#Saying No To God

[momentsbeforemass]

Worth doing badly

One of the most harmful ideas that we have about God is that God demands perfection.

The spoken or unspoken notion that God expects nothing less from us than perfect performance. 100%. Every time. Or it’s not good enough.

Or we’re not good enough.

That idea is the source of so many terrible things. Ranging from crippling anxiety to turning your back on God. And it couldn’t be farther from the truth.

Because God isn’t looking for perfection from you and me.

What is God looking for? We see it in today’s Gospel, in Jesus’ story about the two sons.

One says that he will do what his father asked him to do. But then doesn’t do it.

The other says that he won’t do what his father asked him to do. But then does it.

That is what God is looking for.

Not the one who says they’ll do it. And then does it. Perfectly.

Actually, that isn’t even an option in Jesus’ story. Because in reality no one ever does that. So Jesus doesn’t even bring it up. It’s like He knows us or something.

What God is looking for is the one who does it. Period.

Not the one who says they’ll do it. And then does it. Perfectly.

Not the one who says they won’t do it. But then turns around and does it so amazingly well that it more than balances out their initial “no” to God.

Just the one who does it. Even if they got off to a bad start. Even if it’s not perfect.

As G.K. Chesterton puts it, “Anything worth doing is worth doing badly.”

Not that you’re trying to mess things up. But when it comes to the things in life that truly matter – telling someone that you love them, raising a child, your relationships, including your relationship with God – you doing it is worth the risk that it won’t be done perfectly.

Why? Because that isn’t the important part.

The important part is that you did it. That’s the bit that matters.

That’s what God is looking for. Even if it’s not perfect.

Today’s Readings

[danlous]

Ignoring the real possibility he intentionally let himself be caught from the little we know so far Luigi Mangione's case is a fascinating combination of astonishing brilliance and confusing stupidity. This young man plans and executes his assassination and escape with such a meticulous care and calmness that it's suspected that he's a professional hitman. He comes up with Riddler-sque moves like writing his manifesto poetically on the bullets and leaving his backpack behind full of Monopoly money. He carefully wears a mask to avoid being identified but removes it because a woman who was checking him into the hostel was flirting with him and wanted to see his smile. He still manages to escape the most surveilled city in the country in the midst of ongoing national manhunt only to get caught in the middle of bumfuck nowhere Pennsylvania while eating at the McDonalds. Because for some reason he had the same clothes and mask as in New York and was carrying the same gun and suppressor. And when the cops detained him he showed them the same fake id he used in New York. And oh yeah he's a frat bro gym rat who has a masters degree in computer science from Penn but reads stupid self-help books about being on the grind and is 'anti-woke' while being bisexual suffering from anxiety and wanting to end oppressive capitalism. Not even god himself could invent a person like this

[snowstories]

My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.

Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?

What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?

Worry less about whether a character would do something, and more about how they'd sound while doing it.

[gorgo4ne]

Can the guy at the bottom kill himself or something

[kochei0]

I turn to Ares.

Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK

⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon

[dramatic-dolphin]

when we were studying the bible in literature class (so we have the context necessary for later works that reference the bible), i think we were at the book of jonah, and one of my classmates was studying the text very intently, and then looked up and earnestly said "professor, i don't understand the will of god"

the teacher was just like. well sadly i am a literature teacher and not a priest so i can't help you there. but if it helps, many people throughout history had the same problem.

[lgbtlunaverse]

The world exists in such a baffling state of simultaneous sex-aversion and sex-hegemony. Every social platform on the internet is trying to banish sex workers to the shadow realm but I can't post a tweet without at least two bots replying P U S S Y I N B I O. People are self-censoring sex to seggs and $3× but every other ad you see is still filled with half-naked women. Rightwingers want queer people arrested for so much as existing in the same postal code as a child and are also drumming up a moral panic about how teenage boys aren't getting laid enough. I feel like I'm losing my mind.

