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sguardimora · 2 years ago

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ZONE — poème — in residenza per “ENEMY”

14 Novembre 2022 - 27 Novembre 2022

Inizia oggi la residenza creativa per la ricerca e la composizione del nuovo spettacolo di Mélodie LASSELIN & Simon CAPELLE | ZONE — poème — ENEMY rappresenta la quarta tra le 12 produzioni internazionali che verranno realizzate e coprodotte da altrettanti tandem produttivi nella cornice del progetto. Mélodie LASSELIN & Simon CAPELLE | ZONE —poème— sono gli artisti selezionati dal quarto tandem di produzione che vede coinvolti come coproduttori Occitanie en scène – Le Parvis scène nationale, Tarbes/Francia e Teatro di Sardegna, Italia. La selezione è avvenuta attraverso una call diffusa il 17 dicembre 2021 e chiusa il 28 gennaio 2022 per artisti residenti in Francia. ENEMY è un processo artistico che indaga le relazioni tra i conflitti presenti nei paesi europei che non appartengono all’Unione. Gli artisti dopo aver terminato un lungo periodo di ricerca artistica chiamato BARBARE, attraversando dal 2019 al 2022 i paesi dell’UE alla ricerca di un “linguaggio culturale comune”, rivolgono ora lo sguardo aldilà del vecchio continente con l’obiettivo di parlare universalmente di pace, creando un’opera che metta in discussione il concetto di nemico, di neutralità. Partendo da una riflessione sui territori e sulle comunità ai margini dell’Europa, sulla necessità di dar loro voce, questa creazione approfondisce la nozione stessa di pace, mettendola in relazione alle guerre che hanno segnato e segnano il nostro continente, con l’obiettivo di proteggerlo consapevolmente, con uno sguardo al futuro. Le due danzatrici in scena, Mélodie Lasselin e Léa Pérat, si sono formate assieme all’accademia Ballet du Nord di Roubaix, e portano avanti un dialogo costante con le comunità locali attraverso la danza, proponendo una stile di ricerca ibrido “irrimediabilmente legato con la [loro] vita”, che interseca tradizione e innovazione, in una dialettica costante con i territori che difende la diversità come ponte in grado di unire i popoli.

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ZONE -Poème- nasce nel novembre 2016. La compagnia lavora a creazioni multidisciplinari che si interroghino sul mondo contemporaneo attraverso l’esplorazione dei territori. Svolge anche attività di ricerca, sperimentazione e distribuzione nell’ambito delle performing arts.

Mélodie Lasselin è ballerina e coreografa. Si è formata presso l’Ecole du Ballet du Nord, l’Ecole-Atelier Rudra-Béjart e il Jeune Ballet International de Cannes. Dal 2007 lavora come performer freelance e coreografa in Svizzera, Germania, Spagna, Messico, Cuba, Belgio e Francia dove ha ottenuto il diploma statale di insegnante di danza contemporanea. Impegnata con diverse compagnie, partecipa regolarmente a stage con Pascal Rambert, Jan Lauwers, Jean-Michel Rabeux, Lisbeth Gruwez, Annabelle Chambon et Cédric Charron. Lavora con Irène Kalbusch, Karima Mansour, Germaine Acogny, Olivier Dubois, Nacera Belaza. Nel suo lavoro conduce ricerche intorno al corpo sensibile, tendendo al raggiungimento della verità del gesto e dell’interpretazione.

Simon Capelle è autore, performer e regista. Ha studiato musica, danza classica e contemporanea. Ha conseguito un Master in studi teatrali e un Master in letteratura contemporanea. Desideroso di formarsi con registi di rilievo internazionale, ha partecipato a numerosi stage proposti dalla Biennale College Teatro di Venezia con Wajdi Mouawad, Pascal Rambert, Anne Bogart, Mark Ravenhill e Anna-Sophie Malher. Nel 2016 ha pubblicato l’opera teatrale Pur con Editions La Fontaine e il suo primo romanzo Tes eyes cosmos con Editions Belladone. La sua ricerca è orientata all’indagine del rapporto tra performance dal vivo e arti plastiche. Molti dei suoi testi sono regolarmente pubblicati sulla rivista Frictions.

Léa Pérat è ballerina e coreografa. Si è formata all’Ecole du Ballet du Nord, al CNSMD di Lione e poi presso The Place (Londra). Ha lavorato con compagnie di danza contemporanea (CCN Roubaix C.Carlson, Cie 1er Mars, Cie Ouragane, Humanum Co, Myriam Naisy L’Hélice) e barocca (Cie l’Eventail, Les Cavatines). Ha danzato anche in opere dirette da Romeo Castellucci, Stefano Poda, Laura Scozzi, Daniel Mesguish, Pierre Rigal, e di natura performativa (Ragnar Kjartansson – Palais de Tokyo). Ha ottenuto il diploma statale di insegnante di danza contemporanea ed è particolarmente incline alle collaborazioni con musicisti, alla creazione di progetti in situ e d’improvvisazione. Nel maggio 2019 si è unita a al collettivo ZONEpoème partecipando alla performance Sanctuaire al Palais des Beaux-Arts di Lille.

Progetto di residenza condiviso da Occitanie en scène – Le Parvis scène nationale Tarbes (FRA), Teatro di Sardegna (ITA), L’Arboreto – Teatro Dimora di Mondaino, nell’ambito di Stronger Peripheries: A Southern Coalition, progetto sostenuto da Europa Creativa.

#residenze 2022 #stronger peripheries #zone poeme #Simon Capelle #Mélodie Lasselin #enemy #progetto europeo #Léa Pérat

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dickfuckk · 2 years ago

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A list of season 2 cast and crew members, confirmed and speculated

I will try and keep this updated

Not counting the obvious ones

Please note that this is a list of both cast and crew members, so PAs and such are also included and not just actors

sorry in advance that 90% of my sources come from instagram

Aaron Morton (Camera) - he’s listed on the very last picture as the camera-man

Adam Stein (Writer)

Alan F. (English solider)

Alexandria S.

