#Shiva Wall Painting

[wallmantraindia]

In Indian houses, there are huge significances of hanging wall paintings especially Religious and of Indian gods & Goddesses. These wall paintings such as Lord Krishna Paintings bring calm, peace, and a lot of positive energy to home. Along with this, wall paintings can also enhance the overall appearance and interiors of your home.

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

Continue reading...

[asmallpinkfan3]

Heyya! i was hoping to request Raine, Eda and Darius with a painter s/o please <3

-your's truly, Shiva

Hello shiva! (Pretty name btw) one painting s/o coming right up!

Raine

Oooo they love your art so much.

They like to watch you paint after a hard day, it makes them relaxed.

You will paint anything you find interesting, that bird that’s always flying outside, yea you painted it.

They will hang up your art everywhere in the house they really like it.

When someone comes over and they see the many artworks on the walls they tell the person about how you made them.

If the guest complements it they will tell you, if they make fun of it then raine will glare at them from behind their back.

They keep track of everything you have, your paint is running low, oh look at that your paint has been restocked that night.

Eda

She loves how you can sit down and magically paint anything you put your mind to.

One time you painted her, king, and Luz.

She pretended to not care but you saw how she looked at it.

You painted owlburt once, he loved it.

She notices how when you paint you have a focused expression.

“Get anymore focused and the face might stick”. She would laugh while saying that.

Once you painted a picture of you and her, it’s in her room right above the nest.

Darius

He likes how your so into painting just like how he is with sewing.

Once you painted him and captioned it as, “the most beautiful man in the boiling isles”.

He posted it on penstagram, he also posted a photo of you beside him with the painting.

He put the caption, “alador got nothing now I was just called the most beautiful man”.

But he does love the painting, it’s in his living room.

Your paints are always stocked up.

He notices your almost out of canves’s, he went to grab some.

You painted him and hunter once, he showed hunter, hunter cried.

That was fun to write. I have another request for a certain anon so I’ll write it rq.

[tokyogruel]

hellos!! is there any frame in triage where shidou Does have the same patterned scarf-thing(?) his sons and wife wear? actually do you know what those mean? (<- i only now noticed them skldjlsd)

hello anon! hola!

to answer your question,, well,, no. not really. but also- well, kind of?

the pattern youre thinking of is called paisley. it has a lot of symbolic meaning that i will get to in this post, but.. shidou doesnt really wear it. kind of

i went through triage again and want to point a few things out:

shidous family wears paisley in 3 different places

his wife, around her waist. shidou mimics this with his apron

his youngest, around his neck. shidou mimics this with his jacket(? why are you wearing it like that idiot)

his eldest, around his waist. shidou mimics this almost exactly- except his cloth belt is light blue, not grey, and plain- no paisley

there is, however- one very brief scene where it could be debated that shidou's belt has a paisley pattern. it moves very quickly- and is heavily obscured by light

the pattern is incredibly faint- but look closely. you can see the paisley. this is the only scene that shidou is shown wearing paisley even remotely explicitly.

(and, before i get into the symbolism of paisley- i find it's important to note that triage has a floral-pattern overlay over the entire video. it is subtle, and you can see it better on a higher-resolution screen. but it is there, and it distorts the video slightly, yet entirely)

but, well. why is paisley so important anyway?

paisley, or Boteh-Jegheh (بته جقه), is a design that has been used for centuries, it originates from Iran (considered "Persian")

"So what is behind paisley’s incredible longevity? Its symbolic power has probably played a part. The original Persian droplet-like motif – the boteh or buta – is thought to have been a representation of a floral spray combined with a cypress tree, a Zoroastrian symbol of life and eternity. The seed-like shape is also thought to represent fertility, has connections with Hinduism, and also bears an intriguing resemblance to the famous yin-yang symbol. It is still a hugely popular motif in Iran and South and Central Asian countries and is woven using silver and gold threads on to silks and fine wools for weddings and other celebrations." (source)

"in paisley people have seen resemblances to a lotus, a mango, a leech, a yin and yang, a dragon, and a cypress pine. Ancient Babylonians likened it to an uncurling date palm shoot. Providing them with food, wine, wood, paper, hatch, and string—all of life’s necessities—date palms symbolized prosperity and plenty. Paisley began its life as the privilege of cosseted, powerful men." (source)

"The circle of paisley’s irony is now complete. A pattern of exclusive royal privilege in the East becomes the pattern of Western capitalist longing. It trickles down on humbler fabrics to working men, gay men, gang members, and Boy Scouts. It signifies free love and forbidden love, belonging and exclusion—a seemingly impossible range of human experience." (source, same as above)

(source)

"In Ancient Egypt, for instance, paisley designs were often used on wall paintings and pottery vessels as symbols of life and rebirth; while in Persian culture they represented heavenly gardens filled with lush vegetation and flowing watercourses – a metaphor for paradise itself. Similarly, this pattern became an integral part of Hindu iconography; being used to depict gods such as Shiva or Ganesh." (source)

"The iconic design consists of intricate swirls and floral motifs which are believed to represent life’s cycle of birth, death and rebirth. It also represents fertility and abundance – qualities that were greatly valued by our ancestors who lived off the land they farmed. In many parts of Asia it was even thought that the paisley patterns had magical properties that could ward off evil spirits." (source, same as above)

"Additionally, the paisley flower is believed to represent the cycle of life, death, and rebirth in many cultures. The intricate design of the paisley pattern is said to symbolize the twists and turns of life’s journey, with each curve representing a different phase of life. The paisley flower is also associated with the concept of inner peace and tranquility, making it a popular choice for meditation and spiritual practices. Overall, the paisley flower holds deep spiritual significance and is a beautiful symbol of life’s journey and the eternal nature of the soul." (source, i recommend reading this page in full- foliagefriend is a site i use often as a resource, and their articles are in-depth and pleasant to read.)

so... thats about it, then!

there have been a few other elements pointed out in these articles though, so ill leave a few resources below to read up on, if youre interested :>

paisley (wikipedia page)

cypress (foliagefriend) // cypress (spiritualunite) // cypress (silentbalance) // cypress (artofmourning) // cypress (meaningsymbolism) // cypress (groovingtrees)

"On the Complexity of Using the Mango as a Symbol in Diasporic Literature"

"In Myth and Literature, the Mango Remains King"

"Leeches in modern medicine"

"Leeches are still used in medicine—yes, really. Here’s why." (this article discusses transplanted tissue)

leeches (wikipedia page, the link directs you towards the medical section of the age)

dragons (worldbirds) // dragons (athsq) // dragons (givemehistory)

yin and yang (wikipedia page) @mukuberry heres your 0510 b/w parallels again

ankh (wikipedia article)

date (allaboutpalmtrees) // date (desertempirepalms) // date (groovingtrees) // date (bateel)

phoenix (wikipedia page)

shiva (wikipedia page)

ganesh (wikipedia page)

gray (colorpsychology) // gray (colorpsychologymeaning)

blue (colorpsychology) // blue (colorpsychologymeaning)

white (colorpsychology) // white (colorpsychologymeaning)

purple (colorpsychology) // purple (colorpsychologymeaning)

(ps. shidou has consistent themes of fertility, ovaries, motherhood, birth/rebirth... the ovarian imagery is very persistent in Throw Down!)

