#She's the true villain and main character of the movie

[spongebob-connoisseur]

Shaking my head the entire time when Plankton and Karen made up in the Plankton movie to show my disapproval

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[indigosfindings]

questions at film festival director Q&As are like

"when the main character says she likes bread, does this mean that she likes bread?"

"is this movie based on true events that happened to you irl?"

"is the villain based on a real person? could you verbally confirm the identity of the real person you based the villain on, publicly and on record?"

"this movie reminds me of some other movie. does it also remind You of that movie?"

"this film was shot with a camera. do you think im intelligent for noticing this?"

"did you Suffer while working on this movie? how much did you Suffer?"

"sequel???????????????"

"some of the characters are pretty nuanced & gray. should i Like them, or should i Dislike them?"

and then if it's a "foreign film" you get all of those and also:

"what's it like in your exotic foreign homeland?"

"frightening & disturbing things happen in this movie, does that stuff happen every minute of every day in your exotic foreign homeland?"

"did your Oppressive Culture make it more difficult to make a movie?"

[medusas-daughter]

Woman of the Hour is great because it perfectly captures the moment you realize a man is dangerous and it's not when he goes all dramatic disney villain glares smirks or whatever and it's not even when he starts making unwanted sexual innuendos i mean those are awful too but the moment comes way before and it's more subtle and only another woman could describe it and that's why this movie would have been shitty if it had been made by a male director it's the moment when his face drops because the answer you gave didn't go with how he imagined the conversation going or the moment he calls you the love of his life after talking to you for five minutes and his mood shifts when you don't respond in kind this is the horror i actually want from slasher/serial killer horror the killing itself can be as graphic and gory as the director can make it and it will still seem goofy to me if it doesn't capture the uneasyness and the building tension before then and i really hope Anna Kendrick keeps making horror because she had me on the edge of my seat for 90 minutes without a single graphic scene that moment in the parking lot when she gives him a fake number and he calls her out on it and then he follows her to her car my heart was in my throat the whole time because it's real it's so real it's so scary also the whole movie despite being abour Rodney Alcala was seen from his victims' point of view too many true crime inspired shows focus on the serial kille rand make him the main character and focus on his emotions and his turmoil but Woman of the Hour focused on each of the victims when thye started feeling scared or the survivors who tried to report him and weren't believed and how scary it was that not even your loved ones believe you when you say it's him and she did all that without dehumanizing him he's not some monster he's a very human man with emotions and abandonment issues and he's a predator and a killer and she can humanize him without glorifying him and more directors should take note and learn from this

[artist-issues]

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

[pro-sipper]

Had such a fun conversation with my therapist today. Honestly I'd been wanting to bring up the whole pro/anti debacle with her just to see what she'd say and how it would stack up against what proshippers and antishippers have to say about therapy online. No points for correctly guessing which side she agreed with

I talked about my job for about 3/5ths of the time there, then segued into The Discourse by telling her about how I'd been writing daily during the first two weeks of my new job, but hadn't been as active lately

And I even asked her if she had any other chronically online clients she talked to and she reassured me that she had plenty, and even one who had kind of explained this whole debate to her before (from a proshipper stance, and how she lost a friend over it)

I explained my whole issue with her about how fandom is so deep into purity culture these days. And how reckless and raunchy it was in the 00s and how I don't want to go back to that, but there's got to be some middle ground somewhere.

I told her about some of the stuff I've written and all the weird or nasty comments I've gotten on it and how that can be discouraging. And I told her that most of my works are smut, and of those smut works, all of them have at least a little sprinkling of trauma in them. And she said that can be a good way to look at things. And used a real life example of how something could be awful but there could be good things about it too. Specifically saying that nothing is just black and white, everything has shades of grey. And that digging the little good out of the big bad is a positive thing, actually

And I told her about being a young teen and reading a fic with incest in it and having the sense not to immediately jump to "I want to recreate this in real life" and she was like "Yes, exactly. It's like this one book I read, umm..." and I was like "Flowers In The Attic?" just as a guess and she was like "Yes!" and said just because you read about something doesn't mean you want it to be your reality

And I did my best to explain the whole concept of how some people seem to think that everyone engages with fiction by putting themselves in the shoes of the main character, so if the main character is doing awful things then you must want to do awful things too. Which of course she said was in no way true

And she told me that she was such a big fan of horror movies and loved to watch those as a way to relax and unwind bc it gets her mind off her work, but that doesn't mean she wants to be a killer lol. And I had to be like "Oh no you don't understand. They think killing and torture and cannibalism is totally fine, it's just when you bring sex into the equation that people start freaking out" and she was confused at that lol

And of course she thought it was ridiculous that people can get called a pedo or a groomer or whatever other awful things over fictional stories.

So yeah it was a fun and reassuring conversation. I know I'm leaving some stuff out but I can't remember any more specifics of what was said. Plus I was talking a mile a minute bc I wanted to say everything on my mind before time was up asfdsfs it was a monumental task.

OH and I even brought up how people will literally say "well my therapist said..." just for some other people to accuse them of lying or saying their therapist is corrupt or some other bullshit which she was understandably aghast at. Because she is a licensed therapist who went to Therapy School and knows better, and is not a magical villain promoting propaganda fed to her by Big Proship to corrupt her clients. You know how it is <3

[witchygagirlwrites]

Wildflower-Part 4

Jay Halstead x Reader (Nicknamed Wildflower)

Just as it looks like Jay is going to get everything he’s wanted it gets ripped away

(Disclaimer i fucking adore Hailey Upton but for this fic I had to make her the villain 🤷🏻‍♀️)

You stood next to Kelly and Cruz, your hands over on your knees catching your breath. The last victim was being loaded in the ambulances. “Flower” Carver called your name and you glanced up about the time he tossed a bottle of water your way. You caught it with a smile “Bless you Sam”

You’d already stripped your coat off but you were tired. Squad had taken the brunt of this one, having to bust through a wall to get to people stuck in the basement. Kelly bumped your shoulder with a grin “And who said women couldn’t handle this job? You damn near kicked my ass in there” you winked at him “Remember that Sev” and walked over to where Stella had her crew rolling up hoses.

At least it was to the point of clean up. That meant you weren’t far from heading back to the station house. She glanced up when you grabbed the other end of the hose to help her and smiled “Thank babe”

____________________

You helped her crew pack up then when Boden called for everyone to head in you made your way back over to Squad, sliding in next to Joe and Capp. Kelly cut his eyes at you “Is our lovely little flower ready to roll?” you rolled your eyes “I’ll sic your wife on you” he laughed “In that case, I apologize” and that caused Cruz and Capp to start laughing.  You had to love fifty one. All of you were deadly professional when it called for but once the danger was over? You were a family giving each other hell.

You leaned back in the seat and closed your eyes “Wake me up when we get across town” Kelly hit the siren and your eyes flew open “You ass” 

“So, Wildflower” you rolled your head to the side to look at Stella since she’d just sat down next to you. All of you were showering before heading home even though the next shift had already clocked in. You, her nor Sylvie wanted to go home to your girls reeking of smoke if you could help from it.

“Yes Stel?” you replied and she grinned “What’s up with you and Halstead?” you raised an eyebrow “What you mean?” she shrugged “You spend an awful lot of time with him, even more than I remember you spending with him before”

Before you could answer however Sylvie plopped down on your other side, tying her shoes “Naw, those two have always been attached at the hip. Only time it slowed was when he was freshly married to Hailey” you slowly turned to look at her and knew you probably looked like the freaking main character in a horror movie when they realized the slasher was right next to them. “Excuse me Brettsey?” she hated when you called her the blend of her maiden name and married name so you used it at every chance.

She grimaced “I’m sorry! It’s true though. When Mouse was here it was the three of you. After Mouse left, the two of you stayed close. Hell most of us were surprised when he got with Hailey and not you” your head whipped back towards Stella “What does she mean?” 

Stella shrugged “She’s not wrong” you rolled your eyes “Well he’s my best friend, present company excluded considering you two are a whole different level. You two are my daughter’s godmothers”  Stelle nodded “I’m just saying, be careful honey. I don’t want to see him hurt you or Leah because if he does he’s gonna have all of us on his ass”

You laughed lightly “I know but it’s not like that. We’re just friends” she nodded “Ok, just saying we would support anything that makes you happy as long as you’re happy” “I know and I love you all for that” you replied with a laugh as you finished tying your shoes.

“I’m headed to the grocery store, Jay. I’ve got to get some food in my place” you told him through the speakers, Leah babbling along in the backseat like she was agreeing with you. He laughed “Hey babygirl” then said “Can I come with you?”

“Grocery shopping? Jay I think I can manage that”  you were still thinking about what Stella had said. If you were spending enough time with Jay that she felt the need to give the “If he hurts you” speech then maybe you should back off? You were kind of doing the opposite of what you’d intended. He wanted to know Leah, which was great. You’d never keep them from each other but he wasn’t really living a life outside of work and the two of you, was he?

“I never said you couldn’t. I said could I come with you” you sighed “Jay, you’ve been home for a couple months. Have you even started looking at places? Have you gone out any besides the time or two with Will and Kev?” 

He got quiet for a minute “I’ve looked at some places but they’re across town from you. Will’s is close enough if something happened I could get to you two a lot faster” your heart flipped “Jay, you don’t have to take us into consideration. I am a trained firefighter and para. I can handle emergencies” 

“I know, I just like being close” he replied and you sighed “Ok. Well I can handle getting groceries all on my own” “Please?” he pushed and you knew you were screwed. Damn him he knew just what tone to use with you to get his way. “Fine but just so I don’t have to put her in a cart. You push the cart, I’ll carry her” “Deal. I’ll meet you there” 

You were sitting cross legged on the floor while Leah played with her toys on her tummy time blanket. Jay was watching the two of you and trying to figure out how to work up the nerve to talk to you about what had been playing on the tip of his tongue basically since he’d gotten back.

His decision to not extend his contract was because of you, even before he knew about her. He’d known he was in love with you. That was why he divorced Hailey. The months following Mouse’s death had concentrated that fact to him. It wasn’t fair to be with her and be in love with you but you didn’t need all of his baggage so he’d left, that night he’d come to tell you goodbye..

He’d only meant to say goodbye. The way you’d looked at him, like your heart was breaking at the thought of losing him. He’d never entertained the thought before that moment that maybe you felt a sliver of something for him. Then when he’d kissed you and you pulled away, he’d apologized immediately thinking he was going to lose anything with you for good. You pulling him back in? That was everything to him.

The memories of that night he’d carried with him the entire time he was gone. The way you sounded, the way you felt, the way you tasted. The tears that had been in your eyes. He loved you. He was in love with you and now? You had a daughter together. That night spent in each other’s arms had resulted in the best thing that had ever happened to him and he got to share her with his best friend.

He was still terrified to tell you because every time he took a step towards you, you took a step back and he didn’t want to lose you. All he wanted though was to announce to all of Chicago that he was your guy and that Leah was his daughter. That was it.

“Jay!” your voice pulled him out of his thoughts and he realized you were staring at him with a grin on your face. “Yeah, sweetheart?” you laughed “I asked you a question!” he felt his cheeks warm with a blush “I have no clue what you asked” you shook your head “I was telling you about the first responders picnic on saturday. Will told me that Nat would be out of town at her sister’s but he was still thinking about going. I asked if you were”

“Are you and Leah?” he asked and you nodded “All of fifty one will be there so of course” he nodded “Then hell yes I’m coming” you flinched “From what I heard a lot of the twenty first will be there too Jay” and your eyes dropped down to your hands, using playing with Leah as an excuse. He walked over and sat down next to you, slipping an arm around your shoulders “I have no problem with that, as long as you’re ok with me being with you and her”

You cut your eyes up at him and slowly nodded “I’m ok with it” he smiled “Then so am I” and pressed a kiss to your temple before turning his attention to Leah.

You hadn’t been nervous up until the day of the picnic. You were now all but fluttering around your apartment like a hummingbird on speed, trying to ignore how fast your brain was working. All the damn scenarios of what could go on that was getting thrown at you.

Maybe this was a bad idea. You weren’t wanting Jay to get stuck with you, this was going to look bad. He was going to be at a community picnic with you and your daughter. A community picnic where you would be hanging out with your friends, their spouses and their children. That sent a bad message. 

Christ, why did you ever bring it up to him? Because Will had mentioned it to you and it would have hurt his feelings if Will had told him and you hadn’t.  Leah was still asleep, that was a small blessing so your anxiety had no chance of affecting her mood.

Your phone rang and you grabbed it to see Jay’s number. You snatched it off the counter and swiped to answer it “Hey Jay” “Hey, want to let me in?” you looked at your door and laughed “Why didn’t you knock?” you asked as you walked over to the door and opened it.

He smiled with the phone still at his ear “Because she can sleep through the truck sirens before she can sleep through someone knocking and she needs to finish her nap”  “Good point” you laughed, moving to let him walk in. 

He cut his eyes at you and grinned “Is that my shirt?” you glanced down at the black v-neck you wore and your eyes widened “Oh shit, it is” you felt your face warm “You left it at my place a long time ago, I meant to give it back” he shook his head “Don’t worry about it. You look good in it” you felt your face warm and shook your head “Maybe I should change”

He raised an eyebrow and grinned “I’d prefer you not” you smiled at him “Fine” and his grin got even bigger.  “Thank you”

____________________

You were still fluttering around, not wanting to say still but Jay reached out and grabbed your arm on the way by “Any reason you’re bouncing off the walls?” 

You shook your head “Nope” he raised an eyebrow so you groaned “I’m worried” “About?” he asked so you took a deep breath “Don’t get mad?”  “At you? Never. Now talk” you looked up at him and smiled “Leah has your eyes. I’ve always loved that and hated it at the same time”

His eyebrows furrowed together like they did anytime he was trying to figure something out “What do you mean?” you shrugged “I loved it because I love your eyes but I hated it because they’re unique and hard to hide” he smiled “Let’s stop hiding them” “What?” you asked and he shrugged “Now may not be the time but if I don’t say it I may lose my nerve” “Say what?” you asked and he nodded towards the couch “Can we talk?”

You laughed lightly “Well at least I’m on birth control this time” and he blushed lightly “Not that I’d tell you no but not what I meant” you smiled “I know” and pulled him over to the couch. Once you were both sitting down you bumped his knee “Ok Halstead. Talk to me”

He turned towards you “I want you to stop saying Leah may ruin my life or that I’m stuck with you” you nodded slowly “Ok?” he grabbed your hands in one of his and used the other to cup your chin, forcing you to look him in the eyes “I mean it” you smiled “Ok Jay. Damn. What is this about?”

