#Shiva Wall Painting

[wallmantraindia]

In Indian houses, there are huge significances of hanging wall paintings especially Religious and of Indian gods & Goddesses. These wall paintings such as Lord Krishna Paintings bring calm, peace, and a lot of positive energy to home. Along with this, wall paintings can also enhance the overall appearance and interiors of your home.

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

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[jpeg-dot-jpeg]

jpeg my beloved, i am here with ask game emojis! 🥤🍄🪐🏜️🪲

also to tell you that the pic of your puppy with painted nails is SO cute!!! humbly requesting puppy's name as well pls 🥺

🥤 ⇢ recommend an author or fanfic you love

searching faces by Take_Me_To_Your_Fragile_Dreams (Explicit, 76.8k words, 16/? chapters) is a work of fucking Art. primo outlaws content. incredible joker junior/tim characterization. its so angsty but also so hopeful. 10/10 would recommend

🍄 ⇢ share a head canon for one of your favourite ships or pairings

i'm not sure if this counts bc its not a ship thing, but as a pair, i am a twins!Jason&Cass truther. Jason who is dosed with a truth serum at some point but,,, it does nothing. He finds out he has a natural resistance to truth serum. a... Genetic predisposition. you know what's funny? Lady Shiva was dosed with serum when she told batman and robin she'd never had a kid (obviously this is because cass cain as a character didnt exist yet yada yada retcon yada yada WHATEVER i do what i want)

ANYWAY further genetic testing reveals that jason and cass are siblings. after shiva gets tracked down, she reveals that she had twins with David Cain, but he only wanted one kid to experiment on. he took cass because, ironically, jason was the runt. shiva drops jason on Willis Todd, former associate (romantic? sexual? criminal? personal? whose to say)

Catherine, who decided not to have bio kids because she didnt want to pass on a genetic disease that caused many of her family to die young (*jaws theme song*), went '🥺 free baby? can we keep him? 🥺' and the rest is history

Jason's whole world is rocked when he discovers this. Cass is like '??? you are Already brother.' and jason is like 'ITS DIFFERENT' and cass is like 'incorrect.' despite finding out they are twins, cass relentlessly refers to him as baby brother.

🪐 ⇢ name three good things going on in your life right now

No debt 🤘

I've started collecting lego minifigures of batman characters and i love them <3

Currently planning a trip to nyc in december! i've never been!!

🏜️ ⇢ what's your favourite type of comment to receive on your work?

I love getting comments that really engage with me as a writer, e.g. asking questions about the story, predicting what will happen next, etc. I also LOVE getting off the walls bonkers shit. No greater compliment than someone being deranged about my work.

🪲 ⇢ add 50 words to your current wip and share the paragraph here

honestly, thank you, i really needed a little kick on this one. I added a couple paragraphs to the next chapter of Very Special Clone Boy which i am going to finish on GOD

Kon spared a moment to consider the civilians in the house behind him, the maybe-probably-not-but-possibly future in-laws he’d put in danger with nothing more than his general proximity. His soulmate who he’d put in danger. Maybe. Possibly. That, or just some randos who happened to have the same last name as his soulmate, which wasn’t really any better.

This is Finley, she's a 6 year old boston terrier, and I yearn to commit war crimes on her behalf.

[sugar-soda]

You can write about the Reef Trio if you want, Sugar. I'll chime in if I can (it depends what's going or, or how we're doing over here). You know what? Can you ask Wicked if they'd like it if Noi was gifted a weapon fan, that is bladed or super hard, shaped like a shell, with pretty patterns like waves or snowflakes or gem symbols, as their weapon? (Since Noi's gem is cracked)... What ideas did you have for the Reef Trio? I'll chip in a few cents, as it's a bit calmer right now (not by much, but it's now just waiting. He isn't going to wake up again)...

• Ilux (Pale Pearl) sews stuffed gem dolls, and blankets or quilts, with different gem patterns or with different fabrics. The quilts each have a different gem design on the squares, the blankets are fluffy or silky, and the dolls have small bits and bobs (like shells, smooth pebbles, or small rounds of metal or chipped beads) as the gem of the gem dolls...

• Ilux made a blanket fort for the Reef Trio with Noi and Shi's help: it has pillows, dolls, and sewn bags to sleep in

• Ilux painted the main wall of The Reef with pictures of different gems, perhaps telling a story with it

• Ilux uses their spear as a lock-picker and lock-breaker, as a balancing beam, as a staff, as a weapon, and even as large writing utensil sometimes (such as carving into walls or drawing in the sand)

• The Reef Trio have their own special platonic yans (we can discuss which ones everyone attracts, and which ones are shared across the whole trio)

• The Reef Trio end up eating a crab. They like it, and now chase the snow crabs around and eat them. They've also taken to eating some snails and mollusks (even though gems don't need to eat, and most would find it gross) (the Reef Trio like the taste, especially when cooker over a fire or burning rocks)

• Ilux has a habit of collecting gem shards... (the reason for now is unknown)...

Thank you, Sugar, for everything. I hope you're doing well. Thank you for being a friend. You and @thewickedweiner both, and everyone else who interacts with my works. Thank y'all so much 💛🧡

@thewickedweiner what do you think of gifting Noi a fan for weapon?

Here's a few ideas I had:

While Shi is the only Shiva Eye at the Reef, there are quite a few more across the empire. Just like other Gems they got all sorts of different personalities and ways to tell them apart but their color palettes are never very colorful in comparison to other gems like Pearls, mainly being white, brown, and grey.

Since the Reef is located on an ice planet, the only gems it can produce are water based ones that are made under the ice.

Snow storms are pretty frequent there, but luckily Gems don't have blood or flesh that can freeze or can even feel the cold. The trio mainly like blankets and stuff for texture and weight, not for warmth. (When that world ending snowstorm happened, it wasn't the snow that shattered the other Gems)

Greek Agate, the gem Shiva Eye previously worked under, belonged to Black Diamond as well. He escaped most of the abuse from Black Diamond because he wasn't on Homeworld often and was considerably high ranking in the court. When Black Diamond disappeared, what few gems he left behind where put under Blue Diamond. It was then he got into an altercation with a Jasper belonging to Green Diamond and was subsequently shattered.

