#Severing Fate;;

[kuurosakiis]

hc + 🗡

Thematic Headcanons. A series of subject-specific headcanons you can ask your favorite blog and muse.

hc + 🗡 for a weapon-themed headcanon

The form of Ichigo's Zanpakuto has gone through so many changes over the years of Bleach, and I think it's really fitting. Originally, his borrowed powers manifested as a cumbersome, overly-large katana...thing. Pfft. I feel like this represented how his powers were unstable, unwieldy, and affected the world (and people) around him.

Later, after regaining his powers (and dying), his Zanpakuto was more like a Shinigami's, more stable, but still somewhat immature. Like him. I think his perpetual Shikai is a representation of his hypervigilance, to an extent. Plus, if you think about it, he's never had an Asauchi...I think it might be a bit 'weird' to try to fit yourself into a container that doesn't feel right, and you don't really know how to do so.

I'm not entirely sure how to describe and think about his Bankai. Perhaps his is a representation of how...straightforward Ichigo is, at least on the surface. He has a goal, and it's to protect. If you're just looking at the Bankai and him as a person, and not seeing him, he's very straightforward and simple. "It's just a katana." "He's just [_____]."

After he regains his powers, for my interpretation, Ichigo has two swords, and the bigger of the two is different, when compared to the canon duals.

The smaller of the pair isn't changed (partially because I'll cry if I have to draw more swords right now), and...honestly? This is basically just his 2nd Shikai form with a gap in the middle. (lol) I chose this because, during those 18 months without his powers (thank you Silk for helping me with figuring that out, I'm too biased for my own good), he pushes everyone away. And he's lonely, lying to himself that he's fine, that this is what he wants. He practically jumps at the opportunity to regain some type of power, but by then, he's hurt himself and everyone he was friends with. I've been thinking that his 2nd Shikai form is very...dangerous to himself. The lack of a guard is normal for him, but now the blade can hit him too, if he's not careful. I'll believe that it's intentional.

His 2nd Bankai form is very similar in this aspect, the sharp, pointed guard, and the points (however soft) along the back of the blade. I think Zangetsu is mirroring his subconscious self-sabotage and hurt.

Sadly, I haven't thought much about what changes (if any) happen to the Shikai and Bankai forms after reforging. Maybe I'll have him use a Tachi and Wazikashi pair, like Katen Kyokotsu's sealed form, to follow the trend of his Bankai being smaller. Not sure yet.

Thanks for giving me the opportunity to think deeply about this, I had a lot of fun! -Mori

[poorly-drawn-mdzs]

The most dangerous duel of all.

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[saintclementinearts]

lost focus and had a consensual workplace relationship

[columboscreens]

[sweetsouldhavernas]

Tony DiNozzo and Ziva David ↳ UNDER COVERS

[katerinaaqu]

The Humanity of Odysseus and the Importance of the Curse of Polyphemus (an Odyssey Analysis on Fate and Destiny)

I believe there is one thig that needs to be said about the Odyssey and Odysseus in particular and something I have rarely seen properly adapted. It is the importance of the unchangable fate in antiquity in general and homeric poems in particular. One can say this starts from the character itself; Odysseus name meaning "Anger Bringer" or "Furious" is an indicator that not only the character will be dusliked by many but that he would also cause anger which one can expect would lead to terrible consequences. However I believe the moment Odysseus was truly deprived of all his choices was the infamous Curse of Polyphemus:

In Rhapsody/Book 9 of the Odyssey, Odysseus describes his misadventure with the cyclops Polyphemus and when he revealed himself to him, Polyphemus prays to his father, Poseidon, giving Odysseus a double-curse (as it happens to most predictions that have at least two ways they can go) which goes like this:

"I call upon you, Poseidon, Earth-bearer with cyan/black/dark hair, if I am your son and you wish to be my father (you wish to be called my father), do it for me so that Odysseus the Sacker of Cities will never reach his home, the son of Laertes who calls Ithaca his home, but if fate calls for him to see his friends and reach his well-built home and his ancestral land, make it so it will be terrible (here return), that he will lose all his companions and in a foreign ship and find misery waiting for him at his home!"