His eyes softened “Because you’re all I’ve wanted for a very long time Flower. I know we’re both very different from how we were but maybe that just means we’d be really good together” you froze, eyes wide. “What are you saying Jay?” “I came home to try to get you to give me a chance before I ever knew about her, now I’m begging for one” your mouth fell open. Jay Halstead, begging? For you?

“Jay” you whispered and he smiled “You don’t have to say anything right now” you laughed lightly “Even if it’s telling you to kiss me?” “That you can say” he laughed, using his grip on your chin to pull you closer to him. The moment his lips touched yours a light whimper escaped you. Damn you missed him, even after only having him once.

His hand moved from your chin to cup the back of your head, deepening the kiss and he licked into your mouth, swallowing the moan that fell from you. When you pulled away from him, both of your chests heaving he grinned before dipping his head down to your neck, teasing the sensitive skin there. “Jay..Jay…baby” you were struggling to get your brain to work.

He nipped at your pulse point and you pulled away from him “We can’t do this Jay” his face fell “What? I thought you wanted it..wanted me..” your heart flipped “I do” you explained  and his eyes lit up “Then why..” you cut him off with a laugh “The picnic is in forty five minutes and Leah will be waking up in like five” he grinned “Oh” you nodded “Yeah, ok. So why don’t we continue this talk after the picnic?” he nodded “Sounds good to me” and pressed another quick kiss to your lips before you both stood to go to Leah’s nursery to see if she was up yet.

Jay followed you across the park where the picnic was being held. He was fairly certain he’d never been happier than in that moment. He had his girls or was getting his girls. You were walking in front of him with Leah on your shoulder, when she looked back at him he smiled at her and she cooed and laughed. 

“Look there’s Will” you said as the three of you headed towards him.  Will smiled when he spotted you. He walked over and hugged Jay then stopped halfway to you “Can I hug you or?” you rolled your eyes “Come here Halstead” and pulled Will down into a hug, Leah tugging at him too.

He ran a hand down her back and spoke in a low voice “It’s Uncle Will’s favorite girl” Jay felt a proud smile slip onto his face. Especially when you didn’t seem to shy away from Will calling himself her uncle in public. You just laughed and shook your head “Well come on you two, I have to join fifty one. That’s where my loyalties lay”

Somehow you, Stella and Sylvie had all gotten talked into getting your faces painted by little miss Shay. You had a pink flower if there was ever any doubt, Stella had a red heart and Sylvie had a little yellow bird. You didn’t mind because Shay had gotten all three painted on her to match. 

You were standing with Stella and Violet, Leah on your hip while the three of you waited for lemonade. “So how about that friendship?” Stella asked and your face warmed. “It’s fine” Violet nodded then cut her eyes at Stella “Wasn’t she the one who called me out on my bullshit with Sam?” Stella nodded “Oh yeah, she was” you shook your head “It’s no bullshit with Jay. We know where we stand with each other”

“You looked happy walking up with him” Stella added with a shrug and you shook your head “whispering” to Leah “Auntie Stella and Auntie Vi has lost their minds” 

You were about to go to the bathroom when Jay held his arms out for Leah. You raised an eyebrow and he grinned “Come on. You just changed her so don’t use that excuse. I can hold my daughter” you shook your head but held her out “I’ll be right back” and kissed her cheek.

He started talking to Will with her laid over on his shoulder, Kelly and Matt ended up migrating over as well. All three men with their daughters on them was a bit of a scene even if Jay wasn’t publicly known as Leah’s father yet. He felt so damn right holding her alongside the other men. 

He spotted Hailey across the way and she shot him a glare but he didn’t think anything of it, hell honestly he didn’t care.

_____________________

You were washing your hands when you heard someone walk in the door behind you and half expected Stella or Sylvie or even Violet. You did not expect to turn around to Hailey standing there. “Hey Upton” you greeted, tossing the paper towels in your hand away. 

“What game are you playing here Flower?” she asked and you raised an eyebrow “Well you see I used the bathroom so I try to always wash my hands afterwards” she rolled her eyes “With Jay” you sighed “What do you mean?” she waved a hand “That baby. You’re really trying to trap him with it aren’t you?” 

“Do not bring my daughter into this Hailey” she scoffed “Mom of the year and trying to pawn your daughter off on your so called best friend. What happened he got back and you figured you could ruin his life since you already fucked yours up?”  “You know nothing about me Hailey. I’ve done nothing to you” you pushed past her but she grabbed your arm “Is that baby Jay’s?”

You snatched your arm out of her grip “Don’t fucking touch me and my child is none of your concern” you stormed out of the bathroom but before you could make it over three feet she was behind you “So it is” you spun around “Why are you following me?”

She shook her head “You’re out here, walking around with him and that baby like a little happy family when you were a rebound fuck at best. Hell he’s just trying to show me he doesn’t need me since I told him I’d take him back when we talked a couple weeks ago” you could feel your face fall. You didn’t know they’d talked. 

When she realized she hit a nerve she laughed “Yeah, we’ve talked sweetie. Did you ever think that by keeping her you guaranteed that you were ruining his life because Jay would never walk away from a baby? How fucking selfish are you? You couldn’t let him have a life? You had to trip over yourself to try to be, what? A replacement for me? Gonna get married to him and get a ring like he got me? That’s really pathetic isn’t it?”

“I never even intended for him to know about her” you spoke low, voice shaking. She shook her head “Bet he wishes he wouldn’t have come home like Mouse. At least then he wouldn’t have to be stuck with you for the rest of his life” you felt like your entire body had been dipped in ice water. You couldn’t move, couldn’t think. You couldn’t even attempt to retaliate. The only thing that broke you out of your stupor was Stella’s voice “YOU FUCKING BITCH” right before a punch connected with Hailey’s jaw.

You stumbled back as Hailey went down and Kelly ran over to grab Stella. It was like a bell rang summoning fifty one to your side. Luckily Shay and Julia were with Donna and Chief because everyone came running along with Hank, Kevin and Adam.

______________________

Stella was struggling against Kelly’s grip “What is going on?” Stella repeated what she said and Violet dove for her, Sam barely catching the brunette. “I think she cracked my jaw” Hailey slurred and Hank who shrugged “You better be glad you aren’t bounced from the unit. You’re suspended. Go to med then go home”

She stood, holding her swelling jaw. Every eye turned to you “Flower?” Matt’s voice was light and you shook your head “I need to get Leah and leave. Now”

____________________

Jay wasn’t sure what had happened. One minute he was talking to Will, Ethan and April while he held Leah. She was laughing and cooing at him. Then it was like the bell at fifty one rang out. Most of the house ran across the park. “What’s going on?” Will asked so he shook his head “I don’t know”

He got his answer mere moments later when you came storming up. “Sweetheart?” he tried and you shook your head, not meeting his eyes as you took Leah from his arms. “What’s going on?” he asked when he realized you’d been crying. “Your fucking wife” you threw at him, grabbing Leah’s diaper bag and throwing it over your shoulder.

“I have no damn wife” he argued, trying to grab your arm but Stella, Kelly, Violet and Sam had joined you and all four slid between you and him. “Back off Jay” Kelly urged. He stared down the other man “You back the hell off and let me talk to her” 

Kelly looked over his shoulder at you where Stella and Violet were herding you towards your truck “You wanna talk to him?” you shook your head “No” Kelly looked back at him “No”

“Tell me what the fuck happened at least” he begged and Sam waved a hand “Man I don’t even know you like that but your ex just verbally attacked her in the bathroom and outside. Said every horrible thing she could about her baby, well from what I gather your baby too and some foul shit about a guy named Mouse?”

Jay’s eyes flew to Kelly “What did she say?” Kelly shook his head “I don’t know everything but Stella cracked her jaw and Voight suspended her for it. You’ve got some shit to deal with before you come back anywhere near Flower and Leah. She shouldn’t have to deal with this man” “I never wanted this” Jay argued and Kelly shrugged “Should’ve handled your ex before it got to this point. I got to go check on Flower”

Every poisonous word Hailey had thrown at you kept playing through your head as your phone rang. The photo you’d taken of Jay and Leah the day he met her flashing across the screen. You had been a rebound fuck. Hell he’d told you the papers had been signed just a week before.  You were pathetic. You could’ve lied. You could’ve told him you went out a night or so after he left. You could’ve done anything but told him the truth when he showed up at your place. Yeah he’d said he’d come back for you but had he come back for you or for the nostalgia of an old friend? Of what you used to be to each other? What your lives used to be then?

Were you really thinking he’d marry you? Settle down with you? Be happy with you? That was a fucking joke. No one ever loved you like that. Why had you ever let yourself believe he would? You were a fucking idiot.

______________________

Your phone went to voicemail again and Jay took a deep breath before saying “Flower, baby Stella told me the parts she heard or well she yelled the parts she heard. They’re not true. Please call me. Please talk to me. Don’t let her win. Please” when the message beeped he tossed his phone down and ran a hand across his face. How the hell had he gotten so close to getting what he wanted, what he craved for his future just for it to slip through his fingers? 

Part 5

@desimarie12

@allisonargent144

@nevaehstreater18

@bernelflo

[heliads]

Hey babe, if you're still taking requests, can I request something for Harry Hook from descendants? It takes place in an AU where basically all the kids are "chosen" to be parts of fairytales. (Think Ever After High mixed with School for Good and Evil). This world is complete with everything you see in disney movies with epic fights and songs. Heroes get love ballads and villains get traditional villain songs. Reader and Harry are friends (with feelings) on the isle and get chosen for a story, and are both super excited because they think they'll both be villains together. So imagine their surprise when they get their first song together and it sounds an awful lot like a love song.

This AU has been living in my head for a long time tbh but I have no writing skills T-T. Feel free to ignore it this is not your style or I accidentally sent this after requests closed.

'one story leads to another' - harry hook

masterlist

On the Isle of the Lost, a story is everything. Receiving a good story catapults a promising villain into a fantastic life of infamy, but a lackluster story seals your fate forever to menial satisfaction alone. Henchmen, not gods. Lackeys and thugs, never the criminal boss in charge.

Then again, a worse fate still could befall you. Many would-be villains go their whole lives without receiving a story. They’re not meant for everyone, at all, even if they mean the difference between a true life or a false existence. You can’t fathom training your whole life just to go without, but it’s the reality for many on your island. Even the deck swabbers get to go on exciting adventures with the great pirates of the sea, and even the lowliest prison guard will still live in a cursed palace.

The story controls your life, both literally and figuratively. Once you’re given a story, you’ll have no choice but to follow it out, even if it ends with your death. Then again, a story isn’t over in a matter of days. It’ll shape your life for decades. Even if the main plot is over, you’ll still be someone, and maybe you’ll feature in other people’s stories, too. There’s no way to make it without a story.

That’s why you’ve been throwing yourself into the pursuit of becoming the main character of your own story. You’ve perfected the arts of all things villain– sword fights that always end with you pulling a secret dagger out of a sleeve to tip the scales in your favor, maniacal laughter, elaborate plotting. You could scheme in your sleep or double-cross a traitor with your hands tied behind your back. Although it’s been a long time in the making, everyone on the Isle can admit that you’re the best of the best, and that a story surely has to be coming your way.

The problem, then, is attracting one. Although no rules are set in stone, there are expectations for how one’s story will come about. There will be an inciting event, of course, and then the songs will begin to appear in your head, the footwork and movements placed in your memories without a second thought. You’ll know you’re in the story, and then your life will change forever.

You’ve already seen one play out with some of your closest friends. Mal, one of your best friends since you were kids, got to live out her nefarious dreams, although even she didn’t see the twist coming in her story. Then again, becoming queen of Auradon is certainly a fine trophy for the child of a villain, even if a true marriage of love isn’t quite the way anyone expected her to steal the crown.

Mal has assured you many times over that your story will be coming too, it has to. There’s no way the magic would skip over you, not when you’ve dedicated so much of your life to being the perfect villain for any role. You can lie and cheat and maim with the best of them, surely you’re shaping up to be the arch nemesis in some hero’s grand journey? Your story will be coming your way. Surely. Surely.

And then, all of a sudden, it does. You feel it like a puppet knows its strings. All of a sudden, you have a purpose that you didn’t before. Your feet carry you out of the training yard and out into the sprawling mess of streets that makes up the Isle of the Lost. Your heart soars, and you take to the roofline, staring out at the world before you. It’s yours, all yours, and you know it’s true, so you sing it. The words come to you in a flash, perfect rhymes curling around your tongue as if they’d been there all your life. 

This is what it feels like to be in a story, then. It feels right, more right than anything you’ve known before. Easier than breathing. Simpler than hoping that something like this would come your way, and at last, it has. Nothing could make your flinty heart more proud.

The song ends, and you can hear a ghost of a distant chorus fading out as you make your way back to the ground once more. Your stroll is casual, but the steps are definitely in a specific direction. The last notes fade from the air, your feet stop firmly in place, and you realize that you’re not facing down a potential heist or daring escape but the end of the dock leading into the sea. Directly in front of you lies a pirate ship. 

At first, you’re thrilled– an adventure on the high seas would be fantastic. You’re friends with many of the pirates, even if you haven’t yet gotten a chance to test your fortitude against seasickness before. You cast your mind back to the words you’d just sung, trying to remember if you’d chorused anything about an exciting voyage ahead, or maybe the possibility of sunken treasure.

Instead, your heart sinks as you realize you were talking about exploring what was right in front of you. More specifically, someone right in front of you. And, as you stare with no small amount of trepidation at the pirate ship in front of you, you discover that someone else seems to be in a similar situation as you. Someone who’s just stopped singing a very similar song, who’s standing directly opposite you as if placed there by some immortal hand. Someone you know already.

Someone like Harry Hook.

A belated understanding is beginning to nestle itself between your ribs like a knife in the heart. No, this can’t be. You refuse to believe it. Still, when Harry is the first one to make a move, and walks briskly down the gangplank to stand in front of you, and says in an increasingly cavalier tone, “So, you’ve got your story started too, haven’t you?”

“Harry,” you say weakly. “I didn’t realize that you’d also gotten a song.”

“More than a song,” he says grimly. “I’ve got the whole story.”

You stare at him. “You know how it’s going to end?”

Harry had been doing his best to keep his gaze firmly pinioned on a nearby wall, but his eyes flicker briefly, traitorously, over to you when you pose the question. They snap back immediately, though. For a pirate, he’s never been the best liar, although he tends to make up for it with excellent swordsmanship. “No one knows how their story is going to end until they follow it through.”

You narrow your eyes crossly at him. “But you have a guess, don’t you? Spit it out, Hook. I don’t have all day.”

“Actually,” Harry contradicts, seeming to take great joy in the opportunity to be bothersome, “you do have all day. You’re a part of a story now, love. Your whole life is going to be wherever the wind takes you.”

You roll your eyes. “Thanks, Harry. Very helpful. Don’t try to dodge the question, though. You know how this is going to end, right?”