[hermaximalismhome]

HOME TYPE: Apartment

LOCATION: Bushwick, Brooklyn, New York

STYLE: Colorful, Industrial, Maximalist

BEDROOMS: 2

SQ FT: 747

PAINT & COLORS:

All Rooms — Benjamin Moore “Bancroft White (DC-01)”

ENTRYWAY

Coat Rack — ​UTIL

Flowerpot — &Tradition

Taiwanese Mailbox — Yun Hai Selection

Small Rectangular Mirror — HAY

Wall Ledge Shelves — Lichen NYC

Super Stripe Mini Rug — Verloop

Stripe Dog Bed — Dusen Dusen

KORSNING Rug — IKEA

LIVING ROOM

Sofa — Modern Hill

Shlf One Layer — KIOSK48TH

Shlf Three Layer — KIOSK48TH

The Blot Rug — Mush Studios

The Dandi Pillow — Mush Studios

Tubo Bookend — Bi-Rite Studios

Fenestra Bookends — MoMA Design Store

Sowden Tin — HAY

Sowden Water Bottle — HAY

Pillar Candle — HAY

PC Portable Lamp — HAY

Hemisphere Clock — Design Within Reach

Kirby Vase — Areaware

XL Globe Floor Lamp — Urban Outfitters

KITCHEN

Aluminum Float Shelf — Bestcase

Great Jones x Fellow Kettle — ​Great Jones

Great Jones x Zander Schlacter Dutch Baby — Great Jones

Bodum Programmable 12-Cup Coffee Maker — MoMA Design Store

Salt & Pepper Grinder — Mohd

Toaster — Mohd

Arcs Case — HAY

DINING ROOM

Memphis Dining Chairs — ​Betsu Studios

Daphne Concrete Dining Table — Urban Outfitters

Frame TV — Samsung

Frame TV Wall Mount — Samsung

BEDROOM

Bookcase Miniature — Memphis Milano

Shiva Vase — BD Barcelona

Super Lamp — Memphis Milano

The Dune Rug — Mush Studios

BLOQUE 7 in Sottsass Red — Bonne Choice

Aria Headboard — Urban Outfitters

Roma Wavy Wall Mirror — Urban Outfitters

Credenza — CB2

Bed Frame — Keetsa

Stripe Knit Throw — ​Verloop

Object Poster — Gustaf Westman

SOWDEN PL1 Portable Lamp — MoMA Design Store

Shaped Pillar Candle — H&M Home

A thing on a table in a house — Apartmento

Wallpaper* City Guide — Wallpaper

IDROTTSHALL Rug — IKEA

HOME OFFICE

Shogun Lamp — ​Artemide

Pier Shelving System — Design Within Reach

Uten Silo Large — Herman Miller

Perpetual Ring-A-Date Wall Calendar — Home Union NYC

Anya Sconce — Urban Outfitters

Striped Canisters — Dusen Dusen

Everybody Kitchen Timer — Dusen Dusen

Everybody Tissue Box — Areaware

Pesa Candle Holder — Hem

Molino Grinder — Hem

Handmade Storage Boxes — HKLiving

Eames Construction Toy — MoMA Design Store

Scape Trays — Areaware

Stacking Planter Chrome — Areaware

Strata Plant Vessel — Areaware

Recess by Mush rugs — Mush Studios X Urban Outfitters

[the-puffinry]

Look at these pictures from a thread by AntiokhosE on twitter! I was going to just share the tweets but twitter and tumblr formats being what they are this looked kind of unreadable, so here’s the thread text (and link beneath a picture post instead):

“Jumping forward a few centuries in the National Antiquities Museum, on to Sogdian pieces from Panjakent and the Zeravshan and Ferghana valleys. Burnt to the ground after the Arab conquest, archaeologists would find the charred in situ remains - Tajikistan’s Pompeii. Easily the most impressive from Panjakent are the huge murals found in the temples and royal citadel - some now in St Petersburg, but a good chunk still in Dushanbe. Some more fantastic frescoes from Panjakent and the other Sogdian citadels. My favourite find, however, is this larger than life statue of Shiva and his consort Parvati, carved in a deeply Hellenistic style and found in the excavations.” (thread link)

I couldn’t find an official site for the museum (?), but I did find this wikimedia page where you can see more of their collection. It really looks very interesting! 

I also found this short 2018 paper: Restoration of Murals of the National Museum of Antiquities of Tajikistan.

excerpt: “The study of monumental wall painting in Tajikistan started in the middle of the 20th century when, in 1946 the group of archeologists led by experts from the State Hermitage Museum began excavation works in the ancient city Panjekent. The excavation is still on-going. The ancient city Panjekent represents a complex monument. It consists of an extensive ark with three strengthening pillars, the Shakhristan city surrounded by a defensive wall, as well as suburban houses and a necropolis. Archaeological expeditions in Panjekent revealed a large variety of cultural artifacts impressively portraying the routines of citizens of the ancient city.”

[conjuremanj]

What Is The Real Crossroads

The crossroads or the “forks of the road” is a place where two roads meet.

The crossroads is the land that belongs to no one, a place outside the borders, which is a good place to perform traditional African magical rituals whether that be Hoodoo or Vodou etc. Like the cemetery, and the railroads the crossroads has its own spirit. The crossroads may also serve as an altar where offerings can be laid out. There crossroads in the hoodoo tradition: the performance of the crossroads ritual to gain skill and to perform magical spells.

(ancestral work and offering using graveyard dirt in a crossroads pattern.)this can also be used for contacting spirits and dividation)

(This is the place where the famous guitar player call up the devil)

Working for Clients Using The Crossroads:

A root doctor or conjure worker may go down to the crossroads for clients to help them dispose of ongoing negative situations and conditions in their lives. Hoodoo root workers also call upon the spirits of the crossroads on behalf of their clients, gather crossroads stones or dirt for spell work.

(1885 pic showing a Hoodoo dance in Louisiana using a portable crossroads.)

The Portable Crossroads:

Not all rituals that use the crossroads need to take place at an actual crossroads. When doing magic some hoodoo practitioners use what is known as a “portable crossroads” or a circle with a cross inside, also called an “X” or “cross-mark”. This portable crossroads can be drawn on the ground with a stick or on an altar with sachet powders. It may be painted on a wall or laid out on a blanket.

(A home and altar of a African Diaspora religion with a crossroads painted on the wall.)

Other Cultures Using The Crossroads:

Many of the spirits and deities from the African Traditional and African Diasporic religions are associated with the crossroads. In Lukumi / Santeria, the orisha associated with the crossroads is Eleggua.

In the Louisiana Voodoo tradition or Palo Mayombe, there are several lwa associated with the crossroads including Papa Legba and Met Carrefour. In India, the Hindu deities associated with the crossroads are Ganesha, the opener of the way, and Bhairava, an aspect of Shiva who protects the boundaries. Catholic Tradition the Catholic Church Saint, Saint Peter, is associated with the crossroads showing the crossed keys of heaven. Saint Expedite is also associated with the crossroads.

The crossroads is a spiritual Nexus, a place to help or to get help. It's Powerful.