Shiva tried to eat a crab, shell and all, before they figured out how to cook it. It pinched her tongue and wouldn’t let go for 10 minutes.

Since her shields are attached to her hands, she can do as much with them as Ilux can with their spear, but she does sometimes use them to 'sled' on inclines to get places faster. She looks a little awkward in the frog pose she has to do when zipping down a snow bank, but she looks like she is having fun?

Shiva's fighting style involves her using the weight of her shields to get momentum into her hits, relying more on her dexterity than straight, controlled punches that rely on strength. It looks like the shields are pulling her like a ragdoll with how they swing.

While she has been the only Gem in the trio to not have any damage to her gem, she has been poofed on multiple occasions.

Since she kinda goes everywhere in the Reef, she is actually on pretty good terms with the other gems there, like the corals and such.

Was one of the first to notice that the upcoming snowstorm was different than the others as one of the random duties she picked up was monitoring the weather patterns, which showed heavy irregularities for weeks. Sadly, she isn't part of security monitoring, or she may have noticed other irregularities.

Has briefly met or seen some of the yans before, though she doesn't remember. There was the Black Jasper(97 Logan) from Green Diamond's Court that shattered Greek Agate. There was an Ivory and Spinel (both Morphs) from the same court who were also there. There was a Yellow Jasper (WATXM Sabretooth) and an Opal (XMCU Mystique) from the Red Diamond Court who scared the crap out of her one time, and a Sodalite (one of the Kurts) who poofed her one time by accident when he was training (he was very apologetic about it, he didn't mean to)

While she assumes she was assigned to serve the Reef as a whole, she was actually assigned to one gem: Noi, who is higher ranking than her. But she isn't aware of this and you wouldn't know watching how they interact with each other. ( @thewickedweiner you can decide if Noi is aware of this or not)

Shiva can pilot a ship, or any other vehicle used by gem kind. The others don't know she can as it's literally never came up, but she can.

Just like how she has been poofed before, she has also poofed other gems.

Hope you are doing okay, @honey-minded-hivemind! You get rest and focus on yourself. Have some headcannons!

[hermaximalismhome]

HOME TYPE: Apartment

LOCATION: Bushwick, Brooklyn, New York

STYLE: Colorful, Industrial, Maximalist

BEDROOMS: 2

SQ FT: 747

PAINT & COLORS:

All Rooms — Benjamin Moore “Bancroft White (DC-01)”

ENTRYWAY

Coat Rack — ​UTIL

Flowerpot — &Tradition

Taiwanese Mailbox — Yun Hai Selection

Small Rectangular Mirror — HAY

Wall Ledge Shelves — Lichen NYC

Super Stripe Mini Rug — Verloop

Stripe Dog Bed — Dusen Dusen

KORSNING Rug — IKEA

LIVING ROOM

Sofa — Modern Hill

Shlf One Layer — KIOSK48TH

Shlf Three Layer — KIOSK48TH

The Blot Rug — Mush Studios

The Dandi Pillow — Mush Studios

Tubo Bookend — Bi-Rite Studios

Fenestra Bookends — MoMA Design Store

Sowden Tin — HAY

Sowden Water Bottle — HAY

Pillar Candle — HAY

PC Portable Lamp — HAY

Hemisphere Clock — Design Within Reach

Kirby Vase — Areaware

XL Globe Floor Lamp — Urban Outfitters

KITCHEN

Aluminum Float Shelf — Bestcase

Great Jones x Fellow Kettle — ​Great Jones

Great Jones x Zander Schlacter Dutch Baby — Great Jones

Bodum Programmable 12-Cup Coffee Maker — MoMA Design Store

Salt & Pepper Grinder — Mohd

Toaster — Mohd

Arcs Case — HAY

DINING ROOM

Memphis Dining Chairs — ​Betsu Studios

Daphne Concrete Dining Table — Urban Outfitters

Frame TV — Samsung

Frame TV Wall Mount — Samsung

BEDROOM

Bookcase Miniature — Memphis Milano

Shiva Vase — BD Barcelona

Super Lamp — Memphis Milano

The Dune Rug — Mush Studios

BLOQUE 7 in Sottsass Red — Bonne Choice

Aria Headboard — Urban Outfitters

Roma Wavy Wall Mirror — Urban Outfitters

Credenza — CB2

Bed Frame — Keetsa

Stripe Knit Throw — ​Verloop

Object Poster — Gustaf Westman

SOWDEN PL1 Portable Lamp — MoMA Design Store

Shaped Pillar Candle — H&M Home

A thing on a table in a house — Apartmento

Wallpaper* City Guide — Wallpaper

IDROTTSHALL Rug — IKEA

HOME OFFICE

Shogun Lamp — ​Artemide

Pier Shelving System — Design Within Reach

Uten Silo Large — Herman Miller

Perpetual Ring-A-Date Wall Calendar — Home Union NYC

Anya Sconce — Urban Outfitters

Striped Canisters — Dusen Dusen

Everybody Kitchen Timer — Dusen Dusen

Everybody Tissue Box — Areaware

Pesa Candle Holder — Hem

Molino Grinder — Hem

Handmade Storage Boxes — HKLiving

Eames Construction Toy — MoMA Design Store

Scape Trays — Areaware

Stacking Planter Chrome — Areaware

Strata Plant Vessel — Areaware

Recess by Mush rugs — Mush Studios X Urban Outfitters

[tokyogruel]

hellos!! is there any frame in triage where shidou Does have the same patterned scarf-thing(?) his sons and wife wear? actually do you know what those mean? (<- i only now noticed them skldjlsd)

hello anon! hola!

to answer your question,, well,, no. not really. but also- well, kind of?

the pattern youre thinking of is called paisley. it has a lot of symbolic meaning that i will get to in this post, but.. shidou doesnt really wear it. kind of

i went through triage again and want to point a few things out:

shidous family wears paisley in 3 different places

his wife, around her waist. shidou mimics this with his apron

his youngest, around his neck. shidou mimics this with his jacket(? why are you wearing it like that idiot)

his eldest, around his waist. shidou mimics this almost exactly- except his cloth belt is light blue, not grey, and plain- no paisley

there is, however- one very brief scene where it could be debated that shidou's belt has a paisley pattern. it moves very quickly- and is heavily obscured by light

the pattern is incredibly faint- but look closely. you can see the paisley. this is the only scene that shidou is shown wearing paisley even remotely explicitly.

