#She knows that choice means that if she doesn't make it out

[sugar--brown]

Oh look! Another occasion to babbles about the mechs!

The story Out is terrible for me hard to read (hate sad ending) but soooo interesting. So here's three thoughts (aka fanfiction ideas) I have about it!

First one: How Aurora works. Not like... how mechanically she works or how a moon/ship can have blood and teeth. But in a way of: how did she "transitionned" (I don't have a better word in my vocabulary) from organic moon to metallic ship.

How does it feel? How do your conscious work? Is opening a door, changing the temperature, activating reactors, the same thing as flexing a finger for us?

My idea is Aurora could be compared as a mecha, but she had fused with it. The mecha became part of her body in a way. She has her own conscious, she can control everything aboard, but not in a God way. More like she was sitting in a room surrounded by screen, computers, buttons and switches. Metaphorically of course.

Over the centuries, she became really good at keeping an eye at all the screens. At managing all the buttons and switches. At making quick researchs on the computers.

But she's still one concious forced to fuse with a machine she is foreign to. She can't focus on all the screens at once, she can't activates all buttons and switches, and she can’t make infinite researches at the same time.

So. It means that on the outside, Aurora is not organic. She's a machine. A machine that can be fixed, repaired, changed, and put new programs in.

But it also means that fundamentally, she is organic. She is messy like the beings Nastya doesn't like (cf gender rebels). She can break up with her. She can choose to go save a mortal if she wants to. She is still the little moon Carmilla raised.

Nastya's ability to consider relationship with machines to the same level of telationship with organic beings is a true blessing for her. Because she is stuck in this weird inbetween of considering herself like an organic beings, but being seen as a machine by everyone around her. The mechs included. Except Nastya, who doesn't care if she is a machine: she loves Aurora.

That brought us to the second thought: Nastya actually cares. Deeply. Too much.

Like we know, Nastya finds organic beings messy and unpredictable. And like OP said, Nastya grew up in a world where machines is more familiar than anything else for her.

I think for a long time, Nastya pretended that Aurora is purely a machine. She talks about improving her ai, she calls her "the aurora, our starship", and never corrects anyone on that fact.

She lashes on her because Aurora was familiar, safe, and honestly between murderous Jonny, vampire Carmilla, and starship Aurora, she was the most capable of understanding toward Nastya.

But Aurora wasn't cyberian. In fact, cyberians were her abusers. So, even if she loves Nastya dearly and will never totally go back to her moon-self, it's understandable that she tries to get back what had been stripped off her. Her autonomy, her independance, her sense of self. First by acting like organic being with Nastya (cf break up), then my making choices by herself (saving Briar Rose) and finally by replacing cyberian on her.

And Nastya cares. She cares about that cyberian part. Way more than Aurora anticipated. Because for Nastya, that was the start of her relationship with Aurora. That was what made her safe, familiar, and understanding. That was what made her home for Nastya.

So, when there was only a line of cyberian numbers left... Nastya went out. Because Aurora wasn't familiar anymore.

And this is my final point: Nastya's problem has nothing to do with Aurora. Aurora is just a symptom.

Nastya deeply fear challenges and changements.

Think about it. She grew up in a false utopy, then violently murdered by someone she trusted, and brought back to life by a vampire scientist and her weird violent son. That's a lot of changes. Too much for a young reclused princess.

This is the root of Nastya's traumas. In an instant, all she knew was destroyed. And all because of messy and organic beings. All was good, until at the first problem everything comes crashing down forever.

I doubt she talked about it to anyone. Jonny seems genuinely surprised by her departure, having no idea she felt this bad to the point of not coming back forever.

Aurora was just the last straw. The last rampart between Nastya and the problems she ran away all of her immortal life. Aurora was the last illusion of something which is safe and will never ever change no matter what. Something which she could hold on to without fearing treason.

So, when Aurora did the only thing that Nastya fears - changing - she snaps. A lot of things could have brought up her trauma in a way she couldn't had been able to ignore. But the fact that it was the love of her life who made her snap pushed her to do something irrational.

Not in the panic. I mean, she saw Aurora changed over the milleniums. And Aurora seems more surprised like it was new than angry to have the same argument again.

Nastya had ruminated alone her traumas, mistrust, and fear of challenges, changes, and organic beings so much that she went Out.

Not because of Aurora, but because Nastya had never been fine in the first place.

It's no wonder Out happened when you really think about it. Nastya doesn't like organic life because it's complicated, it can break, sometimes it's even unfixable.

quote from gender rebels

Nastya is in love with Aurora, and in saying that she is saying "you are not organic life, I can deal with you because you are metal and algorithm and predictable" - we can see this in bedtime story when she says she'll tweak Aurora's story creation algorithm

screenshot from A Bedtime Story

Aurora is not inorganic. She is not ai. She is a space moon made of flesh and blood and teeth and bone. She is not an ai. She is a body that was taken and stripped of autonomy, of the right to self identify, of the right to think- to be imperfect and organic.

The metal is a veneer that hides how messy and traumatized and unfixable she is. From the outside she is a starship. From the inside she can still bleed.

And this makes them fundamentally incompatible. But yet, they are in love.

And really, it's no wonder Nastya fell in love with Aurora. Let's take a look at Nastya's home planet, or at least home society:

"Terminals were scattered across the planet. There was one on every street corner, one beneath every lamppost and one in every commune block." "The midwife-machine performs a series of programmed manœuvres to quieten [the baby]. It cradles it and hums at several pitches until it finds one that seems most soothing. Mechanical arms stroke the baby’s flesh even as others start the process of implanting augmented reality interfaces into its nervous system." "The Czar an atrophied frame, never present in the real world and worn to dust by the chemical compounds that kept his brain alive so it could live forever in a perfect virtual paradise. The Rabotnik a copy, a mind preserved unchanging in the instant before its death and placed in an everlasting metal frame." (Cyberian Demons)

Its safe to say the world Nastya was born into, from the very minute she was born, was ridden with technology. She has augmented reality interfaces inplanted into her from birth. It would stand to reason that being taken from this society, wherein technology is everywhere, inside and out, would stand for a bit of a shock.

Aurora too had been augmented by the Cyberia.

While it is stated that the last time Nastya had used the ports themselves was directly before her death — "The last time she had used the ports, her tutor had ripped them out of her as the rebels stormed the palace" — Aurora is laced with Cyberian technology. I'd imagine she has something of a 'bluetooth wireless connection' with Aurora, rather than the physical data transfer of files between the ports and Nastya, it may as well be similar enough.

Imagine being Nastya, going from Cyberia, wherein there is augmented reality contantly, transplanted onto a ship with metal blood, a jonny, and a vampire. To Aurora, where the only bits of augmented reality run through Aurora.

Of course she'd fall in love with her. Aurora is familiarity. Aurora isn't organic. Aurora isn't human.

And of course when the undeniable part of aurora that is organic, that is a flesh moon plated in metal with her brain hooked to machines, when so much has broken and been replaced, when, presumably, aurora is less of an algorithm, nastya leaves with the brand cyberia left on her.

Because Aurora healing, becoming more of herself and less of a starship, is messy, and organic, and human.

and hard for nastya.

‘Think how long she’s been flying you around. Think how many bullet holes you’ve punched through her and how many atmospheres you’ve dropped her through. Think how many alterations and improvements we’ve made, Tim to her guns and Ashes to her storage and Brian to her engines and the Toy Soldier to who knows what. How much do you think is left of her after all she’s brought you through?’ Nastya held up the ancient, battered piece of hull plating. Just visible under the grime and scars of particles of space junk was a fragment of the Aurora’s original logo and serial number. Jonny honestly couldn’t remember the last time he had seen a version that hadn’t been painted by the Mechanisms themselves. ‘So she’s free, now.’ Nastya gestured around at the spaceship they were standing in. ‘This Aurora can take you where you want to go. I’m going to take my Aurora somewhere else.’

Aurora was ship of theseus'd. Aurora was improved. Aurora was no longer cyberian. (both literally, and metaphorically)

So nastya left.

[anonymous-dentist]

Bleeding Heart Part Six

Part One | Previous Part

-

Almost two months after his first altercation with Hombre Misterioso, Cellbit hears a knock at his door as he's editing the last of Roier's photos.

Yawning, Cellbit leans his chair back and runs a hand through his hair. He cracks his neck and blearily checks the time in the bottom corner of his computer screen: three in the afternoon. He started editing almost nine hours ago. He's been out of coffee for two and a half hours at least.

So he gets up, groans as his spine protests at the sudden weight, winces as his bones all pop in quick succession. Picks up his coffee mug, ignores the knocking at the door, goes to start a fresh pot of coffee.

His mug was painted by Richarlyson at one of those do-your-own-pottery places. It's a bright, ugly yellow with a red heart and the words, 'World's Okayest Dad' painted on it in black.

The knocking continues.

Cellbit checks his hair in his reflection in the microwave. Pulls at one of the bags under his eyes. Sticks his tongue out. Grimaces at how stupid and old and tired he looks. (Bagi is 26, he thinks, so he should be, too. But, wow, he looks older. Much older.)

More knocking.

With one last forlorn look at his bubbling, brewing, beautiful coffee, Cellbit finally goes to answer the door. He's in his pajamas (sweats and one of Felps' old shirts), and he probably looks like a walking corpse, but, like. Whatever, anyone stupid enough to actually come to his apartment knows that he works from home. They should know what to expect when bothering him.

But:

"Hi!" Bluebird cheerfully says as soon as Cellbit's door is open.

Cellbit looks at her. He blinks, rubs his eyes with one hand, and moves to close the door in her face.

But he's stopped by Bluebird sticking her foot in the door and weaseling past him and into the apartment. She apologizes as she does so, but Cellbit knows that she doesn't mean it; she's a hero.

"Nice place," she comments, walking to the couch and plopping herself down like she's right at home.

"Um," awkwardly says Cellbit. "Get out of my house?"

"Who, me?"

Bluebird actually, really, legitimately looks around the room dramatically, head and hair whipping back and forth as she tries to find whoever it is that Cellbit is actually talking to.

Cellbit balls his hands into fists by his sides. Fucking. Heroes.

Bluebird's costume is basic: black undersuit, light blue vest and darker blue pants, white ski goggles. Her hair is halfway tied back in a ponytail. Her weapon of choice, her now-famous scythe, is on her back and digging into Cellbit's couch cushions. The Federation's logo is right on her chest, and all her sponsors' logos run down her sleeves and the legs of her pants.

Cellbit hates her. She isn't even making an attempt to hide her identity- the goggles aren't doing shit. Heroes don't have to hide themselves. Their faces are on cereal boxes. Bluebird is no exception, especially now that her popularity is skyrocketing.