The Kongo cosmogram or "Yowa" cross represents the human life cycle of death and rebirth of the soul. In this cycle, a body of water flows between the physical realm and the spiritual realm. Kongo water spirits, (Sim'bi) are believed to have the ability to travel between the two realms. The Yowa cross is the origins of the Hoodoo crossroads.

Last do not disposed your trash at a crossroads it is disrespectful to the spirits there, I mean would you want someone to dump there trash at your place. 🤔 Think about it ..

[eorziapple]

Aftermath: The Houseboat

The houseboat was still moored at Costa Del Sol, the deck still converted for table space and cookers for the Moonfaire activities. The spacious cabin, was locked, of course, requiring a bit of muscle to break the door through. Inside was a large room, about the size of a decently expensive suite, complete with a work desk, a small kitchen and sink, a small twin bed, a dining table, bathroom, and a reading chair with a decent sized bookshelf against the wall. there were several portraits, mostly landscapes, but a large painting of a handsome man with brown hair and glasses, alongside a blonde woman wearing a rather auspicious looking buccaneer's hat, and a small girl standing between them with chubby cheeks and thick glasses of her own looking shyly on.

Altogether, a rather tidy room, kept quite clean, from the likes of it. A few notes laid out on the desk, old alchemical theories and some recipe ideas, from a cursory glance, however one of the drawers under the desk was locked, and reinforced with an arcane seal, a rather complex one at that.

Upon dismantling the seal, the drawer was easy enough to break open, revealing a series of small journals, each labeled and organized by year. flipping through one of the journals in the pile, detailed entries describing home life in Limsa, details about being nervous about the Arcanist guild, entries concerning a crush she had on one of the teacher's assistants, worries about her lack of aetheric aptitude, and grumbling about her mother's new paramour.

These were diaries. it took a bit to find the most recent journal, the stack they had been in was likely toppled by the breaking of the drawer. Flipping through, the relevant entries begin, dated slightly after her recovery from the First.

After collaborating with Krile upon my recovery, I'm sure of one thing, I should be dead, or at least aetherically corrupted beyond recovery. Something about the nature of the entity I summoned is counteracting the dense Light aether that is flowing through my body with consistency. Given the imminence of my demise, I can only guess that the purpose of the summon was protective in nature, to keep me from succumbing. Unfortunately, this summon cannot sustain itself indefinitely, and if it were to unpair with my own aether, I would likely be lost as a sin eater. Krille surmised that it needed to replenish aether, but unfortunately we discovered that it required the complexity of living either. Animals have kept my bodies' equilibrium maintained, and thankfully a good hunt will keep it summoned for weeks, rather than hours or days, but the situation is not ideal. A few more entries to flip through.

Krille has devised a treatment plan for me, it's sustainable, and the best she could come up with me, a cure seems to be out of the question without some sort of breakthrough, and summoning magic has plenty of mysteries even I haven't managed to unravel myself. I've taken to calling it Death, as it both keeps me from it, and has to take life. I've come up with a good hunting ground, as well. Asys Lla is ripe with biological monstrosities that are suffering, and I already have a field lab on site to collect materials. My colleagues wouldn't question my need to go there on the monthly basis I require.

Death is a fascinating summon, difficult to control at times, though that may be the nature of its tethering to me, I wonder if Shiva was this difficult, as any summon has some degree of will. That being said, it doesn't seem to rampage, its need to feed is less a hunger and more... a calling? It's hard to describe, it feels to recognize the need for the hunt with an impassionate sense of... duty?

It also is certainly not a voidsent, despite its aspect? This may be because summons themselves are boarn of the will of the caster, not naturally occurring beings. This is reassuring at least, and would explain the lack of general chaos in its will.

I've decided not to tell the other about this condition, and somehow got Krille to agree with me dealing with it. I suppose she trusts me to be diligent, I appreciate that. It's just... I don't know what i'd do if I couldn't be useful, if they began to distrust me. At the end of the day, it's a liability, after all."

There doesn't seem to be much pertinent information in the following entries, though flipping through, the latest entry reads:

I've discovered with some degree of embarrassment that i've grown to care for her a great deal. I suppose it was obvious in retrospect, with how much i've enjoyed our time working together. Of course, not much I can do about it, I'm sure she has plenty of others... especially with her recovery ongoing. I hope this works, I really want to be able to do something to help her, and if my condition could lead to something good, all the better for it.

After all, thats why I joined them, thats why i did... everything in my life.

I want to help people.

[loemius]

Hiii this is @arkefthos :> one day tumblr will allow us to send asks from sideblogs lmao 🙏 anyway!! I would like to know, in a totally ideal world where you had all resources needed, what would your ideal perfect altar/s look like? Maybe even a whole devotional space? It's a favourite daydream of mine + would love to hear your thoughts :>

hi hi!! thank you for the ask, such a great question!! love your blog <333 honestly if i had unlimited money and resources, i would have an entire devotional space. my entire house would be altars (lmao as if it isn't already). i would want statues of all of the theoi, including some of my favorite heroes like herakles and maybe even odysseus (do they even make odysseus statues). i would have tapestries and paintings on the wall, not just of the theoi but of some of my other beloved figures from other pantheons. i'd have a very, VERY nice shiva statue, a white one, and perhaps a statue of maa durga to pair with him. i'd also probably have some stuff for the vanir too. i'd definitely want one working altar with some of my most personal and sentimental items where i burn incense and make libations. i'm not sure if i'd want one big altar for all the theoi in general or to break them up into individual spaces (or shared altars between two-three theoi where it makes sense and is okay with the theoi, like zeus and hera for instance might share an altar space). apollon and aphrodite would probably get their own spaces, simply because i have the most kharis with them and already have a lot of altar stuff for them that's specific TO them that i wouldn't feel comfortable putting in a shared altar to all the theoi. everything else on the altar, though, i'm a big believer in accumulating stuff over time, little bits and bobbles you pick up here and there as offerings until it slowly adds up and you suddenly have more stuff than you know what to do with. i've realized i don't tend to get a lot of votive offerings for theoi i dont have a specific altar space for, simply because i have nowhere to put it all, so i think having to the space to actually put those things would be really nice. i think the key here is the idea of like.. slowly accumulating things and building that kharis over time. i wouldn't want to just buy a bunch of votives all at once. then it feels more like a decoration project to me instead of a space that's been cultivated through my worship. i like the gradualness of it and seeing my collection of altar pieces grow over time. i also really like to make things by hand, so tbh i would probably buy a huge bag of stoneware clay and glazes and make pottery. i'd want a bunch of vases in the red-line style (something i dream of making someday should i get access to a ceramic studio again). and of course, a vessel for libations to both be poured from and poured into in the same style. tldr: i'd buy a shit ton of statues and wall art like tapestries and paintings and save the rest for buying votives when i see something that really speaks to me. i'd also stock up on nice incense (big fan of the morning star brand) and things to make more votives and devotional projects with. thank you again for your very thoughtful and sweet ask! i hope you have a lovely day and eat a kickass meal <3 gods bless you!