He sighs. “I have an inkling. Very vague. Probably untrustworthy.”

“All pirates are untrustworthy,” you remind him.

He grins broadly, sharklike. “And all children of villains are saints like you, of course.” He groans at your exasperated expression. “Fine, fine. Although I’d suggest you get better at pretending you like playing my little games if you’d like to keep this up.”

Your eyes widen. “What do you mean?”

“You’ve guessed it already, haven’t you?” Harry says testily. “Think about the songs, Y/N. The melody. That wasn’t a villainous monologue, not even your basic pledge for debauchery and ruin. That was a love song.”

You shake your head frantically. “No, Harry. That was so not right. What is that supposed to mean?”

“Well,” Harry says slowly, “I ‘spose it means we’re meant to fall in love.”

You draw back so quickly that you think you’ve insulted him. “No. Absolutely not. No offense, Harry, but I don’t want to fall in love with you.”

“I’ll try not to let it go to my head,” he says dryly.

You wave a hand dismissively. “It’s not about you, I swear. It’s just– this was supposed to be my story, you know? My whole life. I was supposed to have a glorious adventure, or engage in fantastic battles, but I get one chance at a story and it’s about falling in love? No way. I won’t accept this.”

“You’re acting like I enjoy this too,” Harry retorts. “Quite the contrary, sweetheart. You’re not the only one who’s been dreaming about their story for ages. How do you reckon I’m meant to tell my father that I got a love story? He’d laugh at me so hard he’d probably stop getting scared of that crocodile once and for all. I’m just as unhappy with this as you are, but I’m willing to do something about it.”

You eye him cautiously. “Like what?”

“Let’s play along,” he suggests, and when you look like you’re going to snap at him, he raises his hands defensively and adds hastily, “I know, I know, but hear me out, will you? The faster we get things going, the sooner this ends. You know as well as I do that characters from other stories can take part in other ones, too. ‘Sides, maybe this one isn’t just a love story. Maybe we do travel somewhere exciting, we just don’t know it yet. You don’t have to fall in love with me, alright? We can pretend. We’ll sing our songs, then do whatever we want with our hearts. Me, I’m planning to show my strength by carving mine out of my chest and wearing it as a necklace. It would make a pretty pendant, I wager. Plus, all the crew would be awestruck over it.”

You can’t help but laugh at his words. “Harry, if you cut your heart out, you’d die. If you want a necklace like that, use one of your enemies’ organs.”

He nods appreciatively. “That might work better, I think.” Then, eyeing you apprehensively, “So, does that mean you’re willing to do it? To play along with our story?”

You sigh. “I think it does. It’s not like we have any choice, do we?”

Harry pulls a face. “A girl is cosmically destined to fall in love with me, and in the heat of the moment of her confession, she says it’s because she doesn’t have any choice. Be still, my heart.”

This makes you smile. “You know it’s not personal, Harry. We’ve been friends for ages, I should hope you know when I’m teasing.”

“And I should hope the same,” he says with mock solemnity, although his faux stony demeanor cracks with a wide grin within moments.

You hold out your hand for him to shake. “To falling in love?”

“To falling in love,” he says, and shakes it. So the story begins.

You’re not going to say that it’s difficult, pretending to be in love with Harry Hook. You’ve never had an issue with his company; he’s one of your oldest friends, all of the villain kids on or around the Isle of the Lost have come in contact with each other before, and you and Harry just so happened to cross paths more than a few times. In fact, you’d go so far as to say that if you were forced to sing love songs with any of the villainous children on this island, Harry would be your preferred choice.

And– the problem with that, see, is that it makes this whole thing sound like something it isn’t. You’re not in love with Harry, even if your story seems designed to make you think otherwise. You know how you felt about him before the story began, and a couple of ditties about finding something special in a person you previously overlooked isn’t going to change anything. Harry is your friend. Nothing more than a potential ally.

But then the story takes you two away from the island for a spell, the two of you co-captaining a small sailing vessel by yourselves in search of a magical talisman that would have the power to make every one of your days enchanting. You had assumed it would be a talisman of some sort, that is; yet when the two of you arrived at the hiding place of this supposed treasure and split up to each pursue one length of a split crossroads, your paths looped around so you came face to face with each other again. 

No artifacts, no charms. Just Harry almost stumbling into you, having to wrap one arm around your waist so you don’t fall, his chest rising and falling rapidly as if he’d been running in an attempt to beat your time. You’d chastise him for it were it not for the fact that you were sprinting, too. You wait for Harry to let you go, but he doesn’t, and instead leans closer, so close you can feel his breath hot on your cheek, and then–

You pull away quickly. Harry looks at you like a wounded dog, which makes you feel sick to your stomach. “No,” you say through gritted teeth. “This isn’t– this isn’t us. It’s the story.”

“Is it really just the story?” Harry asks you.

“Yes,” you say, refusing to consider any other option for a second. “You didn’t love me before it started. The magic is messing with our minds. This isn’t real, Harry.”

He starts slowly walking towards you, and afraid you’ll make a mistake you’ll regret once the story ends, you back up in turn, up until the point when your back hits a wall and you can go no further. Harry, however, has nothing in his way but you, and there is nothing to stop him from closing the gap between you once again.

“Tell me it’s not real,” he says lowly.

“It’s not real,” you repeat.

His hand rises to your chin, tilting it up so you have to look in his eyes. He drinks in the sight of you like he’s been marooned alone for days, like salt water has been his only benediction for as long as he can remember. “Tell me,” he says again.

“It’s not,” you insist, but your conviction is gone, drifted away from you on uncertain tides. “It’s the magic. Not us.”

“Not us?” He asks, and kisses you. Slowly, terribly slowly, he kisses you, and in between silently begging him to move faster, do more, you think about all the times you’ve been under a spell in the past, and how this feels nothing like that. Not at all. Whenever you’re under an enchantment, some small part of you knows it’s wrong, giving you just enough hope that you might be able to fight free.

When you kiss Harry, though, you don’t want him to stop. Not at all. Every single particle in your body is beating along to the same erratic pulse through your veins, the one that leans into his touch, reaching for the front of his salt-stained shirt to pull him ever closer to you. If this is your story, you don’t ever want it to end. If there is a writer out there somewhere, feverishly scribbling out your chapters, you hope they never cease, that every one of their movements until the day they die and then past that will bring you more moments with Harry, moments just like this one in which you never have to let him go.

“It’s not just the story,” you tell him amidst ragged breaths when he finally breaks away.

“No?” Harry asks, one brow quirked. Usually, he’d never pass up the chance to gloat, but he looks sorely disheveled, and he can’t take his eyes off of your kissed lips long enough to give him the chance to revel in his victory like he normally would.

Just in case, though, you distract him from the triumph by kissing him again. Somewhere in the surrounding uncharted territory, the waves crash against the shore, the seabirds wheel and sing on the marine breezes, and you find the magic in the one boy who has always been there for you, and always will be, even after your story ends. That is the magic of love, you suppose. Adventures come to a close. Battles are won, heists are accomplished, but what you and Harry share will go on forever. A fitting legacy for the best two villains who ever lived.

[corroded-hellfire]

Pixie Dust and Dates - Eddie Munson x Reader

Summary: Trying to get over your crush on your boss Eddie, you’re going on a date after you finish babysitting tonight. So, why do things seem to get tense between the two of you when he finds out?

Note: Needed a little jealous Eddie in my life. This takes place before part one so I guess it’s a bit of prequel. I hope you enjoy! 🩵

Warnings: older!eddie, babysitter!reader

Words: 2.8k

[As You Wish masterlist]

“Luke, are you not going to let me leave?”

The little boy hangs onto your waist, his little feet on each of yours. A devious giggle leaves his lips as he buries his face into your stomach. 

“Never!” the little boy cries. “You’re my prisoner!”

“Oh no!” you feign gasp. “Whatever shall I do?”

Ryan jumps up on the couch and does his best superhero pose with his hands on his hips. “I’ll save you!”

“No, she’s stuck with me forever!” Luke says, tightening his hold on you. It’s sweet, but he’s also getting pretty heavy on your feet. 

“She’s got school, ya know,” Ryan says as he jumps down from the couch. 

“She can come to school with me,” Luke reasons.

Ryan rolls his eyes and shakes his head. Can you believe this guy? you can practically hear him say.

“She’s in college, Luke. She could teach your kindergarten class.”

“All right, you two, that’s enough squabbling.”

“But do you have school?” Luke asks, looking up at you. 

“It’s Friday,” you say, poking the tip of his nose with your pinky. “It’s just like you, I don’t have to go until Monday. But I do have plans for tonight and tomorrow. So you can’t hold me prisoner forever!”

“Whatcha doin’ tonight?” Luke asks, grip loosening on you only slightly. 

“Well,” you say as you feel your face getting warm. There’s no harm in telling them the truth, right? It’s nothing bad and you don’t want to lie to them. So, why is there a sinking feeling in your stomach about the Munson’s knowing you’re going on a date? Just because you’re head over heels for your boss doesn’t mean you’re cheating on him by going on a date. But that’s what it feels like for some reason. All of your emotions are so consumed by one man who is married and has beautiful children and now it’s so bad you feel guilty over going on a date with a guy from your history class. The boys are still looking at you expectantly as your mind wanders off. “Oh, um, I’ve got a date.”

“A date?” Ryan asks with the most adorable grin. 

“Yes, a date,” you reply, face getting hotter by the second. 

“Oooooh!” Luke coos, smirking up at you and looking identical to his father. His wonderful, beautiful father. “Where ya going?”

“Dinner and a movie.”

“What’s his name?” Ryan asks.

“Peter.”

Luke gasps and gives your aching feet some relief as he jumps off of you. “Like Peter Pan?”

“Or Peter Parker,” you say.

“Who?” Luke asks, scrunching up his nose. 

“Spider-Man!” Ryan informs his little brother.

Luke shrugs, not caring about the web-slinging superhero. “Peter Pan is better.” 

Ryan gasps and begins to excitedly jump up and down in front of you. “Ooh! Ooh! Can we play Peter Pan?”

“How do we play that?” you ask.

“I mean like, play pretend,” Ryan explains. “I can be John, Luke is Michael, and you’re Wendy!”

“Who’s Peter then?” Luke asks with a huff, obviously wanting to be the main character.

“Daddy,” Ryan says, turning to him. “When he gets home and comes in the door it’ll be like when Peter comes in the window!”

Luke crosses his arms over his tiny chest, not sold on the idea. “Who’s Mom? Tinker Bell? They got the same hair color.”

“Mom is Captain Hook.” Ryan answers so quickly and with such conviction that it’s a struggle for you to hold in a bark of laughter. The kid is right, their mom is definitely the one most suited to play a villain. “She’s Hook because when she comes home, she’ll make us stop playing the game. The bad guy!” The words break your heart. You’re not sure which is worse: the fact that the words are true or the fact that Ryan has learned how cold and uncaring his mother is at such a young age. 

The younger Munson brother looks more convinced of the game now, his arms dropping to his sides and his shoulders relaxing. 

“Where’s Tinker Bell? And Nana?” Luke asks, apparently looking for plot holes in his big brother’s imaginary scenario.

“Well,” you say, “Tinker Bell is a pixie. So she’s so tiny that it’s hard to see her. She could be anywhere!”

Mollified by that answer, Luke nods his head. “And Nana?”

“Nana didn’t go to Wonderland,” you say.

“Neverland!” Ryan corrects, his face full of offense at the fact that you would mix those two up. 

“Right, right, Neverland, sorry. Second star to the right and straight on ‘til morning!” 

Ryan looks around the room and gasps, pointing to a spot about three feet above your head. “There’s Tinker Bell! We need some pixie dust so we can fly!”

You stand on your tippy toes, game to play along, and reach your arm up as far as it can go. Concentrating, as if you’re almost reaching something, you close your fist over the empty air and stand back down on flat feet.

“I got her!” you say. “Come here and I’ll sprinkle the dust on you!”

Luke hops over and stands underneath your cupped hands. You pretend to sprinkle some pixie magic on him before doing the same to Ryan. The older boy holds his arms out to the sides like an airplane and runs around to the other side of the couch.

“We can fly!” he shouts. “Come on, Michael, Wendy!”

“We’re coming,” you tell him, ushering Luke to go in front of you. The three of you run around the house with your arms out, pretending to be soaring through the sky on your way to the mystical home of Peter Pan. 

Ryan stops for a moment and purses his lips. He looks deep in thought before he bolts down the hallway and into his room. There’s a handful of action figures in his arms when he re-emerges. It’s an assorted bunch containing The Hulk, a Ghostbuster, a Teenage Mutant Ninja Turtle, and a GI Joe. You’re even more curious as to what he’s doing when he walks into the bathroom with them.

“Uh, Ryan?” you ask, heading down the hall towards him.

“It’s John,” he reminds you. 

“Right, John. What are you doing, John?”

Ryan sets his action fingers up so they’re sitting on the rim of the bathtub.

“It’s Mermaid Lagoon!” he announces proudly. 

“They’re boys,” Luke says.

“Mermen are a thing,” you say, ruffling his curls. 

“Okay, where’s Skull Rock?” Luke asks. Ryan thinks for a moment before darting out of the bathroom and down the hall again. Luke chases after him but you take your time with a leisurely walk. 

“It’s here! But it shrunk!” Ryan pretends to be baffled as he picks up a chunky silver skull ring of Eddie’s. It was sitting in a bowl that was on the table near the front door. Your only guess is that on days where his hands weren’t covered in dirt and grime, he had the rings in the perfect position to slip them on when he walked through the door. 

“Maybe Tinker Bell shrunk it with her magic! Revenge for when Hook tried to kill Peter!” Luke adds. 

If your logic is right—which you know it isn’t in this case of make believe—Ryan and Luke are talking in terms of the events of the Peter Pan movie already happening. Which means Hook would’ve been eaten (or maybe just chased) by the crocodile. The mental image of a cartoon crocodile chasing Brittany down the street is enough to make you giggle out loud. 

“Wha’s so funny?” Luke asks, turning to you. 

“Hmm?” you ask as you shake the fantasy from your head. “Oh. Just, um… Well, look!” you point up at the ceiling and drag your finger around as if you’re following something that’s moving. “It’s Peter’s shadow! It looks like he lost it again!”

“We have to get it for him!” Luke says.

“How do we do that?” Ryan asks, putting the ring back in the bowl. 

“I think only Peter can catch it,” you say with a sigh. 

“But you can sew it back on him again, right Wendy?” Ryan slash John asks. 

“I will certainly do my best,” you tell him. 

The front door opens and Luke races over. Eddie is prepared for the ambush and hoists his youngest son up over his shoulder. 

“Hey, munchkin,” Eddie says.

“Hi, Peter.”

