#Same for many other franchises i enjoy

[meangreennunseen]

It's good day to remember you can create content for franchises you like, but you also do not need to be part of the active fandom to do so.

[aceofwands]

idk man I just think of all the franchises you could try to make the Next Big Thing by creating a bunch of new shows and movies, maybe don't pick the one with the notoriously nitpicky obsessed with canon fandom ?? if you don't plan on applying any sort of consistency to the world, characters, alien cultures, entire ethical and moral framework of the universe, etc etc ????

[neofelis----nebulosa]

Watched kfp 4 and it’s definitely the weakest of the kfp movies but I still liked it.

[edorazzi]

I’ve followed you for a long time and your tintin stuff always looked so cool so I’ve been curious is tintin a book or a show if someone wanted to get into it where do you think they should start?

It's Tintin Day again, and an EXCELLENT question from a poor unsuspecting soul who fell right into my trap!!! >:3c

I've compiled a basic Tintin menu with some ways the character differs between depictions - not fully comprehensive but a nice selection of flavours! 🍦

Personally I'd recommend the 2011 Spielberg movie as a starting point; it's the most standalone piece of media and a real love letter to the whole franchise. Plus it's breathtakingly gorgeous, whether you enjoy the plot or not it's worth it for the visuals alone!!!

If you choose to continue - I'd pick either the comic books (the source media!) or the 1991 Ellipse/Nelvana cartoon series, which closely retells many of the same stories but shuffles the timeline around and generally sanitises things for a young audience. My late paternal grandparents rented the VHS tapes from the library whenever we visited - it's so very, very cute and has a real soft place in my heart! 💖

The 60s live-action movies are lovely; but less accessible and probably better with preexisting knowledge of the franchise. The 50s Belvision cartoon... exists. And we don't talk about 1929 Tintin, he isn't real and he can't hurt us.

I hope this is helpful, or at least fun! And it's important to remember that while the comics do contain period-typical racism, xenophobia and other outdated views; part of the joy is watching Hergé's deeply conservative stance change as 50 years of research took him around the world meeting real people and learning about their experiences. He shared his own education through Tintin and that's such an important thing!!! 🌎✨

[controld3vil]

atreides and bene gesserit

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader

synopsis: requested by this ask!

⤷ alt: as clueless as you were about your sister's role, it brought you much surprise and joy to see her on the same carpet as you.

notes: reader uses fem pronouns as she's playing a role as a bene gesserit. reader is also described as wearing a sleeveless jumpsuit. and i really enjoyed lea seydoux's performance and hope to see more of it !! this is also COMPLETELY separate from the first two posts ive made since the readers r playing different characters yeah?

When Denise Villeneuve asked you about the role of Lady Margot Fenring, you were genuinely shocked about his decision. You appreciated his works but have never gotten close to any of his sets before. You have worked with directors who've admired Villeneuve for his imaginative mind. And now, you witnessed his creativity in person for the first time.

The role was small and not as significant as the other main leads. Regardless, your character was just as enigmatic and complex as any other in the Dune franchise. Even though your time was short, it was a fun experience to learn and observe from. You weren't able to meet the entire cast after production, but with the NYC premiere, you were able to link up again.

You heard your name being called out. "Hello! How are you?" The well-known comedian and presenter by the name of Amelia Dimonberg was now beside you. In her jet-black corset dress, her style is chic and elegant. She hands you a microphone with the film's title plastered on it. "You look beautiful!"

"Thank you!" you sweetly recuperate, diverting your shoulders to the sight, cutely. You give a little pose before complimenting her own outfit. "You as well!"

"Do you have a memorable day on set that sticks out to you?" Amelia questions, subtly leaning toward your direction. And now you noticed her detailed eye makeup which enhances her outfit altogether.

"Well- I've had, like, only a few days," You let out a quick sigh. Truly it was nothing to be embarrassed about but you could not help but feel shy about it.

"Mmhmm! So all of them?"

"Yeah, all of them!" With ease, your shyness turns into giddy laughter as all you remember from your times on set. Recalling those tiny moments brought a small smile to your face. "Every day counted for me and that was enough."

"Oh absolutely!" Amelia chides, nodding in agreement. She quickly then moves onto the next question, "How long do you think you could last in the actual desert?"

"Oo that's a tough question," Lifting your fingers to rest on your chin as you try to contemplate an answer. "Ideally no- I feel like I could never recover from the heat."

