#Showing a character's evolution through their looks...
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thelostgirl21 · 10 months ago
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Yeah... I think it's not so much the hair lenght all by itself, but the fact that he does typically look younger and a bit more "boyish" with the shorter hair.
I was actually thinking: Look, maybe if they gave him a bit more beard (maybe not to the point of his "Billy the Kid" character, but, you know...), and tried to style the shorter hair differently than in S1, they could pull it off?
I'm still rather partial to the long hair though...
@poisoninbloom really has some superb suggestions here, and I'm 100% to risk my life over it, too!
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Pretty sure Radovid gladly would, too (especially since Kings and Queens, in Redania, have been known to meet quite unpleasant ends, lately. All things considered, that would be a nice change of pace!).
And yeah, no, the S1 outfits were in Jaskier "I'm trying to get nobles to sing my praises, and dressing the way they'd expect a bard to be dressed at court" era...
Since then, Jaskier's entered his "I'm the motherfucking (sometimes literally) Sandpiper, and I'm done playing nice and trying to get approval from assholes that would commit genocides! I'd rather do my own thing!" era.
Oh course "his own thing" eventually turned out to be the Crown Prince of Redania.
But hey! That's usually what happens! The moment you stop trying so hard to please nobles and make a name for yourself, you somehow wind up with the future King of the most powerful nation in the North all but begging you to sing for him, learning your songs, and asking you to take him on the floor of some shed in the middle of the woods! It's a classic! That's just how life works!
Jaskier: Nobility sucks! Imma sing for society's outcasts from now on, smuggle elves to safety, become a popstar, and tell royalty to go fuck -
Radovid, Comma Prince: Heeey... I really love your songs, especially the one about non-humans rising up against sovereignty and reclaiming their power. Did I mention I'm gay?
Jaskier: - myself.
Unpopular opinion : I really hope they'll have Joey wear a wig in S4 and S5, to continue to keep his hair longer regardless of his real hair's length, because having Jaskier suddenly go back to his S1 short hairstyle would feel like he would have suddenly regressed as a character, somehow?
I dunno...
It's like I've associated the long hair with a more confident, grown, and mature version of his character, and it would feel odd to suddenly have Jaskier go back to looking like he's that 20 year old kid struggling with finding success in his career, love and acceptance from his friends, and trying to figure out what pleases him in life...
Like, don't get me wrong! Joey's hair looked fantastic during that reading! I'm not saying short hair doesn't suit him!
But Joey physically looked like Joey, or a very "baby version" of Jaskier.
Just like Hugh physically looked like Hugh.
Radovid, in my mind, has those soft, long, wavy reddish-blonde locks.
And 40+ y.o. Jaskier has long silky hair.
If they somehow go "Hey, so in our story Geralt now looks like Liam and, BTW! Jaskier also suddenly has short hair again!" there's a very big risk I'll suddenly be thrown off by the sudden "blast from the past" thing happening...
I mean, it took Jaskier almost 2 decades to outgrow that S1 look! Having him suddenly go back to looking the same as he did from age 20 to his late 30s would feel so bizarre to me, somehow...
Like, he doesn't need to have his hair styled like S2 or S3, but keeping a longer hairstyle on Jaskier as a character would be really nice.
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nemmet · 1 year ago
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question: who is your favourite scooby doo character and why?
in a similar vein to my how did you get into scooby doo post from last month, i'm now interested in hearing who your favourite character from the franchise is! are they a member of the core gang or a side character? which iteration/version of theirs do you like best? do you have any specific memories associated with them? do they mean a lot to you personally, or do you just think they're neat? it's time to gush about them in the tags/replies!!
#if you don't know me: hi i'm nem and when the scooby doo hyperfixation beam hit me back in 2021 i was cursed to forever think about#fred jones more than everyone else on the planet combined#i just think the evolution of his character is so fascinating#especially in the way that they made him more engaging by just exaggerating his core traits a whole bunch over time#my favourite iterations of his are mystery inc (for the canon autism and generally how emotionally affecting he is)#and what's new (for just how plain silly and sweet he is)#however now that i've seen the whole show be cool's version of fred is now a firm favourite as well (his focus episodes are amazing!!!)#there's just so much that can be done with him and there's never a dull moment when he gets quality screentime in an episode or movie#he makes me laugh he makes me cry and through relating so much to his character he essentially tricked me into loving myself#i grew up with undiagnosed autism and struggled with self-hatred for things like my intense interests/social struggles/hyperempathy#things that i now know are just. fundamental parts of me and the way my brain is#so seeing fred be his unapologetic autistic self (canon in mystery inc/coded in everything else) made me feel less alone & gave me hope#which eventually led me to seek out & obtain my formal diagnosis at 17 and generally just feel so much more secure in who i am#so yeah!!!! this silly goofy cartoon character means a whole lot to me and i'm glad to have a place to express that :)#i look forward to seeing everyone's responses to this question!!!#scooby doo
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asgardian--angels · 7 days ago
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pls stop characterizing viktor as angry and violent i s2g fdsgfgdfh
#i just - does half the fandom realize viktor's the most pacificist character in the show...#he doesn't insult people. he never wishes violence on anyone.#i get sad when people draw/write him as insulting jayce or yelling at people or hitting people with his cane#that's literally not who he's shown to be as a fundamental part of his character and his arc#he doesn't lash out. he curls inwards#he's witty and dry and sometimes guarded and stressed because he's literally going through horrible things but he's never violent#he's only shown EVER wanting to help people. make life flourish. grow things. STOP violence#the only time we see him act aggressively is the council room scene for that brief chokehold and again as machine herald in the chokehold#specifically both times as a way to subdue and restrain jayce from hurting him back and hold him in place so he can enact smth#(I still don't think his intent in the council room was to kill jayce. it makes zero sense. and MH was holding him to get him up the tower)#just..................why do you look at this gentle polite fundamentally compassionate character and see someone with a snap temper#while im at it. look i respect yall dom viktor truthers who am i to get in anyone's way but like#there is a big difference between craving control over your own life and circumstances and craving control over others#yes viktor desires control but i just. dont see that translating over. idk. sorry.#which there's a discussion to be had about arcane herald viktor there and the glorious evolution itself#because despite his ascension to godhood he's never actually framed as wanting to be worshipped like a king or a god#ultimately yes he desires to remove control from the human race but... hard to explain but like. he doesn't try to take it for himself?#he thinks he's freeing everyone. not to bow down to him but to find peace and connection with each other and with him#partially because he's so fucking lonely. his ascension is framed as enlightenment not a power grab.#his very evolution framed almost as unwilling. a resignation of a burden he must shoulder to be the one to fix things alone#but of course you have the influence of the power-hungry hexcore at play which distorts viktor's altruistic motives so. there's that.#anyway this is tangential to the main point which simply was 'stop making viktor angry and rude he's literally not like that in canon'
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dumbbitchenergy17 · 2 months ago
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Reunion Interview
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Plot: A reunion of our two favorite actors following their crazy lives after the ending of the fan-favorite show: The Mandalorian
Word Count: 4.7K
Pairing: Platonic!Pedro Pascal x Platonic!Reader, Paul Mescal x Reader
Warnings: sweet "father-daughter" moments, laughter giggles, just general fluff
A/N: This is something that's been on my mind for a while and with Gladiator 2 this only fueled it. CONTAINS CLAN OF THREE SPOILERS+WHERE THE WILD THINGS ARE. Read all of the Clan of Three Series here and also read Where the Wild Things Are here
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“Alright, we are all ready?” The interviewer asks and the cameramen and sound people each give their sounds of agreement and then turn to give the go-ahead to start, “Hello guys it’s a pleasure meeting you two. It must be good to reunite once again. Let’s get a little introduction then go crazy.” He greets the two actors sitting next to each other.
“Hello world I’m Pedro Pascal.” “And I’m Y/n L/n and we’re here with Variety Magazine.” The two of you greet the camera before looking at one another. Pedro gives a fake serious look and you roll your eyes at his antics and he burst into laughter.
“This is what I dealt with for five years oh god how did I do it.” You pinch the bridge of your nose while the older man dies down his chuckles.
“Don’t act all innocent you were in just as much mischief as I was.” Pedro points at you, “I was barely an adult on set you’re supposed to be the responsible one.” It seemed like years had flown by. This TV show was your breakthrough role and allowed your career to skyrocket and it was all thanks to meeting this man.
“Plenty of fun stories from set between the cast and crew.” The interviewer asks you both and Pedro nods enthusiastically.
“The first two seasons this one was attached to my hip. I couldn’t even go for a nap without her waiting outside of my trailer.” He says with a chuckle and you cross your arms.
“You were the only person on set who was childish enough to want to hang out with a high schooler.” You reply sassily and the interviewer has to cover his mouth to hide his laughter while Pedro gasps dramatically while holding his chest. “How dare you call me childish.”
“So Y/n being the youngest person of the cast and growing up on the show how did it affect your character?” You smile smoothing out the wrinkle in your pants.
“Well, I was cast in 2018 a couple of months after Pedro was already cast. It’s funny cause Dave and Jon actually when creating this show my character was never meant to be in this show just an idea thrown around.” You explain, “But they decided why not add another bounty for Mando to take care of, but through the show, they both learn to take care of each other and he becomes a father figure to her.”
“And Pedro how was that playing a role of becoming a father figure and being there in her life?” He asks and Pedro scratches his beard.
“I mean at first not gonna lie I was very nervous. I have worked with younger actors before but this was something different. It wasn’t a child actor that played my son or daughter, or someone who was an adult it was a teenager that I would be working with quite closely. I mean we met for our first table read and you were just this shy girl who was meant to be this sassy badass character. But you blew me and the crew away when we started working together,” Pedro says glancing over at you with a nostalgic look in his eyes, “Both the relationship of our characters had this whole evolution from being adversaries and not even friendly with one another to a bond that ran deeper than blood. I watched her grow up with every episode and season from that timid little girl to this strong intelligent woman before me.” You give a pouting smile before putting your face in your hands.
“I hate you. You’re gonna make me cry.” You sigh making the interviewer and Pedro laugh and wraps his arms around your hunched-over body rocking you side to side. “You’re not the only one teary-eyed,” The interviewer says fanning his eyes and you smile at his attempt to not single you out.
“It’s all good I’m professional.” You steel your face wiping away any trace of sadness from his touching speech. “Yeah, Pedro is an alright guy I guess.” You shrug and Pedro bursts into laughter throwing his head back
“Okay getting back on track. You’ve both been very busy this past year. Season 3 of The Mandalorian has been out and fans are both crying over how good this show is and how you tore us all apart with the ending.” He says and Pedro fake cries remembering the ending.
“Hey, I didn’t want her to leave me. She went to go find herself.” He points his thumb at me and you slap it away, “I didn’t have a decision in it as well. You should have seen him on my final day of filming, so as you know this man over here was gone pretty much all of season three cause he was filming his show with his other kids.” Referencing Bella Ramsey and Nico Parker his two other ‘children’ in The Last Of Us.
“Pedro is just our favorite father figure.” The interviewer says and you nod in agreement. “You have too many children to keep count of.” You say and Pedro gives a sheepish grin.
“I’m just good with kids.” He shrugs.
“But anyways so since he was busy filming for that show we were able to have his amazing stunt doubles, I love you Brendan and Lateef become him. So comes my final scene where I leave and Din is left all sad with Grogu. I think he’s in Canada filming and we block out the scene Dave and Jon tell us we’re all set. That scene feels very close to me 'cause it feels like my goodbye to both the character and to the crew who’s been there since I was eighteen.” You remember the sadness that day on set knowing that this was your final hours with this group.
“So we start rolling and I go through my whole monologue,”
“Which was amazing by the way.” The interviewer butts in and you smile,
“Oh thank you. So I do my thing and who I think is Brendan just breaks down crying before he can say his line I panic and try to improvise to get him back on track but when Dave calls cut I expect it to be Brendan to take off the helmet and apologize but turns out it was this crybaby.” You point your thumb to an embarrassed Pedro.
“Did you expect no waterworks when you were leaving me?” He defends himself, “I didn’t expect you there in the first place! But it was sweet and after many takes because he couldn’t get through his lines without crying we finished my last scenes.”
“I have seen that video from Dave Filoni of the behind-the-scenes of your final day on set.” On the TV beside the interviewer plays a video that shows the set and crew and there are the two of you going through the scene before Jon calls cut.
You remember that take vividly it ended up being the one used for the final cut, the second ‘Cut!’ was shouted the crew broke into cheers. You immediately crouch and break into tears and Pedro removes his helmet pulling you into a bearhug crying into your shoulder you both cry out your characters and each other's final goodbyes on set.
“Give it up to Y/n for her final scene! That’s a wrap for her.” Dave says behind the camera as it moves closer to you and Pedro. Both of you were teary-eyed, Pedro looking like a wreck as you give a cheesy grin through tears and Pedro presses a kiss to your temple before pulling you into another tight hug and that’s when the video ends.