(and, before i get into the symbolism of paisley- i find it's important to note that triage has a floral-pattern overlay over the entire video. it is subtle, and you can see it better on a higher-resolution screen. but it is there, and it distorts the video slightly, yet entirely)

but, well. why is paisley so important anyway?

paisley, or Boteh-Jegheh (بته جقه), is a design that has been used for centuries, it originates from Iran (considered "Persian")

"So what is behind paisley’s incredible longevity? Its symbolic power has probably played a part. The original Persian droplet-like motif – the boteh or buta – is thought to have been a representation of a floral spray combined with a cypress tree, a Zoroastrian symbol of life and eternity. The seed-like shape is also thought to represent fertility, has connections with Hinduism, and also bears an intriguing resemblance to the famous yin-yang symbol. It is still a hugely popular motif in Iran and South and Central Asian countries and is woven using silver and gold threads on to silks and fine wools for weddings and other celebrations." (source)

"in paisley people have seen resemblances to a lotus, a mango, a leech, a yin and yang, a dragon, and a cypress pine. Ancient Babylonians likened it to an uncurling date palm shoot. Providing them with food, wine, wood, paper, hatch, and string—all of life’s necessities—date palms symbolized prosperity and plenty. Paisley began its life as the privilege of cosseted, powerful men." (source)

"The circle of paisley’s irony is now complete. A pattern of exclusive royal privilege in the East becomes the pattern of Western capitalist longing. It trickles down on humbler fabrics to working men, gay men, gang members, and Boy Scouts. It signifies free love and forbidden love, belonging and exclusion—a seemingly impossible range of human experience." (source, same as above)

(source)

"In Ancient Egypt, for instance, paisley designs were often used on wall paintings and pottery vessels as symbols of life and rebirth; while in Persian culture they represented heavenly gardens filled with lush vegetation and flowing watercourses – a metaphor for paradise itself. Similarly, this pattern became an integral part of Hindu iconography; being used to depict gods such as Shiva or Ganesh." (source)

"The iconic design consists of intricate swirls and floral motifs which are believed to represent life’s cycle of birth, death and rebirth. It also represents fertility and abundance – qualities that were greatly valued by our ancestors who lived off the land they farmed. In many parts of Asia it was even thought that the paisley patterns had magical properties that could ward off evil spirits." (source, same as above)

"Additionally, the paisley flower is believed to represent the cycle of life, death, and rebirth in many cultures. The intricate design of the paisley pattern is said to symbolize the twists and turns of life’s journey, with each curve representing a different phase of life. The paisley flower is also associated with the concept of inner peace and tranquility, making it a popular choice for meditation and spiritual practices. Overall, the paisley flower holds deep spiritual significance and is a beautiful symbol of life’s journey and the eternal nature of the soul." (source, i recommend reading this page in full- foliagefriend is a site i use often as a resource, and their articles are in-depth and pleasant to read.)

so... thats about it, then!

there have been a few other elements pointed out in these articles though, so ill leave a few resources below to read up on, if youre interested :>

paisley (wikipedia page)

cypress (foliagefriend) // cypress (spiritualunite) // cypress (silentbalance) // cypress (artofmourning) // cypress (meaningsymbolism) // cypress (groovingtrees)

"On the Complexity of Using the Mango as a Symbol in Diasporic Literature"

"In Myth and Literature, the Mango Remains King"

"Leeches in modern medicine"

"Leeches are still used in medicine—yes, really. Here’s why." (this article discusses transplanted tissue)

leeches (wikipedia page, the link directs you towards the medical section of the age)

dragons (worldbirds) // dragons (athsq) // dragons (givemehistory)

yin and yang (wikipedia page) @mukuberry heres your 0510 b/w parallels again

ankh (wikipedia article)

date (allaboutpalmtrees) // date (desertempirepalms) // date (groovingtrees) // date (bateel)

phoenix (wikipedia page)

shiva (wikipedia page)

ganesh (wikipedia page)

gray (colorpsychology) // gray (colorpsychologymeaning)

blue (colorpsychology) // blue (colorpsychologymeaning)

white (colorpsychology) // white (colorpsychologymeaning)

purple (colorpsychology) // purple (colorpsychologymeaning)

(ps. shidou has consistent themes of fertility, ovaries, motherhood, birth/rebirth... the ovarian imagery is very persistent in Throw Down!)

[conjuremanj]

What Is The Real Crossroads

The crossroads or the “forks of the road” is a place where two roads meet.

The crossroads is the land that belongs to no one, a place outside the borders, which is a good place to perform traditional African magical rituals whether that be Hoodoo or Vodou etc. Like the cemetery, and the railroads the crossroads has its own spirit. The crossroads may also serve as an altar where offerings can be laid out. There crossroads in the hoodoo tradition: the performance of the crossroads ritual to gain skill and to perform magical spells.

(ancestral work and offering using graveyard dirt in a crossroads pattern.)this can also be used for contacting spirits and dividation)

(This is the place where the famous guitar player call up the devil)

Working for Clients Using The Crossroads:

A root doctor or conjure worker may go down to the crossroads for clients to help them dispose of ongoing negative situations and conditions in their lives. Hoodoo root workers also call upon the spirits of the crossroads on behalf of their clients, gather crossroads stones or dirt for spell work.

(1885 pic showing a Hoodoo dance in Louisiana using a portable crossroads.)

The Portable Crossroads:

Not all rituals that use the crossroads need to take place at an actual crossroads. When doing magic some hoodoo practitioners use what is known as a “portable crossroads” or a circle with a cross inside, also called an “X” or “cross-mark”. This portable crossroads can be drawn on the ground with a stick or on an altar with sachet powders. It may be painted on a wall or laid out on a blanket.

