#Scottie vertigo

[1doesnotsimplyhavejust1fandam]

So what I’m getting from Tim posting a 9-1-1!Vertigo movie poster and including Buck, not Marisol, in what is presumably Midge’s role, is that there didn’t necessarily need to be cheating for this arc to work. Please correct me if I’m wrong.

I love a good dramatic arc and Vertigo is a banger choice for Eddie’s Catholic guilt and Shannon grief arc, but as far as I know (yes, in my hour of Wikipedia and Twitter deep-diving), that movie doesn’t actually contain cheating, so I’m curious if there’s a reason for it other than drama or not making a carbon copy 9-1-1 version of Vertigo. Is it to make the audience start to dislike Eddie like the Vertigo audience is meant to slowly dislike Scottie, as he continues to make bad choices? Is it to encourage the GA to see Buddie with Buck as the pining Midge? Desperately want reassurance that Tim realizes by making Buck a part of this storyline (especially as Midge), there is no feasible way to dismiss that. Even if Buck’s feelings aren’t explicitly addressed, that poster and any potential on-screen pining aren’t going to be swept away. Season 7 paralleling season 4 regarding Buddie and it’s because The Will and the Vertigo Arc won’t be ignored by the fandom. We’re all gonna go a little crazy methinks, and I can’t wait.

[enygma0710]

Just my thoughts…

When Crystal & Charles are walking, she’s still has her mean girl defenses up and after insulting him, he laughs it off. Even after telling him she’s purposely being mean, it doesn’t phase him and that throws her off. Crystals mean girl persona is a defense mechanism to protect herself and keep others at arm length. That doesn’t dissuade Charles & eventually Edwin and can be argue the beginning of her character growth.

At the end and after she she regains her memories, Crystal realizes with the help of Jenny’s knowledge drop that she can’t run away and to reconcile who she was in the past, she has to accept it to continue her personal growth and surprisingly tells Charles it's because of them. Tbh I was curious how Crystal was going to be compared to the comics and I enjoyed this version of her.

Charle's backstory with his father, wasn't in the comics and was interesting that he deals with it is the exact opposite of Crystal's method. He's a fixer and wants & keeps everyone around them happy and his use of that as a coping mechanism is heartbreaking and sad.

Them calling each other out holding the other accountable helps with their character growth and tbh their friendship.

I could go into Edwin character growth but I've had a soft spot for him since I started reading the comics and I will start rambling.

I've loved the comics for years and tbh I appreciate the show's display of having loving friendship between all the characters which unfortunately you don't see often or people are uncomfortable talking about...

I've rambled on enough...go read the comics and watch the show.

[apollowatchesmovies]

December 20

Movie 92

Vertigo

[lisaandthedevil]

Literally I did not know that Alfred Hitchcock was such a Cleaners from Venus fan

[daily-movie-quotes]

Day 106

November 14

One final thing I have to do... and then I'll be free of the past.

-John ‘Scottie’ Ferguson

(Played by James Stewart)

-Vertigo

[vampirecorleone]

"Kim Novak's part in the movie is very often incorrectly described as a "dual role". This is wrong, since the real Madeleine Elster is never actually portrayed by Novak. During the earlier parts of the film when Scottie (James Stewart) thinks he is following Madeleine Elster, he is actually following Judy Barton who is masquerading as Madeleine Elster. Yet somehow this simple logic doesn't compute with whoever wrote the press kit." Horror Character Appreciation - Kim Novak / Judy Barton in Vertigo (1958) dir. Alfred Hitchcock

[simplylupin]

Vertigo and Eddie Diaz

because the connection has been made between eddie's current arc and hitchcock's vertigo, i thought i'd give my two cents on the topic as a mediocre film student whose had to study vertigo for two years of her life

so here's a basic (very over-simplified) summary of vertigo for those who are unfamiliar

The protagonist, Scottie, is a policeman who took a break/was discharged/retired because he couldn't save a fellow police officer from falling off a building to his death

Because of this he suffers from vertigo and/or fear of heights

He's hired by his old friend Gavin to follow Gavin's wife, Madeline, for fear that she's been possessed by someone called Carlotta Valdez

He does so, and slowly falls in love with Madeline - and her him

We also learn that Scottie's best friend Midge is in love with him, but he's too obsessed with Madeline to notice Midge

Him and Madeline go to a church bell tower where Madeline seemingly offs herself by jumping off

Some time later, Scottie goes to Madeline's old hotel room, and finds a woman called Judy who looks exactly like Madeline

She agrees to go on a date with him

We, the audience, find out that Judy actually is Madeline (and vise versa). She was hired by Gavin to pretend to be Madeline.