“A very heartfelt video that shows the bond you two have working together over five years.” He says and the two of you smile. Just being a part of the Star Wars franchise had been a dream, growing up watching the original and the prequels as a child and now being involved in this story was game-changing. “Outside of Star Wars, you’ve both been very busy Pedro with Wonder Woman, The Unbearable Weight, hosting SNL, and one of the most popular shows of this year The Last of Us.”
“Stop it you’re making me blush.” Pedro waves his hand acting bashfully, “Don’t forget the three Emmy nominations.” You pipe in and Pedro covers his face at all the compliments headed his way. This man was way too humble.
“You’re not off the hook either you’ve been very busy yourself, you got your nomination for an Emmy for ‘The Mandalorian’, you’ve been in Bullet Train, Across the Spider-Verse, In the Heights, the latest Indiana Jones, and you just wrapped up A Quiet Place: Day One, all while going to school and getting your college degree now finally enjoying adulthood, how is that like.” The interviewer reminds you of the work you’ve done in the past five years.
You laugh twisting the rings that adore your fingers, “I mean high school was easier as I had an on-set teacher and graduated right around in the middle of filming In the Heights. Then for college right as the pandemic hit we all were on lockdown I continued with online courses and once it lifted it was working a schedule of classes and work but all the films I’ve been on have been so accommodating. With the program I took I graduated right after we wrapped Season 3 and before the Press Tour,” Pedro makes a cheering noise as the interviewer laughs.
“I’m assuming you were in attendance for that Pedro?” He questions and Pedro nods enthusiastically, “Of course, I was there for both high school and college! I made a sign and everything.” He and the interviewer laugh as you shake your head.
“Did he?!”
“It was the same big sign with a bunch of horrible pictures of me I think it said, ‘Y/n L/n my unofficial daughter’ with like a bunch of hearts.” You can picture the sign clearly remembering both high school and college walking across the stage to receive your diploma and hearing your friends and family cheer Pedro being one of the loudest.
“Since graduating and now fully dedicating yourself to film how has it been?” The interviewer questions and you give a wide smile.
“I love it so much, while it was stressful balancing work and classes being done is so rewarding. I’ve been able to accept so many new projects and attend so many events I couldn’t before due to classes.” In college, you and your manager had discussed your schedule working around sets while focusing on your education. You decided to strictly do online courses just to make things easier if you do need to travel for work but you’ve been to school events and made friends in college despite your virtual learning.
“Is this the first time you are meeting back up in person since the premiere of Season Three?” He asks and it makes sense with your guys’ busy schedules.
“No surprisingly since we wrapped Season Three there was a time when we didn’t see each other, with Pedro busy with Strange Way of Life, and I had just ended college. Plus I just moved to New York and then got involved with A Quiet Place we didn’t see each other in person until I think it was when you hosted SNL..?” You explain and Pedro perks up.
“Nooo you were there for the premiere of The Last of Us.” He calls you out and your jaw drops you completely forget how busy and how many premieres it all blends. “I would say you kinda stole the show when you appeared on the carpet, none of us were expecting you to be there.” The interviewer says with a laugh.
“That would be an understatement. So it’s the night before the premiere I’m in LA and I think she’s still in New York I remember I called you cause I felt like I was going to die,” Pedro retells and you laugh remembering picking up the phone to see a very nervous Pedro who was pacing in a panic about the premiere for the show.
“You were fine just being a big baby as usual you did the same thing during season one.” He shushes you trying to cover your mouth with his hand but you dodge from it.
“ANYWAYS,” He raises his voice, “Night of the premiere and I feel like I’m going to puke and crap myself all at the same time. But I get there everything is alright I see the rest of the cast happy to see Bellie again all those good things. I’m doing an interview and I think Bella was still on the carpet taking some photos when this roar of cheers came from the beginning. I’m thinking it’s Ashley Johnson or Troy Baker the original Joel and Ellie but I can’t see from down there. So they want me to get some photos with Bella and how I couldn’t tell they were planning something is beyond me.” You and the interviewer start giggling and you see queued up is a video from that night.
“Oh god, you have a video!” Pedro groans covering his face and you nudge him forcing him to watch.
The shouts of fans and photographers as Pedro poses for photos and you can see Bella go over and pull him over as the pair take photos together. Pedro places his hand on his stomach a technique he has used for years to quell his anxiety. The flashing lights and screams of fans only grow louder for a second and he just laughs confused at them. Bella squeezes his arm from his right side and he can sense a presence on his left side and he assumes it’s another cast member.
“Hey P…” A voice whispers in his ear and his eyes widen comically and he whips to turn to face you who has a cheesy smile on your face.
“What the fuck!”
The cameras show Pedro quickly wrapping his arms around your waist and lifting you in the air and you laugh loudly before he puts you down and immediately talks rapidly questioning how you are here, how this happened, when you planned this, he had just called you a few hours before. The cameras start yelling at you two to pose and the pair of you pose a big grin spread across Pedro’s face. The video ends as he pulls Bella and Nico making it a group photo of all his on-screen daughters.
You laugh as it freezes at the photo of all of you smiling and laughing.
“I’m still in shock you managed to pull a fast one on me but that truly made my night,” Pedro says.
“It was all Bella and Nico’s planning I didn’t even know how they even managed to keep it from you during all those press tours. I was fully there like four days before the premiere,” You say, and on the screen are photos you had posted following the surprise of you hanging with Bella and Nico, and the rest of the last of us crew. One photo that makes you giggle is you standing before a snoring Pedro on a couch in a green room that you had Bella take for you when you snuck to watch their interviews.
“Speaking of Bella and Nico. I would say you including Sophie Thatcher blew up the internet in the ‘Children of Pedro’ interview,” The interviewer mentions and you smile and a thumbnail of the interview with you and these amazing actors and actresses.
“Oh, that interview was so much fun. It was the first time I met Bella and Nico as I worked alongside Sophie during Boba Fett and we all had this instant chemistry. Following that we all became good friends and we try to hang out when any of us are in town or plan stuff.” You explain and you see Pedro has a warm smile happy to see all the people he cares deeply for are friends, “Pedro’s glad all his children aren’t fighting.” You smirk and both the interviewer and Pedro laugh at your comment.
“I’m glad my home has some form of order,” Pedro bounces off your quip and the interviewer looks over some of his notes.
“Alright, I have some fan questions sent in for the both of you to answer if that’s alright.” He asks as both you and Pedro take sips from your drinks.
“Sounds great!” “Hit me with them.”
The interviewer nods excitedly looking over at you, “Alright Y/n we’ll start with you. This is a question from @pedroswife1975 ‘I was just as gagged at Pedro’s SNL performance I wanted to know if you had any clue of Pedro’s plans or did you go in just as blind as everyone else.’.” The screen shows a college work on Pedro’s SNL night.
“Oh, that was a crazy night, I was so excited to hear he was hosting SNL cause I was used to this guy’s craziness,” You say pointing a thumb at the older man, “I didn’t realize he was dropping hints or asking for my opinion like the fan cam skit he asked me about how I felt about like fan edits. To those watching I love them so much and genuinely lay in bed kicking my legs seeing the crazy shit yall make of me or people I know. Also, that fucking voice in the memory lost one.” Pedro bursts into laughter.
“What voice? This is my normal talking voice.” He flawlessly does the valley girl's voice that makes you speak through giggles.
“I think it was when he was in New York to rehearse for SNL and we’ve been meeting up and hanging out and we were at this cafe and he slips into this voice and I literally couldn’t help giggling,” You say, “So when I go to the taping I had to cover my mouth to stop from giggling everyone second.”
“It’s an amazing voice though.” The interviewer says in the valley girl accent, “Oh totally it’s completely amazingggg.” You respond by going heavy on the vocal fry unable to burst into a fit of giggles alongside Pedro.
“Okay, next question for Pedro. This is from @y/nssoulmate ‘I’m dying to know cause those Instagram photos were insane, but how crazy was Y/n’s 21st birthday?! Please I’m dying to know I’ll give my first child to know!!’.” You immediately groan covering your face and the pair laugh. On the screen appears a photo of your twenty-first birthday it’s partially blurry but it’s of you looking plastered. A ‘21’ crown halfway on your frizzy hair from the humidity of Pedro’s apartment that he transformed into a club vibe, a drunk grin on your face with an arm around Pedro’s shoulder the other holding a martini. Pedro is practically holding you up looking drunk as well as a beer in his free hand.
Pedro chuckles rubbing the back of his neck, “I’m going to be so honest I don’t remember much of that night. Someone thought it was a good idea to try and outdrink each other.”
“Hey! I was given full rein since it was my birthday. You were meant to be the responsible adult. Luckily Sarah Paulson and Oscar Issac were the actual adults that night,” You defend yourself. Truly that night was a blur but it was such a fun night. Your friends had taken you out for breakfast and a full day of celebration before you received a text from Pedro to go to his apartment to get his gift that he accidentally shipped to his place. Turns out it was a surprise and he was able to come back from shooting for The Last of Us and bring along your close friends and family.
“For my soulmate unfortunately neither Pedro nor I remember that night but trust from what those there that night it was the best birthday someone could through for me. Though I did avoid alcohol for like a month.” You say and Pedro groans remembering the hangout you both suffered the following day.
“Okay question for you Ms. Partyer. @imstillsadfromkazsdeath,” You laugh at hearing from the person’s social handle, “Their question is with news of both Wicked which you worked alongside Director John Chu during In the Heights, and Gladiator 2 has your co-star, Joseph Quinn, your father-figure Pedro, and your friend Paul Mescal coming out at the same time. Which are you seeing first Wicked or Gladiator 2?” On the screen, it shows a college of you with each respective person mentioned. A photo of you nineteen on set in New York City with John Chu and Lin Manuel Miranda, a picture of you and Pedro during premiere of season 3 of Mandalorian, a picture of you and Joseph Quinn on the set of A Quiet Place both dusty and covered in fake blood, and finally a picture of you and Paul Mescal at the this recent Met Gala a candid photo of inside the event talking during dinner.
“One more of a sidebar, I’m still sad about Kaz’s death if I could’ve changed it I would’ve both Freddy and I were so bummed filming those scenes. But for your question fuck you.” You answer so seriously that both Pedro and the interviewer burst into laughter.
“Seriously fuck you for making me choose. One I love John Chu and I am so excited to see Wicked I’ve been obsessed with it since a kid and I saw Idina and Kristin on Broadway so I need to see what Cynthia and Ariana do with this. But I also love all three guys and want to support them too 'cause I also love Gladiator and I know my father would be super betrayed since it’s our go-to movie to watch.” You were in such a rough spot.
“Can I clone myself?” You ask and both Pedro and the interviewer shake their head which makes you let out a frustrated groan, “You know what? I’ll see whatever movie I get invited to first. This leaves me not to choose it’s in the hands of John and the boys so they need to battle it out.”
“Wow, seriously such a cop-out,” Pedro whines and you shrug, “You can’t force me to decide if I don’t have the choice.”
“Very well played. Alright, our final question for Pedro from @pedroiszaddyfr they ask ‘Hey Pedro if I get chosen I’m absolutely in love with you and just want you to know that.”
“Aw, I love you too,” Pedro replies and the interviewer continues.
“So my question is in The Last of Us after season 1 in the books ‘The Last of Us: Where the Wild Things Are’ we do get introduced to Joel’s second biological daughter is there any potential plans to include them in the show making them canon since they aren’t in Part 2 and if so. Please for the love of all these mighty get Y/n to play your daughter she would kill the role!” The interviewer chuckles at the question and you look over at Pedro who thinks over the question.
“Well as I’m sure many of you do know in the books we do get an extremely interesting character that changes and adds more depth to the characters of the game. I’d love them to add her into the show and we see the change in Joel and Ellie during the period before season two. I mean I’d be so down for Y/n to be a part of this but that’s in the hands of Craig and Neil. Unless you know something I don’t?” Pedro turns to look at you and you raise your hands shaking your head.
“I’m just as clueless as you. But I would love to be a part of the show. I’ve read the book and she truly is such an interesting character. I mean that opening fight scene in the cabin before Joel and Tommy pull up is so fucking cool. But yeah Craig and Neil hit me up before Pedro starts begging and whining.” You say and a bark of laughter comes from the older man.
“Well thank you both so much for taking the time and talking about your lives and this amazing reunion. Is this the last you too will see each other until the next reunion?” The interviewer says.
“Nope! This girl can’t get rid of me now that we’re both back in New York for the time being.” Pedro says wrapping an arm around your shoulder and resting his head on top of yours.
“If anyone wants to take this old man off my hand you can have him,” You comment and Pedro gasps pushing you away from him as you giggle, “I’m kidding I love him and he’s amazing but yeah we got tickets for Beyonce coming up so I am very excited while I need this one to listen to her entire discography before we go,” You point your thumb at him and he raises his hand.
“Hey, I got a decent chunk under my belt. Plus I’ve known Beyonce longer than you.” Pedro says and the pair of you being bickering having that be the outro of the interview.
The pair of you collect your items from your dressing rooms before heading outside. Pedro has his arm wrapped around your shoulder to make sure you don’t bump into anything your gaze glued to your phone. The cool New York breeze sends chills down your spine as you scroll through Instagram. A buzz from your phone a text saying ‘Look up’ and when you look up you see Paul standing a few feet away in a pair of jeans and a t-shirt a trench coat over it with a cap and glasses.