"Yes yes, the heat's very intense,"

"Yeah- no I don't think I'd ever leave my house for that-" You shake your head nonchalantly, acknowledging how most of your scenes already were indoors. You could imagine how you would do in the desert of Abu Dhabi. It makes you appreciate the cast and crew even more for their effort to make filming more comforting and tolerable.

"Where would be your dream location to hang out? I'm assuming your home then since you prefer to say inside?" The blonde interviewer quickly catches on, eyebrows raising intrigued by your response.

Instead, you hummed bashfully, "Actually I think an oasis would be nice." The camera catches onto Amelia's face, fully fixated on you. "Which fits perfectly if I were to live in the desert actually!"

"Mm yeah, smart choice!" She responds more cheerily. "You can maybe go for a swim, you know-"

"Right right," You give her an playful look, "And you don't have to go thirsty!"'

"Absolutely, the best of both worlds," Amelia chirps, doing the same expression. "So this film centers a lot around dreams. Do you have vivid dreams of yourself?"

"Yes! I've uh- I've had many dreams of myself. I mean, this one, for example-" You turn to the camera, waving with the most adorable smile on your face. "'I'm living my dream right now!"

"You're living your dream right now!"

In another section of the premiere, you were walking down the carpet for press interviews and photography. The set where the premiere was taking place was gorgeously made in the shades of black and orange, the perfect theme of the film. The entire venue was outdoors, allowing you to feel the cold air and be more at ease in the crowded space. There were more paparazzi than you had expected, and you suddenly became aware that you were alone. Without any friend or acquaintance to accompany by, you searched aimlessly for a familiar face.

Then there was a holler. And then multiple more came after, it made you confused really. Your head swerves to the sound of the person you so try to look for and immediately you're struck in awe.

"Anya?!" In an instant, you're seen running towards your sister in the far back of the premiere wall. People were reluctantly used to fast-paced relocations around the carpet. Therefore most did not mind your hasty stumbles through the crowd. It was almost comical how apparent your demeanor changed when you heard her, in fact, videos and pictures caught all of it.

"Hi!" She beams in her white dress robe. Her makeup was glowing, making her skin seem angelic, and sheer without impurities. Her outfit covers her like a nun, covering her head and body in almost transparent cloth. Yet it flows around her so elegantly, almost like she was an angel from the stars. She squeezes your figure firmly, only after releasing to gush about your appearance.

You adored a beige sleeveless jumpsuit. The color is complimented with tiny designs of sparkle. Its seams captured your figure perfectly, as you also wore a gold chain and bulky rings. From the lighting, it looks as though your outfit is shining. And to be completely honest, you prefer comfort over the judging looks of fashion critics. Therefore you wanted to wear something that you could still move comfortably in. Thus you were able to run over to your sister with ease.

Through the other lens and camera, they could pick up some of her words after. "You look so gorgeous! How are you here?!" Anya's expression changes into a perplexed one as she gets a hold of your shoulders, shaking them back and forth.

"I was invited obviously, "You said, mimicking her voice while holding onto her arms on yours. "You didn't tell me you were a part of Dune!" Viewers from afar could tell you were pushing an act, reacting as though you were petrified about how Anya managed to be here in the first place.

"I didn't know you were either!" She giggled, closing in on your right ear. Your sister whispers to you slowly, trying to withdraw from the camera and recordings. "Villeneuve had mentioned something but honestly I just thought it was a joke."

It was your turn to guff. Your mouth opens wide flabbergasted, looking sarcastically offended. "Why would you think he's joking?!"

Anya scoffs lightly, wanting to go further with the joke. "I don't know- I just didn't take his word seriously,"

"Why? Because you didn't think I'd make it into the film?" You accused, eyes widening with a hand over your heart. "You're so cruel."

"So cruel," She smirks up at you, then moves back to be by your side. You see her face forward the flashing cameras, as you do the same. "Come! Let's take some pictures!"

"Your outfit looks beautiful by the way!" Anya Taylor muses, eyeing down at the fine details on your jumpsuit. "It's very... you!"

You give her a nod, before flattening some of the creases, "I thought this color was so exquisite, so I thought it would be perfect for the premiere." You lift your head to look at your sister, before realizing behind her, the upcoming stars of the film were getting ready to take cast photos. "Oh Anya- I think you should go!"

Your sister turns and then gazes back at you with a soft smile. "You should come with me!"