[phanfuckingtasmal]

im sorry but i cannot stop thinking about isha's pastel memories that play during her sacrifice scene.

look at how full of colour this beautiful fuckin shot is:

it's been well established in episodes 4-6 how grim and dark the undercity has become under cait and ambessa's new rule. but look at how isha sees/remembers it - because of jinx.

jinx, who went through a severe childhood trauma that has carried over into her present self - she covers extremely destructive weapons and grenades in bright pinks and blues, neons, childlike doodles, graffiti. (joy and destruction, powder and jinx, a contrast so striking it becomes like a signature for her).

and then we see the world through isha's eyes. when we meet her in episode 2, she's running through sewers, from goons dressed in black; it's grimy and grim. and then all of her recent memories are done in these childlike pastel, almost crayon-y sketches. because what isha saw was jinx covering a dark and grim world in colours.

and so isha covered her world in colour, too.

because jinx made her world bright.

isha looked at jinx and saw the child in her. she saw powder and she saw jinx. she saw joy and destruction. and that's why jinx gave isha so much hope. isha knew the world was grim and dark - but then she watched jinx, and she learned that you can paint over all that grim darkness with neon blue spray paint.

that's why isha believed in hope. that's why in her final moments - in a scene that is lit dimly and dramatically - she sees nothing but a bright world coloured in pastels.

never underestimate the hope of a child.

[noelledeltarune]

EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt

[hinamie]

trick or treat!

[phantom-shell]

I think it's super interesting how Jimmy's fear of Anya and the baby manifests in his mind as the Pony Express mascot.

Unlike every other character, Anya ISN'T in Jimmy's guilt/regret hallucinations near the end. He sees Daisuke walk towards the dark, he sees Swansea chase him through a cemetery, he sees Curly on fire in front of him but ANYA? Anya isn't given that kind of treatment. No, instead, we see a hallucination of the baby, a tiny horse in a womb that has no face attached to it (Anya's face specifically, all he sees is the womb), turning into a deformed monster that hunts him down the moment it's born.

Polle (the baby) is seen as a danger in Jimmy's head in the beginning of the game too, after he walks out of the cockpit. The more he walks, the louder the baby noises get and the more deformed Polle looks when he runs into it!

Jimmy doesn't give a damn about Anya, nor does he regret anything he did to her, but he is scared of that baby and what it means. The living proof of what he did to Anya, manifesting as a monster that hunts him down throughout the game.

[stemmmm]

more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great

[blessyouhawkeye]

i love that every time magneto loses his helmet in the x men movies he immediately starts going charles you could make me do ANYTHING YOU WANTED right now......... i'd be POWERLESS TO STOP YOU........ you could GET IN MY MIND and HAVE ME AT YOUR MERCY..... i think a lot of their problems could have been solved if charles just took him up on what was a very blatant proposition

[adriles]

they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes

[lilislegacy]

imagine being someone at new rome university and not knowing percy is the same guy as “percy jackson, son of poseidon, two-time hero of olympus, former praetor” because the thought doesn’t even cross your mind. like… he’s percy. he’s a total frat boy. on a normal night, he walks into a party, refers to everyone as bro or dude, socializes with every living (and not-living) person in the room, makes at least 50 sarcastic comments, plays 12 rounds of beer pong, drinks way too much, and then skates around campus on his skateboard yelling “I LOVE NEW YORK” (which makes no sense, because they’re in california) until someone calls his girlfriend to come get him.

and then one day there’s an attack, and frat boy percy is all of a sudden a fighting machine. he’s yelling battle cries alongside the praetors frank zhang and hazel levesque as they lead everyone into battle. (why is he with the praetors? and why…. why in the world do the praetors seem to be following his lead?) his sword slashes through armies of monsters faster than you’ve ever seen. he’s controlling the entire river surrounding the camp, creating huge waves as tall as skyscrapers that crash down all around him, wiping out monsters and causing mass destruction to his enemies’ ranks. the sky is suddenly dark above you, ice-cold water droplets are slashing through the air, and the wind is blowing so aggressively that it’s making it hard to stand up steadily. because he’s somehow created a hurricane.

and he looks terrifying. you can feel the power radiating off of him. he’s like a god. or maybe a monster. it’s hard to tell. you’re a little scared of him, to be honest. but also in total awe, because it’s extraordinary. he’s extraordinary.

frat boy percy is not who you thought he was.

[loserfae]

learning that self deprecation isnt cool and just makes the people around you uncomfortable unironically improved my mental health a lot. like if you just stop saying negative shit about yourself you will genuinely like yourself more and other people wont be repulsed by your attitude and you will have more friends. it's true.