(A home and altar of a African Diaspora religion with a crossroads painted on the wall.)

Other Cultures Using The Crossroads:

Many of the spirits and deities from the African Traditional and African Diasporic religions are associated with the crossroads. In Lukumi / Santeria, the orisha associated with the crossroads is Eleggua.

In the Louisiana Voodoo tradition or Palo Mayombe, there are several lwa associated with the crossroads including Papa Legba and Met Carrefour. In India, the Hindu deities associated with the crossroads are Ganesha, the opener of the way, and Bhairava, an aspect of Shiva who protects the boundaries. Catholic Tradition the Catholic Church Saint, Saint Peter, is associated with the crossroads showing the crossed keys of heaven. Saint Expedite is also associated with the crossroads.

The crossroads is a spiritual Nexus, a place to help or to get help. It's Powerful.

The Kongo cosmogram or "Yowa" cross represents the human life cycle of death and rebirth of the soul. In this cycle, a body of water flows between the physical realm and the spiritual realm. Kongo water spirits, (Sim'bi) are believed to have the ability to travel between the two realms. The Yowa cross is the origins of the Hoodoo crossroads.

Last do not disposed your trash at a crossroads it is disrespectful to the spirits there, I mean would you want someone to dump there trash at your place. 🤔 Think about it ..

[eorziapple]

Aftermath: The Houseboat

The houseboat was still moored at Costa Del Sol, the deck still converted for table space and cookers for the Moonfaire activities. The spacious cabin, was locked, of course, requiring a bit of muscle to break the door through. Inside was a large room, about the size of a decently expensive suite, complete with a work desk, a small kitchen and sink, a small twin bed, a dining table, bathroom, and a reading chair with a decent sized bookshelf against the wall. there were several portraits, mostly landscapes, but a large painting of a handsome man with brown hair and glasses, alongside a blonde woman wearing a rather auspicious looking buccaneer's hat, and a small girl standing between them with chubby cheeks and thick glasses of her own looking shyly on.

Altogether, a rather tidy room, kept quite clean, from the likes of it. A few notes laid out on the desk, old alchemical theories and some recipe ideas, from a cursory glance, however one of the drawers under the desk was locked, and reinforced with an arcane seal, a rather complex one at that.

Upon dismantling the seal, the drawer was easy enough to break open, revealing a series of small journals, each labeled and organized by year. flipping through one of the journals in the pile, detailed entries describing home life in Limsa, details about being nervous about the Arcanist guild, entries concerning a crush she had on one of the teacher's assistants, worries about her lack of aetheric aptitude, and grumbling about her mother's new paramour.

These were diaries. it took a bit to find the most recent journal, the stack they had been in was likely toppled by the breaking of the drawer. Flipping through, the relevant entries begin, dated slightly after her recovery from the First.

After collaborating with Krile upon my recovery, I'm sure of one thing, I should be dead, or at least aetherically corrupted beyond recovery. Something about the nature of the entity I summoned is counteracting the dense Light aether that is flowing through my body with consistency. Given the imminence of my demise, I can only guess that the purpose of the summon was protective in nature, to keep me from succumbing. Unfortunately, this summon cannot sustain itself indefinitely, and if it were to unpair with my own aether, I would likely be lost as a sin eater. Krille surmised that it needed to replenish aether, but unfortunately we discovered that it required the complexity of living either. Animals have kept my bodies' equilibrium maintained, and thankfully a good hunt will keep it summoned for weeks, rather than hours or days, but the situation is not ideal. A few more entries to flip through.

Krille has devised a treatment plan for me, it's sustainable, and the best she could come up with me, a cure seems to be out of the question without some sort of breakthrough, and summoning magic has plenty of mysteries even I haven't managed to unravel myself. I've taken to calling it Death, as it both keeps me from it, and has to take life. I've come up with a good hunting ground, as well. Asys Lla is ripe with biological monstrosities that are suffering, and I already have a field lab on site to collect materials. My colleagues wouldn't question my need to go there on the monthly basis I require.

Death is a fascinating summon, difficult to control at times, though that may be the nature of its tethering to me, I wonder if Shiva was this difficult, as any summon has some degree of will. That being said, it doesn't seem to rampage, its need to feed is less a hunger and more... a calling? It's hard to describe, it feels to recognize the need for the hunt with an impassionate sense of... duty?

It also is certainly not a voidsent, despite its aspect? This may be because summons themselves are boarn of the will of the caster, not naturally occurring beings. This is reassuring at least, and would explain the lack of general chaos in its will.

I've decided not to tell the other about this condition, and somehow got Krille to agree with me dealing with it. I suppose she trusts me to be diligent, I appreciate that. It's just... I don't know what i'd do if I couldn't be useful, if they began to distrust me. At the end of the day, it's a liability, after all."

There doesn't seem to be much pertinent information in the following entries, though flipping through, the latest entry reads:

I've discovered with some degree of embarrassment that i've grown to care for her a great deal. I suppose it was obvious in retrospect, with how much i've enjoyed our time working together. Of course, not much I can do about it, I'm sure she has plenty of others... especially with her recovery ongoing. I hope this works, I really want to be able to do something to help her, and if my condition could lead to something good, all the better for it.

After all, thats why I joined them, thats why i did... everything in my life.

I want to help people.