The thunder of cameramen and journalist blurred your focus for a moment. "Are you sure-"

Again the sound of your name is hurdled but this time from someone you haven't seen in a long time. Jessica Ferguson, who too wears a black body suit with veils and bold makeup. She waves her hand almost too eagerly to have you come closer alongside your sister. "Come, join us!"

Videos were filmed of the people gesturing to the cast of Dune in a line. Little by little, the row of people is filled and organized to be in the center of the camera's focus. Some actors had to move spots, due to lack of space or better color semblance on the other side of the row. You stood next to Jessica and Florence Pugh was beside your right, as you tried to stand closer for the picture.

Anya Taylor was on the opposite side, with Austin Butler and beside him, Timothee Chalamet. A noticeable clip taken all over was when the French actor went to greet the English actress, warmly, clasping her hand with both hands as a proper salute as on-screen siblings.

You did not mind the lack of attention. You were happy for Anya for achieving a great role. One with a welcoming cast and crew. It was then your eyes scanned down the row, from Zendaya to Stellan Skarsgard. Then to Austin, whom you've been familiar with since day one. Only him to find your gaze seconds later. You give a little nod and smile before averting your direction to Anya who is already staring at you with gleaming eyes.

You were going back and forth with Jessica and Florence on your travels for a while. From plans reception to favorite desserts, all you three wanted to talk about was food. Paparazzi caught onto your banter quickly and snapped a few photos. You even went out of your way to do silly poses. Followed by Jessica and Florence, then did the same, sticking their tongues out in a rock star kind of fashion. You throw out piece signs, giving a dramatic frown as another flash happens.

Catch-ups were definitely refreshing and fun. Thus why you nearly jump when Austin appeared behind you.

"Oh my gosh, hey!" You stuttered, giving him a quick hug to calm your nerves. "You scared me!"

"Sorry sorry! I just wanted to surprise you!" He leans his head slightly, allowing better eye contact. You felt a few taps on your shoulder and noticed Jessica and Florence scurrying away, with their thumbs up, all goofy and excited.

Your eyes make it back to his. "I would've said hi back at the cast photo, but you were so far away," Shrugging you dismiss your failure as a mild missed opportunity.

But Austin shakes his head in an averted manner. "No- Don't worry about it." You could already sense interviewers and others with microphones closing on you two. You were out in the open, and it's bound to happen. "I wanted to- you know, say hi to you in a less chaotic place."

"I tried looking for you but there's just so many people," You give your costar an exhausted look. It was then a keen young man approached the pair of you. It was the People magazine, as you became aware of the logo alongside their camera and microphone.

"Hey, would you two mind a short interview for People's magazine?"

Truly, this was what premieres were about. The cast and crew meet with fans to show what they have worked so hard for. You brought you no better satisfaction than to praise everyone's efforts. The interviewer then proceeded to have a quick introduction of you and Austin beside you. You both had separate microphones in each hand. Once the video started rolling, you peered at the camera and gave the audience a grin.

"So how are you guys doing? Met all of your lovely cast members yet?"

"Oh absolutely," You emphasized every syllable, nodding. Austin only glances at you in amusement. "It's crazy how many people are here I was so overwhelmed!"

"Yeah, it was pretty crowded," The male actor adds, lowering his microphone slightly.

"Hopefully it will die down!" The interviewer beams. "So what was it like getting to know each other in this film? How was the first day on set like?"

"Oh, well it went very smoothly," You start, staring up at Austin in approval. "Even though my time was short on set, I feel like we had a pretty good rhythm starting out."

"I was about to say! The scenes with Feyd and Lady Margot were really something!"

"Why thank you, we appreciate it," Austin nervously laughs, scratching his ear.

The interviewer takes the lead to discuss your preparation for the role and how it was working with Villeneuve. As new characters, you and Austin both talked about your views on both of your characters. Both are very different yet mysterious to the viewers. Additionally, you two were introduced in a similar scene of the pit fight. The People's Magazine interviewer was compelled to compliment Austin on his opening scene. You knew he had practiced the choreographed fights vigorously. And of which you were lucky to witness on the days that you were present.

"It was completely freeing and different than what I was used to doing," Austin probes, leaning toward your direction. "Were you there for the pit fight?"

"I think I was," You turn, similarly. "I remember watching from afar and thinking wow." Immediately you could sense him eagerly looking down at you with a sly smile. "He was- Austin did amazing with the fight choreography, I was impressed!"

"Was this the first time seeing him in full costume too?"

"Oh yes!" You bonked your hand on your forehead, "He was and I just- couldn't believe it was him!"

Suddenly Austin jumps in, "She was startled when I first came up to her in full costume."