Bluebird, of course, is assigned to find and defeat Hombre Misterioso. The public thinks that her job is to capture them so they can be tried and imprisoned in the Federation's special underwater prison facility. But Cellbit knows that she's going to kill Hombre Misterioso, and it'll be framed as an accident, and she'll get 'suspended' for a month or so as punishment but, really, it'll actually be a vacation reward for a job well done.

"What do you want," Cellbit flatly asks.

Sighing, he nudges the door shut behind him and leans against it, arms crossed.

Bluebird stares at him for a moment.

(Bare arms crossed, scars and all.)

And then she lets out a breath and crosses her legs, fold her hands neatly on top of her knees and tries to smile. Tries, because Cellbit can tell that her heart isn't in it.

"Hey," she hesitantly says, "so I'm supposed to be asking you about Hombre Misterioso and stuff, but, real quick, I just wanna say that I'm really sorry if Cucurucho's been bothering you."

"You're wasting your time," Cellbit tells her. "Get out of here before I call the cops for trespassing."

Bagi would love to arrest a Fed, even if the charge wouldn't stick longer than an hour after arrest.

Bluebird winces. "O-kaaaay, sensing some hostility here. But, listen, we all just want this guy caught, right?"

"Sure. It's a real shame what's happening to all your heroes."

"It is! And you almost ended up like them, but! But you didn't."

"Yeah." Cellbit nods. "Because I'm not one of you. You're talking to the wrong guy."

He smells coffee.

Ignoring Bluebird for the moment, he walks through the main room and past the couch and the hero on it so he can squeeze into the kitchen. His apartment isn't small, but the kitchen table takes up a solid ninety-percent of the kitchen's floorspace. It even dips into the main room, making it real hard to get around at night when the lights are off.

He grabs his mug and the coffee pot and pours himself a fresh cup. He can feel the warmth radiating out from them both, and he shivers involuntarily. (He usually wears a hoodie when he's working, but he spilled coffee on it earlier in the afternoon and hasn't gotten around to getting a fresh one out of the closet.)

Bluebird, of course, follows him. She hovers in the doorway near the end of the table; her scythe is tall enough to almost scrape the top of the doorway.

Cellbit raises his mug to his lips.

"You might not realize this, but you were probably targeted," Bluebird says, actually almost sounding serious. "Your parents might be dead, but you and your sister aren't."

Cellbit jerks so hard in response that he spills his fresh, hot, boiling coffee all down his front. But he can barely feel it through the sudden rush of hatred in his body.

"My parents had nothing to do with the Federation," he snaps. He pulls his wet shirt out in front of him and wrinkles his nose. "Excuse me."

He puts his cup down on the counter and pushes past a surprised Bluebird to go to his room. He actually manages to close this door behind him as he pulls his shirt off and starts searching for a new one.

As he's digging through his shirt drawer, he hears a tap-tap-tap at the window behind his desk.

Dread filling his veins, Cellbit turns around and sees a familiar gas mask poking out over the top of his computer monitor.

Hombre Misterioso waves.

Cellbit, suddenly, feels rather faint.

"No, sorry!" Bluebird calls through the closed door. "That was my bad! I meant your, uh, the parents you and your sister share? Not your actual parents."

Cellbit points aggressively at the window and mouths, 'Get the hell out of here!'

Hombre Misterioso just waves some more. They're absolutely smiling under their mask.

It's the afternoon. They haven't been seen once in the day, only at night. Sometimes in the evening. Rarely at dawn. Not when the sun is out; it's theorized that their powers relate to the darkness like the Demon's.

"I have nothing to do with those people," Cellbit huffs. He turns back around and grabs a random shirt out of the drawer and starts pulling it on. "Cucurucho probably made you read my file, right? So you should know that."

"It... briefly mentions the Webbers, but that's not what's important!" Bluebid protests. "The Federation is really worried about your safety here, dude! My partner, Lavagirl, is currently talking with your sister about this exact same thing."

"You'll have better luck with her. She's actually on your payroll."

"Yeah, so her time with the Junior Heroes actually makes her a bigger target than you, probably, but, listen-"

Somehow, Cellbit's window starts to squeak open behind him.

He whips around and glares at Hombre Misterioso, who freezes in place with their fingers on the glass. Are those... suction cups on their fingertips? What, are they a thief now? A Spider-Man wannabe?

"No!" Cellbit shouts.

Hombre Misterioso flips him off with a palpable roll of the eyes.

Bluebird repeats, "'No'? Aren't you listening to me right now? Hombre Misterioso is trying to kill you!"

Cellbit laughs dryly. "Yeah, no."

He angrily drives his finger downwards: 'Get down.'

Hombre Misterioso shakes their head.

Cellbit rolls his eyes and points at his bedroom door: 'Someone's here!'

Hombre Misterioso shrugs and starts moving his window again.

Cellbit bites back a groan and rushes to slam his window shut, having to reach around his computer to do it. It slams, and then it's immediately being raised again by the goddamn menace on the fire escape outside.

"Are you okay in there?" Bluebird worriedly asks. "You didn't get burned or anything, right?"

"Mmm, yeah, no, I'm burned as shit," Cellbit lies.

He hisses, eyes narrowed, "Fuck off! There is literally a superhero in my living room right now!"

Hombre Misterioso responds by pulling their cape aside and revealing the hilt of their sword.

"No!"

"Do I need to call an ambulance or something?" Bluebird asks.

"No, I'm fine!" Cellbit replies. "I'm putting on some burn cream now!"

"...You keep that stuff in your bedroom?"

"My computer is old as shit and I have to run Photoshop on it. I burn myself daily. Just... get out of here!"

Cellbit, only vaguely panicked, suddenly grabs an exacto knife from his supplies drawer and drags it across his palm.

Hombre Misterioso lets out an alarmed-sounding electronic gasp, but Cellbit just grits his teeth through the pain and forces a string of his blood out of his hand and around the window's latch and then around the leg of the desk. It ties itself off with a neat knot; Cellbit forces his bleeding to stop and starts willing his platelets to kick into action.

"No, wait, I'm a hero!" Bluebird argues. "I'm trained in first aid! Let me help!"

"I'm literally shirtless!" Cellbit, wearing a shirt, shouts. "Get the fuck out of my apartment!"

"Not until I know you're okay! Do you know how much trouble I'll get in if they find out I let a civilian get hurt?"

Oh, Cellbit knows.

The window rattles and strains as the string of blood keeps it shut. (Blood is made of iron, after all.)

With his palm already scabbing, Cellbit storms towards the door and slams it open, blocking his desk and window from view with his body.

Bluebird looks up at him, determined.

Cellbit wants to stab her.

Instead, he says, "Look, I'm not the guy you want to talk to about this. Your partner is already talking to Bagi, but you both have forgotten about the guy who chased Hombre Misterioso away from me that time."

(The window goes silent.)

For whatever reason, Bluebird sucks in a sharp breath before attempting a smile.

"Oh, Roier?" she asks. "We don't need to talk to him."

Cellbit cocks his head. "Really? Because I was unconscious. I can't tell you anything about what Hombre Misterioso was doing. But Roier saw it all."

"And he talked to the police."

"But Hombre Misterioso has to be pissed at him for ruining their kill, right?" Cellbit asks. "Serial killers always end up escalating outside of their pattern, everybody who's studied them knows this. They lose control. The pattern now is Federation workers, but maybe it'll expand to people protecting Federation workers."

Bluebird pales.

Cellbit rolls his eyes. "Come on, have you really not thought of that? Aren't you guys supposed to be, like, crime experts?"

"Hey! I'm new!"

"Yeah, and you're letting a civilian stay in danger because you're too focused on protecting a failed lab experiment," Cellbit scoffs. "Trust me, if this guy knows as much about me as you think they do, then they know that I'm not the guy they want to kill. They're looking for people who like the Federation, not people who hate it."

Bluebird narrows her eyes. "That's a dangerous thing to say to a superhero, you know."

Cellbit shrugs. "Sue me. You read my file, you know that I'm more likely to be a suspect here than a victim."

She nods. "...Yeah, but you don't have powers. And they do."

He smiles bitterly. "Right."

He looks at Bluebird.

Bluebird looks at him.

"Well?" he asks. "It's a couple of hours until the sun sets, and Roier's going to be leaving work soon. In that area of town? It's only a matter of time until Hombre Misterioso catches him."

There's a quiet laugh from the window.

Cellbit quickly covers it up with a cough and a faux-pained wheeze. He grips at his chest, wincing.

Bluebird's eyes widen. "Oh, shit! Right! Your burn!"

He waves her off. "Don't worry about it, I texted my friend. He's a doctor, he's on his way."

"Really?"

"Yeah, Pac from Chume Labs? He probably helped develop your training program."

"Oh, shit, you're friends with him?" she gasps.

"What can I say? Us Brazilians gotta stick together."

"Huh. Fair. Well..."

She looks uncertain, but she nods, acquiescing. "Fine. If he's coming. But, listen, call the hotline if you see Hombre Misterioso around, okay? You might not have the... best history with us, but the Federation is good people."

Cellbit smiles. "Get out of my apartment."

Once she's gone, Cellbit lets out a scream into his hands and turns to go and yell at Hombre Misterioso some. What the fuck!

He storms to the window and drops the string. It falls apart, blood splashing onto the desk and the carpet.

He wrenches the window open and finds himself nose-to-nose with Hombre Misterioso.

Well.

Nose to gas mask.

"What do you want?" Cellbit growls.

"Who was that?" Hombre Misterioso replies.

"Bluebird. You know, the hero literally assigned to kill you?"

Hombre Misterioso's shoulders tense minutely. "Oh."

Cellbit rolls his eyes. "Yeah. Now. What do you want? The sun is out. And I hate you."

"Ouch."

"Don't act surprised. You're literally stalking me."

"I'm not. But I am here for a good reason."

"You are literally at my apartment." Cellbit blinks. He flushes red in both anger and embarrassment. "You saw me shirtless!"

"And it was very nice, but I'm here to tell you that I am going to kill Iron Boy tonight at midnight."

Iron Boy... former Junior Hero, graduated a few years ago into the mainline hero program, no known powers but an affinity for technology. Otherwise known as Tubbo, one of Pac's coworkers at the lab, and one of Cellbit's biggest haters for no good reason.

Tubbo isn't that old. He's a mentor hero for the Junior Heroes. He doesn't do much actual hero-ing outside of escorting the juniors on crime fighting field trips and testing out weapons for the lab.

Cellbit shakes his head. "Not him."

"Yes, him."

"Do someone else. Without him, the lab is understaffed until Mike gets back from his honeymoon, and we don't know when that's going to be. Kill him when Mike's back."

"Ugh, fine," Hombre Misterioso groans. They slump against the windowsill and rest their chin on their arms. "Who should I kill, then?"