[anandartandcraft]

Wooden Temple Mandir Handcrafted Mandir Pooja Ghar Mandap For Worship Home Decor Art ...... . . . . . . . . ................ ....... ..... ... .. . Materials Wood, MDF Wood Description Wooden Temple Mandir Handcrafted Pooja Ghar Mandap For Worship Hand Painted Home office Wall Decor Indian ArtArt * Hand Crafted Wooden Embossed Painting Art *This Temple can Be Used In Home As Wall As In Shop / Office / Home * 2 Drawer The Pooja Accessories * Size :- Outer 18 X 9 X 22 ( L X W X H ) inch Approx * Size :- inner 14 X 8 X 10.5 ( L X W X H ) inch Approx * Weight :- 6.380 Kilo Grams Approx * Size :- Outer 20 X 12 X 24 ( L X W X H ) inch Approx * Size :- inner 18 X 9.5 X 13 ( L X W X H ) inch Approx * Weight :- 8.480 Kilo Grams Approx * Size :- Outer 24 X 12 X 30 ( L X W X H ) inch Approx * Size :- inner 20 X 9 X 16 ( L X W X H ) inch Approx * Weight :- 9.280 Kilo Grams Approx * Size :- Outer 30 X 15 X 36 ( L X W X H ) inch Approx * Size :- inner 22 X 12 X 22 ( L X W X H ) inch Approx * Weight :- 20.800 Kilo Grams Approx Available in stock please DM me 📩 .... #temple #travel #india #photography #travelphotography #love #hindu #god #architecture # #instagram #poojaroom #hinduism #photooftheday #thailand #japan #instagood #temples #mahadev #shiva #wallatt #history #buddha #wallmounted #buddhism #temple #wallhanging #culture #hindutemple (at Jodhpur City, Rajasthan, India) https://www.instagram.com/p/CoR6J2nvQ3U/?igshid=NGJjMDIxMWI=

[bhanu484]

Udaipur Places to Visit in 3 Days

Udaipur, often referred to as the "City of Lakes," is a treasure trove of culture, history, and stunning landscapes. Whether you're wandering through its majestic palaces or enjoying serene boat rides on Lake Pichola, this enchanting city offers an unforgettable experience. If you’re wondering about the best udaipur places to visit in 3 days, we’ve got you covered!

Udaipur Places to Visit in 3 Days>>>>>>>>>>>>>>>>>>>>>

Udaipur is a blend of rich heritage and stunning landscapes, making it a perfect destination for a 3-day trip. Here are some of the must-visit places to make the most out of your time in Udaipur. Day 1: 1. City Palace - Start your day by visiting the City Palace, one of the most iconic landmarks in Udaipur. This palace is a beautiful blend of Rajasthani and Mughal architecture, and it offers breathtaking views of Lake Pichola.

Best Tourist Places in Jaipur>>>>>>>>>>>>>>>>>>>>>>> 2. Lake Pichola - After exploring the City Palace, take a boat ride on Lake Pichola. Enjoy the serene surroundings and get a closer look at the famous Lake Palace situated on an island in the lake. 3. Jag Mandir - Located on another island in Lake Pichola, Jag Mandir is a magnificent palace known for its intricate marble work and grandeur. You can take a tour of this palace and also enjoy a delicious meal at its restaurant.

Top Attractions In Jaipur>>>>>>>>>>>>>>>>>>>>>>>>> 4. Bagore Ki Haveli - This historic mansion turned museum is another must-visit place in Udaipur. It showcases Rajasthani culture and heritage through its various exhibits like traditional costumes, artifacts, paintings, etc. Day 2: 1. Saheliyon Ki Bari - On your second day, visit Saheliyon Ki Bari, a beautiful garden built for the royal ladies of Udaipur. This garden is known for its lush greenery, fountains, and marble elephants. 2. Fateh Sagar Lake - Another picturesque lake in Udaipur, Fateh Sagar is a popular spot for boating and enjoying the stunning sunset views. You can also visit the Nehru Park situated on one of its islands. 3. Monsoon Palace - Perched on a hilltop, the Monsoon Palace offers panoramic views of Udaipur city and its surrounding landscapes. It is especially beautiful during monsoon season when the palace turns into a sea of white. 4. Ambrai Ghat - End your day by visiting Ambrai Ghat, a popular spot to witness the magnificent City Palace lit up at night. You can also enjoy a delicious dinner at one of the many rooftop restaurants here. Day 3: 1. Kumbhalgarh Fort - On your last day, take a day trip to Kumbhalgarh Fort, located about 80 km from Udaipur. This fort is known for being the birthplace of Maharana Pratap and for its massive walls that span over 36 km.   2. Eklingji Temple - On your way back from Kumbhalgarh, stop by Eklingji Temple, one of the most revered temples in Rajasthan. This temple is dedicated to Lord Shiva and boasts of intricate architecture and beautiful carvings. 3. Vintage Car Museum - If you have some time left, visit the Vintage Car Museum which houses a magnificent collection of vintage cars used by the royal family of Udaipur. You can also take a ride in one of these cars for an additional fee. 4. Bada Bazaar - End your trip by indulging in some shopping at Bada Bazaar, one of the oldest markets in Udaipur. You can find a variety of traditional Rajasthani handicrafts, textiles, jewelry, and souvenirs here. This itinerary will give you a taste of Udaipur's rich culture, history, and natural beauty. However, if you have more time, you can also explore other famous places like Haldi Ghati, Sajjangarh Palace (also known as Monsoon Palace), or go on a heritage walk through the old city to discover hidden gems and local experiences.

Sustainable Travel Tips for Udaipur

Ensuring sustainable travel practices is crucial, especially in stunning destinations like Udaipur. To reduce your ecological footprint, consider utilizing public transportation or renting a bike to tour the city. It is also beneficial to choose eco-friendly accommodations that prioritize sustainability.

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

Continue reading...

[rajasthantaxiwalablogs]

Kota: A Tour of Old Palaces and Temples

Kota, a historic city in Rajasthan, India, is renowned for its rich heritage and vibrant culture. It is a place where history comes alive through its majestic palaces and ancient temples. If you're planning a visit to Kota, this guide will help you explore some of its most notable old palaces and temples, each telling its own unique story. For a comfortable and convenient journey through Kota and beyond, consider booking with Rajasthan Taxi Wala, your trusted provider of Taxi Service in Rajasthan.

1. Kota Garh (Rao Madho Singh Palace)

Kota Garh, also known as Rao Madho Singh Palace, is one of the most significant landmarks in Kota. Built in the 18th century, this palace showcases the grandeur of the Rajput era. Its architecture features a mix of Mughal and Rajput styles, which is evident in its intricate carvings and beautifully painted walls.

The palace is known for its impressive courtyards, spacious rooms, and charming gardens. The delicate artwork on the ceilings and walls adds to the palace’s charm. Visitors can take a stroll through the palace and admire the elegant blend of tradition and art. The palace also houses a museum with a collection of artifacts, giving insight into the royal lifestyle of Kota. For a hassle-free visit to Kota Garh and other historical sites, Rajasthan Taxi Wala offers reliable Taxi Service in Rajasthan that will ensure you get to your destination comfortably.

2. Jagmandir Palace

Located on the banks of the Chambal River, Jagmandir Palace is another gem of Kota’s architectural heritage. This 19th-century palace was built by Maharaja Madho Singh and is famous for its beautiful marble work and serene surroundings.