"You came out of nowhere, by the way!" You rebutted, giving him a side glance.

"I didn't mean to," As he tries to reassure his actions, "I wanted to give a good first impression!" It was humorous how playful you two were together despite having dissimilar filming schedules. Though most of your scenes involved Butler, your friendship only became more apparent weeks after working together. It was off and on for months at a time due to being busy in other countries simultaneously.

Eventually, you were able to link up again weeks before the premiere. After waiting a long time to meet up, you almost felt relieved that you hadn't seen your costar in a while.

"And Austin, how was filming with her?! From a character's standpoint, what kind of dynamic do you see playing out?" The People's Magazine interviewer perks up, having the camera transition from his face to Austin's.

"Well I'd say, she's great. You know I've got to meet a lot of amazing people in this film. And," He says your name sincerely, "She's- she's one of those people. I can't say much for Lady Margot and Feyd's relationship- you know there's a lot of that's still not uncovered. We don't really know what's happening but kind of have an idea of something. And to have such a great actress like her, it makes everything feel authentic and- feel the tension." It felt as if you were in a daze, eyes completely focused on his words with such admiration and grace. Before you knew it, you were smiling as if you had won the best possible prize in the world. His compliments to you meant more than you had anticipated really.

Unbeknownst to you, the cameraman had caught your lovestruck expression before directing attention back to the interviewer. "And how about you, Miss Margot?"

"I'd say it's the same," Now looking at the interviewer, only momentarily back at your costar. "Austin's- he's great at all the stunts and acting like a scary dude. Every scene with him was fun to do. Like he's all serious in character but once they yell cut! he's so nice and funny!" Your bubbly laugh breaks as you can feel your face growing hot.

"Well I appreciate you liking my humor," Austin pokes fun at you, fanning a little air towards you.

You mutter a soft thank you! before continuing, "And he's dedicated you know? I remember one scene, a little spoiler, where Feyd is about to be tested by Lady Margot, and I just couldn't do it! I couldn't keep a straight face!"

"Really?!"

"She just kept breaking, I don't know why," The actor shrugs, his attention closely drawn to you. "We had a few takes on a few days."

"We did! We did!" You gave a big frown, "You just have a really distracting face."

"Do I?" Austin asks, between the lines of teasing and coolly.

By the time, other premieres had occurred, people were still focused on your interactions with Austin Butler. Your chemistry on and off screen on the carpet was hilarious. And with how polarizing your characters were, it made many clips of your shared encounters gain attention.

A few short videos were recorded after the People Magazine interview of you and Austin, bashfully talking behind the stage. The two of you went back and forth whispering in each other's ears about what was unknown to the viewer. Through a bird's eye view, the video also catches you hugging your arms before zooming in on Austin's placing an arm around your figure.

Another clip that had been reposted many times was when you both took duo pictures together. As you comfortably shift your weight on one leg, as you turn to have your side face the flashing paparazzi. Whilst the Elvis actor stands beside you at a pleasant distance, doing the same pose to the other side. There was one instance where you lifted your head to make eye contact with your eyes instantly brightening. As Austin's smile widened, only to blow air in your face.

[david-talks-sw]

The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the real fans, who will delve into deep lore, and 2) the average moviegoer, also known as the "filthy casuals."

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners.  I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the books are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic is crap!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate. It's molten.

Conversely:

It's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more fans of Star Wars from a "cinema studies" side rather than the typical pop culture one, I think it's fair enough.

First of all, because like it or not, so was George. He clearly didn't give a single crap about the offshoot comics and books and their lore, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who set some of his movies in space.

But secondly, because - aside from children - it's clear the audience he was targeting was not the fans or the critics... but these very same cinema-savvy people, who get his references and homages, and who were inspired by the new filmmaking techniques he introduced.

[aespicysstuff]

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Jenna Ortega x Fem!Reader

Description: "When Jenna can't help but fall in love with her coworker, but she's too much of a coward to confess believing you don't feel the same, however, the girl is wrong you would kneel for her."

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Saju: "ENJOY IT LOVE"

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Jenna Ortega is a well-known name. She is an authentic woman with unreal beauty, creativity, cuteness, education, intelligence, and more. I could spend days complimenting her without getting tired. Like many people, I know Jenna from her works. Watching her performances on screen is already something gratifying and magnificent, but nothing compares to witnessing her talent in person.