“Paul!” You smile lowering your phone and pulling away from Pedro to go over to Paul who welcomes you in his arms, “I thought we were gonna meet at dinner?”
He shrugs a half grin on his face, “Thought I surprise you and then we can head together. What’s up Pedro” You smile at his thoughtfulness. Pedro accepts his handshake.
“Good to see you Paul, how’s the city treating you?” He asks knowing that Paul came here just a few days ago from London when you mentioned it.
“Good real good. You know how the city usually is but luckily I have a good guide,” Paul says squeezing your shoulder and you flush shying away. Pedro smiles glad to see you are happy as the pair of you look at each other with loving looks.
“Well, I’ll leave you both be to enjoy the rest of your night. I got plans to meet with Sarah and Lux soon,” He says giving Paul a handshake before you pull away and give Pedro a big hug which he equally reciprocates.
“Send Sarah and Lux my regards.” You say and Pedro nods, “Lux wants to see you soon so be sure to reach out to her.”
“I will and don’t forget we have drinks this Friday,” You say pointing your finger at him and he nods while pulling out his headphones.
“Yes, mom…” He rolls his eyes before starting to walk away sending a final wave, “Have a good night!”
“Bye Pedro.” “Bye P I love you!” You shout so he can hear over his headphones.
“Love you too kid!” He says blowing you a kiss before disappearing within the crowd. You bring your attention back to Paul who tucks a stray strand behind your ear.
“What are you looking at? Is something on my face?” You ask trying to reach for your face but he stops you holding your hand and giving a squeeze.
“I’m just looking at you, a chuisle mo chroí. You’re just beautiful is all.” He says slipping to Irish so easily it sends a shiver down your spine at his accent.
“Stop being so cheesy,” Your face flushes hot as you shove him away starting in the direction of the subway station. You hear him run up after you easily wrapping his arm around your waist before placing a kiss on your lips which you eagerly accept your hand reaching up to cup his cheek. Pulling away a bit, he gives a familiar smirk that makes you grin as you fully step back taking hand and the pair make their way to your plans.
“You’re such a sap.”
“A sap for you my love~”
“Shut up!”
a/n: y'all I'm alive I swear these finals have truly been killing me and TRUST, any paused work will be coming back I swear on my unborn child.
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grunckle · 8 months ago
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I think something that gets misinterpreted a lot in the Rain World community is what purposed organisms actually are. Theres a common interpretation that they were like “beasts of burden” and looked like or were the creatures we still see today. But this isn’t what Moon tells us, here’s what she says.
“Most purposed organisms were considerably smaller than me, and most barely looked like organisms at all. More like tubes in metal boxes, where something went in one end and something else came out the other…When I came into this world there was very little primal fauna left. So it's highly likely that you are the descendant of a purposed organism yourself!”
This dialogue paints the picture that most purposed organisms were closer to machines, or machine cogs, with biological parts than actual animals.
Of course most people are aware that creatures like leviathans and miros birds have mechanical aspects, but I think that most if not all creatures have some sort of blending of the biological and mechanical; it’s more of a spectrum than a dichotomy with cyborgs in between.
This idea is also based on some of the old Rain World concept art by Joar.
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Here, it looks like melting globs of flesh, (or fleshy rubber and plastic) mutate over a metal “skeleton”. I think this can show the possible intention for purposed organisms and evolution in this world. Organic and mechanical transition seamlessly, and organic parts grow rapidly. I believe most purposed organisms started off on the more mechanical side of things, but evolved their organic “cover” in this way. Maybe everything we see, including us, have some mechanical components that are hidden by the flesh exterior.
This sort of, life overabundance and rapid growth is shown through Five Pebbles’s rot in game. His rot globs are able to grow legs and become mobile in an incredibly short amount of time, and even proto rot grows from innocuous metal walls.
My friend over at Darthzz-Ploo-World really coined this interpretation (and many others) in my opinion and did a wonderful art piece showcasing it.
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My friend Re also did some great art showcasing a theory on orange lizards evolving from those computer boxes in Sky Islands and the exterior.
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I also did some doodles on my own theories in the same vein. This time on the origin or Shoreline leviathans from Moon’s collapsed iterator components.
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But yeah, I think Downpour leaned more into the “beast of burden” interpretation, but I also don’t think the two are mutually exclusive. Not everything needs to be a tube-box descendant I suppose.
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prinzrupprecht · 4 months ago
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When they hurt your feelings
Featuring: Tesla, Qin, Anubis, and Thor ( part 3 )
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Idk if I’ll do part 4 unless people request characters I have not done. Also sorry for the Okita spam lately.
Part 1 and Part 2
Warnings: A bit suggestive with Anubis, name calling / swearing
Tesla
You had been married to Tesla for years but one thing he gets pissy about is when anyone touches his experiments. It’s not you but he gets irritated and has to start over from scratch.
Though, what you had done wasn’t on purpose. It was an accident when you walked into his ‘Hyper God House’ because that is what Tesla called it or whatnot. It made no sense to you it doesn’t bother you what he called things. He was testing wireless transmissions. He was so heavily induced in his work that you haven’t talked to him in a few days.
You didn’t see him in his workshop and you decided to walk over to see the blueprints that were laid out on his desk. He was dedicating his time more to this research than being at home. You were a bit saddened but he told you before marrying you that his research would always take priority and you were fine with it. Were you fine? He still showed his care and never missed any important days or holidays.
“Seriously? What is this…” you touched one of his wireless experiments but barely and that’s when you heard the door open.
“Why are you in here? I told you to not come in here if I’m not here,” he swatted your hands away from his work area. You were offended and stepped away from him. He was never mean to you and was always enthusiastic about his work.
“I’m starting to believe you don’t even care for me, I haven’t seen you in days! Maybe I should move out,” you were about to leave but he blocked the entrance. You weren’t wanting to deal with him any longer.
Tesla had realized his words were a bit too harsh despite his social awareness he changed the topic. “You know this is important to me, the evolution is nearly here. I’m this close with my wireless lighting invention. Using these would generate high AC voltages, it’ll take some time but I’ll get there.” Tesla changed the mood and all you could do was sigh.
“Here, take a break. You look like you haven’t slept at all,” you grabbed his arm and he nearly tumbled forward but you caught him.
“This is why I need you here with me,” he whispered in your ear. You didn’t want to leave him but you wanted his affection. You had assisted him in many of his experiments and inventions.
Finally, you had helped him through the house and into your shared room to sleep. “I’ll get you something to drink and eat,” but he grabbed your wrist before you could leave.
“I need you to stay here for a bit longer. Having you here with me would clear my head a bit.” He was tired and groggy but you obliged to his request. You put a hand on his forehead and chest and laid down next to him snuggled into his side.
You were glad he was still himself even when he was a science die-hard nerd.
Qin Shi Huang
He was a king and you were just someone that he acknowledged in his kingdom and nation. He was emperor of China and you were someone of lowly status not worth his time. That all changed when he saw how strong you were protecting the people in a small village from some weak demon like the previous Chiyou who ruled China.
He admired your fighting skills and spirit and offered you to fight alongside him against his enemies in China. You scoffed and refused at first. He may be the handsome king of China, but you weren’t easily swayed by his presence.
After some time, he watched you practice with the spear and archery. You were skilled and much better than some of the warriors that serve him. Before you could catch him spying on you, he was already gone.
Not so much later, you met him again unexpectedly fighting in a war to protect his country. Your country as well from someone who hated him and those who killed his adopted mother. You stepped in to help him beat them but almost at the cost of your life to protect the emperor when someone almost struck him from behind.
The blow you took was almost fatal. Qin cursed himself and started yelling in frustration. He called you reckless and foolish. He was quick and had to carry you back with some of his allies aiding your injury that had struck you in the side. The blood loss was major. Qin was hopeful you’d make a full recovery and this time, you weren’t going to do something so dramatic for him again.
He could’ve easily dodged the man who tried to sneak attack him, yet you took the hit for him? “You’re still here?” your voice was hoarse and filled with pain. Qin was hiding behind the doors to the room he told his guards to put you in.
“You didn’t even need to do that, why? Why throw your life away like that?” Qin was angry but you didn’t look at him.
“I’ve always been a bit jealous of how you had everything and my home and village was gone. Nothing left for them— my family and friends. You hurt me the most with the failures of your orders that led to this war. I didn’t want to be like you, I’d rather someone like you live with the consequences and pain.” Your words struck Qin with horror. He was mad how you could say that to him— your king!
“You don’t know me then. I grew up as a cursed child abandoned by my parents and hated by my own people. Let me make it up to you… and to those you had lost.” Qin walked over to your bedside and you noticed markings covering the side of his body painfully.
“What? You got injured too?” You were terrified and didn’t know what you were seeing. His blindfold was off and he had opened his mouth to explain to you that he has mirror touch synthesis. Every time he sees someone else get injured, he would also feel that person's pain.
“S— Stop that! You shouldn’t hurt yourself for my sake.” You were trying so hard to turn away and hope he would leave.
“No. I don’t want you to be alone. At least not under my empire. I’ll make sure everyone lives prosperously.” Qin proudly says and you can see how happy he was despite the pain he felt because of you.
“That sounds… lovely. I want to live in that place that you say is prosperous.”
Anubis
He wasn’t someone you had expected to grow fond of over the years when his father became the king of Duat. You were happy with the new changes in Egypt before the ball dropped on you that he was supposed to be engaged to an Iranian goddess Anahita who was a cunning woman. Anubis on the other hand wasn’t mad or pissed. He looked more happy with her and even followed her around the palace.
Your jealousy shot through the roof when she started to compliment his body. She was immensely annoying and you wanted to find a way out of the place. You disliked her. With immense passion.
“Hey wait up! Wait up! You left so quickly, wow you’re fast.” Anubis ran after you but you couldn’t help but want to ask him why. Why did he agree to that agreement to marry such a useless goddess? Yes, useless since she was only of love and fertility and cared for making love and seducing men.
As you were going to say something, Anahita appeared behind him and gave you a very unauthentic smile as she grabbed onto his arm and leaned her head into him. Too close… you wanted to call her something but held your tongue back. “oh, it’s you young lady of Sumerian. Anubis here was just dining with me and trying out the new fine foods Egypt has to offer. You know I wonder, why haven’t you returned back to Uruk?” Anahita grinned and made a popping sound from her lips.
“Hm, I think you’re right. Maybe I will, I hope you two the best.” You courtly lowered your head before walking away. What hurt you the most was the fact Anubis didn’t say anything or run after you.
You saw Isis near the main hall with her daughter Bastet. “You look… mad?” Bastet observed you but Isis already knows why you look upset and tilted.
“I’m leaving, don’t bother your energy with me. I don’t have time for it.” You snapped but Isis scoffed.
“Set got into your head again didn’t he?” Isis leaned back on her chair at the end of the table.
“What do you mean? He told me lord Anubis is engaged to that… that woman and she is here!” You didn’t even know it, but your hands were clenching tightly turning your hands white. The anger was surging through you and everything you had with him was gone.
“She is just here visiting my dear. My dear son Anubis has already declined her proposals.” You gave Isis a blank expression. Bastet snorted a laugh but held herself back before wanting to get into the conversation.
“It doesn’t matter he— he won’t even stick up for me. Why should I even stay here?” Your feelings should matter but did they even matter to him?
Before Isis was going to refute your claims, you had already stormed back to your room. You were tired and fed up with them. Your father Marduk wouldn’t be pleased with this. You had thought for the longest time the deal would be you marry Anubis and the trade negotiations between your two countries would continue.
“Finally I caught up to you! You keep running off,” Anubis was alone and gave you sad eyes. Finally… that weirdo goddess wasn’t with him. You couldn’t help but wonder if they… did it. Your body shudders at the thought.
“Leave me alone, I don’t want to see you.” You stubbornly turned away and entered your room. Anubis stood outside with a hurt and confused expression. You never said such words to him.
“Did I— Did I do something? I’m sorry, I’m sorry if do something wrong!“ Anubis saw you grabbing your things and panic took over him. He grabbed your arms and pulled you into him as he held onto you. His warms were tightly wrapped around your waist as your back was pressed up against his chest.
“Did you like her? That goddess…” you were frozen in his arms.
“Who? Oh! Her? Miss Ana— something? I am only loyal to you! I swear it! Let me prove it to you. Pretty, pretty please?” he gripped your sides and you could feel how desperate he was to keep you with him.
Let’s say it was a long night.
Thor
He was affectionate to you in private, but at the same time apathetic around you in public. He cares for you in mysterious ways, but he was bloodthirsty for battles and rarely was home. He puts you down as someone weaker than most gods and shouldn’t get in the way of others in battle. You wanted to prove yourself useful somehow as a goddess of sorcery and magic. You even sought the valkyries to help you.
Forseti was the most annoying man to even be around with and you could swear he was the one married to Thor and not you sometimes. Being a part of the Norse pantheon made you wonder if there was more out there than what was in the palace. Valhalla was a strange place and if Thor was having fun on his own, maybe you should too.