(Translation by me)

So as you can see the curse has two different outcomes

He will never see his home again

If he does, it will be without his companions brought by a foreign ship and he will find misery at his own home when he arrives

At this point, given that the story is "in media res" aka "told from the middle", we know now that the second part is fulfilled, or almost fulfilled. Odysseus is in Scheria, he is alone, he is shipwrecked, there is no sign of any of his companions anywhere so we expect him to return at this foreign ship, aka a Phaeacaean ship to his home at any moment. However by the moment the curse is placed, Odysseus doesn't know which outcome is to befall upon him. And while the second part is weirdly specific (and in a way preparing us for the outcome) the first one is not nearly speficic enough!

Make it so he never sees his land again.

This could mean anything; does he get killed in the ardous trip? Does he get straddled to a place for the rest of his life? Does he somehow lose his...memory and never return home again (similarly to how his men ate the Lotuses at the Lotophagi land)? What is more, nowhere in this part does it say his comrades will survive the ordeal. Although the curse means specifically for Odysseus not reaching his home and one could assume his men would but not Odysseus, that is not guaranteed.

Both of these scenarios are terribly gloom for both Odysseus and his men. So what does Odysseus do? He does what every human being would have done;

He tries to change fate!

He tries constantly to lift the curse:

Even if he knows deep down is pointless, even if he more or less has realized they are off for an arduous trip that will cost them probably all of them their lives, Odysseus STILL TRIES to change the fate! He sails off to find help. He goes to Aiolus and asks for help. He gets the bag. At this point Odysseus is at the end of his wits. He has a chance, he thinks, to change fate, to change the curse. He remains awake for 9 days to make sure he will (see also my other analysis in regards to that) and yet it is all in vain. His men open the bag JUST A LITTLE BEFORE they reach Ithaca and pushed back.

At this point it becomes all the more clear that they are up for an endless journey or a settlement away from home at best case scenario and all to die at worst case scenario. Odysseus doesn't give up! He asks AGAIN, this time he is denied.

And then comes destruction...

They reach the idland of the giant Laistrygonians and here Odysseus suffers the worst loss he has suffered so far; he loses 11 out of his 12 ships in a single raid and barely manages to escape with the rest of his comrades resting on his ship. Right now is clearer than ever that the curse is taking place so the real question is; which of the parts shall it be fulfulled? And they reach the land of Circe. Plenty of his men turn into pigs. Eurylochus barely escapes doom and runs at him to tell him "LEAVE THEM AND GO". Odysseus knows in his bones they are doomed! He knows he either leaves them and fulfulles the second prophecy (for his men already perish little by little) or either way the first part of the prophecy is fulfilled. What does Odysseus do?

He tries AGAIN!

He sells himself to Circe, he requests his men's freedom. He ASKS Circe for advice, he descends the Underworld, asks Tiresias for a course; how he can reach his home, how he can save his men, how he can REVERSE THE CURSE. Even if he knows it is impossible to challenge fate (not even Zeus could transcend fate). In a way he comits a form of hubris hoping to change fate. And yet he is HUMAN! He cannot accept that his men would die that he cannot go home. He wants to TRY! So sure enough he gets a possible way out...

Tiresias gives him hope...

The prophet tells him he can save his men AND reach Ithaca IF they do not eat the cattle of Helios Hyperion. What is more Circe gives him advice for the trip; the course they can follow, the steps they can take and again the warning of NOT eating the cattle of Helios. Odysseus takes heart to those, he DESPERATELY GRABS on them! He thinks he has a chance. Maybe...JUST MAYBE he can reverse this terrible curse! He can MAKE IT RIGHT! He has a chance to change fate! He has a chance to reverse it!

Self-Fulfilled Prophecy

Little does he know though that the trip is already set for failiure. Skylla claims 6 of his best men (his men CONTINUE TO PERISH) and yet Odysseus thinks that this is a sign that he can make it, that the terrible sacrifices will pay off and that he is on his way to break the curse. He is following the instructions therefore it must go well. And come the Cattle Of Helios Hyperion.

An attempt to dodge fate...

Odysseus tells to his men that they should not stop at the island now. He is not ready to take another risk. He will not do the same as the sack of Aiolus. He wants to AVOID THE ISLE ALTOGETHER. If his men are not tepted, they will not break. He intends to keep going and it could have worked...but...

