will peter be like an older brother to miles in lof ?
absolutely he is
there's about an 11 year difference between them (Miles is 14, Peter is 25), so it's a lot more like the older brother type of relationship that Peter has with Tim (despite Tim being his uncle). Peter has mentored(ish) other young heroes by this point (mostly in the Bats' universe) but since Miles is another Spider-Man, Peter takes up most of the responsibility in making sure Miles is safe and teaching him the ropes. That's HIS sassy child genius, thank you, and he's not a sidekick, he's Spider-Man.
He was also adamant that Miles tell his parents immediately, and gets along great with Rio and Jeff.
Which is HILARIOUS to me because at this point in time, Peter has built up a persona for the public eye just like the Bats did. In Rio and Jeff's eyes, they're gobsmacked that the clumsy, scatterbrained, and "scaredy-cat" kid that Tony Stark adopted a while ago is Spider-Man. (Technically, none of this is a lie. Because Peter is a terrible liar unless it's For the Jokes, and often comes across this way even if he hadn't meant to.) They're wondering how he pulled that off since he's the same age as Spider-Man, who is known to be an Avenger, and associates in the same circles as Peter. It helps that Peter and Spider-Man have been in a social media war, and that Peter works at the Daily Bugle that is known for disliking Spider-Man. Peter's been taking lessons for years atp to keep his identity safe. Which is also bonus points to Peter, because the two can tell that secret identities mean everything to him, but he told them who he was in a heartbeat (literally the very first thing he did when he found Miles).
In other words: Peter was ecstatic to become a teacher for his own matching superhero kid and it's one of the most important bonds in his life. That's his baby brother now!!
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thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage
you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out
"i'm calling shepherd"
his first instinct when confronted with betrayal is to play it by the books; to go up the chain and sort it out democratically. that goes against everything we've seen him do; he’s quick to drop his enemies and bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns
he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer
there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends
nothing's happened yet
it doesn't have to go this way
but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy
he doesn't hesitate
it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from
only when ghost orders him to run and he has to cover his retreat
and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for
"be careful who you trust, sergeant; people you know can hurt you the most"
he's learned the price of trust
just like ghost did
but unlike ghost, he has someone to guide him through the aftermath
"good advice, It"
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i have several drafts from back in january comparing some of my old man yaoi ™️ ships which i decided against posting at the time because, quite frankly, they were thoughts no one would appreciate but me. two of the ships i know have some overlap, but the third didn't fit. a different genre. too niche.
but, with a new deadpool movie out and other ppl seeing the buggy parallels, i might as well get this off my chest:
shuggy is cablepool.
(not movieverse cablepool, to be clear. (i enjoy movieverse cable but he is not my mutant messiah.) comics cablepool.)
the dynamic is eerily similar:
we have an occasionally slapstick murderclown with obvious issues about the unusual way he looks, who presents himself as only having selfish motives but is (sometimes) lying about that, is very hard to kill, is disliked by ppl who have to work with him and popular with and beloved by ppl who don't both in-universe and out!
and his ex-bestie, a massively overpowered would-be martyr who is missing a flesh arm, has three scars over one eye, whose continued fondness for the murderclown post-breakup baffles everyone around him (murderclown included), and who refuses to elaborate on his motives for doing shady shit (including manipulating our beloved murderclown) except that he's doing everything for the sake of the future
like. tell me that's not them.
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Ryan: [returning from trying to fix a problem] The bad news is I’ve made everything completely worse.
Jane: What’s the good news?
Ryan: I didn’t say there was good news.
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Dazai when he sees Chuuya:
Dazai when he thinks about Chuuya:
See the life inside of them as he watches the storm that is Chuuya decimate the battlefield?
See that longing when he thinks back to the moments where they did connect?
He is down bad. I rest my case.
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Oh we are so BACK
When I tell you I saw this and died. HELLO?????
I keep hiding my face lahshjsdhjgfsaf HE HAS NO RIGHT. NO RIGHT AT ALL BEING THAT SEXILY INTENSE AAAAAAAAAAA
Anyway, I should probably try to make some attempt at describing the event since. If I don't I'll just be barking/crying/hiding my face for the next twelve hours.
Basically--and I'm not sure this is going to be across the board, but it held true for Napoleon and Sebastian at least--each suitor has a birthday event this year instead of a separate story. Comte's won't be released until tomorrow, but they have posted a preview.
From what I gather, he talks a little bit about himself and reveals parts of his past that haven't come to light in the game yet. There wasn't really enough to convey a coherent narrative beyond attending a party, but the line displayed here does get across the larger theme:
Comte: (I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.)
He talks about how the aristocracy have thrown parties and extravagant celebrations for his birthday for most of his life. But none of it has ever really made him happy, largely because he knows that they are attempts to strengthen and broadcast power relations within high society. While I don't think he means it's entirely devoid of well wishes, I do think he sees it as a nexus of influence--and thus, by nature, impersonal. And honestly, I don't think he's wrong about that; the higher the echelon in social standing, the more it requires performance to maintain the position.
That being said, there is a fascinating flashback where he remembers a pureblood telling him about how falling in love with a human is an experience of another caliber entirely. My understanding is that Comte was still a fairly young vampire at the time, so he didn't really understand what the person was getting at. It seems like the other pureblood was trying to convey the difference in feeling, perhaps the fact that humans are more grounded in accordance with how they live--the reality and necessity of change.
After reading this--and the recent 5th bday story--I can absolutely see how change is something Comte has a complicated relationship with. He's known a certain way of life for so long, has constructed a sensibility of distant, rational maturity. After all the heartbreak of his youth, and two very acute traumatic events in his life, I can see why he'd be so afraid of broaching any kind of proximity with another person. Because on some level it's so much easier not to put your feelings on the line, to never have to fear devastating loss. And that's to say nothing of the worry of being unable to measure up on behalf of another person, of letting them down.
I'm so excited to see the rest of the contents, but something about the preview made me equal parts giddy and enamored (all I do is kick my feet with excitement LOL). I think what gets to me with Comte is that he truly does love companionship as a place to rest, a place where he can be honest about himself and his feelings without fear of ridicule (and the same goes for MC). In a world increasingly obsessed with surface level performances of power, status, and emotion, it's hard not to feel his exhaustion to the core.
Also, because these lines at the end more or less destroyed me in the best possible way:
MC: ...The you who had nowhere to belong no longer exists. In much the same way...Abel, I belong to you.
Comte: ...
Comte: I wish I could say to myself all those years ago, the me who kept indulging in such paltry things.
Comte: Until you meet MC, you will never know love...
The warmth of MC in my arms filled me with such joy I was near tears.
(I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.)
The moment my lips found hers, the sweetness lit a fire deep in my body.
Comte: These cute lips that melt against mine, the heat of your skin, the love that envelops me in your embrace--always leaves me so deeply in love with you.
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