[loemius]

Hiii this is @arkefthos :> one day tumblr will allow us to send asks from sideblogs lmao 🙏 anyway!! I would like to know, in a totally ideal world where you had all resources needed, what would your ideal perfect altar/s look like? Maybe even a whole devotional space? It's a favourite daydream of mine + would love to hear your thoughts :>

hi hi!! thank you for the ask, such a great question!! love your blog <333 honestly if i had unlimited money and resources, i would have an entire devotional space. my entire house would be altars (lmao as if it isn't already). i would want statues of all of the theoi, including some of my favorite heroes like herakles and maybe even odysseus (do they even make odysseus statues). i would have tapestries and paintings on the wall, not just of the theoi but of some of my other beloved figures from other pantheons. i'd have a very, VERY nice shiva statue, a white one, and perhaps a statue of maa durga to pair with him. i'd also probably have some stuff for the vanir too. i'd definitely want one working altar with some of my most personal and sentimental items where i burn incense and make libations. i'm not sure if i'd want one big altar for all the theoi in general or to break them up into individual spaces (or shared altars between two-three theoi where it makes sense and is okay with the theoi, like zeus and hera for instance might share an altar space). apollon and aphrodite would probably get their own spaces, simply because i have the most kharis with them and already have a lot of altar stuff for them that's specific TO them that i wouldn't feel comfortable putting in a shared altar to all the theoi. everything else on the altar, though, i'm a big believer in accumulating stuff over time, little bits and bobbles you pick up here and there as offerings until it slowly adds up and you suddenly have more stuff than you know what to do with. i've realized i don't tend to get a lot of votive offerings for theoi i dont have a specific altar space for, simply because i have nowhere to put it all, so i think having to the space to actually put those things would be really nice. i think the key here is the idea of like.. slowly accumulating things and building that kharis over time. i wouldn't want to just buy a bunch of votives all at once. then it feels more like a decoration project to me instead of a space that's been cultivated through my worship. i like the gradualness of it and seeing my collection of altar pieces grow over time. i also really like to make things by hand, so tbh i would probably buy a huge bag of stoneware clay and glazes and make pottery. i'd want a bunch of vases in the red-line style (something i dream of making someday should i get access to a ceramic studio again). and of course, a vessel for libations to both be poured from and poured into in the same style. tldr: i'd buy a shit ton of statues and wall art like tapestries and paintings and save the rest for buying votives when i see something that really speaks to me. i'd also stock up on nice incense (big fan of the morning star brand) and things to make more votives and devotional projects with. thank you again for your very thoughtful and sweet ask! i hope you have a lovely day and eat a kickass meal <3 gods bless you!

[anandartandcraft]

Wooden Temple Mandir Handcrafted Mandir Pooja Ghar Mandap For Worship Home Decor Art ...... . . . . . . . . ................ ....... ..... ... .. . Materials Wood, MDF Wood Description Wooden Temple Mandir Handcrafted Pooja Ghar Mandap For Worship Hand Painted Home office Wall Decor Indian ArtArt * Hand Crafted Wooden Embossed Painting Art *This Temple can Be Used In Home As Wall As In Shop / Office / Home * 2 Drawer The Pooja Accessories * Size :- Outer 18 X 9 X 22 ( L X W X H ) inch Approx * Size :- inner 14 X 8 X 10.5 ( L X W X H ) inch Approx * Weight :- 6.380 Kilo Grams Approx * Size :- Outer 20 X 12 X 24 ( L X W X H ) inch Approx * Size :- inner 18 X 9.5 X 13 ( L X W X H ) inch Approx * Weight :- 8.480 Kilo Grams Approx * Size :- Outer 24 X 12 X 30 ( L X W X H ) inch Approx * Size :- inner 20 X 9 X 16 ( L X W X H ) inch Approx * Weight :- 9.280 Kilo Grams Approx * Size :- Outer 30 X 15 X 36 ( L X W X H ) inch Approx * Size :- inner 22 X 12 X 22 ( L X W X H ) inch Approx * Weight :- 20.800 Kilo Grams Approx Available in stock please DM me 📩 .... #temple #travel #india #photography #travelphotography #love #hindu #god #architecture # #instagram #poojaroom #hinduism #photooftheday #thailand #japan #instagood #temples #mahadev #shiva #wallatt #history #buddha #wallmounted #buddhism #temple #wallhanging #culture #hindutemple (at Jodhpur City, Rajasthan, India) https://www.instagram.com/p/CoR6J2nvQ3U/?igshid=NGJjMDIxMWI=

[pronouncingitwang]

[ID: Screenshots from a Medium article by Amanda Gelender titled "Kaddish for the Soul of Judaism: Genocide in Palestine." It has a three panel painting of pomegranate trees and then the following excerpts:

Can you hear me recite the Mourner’s Kaddish for every soul killed in Gaza? It may take me a moment, I have to say thousands of prayers, and each person has a name. I will sit Shiva for a million lifetimes. I leave a stone on each martyred grave to root the dead back into the earth, but I can still hear the screaming and I’m trying to pray.

I want to turn back the clock. Can you please unburn the houses and re-root the olive tree groves, Israel? Can you drain the concrete you poured in the water springs? Can you unlaunch the bombs you dropped on the hospitals? I can’t hear you at the bimah because the air strikes are too loud.

Does it make you feel strong, Israel? To be the one wielding the gun as children cower? Are you healed now, do you know peace? You are a coward, dropping bombs from the sky making vapid platitudes for peace. I want to reach for Jewish wisdom but I cannot read the Talmud, it’s covered in blood.

Gaza is starving, can she eat at our Seder? Can you jump on the tracks before this train arrives at Bergen-Belsen? Can you distract the guard and dump the Zyklon B? Can you poison the commander or throw a rock of resistance at his tank? Can you see a Palestinian as human before you turn on this deadly gas? It’s all quite unpleasant and distracting me from prayer.

I’m wailing at the wall. I need challah for Shabbos but Israel bombed the last bakery in Gaza. Palestine is hungry for justice and the dehydration is setting in.

I’m having a nightmare, can you please wake me up? I’m dreaming that they fooled the Jewish people to do the bidding of western imperialism. To feed their tech, their fascism, their bank accounts, their global death squads for the expansion of empire. That us Jews wiped out villages and stole indigenous land, maintaining 75 years of genocide. All I see are pieces of G-d’s dead children in plastic grocery bags — can you please wake me up?

Palestine will never forget. The world will never forget. My Jewish descendants and I will never forget. And who are you in this moment, my beloved fellow Jew? Are you waving the Israeli flag as entire lineages of Palestinian families are wiped from the public record? Are you partying at the edge of a concentration camp? Has the guilt crept up your spine yet? And how many dead children will make you feel safe? What’s the number? When you kill that many, will you stop?