Scottie grows more and more obsessed, forcing Judy to change her appearance to look like Madeline

He makes the connection that Madeline and Judy are the same person, and drives her to the bell tower

He forces her up the tower, over coming his fear of heights

Once at the top, they have a confrontation

A nun appears, scaring Judy and she once more falls to her death (really this time)

So, from what I've gathered, the loose connection between characters is:

Scottie = Eddie

Madeline = Shannon

Midge = Buck

Judy = Kim

The Nun = Marisol

Scottie's unable to save his fellow police officer. Eddie was unable to 'save' the people he pulled out the helicopter: "I pulled them out. But I didn't save them." Because of this he suffers from immense guilt and PTSD (as seen in his season 5 arc). He's unable to move on and this hinders him to a certain extent - just like Scottie.

After Shannon's death, he's thrown through the loop again, with the added bonus of him not having been able to save her too. Scottie's job was to save Madeline, and he failed at that, resulting in her 'death'.

Eddie is constantly trying to find a woman to fill that role of Shannon in his and Christopher's life; we see this with both Ana and now Marisol. He's looking for her in them. Scottie does the same - he visits the places he went with Madeline, he goes to her old room.

Eddie finds Kim, Scottie finds Judy.

For a little while, Judy helps Scottie get over and get closure on Madeline. She fills that empty space and allows him to move on. This is what I think Kim is going to do for Eddie.

She looks so much like Shannon but she simply isn't her. We know in later episodes that Buck is going to meet her and proclaim that she's "nothing like Shannon." There's a clear distinction there - Eddie is only seeing Shannon in her because he wants to, because he's still holding onto that idea. I think Kim is going to be the closing point of this ongoing search for Shannon's 'replacement'; someone who looks exactly like Shannon should be perfect, right? But when she too doesn't 'fill' that role that surely must spark some sort of realisation in Eddie, because if not her then who.

For Scottie, he feels betrayed by Judy. He brings her to the last place he saw Madeline, and ultimately, indirectly, causes her death. Obviously I don't believe Kim is actually going to die, but more the idea of her. She's the final chapter of him pursuing Shannon's ghost.

Midge is Scottie's best friend. They met in college and were engaged for a few weeks before breaking up. They spend a lot of time together, staying at each other's houses and going out. She helps Scottie through his vertigo and acrophobia, and tries to 'bring him back' in his grief. At one point, Midge paints her face onto a painting of Carlotta Valdez, showing that she's there and ready for Scottie's love, if he's willing to give it to her.

I believe, in this scenario, Buck takes on her role (for seemingly obvious reasons). Him and Eddie are best friends, they do so much together, he helps Eddie when he's struggling etc etc. Midge is the idea of the 'other woman', someone who is right in front of Scottie's eyes, someone whose always been there for him. However, Scottie is too obsessed and fixated on Madeline that he can't see this and continually brushes it away. You see where I'm going here...

Although Buck potentially doesn't even realize it himself, he has taken on Shannon's role in the Diaz family for years. Eddie already has the 'replacement' for Shannon that he's so desperately been searching for right in front of his eyes.

In Vertigo, Judy and Madeline are the same person, whereas Shannon and Kim are obviously not. However, the comparison still stands.

Scottie meets Judy and immedietely latches onto her because she looks so much like Madeline (duh) and he is so desperate for anything that'll keep Madeline's memory with him. He makes her undergo a series of phsyical changes (dyeing her hair, changing her wardrobe, her style etc etc) so that she appears more like Madeline - so he can get that closure and pretend.