Sure enough his men are tired they need to stop

Odysseus has no choice. At this point he probably realizes there is no way to change fate. He sees it now that everything is up for destruction and he still doesn't know WHICH VERSION will be fulfulled! And even if every part of his brain tells him everything is lost Odysseus REFUSES TO GIVE UP! No, this cannot be the end! There must still be time and space to reverse it!

He makes them promise

Odysseus makes his men swear to everything sacred that no matter what they shall not touch the cattle. That they would survive only with the provisions given by Circe, that they will not be tempted no matter what. Sure enough he extracts the promise from them but of course the prophecy is now moving. Wind is opposite. There is no way they can go. They get straddled for WEEKS. Food is over. Odysseus sees the path is for destruction and yet...

HE TRIES AGAIN!

He goes to the island to pray! There MUST be another way! The gods can hear him...maybe pity him and release them from this! And yet he falls asleep from fatigue, stress and godly intervention. Now the clock is ticking! His men cannot withstand hunger anymore and slay the cattle. Now their fate is shielded. We now know they will die. We know also which part of the prophecy will be fulfulled; Odysseus will come home ALONE, just like we see him narrating alone (even if we might as well wonder whether Odysseus would remain in Scheria, it is pretty much settled that Odysseus returns to Ithaca). However Odysseus doesn't know...but what he fears the most has happened

One last desperate attempt.

Odysseus is human above all. He sees the slain animals, he KNOWS his men will die and even that time he REFUSES to accept it! He REFUSES to give up! He sets sail again, hoping to save them, to save them all (himself included) as they roam for 7 days in the sea

And doom strikes...

His men all perish, his ship is gone! Odysseus is left alone in the sea, fighting for 10 days to the brief of death. Right now Odysseus is no longer struggling to change fate...he is no longer struggling to save anyone but himself...he is struggling

...SO THAT AT LEAST THE FATE IN STORE FOR HIM IS HIS RETURN...

He now has suffered the ultimate loss. He needs to at least make it home! Even if that means without companions, even if that means to be home in misery...he just HAS TO GO HOME! He cannot just perish in the sea or be forever straddled outside Ithaca! And then Calypso happens. Odysseus is left in her isle for 7 years.

He now fears he will never see his home again

He cries every day on the beach. His rape every night is strong enough reason for him to do so but also the fact that he now FEARS that the first section of the prophecy is fullfilled; that he is never to see his home and friends and family again. That his fate was not to perish in the sea but to be forever held against his will away from his beloved home and family. And he is filled with despair. When he has lost all hope that he will ever roam about the sea again; with at least SOME HOPE that the second part of the curse would be fulfilled, he is ready to throw himself in the sea; give an end to his life since there is no point in hoping anymore. The worst scenario has happened for him. He has nothing else to expect...

And it is so...till Hermes brings the order to release him. Now Odysseus finds hope anew that he will return. And he struggles with all his might to survive! Even if he is days out in the sea in a small raft. Even when his raft is destroyed and he has to literally swim to Scheria. his mind goes "NO! I WILL NOT PERISH! I WILL GO HOME!" and sure enough he does and he does meet his friends again and he does find this misery at his home and yet now Odysseus can endure this misery, because he knows he managed to get home and he knows that he has left but ONE TASK according to Tiresias.

He tried to beat fate and he failed...but now he has hope...

So as you see, and forgive me for the long analysis, Odysseus is more human than anyone can imagine and always relatable character. Despite his flaws and mistakes one of the noblest mistakes he made was to think he could change fate and dedicate a large part of his trip trying to do just that; change the curse and save his companions which only ends up to a self-fulfilled prophecy but I doubt anyone can deny that we would all have done the same. I doubt any of us would just abandon all hope and sit tight waiting for the prophecy to be filled either way. He would all have tried to change such a grim outcome!

Because we are human. And so was Odysseus.

[mareastrorum]

An incredible amount of the Downfall discourse comes off as people trying to game the trolley problem instead of recognizing that there simply isn’t a right answer.

Everyone fucked up. This was a horrible situation that might have been prevented with more time, communication, empathy, all sorts of corrections. But it’s the trolley problem: what we have is a bunch of gods on one set of tracks and a far larger number of mortals on the other, and ultimately, the gods switched the track to kill mortals.