When I see Gaza, I am the Palestinians. I do not see myself in the face of an Israeli soldier — why should I? Because we are both Jewish? I see a colonizer, an occupier, a violent settler. I see someone willing to keep their boot on the neck of Palestine until she dies in the street.

Tell me the story again, zayde. Of David and Goliath, of Palestine and Israel, of a stone vs a tank. Tell me again who you are and tell me the truth this time.

/end ID]

[whencyclopedia]

Chidambaram

Chidambaram (Cidambaram) is an important Chola temple site in Tamil Nadu, southern India. Most of the temples at Chidambaram were built in the 12th and 13th centuries CE. The site is dominated by the huge gateway tower of the Nataraja temple but Chidambaram also boasts the first Devi or Amman shrine, the first Surya shrine with the distinctive stone chariot wheels which would adorn many subsequent temples, and the first large Siva Ganga tank. In this respect Chidambaram is something of a transitional site, linking elements of the old and new styles of Indian temple architecture.

The name Chidambaram, one of several from antiquity, derives from the Tamil Cirrambalam, meaning 'little hall'. The site was chosen because according to mythology it was the precise spot where the Hindu god Shiva had once danced in a grove of tillai trees. The dance was, in fact, a competition between Shiva and Parvati and naturally the great Shiva won. The story became a popular subject in Hindu art over the centuries.

The site is enclosed within four perimeter walls and covers a rectangular area of 55 acres. Within the compound are shrines, halls, temples, ornamental gateways, and a large ritual bathing pool, known as a Siva Ganga tank, which is surrounded by cloisters. Inscriptions claim the site was built by various Pandya kings and local rulers but none are contemporary with the dates the buildings were actually first constructed. The walls and east gopura (gateway) may be ascribed with greater certainty, and were probably built by Kulottunga III, who reigned from 1178 to 1218 CE.

The Nataraja temple was constructed between c. 1175 and c. 1200 CE. The actual temple shrine is relatively modest as by now in Indian architecture the gopuras had become the most important structures, at least in terms of aesthetics. The twin sacred chamber was, however, adorned with copper sheets covered in gold by successive Chola kings. The shrine is preceded by a dance hall and large entrance porch with columns (mandapa).

The massive granite and brick east gopura dominates the site but there are three other gopuras on the north, south and west sides (the earliest). The corbelled roofs diminish as the structures rise and are finally topped with the usual barrel-vaulted roof (sala), the eastern gopura also having a row of 13 decorative finials. The east gopura has a proper interior floor at each of its nine levels and there is an interior staircase which climbs to the very top of the building. All four gopuras have false windows on their facades, typical for this kind of structure, and pairs of pilaster columns set at regular intervals. The second floor of each gopura also has a passageway which worshippers ritually walked around. The entrance archways all have coffered ceilings decorated with relief panels.

Of particular note at Chidambaram are the thousands of sculptures adorning its buildings. In particular there are many statues of women in a wide variety of dance postures. Many statues are accompanied by quotations from Hindu literature which provide an invaluable reference for scholars. There are also figures of the four dvarapalas (guardian demons), the dikpalas (cardinal directions), many figures of Shiva performing heroic deeds, various other deities such as Vishnu, Devi, Sarasvati, and, unusually in southern architecture, river goddesses.

Finally, Chidambaram is also famous for its 17th century CE Nayaka ceiling paintings which decorate the Shivakamasundari shrine of the Nataraja Temple. More than 40 panels depict scenes from the life of the saint Manikkavachakar, a devotee of Shiva.

Continue reading...

[blackvahana]

Thinking. Thinking.

Tore myself mildly apart, felt like I needed to shed skin and blood. Lev's study in my home is probably -

Yeah. that.

Is probably covered in blood until he gets rid of it. Shed. I felt simultaneously like I was mildly killing myself - in the sense of killing a form rather than what that phrase usually means here - and building myself through subtraction. Growing tired not from lack of energy, but the growing lack of what was bothering me.

Thinking about [the embodiment of Wine] and true shapeshifting. Thinking about how to truly transform one needs to die, how shapeshifting is a mimicry (neutral term) of the idea of self change that can only occur when one let's go. Thinking about all the typos in this I've had to correct so far as static finds it's home again... But thinking about how one needs to know the Snakes in order to truly change oneself, and then die. You can't actually turn into anything you're not, truly, unless you give way to the death.

Thinking about how people syncretise Shiva and Dionysus, how they look at each other - I mean, I can only ever know how Shiva looks, and it's with an intensity of the most distilled essence of change and pregnant Knowing one could ever get in this world. Body and mind death, transcendence, trance, worship of the snake and the body, absences, the desert, the wilderness, the ravaged and the shifting, impermanent homes we make among the dunes, among our own flesh and bones... Mirrors, stage plays...

Death gods. Death. Thinking about lightning, and [my] piercing laughter as I'm ripped apart, synonymity of lightning, radiation, and my blood.

The painting on the wall... It crawls like centipedes, it sits perfectly still like Shiva, it smells like patchouli smoke and drug residue, and the shadows of revelations. It looks tasty. I don't want to eat dead blood, menstruated through self-rending, purpose served.

[theneerajgroupofluxuryhotel]

Top 10 Places to Visit in Rishikesh

Situated in the lower ranges of the Himalayas is Rishikesh, a tranquil and peaceful town famous for its spiritualism and adventure tourism coupled with scenic wonders. From the olden days’ temples to the modern-day excitement of river rafting saviors, Rishikesh is all about excitement and thus here is a list of the top 10 best places to visit in Rishikesh that you ought not to miss out on.

1. Laxman Jhula and Ram Jhula

Offering stunning views of the Ganga River and the lovely temples bordering it, Laxman Jhula and Ram Jhula, the best suspension bridges are reached in Rishikesh. Both bridges are also good centers for small shops and cafes along with local vendors making them a good lively place to experience local culture.