Alistair Gregory - from this tweet so uncertain, but followed me back on my bts instagram account so seems to have some interest in ofmd

Amy Tunnicliffe

Amanda M. (Wedding guest)

Andrew DeYoung (Director) - I don't remember if there was any other reason than the fact that he was in Aotearoa during filming

Andy Rydzewksi (Cinematographer)

Brian Badie (Hairstylist)

Bronson Pinchot ("Torturer")

Bryn Seager - I don't remember why but I follow him

Bryony Matthew (Food stylist)

Cora Montalban (Makeup and/or hairstylist) - I believe she was tagged in an instagram story once, and she's followed by a ton of cast and crew members

Daniel Fernandez (Spanish priest)

David G. (Stand in)

Dennis Bailey (Hairstylist) - Leslie revealed that he's there.

Don A. (Swampy Town folk)

Eliza Cossio (Writer)

Erroll Shand (Prince Ricky)

Fernando Frias (Director)

Grant Lobban

Gypsy Taylor (Costume designer)

Haroun Barazanchi - I'm gonna be honest, I have no memory of why I suspect this guy will be working on season 2, but I follow him hgjfdks

I-J

Jaden McLeod

Jason Samoa, possibly spotted on location

Jemaine Clement, pretty sure this is only based on his friendship with Rhys and Taika tbh

Jes Tom (Writer)

Jessica Lee Hunt (Makeup artist) - followed by a ton of crew and cast members and I believe she's been tagged in instagram stories and such

John Mahone (Writer)

Jono Capel-Baker (Groom)

Jonno Roberts didn't get the role from his audition, but could still have gotten a different role - hung out with Ruibo

Karl L. (Action extra)

Kate Fu

Kathleen Zyka Smith ("Red Flag")

Kosuke Iijima (Fabricator/Sculptor?) - due to interaction on this post

Kris Gillan (Fabricator/Sculptor)

Kura Forrester - followed by quite a few cast and crew members, but I don't remember if there was anything else to it

Laura Stables (SFX makeup artist)

Leanne - followed by cast and crew

Lee Tuson

Leslie Jones (Spanish Jackie) - she's spoiled this so many times, but gjfhdks

Leyla - followed by a lot of cast and crew members, don't remember if there was more to it than that

Luke V. (Stand in)

Ma Christina C. ("Red Flag")

Madeleine Sami (Archie)

Maddie Roche (PA) - read the tags idk lmao

Maddy Powell - this double rainbow photo is for sure from the first day of filming and nathan commented on her post

Maggie Philips (Music supervisor)

Mark Black (Henchman)

Mark Mitchinson (Hornigold)

Martin D. (Wedding guest)

Megan Vertelle (Set decorator)

Mike Berlucchi (Cinematographer)

Nareemun S. (Stand in)

Nat Van Halle - Has been hanging out on set with crew and cast

Natalie Torres (Writer)

Nathan Foad (Lucius)

Nathaniel Goodman - listed as camera-man

Nicola Dove (Photographer) - I'm guessing she'll be the season 2 version of Aaron Epstein

O-P

Paul Murphy (Director)

Q-R

Ra Vincent (Production designer) - He's the one in a white t-shirt and sunglasses or smth on his head

Rachel Forman - followed by a lot of cast and crew (including taika, nathan, madeleine, alex etc.) and Fernando made a post saying goodbye to Aoteroa, and she commented and he said he would miss her

Rachel House - Suspected due to her hanging out with cast and crew, but could be nothing

Richard B. ("Republic of Pirates")

Ringo R. ("Republic of Pirates")

Rory Davis - followed by cast and crew

Ruibo Qian

Sha M. ("Republic of Pirates")

Simone Nathan (Writer)

Tammy Davis - pretty sure it's just based off of this post which could be nothing

Tara Lauren (Makeup artist)

Tenesse Murfitt (Hairstylist) - followed by a ton of cast and crew members, and I believe she's been tagged in instagram stories

Tino L. (Stand in)

Toa Paranihi - I honestly don't remember why this was speculated or possibly confirmed, but I follow him on instagram and so do a couple of the cast and crew members

Ty Evander

U-V

Vanessa Vandy (Cinematopgrapher) - don't remember why i suspect her, but i follow her

Will Giles (Set designer)

X-Z

Zach Douglas

Zackery Alexander Stephans (Writer)

Zak Enayat - he has just been very openly working on the show, and is followed by cast and crew members

Zayre Ferrer (Writer)

#ofmd #our flag means death #ofmd spoilers #ofmd s2 #crew list #hopefully i didn't forget anyone but lmk if i did

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lesgenouxdanslegif · 2 years ago

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C`ETAIT DONC LUI.

C’était donc Andreu Simon le grand vainqueur de la Transgrancanaria. Pau Capell 5ème, Courtney Dauwalter 7ème. Andreu Simon a une particularité (en plus d’avoir des cuisses indestructibles et un cœur gros comme ça) : il est diabétique de type 1. Diagnostiqué à 18 ans, le policier Catalan a imposé sa loi sur cet ultra malgré sa maladie. « Le diabète implique des contrôles, des restrictions et des règles. Courir a été un échappatoire » souligne Andreu. Si tu cherches le mot « résilience » dans le dico, tu trouveras une photo de Andreu Simon.