"Why are you asking me?" Cellbit asks. "I'm not a villain, in case you haven't noticed. I'm retired."

"Whatever you say, enigmito." They drum their fingers against the inside of Cellbit's wall. "Maybe I should find Sharkboy."

"Fuck Sharkboy," Cellbit immediately declares. "If you can find him, kill his ass. But he's also retired. Nobody from the Order has been able to track him down."

"Maybe I should find one of those French heroes," Hombre Misterioso muses. "What do you think?"

"I think that I should give you Crow Man's phone number so you can ask him about this and not me."

Suddenly, Hombre Misterioso sits up and snaps their fingers.

"I know!" they excitedly say. "Man-Bear!"

Man-Bear... must be one of the newer heroes that Cellbit doesn't know about. Richarlyson might have heard of him, but. Yeah, no, Cellbit isn't going to ask him. He doesn't want to risk a repeat of the aquarium.

"Fine, Man-Bear," Cellbit sighs. He gives Hombre Misterioso a tired look. "Is that all? Can you go now? And never come back? And leave me alone?"

"I mean, you can come with me toni-" Hombre Misterioso starts.

They freeze.

Cellbit watches their still body until they come back to themselves in the middle of a different sentence and in a different pose: gesturing grandly with their hands and audibly smiling.

"-a team!"

"Yeah, no," Cellbit immediately says. "I can get you the Demon, if you want? But he's kind of on a murder break right now..."

(Fatherhood really has mellowed Bad out, hasn't it?)

Hombre Misterioso audibly grimaces. "I fucking hate that guy. Look, I'll call you with the details tonight when it's about to happen. You can show up if you want. If you don't, it's no big deal, you can just come to the next one."

"Please don't do that."

"Don't worry, I still have your number."

"I'm literally going to go change it as soon as you're gone."

"You won't." They tilt their head tauntingly. "You want to keep an eye on me. If you don't, how will you keep me away from your son?"

The hair on the back of Cellbit's neck stands on end.

"You haven't changed your number since I first called you," they say. "You won't do it now."

They laugh, slow and deliberate and absolutely just grating on Cellbit's ears.

"I'll see you tonight," they say.

Cellbit slams the window shut and backs away from it.

Hombre Misterioso wiggles their fingers in a farewell, and then they hop over the edge of the fire escape and drop out of view.

...Maybe. Maybe, Cellbit should call Bagi.

-

A/N: Let me know what you think in the tags or in my inbox! I want to hear your theories, thoughts, opinions, everything!

[dailycass-cain]

Batgirl #1 feels like a dream. A dream that I always wanted to see but never thought it was possible. This past Wednesday changed that and held a physical copy in my hands.

It's finally time for my thoughts on the issue.

I'll start with the book's only two critiques I have for it. For new fans, this comic is just a gorgeously drawn comic with layers that scratch the surface. You get that instantly on the very first page when Shiva and Cass meet.

You can understand the subtleness. But I can see a new reader going? "I need to know more of this context." That leads to the second critique of the comic: editor's notes.

They could've added much more to the words of the comic. Explain further some of the history.

I mean there is a PERFECTLY minded trade that solves this problem (out April 8th, 2025). But it would've been nice to direct readers to a specific issue of the past. To further enhance the reading experience.

That said...

This feels like a continuation of Batgirl Vol. 1, but with the knowledge that even after #73 Cass continues to be a bat. There are so many callbacks to Puckett and Gabrych (in a way) along with Tynion, Hill, and Conrad/Cloonan.

I'll give it to writer Tate Brombal he just skips RIGHT to the meat keeping the reader as clueless as Cass is into the story.

We're dragged into this mess like her not knowing the full story save what she sees and knows. Even if she knows Shiva is trying to be better.

Just that she doesn't want to be dragged into this mess. Not only that, Shiva unnerves Cass in a way given they are two sides of the same coin (both in blood and choices).

Not only that, but the moment Cass meets her mom, she murders someone (a guard who is violent and earned the violent end). It's probably right there Cass decided to check out afraid of this being a relapse of "old ways".

This, in a way, feels like Brombal addressing the circle the two characters have been in since 2020 at the start of this issue. There is just this uneasy tension, which ends when the series' antagonists show up.

You get that "the Unburied." Ninjas are cut from the cloth of Frank Miller and Peter Laird/Kevin Eastman. You get those Hand/Foot Clan vibes from them.

As for how they are so dangerous. Well, again the Laird/Eastman method of ninjas. They just keep coming. Waves and waves. They know their target. Eventually, no matter how skilled one is, one wave is going to get lucky and overwhelm the target.

What makes them deadly is that they keep coming until their targets are wiped out. Therein lies the reason Cass stays (both times): She knows her mom could be right.

They could target everyone she loves, and some of the family could be endangered due to that unknown factor.

That is the core of Cass, and we get our "character introduction" of who Cass is. She was raised to be a weapon but chose to be a hero. She was an orphan by choice (okay a nice nod to THAT codename). That her parent is Batman (but aw not Babs). Choosing to protect.

That's where the comic just goes to another level thanks to the art by Takeshi Miyazawa and colors by Mike Spicer. Where each impact and panel just POP. Not to mention the "mood" with the colors Spicer does here.

Interestingly, the only impact we get is via Shiva's reactions to Cass fighting. Punching her, but also them fighting together against the Unburied.

The things she's seen of her mom. The death duel. The death. The violence. Being evil. That's what Cass has known (and in a way the murder mom clichés). But we see throughout the shades of Shiva that are more than that.

I think the points where we get little callbacks to the Question yet Cass sasses her mom with "Lying." Again, Cass knows that Shiva loves fighting. Because deep down she too loves this. But also the "lying" Cass means to Shiva. And again we get her saying what she's seen in the past.

And I'm kind of surprised we see the Cult of Shiva again (along with the survivor who Steph fought in #26). Again someone we haven't seen in well SO LONG. And well, say goodbye to this issue (farewell to Shiva's #2 fan).

I'm really curious to where this goes. Obviously, we're going to get answers. But the questions raised this issue do intrigue me. Not to mention Cass/Shiva teaming up. And that alone is a highlight into itself.

I just wonder WHO is behind the Unburied? Because you know it's someone. Question is it someone with a connection to BOTH Cass and Shiva? Or is it truly sins of the Mother dropped on the daughter?

If they're targeting people associated with Shiva? Does it mean we're getting the first meeting between Richard Dragon and Cass? To showcase another layer of Shiva to Cass that's never been explored? Or Ben Turner aka Bronze Tiger? Curious questions indeed.

Regardless Brombal really has a DEEP understanding for both characters.

There's just so much dialogue and just reactions that FEELS just entrenched from Batgirl Vol. 1. That this feels like a writer going FULL ON with no restrictions with Cass.

Not only that but artist and colorist just deliver that same method. Keeping what was in Vol. 1 here present as well

I felt for them again for so many times in these many years- at home.

I felt for them again for so many times in these many years- at home. This comic really does feel like a celebration of the character. Something to honor the anniversary and everything that has come before it. Be it Batgirl Vol. 1 & 2, Tec, Batman & the Outsiders, Spirit World, and Batgirls.

That again why the emotions hit akin to Shadow of the Batgirl. Being a fan of the character so long. Being around for this ride. This hits on another level as well.

And after a week of darkness, this comic (along with another) brought some much-needed light to my world.

So to any Cass fan hesitant in the past due to well "DC being DC", let me just say that this is the one. The one fans have been dreaming of. Hoping. This #1 delivers SO much. Maybe, it shows to others why this character just resonates with so many.

[zhuoyichenpretty]

Ep 22-23 Commentary

Ha...I was inexplicably nervous for eps 22-23 and it looks like I was right to be (-: What a rollercoaster. Spoilers below!

I've just come out of ep 23 and uh????? holy shit????? ZYC????

Ok ok but to backtrack, let's do my comments semi-chronologically:

Ep 22:

A carry-over from ep 21 that I have to mention—heck yeah PSJ give WZY hell. She doesn't have all that many lines but she sure knows how to make them count. Also seeing PSJ and WX get screen time just the two of them makes my brain go "yay <3"

Back to ep 22, loved the fake-out sundial ayeee that was a nice Chekhov's gun that also brings the real sundial back into relevance for later. Also me eating up the PSJ and ZYC crumb of an interaction has brought to my attention how starved I am of their screen time together.

This whole ep was a great lament towards the feared inevitable. Every sad downcast look from ZYC, every complicated glance WX gives him. A wonderful, terrible crossroads for these characters. I love that for ZYC especially, it's such an incredible mess of emotion coming to a head. Bad enough that he's come to care about the demon who killed his family and ruined his life, bad enough that he's sworn a blood oath he regrets and tied himself to punishing someone he no longer finds culpable, bad enough that ZYZ's life or death depends solely on his choice and ZYZ is constantly practically begging for death when ZYC wants him to live. How much immensely worse it makes the whole situation that WX is literally ZYZ's soulmate. And obviously the whole team has only grown more and more attached to ZYZ, too. ZYC's personal turmoil aside, how heavy must that responsibility and guilt be? For the finishing blow that only he can deliver to also deeply threaten every other person he cares about? Everyone understands in the abstract what must happen and why, but just like seeing ZYZ lose control firsthand, the gulf between understanding and experiencing is so unimaginably wide. If he kills ZYZ, can there really be no resentment from his friends? From WX?

Also it seems ZYC only wears cloaks so that he can give them to other people lmao

Ah fuck, the farewell drinks. I didn't even factor in how ZYC might not survive the encounter (''': The drama truly was like hm can we possibly give ZYC a worse day than that night his whole fam died? Maybe give him a bunch of new family members and also the blade and the fate and the sole responsibility to potentially irrevocably scar said family members with? And he might die in the process too? (-: haha maybe? (((-:

Oh. Oh. Addendum. I forgot this til I saw it mentioned in another post—ZYC recounting his oath as he watched WX smile when they discussed reviving the tree...I could feel him weighing those words against his own life, against ZYZ's life, against WX's happiness. One way out of this impossible situation is indeed to doom himself. I'm in pieces.

Damn if WX isn't dedicated heart and soul, going into the sundial like that. I'm sad no one could keep her company for those 300 years but also I guess that's kind of an impossible ask (and maybe not survivable for the other non-goddess mortals? I'm admittedly very unclear on sundial time loophole logistics). It would have been nice to see someone offer though, even just to be turned down.

Ooh I like the soul needle fake-out, given this show's penchant for retroactive "actually we had a plan all along" moments. A good subversion of the narrative's own style.

Also I saved this for the end because it doesn't really fit the linearity of my comments but what the fuuuuuuuck oh my god I absolutely flipped out at this scene:

I am at once rabidly intrigued and at the same time not sure if I'll be satisfied with whatever payoff will come for this so I don't want to overindulge in theorizing and setting my own expectations too high. Maybe this is just a fevered hallucination, maybe it means nothing (I hope it means something). But damn!!! What a gorgeous man crazy scene.