A confused frown grows on Eddie’s face, and he maneuvers the little boy so he’s holding him out in front of him and can look him in the eye. Luke giggles as he dangles from his father’s grip.

“Whatcha call me?” Eddie asks.

“Peter! You’re Peter Pan!”

Eddie cocks an eyebrow and looks over at you. “Is this some joke about me never growing up?”

You giggle and shake your head. “No, we’re playing pretend. You were unanimously elected to be Peter.”

“Uh huh,” Eddie muses and settles Luke on his hip, even though he really is too old to be held like that. “So, who are you, little dude? The dog?”

Luke huffs and rolls his eyes overdramatically. The apple clearly did not fall far from the tree. “I’m Michael.”

“And we’re John and Wendy!” Ryan tells him, proudly taking your hand in his. 

“Well, why aren’t you flying then?” Eddie asks. Before either boy can ask him what he means, he lifts Luke over his head as the five-year-old giggles and holds his hands out in front of him. Eddie brings him over to the couch where he plops the boy down on the couch. Luke instantly scrambles up and tries to jump on his dad’s back. Eddie lets him and holds his son’s small legs as he wraps them around his waist. 

“How ya doing, Wendy?” Eddie asks as he walks past you into the kitchen. “These lost boys aren’t driving you too crazy, huh?”

“Never,” you say, trying desperately not to ogle your boss. You clear your throat and rest your hands on Ryan’s shoulders, jostling him gently. “They make my days fun. How was work?”

“Eh, loud and greasy,” Eddie replies, pulling a beer out of the fridge. “Glad to be home.”

The smile he gives you has your knees feeling weak. Mentally, you berate yourself. This is exactly why you’re going on a date tonight. Peter is a nice enough guy but doesn’t really do anything for you. But when he asked if you’d like to get dinner as the two of you were leaving your shared history class, you agreed. The way you feel about Eddie quickly evolved from just thinking he was attractive as soon as you got to know him. His kindness, humor, gentleness, and wit quickly had you falling down the slippery slope of feelings. Hopefully, Peter could catch you with his own charm before you fell even further down the rabbit hole for Eddie. 

“You gotta catch your shadow!” Luke’s words break you out of your small daze. The little boy is bouncing in his dad’s grip, gesturing towards the tall shadow on the kitchen floor. “Wendy has to sew it back on for you! Then you kiss!”

Both you and Eddie blanch at the five-year-old’s statement. 

“Huh?” Eddie manages.

“After Wendy sews Peter’s shadow back on, she tries to kiss him!” Luke clarifies.

Dear God, I wish, you think. 

Eddie chuckles and shakes his head, avoiding your eyes. He opens his mouth and you’re almost afraid of what he’s going to say. Luke beats him to the punch though, annoyed that the game has stalled.

“Daddy! Shadow!”

“Hurry, before she has to go!” Ryan adds. 

“Yeah! She’ll be late! Late, for a very important date!” Luke laughs against his dad’s neck, finding it hilarious that he was able to quote another Disney movie.

“Date?” Eddie lets the refrigerator door slip from his grip, and it slowly slides closed. You think you’re imagining his hand tightening around his beer bottle but can’t help but hope that your boss doesn’t like the idea of you going out with someone.

“Uh, yeah,” you say, suddenly feeling nervous. That is ridiculous, you tell yourself. Eddie has never made you feel nervous–okay, that’s a lie. But a good, giddy kind of nervous.

“A boy from school?” Eddie asks, bringing his beer up to his lips to take a sip. 

“Yep. From my history class.” 

“He’s taking her to dinner and a movie,” Luke informs his father. Eddie’s head turns over his shoulder to look at his son, as if he’d just remembered he was there. 

“Oh. T-That’s nice.” Eddie’s words have an edge to them, despite how casual he tries to make them sound. Luke releases his grip from his dad’s neck as Eddie crouches down to let the little boy down. He scampers out of the room, officially bored now, and Ryan looks between you and Eddie once before following behind his little brother. 

“You, um,” Eddie says as he leans against the counter behind him, setting the bottle down. “You have to get going now? Get ready?”

Truthfully, you do. But leaving Eddie is always easier said than done. 

“I guess I should,” you say with a shrug. As you move to leave the kitchen, Eddie steps forward and extends his arm as if he’s going to grab your arm but thinks better of it. Awkwardly, he shoves his hands in the pockets of his coveralls and clears his throat when you turn back to him.

“If, uh, you need anything…like, if he’s an asshole and you want to bail or um, anything else,” Eddie says, looking at you from underneath his impossibly long eyelashes, “just give me a call. I’ll come get you. Whenever and wherever.”

The offer has your heart swimming in your chest. Even if he doesn’t have feelings for you, Eddie definitely does care. Being so kind and thoughtful are two of the reasons you were already so crazy about the man, so this offer is doing nothing to dampen your feelings. It’s so touching though, that it gives you goosebumps. 

“Thank you,” you say, giving him a small smile. “I really appreciate that.”

“Of course,” Eddie says before he clears his throat again. “As long as you’re safe.”

Unable to come up with anything else to say, you nod your head. A goodbye with Eddie has never felt this way before. Uncomfortable, yet you don’t want to escape it. How could you ever want to escape Eddie? You blame your own awkwardness and mentally scold yourself for projecting how you want Eddie to feel onto him. 

“I’ll, uh, see you on Monday?” you finally ask.

“Yeah. Sounds good.” Eddie’s smile doesn’t meet his eyes, but neither does yours as you turn to walk out of the kitchen.

“Your homework better be done,” Brittany says as she thunks down a bowl full of microwaved macaroni and cheese. Eddie moves around her in the kitchen, his jaw squared and tense as he pulls the pork chops from the oven. Brittany and both boys keep glancing at him every time he slams something around on the counter. 

“It is,” Ryan says of his homework as he takes his place at the dinner table. 

“Luke?” Brittany basically snaps.

“Did it when I got home,” Luke says, reaching for the cheesy side dish. “Before we played Peter Pan.”

“Who did–oh, the babysitter?”

Luke frowns, not liking his mother’s tone or how she doesn’t refer to you by your name. Neither does Eddie, judging by the way he practically tosses the pork chops onto a platter.

“Yeah,” Luke answers his mother. “We played Peter Pan and then she had to go ‘cause she had a date.”

Eddie yanks his chair out from the table, the legs squealing against the floor at the ferocity with which he pulled it, so he can take a seat. He doles out a piece of pork to everyone’s plate, his knuckles white from holding the fork so tightly. Brittany just arches a recently-shaped eyebrow at her husband before returning to the conversation. 

“A date, huh? Wow.” Her snark is clear, and Eddie has to bite his lip from barking out something he’ll regret.

“What’s wow?” Ryan asks as he jabs his fork into the mac and cheese on his plate.

“Oh, nothing,” Brittany says with a shake of her head. “Nothing at all.”

The table is quiet for a few minutes, the only sounds coming from knives and forks working on the food. Ryan keeps sneaking peeks at his dad, wondering why he’s so unusually quiet. Normally, Eddie would be asking about their days at school and telling them about anything funny that happened at work today. His silence is making Ryan fidget in his seat. Brittany is the one to break the silence, though the three men silently wished she wasn’t.

“My sister is going to come over tomorrow. Eddie, did you hear me? Eddie?” Brittany glares daggers at her husband when he doesn’t answer, or even acknowledge her. But Eddie isn’t looking her way. Of course, this only irritates Brittany further.

“Eddie! Why in the hell are you staring at the phone like that?”

[jelsah27]

Pomefiore Dorm First Year Study Session

First Years: *looking around*

Ace: Hey Grimm, where's MC?

Grimm: Henchman had a meeting with some movie producers. Apparently, MC is very good at screen writing... whatever that means... but they said they wouldn't be late so that means they should be here-

MC: *busts though the door* I'm not late!

Grimm: Now.

MC: Sorry guys, I had to haggle with the producers longer than expected. Now let's get this show on the road!

Vil: *is behind the door about to enter and scold the potato for running in incorrect attire*

Deuce: What were you haggling about?

MC: Oh, I said they could have the script if Vil was in it.

Vil: *pauses*

Epel: That doesn't sound like it'd be hard. Most would pay the producers to get them to hire that prima donna- I mean a celebrity like him.

MC: Well that is true but I didn't want him to have the role they wanted to give him.

MC: I said they would have to hire him as the Main Character. They said they would like to give him the villain's role. But as the writer I felt appalled. I wrote the male lead to be the sexy villain type to get the female leads attention. She is drawn in by the subtle kindness that shown in the moments someone needed it most. While everyone only saw his so-called "evil persona", she saw that it was nothing but protecting the people he loved. I also created the role of the "villain" to be a play on the sweet boy type, he isn't evil, he doesn't even have any true interactions with the character. But he's the standard by which the mc is held to. He's the wall mc always has to beat but never seems to succeed. He's the one everyone tries to get to save the FL. This "villain" is the one obstacle that always seems to be in the way. But slowly the mc realizes that the "villain" wasn't the problem at all. It was the society that was flawed. Just because that person is the one everyone wants him to battle doesn't mean they're right. He can be himself and still win the girl. He can strive to be the best he can be without being to be the villain type everyone wanted to cast him as. He can co-exist with someone who is almost the opposite without being mortal enemies. He can simply live.

MC: In the end they caved, so it all works out. Anyway lets get to studying. Tweedle Dumb and Tweedle Dumber are gonna fail at this rate.

Ace and Grimm: Hey!

Vil:*smiling softly*

Vil: *starts calling his manager* I want to take the movie offer I am about to get. Let me know when it comes up or you're fired.

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[amuromi]

★ ₊ ⊹ ⋆˙ ┈ 𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐓𝐎𝐉𝐈 X ᶠ!ᴿᴱᴬᴰᴱᴿ

✦ ⋆˙ 𝐖𝐎𝐑𝐃 𝐂𝐎𝐔𝐍𝐓 ┈ 11.0k

✦ ⋆˙ 𝐓𝐀𝐆𝐒 ┈ NSFW! actor!au, unprotected sex, pet names (baby), oral (f!receiving), ooc Toji (no, really!!)

✦ ⋆˙ 𝐀!𝐍𝐎𝐓𝐄 ┈ This is very self-indulgent because I was once again infected with brain worms because of this post.

✮ 𝐌𝐈𝐍𝐎𝐑𝐒 & 𝐀𝐆𝐄𝐋𝐄𝐒𝐒 𝐃𝐎 𝐍𝐎𝐓 𝐈𝐍𝐓𝐄𝐑𝐀𝐂𝐓!! ✮

Toji is a typecast kind of actor. He started out as just a guy they call in when they need some muscle. He’s got the training for all sorts of things. Martial arts, swordplay. If a background character needs to look believably menacing, he’s the one to get on contract. And over time his bit parts as henchman number three and thug with one line slowly evolved into something more involved, because there is no denying that Toji has a face for film. Eyes that come with a vulpine sharpness, like he knows something you don’t, and a scar at the corner of his mouth that’s as marketable as any beauty mark. Really, he looks mean, but that’s exactly what a villain is supposed to look like. He’s all harsh angles that any photographer would kill to work with. So he slowly builds up a filmography from the most insignificant masked goon to a formidable kingpin, front and center. Goes from an uncredited extra to damn near top billing as a main antagonist and that’s just fine with him when the bigger roles come with a paycheck to match. It’s not anything new for him. Toji spent his whole life fighting and training. How else could he make all those stunts look so easy? It’s only right that he makes a career out of all those grueling days of harsh conditioning. And it sweetens the deal when he finally finds his girl. 

Every villain needs arm candy. It’s a constant revolving door of pretty faces standing next to him whenever the director yells “action!” So many that they begin to blend together in his mind and he spends interviews bullshitting his way through any thoughts regarding his female co-stars. “She was fine, I guess.” And of course, he thinks she did a great job in that movie he’s never seen. Empty platitudes to satisfy the interviewer and keep his manager happy that he’s playing nice about the tedious media circuit. Usually his roles don’t require that much attention to detail. He’s coasted this far on his graveled voice and dour expressions, so he never bothers to pay more than the bare minimum of attention. He learns his line and character names. He knows who the blonde character named Amy is but without the blindingly bright platinum hair he couldn’t pick the actress that played her out of a lineup. So it makes his life a lot easier when they find him a girl that works. 

Something about charisma and chemistry. All the buzzwords he’s fed over conference calls boil down to you being his girl. The perfect match for his onscreen persona. Real pretty with just enough training that you can fill in on most of your own stunts. So it makes sense when the two of you start cropping up as a package deal. If there’s an action movie in need of a big bad, Toji’s name is put forward, and if he needs a girl–and, sometimes, even when he doesn’t–his people are quick to toss your name into the ring. He’s not sure on the details, if your agents have worked out some kind of joint agreement or if it’s just coincidence that all the casting directors settle on you as his opposite but he’s not complaining. 

You’re real easy on the eyes in a way that goes beyond basic celebrity standards. You don’t look standard. The other girls he’s worked with were standardized. All coming in the same kind of package, but with you he can pick out true individual features. He can tell when the makeup artists fuck around with your eyebrows and overdoes your lipstick. Maybe it’s ’cause he’s always looking at you nowadays, but it might also just be how gorgeous you are. Of course he wants to know what such a pretty girl looks like. It’s one of the perks of the profession and Toji is nothing if not selfish about almost everything. He’s not acting for the art, it just gives him the biggest payout at the end of the day. He likes his bank account with a ridiculous amount of zeros and it just so happens that you come along with that. 

He can’t see why his manager is suddenly complaining when your names start getting tossed around in tandem more often than not. Why shouldn’t Toji date you if he wants to? And he wants to. But apparently he’s supposed to maintain a certain aura in the media. Mean and unapproachable. Which he is. There’s plenty of videos of him manhandling the paparazzi to attest to that. But that means he’s gotta be something unobtainable, and making heart eyes–he’s definitely not doing anything like that–at his favorite little co-star is certainly the opposite of unobtainable. 

He tries to be pragmatic about it, saying he’s just keeping in character. Mean to everyone but his girl. But his manager isn’t going for that. Something about your people using him for clout since he’s got a few years of experience on you as the new kid on the block. Still Toji can’t see the problem. This whole damn industry is built on connections and favoritism so why can’t he help you a little if he wants to. The mere mention of his lack of concern has Shiu groaning, the sound chopped up and drawn out by a poor connection. 

“You’re my most difficult client, do you know that?” The man sighs like he’s trying to wrangle a toddler into behaving. 

“I’m your only client.” Toji reminds him, earning a scowl through the laptop screen. 