Photo @the.adventure.bakery

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alexlacquemanne · 1 year ago

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Juillet MMXXIII

Films

Indiana Jones et le Cadran de la destinée (Indiana Jones and the Dial of Destiny) (2023) de James Mangold avec Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, John Rhys-Davies, Thomas Kretschmann et Boyd Holbrook

Un mariage de rêve (Easy Virtue) (2008) de Stephan Elliott avec Jessica Biel, Ben Barnes, Kristin Scott Thomas, Colin Firth, Kimberley Nixon, Katherine Parkinson et Kris Marshall

Douze Heures d'horloge (1959) de Géza von Radványi avec Lino Ventura, Laurent Terzieff, Hannes Messemer, Eva Bartok, Lucien Raimbourg, Suzy Prim, Gert Fröbe et Guy Tréjan

Dies iræ (2003) d'Alexandre Astier avec Tony Saba, Thomas Cousseau, Lionnel Astier, Alexis Hénon, Nicolas Gabion, Franck Pitiot, Jean-Christophe Hembert, Alexandre Astier, Jean-Robert Lombard et Jacques Chambon

La Vérité sur Bébé Donge (1952) d'Henri Decoin avec Jean Gabin, Danielle Darrieux, Gabrielle Dorziat, Claude Génia, Marcel André, Jacques Castelot et Daniel Lecourtois

Sorcerer (1977) de William Friedkin avec Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri, Peter Capell, Karl John et Friedrich von Ledebur

La moutarde me monte au nez (1974) de Claude Zidi avec Pierre Richard, Jane Birkin, Claude Piéplu, Jean Martin, Danielle Minazzoli, Vittorio Caprioli, Julien Guiomar et Henri Guybet

Mission impossible : Dead Reckoning, partie 1 (Mission: Impossible – Dead Reckoning Part One) (2023) de Christopher McQuarrie avec Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, Vanessa Kirby, Hayley Atwell et Pom Klementieff

Demain ne meurt jamais (Tomorrow Never Dies) (1997) de Roger Spottiswoode avec Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Götz Otto et Joe Don Baker

Plus dure sera la chute (The Harder They Fall) (1956) de Mark Robson avec Humphrey Bogart, Rod Steiger, Nehemiah Persoff, Mike Lane, Jan Sterling et Max Baer

La Guerre des polices (1979) de Robin Davis avec Claude Brasseur, Claude Rich, Marlène Jobert, Georges Staquet, Jean-François Stévenin, Étienne Chicot, David Jalil, Gérard Desarthe, Jean Rougerie et Jean-Pierre Kalfon

Oppenheimer (2023) de Christopher Nolan avec Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek et Kenneth Branagh

L'Odyssée de Pi (Life of Pi) (2012) d'Ang Lee avec Suraj Sharma, Irrfan Khan, Ayush Tandon, Tabu, Adil Hussain, Ayan Khan, Vibish Sivakumar et Rafe Spall

L'Histoire d'Adèle H. (1975) de François Truffaut avec Isabelle Adjani, Bruce Robinson, Sylvia Marriott, Joseph Blatchley, Ivry Gitlis et Ruben Dorey

Meurs un autre jour (Die Another Day) (2002) de Lee Tamahori avec Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike et Rick Yune

La Tulipe noire (1964) de Christian-Jaque avec Alain Delon, Virna Lisi, Dawn Addams, Akim Tamiroff, Adolfo Marsillach, Robert Manuel et Francis Blanche

Séries

Friends Saison 10

Celui qui n'arrivait pas à se confier - Celui qui allait très bien - Celui qui avait décidé de bronzer - Celui qui transformait le gâteau d'anniversaire - Celui qui écrivait une lettre de recommandation - Celui qui a failli avoir la subvention - Celui qui bluffait l'assistante sociale - Celui qui ratait Thanksgiving - Ceux qui rencontraient la mère biologique - Celui qui se faisait coincer - Celui qui trahissait le pacte - Celui qui jouait le rôle du père - Celui qui baragouinait - Celui qui n'aimait pas la maison - Celui qui faisait tout pour retenir Rachel - Celui qui n'aimait pas les adieux - Ceux qui s'en allaient

Inspecteur Barnaby Saison 10

Danse avec la mort - L'Oncle d'Amérique - La Chasse au trésor - Le Blues de l'assassin - Le Flash de la mort - Le Télescope de la mort

Coffre à Catch

#122 : Finlay prend la trique et Ichtou jette l'éponge ! - #123 : Finlay à domicile pour le titre ECW ! - #124 : Les Survivor Series : Des bangers en veux-tu en voilà! - #125 : Beliaroth INFILTRE l'Univers d'Agius! - #126 : MVP et Matt Hardy: de partenaires à adversaires !

Kaamelott Livre I

Le Duel - L'Invasion viking - La Bataille rangée - La Romance de Perceval - Les Funérailles d'Ulfin - Le Chevalier femme - La Carte - Le Repas de famille - Le Répurgateur - Le Labyrinthe - Heat - Les Tartes aux myrtilles - La Table de Breccan - Le Chevalier mystère - Le Fléau de Dieu - Le Garde du corps - Des nouvelles du monde - Codes et Stratégies - Le Maître d’armes - Le Négociateur - Dîner dansant - Le Sixième Sens - Arthur et la Question - Monogame - Les Défis de Merlin - Le Banquet des chefs - Le Signe - En forme de Graal - Le Repos du guerrier - La Dent de requin - La Taxe militaire - La Queue du scorpion - La Potion de fécondité - L’Interprète - Le Sacrifice - À la volette - De retour de Judée - La Botte secrète - L’Assassin de Kaamelott - Le Trois de cœur - Basidiomycètes - L’Imposteur - Compagnons de chambrée - La Grotte de Padraig - Ambidextrie - Raison d’argent - La Romance de Lancelot - Merlin et les Loups - Le Cas Yvain - L’Adoubement - Arthur et les Ténèbres - Le Zoomorphe - La Coccinelle de Madenn - Patience dans la plaine - Le Oud - Le Code de chevalerie - Létal - Azénor - Le Sort de rage - Les Nouveaux Frères - Enluminures - Haunted - Le Secret de Lancelot - Le Serpent géant - Guenièvre et les Oiseaux - Le Dernier Empereur - Perceval relance de quinze - Le Coup d’épée - La Jupe de Calogrenant - Le Prodige du fakir - Un bruit dans la nuit - Feu l’âne de Guethenoc - Goustan le Cruel - Le Chaudron rutilant - La Visite d’Ygerne - Les Clandestins - La Kleptomane - Le Pain - La Mort le Roy Artu - Le Problème du chou - Un roi à la taverne - Les Fesses de Guenièvre - Le Billet doux - Guenièvre et l’Orage - Eunuques et Chauds Lapins - Choc frontal - Le Forage - Le Discobole - L’Expurgation de Merlin - Les Volontaires - Polymorphie - Décibels nocturnes - La Fête de l’hiver - Gladiator - La Blessure mortelle - Le Dragon des tunnels - Retour de campagne - L’Escorte - Tel un chevalier - La Pâte d’amande - La Fureur du dragon - Vox populi - Unagi - L’Éclaireur - Lacrimosa - La Quête des deux renards - Agnus Dei - Le Tourment - La Retraite - La Vraie Nature du Graal