It wasn’t right. Of course, we could justify it—I’m a lawyer, and I could justify anything. That doesn’t change that it isn’t moral, good, or right.

“But the gods couldn’t kill their family.” Did we not watch C2, filled with shitty genetic families and centered around a group of found family idiots? Family only means what you want it to. Of course the gods could have killed their family. Half of them even wanted to! But the PCs chose not to.

“But the gods are gods, of course they should win.” Maybe it’s the grew-up-a-poor-minority-and-climbed-the-social-ladder in me, but I don’t see the virtue in an argument that those born into power deserve to make decisions about those who weren’t. One of the gods was already replaced by a mortal. Aeorians came up with methods to repel, suppress, contain, and kill gods. Seats of power change, and power doesn’t make someone right. It’s been incredibly surreal to see how many people think this is an acceptable argument.

“But if the gods die, they really die, and mortal souls are immortal.” While we know souls are immortal, the actual experience of the afterlife is a mystery. Is what Deanna described how it always is, or just in the particular plane where her soul ended up? Is it really immortality if the sense of self is lost and that soul is separated from all they loved in life? Similarly, we don’t know what typically happens when gods die because there isn’t a normal way for it to happen. Why were some gods’ names forgotten but they are remembered by the silhouette left behind? Why are other gods remembered like Ethedok and Vordo? We don’t know. Why are we belittling the fact that mortal death is an end while also arguing that it’s horrible how divine death is an end? They’re both ends! That’s a terrible thing to force on someone. It’s wrong.

The point of Downfall is that it was wrong to destroy Aeor. The Prime Deities thought so themselves. Of all the wrong choices, that was what they chose in the moment. They didn’t succeed because they were right; they were simply more powerful and outsmarted their opponents.

Downfall is a wonderful example of a story where the protagonists are not heroes. Bask in the mistakes and failures. Cry. Mourn. It’s a tragedy that every key character contributed to. It didn’t have to end this way. There’s blood on everyone’s hands. They’re all monsters. They’re all people. They were all trying to save something. No one realized they were in a corner until there was no way out but through.

The only correct argument about a moral high ground in this kind of story is that someone survived to stand over the corpses.

[fairuzfan]

Zionists/Symathizers who say "Palestinians should be taken by Egypt/Lebanon/Jordan and just live there forever" have no idea what a refugee camp is like.

[rare-prism-s]

a happy white woman wednesday..

[ravinoforre]

So I saw an opinion on a character that I, respectfully, don't agree with at all, and it isn't the first time I've come across this particular take either. I don't like nor want fandom discourse, making counter points to arguments in general make me nervous, but as someone particularly attached to them and their related characters, I have a lot of thoughts I want to get out there in the hopes that maybe they can be seen from a more positive perspective. So um, here they are. Get comfortable, this is gonna be a long one. ------------------------------------------------------------------------------

In Defense of Lily (Pokémon XD).

Those of you who've played this might already know what I'm referring to, so I'm just going to rip off the proverbial band-aid. Right at the start of the game, as you, the player, are being introduced to her, one of the first things she says is;

...and ok yeah, I admit. This is kind of a weird thing for her to say (in front of her son too, oops). This is usually one of two instances that people latch onto to prove she's an awful mother, but there is, at least in my opinion, some hidden context to her words. First of all, she's not wrong; the whole lab does in fact constantly sing their praises and fawn over both these kids (which is adorable tbh). Secondly, it's not unreasonable for her to believe that lots of inflated praise on a child, no matter how well meaning, may have negative consequences on their development. A kid receiving a constant stream of "you're so cool/special/talented" may end up with an inflated ego and become depressed, or even lash out in anger, if that praise either stops or something comes along to disprove it (like failing a test or making a mistake).

(Side note, I came across some partially related studies (x), (x) and an article from a parental psychologist (x) that go into different types of praise given to children; person, or ability praise ("you're so clever") vs process, or effort praise ("you worked really hard"), their effect on self esteem, personal growth, and performance, and how ability praise actually negatively effects a child's sense of worth compared to effort praise or even no praise at all. It's a lot to go through right now and this post is already going to be super long, but I mention them here because I'll go into something later that you may find rather interesting. I know I do. They're fascinating reads, too, I would recommend!)