In conclusion, ep 22 had some good stuff for me. Plot development and reflection and tension enough that I may have been satisfied with just that one episode. But they gave us two, so onward to ep 23 comments!

Ep 23:

I like how many solid reasons the team has to suspect ZYC being possessed. Even though I withheld judgment during my watch given how quickly the show usually confirms that kind of stuff with a possession mark, just simply casting that doubt made the whole build up that much more intense.

ZYC slowly walking down the corridor with the whole grounds lit a somber and haunting gold—*chef's kiss*

ZYC's monologue to a catatonic ZYZ is so important to me. The closest we'll get to his internal monologue about this whole situation. The kinds of things said when we think there's no conscious listener.

Okay so, having finished this episode and looking back, Li Lun's hands coming up from behind ZYC was not to denote possession (at least in this episode), potentially is a visual from ZYZ's POV, and seems related to the above screencap. I am so, so curious. Once again, I'm stopping myself from further speculation because I want to be surprised but ahhhhhhhhh

PSJ shooting at Ao Yin is so gorgeous. Her action scenes seriously never disappoint—the creativity of her fight choreos!! Also very cool that the whole team is getting to take part in the action, not just the two male leads.

Bai Jiu possession was not on my bingo card but I sure do love that we literally saw the possession take place and I still didn't connect the dots. Good shitttt. Also oh no ): ZYC was telling the truth about the soul needle, he was just tricked ):

Seriously from the Ao Yin case to getting PSJ released to reviving the Divine Wood to getting tricked by possessed!Bai Jiu to making pear soup to fighting ZYZ to fighting Li Lun—when will ZYC get a single goddamn vacation day holy shit.

Also when will WX tear up that contract so ZYZ can stop having a mild heart attack every time he wants to kiss her ): &I love that they saved the 300-year montage for this moment. While their ship doesn't give me brainrot personally, who could be unmoved by that incredible and undisclosed sacrifice? That's soulmatism.

Okay, I'd seen clips of them filming the ZYC and Li Lun fight but damn I did not expect it'd be happening right now!! Right after already taking damage from ZYZ? And my god is Li Lun brutal. The two actors did such an impressive job on this entire fight, what with Li Lun's ease and ZYC's suffering. I really appreciated the extensive hand-to-hand combat after Li Lun literally obliterated ZYC's sword. (Also though, given the origin of that sword, I kept hoping for a flashback to ZYC's brother once it broke, but alas, no dice.) Anyway, the show does not play around about ZYC whump it seems. I was very very shook by that throat punch; that shit legitimately looked like it hurt.

Honestly, I had a hard time with the extended ZYZ and Li Lun conversation at the very end because oh my god someone please heal ZYC lmao. But of course, that's the end of the episode~~

Y'all...check on your local ZYC stans because I was not okay after all that (': I need a heaping dose of comfort after all that hurt, but as always I'm cautious of hoping for much from canon itself. So yeah! Ep 23 was solid, but I would probably be in better shape if today's release just ended on ep 22 ((':

Time to go wait for the cast's Hi6 episode to drop so I can heal my battered heart ;-;

[call-sign-shark]

Brummie, I'm sorry for the delay I was convinced I replied! Also I'm sorry for not having caught up with your new series yet but I can't read anything as long as I don't get the next fucking chapter of HYE out. It eats my brain and frustrates me.

Anyway, your comment was insanely pleasing -- I loved your insight about the whole baby situation, even more when considering the fact that you're a mom so you feel/know it better than anyone else. She was definitely not ready to share the news of her baby: not only was she not ready but she was seriously unhappy about the timing of the pregnancy, which kept her from enjoying the news. She's not mad per se but she cannot find the strength to rejoice nor think about it in a positive light because all she can think about is how weak, how vulnerable she is. With that being said, it doesn't mean that she hates the kid and I was really afraid that it would diminish the feelings I try to convey in the magic scene. As you said, this is probably the most difficult choice a woman can make in her life: your love or your baby. Also, I didn't want to describe it in a too gruesome way but the psychological as well as physical pain is unbearable. It's as if she felt her baby's life getting drained as she tried to save Arthur :'(

About Tommy.... Aaah, I feel like he's a big theme of HYE alongside Arthur, obviously. There is definitely something extremely toxic in the way he behaves with her and you'll see it more in the next chapter. If each interaction, even the nicest ones, makes your skin crawl then it means I did my job pretty well. 😬 I don't know if he will learn to respect her boundaries but at least we have seen him getting pretty soft when she really needs him (John's death, now Arthur) even if it's temporary. Tommy loves being complicated in every story ay?🙄

Thank you so much for still reading my series and for always being there. You're fantastic, honey. 🖤

Heaven in Your Eyes || Arthur Shelby x You

Summary: It was supposed to be an entertaining evening. Boxing fights, booze and party. It wasn't supposed to be one of the worst days of your life. || Featuring Tommy Shelby x Reader

Words: 4.5k

TW: angst+++, alteration of canon events, canonical violence, depictions of slaughter and body horror, main character death, Reader's husband dying, suicidal thoughts, graphic murder. Parts in bold are direct quotes from the show. Parts in Italics are direct quotes from preceding chapters. Also, Tommy will take more space in the next chapters.

Notes:

✞ Shorter chapter because it's extremely violent and angsty. Also, I'm super rusty so I tried to write it in a more direct style so it's prolly less poetic and beautiful.

✞ This is chapter 16 of the Arthur Shelby x You series Heaven in Your Eyes. Each chapter can be read as stand-alones but reading the whole series will make the experience far more intense.

PREVIOUS || Masterlist || NEXT PART

The extraordinary general meeting of the Shelby Ladies Club.

This is what Polly called this unexpected little meeting in the bathroom right in the middle of the rigged fight happening a few rooms away. When you entered the lavatory with Ada complaining about the sparring between Goliath and Bonnie, Aunt Pol was taking a cigarette from the silver case she was holding while Lizzie was fixing her hair.

“I love your messy bun, Heaven.” Lizzie complimented when she saw your reflection in the mirror she was using.

“Thank you Liz. Ada scolded me and decided that it would be a better hairstyle for tonight.”

“You never style your hair except for braids and it’s a fucking shame considering how beautiful and long your white mane is.” The young Shelby sister insisted.

“If you say so,” You snorted, amused, “What are you doing here? Plotting and scheming? Leave these for Thomas.” You smirked, sitting on the edge of a sink with movements as nimble as a cat. Your little cutting remark had the expected effect: the three girls laughed with sincerity, somewhat amused by the beef between you and the family’s boss. They had eventually learned that nothing could ever ease the tension between the two of you, so laughing about the matter was the only thing they could do. A part of you couldn’t help but think that they wouldn’t find it that amusing anymore if they knew the unhealthy turn your mutual hatred had taken.

What did you feel when we kissed? A shiver ran down your spine as you heard Tommy’s husky voice, as charming as venomous, whispering in your ear. It might only have been a memory, but you could almost feel his hot whisky breath brushing your skin.

“Heaven has some news.” Polly’s voice resounded in the bathroom, snatching you from your thoughts.

“Me?” You asked, batting your bambi lashes in incomprehension before the understanding of the situation slapped you right in the face.

“Well, tell her. Now! While the men are screaming for blood.”  Polly sneaked a cigarette between her thin, red lips. 

Your blood momentarily froze in your pale veins for this unexpected pregnancy wasn’t something you wanted to talk about. For sure Aunt Pol didn’t mean to do harm, but the surrounding chaos and your last encounter with Luca Changretta seriously eroded your wish to have a baby. The baby who made you so vulnerable during times that were anything but good. Moreover, a quick glance at Lizzie’s sad and anxious eyes had been enough for you to understand that something was weighing on her shoulders. Something you had guessed for a few days. Something she needed to talk about more than you. The corner of your mouth turned up in a half-smile.

“Well, I discovered something about Lizzie but I think she should be the one making the announcement. Shouldn’t you, Lizzie?” You winked, replacing one of your long white strands of hair behind your pierced ear with a naive pout. Glitters of hope and gratefulness suddenly sparkled in the ocean blue of the secretary’s eyes to whom you replied with a discreet nod before grabbing Polly’s cigarette case.

“I’m up the duff. And it’s Tommy’s.”

You took a long drag on the cigarette and slowly exhaled the smoke by your nostrils as the attention was now on Lizzie. Even though Ada almost choked on her sip of gin, she quickly showed interest in the tall woman’s pregnancy. The only one you didn’t fool was old and cunning Aunt Pol who gave you a brief “okay I get it” glance before turning back to Lizzie.

It’s a girl. Call her Ruby. Ruby Shelby. She’ll be a star in a Hollywood movie.

You watched the scene with a light smile floating upon your plump and glossy lips, satisfied by the outcome of your little trick as well as the surprising unconditional support Lizzie was receiving after years of being seen only through her job as a prostitute. Admittedly, the reason behind the little push you gave to Lizzie Stark was purely selfish, but you couldn’t deny the fact that you kind of liked the woman despite never really interacting with her. She got the attention, and you got peace. It was a win-win situation.

“Congratulations, Lizzie.” You said, your siren-like voice as soft as a lazy ocean.

“She’s a real Shelby lady now. Just like you, Devil.”  Polly’s smirk betrayed her amusement. You rolled your eyes teasingly before proudly showing your left hand and wiggling your small fingers to display the magnificent wedding ring Arthur had gifted you.

“What about you Hev? When are you planning to give us a little Arthur?” Ada suddenly asked, Lizzie's news had visibly rendered her sour mood better.

“I think one Arthur is enough for now, don’t you?” You got up from the sink and carefully smoothed the folds your revealing black dress, “Anyway. Ladies, let’s rejoin our gentlemen.”

“I guess the meeting is over.” Ada added with a little chuckle

Joining deeds to words, Polly gently hooked her arm with yours in a motherly gesture and guided you outside, where the crowd’s roars were echoing.

Laughs and cheers filled the room as Johnny Dog put on a show to get more men to bet on the winner of this fight. Swallowing a mouthful of gin, your seraphic traits turned into a wince at the burning sensation the alcohol left in your throat – that new batch was strong, indeed. The sweet taste that exploded on your tastebuds, when the tip of your rosy tongue licked your juicy lips, made you grin, or maybe it was the all-consuming smell of sweat and blood that lingered in the air. It might come off as surprising for other women, but you enjoyed watching fights. There was something brutal but so real about them. After all, humans were just animals wearing suits. Animals which, according to you, had barely learned to speak instead of growling.