The palace is set amidst lush gardens and offers stunning views of the river. The architecture is a mix of traditional Rajputana and Mughal styles, making it a perfect example of the artistic evolution during that period. The palace is also known for its picturesque setting, which makes it a popular spot for photography and relaxation. For a memorable experience exploring Jagmandir Palace, rely on Rajasthan Taxi Wala for excellent Taxi Service in Rajasthan.

3. Chambal Garden

Chambal Garden, though not a palace, is an important historical site in Kota. This garden is located near the Chambal River and is known for its scenic beauty and historical significance. The garden was developed by the Kota royal family and serves as a peaceful retreat from the city's hustle and bustle.

The garden is adorned with lush greenery, fountains, and traditional Rajasthani architecture. It is an excellent place to enjoy a leisurely walk while exploring the old-world charm of Kota. The garden’s tranquil environment and historical monuments make it a must-visit location for anyone interested in Kota’s heritage. To explore Chambal Garden and other nearby attractions comfortably, consider using Rajasthan Taxi Wala for your travel needs.

4. Rao Madho Singh Museum

The Rao Madho Singh Museum, situated in the Kota Garh, is a treasure trove of Kota’s history. The museum is named after Rao Madho Singh, the founder of Kota. It houses an impressive collection of artifacts, including royal weapons, ancient manuscripts, and traditional clothing.

The museum provides a glimpse into the regal lifestyle of the Kota rulers and their contributions to art and culture. Visitors can explore various sections of the museum, each showcasing different aspects of Kota’s rich history. The museum is a great place to learn more about the city’s past and appreciate its historical significance. For a comfortable visit to the museum and other heritage sites, Rajasthan Taxi Wala offers top-notch Taxi Service in Rajasthan.

5. Maharao Madho Singh Temple

Among Kota’s many temples, the Maharao Madho Singh Temple stands out for its historical and cultural importance. This temple, dedicated to Lord Shiva, is one of the oldest temples in the city. It is renowned for its beautiful carvings and ancient architecture.

The temple is located near the Kota Garh and is an essential part of the city’s spiritual heritage. Devotees visit this temple not only for its religious significance but also to admire its architectural beauty. The intricate carvings and peaceful ambiance make it a serene place for meditation and reflection. To explore Maharao Madho Singh Temple and other spiritual sites comfortably, use Rajasthan Taxi Wala for a smooth travel experience.

6. Gopalpura Temple

Gopalpura Temple is another ancient temple that adds to Kota’s spiritual landscape. Dedicated to Lord Krishna, this temple is known for its beautiful frescoes and traditional design. The temple’s serene environment and artistic decorations make it a popular destination for both locals and tourists.

Visitors to Gopalpura Temple can witness various rituals and festivals that are celebrated with great enthusiasm. The temple’s architecture reflects the traditional Rajasthani style, making it an interesting site for those interested in religious and cultural history. To make the most of your visit to Gopalpura Temple, consider Rajasthan Taxi Wala for dependable Taxi Service in Rajasthan.

7. Sukhmandir Palace

Sukhmandir Palace, a less-known but equally fascinating site in Kota, was built by Maharaja Ram Singh II. The palace is noted for its unique architecture and tranquil surroundings. It features beautiful gardens and well-maintained lawns, providing a peaceful escape from the city's busy life.

The palace’s design includes elements of Rajput and Mughal architecture, making it an interesting study for enthusiasts of historical architecture. Sukhmandir Palace is a great place to explore the lesser-known aspects of Kota’s royal heritage. For a pleasant journey to Sukhmandir Palace and other heritage sites, Rajasthan Taxi Wala offers reliable Taxi Service in Rajasthan.

8. Kota’s Water Palaces

Kota is also known for its water palaces, including the famous Chhatar Mahal and other smaller structures built near water bodies. These palaces were used by the royal family to escape the heat and enjoy the beauty of the surrounding landscape.

The water palaces are characterized by their unique architectural designs and the integration of water features in their structure. They offer a glimpse into the innovative architectural solutions adopted by the Kota rulers to adapt to their environment. For a seamless exploration of Kota’s water palaces and other attractions, Rajasthan Taxi Wala is the ideal choice for your Taxi Service in Rajasthan.

Conclusion

Kota’s old palaces and temples are a testament to its rich cultural and historical heritage. Each site offers a unique insight into the city’s past, showcasing the grandeur of its royal history and the artistic brilliance of its architecture. Whether you’re interested in exploring the majestic palaces or the serene temples, Kota promises a memorable journey through time. To make the most of your Kota adventure, consider booking a Rajasthan Heritage Tour with Rajasthan Taxi Wala. Their expert Taxi Service in Rajasthan will ensure you enjoy a comfortable and hassle-free travel experience as you uncover the charm and history of Kota’s ancient landmarks.

[thesplenor]

Embracing Tradition: The Significance of Madhubani Elements and Motifs in Modern Design

In the realm of art and design, few styles resonate with cultural richness and historical depth as profoundly as Madhubani. Originating from the Mithila region of Bihar, India, Madhubani art, also known as Mithila painting, is characterized by its vibrant colors, intricate patterns, and symbolic motifs. This traditional art form has evolved over centuries, yet remains a significant cultural expression, celebrated worldwide for its unique aesthetic and storytelling. As we delve into the various elements and motifs of Madhubani art, we uncover their importance and how they seamlessly integrate into modern design, enriching the visual and cultural narrative.

The Historical Roots of Madhubani Art

Madhubani art dates to the ancient times, believed to have originated during the era of the Ramayana when King Janak commissioned artists to create paintings for his daughter Sita's wedding. Traditionally, women of the region created these paintings on walls and floors of their homes during festivals and special occasions, using natural dyes and pigments. Over time, this art form transitioned to paper and canvas, gaining global recognition for its intricate designs and symbolic storytelling.

The Elements of Madhubani Art

1. Lines and Patterns

 The foundation of Madhubani art lies in its use of lines and patterns. Artists employ fine lines, often in a repetitive manner, to create elaborate designs. These lines can be straight, wavy, or circular, forming the backbone of the artwork. The precision and consistency in these patterns reflect the meticulous nature of the artists and their dedication to preserving tradition.

2. Color Palette

   The traditional color palette of Madhubani art is derived from natural sources. Colors like red, yellow, blue, green, and black are obtained from flowers, leaves, minerals, and soot. Each color holds symbolic meaning: red signifies love and fertility, yellow represents the divine and purity, blue denotes calmness and devotion, green symbolizes nature and fertility, and black is used for outlines and detailed work. The vibrant colors not only bring the artwork to life but also convey deeper cultural and spiritual messages.

3. Geometric Shapes

  Geometric shapes play a crucial role in Madhubani art. Triangles, circles, squares, and diamonds are commonly used to create intricate patterns and borders. These shapes are often interwoven with organic forms, creating a harmonious blend of structure and fluidity. The use of geometry adds a layer of complexity and rhythm to the art, making it visually captivating.

Significant Motifs in Madhubani Art

1. Nature-Inspired Motifs

   Nature is a central theme in Madhubani art, with motifs like trees, birds, animals, and flowers frequently depicted. The peacock, symbolizing beauty and love, is a popular motif, often rendered with elaborate detailing. Fish, representing fertility and prosperity, are also commonly featured. The tree of life, a recurring motif, symbolizes growth, vitality, and interconnectedness. These nature-inspired motifs not only celebrate the natural world but also reflect the deep connection between the people of Mithila and their environment.