Eddie clearly isn't going to do this to Kim. However, whatever way you spin it, he is projecting Shannon onto her. He saw her, and thought of Shannon, he pursued her because of that, he's doing all this because of Shannon. He is chasing that closure and that moment were he can be like 'Ah. I've finally found someone who can be Shannon for me and Chris.'

I doubt Kim is going to be around particularly long. As much as it sounds diminishing, she really is just a tool for Eddie to have this realization that nobody can replace Shannon, and that that's okay. He doesn't need to find Shannon 2.0.

Now, in Vertigo, when Scottie and Judy are arguing on the bell tower, a nun appears from the shadows and startles them - causing Judy to fall to her death. It's a very abrupt and out of nowhere.

The character of the nun, I think could represent either one of two things. Marisol, as we know, used to be a nun (i'm still not over this btw). That's a pretty straight-forward, clear cut comparison. The nun causes Judy to die, Marisol causes 'Shannon', and the idea of Shannon, to 'die'. This interpretation leans more heavily on Marisol and Eddie staying together, however, so I'm not sure.

The nun could also just represent religion as a whole, and Eddie's Catholic guilt particularly. Eddie tells Bobby that he only really married Shannon because he felt like he had to, he felt pressured into it because of his religious guilt. Despite this, "There was still a part of me that loved being married to her."

There's no doubt in my mind that Eddie loved Shannon. He did, they loved each other, and he still does love her - he always will. I do think that the choice of focussing on his marriage to her and how he "loved being married to her" is interesting though, he doesn't try to clarify that he was in love with her. This could just be because it's a given orrr

Whatever, not really the point.

The point is, the fact he's now "awakened" his Catholic guilt by finding out Marisol was a nun, must mean something for his upcoming arc. In Vertigo, the nun kills Judy. Here, his religious guilt 'kills' the idea of Shannon??

I'll definitely have more ideas about this later but this was my word vomit for now! Let me know what you think please.

(Also something I find funny is that the actress of Madeline/Judy is called Kim!)

[buckleyagcd]

“anyone could become obsessed with the past with a background like that!” - john “scottie” ferguson (vertigo)

so it looks/sounds like eddie will be going through it in the next couple of weeks so i wanted to draw a happy and smiley eddie :)

[lovelytsunoda]

vermont // daniel ricciardo

summary: the ski trip sounded all well and good in theory. except for the fact that she would rather be in the chalet than on the slopes. so when she gets stuck on a ski lift and starts to hyperventilate, danny is the one to calm her down.

pairing: daniel ricciardo x female!reader

warnings: anxiety attack, fear of heights/vertigo, best wingwoman chloe, delusional and oblivious scotty, use of ‘pretty girl’, it feels kind of rushed and I don’t know how I feel about the ending-

she should have told chloe to come on the trip without her. she should have admitted she’s never been skiing before. but when she tried, scotty convinced her to come along anyways, because as far as the aussie was concerned “anybody can learn, it’s easy!”.

and yet, here she was, staring at the ski suit laid out on her double bed, rethinking every life choice she’d ever made leading up to this point.

her hands rubbed the fabric of her maroon turtleneck, teasing her bottom lip between her teeth.

god, this was such and awful idea.

there was a knock on her door, chloe’s voice carrying through. “y/n! are you ready yet? we’re heading down to the slopes!”

“coming out in just a second!” she called, hastily pulling the jacket over her clothes.

____

it was a nice enough day outside: the sun was bright, and the air warmer than expected for vermont in early december, a thick dusting of snow on the slopes as she tromped ungracefully over to the ski rental, where scotty and chloe were waiting with lance and his girlfriend marilou.

"there she is!" scotty shouts. "ready to put your skis on?"

"hang on, don't we have to wait for someone? we're missing a few people." she said nervously, trying desperately to put off the inevitable, even though she had promised chloe that she would at least try to get out of her shell this weekend

marilou nodded. "just daniel. knowing him, he's slept in and forgotten the plan, or he got distracted on his way out."

ah, yes. daniel ricciardo.

the man who made her heart skip three beats, the one person in their small, small friend group who always somehow managed to calm her down, remind her that the world wasn't so bad or scary and that everything would be okay in the end.