Now listen up! Lily, contrary to the belief that she's a cold-hearted mother who shuns her offspring, actually does praise and engage with her children! Throughout the story, she'll talk to Michael and say some interesting and wonderful things as his adventure continues! The problem is that unfortunately, a lot of this proof is hidden throughout each story beat in a section of the lab that is no longer required to enter to progress (and most people won't bother to go back and speak to their own mother who apparently "hates" them). Off to find Jovi:

🥹 baby... Before saving Phenac City:

🥺😭euuhhbbebeh father mentioned During the Phenac City hostage situation:

After the Phenac stuff:

"I'm proud of you." You literally cannot get a more explicit form of praise than I'm proud of you. Hell, I can't even recall a time my own mother told me that. Fucking hell. Also. Pampered?! You hear that? She's practically contradicting those accursed two lines! By her own admission, the kids are pampered babies! Her concern isn't that people will spoil them—because they're already spoiled!

(Jovi is a pampered baby princess). I think Lily's worry in her comment is that may roll too far; it's like she says—spoiled rotten.

Ok one more example for this section:

(disclaimer: these screenshots are from the romhack XG which is why her name isn't in all caps; trust me, this same line is in base XD too) Remember the types of praise I mentioned earlier? Ability (person) praise and effort (process) praise? And how the former could be damaging to a child's self esteem? Do you notice anything particular about the way she speaks to Michael and praises him? "You've become an outstanding trainer in your own right." Not "You're so strong." "You're doing so much for the good of others." "Your courage will save the Shadow Pokémon." Not "You're so brave." "You did it all by yourself without anyone's help." She's praising his actionable efforts! She's applying process praise! (Pleeease read those studies and article, at least the first study I linked, it's genuinely insightful and fascinating, and it's even more amazing that an example of it is featured in a video game by a character most people won't interact with beyond necessity! I love this game! So! Fuckinhg!! Much!!!

AAAAAAAAAAAAAAAAAAA-

Ahem. She's also not saying that people shouldn't praise her kids either; only that she wishes it wasn't gushing praise all the time. Too much of a good thing could be harmful, after all. Let's see...

Sounds reasonable so far, right?

...Galactic peace?! My brother in Arceus, all he did was beat you in a friendly Pokémon battle—a battle that Michael's already been led to believe he'd win anyway thanks to that previous comment from his coach (those screen caps are in chronological order)! Even without the fact that by this point he's midway through a dangerous fight against a criminal organization, it's probably not a good idea to give a developing young teen a literal God complex; what if he gets so full of himself he genuinely believes he's unbeatable... and then loses? That child's mental state is going to plummet. So even if you don't agree with Lily's praise comments, you might at least better understand where her concerns are coming from if this is potentially the kind of thing that's being told to her kids regularly.

Moving on, try putting yourself in her shoes a moment. She's a working, grieving, single mother of two who, according to an NPC in the lab "has an exceptionally high sense of responsibility".

As a scientist with the necessary expertise, she has the heavy task of helping realise a sensitive project—sensitive not just in terms of urgency (as Krane predicts Cipher is going to be a threat again), but also in terms of emotional weight; this project was something her late [husband] poured everything into until his death, so both her and Krane continued on with it; by the time the game starts, they're agonisingly close to completion. And time is of the essence. Quick tangent: watch the cut scene post Krane kidnap again. The camera rests on Lily an awfully long time. The father of her children died before this project was finished, and now Krane, a close friend of both of theirs, has been taken away by force. Both her children have witnessed something traumatic. Her daughter is sobbing. She's literally being told the situation is "hopeless" by a colleague. Imagine the sheer anguish this woman must be going through before having to push through all of it and take complete charge for the sake of finishing the project. For the morale of the entire lab staff. For the sake of keeping her kids calm. For the fate of the region itself. Anyway, because of this project, and how close they are to finishing, she isn't able to afford much, if any, time off to spend with her kids "this instant". It's probably why the lab staff have pitched in to help look after them (which must make her feel pretty damn guilty with that high sense of responsibility of hers). It's why she asks her son to go find his little sister in her stead.