2. Mythological and Religious Motifs

 Mythological and religious themes are intrinsic to Madhubani art. Deities like Krishna, Rama, Shiva, and Durga are depicted with intricate detailing and vibrant colors. Scenes from epics like the Ramayana and Mahabharata are commonly illustrated, capturing moments of divine intervention and moral teachings. These motifs serve as a medium for preserving and propagating religious narratives and cultural heritage.

3. Human Figures

 Human figures in Madhubani art are stylized and often depicted in profile. The elongated eyes and exaggerated features give them a distinctive look. These figures are usually adorned with traditional attire and jewelry, reflecting the cultural attire of the Mithila region. Scenes of everyday life, rituals, and celebrations are depicted through these figures, offering a glimpse into the socio-cultural fabric of the community.

4. Symbolic Motifs

  Symbolic motifs like the sun, moon, and lotus hold special significance in Madhubani art. The sun represents energy and life force, while the moon symbolizes calmness and the passage of time. The lotus, a sacred flower in Indian culture, signifies purity and spiritual awakening. These motifs are not merely decorative but carry profound meanings, enriching the narrative quality of the artwork.

The Contemporary Relevance of Madhubani Art

As we embrace the global shift towards sustainable and culturally rich designs, Madhubani art finds renewed relevance in contemporary aesthetics. Designers and artists worldwide are incorporating Madhubani elements into fashion, home decor, and visual arts, creating a unique fusion of tradition and modernity.

1. Fashion and Textiles

 The intricate patterns and vibrant colors of Madhubani art lend themselves beautifully to fashion and textiles. From sarees and scarves to modern dresses and accessories, Madhubani motifs add a touch of cultural elegance and timeless beauty. Designers are experimenting with traditional techniques and motifs, creating contemporary pieces that resonate with a global audience.

Bedsheet Painted in Madhubani Style

2. Home Decor

   Madhubani art has found its place in modern home decor, with paintings, wall hangings, and furniture adorned with traditional motifs. The detailed patterns and vibrant colors bring a sense of warmth and cultural richness to living spaces. Incorporating Madhubani art into home decor not only enhances the aesthetic appeal but also celebrates the heritage and craftsmanship of Mithila.

3. Visual Arts and Illustrations

 Contemporary artists and illustrators are drawing inspiration from Madhubani motifs, integrating them into various forms of visual arts. From digital illustrations to murals, the distinctive elements of Madhubani art are being reimagined in modern contexts. This fusion of traditional and contemporary art forms creates a dynamic visual language that appeals to diverse audiences.

Conclusion

Madhubani art, with its rich history and intricate elements, stands as a testament to the cultural and artistic heritage of Mithila. The use of vibrant colors, geometric shapes, and symbolic motifs creates a visual tapestry that is both aesthetically pleasing and deeply meaningful. As we continue to explore and embrace traditional art forms in contemporary design, Madhubani art offers a timeless source of inspiration, bridging the past and present. By integrating Madhubani elements and motifs into modern aesthetics, we not only preserve this invaluable heritage but also enrich our creative expressions with cultural depth and beauty.

[westletter]

Summer 2024

Dear Friends, The Spanish were nothing if not methodical in their colonisation of Mexico and beyond in the New World. If you wanted to subjugate a people and project dominance of your culture over theirs from the start, the recipe was straightforward.

Crush them militarily, raze their sacred sites and civic spaces to the ground, burn everything else, then condemn the surviving enslaved inhabitants to eternal damnation unless they abandon their heathen gods and accept Jesus as their lord and saviour.

Cuernavaca, with a marvelous year-round temperate climate, is about an hour's drive south of Mexico City. It was an important Aztec city for hundreds of years before the Spanish arrived, anchored by a sacred pyramid temple in the city centre. The Spanish, unable or unwilling to pronounce the Nahuatl-language name Cuauhnahuac, changed it to Cuernavaca.

Pictured above is a classic example of Spanish colonial architecture, the Cuernavaca Cathedral, an aesthetically inspiring structure, both inside and out. Depending on one's faith, it may even project strong spiritual appeal. As a reminder, though, it was built by enslaved Aztecs from the rubble of their destroyed city, temple, religion and culture.

This disjunction is at the heart of the Mexican psyche, an unresolved tension that has reverberated through the centuries ever since the Conquest, and that finds expression throughout Mexican life and politics today. Equally, and quintessentially, it is a large part of what attracts many of us to Mexico ... an enduring contradiction!

Cortes was so taken with Cuernavaca that he had his personal palace built there, directly upon the foundations of the destroyed pyramid temple. It still stands today with its Roman arches and crenelated embattlements (in case the natives were restless, which from time to time they were).

The Palacio Cortes today is a museum. It features views of the excavated pyramid foundations, but more spectacularly, stunning Diego Rivera murals that line the walls of a north-facing arcade. With unsparing eye, and a brush more than equal to the Conquistadors' arquebuses, he depicts the history of the Conquest in all its cruelty and gore, followed by redemption in the form of the Mexican Revolution.

  § The great Albert Barnes, art collector, philanthropist and founder of the Barnes Foundation in Philadelphia, mentored a promising young artist at the Foundation in the 1950s named Robert Brady. Brady's father wanted him to go into the family trucking business, but the son, with encouragement from his art teacher mother, resisted. If you are ever fortunate enough to visit Cuernavaca and tour the Museo Robert Brady, you will be thankful he did. After six years of living and painting in Venice, next door to Peggy Guggenheim -- they became lifelong friends -- Brady returned to the western hemisphere and fell upon the charms of Cuernavaca. In 1961 he purchased the dilapidated Casa de la Torre (house of the tower), a former Franciscan monastery property on the grounds surrounding the Cuernavaca Cathedral. Over the next 20 years he restored and artfully amended the Casa, using it as his residence, studio and showcase for a gloriously eclectic art collection -- everything from pre-Columbian artefacts, to Balinese masks, and Indian representations of Shiva, to paintings by renowned contemporary Mexican artists of the time, including Frida Kahlo, Rufino Tamayo and Diego Rivera, not to mention his own enduring portraits of friends such as Peggy Guggenheim and Josephine Baker. What makes the collection and the museum truly extraordinary, though, is the gift Brady had for creating unique experiences of bold colour, texture and sensation in all the rooms of the Casa. Each has its own theme, with meticulously displayed, seemingly disparate, objects, artefacts and paintings, that taken in as a whole leave one in a trance of wonderment. Pictured below are the yellow living room, riffing off the mustard yellow in his portrait of Peggy Guggenheim, and the hot-pink-inspired guest room Brady designed and decorated for his beloved Josephine Baker, the African-American entertainer famous for her scandalous routines at the Folies Bergères in Paris, clad only in a belt of bananas suspended from her waist.