“And whose fault is that?” Shiu sounds so put out that Toji doesn’t bother entertaining the idea that it’s anything other than his fault. Somehow. Even though it was Shiu that approached him after he spent a couple years as a free agent that productions had to play phone tag with to book. Now he’s at least a little serious about this whole acting thing, but Shiu wasn’t there from the start so he gets what he gets. An insanely marketable asset if the only thing you want to be known for is managing the big, scary guy in every action movie out in the past few years. In pigeonholing himself into what he’s good at, Toji has tied Shiu’s hands but that’s not really his issue. Especially not when he’s pissing him off, telling him to stop talking nice to you. 

“All I’m saying is a little discretion would be highly appreciated.” Toji nods like he’s taking his manager’s words to heart but he knows there’s not much the man can do without shooting himself in the foot by pissing off the only person he’s got on contract. 

The people wanna see the two of you together. Toji wants to see the two of you together. And you’re not putting up a fuss about seeing him on every set you show up to. The only person upset with the arrangement is Shiu, and Toji barely listens to anything the man says in the first place. So when you let slip during a break to reset a scene that you’re going through the audition process for some indie thriller starting up production he’s quick to piece together enough information to get himself in the door of an audition without Shiu knowing. You’re new enough that you’ve never had anyone else as your love interest and something cocky and maybe a tad bit possessive in him wants to keep it that way. He likes how the two of you look together, so why ruin a good thing by letting someone else work with you when you already work so well together? And you just have to look so happy to see him when the final cast is announced. 

Here you come, all smiles and newly dyed hair, asking why he didn’t tell you he was trying for a part, too, and he just shrugs to keep from telling a lie. Because the truth is he wasn’t supposed to be trying for a role but like clockwork a villain was needed and he showed up to fill the spot. And it works out in his favor because he’s not here to play some one note guy with a gun. Instead he’s playing a psychopath or sociopath–he’s still not a hundred percent on the difference but you explained that there definitely is a difference–and it just so happens that his character is obsessed with you. Shiu made a snide comment about “a little on the nose, isn’t it,” when the first script came through but Toji elected to ignore him. It’s not some well-guarded secret that he likes working with you so who cares if it seems a bit much that he’s somehow always one step behind you. 

Apparently, the fans care. They care a lot. He’s still trying to wrap his head around people caring so much about what he’s doing. When Shiu gets to throwing around media jargon he usually tunes him out but he hears enough about it from you that he’s starting to recognize certain terms. Fans, stans–two different things, maybe–fansites, and saesaengs–at least that’s what Shiu calls them, and they’re bad fans. Toji would rather call them what they are, which is crazed stalkers, but in the industry there needs to be a code word for everything. He’s caught you scrolling through your own tags on social media more than once, “just to see what they’re saying,” you insist, and then sulk when Toji takes your phone because you don’t need to have an unfiltered experience about how people view you online. It’s a dangerous place for someone so sensitive. You don’t have the same aloofness that he has to how people perceive him and he doesn’t need you getting your feelings hurt. 

Supposed fans like to pick at every little thing people in the spotlight do. An hour on whatever app you’re scrolling that day would pick you apart like buzzards over roadkill and leave you nursing your hurt feelings for days to come. New insecurities you haven’t even considered having would crop up because one person made a comment on your nose. Never mind the fact that it looks perfect just the way it is. At least to Toji. But you’re always quick to remind him that he has something nice to say no matter how you look, which isn’t wrong but he’s never lied or over embellished his thoughts. You are beautiful. It’s not his fault for pointing out the obvious. And his blatant, albeit silent, admiration works towards your newest project together. He hears the crew whispering between takes about how unnerving he is on camera, and how it doesn’t entirely seem like an act when he’s looking at you. 

It isn’t. Although Toji isn’t quite unhinged enough to stalk you or slaughter anyone that gets too close. He doesn’t need to anyway. You offer yourself up so sweetly like you can’t tell how frustratingly tempting you are. He tries to behave. For your benefit. He doesn’t care about Shiu’s constant reminders for “discretion.” And if your agent has anything to say to you about it, you’ve yet to mention it. And you never turn down his offers to go out after work. 

Someone asks for your autograph when you enter the restaurant together, begging for a picture with the two of you before a starry-eyed hostess ushers you to a private table. That picture will cost him another afternoon of Shiu yapping in his ear about tarnishing his reputation but that’s a problem for later because Toji is still thinking about how you rested your hand on his chest and leaned against his shoulder for the photo. There’s probably nothing to it. Intimacy like that comes like muscle memory after so many photoshoots for movie stills and promotional images. There’s a poster somewhere of the two of you posed in just the same position but that had been directed by a photographer. This you did on your own. Toji tries not to dwell on it as you flip through the menu. He knows from experience that you’ll stare blankly at the words printed on the paper, flipping through each page like you’re reading it, just to look up with that deer in headlights face that you get anytime a waiter asks for your order. You can deal with a swarm of paparazzi with a breezy smile but the moment someone asks you what you want to eat you freeze up. 

“I don’t know what to get,” you hum, still looking over all the options. Toji knows what you want. It’s an Italian restaurant and he knows you like pasta. He picks your order before his own, setting the menu aside to watch you pretend to make a choice. It’s cute, because he knows you’re genuinely trying to pick but without fail you start to blank as soon as the waitress saunters over to the table looking far more primped than the others he’s seen milling around. There’s gloss on her lips and her hair is pulled back so neatly it looks freshly done. It almost looks like she’s just clocked in except her cheeks are flushed bright and there’s a slight tremble to her hands. The hostess must’ve spread the word that celebrities were dining at table 17. She smiles real big, eyes fixed on Toji as you frantically flip through your menu, trying to decide on something. He reaches over to take it from you, giving the overeager waitress both your orders before sending her on her way. 

“Thanks,” you smile. Of course, he wants to say, I got you, baby. Instead he keeps his mouth shut, nodding in acknowledgment as he waits for you to start up a new conversation. You’re on about something to do with production, how you’re still not used to being important enough to have your own assistant on set, when the waitress returns with your drinks. Her hand linger on Toji’s glass, condensation dripping over her fingers as if she’s waiting for him to reach for the cup and brush his fingers over hers. It’s like something straight out of a romance movie and he might’ve found the humor in the attempt if it weren’t so annoying. Instead of reaching for his drink he sits back in his seat, arms crossed over his chest as he glowers at the girl. 

She interrupted your story about you assistant messing up your breakfast order yesterday, but you don’t seem bothered as you stick your straw in your drink, humming happily after the first sip. He ordered you one of those Shirley Temples that you always get, candied cherries floating in the soda and grenadine. After a beat longer of Toji’s unflinching glare, the waitress finally retreats with a quiet chirp about your food being out soon. You thank her and Toji wants to tell you not to waste your breath, but that would probably only confuse you. For as intuitive as you can be, you still haven’t grasped the fact that Toji would kill to be your man. It would almost be endearing how oblivious you are if it wasn’t grating on his last nerve. Here you are thanking a girl for flirting with him like it didn’t take every shred of his patience to not tell her to fuck off and leave him alone. 

“So, anyway,” you continue, twirling the straw wrapper between your fingers, “he’s so used to assisting Kyoko”–some other actress Toji’s heard of in passing–“that he never actually asked for my order and just came back with her usual. Apparently she likes tomatoes in her eggs but I had to pick them out. And my omelet still ended up tasting like tomatoes. It was so bad I couldn’t finish it.” You screw your face up like just recalling the story has brought the taste back to your tongue. Toji already knows about your aversion to tomatoes. He always reminds the wait staff to remove it from your order whenever you’re out together. All it took was one time watching you peel a tomato off your burger for him to commit the little quirk to memory. 

“You should get a new one,” he tells you. He’s had his fair share of assistants but they’re a rotating roster of equally intimidated people flinching every time he calls their name like he’s going to tell them to go play in traffic. Usually he just wants a drink or something from the restaurant up the street but something about Toji is just so suffocating that most assistants barely last through filming. There are very few people that can tolerate his terse personality but he’s glad you’re one of them. So pretty and so sweet like you don’t realize that everyone on the production staff avoids him unless it’s absolutely necessary to speak with him. It’s half reputation and half unmitigated judgment. Toji would like to think he’s not all bad. He can be cordial in a distant way when not provoked but so many people seem to have an expert ability to pluck at his nerves. 

“Nah, it’s fine.” You’re laughing like it isn’t a big deal that you weren’t able to eat because some inattentive staff member didn’t do their job correctly. “I told him what happened and he apologized, even asked if he should go and get me my actual order, but by then it was about time for filming to start.” You wave your hand dismissively. “It wasn’t anything serious.” Except it was because you’d had to go hungry because of someone’s incompetence. There’s a reason Toji is always taking you out. Most actresses have a habit of skimping on meals to look as trim as possible and he’s not about to let you starve because that’s what the media thinks looks best. He likes you just the way you are and, as far as Toji is concerned, his opinion is the only one that should matter. Not even your own as your food arrives and you whine about not being able to finish it all. 

“I’ve seen you eat more than that.” It comes out just a hair too harsh and he can see it settle over you as if he meant it as an insult. “It’s just pasta,” he says before you can get too in your head about it. “It looks like more than it is.” You grumble something under your breath, likely something snarky about how he doesn’t have to worry about portion control because you’re always saying how his stomach is a black hole. His physique is a testament to how far the human body can be pushed thanks to his tumultuous upbringing. A chasm of memories that don’t quite fit together, punched with holes like a moth-eaten shirt. Something about trauma and dissociation Shiu had said after a night of drunken oversharing. 

It sounded like he was reading off the first link he found in the search results while he was looking up why Toji was such an abrasive asshole all the time. Realistically, Toji knows he has things to work on just like he knows he doesn’t care enough to put in the effort. It is what it is and as far as he’s concerned the future is far more interesting than the brick wall his brain has built between the present and the past. The future has you and there’s not much he can think of that’s better than that. Not when you’re sitting across from him yapping about whatever pops into your head and happily eating the food he knew you’d like. 

“I mentioned in an interview once that I really liked this one author, and they’re releasing a new book soon. Apparently they sent me a signed advanced copy! There was a little handwritten note and everything!” It’s cute how you’re famous and still getting excited about another public figure acknowledging your existence. There’s something so genuine and humble in your happiness that seems to be missing from most of the big names he’s worked alongside. Toji isn’t always the easiest to work with considering how short his fuse is but he’s not one to take it out on people. He’s more hard stares and gruff one-liners while he’s seen other actors shout at the staff like they’re children needing to be scolded. So far, the egotistical people he’s worked with have enough sense not to snap at Toji directly. The only person that’s ever mouthed off to him is you, and it’s always within reason. He is a dick sometimes and you’re just so preoccupied with pleasing everyone that you’ll bite at him for being a bit too short with a co-star or snapping at a member of the wardrobe staff for taking too long for his liking. You make everything more pleasant for everyone involved. A little ray of sunshine in Toji’s otherwise dreary life. 

He was right about the food. You finish your pasta and two of your cherry drinks before Toji pays the tab, ignoring the waitress’ number written at the bottom of the receipt. He hardly notices the blue scribbles, but you do. It seems to flip a switch in your brain as you stare at it before Toji crumples it and shoves it into his pocket. You’re quiet as you leave the restaurant, going a few paces before you finally find your voice. 

“Are you gonna call her?” Your tone isn’t as playful as it usually is when you tease him about all the attention he draws. He’s gotten free drinks at bars and comped meals at restaurants because some waitress or bartender thought he was handsome. Toji has grown used to women giggling behind their hands as he passes and men peeking at him from the corner of their eye like he won’t notice. There’s a certain allure to his surliness that no one but you seems to be immune to. You and maybe Shiu. Usually the most you’ll give him is a laugh and a sarcastic quip about how he’s a public liability for all the attention he commands. Usually a joke about him stopping traffic. But you seem a bit more serious today, a bit more bothered than usual. For a second, Toji considers that he might be hearing things where you didn’t mean them. But then he catches the slight pout of your lips tinged red from your drink and he knows something’s up. 

“The waitress,” you say when he takes too long to answer, “she gave you her number, right?” It takes Toji a moment to realize this is the first time anyone has been so forward with their flirtations in front of you. Of course there were always the compliments and thinly veiled innuendos, but it never goes too far considering most people just assume the two of you are together like that. This waitress had taken a chance slipping him her number, but it’s not like Toji wants it. He hands you the rumpled receipt without a second thought. There at the bottom, in that same sparkly blue pen she used to take your order, is her name and number. 

“Kanna.” You say, eyes narrowing as you stare at the digits of her phone number. Toji decides to test the waters because there was certainly a hint of disdain in your voice as you read her name. You mumble something about her handwriting being messy and Toji can’t help but laugh. 

“Jealous, baby?” Sunlight dances over your lashes as your eyes snap to his face. He watches you try to hide your expression, your pout disappearing as you hand him back the receipt. He shoves it back in his pocket without a second glance because he knows you’d say something about littering if he dropped it on the ground just to prove a point.

“No.” You say it too quickly for it to be true. 

“Liar.” Toji laughs because you’re so clearly bothered. Usually someone making a pass at him wouldn’t get you so flustered but there’s something different about you today. You’re more openly affectionate. There’s still those moments of hesitation but you’ve been more free with grabbing his hand as you walk and leaning against him when you’re idle. That girl couldn’t have rattled you. She was hardly anything to look at, less so when Toji is constantly surrounded by a plethora of perfectly curated women that fit rigidly into the popular look of the moment. Trendsetting hairstyles and the latest designer clothes. You’re more subdued, less artificial in your style choices, yet he still finds you leagues more beautiful than anyone he’s ever seen before. Certainly more so than that random waitress and her glitter pen. 

Toji has to hold back a smile as you walk ahead of him. Taking three steps for every one of his and still only managing to stay a half step in front of him. He can tell you’re trying to distance yourself, arms crossed and lips pouted as you rush forward. Toji let’s you. It’s not like you’re far ahead and, lucky for him, you’re headed to the same place. The hotel is a few blocks away and Toji takes the time to enjoy the way the sun moves over your hair, golden light settling like a halo around your head. It’s only when you reach the towering silhouette of the hotel that the sun is eclipse and you go dull. Without the shower of gilded light you look more dejected than annoyed. A kicked puppy rather than an angry dog. You make it as far as the elevator before Toji decides he’s had enough of the running. His grip on your arm is as gentle as he can manage while keeping you from slipping away from him. His free hand finds your hip as the floors rush past. Your shuffling lifts your shirt ever so slightly and Toji finds his thumb brushing over the exposed skin above your waistband before he can contemplate the consequences.

Toji touches you all the time. As his on screen love interest, he’s inclined to be physically affectionate when the cameras are rolling. But even off screen he can’t help the way his true desires bleed into his actions. The media eats it up every time a picture of the two of you surfaces, the rumor mills running overtime to concoct a front page story for one tabloid or another. But that’s always been part of the show. The same way you leaned into him when that fan asked for a picture is the way he holds your waist on the red carpet. This is different. There are no cameras. No one to impress or enthrall. This is simply Toji wanting to touch you, and you letting him. The feeling of his fingers dipping beneath the hem of your shirt have gotten you to go still, leaning back into his chest as he watches your reflection in the polished metal of the elevator doors. 