Affaires Sensibles

Le Tour de France fantôme - Tom Simpson : une funeste passion - Lance Armstrong, le héros déchu - 21 juillet 1969 : objectif Lune

Castle Saison 2

Une rose pour l’éternité - Le Contrat - Le Troisième Homme - Le Batteur battu - Journal d'une dominatrice - Messages par balles - La Mort de Nikki - La Malédiction de la momie

Orgueil et Préjugés

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Raison et Sentiments

Episode 1 - Episode 2 - Episode 3

Spectacles

John Fogerty : Premonition (1997)

Eddy Mitchell au Casino de Paris (1990)

Livres

Pourquoi vous faisez ça ? de Pablo Mira

Gaston , Tome 2 de André Franquin et Jidékeur

Le péplum, un mauvais genre de Claude Aziza

Hero Corp, Tome 2 : Chroniques de Simon Astier, Louis et Stéphane Créty

#mediatheque #juillet23

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balloonatics · 1 year ago

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Bloomsday in Dublin 2023

Balloonatics are back once again on June 16th.

Long-established Joyce performers, once again we will be spanning the day with on-location recreations of Ulysses in Dublin city centre. Full details of our programme below. All street performances are free but a contribution in the hat is appreciated.

This year's performers are Paul O'Hanrahan and Mark Wale.

Street theatre tours 8 am Breakfast at the Blooms

Meet at the corner of Eccles and Dorset Street. This walk follows the ‘Calypso’ episode of Ulysses, chapter 4.

10.30 am Bloom collects a secret letter

Meet at Westland Row, opposite Pearse Station entrance, under the bridge. This walk follows the ‘Lotus-Eaters’ episode of Ulysses, chapter 5.

3 pm Joyce’s Capel Street

Meet at Grattan Bridge, wide side. This walk explores Capel Street’s Joyce connections and visits sites linked with the ‘Sirens’ and ‘Cyclops’ episodes of Ulysses, chapters 11 and 12.

No advance booking required. Contributions in hat appreciated at end of each event.

Evening event

7.30 pm Humid Nightblue Fruit

Wynn’s Hotel, Lower Abbey Street

Fathers and Sons: Bloom and Stephen, Simon and Rudy A dramatised reading from Ulysses by Paul O’Hanrahan and Mark Wale.

End your Bloomsday evening at this convivial Joyce gathering in this historic hotel in central Dublin.

The performance will be followed by audience readings: all welcome to participate.

Places are limited, so please do book in advance.

Tickets are available now on Eventbrite, €10 plus booking fee.

Contact

Twitter: @paulohanrahan Facebook: Paul O’Hanrahan, Balloonatics Theatre Company

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camillejeaneshphm · 3 years ago

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Owen Capell’s profile:

BASIC INFO

Quote by Character: “I will never be an outcast, no matter what they say.”

Full Name: Owen Simon Capell

Nicknames: none yet

Gender: Cis Man (he/him)

Sexuality: Grayromantic

Alignment: Chaotic Good

Species: Vampire

Blood Status: Muggleborn

Date of Birth: 17 May 1802

Race/Ethnicity: White British

Nationality: British

Short Bio: While on a research trip in his early twenties, Owen met a woman named Juliet. He fell for her quickly, but things turned when she bit him and turned him to a vampire.

Personality: Has a bit of a superiority complex, very intelligent

Languages: English, German, Italian, French, Spanish

Likes: Books, travel, history

Dislikes: Cravats, tight spaces

Greatest Flaw: Pride

Greatest Strength: Intellect

Place of Residency:

birth-11: Warwick, England

11-17: Alternates between Warwick and Hogwarts Castle

17-24: Student of History at various universities

24-retirement: Alternating between Rye, England and Hogwarts Castle

Retirement: Rye, England

Future Career: Professor of History of Magic

APPEARANCE

Hair Color: Dark Brown

Eye Color: Brown

Skin Tone: Very Pale

Height: 6 ft

Weight: 74 kg

Physique: Somewhat stocky

Style Choice (what they like to wear): Contrary to most vampires, Owen easily keeps up with popular fashion.

Accessories: An old pocket watch, his wedding ring

Inventory: His wand, a book, vials of blood to sate himself

Scars: The bite scar on his neck, a thin slice across his stomach

Face Claim: Luke Newton

Voice Claim/description of what they sound like: Luke Newton

MAGIC

Wand Description/Picture: Sycamore, Unicorn Hair, 10 inches

[The sycamore makes a questing wand, eager for new experience and losing brilliance if engaged in mundane activities. It is a quirk of these handsome wands that they may combust if allowed to become ‘bored’, and many witches and wizards, settling down into middle age, are disconcerted to find their trusty wand bursting into flame in their hand as they ask it, one more time, to fetch their slippers. As may be deduced, the sycamore’s ideal owner is curious, vital and adventurous, and when paired with such an owner, it demonstrates a capacity to learn and adapt that earns it a rightful place among the world’s most highly-prized wand woods..]