In addition to his gifts for art and collecting and decor, Brady was equally brilliant in collecting friends and entertaining them lavishly at Casa de la Torre. The guest list over the years included, and this is a small sampling, Rita Hayworth, Octavio Paz, Sophia Loren, Diego Rivera and Frida, John Cage, Gabriel Garcia Marquez, not to mention Peggy and Josephine. One can just imagine the sparkling conversations! Brady was a big handsome man with a personality to match. He was also gay at a time when it generally was not socially acceptable to be out of the closet, so we know little of his intimate life. He died at age 58 in 1986 and is buried in the gardens of Casa de la Torre along with his dogs. He left his beautiful home and collections to the State, with the stipulation that they be maintained in perpetuity as a Museum open to the public, exactly as he left them. § CLASS OF 2024 YEAR-END REPORT CARD Solid gains led by Info Tech Like Robert Brady, the Headmaster is in the business not just of randomly collecting, but of curating well-balanced groupings, the components of which complement and enhance one another. Whether it's art and artefacts, or stocks, the same fundamental principles apply. The overall results for the Class of 2024 (for the period July 1, 2023 to June 30, 2024) were "neat but not gaudy", as the Headmaster's mother used to say. The Class average of 8% trailed the TSX by .5% and the Dow by 5.5%. The discrepancy with the S&P 500 was greater, a spread of 14.5%, powered by the dominance of the so-called Magnificent Seven; aka Microsoft, Alphabet, Meta, Tesla, Nvidia, Amazon and Apple. Explains the Headmaster: "I am not prepared to skew the Class to that extent. Yes, it's nice when there's a tailwind, but the opposite can be true too. It was only two years ago when the S&P plummeted 12%, while the Class limited its loss to 2.5%." Not surprisingly, the Class leaders this year were in info tech. The average return of Apple, Microsoft, Alphabet, Visa and newcomer Taiwan Semiconductor was a spectacular 30.5%. The worst under-performers were Brookfield Infrastructure at -22.4% and telecom classmate Telus at -19.6%. Here are the detailed results. Financials - B BlackRock, RBC, Scotiabank and TD averaged a gain of 5.3%. In the case of the latter three, these banking classmates arguably were held back by the unfavourable yield curve. When banks have to pay more interest on short-term deposits than they can make back on longer- term loans and mortgages, it's a losing game. "The obverse is equally true," says the Headmaster, "and things should improve as the Bank of Canada brings down rates and the yield curve reverts to form." That said, however, the Headmaster lost patience with Scotiabank's underwhelming turnaround plans and last January asked this long-term Class member to take its leave. BlackRock, RBC and TD were promoted to the Class of 2025. Resources - D The Canadian fertilizer and agricultural retailing giant Nutrien continued to disappoint with a loss of 10.5%. It was dragged down by weak potash markets, in which it is a dominant global player, and some management troubles in its Brazilian subsidiary. "Big swings in the prices of commodities like potash are the nature of the beast," says the Headmaster. "I am confident we are nearing the end of the current cyclical low, however. And I look forward to the rebound. In the meantime Nutrien continues to throw off gobs of free cash flow. Promoted."

Energy - B minus Brookfield Renewables (stock ticker, BEP) returned minus 13.3%. Why, you might ask, has the Headmaster given it such a decent mark? Let's hear from him: "BEP remains my favourite pick among global decarbonization players. No one else has the 200 gigawatt pipeline, the access to capital and the partnerships with green-energy-seeking behemoths like Microsoft. The stock price has been held back by high interest rates that diminished the value of its handsome dividend yield (currently about 4.6%). That trend should reverse course as interest rates decline. Meanwhile BEP is on track to continue growing its funds from operations at an annualized rate of 10%. Promoted." Infrastructure - B minus Like its renewables sister, Brookfield Infrastructure, another stock with a generous dividend yield (currently 5.1%), has not been helped by high interest rates. "As they abate," says the Headmaster, "the value of the dividend will rise and the stock should too." "This company has an outstanding portfolio of consistent revenue-generating assets around the world, and I especially like its focus on data centres. The artificial intelligence boom would be a bust without massive incremental investment in data centres. Brookfield is already a leader, and is continuing to invest in, this burgeoning market. Promoted." Retail - B+ Between the pair of them, Quebec-based benchmates Alimentation Couche-Tard and Metro returned an average 7.1%. "What's not to like about these two?" says the Headmaster. "Couche-Tard continues to grow earnings per share and free cash flow at 15% or better, year after year. And Metro, while not quite in that league, is also remarkably consistent and has the stock performance to show for it. Both promoted." Industry - B+ John Deere, CNR and label-maker CCL returned an average 6.5%. "Don't be fooled by that modest number," adds the Headmaster. "Over the long haul these continue to be market leaders in their sectors and have delivered, and will continue to deliver, superior returns. There's a shadow over CNR right now, due to an impending strike, but that cloud will lift and soon be forgotten."

"John Deere had sterling third-quarter earnings, and the same goes for CCL's Q2." "All three promoted." Healthcare - A Blue chip Class stalwarts Amgen, Johnson & Johnson and Merck returned an average 12.1%. "The healthcare sector, as I have noted previously, has been clearly undervalued for some time," says the Headmaster. "It is gratifying to see something approaching a reversion to mean valuations. Amgen, in particular, stands out with a 41% gain." "Johnson and Johnson has labored, understandably, in light of ongoing litigation targeting its talcum powder products. I see that problem resolving itself and a Class member that should be able to grow free cash flow at a 20% plus rate for years to come." All promoted. Telecom - D "Woe is me!" laments the Headmaster. His telecom favourite, and Class constituent, Telus, returned a miserable -19.6%. But this is not a Telus-specific story. Telecom across the board, whether in the U.S. or Canada has been struggling to make back returns that justify investing the enormous sums of capital that the industry requires. "They can't all be managing their businesses badly," says the Headmaster. "There are obviously systemic challenges, not the least of which is the long painful death of the legacy, wireline telephone business. Yes, there are opportunities galore in wireless, but they come with gargantuan price tags. Simply buying more broadband spectrum from the government costs $billions. And then you are in a dog-eat-dog competitive environment where nobody is winning." "I hate to say it, but I am putting telecom, in general, and Telus, specifically, on notice. It has always made sense to me to have telecom exposure in a well-balanced Class, but that may not be the case anymore." Promoted with an asterisk. Info Tech - A+ Apple, Microsoft, Alphabet (parent of Google), Visa and newcomer Taiwan Semiconductor produced an average return of 30.5%. The latter joined the Class in January and galloped to a 48.6% gain by the end of the school year. Explains the Headmaster: "Taiwan Semi is by far the dominant fabricator of high-end chips, the kind needed for the artificial intelligence revolution, for companies like Apple and Nvidia. I liken them to the pick and shovel makers who profited from the Gold Rush. They don't design the chips, they just make them, to exceedingly exacting standards that competitors find hard to match. Hence their inexorable revenue growth rate, currently around 40%." "Apple, Microsoft and Alphabet are charter members of the Magnificent Seven and deservedly so. Each gave a big lift to the Class overall results." "Visa is often misperceived as belonging to the financial sector. It doesn't. Visa, rightfully, is a technology company, that together with its only major competitor, MasterCard, controls about 80% of the invisible international payments highway that connects buyers, sellers and financial institutions. Every time you use your credit card or debit card, a little toll on that transaction flows back to Visa or MasterCard. Do that nearly a billion times a day, and it adds up rather nicely. Visa has been compounding earnings and free cash flow at a 15% plus rate since it went public in 2008." All promoted. Entertainment - B+ The lone Class member in this category, the oft-time troubled Disney, produced a respectable return of 11.2%. Says the Headmaster: "I am delighted that in the quarter ending on June 30th, Disney finally announced they have turned the corner to profitability in their streaming business! This has been an albatross around the House of Mouse's neck for too long. There is still a long way to go to proper returns, but I'm banking on this Class member for the long haul." "Yes, the parks are lagging, but they'll come back. In the meantime it is heartening to see that Disney has got its mojo back in the movie theatres. The two big blockbusters of the summer are Disney's Inside Out 2 and Deadpool & Wolverine." Promoted. §