How do I know this? Well, perhaps because, thanks to my job, I had the opportunity to work alongside one of the people I admire. Since a very young age, I have always been interested in parkour, martial arts, and boxing. Recognizing my potential in these areas, my father ensured I learned everything. Thankfully to him, I have the most enjoyable job – being a stunt double.

---

You logically started with small films and series, sometimes even commercials and a few games. You had begun to gain popularity among directors, especially after being the stunt double for Zoë Kravitz in "The Batman" and being the motion and body model for a new character in the Resident Evil game franchise. The director of "Scream VI" was looking for a stunt double for Melissa Barreram, the actress playing Sam Carpenter. Like other stunt doubles, you submitted a video showcasing your skills. After seeing your performance and how adept you were at both agile and heavy movements, they hired you for the role. You've been enjoying the experiences to the fullest.

At this moment, you were heading to the set and also meeting with the cast. During the filming, you had gotten close to almost all the actors, especially Jenna and Melissa. As you arrived, you spotted Jasmine and Mason from a distance, quickening your pace to reach them. "GOOD MORNING, BEAUTIES!" You kissed both of them on the cheek. "Good morning, lovely! You woke up in high spirits today," Jasmine said after you sat beside her. "I also noticed. Does it have something to do with a 5'1" Latina who loves playing characters with no sanity?" Mason teased while ruffling your hair.

You weakly slapped his arms, scoffing as they both broke into laughter. But when you were about to say something, a familiar scream interrupted. "MELISSA, STOP!" In minutes, you saw a small figure running towards you and hiding behind you. "Y/n, protect me, plea—" Jenna was interrupted by a furious Melissa chasing her. They ran around the table, making everyone laugh at the actresses' cuteness.

You decided it would be better to stop them before someone got hurt. You got up, caught Melissa in your arms, and held her tight. She struggled a little, but your grip was firm. Though she might be taller, you were stronger. You placed her beside Mason and sat back down, chuckling. Jenna sat beside you, and you offered her a water bottle. After she thanked you and turned to the group, you couldn't help but laugh at the situation.

Your eyes roamed every detail of her face, from her freckles to her dimple, her button nose, and the lips you wanted to feel so badly. Jenna felt her heart jumping in her chest, as if she would pass out from how intensely you were looking at her. She started leaning her face towards yours, interlinking her gaze between your eyes and your lips. Hypnotized, both of you were so entranced by each other that you didn't notice when you were called, "LOVE BIRDS!! WE HAVE SCENES TO SHOOT!! STOP EATING EACH OTHER AND GO TO THE SET!!" Jasmine, always the sweetheart, got your attention, making both of you jump a little and put some distance between yourselves.

The staff and some actors had already entered; only you and Jenna were missing. You remained in silence, trying to tame your heartbeats and your blush. You heard Jenna clearing her throat, "Uh... I-I think it's better if we go inside too." Jenna said while getting up and walking to the set, not giving you time to reply. You stayed for a bit longer, trying to absorb what just happened. Would you guys really have kissed if you weren't interrupted? You put your hands on your head, sighing, and started your way to the set.

You had started the recordings, and now you found yourself restless and apprehensive. At the moment, you were shooting the theater scene, and seeing Jenna hanging there wasn't pleasant. You couldn't believe how many times this girl faced danger without fear. She had mentioned loving to do her own stunts, and you couldn't blame her. You felt incredible after your own acrobatics. Still, you feared that one day she might get seriously injured. You couldn't help but worry about her.

You almost ran towards her when the director gave the order for her to fall, but you held back and sat down again. Her character and Jack's had a brief dialogue, and following the script, Tara thrust the knife into Ethan's mouth. You couldn't deny that seeing her smile of relief after her action and the blood on her face made you more infatuated with her than you already were.

Just as it was said, you knew Jenna from other works, and since then, you admired her. Just like her fans, you couldn't resist the charms of this Latina. Since the first day of filming, you've been falling more and more in love with her. She doesn't help much in easing these feelings since, from the first day, she hasn't let go of you. Not that you're complaining, but trying to stop liking her is almost an impossible mission.

You would really like to confess your feelings to Jenna, but you feel that she deserves someone better, someone who understands her (in the work sense) and who is a beautiful woman that fits with her. You're just the stunt double, the tomboy, as some call you, simply because you have a more sculpted body, a muscular physique, and a tomboyish style. You've always faced these kinds of unpleasant comments for these reasons. Your friends always comfort you, and your small fan community defends you as much as they can.