Wand reaction when chosen: Tiny fireworks

Boggart: His wife threatening to leave him

Riddikulus Form: She cracks a joke instead

Patronus: Bat

Patronus Memory: Him and Juliet finally making amends

Animagus: none

Amortentia (what they smell like): Something metallic, with some old books and something leathery

Amortentia (What they smell): gardenias, roses, and a hint of champagne

Mirror of Erised: Vampires finally being accepted into wizard society

Misc. Magical Abilities: Vampirism

Favorite/Created Spells: none

SCHOOL LIFE

Hogwarts House: Ravenclaw

Ilvermorny House: n/a

Organizations Joined: None

Apprenticeships: Assistant Professor at Hogwarts

Professions: Professor of History of Magic at Hogwarts

Best Subjects: History of Magic, Divination, Herbology

Worst Subjects: Potions, Astronomy

Favorite Teachers: n/a

Least Favorite Teachers: n/a

Class Proficiencies (OWL grade, n /10 or ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆):

Astronomy: P

Charms: EE

DADA: EE

Flying: A

Herbology: O

History of Magic: O

Potions: P

Transfiguration: EE

Ancient Runes: EE

Divination: O

STATS

Power (magic): 8/10

Power (physical strength): 6/10

Intelligence: 10/10

Skill: 7/10

Teamwork: 8/10

Speed: 7/10

Defense: 3/10

RELATIONSHIPS

FAMILY:

Father: Philip Capell, a poor laborer. After Owen turned eighteen and left for his travels, he never saw his father again, and Philip died just a year later.

Mother: Bridgette Capell, a washerwoman. She met Philip when they were both older, and Owen was their only child. She died when Owen was sixteen.

Friends:

Closest In-Game Friends:

n/a

Closest MC friends:

None yet (open to interaction)

Love interest:

Juliet Cadogan. She met Owen while he was on a research trip to France when he was twenty-two, and they quickly fell in love. Though she turned him into a vampire, their love has never faded.

Dorm mates:

None yet (four open spots)

Rivals:

None yet (open to interaction)

Enemies:

n/a

Pets: None

#skylar speaks #character profile #owen capell #my ocs #hphl #professor oc

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burlveneer-music · 3 years ago

Audio

The new Late Night Tales is all dub: “Version Excursion - Selected By Don Letts”

Cultural polymath - pop star, filmmaker, radio broadcaster, commentator, Grammy winner. Oh and DJ, too. Take your pick from the many coats worn by our selector, Don Letts aka The Rebel Dread. Born in Brixton, a child of the Windrush Generation, Letts’ slippery and unorthodox career is somewhat hard to define, without taking a few detours around London, New York and Jamaica. He began his working life managing the dauntingly hip Acme Attractions on Chelsea’s Kings Road, where he made a mark with his attitude, dress and, especially, the pounding dub reggae that vibrated the shop’s walls. His first gig as a DJ at the short-lived Roxy in Neal Street, became mythical for turning a generation of punks on to reggae. They in turn hipped him to their DIY ethos resulting in his reinvention as a filmmaker. This led to a shed-load of music videos (Linton Kwesi Johnson, The Clash, Bob Marley) not to mention documentaries on the likes of Gil Scott-Heron, George Clinton and Sun Ra. In the ’80s, he was part of Mick Jones’ new venture, Big Audio Dynamite and his innovative use of samples were a core part of their sound. Listeners of his weekly 6 Music radio show are taken on a musical safari that moves seamlessly between time, space and genre. It’s not called Culture Clash Radio for nothing. So this latest bulletin from Letts HQ is merely one angle of a multifaceted personality, his take on the JA tradition of the cover version. The history of Caribbean music owes a debt to R&B as many of the early island releases were cover versions of US 45s. Ska’s breakthrough commercially, Millie Small’s ‘My Boy Lollipop’, was originally recorded by Barbie Gaye in ’50s New York. Cover versions became quite a thing in Jamaica and Don, following in that tradition, has dug deep with a selection of interesting dubbed out covers including thirteen exclusives. “A disciple of sound system, raised on reggae n’ bass culture my go to sound was dub. Besides being spacious and sonically adventurous at the same time, its most appealing aspect was the space it left to put yourself ‘in the mix’ underpinned by Jamaica’s gift to the world - bass. But that’s only half the story as the duality of my existence meant I was also checking what the Caucasian crew were up to not to mention the explosion of black music coming in from the States. That’s why this version excursion crosses time space and genre, from The Beach Boys to The Beatles, Nina Simone to Marvin Gaye, The Bee Gees to Kool & The Gang, The Clash to Joy Division and beyond. You’d think it impossible to draw a line between ‘em but not in my world. Fortunately, the ‘cover version’ has played an integral part in the evolution of Jamaican music and dub covers were just a natural extension.” There’s a diverse mix of classic and new, with legendary figures like John Holt, The Tamlins and Cornell Campbell, mixed in with British veterans Mad Professor and the irrepressible Dennis Bovell, while (relatively) young striplings Kiko Bun, Emily Capell and Prince Fatty deliver the goods, with laidback Texan groovers Khruangbin also offering an exclusive bass heavy-delight. The song choices are diverse, from French dubsters’ OBF’s renditions of ‘Sixteen Tons’, the miners’ paean popularised by Tennessee Ernie Ford in the 1950s, to Ash Walker’s refix of Omar’s ‘There’s Nothing Like This’ and ‘All I Do Is Think About You’, immortalised by the ill-fated Tammi Terrell and preserved here by Quantic (the latter two both exclusives). Being a Rebel Dread compilation, there’s a cover (by Wrongtom Meets The Rockers) of The Clash’s ‘Lost In The Supermarket’ while Don’s exclusive, naturally, is a rendition of Big Audio Dynamite’s debut hit, ‘E = MC2’, produced by Gaudi. “Truth be told I’ve wanted to work with the Late Night Tales crew from the get go. We’re talking nearly two decades such was the allure of their musical aesthetic typified by curators like Nightmares on Wax, The Flaming Lips, MGMT, Trentemoller, Khruangbin and countless others. Now being as old as rock n’ roll (born in ‘56) and having nearly 20 years of Culture Clash Radio under my belt I figured I was tooled up to musically juggle with the best of ‘em. But I wanted to carve out a space that was distinctly my own - something that reflected my musical journey and the culture clash that’s made me the man I am today.”