“well, we can’t start without the life of the party!” she said it too quickly, no doubt her nerves were showing.

there were so many winter activities they could have picked. so why skiing? why the one thing she’d sworn she’d never ever ever do?

“don’t need to wait guys!” when the sound of daniel ricciardos aussie drawl carried across the wind, she squeezed her eyes shut, resisting the urge to scream an expletive. “I’m right here, sorry I’m late!”

chloe shot her a sympathetic glance as the boys fist bumped each other and the crew turned in the direction of the ski lift.

“you’ll do fine!” the canadian encouraged, looping her arm around her best friend. “skiing is easy, it’s all downhill!”

y/n narrows her eyes. “it’s the not knowing how to balance or steer and accidentally crashing into things I’m better off not crashing into.”

chloe laughed, shaking her head as she patted y/n's shoulder. "don't think like that! just come and enjoy the outdoors with us!"

but despite it all, despite the friendly energy of the trip, the good vibes all around, she couldn't help but feel like she was intruding on a couple's trip: chloe and scotty, lance and marilou. daniel and . . . wait, he came alone too, didn't he?

but she didn't have time to think about it before she was strapped in to a pair of ski's, scotty's hands at her back to push her down the training hill.

it only took like....twenty tries before she figured it out, her skis sailing through the snow like butter as she finally managed to stay upright for the third run in a row. she was really getting the hang of it, she thought, pride swelling in her chest.

"nice job, y/n!" daniel shouted, having just come down one of the hills next to her smaller, beginner hill. "you're a natural!"

at the sound of praise dripping from daniel's lips, she felt her face go pink, and she was certain that it wasn't just from the cold, and that there was something more to it.

"oh, well, i've been practicing a lot. i feel kind of bad, actually, for monopolizing all of scotty's time. keeping him away from his wife and all that." she coughed to clear her throat, one gloved hand smoothing her hair back under the pom-pom toque she was wearing on top of her head.

daniel laughed. a big, hearty laugh that sent butterflies afloat in her chest, the kind of infectious laughter that could bring a smile to anybody's face.

"why don't you come up to the other hill with me, and we try you on something a little bigger?"

she turned her head in the direction daniel was gesturing, and she felt her stomach drop to the floor. "no way, not a chance. that's too high, my dude. what if is break my neck?"

scotty skidded to a stop in front of her, moving to look at the mountain. “no, no, that’s a good starter mountain is you want to move up to something bigger! go for it!”

while daniel cheered, y/n groaned, cursing inwardly.

beside her, lance laughed “you’ll have to move up to a bigger hill eventually, y/n. it’s okay to be scared.”

“I’m not scared!” okay, maybe she was. just a little bit.

the group headed towards the ski lifts, filing in in sets of two, each pair heading for a different level hill. scotty and chloe headed for one of the most advanced, marilou and lance heading for a hill that was somewhere in the middle.

and that meant that is she wanted company on her hill, she would be stuck with daniel.

“after you, milady.” daniel chuckled, gesturing to the ski carriage, allowing her to slide in first, the aussie settling next to her.

the bar snapped down, the lift beginning on its way to take the skiers up the mountain. from this high up, the view across the slopes was actually quite nice: evergreens dusted in snow, ant-sized people in bright coats making their way down mountains.

until she stopped looking eye level, and found her eyes drifting downwards, stomach slammed instantly with vertigo.

yep, she was never doing that again.

“you okay?” daniel asked, concerned when he watched her scrunch her face up, eyes screwed shut.

“yep, yep. just trying not to look down.” she was gripping the chest bar so tightly that she was certain her knuckles were white underneath her gloves.

daniel frowned, reaching for her hand. “it’s okay to be scared of heights. is this why you didn’t want to come up the mountain?”

“maybe. that, and the fear of making a fool out of myself.” She was tight lipped as she answered, still keeping her eyes closed.

but now, she only felt like her heart would beat out if her chest because of the hand on top of hers, not the fall to the ground.