Your lips pinched the cigarette as you took another drag you quickly blew, your eyes following blood spurting from Bonnie’s nose and splattering the ground. Although quieter than Polly, Lizzie, and Ada, who were laughing, screaming, and sometimes nudging you in excitement at each violent blow the Romani boy gave back to his opponent, you had a lot of fun. Until a peculiar but familiar feeling blossomed within.

It started with a chill creeping down your spine and ended up with light tremors shaking your frail silhouette. Instinctively, you raised your piercing gaze and searched for Arthur somewhere among the crowded rows of folded seats. Your usual calm demeanor faltered as you noticed that your husband seemed troubled by something, rapidly glancing from here and there, attempting to read the room for whatever reason. He didn’t even pay attention to you, far too busy observing the men that were around the boxing ring. Eventually, Arthur stood up and left, his steel blue eyes fixed on someone he followed through the depths of the building. Let me do my fucking job! That’s what he barked at Tommy, or at least what you thought you overheard.

You frowned as a strange sensation rippled through your mind – like a distant, haunting whisper of something looming, a threat. Nervously swallowing your saliva, your first reflex was looking at Tommy. You couldn’t place it, but the odd feeling gripped you tightly like an omen you couldn’t shake, warning you of an approaching storm. It seemed like little King Shelby shared your inner agitation though, for his mesmerizing turquoise eyes dived into yours with the same nervousness and incomprehension. Whatever the many reasons behind your hatred, you were definitely on the same wavelength at this very moment. The silent conversation, expressed through brief eyebrows and eye movements, was more or less the following:

-Where is he going?

-I don’t know. It’s prolly the booze and the pills.

-It’s not. I’ll check.

-Don’t fucking do that.

You stood up from your seat with a clenched jaw and, feeling the vibration of this bad omen quaking your soul itself, you nimbly snaked in and out through seats and followed Arthur’s steps. As was the case for your husband a few minutes ago, the dark corridor into which you rushed engulfed your ethereal silhouette like a hungry giant.

“Fuck.” Tommy mumbled, straightening on his seat and leaning forward, “Fuck.” He repeated, torn between his own doubts and his disdain for you. Nevertheless, if there was one thing he had learned since you joined the family was that your gut feelings were never wrong. You proved it several times, starting by foreseeing Charlie’s abduction. The dark-haired gangster sniffed and nervously rubbed his chin, his catlike eyes going back on forth between the corridor and the crowd. A few minutes later, Tommy finally left the fighting pit.

Something was definitely off.

Cautiously walking through the maze of dark hallways dimly lit by a bluish light, you tried to ignore the maddening beat of your heart that was drumming so loud you felt it hammering in your temples. You didn’t really know where you were heading, nor where Arthur went, but the more you moved forward, the more this unbearable feeling of dread and panic invaded you. Your aimless wandering came to an end when the strong and metallic smell of fresh blood and the atrocious sight that followed jumped at your face.

No.

Your heart nearly stopped when you saw him – your husband, slumped on the ground, blood soaking through the collar of his shirt as it gushed from the wound across his throat.

No!

Time seemed to slow down, and your heart seemed to stop as you took in the scene: the gun the Italian bastard was holding in his steady hand aimed at Arthur’s head.

Panic crashed over you like a tidal wave, washing away everything but the rage that had piled up within you during all these years. In that moment, something primal and destructive snapped inside of you. In a blur of rage and raw instinct, and with a guttural scream that seemed too inhumane to come from you, you launched yourself at the mafioso, who barely had the time to turn around. Another furious shriek escaped from your quivering lips, similar to the rabid screech of a wounded banshee, and with your fingers curled into claws, your sharp nails slashed across his face.  

“PUTTANA!” The man yelled and gasped, taken aback by your unleashed fury.

The mafioso fired with his gun in a desperate attempt to kill you but the brutal impact between your two bodies threw him off balance and the shot reached the wall instead of your brain. As his spine crashed against the tiled ground, Changretta’s henchman dropped the weapon. You gave it a brutal blow to make it slide away from him.

Another wave of insults followed as he realized that he struggled to overpower you. You were fighting like a cornered animal, wild and relentless. Your claws scratched him again and again, leaving raw and jagged lines of blood all over his face. The mafioso's strength was starting to falter as he realized that you weren’t just fighting to win; you were fighting to kill him, your body moved by the instinct of a bloodthirsty beast that refused to be caged.

"Stop it, you fucking bitch!" A scream of utter pain brutally tore the air as, completely out of your mind, you dug your thumbs into his skull, pushing harder and harder in an attempt to gouge his eyes. The Sicilian man produced a second sound so twisted that it seemed beyond anything a human throat could produce. The more you pushed with your thumbs, the more you felt his eyeball turning into a viscous pulp. The feeling of the moist and warm liquid on your fingers didn’t stop you. Nor the man’s wails of pure agony, with its pitch far too high and too broken.

“Ajùtami! Ajùtami!” He pleaded, his hands felt the ground in panic, searching for anything he could use to push you away from him. Anything to make you stop. Realizing that nothing was around him, not even the thread he used to attack Arthur, he managed to overcome the pain and gather his strength to grab your throat.

With your air squeezed, you wheezed and removed your fingers from his skull to claw his strong hands. “S-Stop!” Panic flooded you as your vision blurred, black spots dancing at the edges. The harder you fought, the harder he strangled you. Seriously lacking air, you clawed at his arms, desperate to breathe, but his grip was iron. Now you had to do something and do it quickly if you wanted to have a chance to save Arthur.

Your thoughts raced, frantic, until instinct took over.

I love your messy bun, Hev!

The judas stick – now you had a chance. With one quick movement, you brought your hand to your bun and your fingers fumbled for the sharp metal judas stick that was holding your hair in place. It came in handy. With a choked sound, you drove it upward and sunk the sharp edge of the stick into the man’s side.

One time.

Two times.

Three, four, five, six…

Side, chest, shoulder, face… 

Each impact was vicious and powerful, tearing through the flesh like butter and drilling into organs and bones with the sheer will of maiming your enemy. Hot blood splashed all over you and around, but you didn’t care. The only thing that made you stop stabbing him was when you felt the man’s grip loosen around your throat until his arms dropped on the red-smeared ground in a loud thud.

“Fuck!” You sucked in a sharp breath, your voice hoarse from being choked. However, you quickly got up from the corpse to run to your husband.  “Arthur!” You screamed, rushing to his side, your hands trembling as you knelt beside him – or rather as you dropped to your knees, your legs unable to support your weight anymore. Panic seized you even more violently as you saw Arthur's deep wound and the blood—too much blood.

“No, no, no… not like this,” You whispered, voice cracking. You couldn’t lose him, not here, not now. Never. Your fingers brushed over his chest and, in your deepest desperation, you looked for his pulse. A pulse you found, but which was becoming slower and fainter as seconds flew by. “Arthur! Please!” You started sobbing, tears streaming down your face and mixing with the fresh blood that was painting your skin in a disgusting shade of red. You had to face the truth: Arthur was dying. The damages were too serious and the bleeding too much… But you were a witch. The gift of healing was coursing through your veins. The only problem was that if you tried to save him by using your magic, you’d hurt the baby. After all, that was what happened when you tried to kill Luca Changretta with a heart attack.

The baby.

Your husband or the baby?

Your heart painfully raced in your chest. Your erratic breathing and your sore throat made you feel like you weren’t getting enough air.

 “I’d love to have kids with ye, eh. Little white-haired and blue-eyed us running barefoot in the forest… Little embodiments of our love brightening our life.” His voice was merely a whisper now for he was slowly falling asleep, “I’ve always wanted to be a dad… but thought I was too messed up for that.”

You could save him. You had to. Despite this torture of a dilemma and the harshness of the decision, nothing could change your mind, not even the feeling of your heart shattering into millions of shards. Closing your eyes, you placed one hand over his throat, the blood warm under your palm, and the other on his chest. Wasting no time, you channel all your strength – the connection sparked, and the raw, untamed magic you inherited from your mother surged through you. It seemed to work at first, his pulse lightly responding to yours.

But the more the magic surged, the more you felt a terrible pain in your belly. It started as cramps but quickly escalated into suffering so high that you felt like someone was stabbing you. A trembling squeal escaped from your red lips. You were killing it, you knew it. You were killing your own baby.

"Come on, come on," You muttered, pushing harder, forcing your will into his body. "Stay with me, Arthur," You whispered, tears streaking down your face, each sentence cut by muffled cries of the mafioso you had slaughtered and who was still alive— not for too long to be honest. He seemed to say something in Sicilian but you couldn't understand what. And you didn't care. "Just... stay with me." You gritted your teeth, doing your best to put up with the pain.

Click.

You froze.

“You nosey little slut. You should've stayed with the others.” 

Your heart missed a leap at the unknown male voice, carried by a thick Italian accent. The mafioso’s colleague looked at you, gun pointed right to your head.

"Remember me?" He asked with a wicked smile, recalling the moment he had offered you a cigarette a few hours ago. During your brief chit-chat, he told you that his name was Damiano but you didn't make the connection between Changretta and his Italian heritage.

“Don't cry, you're going to meet with your husband again very soon." the imposing man added, a few seconds away from ending your life. However, Damiano didn't know what you were capable of. Even less now that you were driven by pure rage and despair.

“Shut the fuck up!” You suddenly yelled, your claws firmly anchored in your husband to make Damiano understand that no one would snatch him from your arms. Your voice, a seductive melody that could enchant like a siren’s song, suddenly sounded monstrous. Raw and primal, the way you screamed the threat echoed in the entire maze of hallways and made Tommy’s blood freeze in his veins, a few corridors away. “Fucking die!”

Damiano didn't know that he never stood a chance. You sealed that man's demise with one blunt arm movement as if you had wanted to chase a mosquito from your face.  

"Wh-What..."

Damiano, fell on his knees next to his dying friend, and writhed on the floor. With his two hands pressing on his chest, he suddenly started to choke and, right after, threw up a great amount of thick blood. Apart from the vomiting, blood soon seeped from his eyes and ears, bubbling like something inside was boiling them alive.

"P-Please!" He begged but you didn't stop. The man obviously tried to scream but the only sound he could produce was disgusting gurgles.

"Don't worry, you're going to meet your friend pretty soon." You replied with a cold and sardonic tone before closing your fist, the man's lungs responding to your gesture by imploding in his chest. Like his colleague's arms did a few minutes ago, Damiano's whole body crashed against the floor with a thud.

Quickly, you shifted back your attention to your husband and kept giving him all your energy while ignoring the black dots that were dancing in front of your eyes, as well as the awful, unbearable stabbing sensation in your core. You were definitely hurting yourself by using your power that much but you didn't give a fuck. “Arthur, please.” You growled, a feeling of dizziness building up so bad that you didn’t even hear the hurried footsteps that were coming closer, nor the hoarse, familiar voice of your brother-in-law.

"FUCK!" You exclaimed. You were losing Arthur again.