#late night tales #compilation #various artists #dub #caribbean music #reggae #don letts #2021

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abstractanalogue · 4 years ago

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Capratone, The Asteroids & The Metronoids (for Beginners)

Tracks & Traces #13: I’ve been planning to write about the music of Capratone, The Asteroids and The Metronoids for sometime and have finally gotten around to it (somehow its been almost 3 years since the last T&T). The link between these bands is Andrew Lyster (now living in Brussels) and as I will explain, he kindly answered some of my questions for this hybrid Tracks & Traces. Since originally publishing this piece Richie Kelly of Capratone has also similarly added valuable information I would never have been able to share otherwise. Usually I just depend on my memory, the records, press cuttings and any surviving notes I took from the times but as I got deeper into the story there were too many question marks about line-ups (pre-Capratone), the issue of a possible ‘lost’ Capratone album and don’t even get me started about The Metronoids! At time of writing most of this music is hard if not impossible to find streaming online and I couldn’t even locate any band photos or videos either. Which is all the more reason to write a piece to mark their existence and hopefully spark a revival of interest. When I was putting the finishing touches to the article I did discover there is now at least some music from The Asteroids on YouTube. Not long after I originally shared this piece, Joss Moorkens of Capratone sent me two band photos, the first line-up (L-R: Fiachra, Joss, Andrew) and as a four piece with Richie Kelly (below).

I first saw Andrew Lyster play (vocals/guitar) when I caught The World of Pugh in a venue I only went to once, Dillinger’s. Like many things from those days it’s long gone but it was a bar with a small stage (up some stairs?) somewhere off Dublin’s Capel St. (18/3/94). As I totally forgot who was in the rest of the band I’ll let Andrew take up the story.

“The World of Pugh was the first group where I wrote songs. I think it started around 1993. Originally it was Keith Swan on drums and a fellow called Brian McEleney on bass. Then in 1994 I brought some songs in and Brian took off to be replaced by Niall Brown (who was also the singer and guitar player for The Moustaches). Niall played bass for World of Pugh in the form where we had songs and did gigs.”

I’m sure someone like Joss Moorkens (then drumming with Tucker Suite) had told me about TWOP and the name had struck me (there was a very cool hand drawn flyer for the gig). They played bottom of the bill with Tucker Suite, Budge and Schroeder’s Cat, all part of a very exciting little scene at the time. Less than two weeks later I happened to see TWOP again on a bill with The Moustaches at a house party on Middle Abbey Street. The Moustaches, who sadly never released anything, were also part of this same scene (in my mind anyway). As I recall, this latter show was on the second or third floor of a semi derelict space in which a friend of both bands was living as a caretaker. Andrew has now told me that he and Keith Swan actually lived there and it was where TWOP rehearsed. I remember sitting on an old mattress and really enjoying the atmosphere (a cymbal was tied to a rafter). I do remember that TWOP had a real sense of humour on stage with some crowd involvement going on. They never had any releases but might well have recorded something (I’ve also heard tell of an unreleased album by The Moustaches!). This would be the last time I saw them play, perhaps it was even their last show? It would be another year before I would see Andrew onstage again.

While researching this piece I did find an Irish band family tree which shows that Andrew, Joss, Fiachra Lennon and Brian Gough were in a band called Mudshark (1991-92), which was not actually their first band. Again, Andrew gave me some more information which I thought was worth sharing and clarifying about these early days.

“Brian Gough (later in Mexican Pets) had been in an even earlier band than Mudshark with me called The Foots. This band only played one gig in a pub in Dun Laoghaire in 1991. Our friends had to listen to the music from the street because they were too young to get in. After The Foots broke up I think Brian went on to another group called Harvey, and then Tucker Suite with Greg Barrett (later in Joan of Arse) on bass initially. Greg then did Schnorbitz with Joss, and had a cool band called Giraffe Running.”

Andrew’s next band would be Capratone (vocals/guitar) along with Joss on Drums and Fiachra on bass. Regarding song-writing Andrew told me, “For the most part I would write the songs and we would try to make them better by all writing our own parts through rehearsals. One or two were group written from stuff that happened in rehearsal.” I first saw them in another venue off Capel St. supporting Schroeder’s Cat at Behan’s Bar (previously The Fox & Pheasant) (3/4/95) and again just ten days later at The Plough with (surprise surprise) The Moustaches and Schroeder’s Cat. I would get to see this line-up play quite often on local bills until Sept ‘97 (more on this later). I recall they also played a short tour around Ireland with US band The Make-Up (April ‘97).

In early ‘96 they tried to record an album with producer Marc Carolan. Andrew told me it was to be called, “Le Plus Roll, because we felt our music was more Roll than Rock. I can’t pin down the exact date of the recording, but my guess is that it was in 1996. We had 2 days in a studio somewhere in Rathgar. It was a 24 track ADAT studio. I think it had a Soundcraft desk. The highlight equipment-wise was an incredible Ampeg bass stack that belonged to some professional band. Its sound was so authoritative and great that by the end of the long first day’s recording, when I had crawled into bed, I was woken up a couple of times by LOUD auditory hallucinations of Fiachra’s P Bass blasting through that thing. Marc, and the three of us all worked really hard for the two days, we did manage to record and mix all the songs we came in with, but I think the short time-frame worked against us capturing the right aesthetic. The means of production were expensive to rent and we couldn’t afford to record even in a project studio like that for more than a day or two.”