You must’ve been hours away from Asgard and one thought made you want to explore more of Valhalla but you didn’t want to go back just yet. Many wonders had you curious. The scenery was beautiful seeing the open mountains, blue skies and rivers.
“What might you be doing?” A slithering voice jumped down from one of the trees. Ew… you crossed your arms unimpressed. You were a sorceress, no way you would let some creature man or whatever he was intimidate you whatsoever.
“Leave me alone, I have no interest.” You flicked part of your hair back and was going to walk passed him. Something must’ve struck a nerve because the creepy guy with a long tongue tried to grab you.
“Is that so?” You tried to move back a bit and use one of your fire defence spells to burn his hands from touching you.
“You stupid cunt,” the man’s hand grew several times larger as claws were aimed at you. Oh, dear… fuck. You wish you had told Thor where you had gone to.
“Fuck you!” You pointed one of your fingers at him and tried to form a bit of lightning in the palm of your hands that Thor taught you a long time ago. You tried to deflect the creature’s attack but it was to amplify the damage but he managed to hit you pretty well.
You almost didn’t notice your side was hit but the man had a devious look on his face. “I would like to keep you alive for my own pleasures~” he licked his lips as you nearly gagged. You would kill yourself before he would touch you!
Just as you were preparing for an immediate attack, someone crashed down onto the serpent. Your eyes widened in shock. You noticed Thor’s hammer appeared right in front of you. It had completely pancaked the serpent or whatever creature he was. Huh? He was that weak?! You pouted as if you wanted to be the one to kill him.
“You followed me?” You turned to face him.
“Well, no. I was told you had left so I went to find you.” He noticed your side was damaged and his face contorted from the damage the serpent did to his wife.
“I’m taking you back and making sure you get healed. Next time don’t leave without telling me,” he went to pick you up and put you over his shoulders making you shriek.
“Hey wait! I can still walk!” he was carrying you and his hammer. He even teleported back to the palace in an instant. This man was full of surprises with you.
“I like taking care of what’s mine.” Meaning you and the hammer. Your cheeks turned a deep shade of red. Thank god he couldn’t see your face since you were still hanging over his shoulder.
He dropped you off at the infirmary to get cleaned up and healed. Thor had stuck by your bedside apologizing for not being around as often. You weren’t hurt anymore but you wanted to be with him more.
“I’ll take you next time to some other places. Rest here for now.” He inhaled a sharp breath and still sat next to your bed. He would sleep in the chair if it meant you were comfortable and better.
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Note: finally it’s done! Dunno what to do for the next series. Anyway, I may get back on Susano’o and Anubis one shots. Kind of miss doing them…
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cannedtomaytas · 2 months ago
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An interesting thing about Jayce and Viktor in Arcane is the show literally tells viewers to care for their disabled friends. I mean, Viktor had nobody but Jayce, in a world where discrimination doesnt exist, yet he was still insecure and that drove him to try and cure the incurable, an impossible feat that drove him to attempt to start the world anew.
Its selfish yet strangely accurate to the position many disabled people find themselves in. Viktor was blinded by his desperate need to fix what cannot be fixed, while Jayce was trying to aid him, to help him realise his potential and look past the physicality of it, to be a friend that many cant say they have. Jayce wasnt there just to babysit or care for a disabled person, rather he was there for Viktor, who happened to be disabled. He helped wipe the insecurity from Viktors mind in that last second and persisted through all the world variations and times just because he knew Viktors potential as a human being.
The show does an amazing job at portraying a disabled character as intelligent and capable, Viktor has never been put in a position where he is helpless, where the viewer must feel bad for him as the main emotive product. Jayce never had to come in and rescue him from his own disability, rather he just had to be there for him emotionally - he was the one to try and stop the Evolution (a product of his disability). And even then, no blame was put on Viktor, only understanding, showing Jayces growth as a character.
Their contrasting backgrounds is something I find especially emotive, as one has the ignorance of somebody who may not interact often with disabled people, while its Viktors entire livelihood. Yet, they still persist, as much as Jayce will never understand the efforts.
Jayce was decorated, he was able bodied, he took the light from Viktor, and became the face of HexTech. Then, he came back for him when he realised the passion that lay in Viktor for his work, how he wanted nothing more but to help those that needed it (albeit in a drastic manner).
and just. “there is beauty in imperfections”.
Imagine the events if nobody stuck around through his life, or if Jayce only saw him for his disibility. Im going fucking insane
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earthnashes · 2 months ago
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SOOOOOOOO. Arcane season 2, huh? Now that a couple of days have passed for me to marinate I think I'm ready to share my thoughts on the season. This WILL contain spoilers though so if you haven't seen it, I highly recommend watching for yourself first!
So! Overall, as a standalone season I feel like there are things Arcane excelled at and things that have lost its way a bit. For starters and easily the best part of the show: it's visuals. I've heard some complaints about how much the show cost but like. Brother. When I think of super expensive shows, THIS is what I think it should look like. At no point did I question the budget because it's made abundantly clear every penny is used to best use it could possibly get. And it resulted in what I've been calling a modern greek statue: a marvel, an incredible tapestry of just about every art medium you can think of woven into something so beyond anything I've seen in animation I have a hard time finding the appropriate words to express exactly how much I'm taken by it. This is a clear example of what art IS man and jesus christ. It's mindblowing. I can't praise the show enough for that, like it's literally the best looking thing I've ever seen in media.
Same with the sound design and music, particularly in the battle scenes. Something about the energy behind the sounds, like the clacking of Vi's gloves as shes revving up for a punch, or the reverb of metal clashing, the sound of how blows connect. Even the little things, like the distinct difference between footsteps, or the glitch-like sound that spiders in the backround before shimmer or the arcane is utilized? Like CHEF'S KISS BRO. God almighty it tickles a part in my head.
Just the visuals and sound design is fuckin tasty bro. A solid 1000000000/10
So now Characters. Season 2 managed to take the existing characters and really built off of what was already there. In my opinion the characters, particularly the main players, received additional depth and evolution in a way that made sense in the long run, and the conclusions they reached in their arcs felt like a correct conclusion. However, it's how they got there and how fast they get there being one of my complaints.
For starters: the love triangle between Jinx, Vi, and Caitlyn. I didn't appreciate how, for the most part, it felt like it took a backseat in this season when it was one of the driving forces of season 1. It's not JUST them though: the relationships of every character kinda fell away to the wayside for the sake of getting through as much of the plot as possible, but we're on these three right now so:
-I feel like a PROPER recouncil between Vi and Jinx was sorely needed. There were hints to it, particularly in Act 2, but we were kinda left guessing and having to fill the majority of the gaps ourselves. One of Vi's driving factors as a character is her relationship with Jinx/Powder; her unable to accept that she's changed in her absence. Act 2 opened the door in allowing Vi to learn about Jinx as she is and come to terms that, even if she's changed, she's still her sister and there's a chance to bridge that gap. Vice versa to Jinx, particularly because of Isha's presence; I have to assume by becoming an older sister herself, she begins to get an understanding of Vi she previously lacked and that really could've been a stronger catalyst in her recounciling with her. Had the sisters actually got more on-screen time together and really let the hope between them breath, I feel like the ending would've had a much stronger impact.
-Cait/Vi, as much as I enjoy the pairing, felt a little too disjointed. Act 1 was the strongest showcase of their relationship; a sudden escalation driven by mutual grief and attraction and genuine care only to be torn apart immediately after because of Cait's blind rage. Cinema. Beautiful. But immediately after, we don't really see either character work off that much in my opinion. Vi does have a spiral that was very well shown, though I do wish we saw more of Pit Vi and her descent.
As far as Cait goes I would've preferred seeing her spiraling in her own way; with how the third episode of Act 1 ended, I felt like the show was gearing up to showcase how much she allows her hunt for vengeance cloud her mind and take over her life, to do things her mother would have not approved of. Like bro she was so SURE she wouldn't miss (immediately after missing every shot she took up to that point) that she was willing to potentially kill a child for it. Ain't no way she wasn't constantly frothing at the mouth for some time, wallowing in Vi's apparent "betrayal" and in the grief of her mother's death. I DO like how she is seen questioning her actions but it just feels like a tiny snapshot. Had they continued with showing her questioning what, exactly, the hell she's doing (while continuing to go on with her reign), then seeing not just Vi but also how her actions has widened the rift between Piltover and Zaun, her finally being able to break herself off would've felt more weighty.
"What are you shooting for, young Kiramman?" Grayson once asked. I can't help but feel like that line could have had some very strong carry-through into this season; not only giving a proper callback to Grayson as Cait's mentor(?) but also cement Cait's inner turmoil between blinded by revenge, but growing to dislike what she's turned into to get it.
And the sex scene. Particularly WHERE the sex scene occurred, immediately after Jinx heavily implied offing herself to "break the cycle". Vi isn't stupid. I felt like it was extremely clear what Jinx was alluding to, and it seemed like Vi understood that with how she asked "What are you gonna do?" She sounded terrified and desperate. She has SEEN Jinx be suicidal in this season first hand, was all but directly asked by Jinx to put her out of her misery herself. You're telling me she immediately bones the shit outta Cait right after Jinx scampers off and seems to forget it?? I dunno man. :/ I wouldn't remove the fuckfest, but in my opinion there were better places to put it.
And overall in terms of the characters as a whole, there was just too many gaps and too little time. Vander felt like he was underutilized, particularly his clear fight in trying to get a hold of his humanity; could've really used him to push the running theme of people can change, but they're still the same person at their very core.
Heimerdinger got shafted I feel like. He had such a strong impact in S1, only for his death to be... well. Forgotten.
Mel's storyline was way too fucking short. Love the powers she got but they ultimately felt unearned; I feel like we could've spent way more time on her learning to control it to some extent. Her whole shtick in being cunning and one step ahead of everyone (much like her mother) could've played a stronger part here too, particularly because I don't remember the Black Rose being explained much, so it would've been nice to see Mel put her strengths into play to find out for herself and give her a more active role in her ability to fight back.
Ambessa was anticlimactic and I didn't appreciate how she ultimately perished. I wanted her to die, don't get me wrong, but the war in general felt waaaaay too short and her death too easy. I appreciate they didn't go full evil with her, and made her an embodiment of Singe's quote of "doing horrendous things in the name of love", but it kinda felt like her initial plot of using hextech to fight the Black Rose (I could be wrong here but that is what it felt like she ultimately wanted) kinda got... forgotten?
Victor's progression is the only one that felt mostly natural in it's pacing. But again, with how unstoppable his robot pawns were, I felt like they really robbed the final battle of any significant weight to it; Zaun and Piltover, fighting as one against a common enemy. One of the biggest payoffs in the show... felt underwheming and, again, unearned.
And the new characters didn't really get much chance to do much of anything. Loris felt like an important parallel to Vander given how many times he was shown to look and sorta act like him. I felt like he had a bigger role to fill but just ended up bodied. Maddie, at least, had somethin interesting goin on but I feel like she could've been made more impactful in her betrayal.
Overall, a mid 5/10. It wasn't terrible, but it definitely needed more time to really flesh everything out.
And finally, the plot. I personally really enjoyed the overall plot and it's opposing themes to season 1. Whereas s1 felt like "love is undoing" and veered into tragedy, s2 felt like "love is healing" and veered into hope; the sisters learning to accept one another, Vi and Cait mending the rift between each other, Victor and Jayce finding their way back to one another. Isha giving Jinx purpose and a new perspective on life, Vander returning and, even if briefly, managing to regain his humanity for his daughters, the list goes on. It's such a beautiful contrast to season 1, but that is part of why I strongly feel like Arcane NEEDED one more season.
Season 2 was too focused on getting as much story out as possible that it didn't allow the characters themselves to push it forward, and it was weakened for it. Had there been three seasons, Act 1 and Act 2 could have been the entirety of season 2, and Act 3 could have been the whole of a season 3, where we get to see the total climax of everything that occurred. Given the rumors of there being a strong interest for an animated movie (and I have a theory that it might be to continue the story of Arcane in some way), that might help with some of the contingencies if it's true, but that's only if the movie actually comes to fruition.
As it currently stands, my biggest critique of Season 2 was switching focus on making the plot drive the story, when instead it really should've continued the trend from Season 1 in letting the characters drives the story forward.
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My meds is beginning to kick in and I'm getting drowsy from it so I'll leave it here for now! TLDR: Arcane Season 2 was mostly good. I have my fair bit of complaints and thoughts on how I'd personally structure everything, but a a whole, pretty good! It's one of those shows where I would personally recommend everyone watch from start to finish to at least experience it in its entirety yourself.
Season 2 Rating: 7.5/10
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muffinrecord · 7 months ago
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Magia Exedra Stream News
Post originally made by Razielim on discord. I'm copypasting it to the letter so that other folks can see the news (and to help answer questions that folks have). This is a long post, enjoy!
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The Magia Exedra News Stream has just concluded and the news are highly positive for us MagiReco players! An absolute truckload of new info about the game was just released, so let's go over the news one by one!