2. Triveni Ghat

Triveni Ghat is one of the popular bathing spots for pilgrims taking a holy dip in the Ganges. Here, the evening Ganga Aarti is surely not a letdown to fascinate you. It creates a silent and serene background with prayer recitals accompanied by fragrance from incense sticks. For anyone wanting a feel of spiritual touch at Rishikesh, Triveni Ghat is a site not to be missed.

3. Neelkanth Mahadev Temple

Viewed as a Lord Shiva Temple, the Neelkanth Mahadev Temple is located deep into the forests of Rishikesh and is one of the most visited places. The distance of this temple is around 30 km from the city, which again makes it one of the places people prefer to visit. The beautiful trail in the forest to the temple also makes it quite popular and one of the best places to visit in Rishikesh.

4. The Beatles Ashram, also referred to as Maharishi Mahesh Yogi Ashram

This ashram became famous in the 1960s when The Beatles came to visit there to learn transcendental meditation. Currently, the ashram accommodates meditation lovers and art lovers and remains a popular tourist attraction spot in Rishikesh. The walls are illustrated with painted murals and graffiti containing spirituality and creativity. This is among the best destinations for tourists interested in the arts and spirituality of this divine town Rishikesh.

Click here for more information - https://theneerajluxuryhotels.com/top-places-to-visit-in-rishikesh/

[deccanodysseytrain]

Ajanta & Ellora: A Glimpse into Ancient India’s Masterpieces

Ajanta and Ellora stand as icons of India’s cultural and architectural heritage. Nestled in the state of Maharashtra, these awe-inspiring caves are among the most celebrated historical landmarks in India. Crafted by hand over centuries, the caves reveal the remarkable skills of ancient Indian artisans and the cultural diversity that thrived in the region. For art lovers, historians, and curious travelers, the Ajanta Ellora Tour Packages offer a rare opportunity to step back in time and experience India’s rich legacy firsthand.

Ajanta Caves: An Artistic Legacy Rooted in Buddhism

Origins and Historic Context

The Ajanta Caves, carved into a hillside, are a fascinating ensemble of thirty rock-cut structures dating from the 2nd century BCE to the 6th century CE. Originally created as a retreat for Buddhist monks, these caves served as meditation halls, learning spaces, and shrines. Rediscovered in 1819, Ajanta’s legacy as a center of spirituality and learning began to capture the world’s attention.

Each cave in Ajanta tells a unique story. From detailed depictions of Buddha’s life to symbolic portrayals of compassion and enlightenment, every inch of the cave walls reflects the Buddhist principles cherished by its creators. Visitors on the Ajanta Ellora Tour can see firsthand the serene atmosphere that once drew monks to these ancient spaces.

Highlights of Ajanta's Art and Architecture

Ajanta’s most celebrated feature is its detailed murals, which illustrate various scenes from Buddha's life, known as the Jataka tales. These vivid narratives capture moral lessons, spiritual journeys, and the teachings of Buddha. Cave 1, for example, is renowned for its intricate paintings depicting Buddha’s past lives, each scene a vivid expression of color and detail that has endured for over a millennium.

In Cave 2, visitors will find delicate frescoes of female figures and floral motifs that showcase the artistic finesse of the era. With Ajanta Ellora Tour Packages, travelers can delve deeper into each cave’s intricate details, appreciating the spiritual depth and artistic precision that define this ancient site.

Ellora Caves: A Confluence of Hindu, Buddhist, and Jain Art

Religious Diversity and Historical Evolution

While Ajanta is predominantly Buddhist, the Ellora Caves represent a harmonious blend of Hindu, Buddhist, and Jain traditions. Carved between the 6th and 10th centuries, Ellora’s 34 caves reflect India’s cultural inclusivity. As travelers explore the complex, they can witness how each religion’s beliefs and artistic styles coexist, creating a unique fusion of spirituality and art.

This diversity in religious representations makes Ellora a unique experience within the Ajanta Ellora Tour. Travelers can see how artists from different backgrounds collaborated, creating a space that celebrates unity within diversity.

The Marvel of Kailasa Temple and Iconic Caves

Ellora’s architectural masterpiece is undoubtedly the Kailasa Temple (Cave 16), a monumental Hindu temple dedicated to Lord Shiva. Carved from a single rock, the temple’s construction required immense skill and precision. This masterpiece spans multiple stories, with pillars, shrines, and intricately carved deities that illustrate scenes from Hindu mythology, including depictions from the Ramayana and Mahabharata.

Beyond the Kailasa Temple, Ellora’s Buddhist and Jain caves showcase equally impressive artistry. Cave 10, also known as the "Vishvakarma Cave," is a Buddhist chaitya hall with stunning vaulted ceilings and intricately carved figures. The Jain caves, such as Cave 32, feature beautifully adorned sculptures, showcasing Jain deities and motifs. For travelers on the Ajanta Ellora Tour Packages, exploring each cave unveils new layers of artistic detail and religious significance.

Art Techniques and Craftsmanship of Ajanta & Ellora

Innovative Use of Natural Pigments and Carving Methods

The Ajanta Caves are renowned for their use of natural pigments, which lend a timeless quality to their frescoes. These colors, sourced from minerals, plants, and even local rocks, have preserved their vibrancy over centuries. The delicate brushwork and shading techniques used in the murals capture the subtleties of human expression, making each painting a work of fine art.

Ellora, on the other hand, showcases exceptional stonework. From complex carvings of gods and goddesses to elaborate depictions of daily life, each detail reflects the skill of ancient artisans. These carvings were made with simple tools, yet the results are nothing short of extraordinary. Art enthusiasts and history lovers alike will appreciate the craftsmanship preserved in each cave.

Challenges in Preservation and Conservation Efforts

Preserving these ancient sites is essential to maintaining their beauty for future generations. Environmental factors, such as humidity and erosion, pose ongoing challenges to the caves’ structural integrity. However, conservation teams are actively working to restore and protect these treasures, ensuring that the legacy of Ajanta and Ellora endures.