The three bodies lay strewn like discarded puppets, their lifeless forms twisted and broken on the blood-flown concrete floor. The once clean backroom had transformed into a nightmare realm of gore and horror that made Tommy's stomach turn upside-down.

The Peaky Blinder's boss took two steps back and brought his calloused hand to his mouth, fighting against the urge to puke – and God knew it took him a lot considering the atrocities he witnessed and did during the war. His turquoise gaze scanned the room, which had turned into a slaughterhouse. A fucking pool of crimson blood. First, he saw the limp and distorted corpse of Damiano, whose eyes were open wide in horror despite him being dead and cold. The terror in his frozen facial expression left no doubt about how awful his last moments must have been: he had suffered, and he had suffered more than a lot. Then, he caught a quick glimpse of the second victim. With his eyeballs reduced to a reddish foul mush, the lacerations on his face, and the abnormal number of stabbing wounds, the mafioso’s body was so maimed that it looked disgustingly grotesque.

Then he saw Arthur.

"Oh my God. Oh my fucking God — Arthur!"

Amidst the chaos, where the air hung heavy with the acrid and pungent scent of blood, Tommy's screams echoed far away in the distance as you knelt there, eyes wide open and silent tears streaming down your cheeks, mixed with dark trails of ruined mascara.

Tommy reacted immediately and knelt near his brother with a panic so uncontrollable that it swept away every ounce of coldness and self-control he usually displayed. He slapped his brother's cheeks several times in a vain attempt to help him come back to a conscious state but it didn't work. Thomas Shelby's fist hit the floor with frustration as the feeling of powerlessness crept into his heart. He was losing another brother and there was nothing he could do to save him.

But you could.

"Heaven, d'ya hear me?"

You let out a muffled whimper, or at least you thought you did as your senses saturated with one unique sound: a relentless ringing that echoed in the hollow caverns of your mind. With each pulse of your heart, the sound intensified, threatening to consume the last remnant of sanity you had left. The world around you had seemed to fade into obscurity, your sight blurry and reduced to only one color: red. Vibrant red splattered everywhere, on the walls, and yourself but most of it was on the floor. In fact, the ground itself seemed to writhe beneath the weight of the corpses, as crimson rivers flowed freely, painting the concrete in shades of crimson that gleamed like freshly spilled paint.

“Oi! Listen to me!” Tommy’s powerful voice suddenly snatched you from your daze just enough time to catch your attention and plunge his turquoise iris into your Arctic eyes.

“I—I can’t. I can’t, I can’t...” You repeated in a whisper, just like a broken record, because your husband’s pulse was weakening again, blind to your exhausting and painful efforts. Arthur was dying, your baby was dying and the intensity of the pain you went through was so insufferable that all you wanted to do was curl up in a ball and wait for death to make this nightmare stop.

Tommy rapidly shifted his body to be by your side, his sharp eyes focused, but softer than usual. “You’ve got this,” he whispered, meeting your panicked gaze. “Keep going. Don’t stop.” He pressed his hand firmly over yours, steadying the trembling fingers that worked to save his brother. His voice was low, gravelly, but laced with a quiet strength he tried to share with you. His grip was warm, grounding you in the chaos, his presence like an anchor. At that moment, the weight of the world felt momentarily lighter with him by your side. You replied to his help with a muffled sob.

"You've got this!" Tommy tried to keep you from falling apart but the sight of a thin trickle of blood slowly running down your nose worried him almost to death. He looked at you and he knew. He knew that you had given everything – every ounce of your energy to save his brother, your magic now drained. Your hand trembled, still pressed to Arthur’s chest, but the world around you was seriously fading to black.

Caught amid this Hell with Tommy by your side, you didn't hear nor feel Polly, who had found the crime scene.

"Oh lord please help us, oh Lord, oh Lord..." Polly cried, horrified by the bloodbath as well as by the sight of you clinging to Arthur's limp body. She had already lost one of her nephews and couldn't bear the weight of losing another one. Not her sweet Arthur. Not him,

"We're fucking losing her too!" Tommy exclaimed, "fucking help me!"

"Heaven!" She called, grabbing your shoulder and shaking you but all you did was scream one last time. A haunting and otherworldly wail that pierced the darkness. A sound so agonizing and inhumane that it seemed to tear at the very fabric of existence. It echoed across the building, carrying with it the weight indescribable of sorrow and despair as your arms tightened your grip around your dying husband.

The smell of blood hid Tommy's musky perfume that was tingling your nostrils. The deafening ringing in your ears covered Polly and her nephew's voice. Your breaths came shallow and weak, your body becoming heavier as darkness crept in. Slowly, your eyes fluttered shut. In one final movement, you collapsed beside your husband, your last thought a silent hope that he would live.

Or that you would at least die trying to save him.

✞ Any comment, review, reblog, or constructive criticism is welcome. Your reactions really motivate me and keep me alive, so please don't be shy. English is not my first language. gif by the wonderful @alicent-targaryen.

✞ Taglist: @adaydreamaway08 @theshelbyclan @jomarch-wannabe @esposadomd @woofgocows @anathemasworld @anastasia000 @kate654 @kxnnxy @babayaga67 @meowtastick @shelbyssins @sarai-ibn-la-ahad @bluevenus19 @raincoffeeandfandoms @kishie8 @zablife @alexandra-001 @alexizodd @helen06dreamer @kmc1989 @peakyswritings @peakyltd @chaosinkest1996 @vanhelsingsbigtoe @cherubswhispers @lokigirlszendaya @justrainandcoffee @mischievouslittlecreature

[ananke-xiii]

Another thing about the lameness of Apocalypse World being the result of "Mary's choice" is that it gives too much weight to Azazel's deal. That demon spent a lot of energy finding his "special children" and had never even noticed Mary before Dean's interference.

Interference that happened because Castiel made Dean travel through time and told him he had to "stop it" just to show him that it wasn't possible. Of course Cas didn't know, back then, about angels basically acting as and for Chuck by manipulating people, time and events for their own benefit. Still, you have to wonder after "In the beginning" whether Cas actually realizes what he has done.

Whether Mary deals with Azazel or not doesn't matter because of the bloodlines. The only difference is that if she said no an angel would fly in, resurrect John and wipe out their memories. Just like Zachariah and Michael tell Dean in S5.

The whole thing about demon blood as necessary in order to be Lucifer's vessel is just there for effect, I think, because neither Dean nor Adam need to be "primed" to be Michael's true vessel who, apparently, is even more powerful than Lucifer. Or, I don't know, to me that doesn't track at all but I might be missing something. I mean, it kinda shows how Kripke was tired of the "special children" plotline but, yk, the awkward, giant elephant in the room is that the foundation of the show is Sam and demon blood so... they had to justify it in some way, I think. But, again, I might miss something here.

The real importance of Azazel's deal is that it highlights Mary's complete loneliness in the world: in an instant her parent and her fiancé are dead. She deals because she bargains her otherwise horrible present (which is still horrible, tbh) for an unspecified future (which she craves. a lot. we've been told. multiple times that she wants to "escape" her current life). The tragedy is precisely that she doesn't know that she's specifically damning Sam's future in the process.

The real, real tragedy, however, is that she has no choice, whatever she does, SHE will always end up there. Because Mary and John are just "placeholders". The angels are basically just waiting for the demons to do the hard and dirt work while, they think, they just have to manipulate low ranking angels and get Dean's consent. Precisely the two things that fuck them in the end because Castiel rebels and Dean doesn't consent.

The other thing about Azazel's deal is that he doesn't need permission to enter Mary's house, that's just an excuse because of the "red tape". He has to bend the rules of the natural order and, in order to do so, he needs to make a deal. His deals are basically asking people to sign and date a blank sheet which is, obvs, a super manipulation, but, because people accept that, the deals "respect" the rules. It's absolutely unfair considering that this seems to apply only to humans while angels bend even the rules of time as they please with no consequences (well... actually, "what goes around comes around" and they will almost all be wiped out, lol).

The tragedy in the tragedy of the tragedy is that Dean understands that's about the souls. "In the beginning" makes a point of telling us that's not about that but I don't think it's true. Yes, Azazel won't come knocking in ten years with his hellhounds but he's bargaining a soul for a soul. Liddy's husband, if Azazel had managed to deal, wouldn't have died; Charlie's father would have lived; John would have died etc. So, in this episode at least because I don't remember the parents of the other special children tbh, Azazel is exchanging the life or death of 1 parent with the future of 1 of their children. At the end of the day, this is what the deal is about: it's a 1 for 1. This is also why he can't resurrect Mary's parents. Well, because he doesn't care, obviously, but because he doesn't have to: John's resurrection for Sam's future (which Mary has no idea about and neither does Azazel, he's also signing a blank sheet).

And this is so interesting because demons must follow the rules but angels don't because they are SO certain that they will end Time. They think they will put an end to everything and finally have their "paradise". When it doesn't come to pass, when the end doesn't arrive as promised, everybody has to face the consequences of their actions.

[batmanisagatewaydrug]

Hi! I'd like to hear more of your thoughts on Rebecca and Eric from "Luster" by Raven Leilani. I just reread it recently and yeah, it is incredible (saying this as an almost 23-year-old Black woman that sort of identifies with Edie).

I really enjoy both Rebecca and Eric as characters - and within their separate relationships to Edie. However, it's really hard for me to understand which scenes/instances - besides the obvious humiliation they both participate in in regards to Edie - that show explicitly Rebecca's issues with rage and Eric's more absolute loserish tendencies.

I mean, I'm not completely unaware of the unsavory ways in which they act; not going to list them all out. But some of the reviews - including yours - and even interviews with Raven Leilani that talk more about the characters, don't go as in-depth as I'm looking for. I feel like the ogre reading Joyce :(

[The lines from the book I've been thinking of most often - though not my favorites are Eric saying "I don't think of you as a person at all" and (I'm gonna get the wording kind of wrong, but) "I cry everywhere and often" near the beginning of the book]

I hope this is asking too much. I really enjoyed your review and I'm already kind of looking forward to reading it again because of it <3

hi anon,

well Rebecca, to me, is impossible to read as anything BUT a white woman hitting middle age and realizing that she made all the "right" choices - she has a job that pays well and she married a stable man and together they adopted a child and got a good house in a good (read: white) neighborhood - and still isn't actually happy with her life.