Luckily, one of the songs, ‘Homeward’, ended up on the Irish band compilation album, Zip Up Your Boots For The Showbands (1996). I always loved this intricate and explosive song and a whole album like this would have been quite something. The only place online you can hear it now is on a radio show I made for Dublin Digital Radio about bands that played in Dublin’s Attic venue. I must point out the musicianship of Capratone, it may not have been so obvious in the more noisy Tucker Suite but Joss was such an amazing and distinct drummer and both Fiachra and he so easily locked together. They created a lot of space for Andrew’s vocals and guitar for these catchy and very inventive songs to really flow.

At some point in late 1996 Richie Kelly joined (on right in pic) on guitar and they played as a four piece. At some other point Andrew left but as the band continued things must have been going really well musically. According to my notes the last two times I saw Capratone play was at the start of September ‘97, supporting The Sewing Room and Luggage at Dublin’s Mean Fiddler and then a headline show in The Funnel venue at the end of the same month. This doesn’t mean they stopped playing of course but for whatever reasons I didn’t see them again. Things don’t stay static, I did get really into electronic dance music and clubbing the following year but continued to see guitar bands as well but gigs would clash, allegiances, circumstances and tastes change, choices have to be made.

At some point this second line-up hooked up with Dublin label Folkrum Records (run by Dan Watson) and they recorded a mini album, The Art of Go, which was released in early 2000 (CD only) and produced by Simon Kenny aka Si Schroeder. At that stage Joss and Fiachra were still in the line-up with Richie and Eric Sexton (on guitar). I wasn’t sure if any of Andrew’s songs survived after his time with the band (on the Capratone page of the old Folkrum website he only gets thanked for the name) so I needed to ask him about it, “I didn’t write anything on the LP called The Art of Go. There was a strange overlapping series of line-ups in Capratone but when I left I think Richie Kelly (who was a recently arrived guitar player joining the original 3 piece) took on the song-writing job. As far as I know those Art Of Go tunes were all of his making. Richie went on to make a few attempts at recording subsequent line-ups of Capratone.” According to Joss’ short biog of the band on Last.fm, by the end of Capratone the line-up had changed completely from the original one.

Since I published this piece Richie Kelly has been in touch and has kindly provided more detail about joining the band and how his role and the line-up evolved. “I saw Capratone in 1996 and was blown away. Even before the show ended, I wanted to join but that seemed unlikely. It turned out that Andrew’s song-writing was taking a new direction and he had decided to add a second guitarist. We were connected through an extended friend group and apparently word had gotten to him that I was as enamoured with The Beach Boys as he was. We bumped into each other and started talking music and I must have auditioned and joined the band shortly thereafter. At some point I brought a song to the band and we added it to our set (with my vocals). I started contributing more so when Andrew decided to stop playing, we just continued. We added Eric Sexton, a friend and former bandmate. The Art of Go was recorded by Simon Kenny with basic tracking done over a weekend at a large room in Joss’ father’s business. Simon and I continued vocals and overdubs at his flat in Donnybrook.”

Surprisingly none of this music has made it onto YouTube or anywhere else online that I could find. It can be bought on Discogs, which is how I got my hands on it about two years ago. In my opinion it works really well as an EP, with a few really engaging tracks but with some filler too. The best for me would be ‘Clozer’ which sounds like a lost classic and musically is a more full bodied version of the band heard on ‘Homeward’. ‘Free Jazz’ is pleasingly upbeat and cruises along on Beach Boy vibes. They do sound quite American (Pavement and bands of that ilk) at times (as did Capratone mark 1) but this was very much the sound and influence of the times, everything still comes down to the quality of the song-writing. The band broke up a good while later, sometime in 2003 without anymore releases. At some stage Richie Kelly moved to Brooklyn, New York and started a similar sounding band there but with more brass, Sport of Kings. He even re-recorded ‘Free Jazz’ and made a video for it. The influence of Brian Wilson is clear on this song in particular, they cleverly re-use The Beach Boy’s ‘Cool, cool water” line in the song (also present in the original version). Apart from some positive reviews of their only EP, Logic House (2011), there is little sign of the band online either but at least you can check out their excellent video for ‘Free Jazz’ (see below). I did find just one image of Capratone at this time on the Folkrum website, which I have enlarged below. Richie is the golf club carrying member.

In my original piece I wasn’t sure what happened to Capratone next so Richie can take up the story, “The Art of Go attracted the interest of Shifty Disco, who released all of the Elephant 6 stuff in the UK. We set about making a full length for them which we were calling Aviation High. Simon Kenny was initially set to record but was so busy with other projects, I asked Andrew to do it and he agreed. Drum and bass tracking took place in a studio in Dublin. Andrew and I indulged our love of tinkering at his family home while recording my parts and mixing. The result is a pretty high fidelity Capratone record. Shifty Disco preferred the super compressed Capratone of the previous record and passed. We trudged along with some line-up changes after that. The most stable line-up though was myself, Cian Synnot on drums, Fiachra McCarthy on guitar and Michael Stevens (of Groom and many other excellent bands) on bass. As Joss said, no original members were left by the end of Capratone. I believe we kept the name simply because we couldn’t come up with a new one, apparently I have a problem naming things. When I ended up opening music studios and practice spaces in Brooklyn after moving there, I asked Joss if I could use the name of his label Scientific Laboratories because I loved it so much and couldn't think of an alternative.”

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I think it’s well worth including here what happened with Richie’s next band Sport of Kings. “My love of fidelity only increased as the years continued except my focus switched from The Beach Boys to Steely Dan. I because obsessed with doing an indie rock version of their music and Sport of Kings took that direction. The initial line-up was drums, bass guitars and Fender Rhodes and then we added a horn section and a drummer from NYU’s Jazz Program who were incredible and took things to a whole different level.”