Planning a Visit: Practical Tips for an Enriching Experience

Ideal Seasons and Visiting Hours

For the best experience, plan your visit between October and March. During this period, the weather is cooler, making it comfortable to explore the vast cave sites. It is advisable to start your tour early in the morning, as this allows you to enjoy the serene atmosphere before crowds arrive. Visiting early also lets you see the natural light play on the carvings, enhancing their beauty.

Recommended Caves and Suggested Itinerary

Ajanta and Ellora each have standout caves that should be included in any itinerary. At Ajanta, Caves 1, 2, and 16 are must-sees for their detailed murals and sculptures. At Ellora, the Kailasa Temple, along with Caves 10 and 32, offer a remarkable display of artistic and architectural prowess. With a well-curated Ajanta Ellora Tour Package, you can be sure to capture the highlights and maximize your visit.

Guided vs. Independent Exploration

Both guided tours and self-exploration have their benefits. A guided tour provides valuable insights into the history, art, and symbolism found in the caves. Knowledgeable guides often share fascinating details that may be missed on an independent visit. However, exploring on your own gives you the freedom to appreciate each site at your own pace. Many Ajanta Ellora Tour Packages offer options for both, allowing you to choose the experience that best suits your preferences.

Essential Visitor Etiquette and Preparation Tips

Respecting the Heritage Sites

Ajanta and Ellora are cultural heritage sites, and respecting their sanctity is essential. Avoid touching murals and carvings, as oils from our skin can damage these delicate works. Additionally, photography is allowed in most areas, but using flash is often prohibited to prevent fading of the colors.

Packing Essentials for Comfort

Since both Ajanta and Ellora require considerable walking, comfortable footwear is a must. Bring water, especially if visiting in warmer months, and consider sun protection like hats or sunglasses. Dressing in modest, comfortable attire will help you move easily and respect the local culture.

Embracing Local Customs and Cultural Practices

Ajanta and Ellora are not only historical sites but also places of spiritual importance. Respecting local customs, such as removing shoes before entering certain areas, can enhance your experience and show appreciation for the cultural significance of the caves. Engaging with locals and understanding the history from their perspective can deepen your connection to these ancient sites.

[zaviholiday]

Golden Triangle Highlights Udaipur's Timeless Beauty

The Golden Triangle is one of the foremost recognized circuits in India, which includes Delhi Agra, and Jaipur. However, Udaipur is located in the very center of the state of Rajasthan – a stunning diamond in the rather crowded crown. Udaipur is called the “City of Lakes” as there are several beautiful lakes surrounded by arched palaces and hectoring temples. In this blog, we will discover the beauty of Udaipur and why it must feature on your travel list.

1. The Enigmatic City of Lakes

Udaipur is more famous as the “ Venice of the East ” thanks to the beautiful lakes of the region. One of these is Lake Pichola, which is the most scenic place, especially in the evening. During the boat ride, one gets the view of the beautiful City Palace and the famous Jag Mandir both in the foreground of the pictures. Do not forget the interesting reflections of the palaces on the water; the photographing will be a memorable experience.

2. Majestic Palaces and Forts

Over the palaces and forts of Udaipur, there isevidence of splendid architecture. The City Palace is an amazing combination of Rajput and Mughal styles and has beautiful peacock art and interesting courtyards. That is, when going around the building, one feels like a king or a queen and tries to picture how the kings and queens lived.

Like the city itself, there is the Sajjangarh Palace, also called the Monsoon Palace. It is built on the hill where guests can enjoy picturesque views of the countryside the Linyanti flood plain and the lagoons below. Best viewed during the sunsets, you’ll never want to leave.

3. Rich Cultural Heritage

Udaipur is a cultural city that showcases its richness in terms of many events festivals dances and local products. The city also organizes different festivals and among them, the Mewar Festival is one of the most colourful. Golden Triangle Tour They open during this time to allow colorful processions, local music, and dance to paint a picture of the colorful history of the place.

A great number of local shops and boutiques offer to buy differentiated fabrics, exquisite jewellery, and other accessories by the traditions of Rajasthani handicrafts at Hathi Pol and Bada Bazaar. They bowl a tale, depicting the work of hand-made artisans of this region.

4. Culinary Delights

It would be remiss not to mention that there is a very vibrant food culture in Udaipur and therefore any good tour or visit to Udaipur should include some local dining. It is an established place for meals and snacks, ranging from joints selling food on the road to well-established hotels. For example, you can order local dishes Dal Baati Churma, and Gatte ki Sabzi as well as the sweet dish, Gulab Jamun.

To have a different test, you should try Rajasthani food at one of the restaurants positioned on the shores of Lake Pichola. The lighting, coupled with good food makes for a perfect dining experience.

5. Spiritual Serenity

Tourism: There are severalpoint-attractingplaces in Udaipur some of them are religious which indicates that Udaipur also has a spiritual side and it has some beautiful temples. Jagdish Temple, the temple that has the statue of Lord Vishnu, is one of the important temples that is aneye-catcher to tourists as well the devotees. Its complicated patterns and calm design will allow people to escape from the noisy life of the city.

The next attraction is the Eklingji temple which is also approximately a drive away from Udaipur. Overgrown by greenery, this temple complex belongs to Shiva and provides an opportunity to make a contemplative retreat.

6. A Gateway to Nature

Udaipur does not only mean spot royal palaces and lakes but also rich and beautiful nature sceneries. Adjacent to Kumbhalgarh Fort is the Aravalli hill range which is another world heritage site covering an immensely strong fort, nice trekking points and is popular for its massive walls. Another nearby attraction which should be of interest to lovers of nature is the RAJASTHAN MARBLE TEMPLE at RANAKPUR.

Udaipur boasts an added value to the Golden Triangle that may make many tourists consider visiting the city when planning their tour to India. Udaipur is chock full of lakes, palaces, colour, bazaars, and food making the place one of the most memorable you will ever encounter.

Therefore, when planning the Golden Triangle tour With Udaipur to the tour plan is highly advisable. With this city you are guaranteed a lifetime memorable experience exploring the essence of India: cultural and scenic wonders. Take advantage of the magic of Udaipur and add it to your exciting list of Great India Golden Triangle tour!