I mean, what does Rebecca actually have going on? she's exercising furious control over her body via furious physical activity because it's one of the only things she can feel in charge of. she pushes the same on her daughter, making a child count calories in a way that's absolutely going to give her a complex. she didn't want the child in the first place; she tells Edie verbatim that she never wanted to be a mother and while I do think she cares about Akila's well-being I think she also knows that she's wildly ill-equipped trying to parent a traumatized Black girl. she's in an "open" marriage that reeks of "we either had to open the marriage or get divorced" that she micromanages from afar so that Eric gets as little freedom as possible with Edie in the early stage of their relationship; Rebecca doesn't actually want Eric to fuck someone else, she wants him to get tired of trying and come back to her.

after the initial humiliation of trapping Edie at their anniversary party Rebecca remains emotionally distant towards her; even after she invites Edie to stay in her house she stays mercurial and her mood is subject to switch on a dime, always falling back into little power plays to remind Edie she's in charge, because Edie is a safer and easier target for Rebecca's pent up frustrations than her husband or daughter. she's exactly warm enough to Edie to make it hurt more when she's callous and mean, which I don't think is strictly intentional (I don't think Rebecca consciously knows what the hell she's trying to get out of their dynamic, either) but is still an extremely shitty way to treat a vulnerable young woman who's currently completely dependent on her for shelter.

arguably the most relaxed we ever see her is when she takes Edie to a mosh pit, because that's one of the only moments of unrestrained emotional authenticity that Rebecca gets to have - and it's wildly outside the norm of her day to day life, something that she's supposed to have left behind when she started dating Eric. Rebecca is so furiously dissatisfied with everything about her life and I frankly think she'd be happier if she disappeared in the night to go be a bartender or a roadie and never saw her husband or daughter again, but she'll never do that because you Can't do that, not if you're a respectable woman trying to cling to the signifiers of success that you worked so hard for.

re: Eric being a loser I really don't know what I need to cite other than him having a wife and a girlfriend and not treating either of them well tbh

[scurvgirl]

Learning about my Rook through banter. Just a little self-indulgent writing.

-

Bellara: So...you're Dalish, right?

Rook: Yep.

Bellara: But...you don't have Vallaslin.

Rook: I don't.

Bellara: Did you leave before you could get it?

Rook: No. My father isn't Dalish, and I was born in a city - I joined my mother's clan later. Didn't feel like the Vallaslin would suit me at the time.

Bellara: Oh.

-

Lucanis: Rook, what foods would you like prepared?

Rook: Anything really. Dalish, Free Marches, Tevinter, any kind of sea food.

Lucanis: Good to know.

-

Rook: You know, Taash, you don't have to choose to be Qunari or Rivaini.

Taash: What, you think I don't know that?

Rook: Hold your dragons. I'm saying - I'm Dalish and from a city. I respect the Vhenadahl and the halla. I sang prayers to Andraste and to the creators...before, you know, we knew shit.

Taash: Okay.

Rook: It's all important, and...you're all of it, put together into a unique experience of yourself.

Taash: I'll think about it.

-

Neve: Alright, your accent is not Tevinter, Antivan, Fereldan, or Orlesian. You're a Marcher.

Rook: She's found me out!

Neve: Now to figure out where.

Rook: Do you want me to tell you or is it more fun for you to put the clues together?

Neve: Don't tell me.

-

Rook: Fucking Venatori!

Harding: You really hate them.

Rook: Assholes kill people and use my gods as a fucking excuse.

Harding: You made that one explode.

Rook: Yeah, well, sometimes we deal with personal shit by exploding an evil shithead.

-

Neve: I've got it.

Rook: Oh do tell!

Neve: Kirkwall - Varric recruited you, told you to keep where you're from a secret.

Rook: Good thought but nope. Not from Kirkwall, and thank goodness for that.

Neve: Dammit.

-

Lucanis: You're quite good with that blade Rook. Who taught you?

Rook: My mother. She's a very skilled swordswoman. All of her kids are mages but she insisted we all learn how to defend ourselves with weaponry against Templars.

Lucanis: Smart woman. You have siblings?

Rook: Yeah, two older brothers.

Lucanis: Why am I not surprised you're the baby?

Rook: Because I am baby.

-

Bellara: I don't understand. Why not get the Vallaslin?

Rook: My clan was informed of its true meaning. My keeper started offering everyone a choice.

Bellara: True meaning?

Rook: Slave markings, apparently. Makes sense now with what we know of the gods.

Bellara: That's horrible!

Rook: My brother decided to get his despite that. He said "Whatever they were, they are now how we find each other. How we take pride in who we are." I didn't feel ready. I don't know if I will ever feel ready.

Bellara: That...makes a lot of sense, actually. Thank you.

-

Davrin: You saw the Inquisitor, right?

Rook: Yeah. For someone who has been fighting for so long, she looked great.

Davrin: She's like you - Dalish but no Vallaslin.

Rook: There's a few of us out there.

Davrin: I wonder how she got rid of it.

Rook: Ah. Don't like Ghilan'nain's design upon you?

Davrin: Most days it doesn't bother me, but some days...it makes my skin crawl.

Rook: I'll try to ask her next time I see her.

-

Neve: Alright. You don't have Vallaslin because your clan found out information about them from ancient times. You showed an odd familiarity with the inquisitor. You said you are both Dalish and from a city. You hate the Venatori. You're from Wycome.

Rook: Huzzah! You discovered it!

Neve: You were there when the Venatori tried to take over.

Rook: They poisoned our wells. Blamed the elves in the alienage. They killed so many.

Neve: That means your mother was from clan Lavellan - the same clan the Inquisitor was from.

Rook: That would be my clan.

Neve: No wonder Varric gave you a code name and made it so hard to find anything out about you.

Rook: I was twelve when Miriel, I mean, the Inquisitor, left the clan. We were so proud of her, and so worried for her. When she came back...without her Vallaslin...there was a lot of heartbreak that day.

-

Solas: You knew the Inquisitor.

Rook: I did. And you broke her heart.

Solas: I didn't have a choice.

Rook: From what she's said - you did. You just chose wrong.

[cuttyclowngirl]

Daima EP.5 Spoiler Review/theories

• While Panzy's eye color means nothing in regards to her lineage, she does come from an important lineage as some of us suspected. Panzy, princess of machine otakus. Glorio not immediately recognizing her by name or appearance likely implies either 3rd world demons aren't interested in the royal family in general or Panzy's very existence is somewhat restricted to those who live/work at her castle. Could it be that she never actually received a collar as a result of that? Is that why she wears the scarf?

• Glorio very clearly doesn't want anyone outside of Goku's circle to join in regardless of any help they can offer. (Not part of Dr Arinsu's plan?) No choice now. Panzy's a helpful mechanic.

• Glorio did in fact speak to King Kadan, who did not in fact request that Glorio seek out those who defeated Majin Buu; implying that Glorio "snuck" into King Gohma's castle & gathered intel on Goku & crew in episode 1 before being "sent out" by King Kadan. Even a 3rd world demon who does "work" in the 1st world shouldn't be able to get anywhere near the castle of THE SUPREME KING of the DEMON REALM. He was let in. Dr Arinsu popped up unannounced in episode 1 & Glorio just happened to be spying behind a pillar? Nah.

• The 3rd demon world being the biggest, (yet worst off) world in the entire realm might just maybe imply worlds 1&2 have slightly lower gravity, but probably not.

• King Kadan is a man of seemingly righteous anger (Glorio describes him as an uncivilized Mafia boss) who wants to get rid of King Gohma & somehow assume the throne of Supreme King. For "peace". Is that actually possible? Was he perhaps promised that position by a manipulator in the shadows? (Dr Arinsu?) Panzy said her father "only steals from criminals & only kills bad people", which is usually a set up for a heartbreaking reveal that'll leave Panzy in tears. Or it could be nothing.

• Apparently those awful collars even function as tracking devices.

• They even have onigiri in the Demon Realm. Cute. Implies demon rice fields & unique demon ocean seaweed.

• Panzy has a knife she hasn't used yet. Judging from all that courtyard soldier training going on at her castle, she probably picked up a few moves from watching & learning.

• It was nice hearing Goku introduce himself with both his names. His interactions with Panzy are cute so far, as I'd hoped. Panzy herself is charmingly stubborn, insisting on getting her way without throwing tantrums/ throwing a fit.

• In the 3rd world at least, the inhabitants live up to a thousand years. This likely doesn't apply to the Glinds who live for a VERY long time.

• Every Majin (demon) can use at least one magic spell. So could magical enhancement explain Glorio's strength?

• Goku can canonically touch his nose with his tongue.

• Panzy implied that there are next to no Glinds in the Demon Realm due to the vast majority leaving ages ago, as many of us suspected. Though based on the passive aggressive conversation Shin had with Glorio episode 3, there might be a handful of Glinds somewhere in 2nd world.

• So the stick with blue cloth tied to it from the OP isn't a grave marker, but a path marker. Based on the sound of the wind (in the scene in this episode) & the direction the cloth was blowing, you're supposed to take the path the cloth points to. (In the OP the cloth is blowing to the right, then the camera pans to the right, where Goku & crew are seen traveling)

• Panzy confirms that Dabura was still a bad guy prior to the events of the Buu saga, so thankfully he hasn't been retconed as a good guy King. (Wouldn't make sense)

• Dende's caretaker (nanny?) is cute. Hope she gets a name. Much smarter of King Gohma planing on raising Dende so he can have his own personal set of dragon balls & probably get rid of Neva. (So it was probably Degesu's idea)

• I want to know what those demon onions have seen...

• The Tamagamis have never been defeated. Their poor win streak's about to be demolished.

• Smart of Shin (Supreme Kai) to bring up the pin number issue with King Kadan, who introduced us to a demon (of currently unspecified gender) named "Hybis" (Hibiscus flower?) who loves ballet & will head out to pick up/help Vegeta & crew. Hybis also shows off a device that's visually similar to the dragon radar, but also Babidi's energy reading device we saw Spopovich using when Gohan went SSJ2 at the tournament in the Buu saga. Just cooler. (Panzy is also seen holding a similar device in the ED) I swear, if the eyeball on Hybis' belt turns out to be the Tertian Oculus...

• Shin straight up drops "universe 7" in front of Goku, who doesn't register it & that's hilarious. Shin also finally shared his suspicions of Glorio with Goku, bringing up things we've been bringing up & such. Goku was Goku about it.

• I wasn't ready for the children's book art style bit when King Kadan ordered 3 men to steal a plane for Hybis from the "Nemophy Gang".

• Man, someone must've put a plane curse on Glorio, cuz bro has ZERO luck in that department. A 4 day trip & it breaks down in 2 minutes. (Guess Kai-Kai isn't an option)

• Hope we return to Kadan castle from time to time to introduce us to a few of those background characters like cool, pretty, buff red head with the silly ah chest plate.

• Wonder if Glorio actually has any of that liquor King Kadan offered to provide.

• Cute detail of Goku carrying luggage with his nyoibo.

• I super hope that axolotl tailed stuffed animal Panzy brought along will actually be sold IRL. I want.