Jenna also always comforts you when some of these comments shake you. She always says that you're like a Doberman, always with a stern face, ready to snap at anyone who comes close. She said she feels safe with you, as if she were at home. Lost in your thoughts, you hadn't noticed that they had finished the scenes. You also didn't see a certain short girl watching you attentively.

Jenna observed every trace of your face, every bit of you. From your curly hair to your tattoos, she loves every part of you. She finds herself hopelessly in love with you, every aspect of you, habits, words—you leave her fascinated. It wasn't in her plans to fall in love, but on the day she saw you, she knew her heart wouldn't hold up. She perfectly remembers how her heart skipped a beat after seeing you. You were in simple clothes that highlighted your curves and, most importantly, your muscles. But the fatal blow was the smile you gave her after hugging her.

But Jenna is afraid of this, of these feelings. She has always been more focused on work, never paid much attention to romance. But now, after getting to know you, she daydreams about your life together.

She wants to confess, but she never manages to. She always retreats before revealing her feelings, afraid that you won't fit into her life or even that you'll distance yourself because of it. That's why she hasn't confessed yet. But the desire is there, what's lacking is courage and a bit of shame.

Jenna shook her head slightly to get rid of these thoughts and silently approached you since you were still distracted. She came close to you, laughing at your expression, and on impulse, she squeezed your shoulders and gave you a kiss on the neck, staying with her face there. "Jenna! Why did you scare me like that?" You said in a playful manner, covering your face, hearing the girl laugh at the situation. "Sorry, mi corazón, it wasn't my intention, but you looked so beautifully distracted, and I couldn't resist." She hugged you, and you turned a bit, pulling her onto your lap, hugging her waist and resting your head on her shoulder.

Jenna put her arms around your neck and planted a kiss on the top of your head. You didn't say anything, just enjoyed each other's presence. It was enough. The connection you two had was visible for everyone to see, and it was a beautiful thing. That's why many didn't bother you two. Unfortunately, your moment was interrupted by the director calling you to shoot some stunts. Both of you sighed; you gave Jenna a little pat on the thigh signaling her to get up. "No! I'm not leaving. I'm home..." She said in a cute, whiny voice, and your heart skipped a few beats. "I'm home," you couldn't help but smile.

You tightened your embrace. "It's okay, my love. I promise to spend the whole rest of the day with you." You cupped her face, caressing her cheek. Jenna felt butterflies having a party in her stomach. Ugh! How she wanted to kiss you until the air evaporated from her lungs, but she restrained herself, moving away a bit and raising her pinkie finger, "Do you promise with your pinkie?" You laughed at her cuteness and joined your pinkies, "I promise, mi amor." You kissed her fingers, making Jenna even more infatuated.

"Then go do those stunts quickly because I want to be cuddled up with you all day." You picked her up, making her squeal and then burst into laughter. You put her down and started walking toward the actors, but you stopped, turned back, and ran towards Jenna. However, what she had to say got stuck in her throat. You had given her a kiss on the eyebrow and whispered in her ear, "See you later, mi amor."

You ran off after the director shouted your name, leaving a paralyzed and tomato-red Jenna behind. She snapped out of her trance and ran to her trailer, laughing like a love-struck teenager.

---

The sun had already set when everyone was released from the recordings. The sky was partially orange, and its dim light guided you to your trailer. You knocked on the door, and it didn't take long for Jenna to open it. "You took your time!" She pulled you into a hug. "Mi amor, you were the one who got released early, haha!" You squeezed her in your arms, resting your chin on her head. You stayed like that for a few more minutes.

"Let's go inside; you must be tired." She led you in, closing the door once you entered. "Can I take a quick shower, princess?" You asked, seeing a cute pout forming on her face. "But... I wanted to cuddle with you now." She pouted, and you couldn't resist the cuteness, pinching her cheeks, making her pout intensify.

"My love, this will only take me a few minutes, and then you can have me all to yourself." Jenna looked at you with those bambi eyes and agreed, going to sit on the couch while you prepared. As you had said, after a few minutes, you were already by her side, watching none other than "Puss in Boots 2" haha. You were lying on the couch, and Jenna was lying on top of you.

There was a pleasant silence between you two, only the sounds of the movie were heard. You lowered your gaze to Jenna, observing every detail of her, from eyebrows to lips. You became (once again) hypnotized. Jenna felt your burning gaze on her head and turned her face, resting her chin between your breasts, "What's wrong?" She asked, giving you a small smile. You just shook your head, watching her, seeing how every part of her reacted. God, you were hopelessly in love and didn't know what to do.