The stream started off with a quick overview of the evolution of Magia Record's story throughout the years, from Arc 1 to Arc2, to Puella Historia, and to Scene0.
We were then given a quick overview of the data that the MagiReco Archive App (which the MagiReco app itself will turn into once the service has ended) will show us. The archive app provides the following:
Your Magical Girl info screen, from which you can view all of your Magical Girls and their levels/Memo Slots/Magia Levels/Transformations, etc.
Your info archive, which shows off the information of all the Magical Girls, Memoria, Doppels, Witches, and Uwasa that you have encountered during you Magia Record career.
Then, a new Teaser Trailer for Magia Exedra is shown off, which you can find here: https://www.youtube.com/watch?v=q_KwtjOarUI The new teaser shows off various spin-off characters, such as Oriko, Suzune, Tart, and Kazumi, followed by Madoka and Iroha holding hands before showing the Lighthouse and the green Kyubey-like creature greeting us.
Following this, a new VA is welcomed to the stream, the VA of "Namae", Akari Komiyama.
Multiple spin-offs are also confirmed to be featured in Magia Exedra, including:
Magia Record
Suzune Magica
Oriko Magica
Tart Magica
(- Kazumi Magica, while not specifically mentioned, was shown in the above Teaser Trailer)
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More information about the story and setting of Magia Exedra We have been given more detailed information about the story of Magia Exedra. The Lighthouse we have seen many times now is supposed to function like a guide for the souls of Magical Girls. For some reason, it is malfunctioning and we have to gather the Light of Memories to repair it.
The player will be tasked to enter into the Windows of Memory to find the Light of Memories from the memories of various Magical Girls.
Our player character is named "Namae" (will most likely be re-named by the player during the tutorial) who has lost most of her memories but still remembers having been a Magical Girl, and looks like a non-descript black silhouette. She will be tasked with searching for the Light of Memories.
The green Kyubey-like creature that assists us is called "A-Q" and is not technically a Kyubey
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Character Teasers! We have been shown a character teaser for Madoka , which can be found here: https://www.youtube.com/watch?v=bLy6AExK2VE as well as a character teaser for Iroha , which can be found here: https://www.youtube.com/watch?v=DeMc7T-zwPg
Additonally, the 3D models for both characters have been shown off in the livestream.
Afterwards, another teaser showing slight glimpses of gameplay have been shown, which featured mostly Mami and Madoka walking through a Witch labyrinth, before lining up with Iroha to face Charlotte. This particular teaser has so far not been uploaded to the official Exedra youtube, but the most important screenshots of it have been attached to this post as an image.
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What are Portraits? Magia Exedra will feature a system of equippable items to grant your characters various bonuses. These come in the form of "Portraits", which are in effect the exact same as "Memoria" in Magia Record. Just like Memoriae, the Portraits will feature images of various scenes and characters that appear in the story. A few of these have been shown off during the livestream.
There is also a special Portrait for MagiReco players; more on that below.
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The MagiReco to Exedra Transfer System As was mentioned before, once Magia Record ends service and transforms into the Archive App, players will be able to view their Exedra Transfer Code from the Archive App. Entering this code into Exedra once it launches, will grant the player various benefits and allow you to transfer various data to Exedra.
We have now been granted more information as to what exactly this will entail:
You can view your MagiReco Account's data, such as Magical Girls, Memoria, Transformation videos, etc.
(Note: You can VIEW this information. You will not GAIN your playable characters or Memoriae for play in Exedra.)
You will gain special titles in Exedra, based on your highest Mirror Ranking Score and your Account's overall player score
You will gain a special Portrait (the Exedra equivalent of Memoriae) in Exedra
(- Further bonuses may potentially be added to this function before release)
Furtermore, our pleas to conserve MagiReco's stories for the future have been heard and as part of the developers' goodwill, the following MagiReco stories will be uploaded in video form to the official Exedra youtube:
Main Story Arc 1
Main Story Arc 2
Puella Historia
Scene 0
Some events, such as:
Cherry Blossom Dreams / Dreaming Sakura (Trial event)
From New Breath / A New Beginning (2nd Anniversary event)
Green Jasper Diviners
Crimson Resolve
Dependence Blue
Ashen Revolution
Paradise Shift
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Magia Day continues! The once-a-year celebration of Magia Record will continue in a new form! Magia Day will be held again this year on the 25th of August and will now evolve into a news event for Magia Exedra! Various VAs will meet up in person and provide us with even more information about Magia Exedra. Here's to hoping that this year we will see the Mokyuu button again.
After this, the Exedra News event concluded with the VAs waving bye-bye
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Summary of Platform-related Information So, can you play the game on PC? On mobile? In english? The answer to all of that is YES
First off, the game is available on Mobile and PC. Both Android and iOS versions will exist, although currently pre-registration is only available on Android. The English Android version can be found here: https://play.google.com/store/apps/details?id=com.aniplex.magia.exedra.en And the Japanese Android version here: https://play.google.com/store/apps/details?id=com.aniplex.magia.exedra.jp
While in the Android store the app is seperated between an english installation and a japanese installation, on PC there is only a singular entry. The steam PC version can be found here: https://store.steampowered.com/app/2987800/Madoka_Magica_Magia_Exedra/
This seems to point towards Exedra having a combined English/Japanese version, possibly sectioned into multiple servers depending on your Player Region. This however is still a speculation and not yet confirmed.
There is still no further information on the exact release date of Magia Exedra, but this may possibly be revealed during Magia Day on the 25th of August.
Hold up, what if the game shows as not available for me? Okay so here is kind of a little problem. From what we can tell, the game may not be available in every country. We do not currently have a specific list of countries that the game is available in, but it seems to be somewhat random. Our guess is that the developers secured the Distribution Rights for the game in what they believed to be their most important target countries, which may leave some players in various countries unable to normally play the game. We suggest you click on the android link above and see if the store allows you to pre-register or if it tells you that the item is not available in your country.
If the game is not available for you: Do not despair just yet. First off, its possible that more countries will be cleared as the game nears its release. Secondly, even if the game ends up releasing region locked for you, there are still ways around it such as using a VPN on Android, or making a Steam account of a different country. We are not able to provide specific instructions regarding this yet, as we need to wait and see how the region lock might be implemented anyway. If instructions regarding how to circumvent the region-lock is required, users on this discord will most likely be able to provide such information once the game goes live.
Finally, some general Gameplay info: In Magia Exedra, you will be able to enter various Witch Labyrinths. Within these, you will be traversing the regions of the labyrinth and encounter various battles. In battles, you will make use of a party of up to 5 Characters at once to take down your opponents.
Battles are turn-based and you can see the Turn Order on the left side of the screen. There seems to be various attack options, including a Special meter below each character that most likely is linked to their Magia, but no concrete information on this has been revealed. A "Break" system is additionally implemented, where attacks of Elemental Types that are Super Effective against the opponent will wear down their defense and ultimately put them in a weakened state after enough pressure has been applied. Yes, this combat system is almost a 1:1 re-creation of the combat of Honkai: Star Rail, including the Break system Personally I dont mind this much as I find the Star Rail combat system to be highly enjoyable. Auto-Battle and Speed-Up seems to be included as well.
Characters themselves have an Element to them, similar as in Magia Record. Currently we know of at least 6 Elements: Water, Fire, Forest, Light, Dark, and an unnamed sixth Element that may be something like Void /Physical/Non-Elemental/Something else. All of this information is gleaned from promotional material and has not yet been officially revealed, so take all of this with a grain of salt. The elements that an enemy is weak to (and will therefore cause enemies to become Broken) are listed next to the Boss's HP and Break bar at the top of the screen. Additionally, characters can of course be equipped with Portraits (which are basically Memoriae) as described above.
Confirmed Characters: A lot of characters have been shown off already in some capacity or another. Among these, the following have been shown in the trailer, but not in-game:
Suzune
Oriko
Kazumi
Tart
While the following characters have also been shown in battle in promotional material found on the game's Steam page:
Madoka (Light)
Sayaka (Water)
Mami (Forest)
Kyouko (Fire)
Homura (Dark)
Iroha (Light)
Yachiyo (Water)
To close the news with: One of the screenshots on the Steam page shows the Home Screen of the game, which includes buttons for: Room of Light, Shop, Gacha, Party, Quest, Union, and Player Match.
What these buttons are for, are of course up for you to guess.
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--
Everyone say "thank you" to Razielim for writing all of this out so that the game is more accessible to English players :)
Hopefully this helps folks become more informed on tumblr too!
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mrnightingale · 19 days ago
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DBDA Character Appreciation Week: #4 Niko Sasaki
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I love her sm!!! Outfit ideas here by @katygorl
The yellow one is w a pastel highlighter, and the other two w colouring pencils and greyish purple and violet highlighter. I really like this one, I think I'm starting to find a colouring technique I don't completely hate!!! Whoohoo! (Btw in the purple one, the flowers on her top and boots are two different types of Violets, and she's holding a pink sea glass bc palasaki my beloved ones, they're matching ✨✨✨).
Words can't explain how much I love Niko, she's incredibly sweet and friendly and empathetic, and I love her dynamic with practically every character in the show, but what I love the most is that we can actually see on-screen how much she grows through the chapters, how stronger she's getting. I love DBDA because it portrays how different people deals with their feelings in a realistic way, how every teen has their own problems and it takes them with the care it deserves, it doesn't feel exaggerated but every topic is given the adequate seriousness it requires, and honestly is such a masterpiece in the storytelling and pacing through the chapters between the cases and their own character arcs that their evolution doesn't feel rushed at all, but then you look back and see how much they changed, and is really heartwarming.
I love Niko because at first she's locked up in her room and doesn't talk with anyone, and slowly starts opening up with Crystal, and the boys, and then you think she's okay, but she's not. Dealing with depression and mental health issues it's much more difficult than it might seem from the outside, because one day you're feeling Good Enough to go and talk to people with a smile on the face, but that doesn't mean you're really okay. That just means you're feeling Good Enough to keep the mask on through a conversation. And Niko feels pretty realistic and natural to me because healing requires time, and support, and the agency is supporting her but they're not rushing her up to join on cases until she's ready, and that's beautiful. I think it's beautiful bc it shows a healthy environment that provides comfort and support and she's getting better thanks to it, and thanks her own hidden strength, and they're helping her realize where that strength comes from.
And, idk, as I have already said millions of times, I really love Niko and Edwin's relationship, it feels so genuine and heartwarming and bro I want the Niko to my Edwin soooo bad. Help. But my point is. I think the best word I could find to describe their relationship is "comfort" bc they can be themselves with each other, talk about their problems without pressure, knowing that the other will accept them no matter what and will help and support them and, idk, the scene when they're watching Scooby Doo while Niko writers the letter to her mother and Edwin is just there, not intervening but just saying there so she's not alone, idk, it spokes so deeply to me. Like if they could face everything as long as they have each other. I know there's always been Charles and Edwin, and they fighting together against everything, but the relationship w Niko is set in a different emotional basis and I think that's something Edwin needed, being able to talk about his feelings, and the same with Niko.
Brooooo help I love this show so fucking much, it's a masterpiece in every aspect but I'll never stop rewatching and looked amazed by the characters. They're unapologetically queer, and real, and they deal with the Life, and oh fuck, Life is hard as hell, Life is a kick after kick and punch after punch and somehow we have to keep living through it, and I feel so seen when I look at the screen and I can relate with some things that I used to think they were so personal and that I was alone w that, only bc there wasn't any representation of it. We're not alone dealing with Life, and this masterpiece of art that it's Dead Boy Detectives shows it perfectly.
It's queer and flamboyant and bizarre, you have ghosts running for their afterlifes, you have a psychic dealing with her toxic demon ex-boyfriend, and a quirky witch and her familiar twink that actually shows real abusive relationships, you have a Cat King whose only relationships are shallow, and a Night Nurse that knows everything about everything and still has a lot to learn, and you have Niko, a lonely, aloof girl with two dandelion spirits in a bell jar in her room, a girl who grew up with the support of their friends and started to live again, and love again, and love Life, and still, she gave her life for their friends.
And her death matters.
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stromblessed · 14 days ago
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What makes me crazy about Arcane season 2 is that, if you watch only the final episode of season 2, there is nothing wrong with this interpretation of the themes or of Viktor's character. It is, obviously, a beautiful - if simple - sentiment that we all love to see in stories. And Viktor shown as the unloved misunderstood villain next to Jayce's unquestionably heroic narrative and forgiving heart supports this statement, as well as feeding the fire of jay//vik shippers.
This is assuming that season 2, and the final act of season 2 in particular, was written as a proper continuation and conclusion to the whole of Arcane. Which it was not.
Season 1 Viktor is pursuing change and "evolution" at first because he loves science and wants to help the undercity, and then later, because he is dying. He doesn't want to die without leaving behind a legacy. He doesn't want to die, period. What does that have to do with him not feeling loved? Interpreting Viktor's attempts to survive and his desire for legacy and success as "wrong" or something he should not have done instead of seeking love in Jayce or Sky flattens his character and moves him away from the themes of tragedy, progress, technology, and the gray area that exists between heroism and villainy, and makes season 1 less coherent.