And this brings me to point number two that I've seen used countless times to slander her:

She just lets Jovi run off on her own, and doesn't care what her kids are up to.

Which... no, sorry, hang on here. Lily isn't letting Jovi run off on her own. For starters, both her and Krane believe she's in or somewhere outside the lab grounds, playing hide and seek with the caretaker, Adon.

A game of hide and seek (particularly if they're taking turns hiding) is likely why nobody's seen her since lunch, by the way, and not Lily not giving a damn about the whereabouts of her child. And when she's found and brought home again, Lily says this;

This implies she's spoken to her daughter about running off on her own before, and we do later get to know that Jovi has a habit of running off ahead; she runs off down the steps in Gateon ahead of her brother, she rushes off to deliver the machine part by herself to the chamber, and even though Michael is the one asked, she runs off to go see Datan—despite Lily telling her she doesn't need to do that. This means if Jovi gets invested in something, it's apparently hard to stop her. Visiting Kaminko's is a recent fixation of hers, and if Adon is already aware of where else she might have gone off to if she's nowhere on lab grounds, it might mean she's been there before (that, or Adon was the one who caved and told Jovi where to find the place). I might even speculate and say Lily has specifically told Jovi before about not running off to the manor. Anyway, check out what she says when you find the little runaway but come back empty handed.

The heart-sinking realisation and disappointment in that "...Oh" alone....

So no, Lily isn't letting her young child run off on her own—Jovi is disobeying her mother. She's either used the game of hide and seek as an excuse to dip (and then forgot about Adon entirely), or she got bored midway through and decided to head to her new place of interest despite any of her mother's previous objections. (And before anyone says anything, no, that doesn't mean Jovi is a bad kid, either. She's, what, around 7 yrs old? She is doing typical little kid things, emulating her older brother, and discovering and pushing her boundaries as she grows up. I have seen some putrid, abysmal hate for her over the years too. She is a child, leave her alone.) Onto the second half of the above statement; she doesn't care what her kids are doing. As in, Michael is on a treacherous journey against a dangerous group of people and she's totally ok with letting her kid do that (as if that isn't the case with practically every mainline entry protag mother but alright, I'll bite).

Introducing one of my favourite exchanges with her in the game. During this time, the purify chamber still isn't complete, and they'll need to use an alternate way of purifying Shadow Pokémon until then—the Relic Stone in Agate Village.

oh it worries her, does it? You know what happens when No is selected?

And then she drops the conversation. There's no endless loop to get him to go, which would have been the more convenient thing for the devs to implement. But this was a very deliberate choice that tells me more about a character than I've seen done in a video game before. She's respecting her son's decision to stay home. She is not forcing him to do something he isn't comfortable with. Of course, as a video game, the purpose is to progress to the next story beat. So he has to go. Better talk to her again.

I don't even think I need to add any extra commentary, this should really speak for itself at this point.

I've also reached the image limit on this post so it's probably time I wrapped this up, so in conclusion; is Lily a bad mother, as I've seen people claim? No, and I believe I've showcased plenty to prove she isn't. She's not perfect, no parent is, but she's a damn sight more involved in her children's lives than the mainline moms, who are often nothing more than out of the way Pokémon Centers that don't acknowledge their child's journey in any meaningful way. So then, was she in the right for saying what she did at the start of the game, right after Krane praises her son, who is in earshot of this conversation? Well... also no. She could have picked a better time and place to bring it up, honestly. But God forbid a woman make a mistake or voice a concern, lest her be mischaracterized and demonized forever by two unfortunately worded lines of dialogue.

------------------------------------------------------------------------------ "Michael, you're finally going off to the ultimate battle, aren't you? You've really grown in stature. As your mother, it makes me feel conflicted. I'm happy and proud on one hand, but I'm also a little sad. Go and get rid of Cipher, and make it quick! And come home safely."

------------------------------------------------------------------------------ If you've managed to reach the end of my ramblings, I'd like to say thank you. Hopefully I've given you some food for thought. Maybe I've even changed your mind about her. And even if I haven't, I appreciate you taking the time to read this regardless.

[kuurosakiis]

I know that canonically, Ichigo can't cook. However, like all other aspects of my blog, I don't give a shit about that.

Ichigo gets to cook and be good at it!