[lucilleandherrobots]

Hey when your outfit choice is literally just a coat of paint, you want to look your best. I don't blame him. The ref makes them seem like such a silly guy! It reminds me of this meme:

Oh, Deep Blue is very protective of their partner when they're around. Not many people would want to fight a robot version of the Wasteland's apex predator. Combined with human intelligence, that's just a recipe for instant death if you piss them off too much.

Even though Deep Blue has possibly killed some people, they're a deep (haha) thinker. Their first instinct is literally to analyze an optional strategy to combat a situation. It just turns out a lot of circumstances are solved by literally fighting your way out them in the apocalypse.

Clancy is a GREAT swimmer! They and Yren live in a big storm sewer storage area off to the side of the actual sewer proper. Yren built up a big wall with a door on the walk away that blocked up the rest of the water where he then set up a filtration system to clean it so Clancy doesn't get sick. It's they're front yard kind of for the little fishy baby!

Oooh! An Owl mutant! I'm imagining the Mothman but in scraped together armor and a pipe gun. Do they have a beak? Or is it just the feathers?

Also a Gatorclaw mutant sounds amazing! I'm assuming you mean something like gatorclaws... Is he part human or full on reptile? Would that be a Crococlaw since it would be different from a gatorclaw like how gators and crocodiles are different reptiles with similar body types?

I have a plain Gatorclaw OC that my sole hatched from an egg she found in Nuka World. Her name's Beatrice, and she has anger management issues that she treats by processing scrap for her human mom. She understands and speaks English. Turns out if you actually go through the trouble of raising Gatorclaws from eggs and properly socialize them instead of fast forwarding the process, they'll be well adjusted and learn things. Who knew? (I didn't like the way the scientist in Nuka World treated them. Can't you tell?)

Alphie is a former Forged- which means she knows all about smelting down metal and being demanding and loud. She got sick of their selfish ways and how they treat newcomers- that kid from that local farm being the last straw. She decided to move to Boston to start putting her blacksmithing skills to good use and earn an honest living. The Tower was the best spot since she could use the junk in it to make Damascus steel (a kind of mixed metal alloy) for a bit if she needed it. She also makes a point of honoring the dead in the meatbags by cremating them and using their ashes to make her molds and crucible. Their ashes are being used to create something that might protect others rather than their corpses rotting disgracefully in the air. She burned them right in front of the two supermutants, too- looking them dead in the eyes and declaring very loudly and defiantly that this way of life, eating people, was over. They seemed to understand that.

Nobody including me posts about their ocs enough so please please please reblog reply or whatever with some oc tidbits!

[skyrim-forever]

I'm sure you've answered this already but how bald is Ondolemar? Like Is it smooth enough to shine under candlelight, or are there little tufts there? Is he bald by choice, does he shave, can it grow there? What's the sitch? The people want to know.

Hello, absolutely delighted you asked this because I have many, many thought. Likely too many because all I am is consumed with thoughts about him and Theo <3 Now for the essay :P

So, I have it that he shaves his head. Normally has a buzz cut and cuts it when it's like a cm/half an inch. It's naturally platinum blonde.

I touched on this topic a bit in Chapter 1 of this fic, The Book of Love; but he shaves his hair to look less like his father. As you have seen from my fics they had an awful relationship and his father's actions are a large part of who he is, such as the reason he joined the Thalmor.

Even when things are better and life is in a very different place he still doesn't ever grow it out again. It's a mix of he's seen himself this way for so long, Theodora has commented that although she is normally more attracted to men with long hair; it makes him look handsome and serious <3 as well as this:

And as I am all about parallels, their eldest Arthano who looks the most like Ondolemar, also shaves his head. Theodora finds him one day when he's 6-7 with Ondolemar's shaving blade and is like "What are you doing with that???" and he's like "I want to look like Ata." which instantly melts her heart and she shaves it for him and then tells him to go tell his father that. This is a big healing moment for him because the fact he son wants to look like him means he's doing something right; helps fix his own paternal wound <3

I hope the people enjoy this answer <3

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[antianakin]

This encapsulates why I think it should've actually been Jacen Syndulla in Sabine's place if they REALLY needed to give Ahsoka a "Padawan" character to play with.

Jacen being very young would hit at her feelings about having been assigned early as a Padawan, especially if he is with her because he ran away from his guardians (whether that's Hera or whether he was staying with Sabine on Lothal at the time maybe, it doesn't really matter), so he has that same sort of impetuous recklessness that she and Anakin both had that gets him into trouble.

Jacen's youth and the fact that he'll never know his father would provide a really good explanation for him doing something as stupid as going along with Baylan just to get Ezra back. Maybe he just wants to connect to the person who everyone talks about like he's Jacen's brother. Maybe he wants to save Ezra because they CAN'T save Kanan and this is the closest he feels he'll ever get to getting his dad back. Maybe he just wants to prove himself to his family because they keep wanting to protect him and keep him safe and won't take him anywhere even remotely dangerous and he gets why, he does, they lost both Kanan and Ezra already, but if he can get Ezra back then maybe they'll finally let him DO things! Maybe he wants to get Ezra back because even though Ahsoka and Luke are theoretically there as options, he's insistent that it has to be Ezra.

Jacen's a blank slate character, we know who his parents are and he has a name, but other than that, he doesn't have a personality already which means he's basically just as good as an original character in this scenario. He needs to be fleshed out in a way Sabine simply does not, and so giving him a fatal flaw to overcome can only ADD to his character rather than taking AWAY from his character the way it did with Sabine.

And of course, Jacen being Kanan's child provides an obvious reason for his Force sensitivity. Even if you went with the idea that he WASN'T Force sensitive, or wasn't SHOWING Force sensitivity, there's more reason for Jacen to either believe that he COULD be Force sensitive or to just be really invested in becoming a Jedi no matter what. It might even be more compelling if he genuinely isn't Force sensitive at all, but he feels like that's the only connection he has to Kanan, the only way he can remember and honor his father he never met, and his arc over the course of the season is to learn to let go of that. He doesn't have to live up to Kanan and Ezra, he doesn't have to BE Kanan and Ezra, he can just be himself, and he doesn't need to be Force sensitive OR a Jedi in order to be worthwhile.

But if you need Ahsoka to have a Force sensitive child, it makes way more sense for Jacen to BE Force sensitive since there's an obvious connection there, and Jacen being a blank slate character means that there's absolutely no proof that he ISN'T Force sensitive in prior media that would make that choice really confusing (unlike Sabine where she's so clearly established as someone who isn't Force sensitive throughout Rebels and so they had to work REALLY REALLY HARD to explain why Ahsoka would ever take her as an apprentice and why Sabine would think this was a reasonable choice to make).

Sabine might not be his actual mother or his primary guardian, but she's somewhere in the realm of being his aunt/older sister and the connection there would clearly be very strong anyway, especially if Hera had dropped Jacen off on Lothal and Sabine was supposed to be looking after him for a while as Hera dealt with some other things on Coruscant or whatever and it's HER that Jacen ends up running away from.

It's not even like we haven't seen a variation of this done really well already with the Kenobi show where Leia is ALSO quite young in comparison to her titular character Jedi master counterpart. So Jacen being young doesn't have to be a reason for why he COULDN'T have fulfilled with this role in the Ahsoka show just fine if they needed a pre-established character with an easily explained connection to Ezra who would be willing to give up everything to save him and who could become Ahsoka's new padawan.

The only reason it had to be Sabine is because Rebels set up that Ahsoka and Sabine were going to go look for Ezra in their epilogue and that story got combined with whatever the original Ahsoka show narrative was going to be, which likely involved some sort of padawan character for Ahsoka to help parallel her relationship with Anakin. So in order for Sabine to remain a main player in the narrative and fit in with the already pre-established set-up from the Rebels epilogue, Sabine got slotted into that role. That was clearly supposed to be Sabine's story and putting someone else into the role of Ahsoka's padawan sidelines Sabine from the story quite a lot.

So even if you do put in Jacen or some other new character in the role of Ahsoka's padawan, you either run into the issue of sidelining Sabine in her own story, or you exacerbate the issue that already existed of there being too many main characters within one narrative which muddied so many things about the show since it was impossible to tell what the story was actually ABOUT or whose story we were meant to be following. The stupid show was a mess and it couldn't have been fixed by just tweaking one or two things. It needed to be wholesale ripped apart into at MINIMUM two separate shows if not three or even four separate shows (Hera's whole prequel to the Sequels narrative about the New Republic didn't belong in The Mandalorian, Ahsoka's narrative, or the Search for Ezra storyline; and if the Mandoverse needed an "Empire Strikes Back"-esque middle part, it should have been its own thing rather than co-opting Ahsoka and Sabine's completely unrelated stories).

The Search for Ezra as a story, and especially the idea of continuing the Rebels story through Sabine rather than through Ezra and shining a spotlight on her in a way that didn't happen very often in Rebels, is a GREAT concept. Whether it was exploring the edges of their known galaxy or going into a whole new galaxy, it opened up a lot of ways to be really creative while telling what could've been a really great parallel story between Ezra's survival and Sabine's search.

Ahsoka dealing with her past and her feelings about Anakin's betrayal was a necessary next step to her story that needed to be told and I was genuinely really intrigued to see how that got handled and how Ahsoka slowly learned to let go of all of her fears and pain and learned to embrace being a Jedi again after so many years. I REALLY wanted to see Ahsoka find her way back to reclaiming that identity after she had given it up and then had it ripped away from her. I wanted to see how Ahsoka taking back her own story was integrated with Ahsoka dealing with her feelings about Anakin's betrayal.

Both of these stories are GREAT on their own and really provide a way to highlight some of the best female characters Star Wars has ever had.

It's too bad what we got ended up being the most Frankenstein'd hackjob I have possibly ever seen that butchered two of the best female characters Star Wars has ever had.

Yknow, a lot of the Sabine characterization problems in ahsoka (having act like an impulsive teenager when she's almost thirty and was never like that even when she was a teenager and had grown out of her negative teenager traits by the end of Rebels) could have been solved if "Sabine" was a different character

And this "not sabine" could have still been connected to Sabine

How

Adopted daughter

Have the role of Sabine in Ahsoka be taken by an adopted child of hers, someone young and impulsive, has heard stories of Ezra Bridger and how much her mother and her adopted family that is the Ghost crew misses him and wants nothing more than to bring him back to make her family complete again, to the point of making several dangerous mistakes

And it also would have fixed the bullshit "sabine has the force now" nonsense

[dollypopup]

y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!

like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.

and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye

you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .

when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?

if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self

and that's that on that

[worstloki]

not a fan of people saying Odin and Loki are similar in a moral or decisive sense, particularly when it comes to Thor. that makes it sound like Loki doesn't know Thor or care about him beyond what he symbolises (regarding Asgard/the throne/family/worthiness), when that's a defining part of their relationship

[sskk-manifesto]

Ep 6!!!