“Let go.” It’s only the two of you in the elevator and yet your voice is no louder than a whisper. Toji scoffs, hands loosening little by little. 

“You want me to?” 

“No.” Your voice is even smaller than before. The quietest admission like you’re unsure of it yourself. Still, Toji lets go and watches you stumble because you were leaning so heavily against him. 

Immediately he can feel the absence of your warmth against his chest, but he’ll let you come back to him. He’s made his intentions clear. From here, the choice is yours. When the doors ding open, you nearly sprint down the hall and Toji assumes you’ve made your choice. He can live with it. He doesn’t blame you for it. The moments you’ve shared together always felt a bit too good to be true, just as perfect as when the cameras are rolling. But you stop in the middle of the hallway. Your room is further down but you don’t move to go any further, as if something has rooted you to that place. Toji sets a leisurely pace in his approach. 

There’s the expectation that you’ll go running off again the moment he gets too close like a rabbit evading a wolf, but you surprise him with your stillness. Even as he recaptures your waist, hands more purposefully dipping under your shirt as he pulls you into his chest. This isn’t the place for it. A picture like this would be a PR nightmare and he’d never hear the end of it from Shiu. But Toji can’t bring himself to worry about that right now. Instead he asks which room you want to go to. His is closer but he doesn’t doubt you’d be more comfortable in your own. You lead the way, swiping your card to unlock the door before pulling him inside. 

After a month of filming, you’ve turned this temporary situation into your own. It smells like you more than any industrial strength cleaner that the housekeepers use. He recognizes the smell of your shampoo and that scented lotion that you love so much. The bed is freshly made and that damn duck that a fan gifted you months ago is propped up against the pillows next to the remote. A bit of tension leaks from your shoulders as you laugh and explain that the housekeepers have been doing this for weeks, setting a cute little scene for you to return to after they’ve straightened up the room. You set the remote and duck on the nightstand as you sit at the edge of the bed, perched as if you don’t want to crease the freshly steamed linens. You look nervous and it stops Toji from wandering further than the little entryway. He’s flanked by a closet and a mirror just like in his room but he can’t take his eyes off you. Your hands are tucked between your thighs and he tries not to focus on the way you’re shifting and squirming, squeezing your legs together. 

He can almost see the heat flooding through your body and he’s more than capable of flushing it out if you’ll just ask him to. He feels like a leashed dog waiting for the command to pounce. He reaches up to brace his arms against the dropped ceiling annexing the entryway from the rest of the room. For all your silence, your body is speaking for itself. Toji’s eyes don’t miss the way your throat bobs as you swallow, eyes focused on the way his arms flex above his head. 

“I can’t tell you what to do,” Toji says even though he really wants to. He knows you’d listen, too. But this isn’t something he can script and direct. You have to decide for yourself, give him the words he’s looking to hear. “You gotta tell me what you want, baby.” He sees the little pet name land, watches how you dip your chin and look up at him through your lashes. Embarrassed and he hasn’t even done anything yet. 

“Don’t make me,” you mumble. It’s so starkly different from the sultry confidence he sees on set, a true testament to your skills as you struggle to find the words to say you want him. Because he knows you do. It’s clear in the way you keep stealing glances at him even as you point your face away, hiding like he can’t see the way your teeth nip nervously at your lip. 

“I won’t.” He agrees. “Won’t make you do anything you don’t want to, so you gotta tell me. What do you want, baby?” 

Toji wants to think he’d be able to turn tail and head back to his own room if you denied him, take a cold shower and forget this ever happened, but he knows it’s a lie. He’s already so swept up in your orbit that denial would feel like a punch to the gut. He’s taken worse, but not from you. It would be like sucking the air from his lungs. It’s gotten so bad that he can’t imagine a day without you. Work was only a pretense. He got to see you everyday because you were contractually obligated. Now you’re far past coworkers hanging around each other because it’s what the job demands. He likes to think you see him as a friend, maybe something more. He could live with just being a friend as long as it means he gets to spend time in your bed. He’s got so few people that he talks to on a day to day basis that Toji imagines it wouldn’t really make a difference what you called him as long as you do call him. 

Finally, you don’t say his name, or anything really, but you extend a hand towards him and he rushes forward like a tsunami swallowing the shoreline. He kneels and tries not to think of how stupid he must look prostrating himself at your feet. You don’t seem to think any less of him for his poorly concealed eagerness. It's a desire grown over years of working alongside you. A sort of desperation that will knock the breath out of your lungs as soon as you give him the go ahead. Because Toji has had women. Countless, faceless. He’s slept with enough people to know this feels different. He wonders if this is what it's like for desire to feel real. Because why else would he be so hung up on you after so long. He’s not a man after a chase. He won’t run after anyone. Unless it’s you. He’s been running so fucking hard that he’s nearly out of breath and here he is so close to the finish line in a marathon he hadn’t realized he was running. And you’re the prize brushing his hair back and touching the scar at the corner of his mouth like he’s something to be gentle with. 

“You scare me.” He hears you say it through waves of blood rushing in his ears. He’s familiar with fear but never from you. From day one you’d been strangely calm around him. Like a deer sitting beside a mountain lion without a care in the world. Toji knows he’s something to be afraid of. He’s lived his life. He knows exactly how dangerous he is, how terrifying he must seem. It was stupid to think you were above that fear just because you smiled at him. 

“I’m scared you’re gonna hurt me.” You say softly. But you’re still touching him. Humans tame predators, he reminds himself. A wolf can be turned into a dog with the proper treatment. He thinks again of how he’s kneeling at your feet. He’s been tamed–whipped as Shiu called it–by you. 

“M’not gonna hurt you.” He tries to work the gravel from his voice, to sound less brooding as he reassures you. It doesn’t work. He’s set in stone. Too old to learn a new trick. If you’ll have him, Toji will be whatever you need, but you gotta take him as he is. Because it’s all he has to give. 

“Promise?” Your tone is so soft he half expects you to stick out your pinky or make him cross his heart. 

“I promise.”

“I’m serious, Toji. I don’t want to be just another girl to you. If we do this, we’re doing this. You can’t use me and leave me. I won’t let you.” He hears the unspoken words. I won’t let you hurt me. So that’s what you meant. Of course you aren’t afraid of him. You’re scared in the way everyone seemed to be of each other. Scared to commit, scared to be vulnerable. Toji loathes to think he feels the same. Rejection would hurt if it came from you. But it hasn’t. You’re still playing with his hair and Toji hears a damning thought surface in his head; I could marry this girl. He shoves it down before it can fully form. It’s too soon, too optimistic. He knows who he is as much as he tries to be better when he’s with you. Toji could hurt you. Get scared and break your heart. He knows if he did he’d never see you again. 

No more stupid videos getting sent to him at 5AM because you’re in the makeup chair at the crack of dawn. No more ordering your food because you can’t ever get the words out yourself. No more shoving you to the inside of the sidewalk because you like balancing along the curb as you walk. He could live without seeing you on set ever again. That had only been a symptom. The root of it was simply you. In any way he could have you. 

It’s pathetic but he’s addicted in a way he never thought possible. Never let himself think it was possible. Not for a guy like him. Movies gave him an outlet for his more violent tendencies. He would’ve done just as well as a boxer or something else where he could get paid to rough people up in a way that was above board. He’d done it the illegal way for years. Got away with it too. You have every right to be scared of him. Every right to leave him. But in this moment you’re here and he’s selfish. He leans up to kiss you. 

It doesn’t feel new. There’s no picturesque fireworks clouding his head. It isn’t new. He’s kissed you a hundred times over by now. It doesn’t feel new, but it feels right. Especially without the motivation of a camera. He isn’t kissing a character, he’s kissing you. And you’re kissing him. 

“Stop thinking so hard.” Because Toji can tell by the way your hands flutter over his shoulders with nervous uncertainty that you’re not all here. You’re thinking about this like someone is going to snap at you for messing up an angle or pressing too close and smearing your makeup. He hears you mumble a feeble apology. 

“None of that. We’re doing this, baby. You and me. Don’t think about anything else.” That gets you to loosen up enough for Toji to work you out of your clothes. He’s never had the pleasure. There’s never been a reason for his hands to be pressing underneath your shirt and it feels like his hands are melting into your skin as they push towards your chest, taking your shirt with them. You’re warm and pliant, softening like butter under his touch. Toji gets you out of your shirt with a bit too much eagerness, ruffling your hair as you squeak at his desperation. He can’t even find it in him to care if he looks overeager now because he is. 

He’s been after you for years and he’s not about to let this opportunity slip through his fingers. Beneath your clothes is an endless expanse of skin hidden only by the covering of your underwear. Plain cotton, nothing special, but it has him throbbing in his pants because it’s you. And you have the audacity to mumble about “didn’t know we were doing this, would’ve worn something nicer,” like Toji isn’t practically drooling at the way your pretty blue panties sit on your hips. He thumbs at the elastic, pulling it back just to hear it snap against your skin. It’s like unwrapping a gift and he’s looking to savor it. 

“They’re gonna know,” he says as he kisses along the shape of your breasts peeking out the top of your bra. He could put a mark there. Bite down on the soft skin and leave a print of his teeth in your skin, put a bruise there with his greedy mouth as he licks at the line where skin meets fabric, hiding the rest of you away in the cups of your bra. He could mark you up and they’d know. Everyone would know exactly who did it because Toji isn’t ashamed to admit he’s been after you like a dog, barking at anyone that got even remotely too close for comfort. A co-star could simply be complimenting the outfit wardrobe had chosen for a particular scene and he’d be looming behind them with murder in his eyes. Of course you look gorgeous but only he should get to look that hard at you. 

“Don’t!” You squeak when he noses over your skin, looking for a place to sink his teeth. “Don’t leave any marks!” He almost wants to ignore you and latch his mouth on to you anyway, but Toji resists the urge. You’ve asked him to behave and he wants to be a gentleman for you. Or, at least, the closest a man like him can get to it. He can still tease you about it, though. 

“No?” He mocks you. “You don’t want me to leave any marks? What, you got someone else that gets to see you like this, baby?” You squirm at his patronizing tone, a pout working its way onto your lips. He nips at your bottom lip before smoothing the expression with a kiss. 

“You know that’s not what I meant,” you whine. “Makeup and–” He kisses you again, slipping his tongue between your parted lips, because of course he knows. Makeup would make a fuss if he left marks on your neck, wardrobe would pitch a fit if they found hickeys in a place their designated outfits couldn’t cover. You’d be in the makeup chair even longer as they painted over all the places he’d marked you up. 

“You taste like cherries.” He mumbles against your mouth. The taste has him fumbling for his pants like a fucking virgin because it’s so innate to you. Those little fruity drinks you love so much have him pressing painfully against his zipper. Toji has you leaned up against the pillows as he sits back on his knees to pull his shirt off. He doesn’t miss the way your thighs twitch, pressing tighter together at the sight of him looming over you bare-chested. He doesn’t toss his shirt far because he wants to see you wearing it later. Right now you smell like you. Your lotion, your shampoo. He can’t wait to tired you out and wrap you up in his clothes until you smell like him. 

He wants to mark you up in other ways if he can’t do it with his lips. So everyone knows exactly who you belong to. The idea that you had to make him swear to not let this be a one off kind of thing is utterly laughable when Toji hasn’t wanted to stray away from you since nearly the first time you met. Nothing anyone else has to offer could be better than what you can give him. Although he’s happy that the little waitress tried. You wouldn’t have been so worked up if she hadn’t. He’s been teetering on the edge of insanity being so close to you everyday and it’s nice that he’s finally caught a glimpse of what you’re like when you get so wrapped up in your mind that you start acting out of character. Because Toji hasn’t felt this crazy over anyone and he’s glad he’s not suffering this lovestruck psychosis alone. It’s dumb and childish but he’s got so little in his life that’s sweet and pure that he isn’t about to poison this with toxic hang ups about maintaining his persona.

“Did it make you mad, baby?” He asks as he bullies his way between your legs. You move with him, thighs parting to give him space even as you shrink back into the pillows, brows pinched as you watch him settle his cheek against your thigh. “Did that girl at the restaurant upset you?” He wants to hear you admit it. He smirks at the way you screw up your face, nose scrunching in distaste at the mention of another woman. 

“Don’t say things like that when we’re like this,” you grumble, jerking the leg he’s resting on. He bites at you in retaliation and because he wants to hear you squeak about leaving marks again. 

“You are mad.” He smirks and watches the way your cheeks puff indignantly as you pout at him. He wants to kiss that petulant little expression off your face but Toji can’t bring himself to move even an inch away from where he’s resting. With his face cushioned by the pillowy warmth of your thighs he can see the mess spreading between your legs. A dark spot is forming in your panties, getting bigger with every shift of your hips. Toji slips a finger under the elastic and can practically hear the sound of the fabric sticking to your skin. It makes his mind go blank and all he can think about is getting closer. He blinks and suddenly his face is buried at the apex of your thighs, panting like a dog as he noses against the soiled fabric, tongue chasing the taste of you seeping through the cotton. 

“Wait!” You squeak, and he tries to. He pulls back but only far enough to look up at you. His nose stays nuzzled against the seam of your cunt, brushing against where your clit is throbbing through the fabric. 

“What’s wrong?” He asks even though he can think of a few things as his finger drags through the space between your panties and pussy, making a slick noise that has him grinding against the mattress. So fucking wet. 

“Nothing…” Toji recognizes the face you make in an instant. He’s seen it a hundred times over by now. It always reminds him of a puzzle the way you fix your expression whenever a camera is rolling. It’s always your mouth first. Smile dropped, pout gone, lips pressed into a neutral line. He sees every piece of your face fall into place until it’s perfectly blank. He watches you awhile longer until your composure breaks again and your brows dip into something resembling anxiety. 

“Nervous, baby?” He doesn’t need you to answer but you do anyway, nodding slowly. “I’ve got you. You’re okay. Just lemme take care of you, okay?” You nod again and Toji rewards the loosening of your muscles with a gentle kiss to your stomach. “Behave.” He says and watches the way you tense up again. It’s less nerves, more anticipation as you watch him slink back between your legs. He decides to spare your underwear, pulling them down nice and proper instead of tearing them off of you like he’s so desperate to do. It takes a few seconds longer and gives you a chance to knock your knees together as he sits up to pull the bundle of fabric off your ankles. 

“What did I say?” He asks, loving the way the timbre of his voice seems to send a shiver through your prone body. “Behave.” You don’t resist as he spreads your legs again but you start to squirm the longer he stares. Toji has spent many a night in the privacy of his hotel room fisting his dick to whatever image of you his mind could conjure but nothing could come close to the real thing. 