“we’re almost at the top, and then your skis will be on solid ground again.”

she slowly opened her eyes. “thank you.”

over the hum of the lift, she heard a groaning, and then a snap. the ski lift stuttered to a stop, and she couldn’t stop the terrified shriek that left her parted lips, one gloved hand reaching to squeeze the life out of daniels arm.

“hey, hey!” daniel shouted, trying to be heard over other panicked skiers. “look at me, look at me. can you do that?”

her chest was getting tight, body frozen with fear. she couldn’t open her eyes, limbs made of lead as she clung to the man next to her in the lift

“I-I don’t think I can, danny.”

“yeah you can. just focus on me, not the way the carriage is moving, and not what’s below you.” his voice was soothing, grounding. enough that she was able to turn her head slightly and open her eyes to face him.

“see, that wasn’t so hard, was it, pretty girl?”

“no.” her voice was stil shaky as she stared into daniels eyes, feeling suddenly like he could see every part of her. every secret, every long held and unspoken truth.

and she liked it.

“just keep your breathing steady, and we will be out of here before you know it.” his voice started level and calm, his breath curling up into mist in the air.

“promise me?”

daniel leaned in, his soft lips warm against her forehead. the simple action, not quite a kiss but not that innocent either, set her skin ablaze in pink again, warmth spreading through her frozen appendages, from the tip of her nose to the ends of her fingertips.

“I promise.” daniel assured her, his gloved thumb rubbing reassuring circles on her skin.

she wasn’t sure how long they had been sitting like that when the lift whirred to life again, the carriage shakily confusing it’s ascent up the hill. realizing that the lift was moving again, she pulled away from danny, averting her eyes, looking anywhere except the man who had just held her so tenderly.

she shook her head, pulling her ski goggles back down over her eyes. “sorry, I don’t know where that came from.”

“don’t apologize, pretty girl.” daniel said softly. “you were scared. and I liked knowing that I could make you feel better. I care about you, y/n. as more than a friend.”

she paused, pulling her goggles back up. “you do?”

daniel beamed. “of course I do, and I’d love to get to know you better.”

“buy me a hot chocolate if I make it down the hill one piece?” she suggested, gently placing a hand on his forearm.

the lift reached the top of the hill, the bar raising and allowing the pair to slide off the metal chair, Danny’s hand in hers as he took the lead, guiding her towards the slope.

“and if I make it to the bottom first, you have to kiss me.” danny wagered, a mischevious look in his eyes as he flicked his goggles down.

y/n laughed, inching towards the slope like bambi on ice, all shaky legs and flailing limbs. “i think I ’ll take you up on that, ricciardo!”

TAGS:

@magnummagnussen @libraryofloveletters @thatsdemko @lorarri @userlando @silverstonesainz @cartierre @love4lando @sidcrosbyspuck @silversainz

[chefkids]

The Bear's Magic Tricks: From Dreams to Love Stories to Trainwrecks to Alien Motherships

The Bear Episode 9 Apologies starts of with a montage of magic and movies. The scene begins with a black screen reflecting ourselves onto it. Because this scene is about addressing us directly, as viewers and observers of the show itself and the process of filmmaking and creating magical unexpected moments within the show. It's Martin Scorsese in an interview talking about the movie Hugo.

Hugo is about an orphaned boy living in a train station, who is in charge of winding up the clocks. He likes fixing things because he believes everything has a purpose. That life is like a machine and there are no extra parts, because everything has a role. He ends up fixing a machine that his dad left him, that draws a scene from his movie A Trip to the Moon. He finds that it was made by magician turned filmmaker Georges Méliès, a real life person, that is known for being an earlier adapter of cinema and inventing 'trick films' and special effects.

We then fall into Alfred Hitchcock's Vertigo dream sequence and from there it blends into a dancing scene from The Red Shoes. Both of these scenes use 'tricks' and special effects to create the illusion of the man falling and the woman flying and being transparent like a ghost. Vertigo is about Scottie, a former police officer with a fear of heights, who is tasked with keeping an eye out on a wealthy man's wife, Madeleine. He falls in love with her and then witness her commit suicide by jumping off a church tower and is distraught because he feels like his fear of heights stopped him from saving her.