You wanted to shout at the top of your lungs about how much you love her, wanted to kiss her, love her, take care of her, wanted to be with her. But you are a coward who can't take action and is afraid of losing her in every way. You ran your hand over Jenna's face, gently caressing her with your thumb, watching her close her eyes and practically melt into your embrace.

Jenna turned her face, depositing a kiss in the palm of your hand, still with her eyes closed. She felt the temperature of her body increase with each touch of yours; to feel you so close is a blessing and a curse at the same time. She wanted to have you like this but as her girlfriend, as the love of her life and not as "friends"; she hated that term. She wants to have the freedom to kiss you, love you, but fear and insecurities consume her, and gradually she gets closer to possibly losing you.

You were in your bubble; no one spoke anything, just felt the touches of your bodies and souls. Jenna opened her eyes, seeing your eyes fixed on her, and you realized you’d been caught. So, you sent her a crooked smile with your cheeks reddish. You realized how close your faces were, and with courage taken from your ass, you gradually started to close the distance between you two.

Jenna also started to close the distance; she felt her body tremble in anticipation. She put her hands on your shoulders, grabbing your shirt. "Kiss me… Kiss me please Y/N." Jenna grabbed your face, putting her forehead on yours. She slightly dragged her lips across your face, whispering, "kiss me mi amor."

"F*ck it," you pulled her neck and kissed her. The kiss was hurried, but firm. In it, love and desire stored for so long were transmitted. Sighs were released, hearts accelerated and synchronized, bodies hot like the embers of a bonfire, hands exploring every part of the bodies, every curve, caressing the skin like a brush caresses.

The air became scarce, and both, reluctantly, separated. Jenna had opened her eyes slowly, trying to reason if what just happened was true or just another one of her dreams. She lay on your chest, still panting, and looked at you, waiting for you to open your eyes and snap out of the trance.

You felt like you were in the clouds, more alive. You opened your eyes, seeing the woman of your dreams watching you. "Are you real? Like... did this really just happen, or am I delirious?" You asked her while caressing her hair. Jenna smiled, showing her dimple, and hid her face in your neck.

You both were euphoric, finally! You had fulfilled one of the wishes, but the doubt still lingers. Even though you had just kissed each other with all of you, with your hearts, you can't help but question, "Does she really like me?"

You cleared your throat, bringing Jenna's attention back to you. "Uh... I know we just kissed as if the world were ending, but... uh... what are we now? Like, do you really like me? Because I like— No! I... I love you, Jenna." You confessed, watching Jenna react with disbelief. "I've loved you since the day I met you, with your more reserved way, your somewhat eccentric humor, your sarcasm, your freckles." You said everything with a smile on your face and a special sparkle in your eyes. "You can't imagine all the times I held back from kissing you, telling you how much I love you. All the tears I shed for you, feeling insufficient for you." You let out a shaky sigh; getting all of this off your chest is a relief.

Jenna couldn't explain what she felt at this moment. Relief? Happiness? Sadness? She couldn't believe that you were really saying all this; her heart felt like it was going to explode with so much happiness. But she felt sad hearing your last words, "How dare you feel that way?!? Y/n, I've never felt so happy, safe, and comfortable with anyone like I feel with you. It's like my heart already knew that you would take care of it with your life." She passed her hand over your face, wiping away the tears that you didn't even realize were falling.

"You make me feel so many things at once, but none of them is something bad. You always take care of me, make me feel beautiful, make me feel like I can conquer the world and the universe. You are my star; you are more than enough for me, mi amor. And answering you, I love you too, and I want this to turn into something more. I want you as my partner for the rest of my life." She chuckled lightly; her soul felt light after confessing, after knowing that you also love her.

You hugged each other with big smiles on your faces. Both have a lot to learn, but now, they won't do it alone. You have each other, and this union will be hard to break. Your love is special, like the love of the sun for the moon.

[hughesybear]

thinking about them (extensive Petey & Quinn thoughts below cut)

so! Hughes and Pettersson, Quinn and Elias, Huggy and Petey. the natural and the savant. the “odd couple” holding out for contracts together in Michigan. named alternate captains at the same time; when Petey was asked about Quinn being named captain, he said “Quinn is the captain and we’re happy.” the two most talented players on the team.

they are so similar in so many ways. quieter personalities, lead-by-example types, relentless drives to improve. people who care deeply about their communities. a perfect fit for the leadership dynamic alongside each other.