You can take the season 2 finale and retroactively apply "Viktor wasn't loved enough/didn't understand love" to season 1 and sort of season 2 acts 1 and 2, but this involves imagining scenes and dialogue to fill in what wasn't written in season 1. It is not present in the text.
What is present in the text in season 1 is the class struggle. How Viktor is shafted in Piltover compared to Jayce. And how Jayce does not understand how Viktor is being shafted, nor how Viktor feels about that or Jayce's involvement in that imbalance. Viktor's one solitary attempt to reach out to Jayce and tell him what he's up to is nipped in the bud by Viktor himself because of Jayce's prejudice and the threat he poses by wielding power he doesn't know how to use - a microcosm of the threat Piltover poses to the undercity on a daily basis. The rift between them grows throughout season 1 as a result, culminating in Jayce's frankly inadvisable and rushed efforts to make changes between Piltover and Zaun that are ultimately futile anyway, and result in all of Jayce's fears and prejudices against the undercity being tragically and unfortunately validated anyway. Which does not carry through to season 2 at all, but that's for another post.
What is present in the text in season 2 acts 1 and 2 is... not much, if we're being honest. Viktor leaves Piltover because Jayce crossed multiple lines. Probably including the fact that Hextech is being weaponized (frustrating how this is not in the script - Fortiche animators could only show this through hints in the scenery and later in a music montage). Viktor is in the commune in act 2, he's not acting like himself, and it's about evolution, magic, and Viktor's attempts to "help" the undercity being futile no matter what he does. Jayce gets a hamfisted "arc" of - somehow? - unlearning his prejudice or something without meaningfully interacting with anyone from the cast let alone anyone from the undercity, with a halfhearted attempt at making him look like a misunderstood crazy person who is really "right all along."
By the time we get to act 3, Viktor's sudden turn to black-and-white villainy, his focus on "perfection," let alone Jayce's sudden black-and-white heroism and suddenly being "in the right" while Viktor is "in the wrong" is completely incoherent with everything that came before. And season 2's oddly disconnected and simplistic writing is smoothed over with "love was the answer all along. and poor Viktor never understood that until the very end :("
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maintitle · 3 months ago
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I want to talk a little bit about the Morrigan/Mythal situation, because I've seen a lot of people talk about how Morrigan chose Mythal and chose that power and therefore this is her life and her ultimate evolution and generally just dismissing what happens to her after Mythal rejoins her as a natural evolution of the character, girlboss, ect. I don't want to be dismissive of that take because it can be one that is easily taken without reflection, but I do think it terribly misunderstands the nature of Flemeth and Morrigan's relationship and the methods by which she was very carefully raised.
So let's talk about Morrigan, how she was groomed and abused, and the training she took great pride in that was ultimately weaponized against her by design. Let's also talk about the great pains the game goes through in order to sidestep these issues, and by doing so leaving a much better story on the cutting room floor in order to make a very tepid story of parental forgiveness that misses the depth of their relationship entirely.
I'd like to say at the jump that the fusion of Morrigan and Mythal isn't a story I'm resistant too. I assumed this was the direction they would go and I truly think there was some fascinating storytelling to be had that expanded upon the themes already present in both. But I also think the Veilguard writers either misunderstand the exact nature of how Morrigan was raised, or needed to ignore it in order for Morrigan to serve as a vessel for Mythal in order to serve Solas' story (an issue I have with her use in this game in general, but that's for another post.)
The most revealing conversation that I think Morrigan has in regards to Flemeth is actually one that occurs very early in Origins. I think it's juxtaposition with other scenes is important;
Morrigan: "My Mother has been hunted from time to time, yes. My Templar fools like Alistair, which should tell you how successful they generally were. Flemeth made a bit of a game of it, in fact. The Templars would come again and she would look at me and smile and say that the fun was to begin once more."
Warden: "You really had no trouble with them?
Morrigan: "I am unsure. I was too young to understand, and perhaps 'twas bravado on Flemeth's part. Or perhaps she was merely amused. I will never know. Flemeth would warn them, once. 'Twas a warning they inevitably failed to heed." Morrigan: "And then the true game began. Often Flemeth would use me as bait." She giggles in amusement. "A little girl to scream, and run, and lure the templars deeper into the wilds and to their doom."
Warden: "Flemeth used you as bait?"
Morrigan: "'Twas a game, and I a young girl. If I didn't get to play, I would have been very upset."
This is a really important example, not just of how callously Morrigan was trained to kill when she was challenged at such a young age, but also because it exemplifies how Flemeth taught her. There's an assumption that Flemeth simply yelled and screamed at Morrigan her entire childhood, and that was true in places, but Flemeth was very crafty in how she presented the lessons that she felt were necessary for Morrigan to have.
A bit further into the conversation;
Warden: "Do you still think it was fun?" Morrigan: "I think that my Mother made it fun so that a child did not learn to fear. And I think it was necessary."
Interestingly, if you don't agree with this assessment, Morrigan ends the conversation very suddenly.
The point of highlighting both of these conversations isn't necessarily to outline the casual and cruel abuse, but instead to show how sinister Flemeth's teaching methods were. She treated a child with kindness and the warmness of a friend or Mother when it suited the needs of Morrigan's lessons, but when she broke out and did something that would endanger those teachings, she violently lashed out, as is evident with the mirror scene.
These juxtapositions are important when you look at who Morrigan becomes as an adult, and why she's sent away during the Blight at all. As we know, it was Flemeth's plan all along for Morrigan to offer the ritual before the battle with the Archdemon, but Morrigan posits that it's now her making those decisions and not her Mother. This is highlighted by the line;
Morrigan: "Some things are worth preserving in this world. Make of that what you will."
If we jump ahead a bit to Inquisition, this thought process is expanded on a lot more, in a lot more detail, highlighting the philosophy in Mythal's temple;
Morrigan: "There is... a danger to the natural order. Legends walked Thedas once, things of might and wonder. Their passing has left us all the lesser. Corypheus would squander the ancient power of the well. I would have it restored"
Inquisitor: "I wasn't expecting your answer to be so... romantic."
Morrigan: "Trust me. Your surprise is matched only by my own." Sigh. "Mankind blunders through the world, crushing what it does not understand: Elves, dragons, magic... the list is endless. We must stem the tide or be left with nothing more than the mundane. This I know to be true."
On a surface level, this can be seen as an evolution of who she was in Origins and what she believed then. I can see how that mistake might be made, and I can see how that thought process can lead to accidentally mistaking Veilguard's reply to it as being that same evolution. But if we look at the Dark Ritual, we see this is an opinion based within the philosphy she was always taught by Flemeth.
In order to expand on that, we can actually look to the comics, in the little-explored character of Yavana, sister of Morrigan.
I want to stress first we don't TRULY know much about Yavana. History implies she's a figure out of Antivan legend going back multiple ages, but it's sort of impossible to know if that's true or if it's even her and not a previous Witch Of The Wilds, or even a previous host of Mythal. I hesitate, therefor, to truly assume what her relationship with her Mother was like, however I will very carefully put forward that, based on what little dialogue we have of her, she may be a 'failed' daughter of Flemeth that Mythal deemed unworthy, as she knows about Mythal inhabiting her daughters, see's it as Flemeth does, and seems somewhere between disapointed and jealous in the fact that Morrigan seems to misunderstand that. (I'm not really here to run back the whole Origins possession versus Inquisition's and now Veilguard's 'a soul is not hefted on the unwilling, because frankly it doesn't really weigh in on the point being made here as much as you'd suspect, as you'll see.) But this assumption is questionable, and might be both wrong and not relevant to the issue, if perhaps fairly telling.
What we DO know about her for certain is that she was raised by Flemeth, and at some point moved to Antiva in order to nurture and preserve the return of Dragons to Thedas. Her actual wording of this point, I think, is so telling of FleMythal as a character that I almost wish it wasn't hidden away in the comics;
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This is, nearly verbatim, the same message Morrigan gives both in short in Origins before the Dark Ritual, and in much more detail in the Temple Of Mythal in Inquisition. I also find Alistair's response to this INCREDIBLY telling, as one of Alistair's great talents is seeing through people;
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While I think the phrasing is very purposefully dismissive and flippant, I don't think the sentiment is totally off base. It actually leads me into the entire thesis of this post, and an aspect of this relationship that some fans and even writers seem to blatantly miss;
The preservation of the old magic is not Morrigan's dream. The preservation of magic is what Morrigan was raised to value most in the world by her abuser.
To illustrate this, let's look at Morrigan's arc in Inquisition, and what it's actually saying about her and Flemythal; The cycle of abuse.
Mythal's Temple is a story about Morrigan and the folly of pride, certainly, but it's also a character arc of a woman who was very carefully raised to HAVE that pride. This isn't an assumption I have made based on evidence, Flemeth outright says it in DA2;
Hawke: "Is (Morrigan) someone I should know?" Flemeth: "She's a girl who thinks she knows what is what better than I, or anyone." Chuckle. "And why not? I raised her to be as she is. I cannot expect her to be less!"
This is, to be, the smoking gun of Flemeth's entire method of teaching and parenting. She is incredibly adept at training flaws into her daughters, pride being the greatest of them. More than that, she's very talented at imparting just enough knowledge that they think they know everything, while also holding back vast amounts of it in order to stay in control.
The Temple Of Mythal is one of the crowning achievements of that. While you can't exactly expect Mythal to have known that's where Morrigan would end up (although Morrigan certainly questions if she knew it would happen), it really hardly matters if she knew or not. Morrigan was raised from birth in order to make the exact decision she made at the Temple. The preservation of what might be lost is such a core part of her being that she can't escape it... and more than that, she can't fathom it being a negative trait. To her, it's a holy calling.
I'm going to pull out the most direct conversation of abuse Morrigan documents now, not to pile on more evidence, but instead because I think it's a more effective conversation to use as juxtaposition of why she thinks that than I could make myself;
Leliana: They say your mother is Flemeth, a witch of the Korcari Wilds. Morrigan: They also say that washing your feet in winter makes you catch cold in the head, but we all know that is not true. But sometimes they are right and they are right in this. Leliana: You know the stories about-- Morrigan: Of course. You think my mother would let me go without telling me all the stories of her youth? Leliana: My mother told me stories too. She was the one who kindled my love of the old tales and legends. Morrigan: Hmph. my mother's stories curdled my blood and haunted my dreams. No little girl wants to hear about the Wilder men her mother took to her bed, using them till they were spent, then killing them. No little girl wants to be told that this is also expected of her, once she comes of age. Leliana: I... uh... I see. Morrigan: No, you don't. You really don't.
This is the environment Morrigan grew up in. She was exposed to Flemeth taking advantage of men, she was exposed to gruesome murder both as a game and in casual moments. Any attempt she made to take self-possession or grow as a person was aggressively curtailed and broken. This was a girl so afraid of her home life that, for many years, she spent as much time as she could living amongst the animals of the forest, and escaping her home life.
Now, imagine; This same abusive woman gives you positive reinforcement. You're a child, and you crave that attention like any child would of their Mother, and you know that reinforcement comes when you're an attentive and talented student. The closest you ever are with your Mother is when you're taking in everything she has to teach you, so it becomes the center of your life. Soon, it's not just a method by which to be close to your Mother, but a core tenant in your life. They stay with you as a fascination, as something you take pride in, as a holy crusade even as you escape your abuser and move on into a happier version of your life where you've grown and matured, where you've seemingly broken the cycle.
Now, imagine the discovery that those few, core, good memories you have were horribly tainted. The lessons you were taught were cyclical, a method by which to control you and gather that which she needs. Your life goal, your career, your passion was entirely made in order to benefit the abuser you've run from your entire life. Imagine who devastating that would be.
That's what happened at the Temple Of Mythal. That was the pride that Flemeth trained into Morrigan, the path by which she wanted her to evolve. She seized that opportunity, and that opportunity either tied her to her abuser forever, and/or told her abuser where she and her son was after years of protecting him from her.
Everything you know, everything you are, everything you've protected... is based on a lie.
Morrigan's character arc in Inquisition is her breaking that cycle. 'What Pride Had Wrought' is in reference at least partially to Morrigan's personal journey, where that pride, that passion, is something she recklessly seizes on because to her it is good and right and just and hers by nature, and it is that pride that was so ingrained into her by her abuser that she watches tear her son away from her and into the hands of said abuser.
In that moment, when she's faced by everything that her pride could lose her, she is forced to reckon with everything she has ever believed, and in the face of her greatest fear... she chooses to break the cycle of abuse. She chooses to assure that her son is safe.
The most obvious quote to be in this write-up;
Flemythal: "As you wish. Hear my proposal, dear girl. Let me take the lad, and you are free of me forever. I will never interfere with or harm you again. Or, keep the lad with you... and you will never be safe from me. I will have my due." Morrigan: "He returns with me." Flemythal: "Decided so quickly?" Morrigan: "Do whatever you wish. Take over my body now, if you must, but Kieran will be free of your clutches. I am many things, but I will not be the Mother you were to me."