Then he encounters Judy, a woman that looks very similar to Madeleine, and he tries to change her to look and act more like Madeleine by buying her the same clothes and dying her hair. In the end he discovers that Judy and Madeleine are the same person and that Judy was part of a murder scheme for the real Madeleine and was tricking Scottie all along. But Judy also ends up falling to her death on accident.

The Red Shoes is about Victoria, a ballerina at Ballet Lermontov, who is told that she has to choose between her dance career and her love for Julian, a composer, when the director of the company fires him. She chooses Julian at first, but is unfulfilled when she has to give up dancing, so she goes back to the ballet to Lermontov, who is secretly in love with her. In the end she tries to go back to Julian, but dies by falling to her death from a balcony onto a train, because the red shoes are said to have a mind of their own and tricked her.

Something else is existing there, I don't know what. But there's something happening, it's not part of our normal day, literal nature of how we live.

We then see another shot from Vertigo, of Scottie spying on Madeleine at a flower shop, that places us viewers once again like voyeurs within the episode. Then a shot from Close Encounters of the Third Kind, a movie about UFO sightings and alien abductions, where a man, Roy, witnesses a UFO at a railroad crossing.

The shot from Vertigo is of Judy in her hotel room after Scottie took her to dinner and brought her home. In that scene she calls him out on only being with her because she reminds him of Madeleine. The scene from Close Encounters is when the aliens return the people they took from Earth. At the end of the movie Roy leaves with the aliens on the mothership because he wants to learn more about them and what is really happening. The Red Shoes and Vertigo are both love stories filled with deceptions and surrealist moments. But we are like Roy, witnessing something that we can't completely explain, that is out of the normal, that not everyone can see or believe in. But Roy from the very start of the movie told us that he enjoys magic.

But we're trying to create something different.

Then we see a shot of Méliès' A Trip to the Moon as it turns into a coin spinning, Victoria from The Red Shoes turning while dancing in the spotlight, Madeleine from Vertigo's hairstyle that spirals onto itself, a UFO sighting from Close Encounters, the staircase from Vertigo then Scottie waking up from his dream sequence. Like the very first episode when Carmy wakes up from his nightmare to a bright circular light.

The symbols of Vertigo's spirals and The Red Shoes ballerinas can be seen in Sydney's own t-shirts in Season 2 and 3.

We then see a series of magic tricks and illusions like a man standing on woman's hand, levitating a table and a woman, and boots walking themselves away and a lot of other clips from Méliès' trick films. There's a shot from The Red Shoes of a dancer turning into Lermontov then turning into Julian, then Victoria runs into him, as she is torn between choosing between her career and love, it creates the illusion of her being in front of the movie screen as she runs towards him, breaking the fourth wall within the movie. The Bear is being upfront and honest to us about what tricks they are trying to pull right in front of our faces. They are telling us they have been tricking us.

The Red Shoes is essentially the journey that both Sydney and Carmy are on, but in different ways. Carmy believes he has to give up amusement and enjoyment and love in order to be successful as a Chef and get a star, but he is also trying to get a star out of love for Syd that he isn't fully aware of or willing to admit to himself. Meanwhile Syd is stuck trying to decide if it's worth leaving people she loves in order to be more successful at her career and make a name for herself. Like Vertigo, The Bear itself is trying to make one woman (Claire) fit the mold of another woman (Sydney) by dressing her the same and having Carmy give her what Sydney likes and take her where Sydney has been.

This magic dream like sequence is really an explanation for this entire season and previous ones. They are telling us directly as the audience the tricks they have up their sleeves. Carmy is stuck in a dream weave.

More on clocks, trains, dream weave, ghosts, hauntings, the fourth wall, sleight of hands, Hugo, Vertigo, The Red Shoes, and Close Encounters of the Third Kind to come...