If you would like further information on any of the investing ideas raised in this issue, or a complimentary consultation, please call or email. CW

[gingerhotelsindia]

Exploring Mangalore: The Perfect Blend of Work and Leisure

Mangalore, a vibrant coastal city in Karnataka, is known for its scenic beauty, cultural heritage, and bustling business activities. Whether you are visiting for work or leisure, Mangalore offers an array of experiences that cater to both your professional and personal interests. This guide will explore the top attractions and activities in Mangalore and will suggest an excellent choice for your stay, especially if you are looking for the best hotels in Mangalore or a corporate meeting hall in Mangalore.

Top Attractions in Mangalore

1. Panambur Beach

Panambur Beach is one of the most popular beaches in Mangalore, known for its cleanliness and well-maintained facilities. It is an ideal spot to relax and unwind after a long day of work. The beach offers various water sports and adventure activities, making it a perfect getaway for both thrill-seekers and those looking to relax.

2. Kadri Manjunath Temple

The Kadri Manjunath Temple is a historic temple dedicated to Lord Shiva and is renowned for its beautiful architecture and serene surroundings. The temple is a must-visit for those interested in exploring the cultural and spiritual side of Mangalore. The lush greenery and the natural spring within the temple premises add to its charm.

3. St. Aloysius Chapel

St. Aloysius Chapel is a significant landmark in Mangalore, famous for its stunning frescoes and paintings that adorn the walls and ceilings. The chapel’s intricate artwork and serene atmosphere make it a must-visit for art and history enthusiasts.

4. Mangaladevi Temple

Dedicated to Goddess Mangaladevi, this temple is believed to be the origin of the city's name. The Mangaladevi Temple is a beautiful structure that attracts devotees and tourists alike. It is especially vibrant during festivals, providing a glimpse into the local culture and traditions.

5. Sultan Battery

Sultan Battery, a watchtower built by Tipu Sultan, offers a glimpse into Mangalore’s rich history. Located on the banks of the Gurupura River, this historical site provides panoramic views of the river and the surrounding areas. It is a great spot for photography and history buffs.

6. Kudroli Gokarnath Temple

Kudroli Gokarnath Temple is another prominent temple in Mangalore, known for its grand architecture and vibrant festivals. The temple is dedicated to Lord Gokarnath, a form of Lord Shiva. The temple’s serene environment and the beautiful idol of Lord Gokarnath make it a peaceful place for prayer and meditation.

Dining in Mangalore

Mangalore is a paradise for food lovers, offering a variety of cuisines that reflect its rich cultural heritage. From traditional Mangalorean dishes to contemporary global cuisine, the city has something to satisfy every palate.

1. Mangalorean Cuisine

Mangalorean cuisine is famous for its unique blend of flavors, with seafood being a prominent part of the menu. Some must-try dishes include:

Neer Dosa: A soft, thin rice pancake that is typically served with coconut chutney and fish curry.

Mangalore Buns: Sweet, fluffy banana buns that are best enjoyed with spicy chutney.

Fish Curry: A spicy and tangy curry made with fresh fish and a blend of local spices.

Ghee Roast: A rich and flavorful dish where meat or seafood is roasted with ghee and spices.

2. International Cuisine

For those looking for international cuisine, Mangalore offers a variety of options ranging from Italian to Chinese and Continental. Many restaurants and cafes in the city provide a diverse menu to cater to global tastes.

Accommodation in Mangalore

When it comes to accommodation, Ginger Mangalore stands out as one of the best hotels in Mangalore. Located in a prime area, the hotel offers easy access to major business and leisure destinations in the city. Here’s why Ginger Mangalore is the perfect choice for your stay:

Comfortable and Well-Equipped Rooms

Ginger Mangalore offers a range of comfortable and well-equipped rooms to suit different needs and budgets. Whether you are traveling alone or with family, the hotel provides modern amenities to ensure a pleasant stay. The rooms are designed to offer maximum comfort and convenience, with features such as:

Air Conditioning: To keep you cool and comfortable in the tropical climate of Mangalore.

High-Speed Internet: Stay connected with complimentary Wi-Fi access throughout the hotel.

In-Room Dining: Enjoy delicious meals in the comfort of your room with the hotel’s efficient room service.

Work Desk: Ideal for business travelers who need a quiet space to work.

Dining at Ginger Mangalore

The hotel’s in-house restaurant offers a variety of culinary delights, including local Mangalorean dishes and international cuisine. The restaurant is known for its delicious food and excellent service, making it a great place to enjoy a meal with family, friends, or colleagues.

Corporate Meeting Hall in Mangalore

If you are traveling to Mangalore for business, Ginger Mangalore offers a corporate meeting hall in Mangalore that is perfect for hosting meetings, conferences, and other corporate events. The meeting hall is equipped with state-of-the-art facilities to ensure a successful and productive event. Features include:

Audio-Visual Equipment: Modern audio-visual equipment to facilitate presentations and discussions.

High-Speed Internet: Reliable internet connectivity to support virtual meetings and online collaborations.

Comfortable Seating: Ergonomically designed seating arrangements to ensure the comfort of all attendees.

Catering Services: Customized catering options to suit the preferences and dietary requirements of your guests.

Excellent Location

Ginger Mangalore’s strategic location makes it an ideal choice for both business and leisure travelers. The hotel is conveniently located near major business hubs, shopping centers, and tourist attractions, providing easy access to everything you need during your stay.

Exceptional Service

The staff at Ginger Mangalore are known for their warm hospitality and excellent service. From the moment you check-in, you can expect personalized attention and assistance to make your stay comfortable and memorable.

Conclusion

Mangalore is a city that offers the perfect blend of work and leisure, with its rich cultural heritage, beautiful beaches, and vibrant culinary scene. Whether you are visiting for business or pleasure, there is no shortage of things to see and do in this coastal paradise.

When it comes to accommodation, Ginger Mangalore stands out as one of the best hotels in Mangalore. With its comfortable rooms, excellent dining options, and state-of-the-art corporate meeting hall in Mangalore, Ginger Mangalore provides everything you need for a successful and enjoyable stay. Whether you are planning a business trip, a family vacation, or a solo adventure, Ginger Mangalore offers the perfect base to explore the city and experience the best that Mangalore has to offer.

So, plan your trip to Mangalore and make sure to book your stay at Ginger Mangalore for a comfortable, convenient, and memorable experience. Enjoy the city's attractions, indulge in its culinary delights, and take advantage of the excellent facilities at Ginger Mangalore for a truly enjoyable trip.