This is obviously Morrigan's most famous line, but I actually am not sure if folks understand the truth depth of it; This is not only breaking the cycle of abuse and freeing her son of it, but she's also going against every natural instinct that was bred into her. This woman, the girl that was raised to lure men to their deaths for fun, who's most crucial life lesson was to do anything in order to survive... accepts she will never be safe again. She accepts the possibility of constant danger just to keep her son safe a day longer, a sacrifice her Mother would have never made for her.
This was a possible full culmination of her story. And Veilguard... sort of ignores the meaning of it by giving undo attention to Flemeth's head tilt.
I want to take a moment to preface this next section by saying that I was in no way resistant to the idea of Morrigan being possessed by Mythal in Veilguard. I in fact expected it and was excited by the possibility. There was a really brilliant way to handle the situation even within the parameters of how the game handled it, but the developers chose instead to dismiss this situation in a few lines so that they could instead focus on Mythal, and her relationship with Solas.
I don't want to outright insult the writers here. Veilguard was a game I greatly enjoyed. But I do want to say this because I find it deeply regressive, and I also find the decisions that were made were a symptom of this issue; Morrigan is not in Veilguard for her own character. Morrigan is in Veilguard because she is a convenient vessel through which to explore a character that has much more importance to the main antagonist. This is already slightly regressive because it's two characters largely only serving the plot of one male character, but I find it most troubling because the character they use her for is her own abuser, and by paying as little attention to that as possible while also barely using Morrigan herself as a character, it creates a very tepid story of parental forgiveness that... doesn't work as presented.
From her scene in the Crossroads after finding all of Solas' regrets;
Morrigan: "When I learned she intended me to become the next receptacle of an ancient god's soul, I feared naught would be left of my own. It inevitably came to pass on a deep night: I was awakened by the presence of a blaze of magic in the shape of a woman who both was, and was not, my Mother."
Rook: "I don't think I'd recover from that."
Morrigan: "Neither did I, at the start. Mythal's memories were both gift and burden, this blazing woman told me, but I must accept them of my own accord. The decision was paralyzing. What would it mean to become such a host? What would be lost if I refused? In the end, 'twas something in my Mother's voice which guided me."
Rook: "What was that?"
Morrigan: "Regret. Not the regret of a God, but of a Mother who knew she would never see me again. And so my mind remains my own. What I gained was knowledge... both Mythal's, and of those who bore her."
I think you can see where the problem lies, but let me reiterate:
Morrigan was a child of abuse. That abuse was calculated, both in how she treated her aggressively and how she gave her affection. Her methods of teaching, of raising a child, were there entirely to teach that child to continue on the legacy of Mythal. The preservation of magic was imbued very carefully into Morrigan and Yavana both in order to gather and save aspects of the ancient elves, and in order to prepare them to carry Mythal's soul. Pride was a weakness trained into them from childhood, and their lofty goal of protecting ancient magic was a weapon to be wielded in order to control them. This was a cycle Morrigan first discovered in Inquisition and began to fight against, because she wanted to break the cycle of abuse for the sake of her son.
In this game, Morrigan took on the memories of Flemythal... in order to preserve ancient magic that must be protected so that it is not lost. An instinct given to her by her Mother... in order to be used as a weapon... so that one day she would take on the soul of Mythal.
I want to be clear, I am not opposed to this storyline. I'm not going to yell 'That's problematic, you can't write that!' or 'That's a regression of her character!' because I think it's a fascinating direction to take both their characters.
The problem to me isn't that they went down this pretty natural path, the problem is they did it by... sidestepping any negative parts of how this would affect Morrigan. They sidestepped the fact that the reason she accepted her was largely because of something that Flemythal trained into her and weaponized against her, and the writing treats it as... a difficult moment that eventually brought her peace.
I think this is most exemplified in the aspect of Mythal's soul that remains in the Crossroads. As a concept some are saying it's arbitrary considering how Flemythal saved herself inside of an amulet in Origins/DA2, but I think that's lacks context. It's clear Mythal couldn't prepare this time, because she didn't expect Solas to murder her. Her soul, while saving itself, fractured into pieces. I'm definitely willing to defend that choice.
The problem, I think, is more that the fracturing is seemingly mostly used as a way to sidestep how Mythal's soul fully joining Morrigan would change this scenario. Morrigan's ultimate fear was becoming one with the soul of Mythal, so in order to avoid that they've attempted to only give Morrigan the memories of Flemythal while also seemingly leaving her unchanged as a character.
My issue with this thought process, first and foremost, is that it prevents them from exploring a much better story that has the chance of presenting a much better payoff as a story of an abused child coming to terms with her Mother. It removes the chance of Morrigan's possession being a major character arc, one that would further what she went through in Inquisition while also offering Flemythal a pathway toward an understanding with her daughter so that that ending could still be explored, in order to get to where they want to truly get to as fast as possible, which is using Morrigan as an agent for Mythal's forgiveness in order to fulfill Solas' character arc.
Imagine a more fleshed out version of this story, one where Morrigan had more of a presence within it. Over time, as you discover more about Mythal out through those flashbacks, you begin to realize something is... off about Morrigan. Her unique way of talking has slowly changed, her more sarcastic and poetic tone drips away in favor of Flemythal's more loose, jovial, sometimes playful but always pointed and aggressive tone. The player is prepared to pick up on that, but Rook isn't. Things eventually come to a head where Mythal has to reveal herself, likely as an aggressor similar to how she's handled in the Crossroads, and Morrigan is actually allowed to exist within this presentation. She sneaks through occasionally. The magic of the crossroads allows her moments of clear headedness. She reflects that she accepted her Mother's soul out of that fear, and that it's begun to change her, that she's scared of what she's losing, and even more frightened of how she's coming to understand her Mother. Conflict occurs and if you've reached Morrigan, she fights against Mythal's influence and regains control enough to fracture them just enough to have to come head-to-head, where you can guide them through decades of conflict to a mutual understanding or forgiveness through this bond they have, help Morrigan fully overcome Mythal, or help Mythal dominate Morrigan. Ideally, you'd have the ability to either remove Mythal's essence from Morrigan forcefully with an 'I reject you!' scene, or you can have your moment of forgiveness where the Flemeth side of Mythal removes herself from Morrigan, perhaps into the idol you use for Solas at the end.
But that's not what they did. What they chose to do, I think, is to sidestep a difficult issue, a problem this game does tend to have. I'm not entirely sure if they didn't quite grasp Morrigan's relationship with her Mother, or felt they were forced to gloss over it either because of the world state issue or their need to use Mythal, but the decision they came to is not an acceptable payoff to that story.
The truth of the matter is, this version of the stories' either inability to explore this issue in full or it's misunderstanding of it greatly hurts the characterization and misses a massive chance at more impactful storytelling. And that, to me, is the most damning creative decision of the entire game.
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monophobix · 3 months ago
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INITIAL THOUGHTS ON ARCANE SEASON 2 ACT 1 (EPISODES 1-3)
(i’m not good at putting my thoughts into words so feel free to give your own opinions, i rlly wanna hear them)
SPOILERS AHEAD///
ok so my biggest critique is the pacing. everything is very quick very fast and a lot is going on. i understand that this is immediately after a large event which of course caused a reaction however it was just very intense and a lot to keep up with especially considering the amount of new and confusing things introduced throughout the three episodes with minimal slow down. it was alittle difficult to keep up. the timeline of the show is confusing and i have no idea how long it has been between scenes. viktor was barely in that weird healing chamber for a few scenes before he was emerging as someone new. caitlyn and vi were going from loving to fighting to understanding to fighting again very quickly with little time to develop independently, their kiss and divorce weren’t even 30 minutes apart from each other. also, who the fuck is this kid hanging around with jinx?? why is she following her, why doesn’t she talk, what’s her name, how long has she been with her?? this lack of time to let things develop has caused these episodes to feel rushed.
with this introduction of many new things some have left me with a lot of questions. my biggest issue revolves around the arcane. i literally do not recall it being mentioned or being an important topic in s1 but all of a sudden jayce knows a fuck ton about it as well as heimerdinger? when did he learn this? i assume it’s from viktors notes and research but that still fails to cover the amount of knowledge jayce now possesses.
HOWEVER THE ARCANE IS VERY COOL AND IM VERY VERY INVESTED. i absolutely love the changes to viktor, his weird apathy and changes are definitely rushed but so interesting to see, his design and behaviour are so very compelling and im very excited to see the development. additionally, this group dynamic between jayce, ekko and heimerdinger is soooooo fun. it offers a break from the intensity with some silliness i think is desperately needed, plus it’s super satisfying to see the trio bounce off each other. that final scene of them in ep3 was visually incredible and i loved seeing the effects upon the hextech weapons during the jinx, sevika vs vi, caitlyn fight. the scene of viktor amongst the shimmer infected was very interesting and it was so cool to truly see the severe effects of shimmer and the inhumanity of viktor is making a clear route towards his glorious evolution which is am keen to watch.
that ambessa reveal at the end was INCREDIBLE. i genuinely didn’t see it coming and it made my jaw DROP. the quiet, smart suspicion from mel is always incredible to see, her political mind and morals conflicting is so very engaging and she’s really developing into herself in these episodes which was a joy to witness. the mystery of her brother is compelling and links well through s1 and s2 to make the storyline fun to follow. i also simply must compliment the designs revolving around the noxians and animal-esque (sorry idk what they’re called) people. the absolute variety and inspiration from real life cultures is beautiful to see. i am incredibly confused about the magic and that one lady (amara?) but i assume that’ll be answered in later episodes.
jinx is not looking good lmao. i love her design being so corpse-like and deathly, it really fits well and really embraces the differences between powder and jinx. but i do wish we saw more of her. i see her actions but i lack understanding for some of them, primarily revolving around the child (isha?) and why the kids even there but the newfound bond between sevika and jinx is refreshing to see. the scene of them in silcos old office brought a smile to my face and the design of that fucking arm is soooo cool i love the clownish purely jinx vibe to it.
caitlyn is probably the stand out character so far (plus maybe viktor). her absolute grief and seeing her facade break down throughout the episodes was heartbreaking, the tentative yet conflicting moments of softness with vi were beautiful yet had that perfect undercurrent of tragedy that arcane masters so well. her rage and break up with vi was easy to see coming yet so incredibly jarring to watch, that harsh and merciless behaviour is so different from s1, the development is well done and a morbid pleasure to see. and that final episode. oh my. the shock to acceptance of darkness was fantastic, ambessa truly is a master at manipulating weakness in even the strongest of people and seeing this duo is going to be so soul crushing that i’m itching for more.
vi felt very rushed to me and alittle dry? idk why tho i can’t really explain it. i understand her choices but it felt like something was missing until that final scene with cait. that was an absolute masterpiece. seeing her realising that the horrors of war is corrupting everyone around her and pleading for it to please not happen is so so SO fucking sad and my heart was breaking. i loved seeing her moral strength and solidity to her values which has always been a key part of her character so i appreciate the consistency. idk why something about her was just… different.
the opening scene was incredible. the absolute horror of it was so clear and i was literally shaking the entire time. 10/10 opening.
overall, i hope things slow down alittle but i greatly enjoyed season 2 and im very excited to see the characters develop and to see even more of this beautiful world.
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randomfoggytiger · 8 months ago
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The Evolution of Gillian Anderson's Friendship with David Duchovny
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Early friendship:
He was an experienced actor when they started The X Files, she had been receiving unemployment benefit and had been in front of cameras only once before.
And she admits: "I desperately needed someone to show me the ropes and David did. He was wonderful."
There were rumours of a secret romance, which would have got them both fired on the spot. It is a strict studio rule that there will be no intimacy between the stars - off screen as well as on.
But Gillian did find love on The X Files, in the shape of assistant art director Clyde Klotz. And she did turn to Duchovny for advice after acting spontaneously on her wedding night, taking no precautions and finding herself pregnant.
She was horrified, believing she would get herself fired and ruin her career.
[“I went into his trailer,” she recalls, “and I said, ‘David, I’m pregnant.’ It looked like his knees buckled.... And he asked me if it was a good thing. I said, ‘Yeah, it is.’]
But her co-star, who was the only person she confided in apart from her husband, put Gillian's mind at ease.
He advised her not to have an abortion - that things would work out. And they did.
He kept her secret while Gillian thought things over for a month.
1995:
David Duchovny is not happy.....
Anderson, sensing Duchovny’s mood, looks down at his hand on her left shoulder and tries to brush it away, as if it were a mosquito. Then she turns and jumps into his arms, laughing, looking like a little girl making trouble for a protective older brother. Startled to be holding her, the smile on Duchovny’s face is forced no longer.
...“We really trust each other,” Duchovny says simply.
There is, between these two, a real-life camaraderie born of necessity, a friendship strong enough to survive too many work hours, and a chemistry powerful enough to rearrange the atoms on-screen. “Whenever we’re acting together,” says Anderson, “it’s there.”
1997:
But in real life, Duchovny and Anderson have a relationship as much a conundrum to outsiders as any X-File.
“We have a relationship that is completely odd and fabricated,” Duchovny says. “We’ve been thrown together, two people who don’t know each other, and we’ve been forced to spend more time together than married people do. So you can’t describe our relationship as ‘like’ or ‘dislike.’ ”
Sounds a little frosty.