[everyframeapainting1991]

In this shot from "Vertigo," we see the silhouette of Judy Barton, who also masquerades as Madeleine Elster, bathed in a sickly green light. The neon glow suggests the false, constructed world in which Scottie has trapped her—his obsession with recreating the past casts her as little more than a shadow of the woman he loved. Hitchcock's use of lighting here is as precise as ever, with Judy's identity obscured, evoking a haunting ambiguity. Her features are erased, leaving her as a mere outline of a person, echoing the film's central theme of loss of identity and the manipulation of reality. Like the green light itself —both eerie and hypnotic — the scene pulls us into the depths of obsession, a reflection of the vertigo-inducing disorientation Scottie feels, where truth and illusion blur.

[frenchonionsunchips]

i have never been so convinced that we are gonna get a buddie feelings reveal/realization (probably from buck), and yes it’s because of the vertigo poster.

so in vertigo, scottie (eddie) basically falls in love with this woman madeleine (shannon) who ends up dying right in front of him. while he’s ‘recovering’ from her death, he meets judy (kim), who looks exactly like madeleine and he basically tries to force judy to become her.

however this is not the important part of the whole vertigo thing, that’s just pointing out how similar this eddie storyline already is to the movie.

the important thing is the poster (which @911bts has posted). on the bottom, it has a bunch of names, which for the most part are all names of people who worked on the original vertigo movie. except one. barbara bel geddes is switched to oliver stark which is sooooo significant, specifically because it was so unnecessary (it could have easily been switched to edy or just not been switched at all). this is so significant because barbara bel geddes played midge, scottie’s ex-fiancee who still has feelings for him. midge is the character who is always there for scottie, always tries to do what’s best for him, and is trying to make him fall in love with her again. in my opinion, midge also represents a type of love that scottie isn’t necessarily ready for. in the movie that love is a more mature settled down type of love, however i do think its can easily be translated into eddie not being ready at this moment in the show to love another man.

also here are a couple little screenshots from some analyses about midge that i think are just a little too similar to the eddie storyline right now

so anyways buck pining era is cominggggg

[lisaandthedevil]

Christophe Gelly, Music, Memory and Repression in Hitchcock's Vertigo (1958)

[andavs]

Thank you for the most reasonable, clear-headed spec I think I've seen since 7x07 aired. I love mess too but some of the takes I've seen have been so outrageous it's making me dizzy. This season has some tone and pacing issues so I'm not fully ruling out a nuclear explosion for Eddie, but I truly don't think we're going to get him breaking down to the point of needing hospitalization. (I've joked about it myself but he's not actually clinically delusional or a danger to himself/others.) Also I love your idea that Kim could give Eddie an opportunity to say to her what he really needs to say to Shannon, that would be a really powerful and elegant resolution.

Yep, and even though they're inspired by Vertigo, I still don't think it'll go that dark because 1. the tone of the season so far, and 2. the movie ends with Scottie's fear of heights and vertigo being cured. So if that's Eddie's grief, he should be finding closure through this, not having a mental breakdown.

I also don't know how much they're actually doing Vertigo because they said they were doing The Hangover, and the only part of that episode that resembled the movie was that there was a wild bachelor party, the groom was missing, and Eddie and Buck were, in fact, hungover. The tone and plot were totally different. Same with the Rear Window episode—it was Bobby and Michael shenanigans.

If they're actually doing Vertigo, then someone is using Eddie and Kim is up to something—which I guess could be one of the bombshells that Ryan mentioned, but it seems unlikely…unless Marisol is up to something. Otherwise this is just the last quarter of the movie and none of the crazy stuff.

I'm just hoping this doesn't get dragged out over more than one episode because again, there's only three episodes left and Bobby's big arc is just kicking off. I'd prefer the Diaz family stuff to not be about this and actually be about their family.

[eirabach]

Tim: I wanted to do Vertigo.

The Ending of Vertigo [1958]:

"He embraces Judy, but a shadowy figure — a nun investigating the noise — rises from the tower's trapdoor, startling her. Judy lunges backward and falls to her death. Scottie, bereaved once again but cured of his fear of heights, stands on the ledge in shock while the nun rings the mission bell."

Me: *Howls*