[poorly-drawn-mdzs]

Courtroom Catastrophe [Bonus Comic]

[First] Prev <–-> Next

[averlym]

ghost story premiere day! check @melliotwrites for more info

[mako-neexu]

HELP MEEE I LITERALLY CANT DO THIS IT ALL MAKES SENSE THE SEVEN FRAGMENTS OF THEIR SOUL DESTROYED ONE BY ONE BY THE LIGHT HE ADORED WITH EACH INCH OF HIS EXISTENCE, EACH TRIAL WAS FIRE AND PAIN TO OVERCOME THAT DARKNESS BECAUSE THAT IS INTEGRAL TO EXISTENCES SUCH AS THE AVENGER CLASS THAT IS MEANT TO BE SHUNNED INSTEAD OF USED, THOSE WHO ONLY BURN AS RAGING FLAMES AND WHEN GUDA REACHED THE END THEY REACHED THE FINAL FIRE SO FULL OF LOVE FULL OF ADORATION AND TRUST IT WAS FAR MORE SCORCHING THAN THE REST IT WAS POISONOUS HELLFIRE FAR DANGEROUS THAN THE OTHER TRIALS THEMSELVES

HIS LAUGHTER WASNT JUST PRIDE AND HAPPINESS.

IT WAS A CRY OF HIS VERY SOUL!!!

FROM THE DEPTHS OF HIS SOUL, HE CRIES WITH JOY AS THAT STAR HE LOVED FAR TOO MUCH WOULD BE ABLE TO OVERCOME ANYTHING, HE FELT SO ASSURED THAT THEY WOULD REACH THAT HAPPINESS IN THE DISTANCE WITHOUT THEIR LIGHT AND LIFE IN DANGER OF FADING WITHOUT USING HIS ALL CONSUMING FLAME OF VENGEANCE THAT COULD SCORCH THEM ALIVE. HE FELT SO HAPPY FOR HIS FATE, HIS ONE AND ONLY IN HIS LIFE...

and yet it was truly a cry. his soul is crying. he is weeping. he is breathless with tears of joy. he is breathless with sheer anger at what must be done and the circumstances that pushed them to now. he is breathless with tears of sadness. he is so overjoyed yet he feels a sorrow just as bottomless. he can't be with them. he can no longer oversee their journey from their shadow. he can no longer walk beside them. he can no longer guide them in the future as is the inevitability from the start. he is truly happy over their choice but the excruciating pang in his heart is there.

and so with his iron determination and his deep affection, he will make sure to give them one last push towards the direction they face and wish to reach. and so he beholds them as the victor already. he beholds them to the world and both of them as he himself reveals the form he had made for their sake, made because of them, that radiance which made him utterly breathless, filled him with an emotion that simple words cannot convey and unforgiveable actions only will.

and so show me your soul! blind me! burn me! kill me once more! o star whom i profoundly adore, having lit my jet-black sky so long ago, my one comfort in this life of mine, my inevitable fate, my beloved accomplice, go past me and follow the path towards brilliance befitting your light, that radiance only you can make.

[please-let-this-work-oh-my-god]

One thing I find very interesting, as a learner of German, is Isolde's usage of du when speaking to Kakania. In German, there are three main second person pronouns: du, ihr and Sie. The first two are mainly used in informal and casual settings or when talking to people you're close with (with du being singular and ihr being plural sorta similar to english's y'all) while Sie is used in more formal situations (or situations which require some form of formality) such as talking to strangers, customer service or when you're talking to a doctor/patient. Kakania abides by this and uses Sie when talking to Isolde (such as in her speech at the end of chapter 6) but interestingly, Isolde doesn't reciprocate this and instead uses du when conversing with Kakania in German.

This is super fascinating to me because it implies different levels of closeness within their relationship. Isolde's usage of du implies a level of closeness and intimacy to Kakania as Isolde herself saw Kakania as a close friend (most likely due to the fact that Kakania was once of the few people in Vienna who actually sympathized with her and saw her as a human being) but Kakania's siezen suggests a certain level of estrangement or distance between her and Isolde. Of course. this could just be her maintaining her professionalism as doctors normally use Sie when talking to patients but with how things turned out after chapters 6 and 7, I'd like to think this goes deeper than just formality standards.