickstart Entertainment, CAKE Entertainment Ltd. Rovio Animation, Ltd. Rovio Entertainment Corporation, SEGA Corporation, SEGA Sammy Holdings Inc. Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

Moon Girl and Devil Dinosaur Belongs To Brandon Montclare, Amy Reeder, Natacha Bustos, Jack Kirby, Steve Loter, Jeffrey M. Howard, Kate Kondell, Flying Bark Productions Pty. Ltd. Studio 100 N.V. Cinema Gypsy Productions, MARVEL Animation, Inc. MARVEL Television, MARVEL Studios, LLC, MARVEL Entertainment, LLC, Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Family Guy Belongs To Seth MacFarlane, Digital eMation, Inc. Film Roman, LLC, CNK International, Grimsaem Animation Co. Ltd. Sunwoo Entertainment, Co., Ltd. Rough Draft Korea Co., Ltd. Rough Draft Studios, Inc. Toon Boom Animation Inc. Yeson Entertainment, Yearim Productions Co., Ltd. Fuzzy Door Productions, Inc. 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

Teen Titans Belongs To Bob Haney, Bruno Premiani, Glen Murakami, David Slack, Sam Register, MOI Animation Co., Ltd. Lotto Animation, Inc. DongWoo Animation Co. Ltd. DC Comics, Inc. DC Studios, DC Entertainment, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

My Life as a Teenage Robot Belongs To Rob Renzetti, Rough Draft Studios, Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Viacom International Inc. And Paramount Global

Ninjago Belongs To Thomas Sørensen, Tommy Andreasen, Thomas Kristensen, Simon Lucas, Nelson LaMonica, Menelaos Florides, William Stahl, Scott Godon-Decoteau, Maarten Simons, Michael Svane Knap, Toby Dutkiewicz, Brian Nielsen, Lars Danielsen, Tommy Kalmar, Cerim Manovi, Robert May, Heidi Rathschau Nielsen, Kevin Burke, Chris "Doc" Wyatt, LEGO System A/S, WILFilm ApS, WildBrain Studios, WildBrain Ltd. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Lego Monkie Kid Belongs To Simon Lucas, LEGO System A/S, Flying Bark Productions Pty. Ltd. Studio 100 N.V. WildBrain Studios, WildBrain Ltd. Tencent Video, Tencent Holdings Ltd. Youku Tudou Inc. Alibaba Group Holding Limited, iQIYI, Baidu, Inc. 9Go! Nine Network, Nine Entertainment Co. Holdings Limited, Cartoon Network (Australia & New Zealand), Discovery NZ Limited, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

Hailey's On It! Belongs To Devin Bunje, Nick Stanton, Saerom Animation, Inc. Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Bravest Warriors Belongs To Pendleton Ward, Breehn Burns, Will McRobb, Chris Viscardi, Portfolio Animation, Portfolio Entertainment Inc. 9 Story Media Group Inc. Frederator Studios, Frederator Networks, Inc. WOW! Unlimited Media Inc. Kartoon Studios, Inc. Nelvana Limited, Corus Entertainment Inc. YouTube Studio, YouTube, Google LLC, Alphabet Inc. TELETOON, TELETOON Canada, Inc. VRV, Crunchyroll, LLC, Aniplex, Inc. Sony Music Entertainment (Japan) Inc. Sony Group Corporation, Disney XD (Canada), Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, The Walt Disney Company Cartoon Network (Japan), Discovery Japan, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

[pablolf]

Film Journal

"Tom and Jerry: Back to Oz" by Spike Brandt and Tony Cervone

[tctmp]

Tom and Jerry: The Lost Dragon: Directed by Spike Brandt, Tony Cervone. With Kelly Stables, Vicki Lewis, Jim Cummings, Laraine Newman. When Tom and Jerry find a strange egg in the forest & it hatches open to produce a baby dragon, they find themselves having to babysit the little critter.