“After our Logic House EP, we made a full record (15 songs to be called Queer Theorem) with Michael Leonhart of Steely Dan as producer and occasional synth/horns/vocals contributor. This was essentially a dream come true for me. Initial tracking was done by me at a studio in Brooklyn and painstaking overdubbing, vocals and mixing was done by myself and Michael at his mixing room in the city. Ironically, we recorded yet another version of ‘Free Jazz’ with Michael. I’m not sure why I keep rerecording it but it might have something to do with Andrew and I finding out Brian Wilson used to record ‘Proud Mary’ every time he went into a new studio to check the sonics. I think I now have 4 completed versions!”

“I put an enormous amount of effort into Queer Theorem but it took so long that by the time it was ready, many band members were so in demand by big artists that they had little time to give. Keeping a 7-piece band of amazing musicians afloat proved too difficult and I disbanded the group rather than trying to recruit new musicians. I had also taken that level of fidelity to its conclusion and I returned to looser music after moving to Portland, OR.”

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The next ‘band’ Andrew founded was solo project The Asteroids. I don’t think he ever presented it live but there was just one release, an exquisite three track 10″/CD, Moonlight Music For Beginners, which was released on Joss Moorkens’ Scientific Laboratories label in 2000 (the same year as The Art of Go). You can listen to what has to be my favourite song, ‘Nine Lives’ at link below (the other two songs can helpfully be found on the same channel and I’ve linked them here). According to the sleeve notes it took two years to record, with I assume Andrew playing all the instruments and doing the programming etc. I was sure to pick this up on vinyl at the time and have cherished it since. The amazing paintings on front and back were by the artist Niamh McGrath.

‘Nine Lives’ is so laid back, rich in instrumentation but for me it’s all about Andrew’s vocals (Alan Kelly of The Last Post also provides additional backing vocals). The lyrics prove to be the real earworm for me, “Who is the man, who has done this to you?” with an unexpected lyrical twist at the end. The song has somehow burrowed its way into my consciousness and over the past 20 years has been liable to play in my head at any time. ‘Return Of The Moonlightman’ is more sparse and based again around the vocal arrangement, a second deeper voice (John Parkinson) enters the fray about halfway and it goes to another level with a lovely gradual close. ‘The Great Escape’ is dominated by a really warm organ sound that pulls you along. This one in particular reminds me of Brian Wilson, one of Andrew’s touchstone influences. It’s one of those releases which has dated really well in my opinion and is pretty much unknown I think (I don’t know how many were pressed or sold). There was so much promised with this release and frankly it’s something of a shame it was not followed up at the time. If Andrew had been signed or whatever then things might have happened differently but like all of the bands I’ve written about in this series, we’re lucky to have what we have and the music will last forever. You can still find it for sale on Discogs and it can be played and purchased on iTunes and Tidal. There was one other song from this period, ‘Lunar Doo Wop’, released on a compilation CD included free with the first Foggy Notions magazine. I vaguely remember it but can no longer find my copy (the title tells us all we need to know!).

Sometime in 2005 or later I bumped into Andrew and he gave me a CD from his latest group The Metronoids. It was a two track disc in a plastic wallet (no cover artwork or personnel details) called Petroleum. Today this doesn’t even exist on Discogs never mind anywhere else! Until I asked Andrew about it I wasn’t sure if this had simply been a promo but he told me there was artwork etc. The reason I probably never saw it for sale is that I left Dublin in 2005. For a bit more information I had to dig into the data on the CD itself and found that the track names are simply ‘Petroleum 1 & 2′ and for what it’s worth the genre on iTunes comes up as Blues (not sure how this gets assigned). It’s a pleasant listen (the more spirited second track is my favourite) but it surprised me very much to find it was all drums/percussion and obviously nothing like what he’d done before. This would be the only release under the name, which I imagine is pretty rare to come across.

I obviously had to get Andrew to explain The Metronoids to me, “This was a project I really enjoyed. Done in 2004/5 with Joss and Marc Hayes (drummer from The Moustaches, Boxes). It was always a real pleasure to be in a room with those two guys. I think we did a handful of rehearsals and one recording session. The idea was drum improv within premeditated structures. All three of us played drums. I think I got the notion to do a project that required a different kind of listening from my love of the CD called Guitar Solo by Annette Krebs.”

I wasn’t aware of this at the time but Andrew, Joss and Fiachra briefly reunited as The Lamps in 2005 but as far as I know while there were some live gigs there were no releases. Since then Andrew has told me he is currently working on two new music projects, “One with Fiachra Lennon is called Fig/Astro, it started in 2018, we should be finished an LP this year. He wrote a bunch of instrumental tracks and sent them to me. At his request I turned the instrumentals into songs, and the productions are evolving from there with both of us working on it via WeTransfer. He is a real natural musician so the songs have a very solid foundation. It was refreshing to write songs this way from track to song, rather than from song to track as I had always done previously. My own LP has been in the pipeline since 2009 when I wrote a load of songs and set out to record them in-the-box. Some of the songs went through over 20 productions. Working on a finite group of productions over a long period, under the microscope of Digital Audio Workstation has really allowed me to discover how to do my own thing. The work on this solo album takes a lot of focus.”

After Capratone Joss would go on to play with Joan of Arse and The Dudley Corporation and guest on many other releases, most of these can be found on his impressive Discogs entry. When I was doing my research for this piece I was excited to find an old Souncloud page for The Asteroids I never knew existed, it has two unreleased tracks which date from about 2014 but Andrew said the music since then has been become more abstract. Fiachra meanwhile has a bulging Soundcloud page full of his own demos that is very worth exploring too. Both of them are also on Twitter, The Asteroids and Fiachra. It will have been a long time coming but I’m looking forward to the next new releases from both these artists.

Sometimes the best things take time.

Stephen Rennicks

#capratone #the asteroids #the metronoids #andrew lyster #fiachra lennon #joss moorkens #richie kelly #folkrum records #the art of go #moonlight music for beginners #sport of kings #the world of pugh #dublin #music #1990s #2000s

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