“S’pretty, baby.” He mumbles, tongue tripping over the words. He’s just lost any semblance of cognitive function. All he can see is you, spread out and dripping on the sheets, and he can’t wait another second to get his mouth on you. 

I’m gonna marry this girl, he can’t help the thought as your lashes flutter and lips part the moment he gets his mouth on your pussy. You’re still nervous, twitching and squirming like you aren’t sure what to do with yourself. Toji decides for you, arms hooking under your legs to hold you still. That still leaves your hands to flutter anxiously, skating over where his fingers dig into the meat of your thighs and brushing across his hair like you’re afraid to touch him. It makes him groan in annoyance, the sound humming against your clit. It makes you go limp, hands falling still. One rests against his head and the other over his hand. Toji loosens his grip on your leg just enough to thread his fingers through yours, pointedly ignoring how intimate the small touch feels even though he has his tongue buried in your pussy. He’s being greedy, tonguing at your hole and nosing against your clit as your cunt makes a mess of his face, but the moment is softened by the way your fingers squeeze around his. 

He feels your nails against his scalp. Not quite gripping, more so petting and it feels like something akin to a reward as he makes a mess between your legs. You don’t tense up again and Toji realizes the idle movement of your hands is grounding you even as your thighs shake around his head. He can barely breathe but he can’t even fathom pulling away when you’re making such pretty noises and trying to grind your hips against his face. You’re slurring something between those soft sighs that sounds an awful lot like “thank you,” and Toji wrenches his mouth away from you because he’s one more head scratch away from cumming in his pants like some virgin. He doesn’t even bother to get his underwear down all the way. He just shoves the waistband low enough to get his dick out and nearly collapses on top of you the second he feels your cunt against his skin. 

Toji braces an arm beside your head, leaning close enough to feel your breath ghosting across his skin. He kisses you to get you to close your eyes, but he keeps his half lidded as he watches you squirm as you taste yourself on his tongue. The mess you’ve left on his face transfers to yours as he rubs his face against your cheek like a needy puppy. It would be more embarrassing if you weren’t acting just as clinging. He can feel the needling sensation of your nails digging into his shoulder. It sends shivers down his spine, lingering just right on the cusp of pain and pleasure. Toji tries to kiss you again but it ends up being more of a heady clashing of teeth and tongue as he presses his parted lips against yours. Still tastes like cherries, he thinks, enjoying the mix between sweet and savory as the taste of your arousal still sticks to his tongue. 

“Don’t look at me like that,” he groans as you press a wet kiss to the corner of his mouth, right where his scar is. And because you’re so frustratingly sweet you blink up at him, slow and wide like the little doe eyed beauty that you are, and ask, “Like what?”

“Like that,” Toji groans as you raise your brows and tilt your head, lips pulling into another one of your signature pouts. “Fuck, turn over.” He hooks an arm under your back and flips you fast enough to leave you gasping. Your hand flutters to find him again where it’s settled against your heaving stomach. He can feel your pulse flutter as you catch your breath, body shivering with something softer than anxiety. Anticipation weaves its way through your body. Toji can tell in the way you tense and relax at each minute movement he makes. He decides to tease you as he fists the base of his cock, squeezing hard to keep from cumming on the smooth expanse of your back. His hand moves from your stomach to leave you teetering on quivering arms as he trails his finger up your spine. You bend to match his touch, arching as his fingertip traces over the contours of your back. Goosebumps raises where he touches and you shiver, head falling between your shoulders. 

Toji takes advantage of the vulnerable position. Your hair is usually down during filming and there’s little reason for that to change in the coming days so he feels little guilt about the way his teeth scrape against the nape of your neck. It makes your arms give out and Toji’s teeth tighten on the soft skin as your new position presses you back against his hips. He hadn’t meant to leave a mark but there’s likely to be one now. He pulls away, lapping apologetically at the faint indent of his teeth before grabbing your hips to keep you flush against him. If you move again he’s going to ruin the sheets instead of you, but you’re still squirming like you want him to embarrass himself by coming too soon. It becomes plainly clear that your intention is to kill him as you toss your hair over your shoulder and look up at him through your lashes, mumbling a soft “are you gonna fuck me now?” 

The answer is a resounding yes and Toji can’t bring himself to think of anything else as he guides his dick inside you. This time he does collapse, falling forward before he can catch himself. It pushes him inside in one go and you let out a long whine, grinding against him as Toji rests his forehead against the back of your neck. You’re starting to sweat now with all that wiggling you’ve been doing and he licks along the column of your neck to distract from the way your pussy is choking his dick. He can hear you whining, feel it too with the way his chest is flush against your back. A soft litany of “please,” and “move,” with his name punctuating each little gasp. He can feel you trying to grind against him, held still partially by the weight of his body. He’s got you almost completely pinned and decided to finish the job. You squeak as he presses his knee against yours, spreading your legs until you collapse onto your stomach. 

“Stay there,” he says like you have any hope of moving without him peeling his heavy body off of you. He has no intentions of doing anything remotely close to that as he shoves a pillow under your hips and his arm under your jaw. 

“Comfy?” He asks. He can feel the way your cheeks are squished in the crook of his arm as you try to nod and go back to begging. He nips at the shell of your ear, soothing the sting with his tongue, as he pulls his hips back. You’re close. He can feel it in the way your pussy is desperate to keep him inside, squeezing tight every time he pulls away. It’s got him on the edge, filling the hotel room with the heavy sound of skin against skin. He’s glad the bed is so sturdy. 

There’s no squeaking or knocking headboard as he drives you up the mattress with his desperate rutting. He gets a hand between you and the sheets to pinch at your nipples, rolling the sensitive buds between his fingers. It makes you keen and that’s the only thing Toji can’t be bothered to keep quiet. He wants to hear every little sound you make after giving him so much lip about the waitress. You had so much to say earlier and he’s only too happy to hear you out. Neighbors be damned. It’s likely the floor is mostly if not completely vacant given that two celebrities are boarding here but Toji can’t help but want you to be loud in case there’s anyone to hear. This all feels a bit too much like a dream and he’d relish a noise complaint just to make it all seem real. 

“You feel so good, baby.” Toji grunts in your ear. “So good for me.” Something like a giggle works its way out of your mouth and Toji almost tells you to shut up because the sound goes straight to his dick. His hand leaves your breasts to find that spot between your legs. Your breathing stutters as his calloused fingers find your clit. It’s like lighting a fuse. You start up your squirming again, nails scratching at his arm tucked under your chin like you’re trying to get away. It takes Toji a second to realize that you are. Curling up on yourself, trying to run from the feeling of his body on yours. You’re not saying anything, but you are drooling. He can feel it slicking down his forearm as he loosens his hold just enough to make sure you’re not suffocating under his strength. He can hear those stuttering little breaths and soft mewls that are soon accompanied by a hand pushing blindy at his wrist. 

“Fuck no,” Toji grumbles. His hand leaves your clit just long enough to roll you onto your back. He hears a little sigh of relief as you relax into the sheets for a moment. There are tears sparkling in your eyes and wetting your lashes. Your whole face is shining with sweat and spit and it makes Toji a little prideful to see you so thoroughly ruined because of him. 

“You gonna be good for me, baby? Gonna behave?” He asks once you catch your breath. Before you can answer he’s already gathering your wrists in one hand to press them into the pillows above your head while his other hand slaps his dick against your messy cunt. He grinds the head of his cock against your clit, precum staining your skin as he teases you, asking if it feels good. He huffs out a laugh when you nod. It’s so earnest, so desperate. 

“Yeah it does. You don’t have to run from it, baby. Lemme make you feel good. Want you to feel good for me.” He pants, leaning down until you’re nose to nose as he presses back inside you. The sound you make is lost in the press of your lips as Toji lavishes you with more sloppy kisses. He can feel himself teetering on the edge, balls tightening with each little whine that leaves your lips. His hand finds its way back between your legs and he has your back arching within seconds. He can feel you trying to pull away again, arms tugging at where he has you pinned even as your greedy legs lock around his waist. He can feel your muscles trembling as he draws tight circles on your clit, whole body pulling taut as you get closer to the edge. 

The only words leaving your mouth are his name and soft gasps of “please, please, please,” like Toji is in any position to deny you what you want. He lets go of your wrists if only because he knows you won’t try to run from him now. Instead your arms wrap around him, pulling with enough strength to catch him off guard. Toji nearly collapses on top of you as you pull him into a surprisingly chaste kiss. A shudder runs down his back as your nails drag against his scalp and it’s all just a bit too much. Your pussy milking him like you’re trying to get pregnant–belatedly, he realizes he should’ve worn a condom–and your lips in his ear telling him to let go.

“Wanna feel it. Want it inside,” you whine. It’s so damningly sweet that Toji can’t find it in himself to even attempt to deny you. The thought of pulling out had briefly crossed his mind but your thighs are still locked around his waist and he isn’t above doing something stupid to satisfy himself. The consequences can be dealt with later. He lasted longer than he expected but there’s no mistaking how pent up Toji has been as he cums inside you. He fills you up and then some, feeling it leaking out. The tension bleeds from his body as he curls over you, grip loosening on your wrists enough that you wriggling free to wrap your arms around his shoulders. There’s the prickling heat of your nails scratching at him as you wrap yourself tight around him like you never want him to leave. Toji returns the favor. You shiver, a happy little sigh leaving your lips as he wraps his arms around you. 

“Clingy,” he says quietly, still loud enough for you to hear and he feels the way your arms tense then loosen, trying to pull away like you missed the humor in his voice. “Stop it.” He mutters, sitting back up to pull you into his lap. 

Usually Toji isn’t one to stick around after he’s gotten what he wants out of an encounter but the usual instinct to peel his partner off of him as soon as possible is absent with you. He revels in the way your head rests against his chest, soft breathes ghosting across his skin. Toji’s hands find your waist, fingers sinking into the softness of your skin as he lifts you just enough to pull out. There’s a puddle forming on the sheets from the way he’s leaking out of you and he entertains the thought of plugging his fingers inside you for half a second before remembering how stupid that would be after he already came inside you with no protection. You don’t seem too worried about it and Toji supposes that’s all that matters. He watches the way the mood settles into something less frenzied, more coherent, but the anger never comes. He’s expecting you to snap at him for being so careless but all he gets is a soft smile and even softer kisses. The taste of cherries still lingers. 

“We should do something about that,” he says, eyes still trained on the space between your bodies. Stained white and sticky from how hard he was fucking you. It streaks up your thighs and shines bright on his pelvis, staining the freshly changed sheets. You blink slow, like a kitten, before finally acknowledging the mess between your legs. 

“Should be fine, I’m on the pill. I’ll stop by the store later if you’re worried.” He’s not. Part of him wishes you hadn’t mentioned birth control. He’s selfish when it comes to you and even though it would be the worst outcome, Toji finds himself wondering what it would’ve been like if he did get you pregnant. Then he remembers your careers and lets the thought slip away into the recesses of his mind. It’s a desire for a later date because you’ve already said this isn’t gonna be a one and done kind of thing. There’s time for things to get more serious, to have a proper discussion instead of letting it happen on a whim. He clings to the idea of a future with you because that’s really all he has. As soon as he set eyes on you, you began to infiltrate his every thought like a weed invading his mind. But you’re not a weed, far too pretty for that. And even if you were, he likes the way you cloud his mind. Gives him something sweet to think about when there’s always been such a lack of nice things in his life. He kisses your neck, tasting sweat and perfume. After a while he gathers you up and makes you decent enough to make the trip to his room. 

“I owe Shiu money.” He groans halfway through his shower. You’re sitting just outside the tiny cubicle, perched on the toilet. Freshly washed and wearing his shirt just like he wanted. 

“You made a bet about me with your manager?” He hears the uncertainty in your voice even over the spray of water and realizes how the admission must sound. He shuts off the water and steps out into a cloud of steam to see you looking crestfallen. There’s a hesitance on your face that makes his stomach churn. Anxiety isn’t something Toji is entirely familiar with and he finds that he hates the way the acidic feeling settles in his chest. 

“Not like that, baby. He just knows how much I’ve been wanting you. He called me on my bullshit years ago.” It would be embarrassing admitting that he’s been pining after you for so long if you didn’t smile and try to hide your face. He hears you mumble, “Thought it was just me,” as you tuck your face into the collar of his shirt to cover your smile. There’s a tremble or hesitance in your voice like you can’t believe Toji would pay you the time of day, like he wasn’t just chomping at the bit to get you in bed. It’s a fair assumption given his usually detached disposition that so few people take the time to see past. You’re one of them but he can appreciate the air of unknowns that lingers around him. Toji is just like he seems on camera. 

Rude, abrasive, volatile when provoked. He acts something like a grizzled guard dog but even they have people they’re gentle for. It’s almost sickening how easily he can see himself with you. Made worse by how easily you accept him. You’re giving him that look again, like he’s your favorite person in the world. 

“What’s that look?” He asks as you watch him get dressed. He brought you to his room so you can nap on an unsoiled bed. He wonders if the housekeepers will tuck your duck in again after washing his cum out of your sheets. 

“What look?” You have the nerve to ask like you’re not looking at him with more softness than he’s seen in his entire life. He decides not to mention it. The need for discretion that Shiu has been trying to drill into him will be lost in the wind soon enough. Toji already couldn’t take his eyes off you and now he has more reason to be with you all the time. Media be damned, he’s gonna be all over you now that you’re his, officially. And you seem to share the sentiment as you curl up on top of him as soon as he gets in bed, humming happily when his arms find your waist. He hears a sleepy murmuring of “I’m your girlfriend,” soft and giggly like you couldn’t be more happy about it. It’s like a final nail in the coffin for Toji. He’s always thought of you as his girl and now it’s finally real. No cameras, no audience. Unscripted and real. 

[cursedvida]

It's really crazy to me to see the hate Mae gets, like I was reading some reviews and I can understand not liking a character but as soon as they start with the name calling their opinion is invalid to me because they have no reason to be calling her a bitch, among other things, like it just reeks of mysogyny, (it's like they just want an excuse to call women names) and seeing it coming from other girls makes it worse like..

"Oh the girl was such a bitch why did she do that 🙄" ..is it really that hard to think for a moment about the circumstances in which mae was raised?? Do they need it spell it out for them?? Like, c'mon guys do you really think that the people trapped in a bunker for generations have anything nice to teach/say about the apes?? Wes Ball please give us Mae's backstory in the sequel!! Your audience needs it bc they are out there calling Mae the real villain and saying Proximus was right 💀 (when he was literally everything Caesar hated in an ape)

Look, I'm usually a polite person when expressing my opinions, but I'm fed up with the hate towards Mae, basically because the arguments people give seem incredibly basic to me, typical of people with little to no understanding. Sometimes I doubt if these people have watched the same movie as me or maybe they have some sort of cognitive dissonance, but seriously, I find them ridiculous. Either that, or they are basically the typical comments from misogynistic guys or women with internalized misogyny who can't stand morally gray and questionable female characters.