“It is frosty,” Gillian Anderson agrees when she is read Duchovny’s description of their relationship. “But it’s accurate.” She laughs. “It’s not that we don’t like each other. It’s complicated.”
2008:
Question: Can you talk about getting back into these characters after a five or six year period?
David Duchovny: The first two weeks I felt a little awkward and I didn’t really feel like I wanted to do longer scenes. I was just fine running around. Then as soon as Gillian and I started working and it was Mulder and Scully, then I kind of remembered what it was all about and that relationship kind of anchored my performance just as I think the relationship anchors this film.
Shock: What’s that like with David now that you’re not with each other 16 hours a day on a series?
Anderson: It’s great, but it was great then, too. This is like a sibling relationship and I never had siblings.
What is your favourite thing about each other?
Duchovny: Gillian just doesn't give up.... She'll hang in there 'til we get it right.
Anderson: ...The easiest answer, I guess, is his sense of humour. He's always looking at the funny side of things, especially when he's around other actors who are comedians or funny themselves - it can turn into a bit of a contest to see who does the best impressions and such. But aside from that, there's a gentleness inside him that comes out every once in a while that is quite disarming and lovely. It's rare, but very nice.
2014:
Q: Was there a sense of almost a bunker mentality where you were at least going through this process with David? You mentioned he had more experience, he had done some bigger films but still the phenomenon that emerged within the first couple years was pretty remarkable. Did it help to have him there too and kind of like “Are you getting this too? Are you going through this too? Is this weird?” 
A: No. No, not really. We talk about the fact that it’s crazy that we didn’t. And that we didn’t take advantage of the fact that we had each other but it was complicated. These were long hours that we were working. We spent more time in each other’s presence than we did with our, you know, spouses and children, etc.
But also, you know, I think we p***ed each other off, quite frankly. And I have no doubt that after they’re waiting – we’re gonna roll and somebody has to come in and redo my lips and the difference between the maintenance for guys and gals and we’re shooting in all weather – you know, we never shut down except for one day for weather in the entire show.  We were shooting up in Vancouver through rain, sleet, everything. And my hair would frizz up to here in between takes and they’d have to get the blow dryer out under the tent and we’d be waiting for Gillian’s hair to do another take. You know, that p***es you right off. It adds up. So I, you know, I’m sure there were plenty of things he did that p***ed me off too. It just wasn’t, you know, but on the other hand.. NOW, we get to talk about that and we’re probably closer than we’ve ever been. 
2015:
Not surprisingly, she and Duchovny also became the story – according to the press, they were having an affair, hated each other or both. “I mean, yes, there were definitely periods when we hated each other.” She starts again. “Hate is too strong a word. We didn’t talk for long periods of time. It was intense, and we were both pains... for the other at various times.”
How was Duchovny a pain... for her? “Erm ...” Ten seconds pass without a word. Meanwhile, her smile gets wider and wider till it’s halfway up her cheeks. “I’m not going to get into it. I’m not even going to begin to get into that. But we are closer today than we ever have been.”
2016:
Anderson on working with Duchovny “Our relationship has definitely become a proper friendship over the last few years. I think we’re more on each other’s side. We’re more aware of the other’s needs, wants, concerns, and mindful to take those into consideration— and just sharing more about our experiences in the moment, under the sudden realization that we’re both in this together, and wouldn’t it be nice if it were a collaboration?”
2018:
They've worked together for 25 years but Gillian Anderson wants to make one thing clear: David Duchovny does NOT feature in her Ex Files.
While on screen their relationship left viewers wondering whether they would ever hook up romantically, Gillian says that off camera they were never very close.
In fact, she goes so far as to admit: "I don't know much about David Duchovny. If you asked me 10 things about him I'd probably get nine of them wrong."
...But now Gillian sets the record straight, saying: "We were never close. It's true we spent more time together than we have in any other relationship but it doesn't mean we were close.
"Very often when you're working long hours you may have a chit-chat between scenes but you're not really standing around talking about personal lives.
"And very often you don't have meals either at work or outside of work together because you're in each other's company all the time.
"So I actually don't know very much about David Duchovny, but we appreciate and respect each other."
2021:
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Stella made a new friend today.
2023:
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A huge congratulations to my old friend @davidduchovny on the world premiere of his film Bucky F***ing Dent @tribeca which he wrote, directed and stars in! A massive accomplishment and can’t wait to see it. (ps I’d say some of your prior writer / director gigs with me went pretty well and this was all just yesterday, right? 😉) #Tribeca2023
2024:
Awww Double D I’m so sorry. He was your guy. RIP Brick Duchovny
A comment from David, 2024:
"My former X-Files costar Gillian Anderson and I are really good friends. ...When you share a seminal kind of experience in your life-- the huge success we had with that show-- only we know what it's like to be in the center of that. It's almost like being in the same family...."
Last but not least:
"Looking forward to revealing some shared memories and new thoughts with my old friend.
Thank you @gilliana for joining me on this week’s episode of #FailBetter"
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temis-de-leon · 9 months ago
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Day 21 - Comforting while crying kiss
Characters: Solomon x fem!MC
25 kisses challenge Masterlist
Main Masterlist
CW: college anxiety, memories about bad friends, worried Solomon, established relationship
A/N: not the most relatable because I made it as a continuation for this, but I hope you enjoy it nonetheless <3
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Studying in the human real again wasn’t something she ever thought would become a reality, especially when she didn’t want to do it at all, but she should’ve learnt long ago that no thing in life was impossible.
Her best friends, if not her only friends, were demons and angels; she was dating King Solomon the Wise. Going back to college should not feel that weird.
And yet.
There she was, sitting on her ankles in a hidden corner under the staircase of the main entrance. The heat of June burned her hair and made her cupid’s bow sweat, but it was the stress of finals what made her feel feverish. Her backpack laid pathetically near her, the zipper opened enough to let her see some crumpled papers full of scribbles and a couple of pens with no caps.
It was draining. Sitting alone at the table, remembering the presence of those who left her behind laughing at her jokes and helping her study, acting like true friends when God knows what they were saying behind her back. The tiles of the floor and the graffiti on the benches remained the same, but the walls were different and the buildings had gone through some serious renovations. What hurt her the most, surprisingly, was the sight of the brand new cafeteria, which now looked like a hospital ward.
MC’s lips trembled at the thought of change and evolution, of coming so far just to return to the same place that made her feel so lonely.
First periods on Mondays, back when she was eighteen, were hectic. The hallways were cold and the elevator was always occupied because a blind guy with his guide dog had to go to the last floor and whoever decided to be stubborn and wait for the elevator to be free was always late to class. One of the coffee machines forever remained out of service and the other one only had one flavour worth paying: hazelnut. MC didn’t even like coffee and still bought a couple of those every now and then.
The blind guy already graduated, she supposed. Both coffee machines worked and they even had other vending machines filling the empty spaces of the hallways. Warm hallways, that is. The Styrofoam cups didn’t smell like hazelnut anymore, but rather something more generic and impersonal.
MC couldn’t recognize the scent and it made her mad. It made her cry. And the foolishness of the situation made her cry even harder.
Her weeping filled the corner she was hiding in and she felt incredibly grateful that the evening classes had already started, but not much time would pass until anyone inside would open the windows in search of any possible breeze.
Determined to not let the damn building see her cry more than necessary, MC grabbed her things and pitifully walked down the street, looking at the flowers with deep yearning like she too wished she was buried underground and left alone to absorb light and look pretty.
Fortunately for her mood, her phone vibrated in her pocket and showed a very familiar name. She tried to swallow tears and clear her voice before answering.
“Is everything okay, MC?”
She’d never fool him.
Solomon sounded extremely worried. The sheer surprise at his reaction made her stop in her tracks to wonder just how much he knew her. Before she could ponder about it too much, however, someone near her called her name.
There he was, sitting on the hood of a car that MC knew wasn’t his. He called her once more to urge her and, thankfully, by the time she reached him the crying had already stopped. Her skin felt sticky with sweat and fallen tears and she felt an incipient headache threatening to break her mind.
“Are you okay?”
“Yeah, yeah”
She forced herself to swallow, hating the blockage in her nose, and Solomon looked at her in pity, clearly wanting to console without going too far.
“You know you can trust me, right?”
His eyes turned sad and MC felt the familiar sting in the back of her throat. Although her first impulse was to continue denying her pain and leave the whole thing behind, she knew that if she didn’t ask her boyfriend, of all people, to take care of her, then the turmoil would become much worse.
“I do” she assured him, holding his hand in slow movements. He immediately held her back and her eyes watered again “I’m just really tired, you know?”
There, under the sun, where no one was there to see the scene, Solomon opened his arms and sighed when she rushed towards him. MC tried to ignore the tears staining his white coat, hugging him instead to hide from the rest of the world. There was a gentle pressure on top of her head, a soft kiss that made her shoulders relax and lean into him further.
“Do you want to go back home? Take a nap?”
MC didn’t know what home he was talking about, but she didn’t care. Without letting him go, she nodded against his chest and made herself comfortable. Home was wherever as long as he was there with her.
.
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Taglist: @ourfinalisation  @owlisbuffering  @chizukimp4  @ravenredwine @darkflowerav  @craftysclown @mehkers
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genericpuff · 9 months ago
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ten storylines u think could have been amazing in lo if they had been handled better?
10 already feels like so much for a story like LO buuttt:
1.) the act of wrath plotline, seriously this one felt like it had some of the most lost potential as one of LO's more unique plotlines (and it lost that potential as soon as it was turned into some "oopsy" committed by persephone due to her wrath being a 'gift' from eris when she was a baby??? still bugs me so much ugh) give me back that dichotomy of Persephone and her internalized wrath, dangit.
2.) the Eros and Psyche plotline. it started off so promising as a parallel B-plot to H x P and then seemed to just get dropped halfway through S1 when Psyche got turned into a nymph.
3.) Echo's involvement as a double agent for Zeus. that was clearly the intention when she was introduced but then she was promptly dropped and only showed up again to say "fuck you Zeus" with zero build-up or implication that she had a change of heart. Like imagine if we actually saw her leaking info back to Zeus but then also getting closer to Hera on a personal level and realizing that she didn't want to keep snitching on her. it would have also made the 'big reveal' of Hera kissing Echo a lot more impactful because then they would have had an actual story arc.
4.) Persephone's character development into becoming the Dread Queen. Right now the story wants us to think that Persephone is somehow "better than ever" despite the fact that her version of the "Dread Queen" is being an absolute Karen. But think of how it could have been if her character de-evolution was the point, to show how Hades had corrupted her. Or if they were meant to be actual shitty people and not shitty people that the narrative was trying to convince us were good.
5.) Hades' and Minthe's relationship. It goes without saying that Minthe was wrong to turn to physical violence, but I'll die on the hill that Minthe wasn't being treated fairly by Hades, either. Those three flashback episodes in S2 leading up to Minthe getting turned into a plant were such a missed opportunity to showcase how Minthe became as bitter as she did towards Hades and what their relationship was actually like in the beginning (and why they liked each other in the first place which they very clearly did) but instead it just dragged its heels because obv Rachel didn't want people empathizing with Minthe.
6.) Ares being used as a tool for war by Zeus. It's clear being sent off to these wars is taking its toll on him and it's created a steep divide within the family, especially concerning how protective Ares is of Hera esp when it comes to how Zeus treats her.
7.) The Aphrodite / Hephaestus plotline. Good god I have no idea what the thought process was behind this one, some of the myths she kinda got away with flipping but this was the one that made the least sense to flip. There was so much potential there that was squandered, a lot of it at the expense of Aphrodite and Ares as traditionally powerful and respected gods.
8.) Hades' alcoholism. Minthe was right, simply falling for Persephone and dropping the cigars and brandy to make himself look better for her doesn't make him a changed person. If the alcoholism was linked to his trauma, why didn't we explore that more? Why couldn't we have seen him actually pursue proper recovery and have it not just be "I'm hot for the 19 year old girl but if I'm drinking constantly that'll make me look bad so I'm just gonna put on the best fake persona I can to make her fall in love with me" instead of actually getting to the root of his issues?
9.) The SA plotline. As much as I talk about how shitty it is, I have zero issue with the original depiction of it, I think it was very accurate especially when it comes to coercion. A lot of people assume SA has to be violent, kicking and screaming, begging for help, but coercive assault is often a lot quieter and more about manipulation which that scene nailed in depicting. It's just everything after that that feels completely misfired and more so for the purpose of making Hades look like a better person simply by comparing him to Apollo on the basis of "he never assaulted Persephone!" and it drives me nuts.
10.) Demeter's winter. In the most recent FP episode, while discussing it with pals, all I could really say was, "This was supposed to be a retelling of the Abduction of Persephone". And Demeter's winter is a core part of that story, one of its biggest purposes in Greek culture was using the myths to explain the creation of the seasons. Despite this being a "retelling" of the Abduction of Persephone / Hymn to Demeter, one of the most important characters in the entire myth has been reduced to, at worst, a Mother Gothel Disney villain, and at best, a pointless NPC.
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