And well, having said that, I'm going to present my doctoral thesis on this topic:

One of the things I've seen the most is people saying that Mae is evil, the true villain, or an ungrateful traitor to Noa. This argument seems quite incomprehensible to me because, even though we don't have much data about her, I believe there's something very important that explains why she acts as she does: the Proximus apes killed the people in her group, including her mother. I mean: her damn mother. If we add to that the UNDERSTANDING (I mean, you have to be very short-minded not to assume something so obvious) that she has been raised in an environment where they've probably told her all her life that the apes are the reason for all the evils of humanity and the main reason why humans live in shitty conditions, I think anyone with half a brain has enough information to understand why she does what she does.

Yes, Noa is a good guy, but he's not helping her. Noa and Mae have a common goal and decide to ally themselves momentarily to achieve that goal, which is to reach Proximus. As much as they've formed a bond throughout the story, it's not yet strong enough for Mae to set aside what she has worked for so hard. Mae not only bears the weight of humanity on her shoulders but also emotionally carries the idea that she, as the sole survivor of her group, must complete the mission at all costs. Are those who criticize her telling me that if they truly thought that with certain actions they could not only save their species but also honor their loved ones who have been killed infront their eyes, they wouldn't do them? And that they wouldn't do them for someone they've just met, no matter how much they like them? That's just not realistic, it makes no sense. We would all do the same as Mae in her situation. I mean, I have no doubts.

Another thing I love is when they say she's the "true villain" as if it weren't clear enough that she feels bad every time since she forms a bond with Raka and Noa when she does something that she knows may harm them. She feels pain for Raka's death and clearly, you can also see the conflict and remorse when she detonates the bomb. It's not something she enjoys doing, but she HAS to do it. In the final scene, even though she's carrying a gun, you can also clearly see her in conflict with herself. Clearly, she doesn't want to kill him. Clearly, she has nothing against Noa, and this is evident when she finally accepts the necklace and they even shake hands. You can't tell me that's the attitude of a villain, narratively it's not presented as such, and seeing it that way is to have understood nothing.

Mae is a complex character whose life is based on survival, she's no different from the characters we're used to loving and idolizing in other post-apocalyptic series, the difference here for me is that she's human and humans have to be bad by default and also that she's a woman. Because female characters always have to be the support, the romantic interest, or the unconditional friends of heroic male characters, and Mae is none of that. Mae is a character with her own story and ambitions that go beyond Noa's plot. Mae has her own plot, and it seems that's something that bothers people a lot.

I'm sorry, but the hate towards Mae seems very similar to the one people had for Sansa Stark in Game of Thrones, which basically stemmed from people being misogynistic and hating complex and imperfect female characters, combined with how much they hate seeing protagonist characters with such human and real characteristics that they can't bear the idea of seeing themselves reflected in them.

But hey, for Sansa Stark, I would have killed, and now for Mae too. Mae haters basically DNI

[34saveme34]

anyways about today's episode!

FIRST OF ALL!!! MY FAVOURITE PART!!! THE HORROR ELEMENTS!!!

guys,,,, sobbing. my day was shit and this was exactly the kinda episode I needed

I love shitty found footage horror so much and this was exactly it. they were so stupid and perfect throughout the whole thing. Mario feeling like a genuine threat too, especially with coming through the monitor the ring style, crazy stuff. I love when the crew takes advantage of the amount of edge Mario capable of because he IS dangerous and it's good to be reminded of that. It also shows why you can't have him as a true arc villain, because with enough runtime, he COULD get bored enough to destroy so much it becomes permanent. It's scary and I love that about him.

Also the animation was on point, so was the pacing, I barely ever felt lost, besides the found footage doing it's found footage thing but that didn't stop me from understanding it. And the BEGINNING.......... wonderful WONDERFUL cold open, immediately hooked, really good episode. Characters I think I said were also on point. Though it would be fun if we had episodes like this, as in horror parody episodes that involved other characters. Like a slasher movie parody type deal. Imagine Saiko in that aaaougggghhh it would go HARD I say HAAARD only problematic one to include that in is Melony because it feels like if she can't do anything it's an arc villain amount of scary which ougghghh even though I'd love Melony in a good horror parody episode

now uhmn. the Big thing, which I saw other ppl talk about, it's just not the main aspect of the episode for me

I think the 34 moments felt a liiiiiittle bit more earned because uh. they had denial. I think it's like mandated for them

first of all the catch scene, 3 rolls his eyes then lets go of him

then, when they get inside the fridge

realise they're trapped together and both go "EWWW" which I found funny, I actually had to rewind that part because it went by so fast I barely realised what I was hearing

also when 4 was saying "at least we'll got out knowing we tried our best" I really thought they were gonna do the hugging thing like 4's dying project version of them were doing in the Mario pc virus episode, I think it would've been a funny call back and would've made the picture Mario took of them WAAAY more embarrassing

also I really like ppl saying that 3 is a bad influence on 4 <3 they're so right, considering Mario is one of his besties, he of course would be into morally gray men #mar34

the humour was also on point honestly, very fitting for all the characters, like 3's self awareness jokes which he seemed to gain these days, I'll note that for fanfics, the jokes about how to stop Mario, 4 taking it on himself to bless salt with some bootleg cross which- 3's reaction was crazy, he has NO chill /VERY VERY aff

[purpledemonlilyposting]

I didn’t know whether to send this ask on the lorch blog or the main, but re: why people view Dios as a villain from your last stream, I think there’s 2 main reasons:

- his entire portrayal at the end of adolescence where he’s taunting Anthy and begging her to come back to Ohtori as she & utena are riding away

- when he’s shown on the carousel after Utena gets stabbed. It’s the same carousel that’s shown before Akio goes to unlock the gate, and I’ve seen a few people claim that his speech to Utena is almost mocking her for her efforts

I’m not trying to be a lorch here, just wanted to give my 2 cents on this topic

It's best for Utena asks to go here I'd rather not clutter up my main blog XD

That's Akio at the end of the film. Dios is only seen once in the film when Anthy has a vision of him in Utena's place during Juri's duel.

(Edit: And like a couple glimpses of him by Juri and Miki which don't even ask me wtf it means the movie is nuts.)

The second argument is the one that really drives me crazy. If you've paid attention at all to Utena's symbolic language: when you see a character who is a dark silhouette you're not seeing the truth.

The "Dios" mocking Utena on the carousel whose sentences Akio finishes is not the real spirit of Dios. Akio has been trying to convince Utena that he and Dios are still the same person in order to get Utena to do what he wants.

But far, far away from the carousel with the mocking false version of Dios another Dios appears, one whose face we can see, one who seems to be the same one that came to Utena in her coffin. The one that exists because of Anthy. I don't think it's a coincidence that Utena meets him once again in a space between life and death.

This Dios says to her: "Don't look so sad. You've tried so hard until now. Don't blame yourself. You've treasured the Rose Crest ring until now. A kiss, to show my appreciation".

He then leans down to kiss her ring. The ring that is, remember, a promise that Utena will retain her childhood nobility and free Anthy from her eternal suffering.

Unlike the false puppet Dios this one is laying there crumpled on the ground with her. They're both far away from the carousel in a quiet, intimate moment. Akio is unaware this is happening. I see the true spirit of Dios kissing the ring the same as Anthy blessing the sword.

And he blesses her ring as the chorus in the background swells with the words: "I have vanished yet I still live. I exist. I am here. I exist. I am here."

And then in one of the most badass moments in anime Utena slams her fist into the ground and lifts herself back up. Refusing to give up on saving Anthy from this. She's only been stabbed once, Anthy is being stabbed a million times.

Now what seems to have happened is some people have gotten it in their head that Utena slamming her fist with the ring on it into the ground is her rejecting Dios. You know, cause they desperately want this to be "feminist" in the way that Utena don't NEED no man to help her! Despite the fact its more sexist to act like you can't be inspired to act by someone of the opposite sex.

Utena embodies Dios' spirit. She has since the beginning. Dios has been her ally throughout the entire show. That's why Anthy's heart has been moving to her instead of her memories of what Akio used to be. How is anyone possibly reading it as a rejection other than a willful misinterpretation based on what they WANT the show to be rather than what the actual text is communicating.

I even had someone try to tell me the ring is smashed to pieces here which uh... no?

The ring is a symbol of the promise to Anthy. The promise to become like the prince Anthy once loved and believed in for HER sake.

We see this true spirit of Dios two more times in the final episode. First he's lounging around listening to Akio brag about how Utena is going to lose. To me it seems like he's just waiting for Akio's defeat now that he has passed his purpose on to Utena. A purpose he's known he can no longer fulfill, because Akio exists and he no longer does outside of Anthy's wish and will that he could.

Akio doesn't notice Dios at all in this scene. He's just monologuing to himself about how Utena, the one who embodies the spirit of the Prince he once was, whose power he is hungry to regain, is a fool for being so persistent. And that's why Akio will never change the world. Because this twisted world and system only exists due to the hold he has on Anthy and his efforts to fully control every piece of her.

And then my final piece of evidence that Dios is Utena's ally: he vanishes behind the drink Akio is sucking up that represents Utena's remaining lifeforce. Dios quietly disappears forever behind that glass. And it's that exact moment that Utena opens the way to Anthy.

It's also worth noting that the fake puppet Dios peaces out when this happens too.

So anyone saying "Utena rejected Dios in the end" I have to assume is hearing this through 2nd or 3rd hand information from someone who has never experienced the actual show as anything beyond a "sword lesbians" mood board on Tumblr.

[matt0044]

What we can learn from “The Jaune Arc Discourse” (TM).

Well, to start with, people are really resistant to being corrected on lies at worst or overstatements at best.

Like if nothing else, the Does RWBY Like Women poll was illuminating in how it showed me that a veeeeeery weird myth about Jaune Arc has persisted beyond its true relevancy.

Volume 1 of RWBY features Jaune Arc in the spotlight for… what? Four episodes? The minutes of each adding up to roughly twenty minutes, the length of an average TV episode?

While he was featured in the previous storyline where we are given an eight episode arc introducing us to our eight main protagonists, he was a lot more… ancillary as comic relief. A discount Lavernius Tucker with Felix’s voice if you will.

He's Vomit Boy in episode one. Episode two has him introduced more formally as somebody who helps up Ruby after a bad first impression on Weiss. He later appears more prominently pining over Weiss and catching Pyrrha's attention before falling to bracing himself in being catapulted into the Emerald Forest.

He's bailed out by Pyrrha and it's set up that he's in over his head by not knowing what Aura is or at least wanting to know how it works. An exposition sponge as I heard on fan call it. I could go on but the point is that all signs pointed to a Butt Monkey Ron Stoppable sort who was likely there for cheap laughs.

Amusing enough but I worried if that's all he'd be personally. Lord knows that some movies give the Comic Relief character too much comic relief and, well, not enough character. But after Ruby and Weiss have their leader/lance headbutting, the four episodes that followed reassured me that there'd be more to Jaune than meets the eyes.

But to circle back to the main thesis, it's actually fascinating that the myth of Jaune hijacking the narrative for himself is this pervasive when the offending story in question... is very much a self-contained character piece. It's way less about the wider story involving Ozpin, Roman Torchwick (at the time) and the White Fang.

It has relevance in how Pyrrha starts mentoring Jaune after he deals with Cardin and gets over himself (for now) which trickles down into future stories. Even then, the next story arc right back with Team RWBY with nary a sign of the everyman in question. A story arc that does deal with elements of the main plot, leading directly into Volume 2.

And in Volume 2, Jaune trying to woo Weiss and being ignorant to Pyyrha's advancements was just a subplot scattered in the first half of the story. It very much piggybacks off of Team RWBY's whole deal.

Volume 3 has what I consider to be a reversal of what's been known as Trinity Syndrome.

Namely the sort where a male character goes off the square off with the main villain mano-e-mano after shoving the female character/his love interest away so she won't get hurt. An egrigious example being when the love interest CAN FIGHT and back him up.

However, Pyyrha instead shoves Jaune out of the way after kissing him and goes off to face Cinder in a very fatal battle. It was honestly a brilliant (as much as the term may be disliked these days) subversion of the cliche.

And it’s Ruby who sees her death and gets the trauma induced power up. Jaune only has a scene of angst before that and was the one to call Ruby to have her try and back up the one he just realized he loved.

Jaune from that point on is an Everyman Protagonist who is forced to remember that he’s not THE protagonist. Yet the myth persistently proclaims that he hijacks the narrative from the titular Team RWBY despite only four episodes being wholly dedicated to him and his head space.

How did we get here?

Well… there’s the fact that not everyone finished Volume 1 and that not everybody, well, watched RWBY. And that would be fine on its own. You gave it a shot and it wasn’t your cuppa joe. You saw the trailer but clicked on something else.

I get it. That’s fine. Contrary to popular belief, nobody in the FNDM will really fault you for it. Less fine is when you spread faulty readings of RWBY and from those heavily biased against it no less.

It cannot be emphasized enough that tearing into RWBY is a cottage industry on YouTube. Hbomberguy might have the biggest platform but you’ll find multiple channels with lengthy series on “RWBY bad, here why.” And they are actually amongst the FNDM. They know how the YT Algorithm game is played, how it rewards engagement above all else. And sadly, negativity and rage pay more bills.

It’s why there are few positive videos or at least few that are pushed into the recommendations. Many often borrow the same points from each other born from the V1 days, namely that Jaune is allegedly given favoritism by the writers while we somehow “don’t know who the main girls are.”

From four episodes.

I also think it’s also to do with how it’s not that he actually did steal screentime… so much as many anticipated he would. A lot of shows and movies I grew up with would have strong female characters but any potential they had was hindered by the male lead and his hero’s journey. See the above Trinity Syndrome I referenced.

But Jaune didn’t do that. Even when he was central to an event like his semblance being awakened, it’s a healing/power boost that he gives to others. Weiss getting skewered might’ve brought it out but it lead to her getting back into the fray while he was largely to the sides.

Seems more like he shares screentime if anything.

People cling to these myths despite legit fans actually pointing out, “Hey, that’s not true actually and here’s why,” because that hate being told they are wrong more than being wrong. And because there are many around these who reinforce this “truth,” they feel content with it. No need to challenge it when it “feels” right.

So Jaune Arc stole screentime. Because that’s what “everyone else” is saying. By you need to question popular opinions. You need to realize that sometimes… a fan community is based on lies.

”Trust me, bro” is not the gotcha you think it is.