Quinn on Petey: “I think our skill sets are complimentary.”

Petey on Quinn: “We think the game very similarly.”

leading up to his draft, Petey broke his shot down into twelve component parts and mastered each one because he knew it was viewed as a weakness; leading up to his Norris-winning season, Quinn improved his shot to the extent that it became a legitimate weapon, and it’s gotten even better this year. the day after he got drafted, Petey came back to the Canucks’ draft table for the later rounds to learn about their process and the players they were picking after him; the offseason after playing the Predators in the playoffs, Quinn consulted with Allvin to sign Sherwood, who has been an amazing fit with the Canucks so far this season. they both see exactly what the team requires from them in order to improve, and they don’t stop at anything to get better, whether it’s their own game, working with their teammates, or any other aspect of the team.

Petey was at Quinn’s captaincy press conference, and Quinn was at Petey’s contract extension press conference. both so skilled, so cerebral, so creative, and yet so different in how people perceive them, but their similarities on the ice unify them nonetheless.

Petey on rooming with Quinn:

What are the best and worst parts about rooming with Huggy Bear on the road?

He is the messiest guy I know! He’s going to say I’m throwing him under the bus, but it’s time for a change!

Is he one of those guys that lives out of his suitcase?

Oh, gosh, that’s the perfect explanation. He steps into the hotel room, I’m trying to be neat, put my bag where it’s not taking up space. Then he comes in, throws the bag in the middle of the room, open it up, takes out his suits, puts it over the chair. Lays in bed, kicks off his shoes. Then his socks off, just kicks them too. He’s very messy. On the good side, he doesn’t talk that much! No, but we put on movies. Netflix. We have similar taste, similar interest in what movies we like. It’s fun.

Quinn on rooming with Petey:

Petey called you a messy guy, what was Elias Pettersson like as a roommate last year?

I read the thing, he’s just so dramatic. Let’s just leave it at that […] Me and Petey are really tight so I loved it. We had a lot of fun together. We don’t have roommates this year in the hotels but I think me and him both miss each other and would want to roommate […] But yeah, we had a lot of fun, he’s one of my best friends so we had some good times too.

they’ve come a long way from rooming together five years ago, and now they find themselves in a position they’ve been in from the moment Petey scored his first goal on his first shot in his first NHL game - bearing the burden of the franchise together. enjoy the future, folks, here it is right now! except it isn’t, not all of it, because three of the six Canucks that were with the team five years ago are currently out of the lineup.

so what do Hughes and Pettersson do? they step up. they lead in tandem. roommates, franchise cornerstones, brunch pals - some of those things are in the past, but they still share what they have in common on the ice, and so many things off the ice as well.

they bleed for this team in the same way, in the same places, for the same cause.

Which teammate would you choose to make a playlist, if those were the only songs you would be able to listen to for the rest of your life?

Quinn Hughes: “Petey.”

[devsgames]

As a dev who didn't really follow Baldur's Gate 3's development I was incredibly surprised at the number of people who have been making really sweeping and baseless claims about its success: stuff like "the game is made well by people who are passionate", or claim that other devs "just have to make good games", or that it's successful "because it doesn't have microtransactions". It's not that surprising I guess since Gamers tend to say these things about any product they happen to like and agree with, but I guess it was surprising to me how much people were saying it about this game specifically.

I'm sure the devs were passionate and I've sort of been enjoying my time with it, but frankly the success of BG3 absolutely does not feel like a design or development thing to me, but it's an obvious marketing and business one.

Having a good game obviously very much helps, but the fact of the matter is that rhetoric like this intentionally overlooks or downplays the real industry success factors: that BG3 is the third game in an already-popular and established legacy CRPG series that is built on an engine and mechanics by a studio which already made two other (unrelated) financially successful games on of the same genre, with all of it built on a back of a TTRPG franchise that has for the past few years been undergoing a huge resurgence in popularity and in no doubt funded through that partnership and licensing deals. Franchises like safe bets to make a profit, and this feels like the safest of bets. It really isn't successful because the game isn't adopting user-hostile monetization or because it's approach is radically different from any other game's development, it's successful because all these business factors.

To that end, whenever someone implies that other devs should just make games the same way...it's really funny! Like, the stars have aligned to make this product a hit and this doesn't implicitly make it a bastion or model for equitable game development just because it sold well and doesn't adopt hostile monetization schemes.

The fact of the matter is there's lots of games that are well-made by passionate devs and don't feature microtransactions or hostile monetization schemes, and they don't implicitly do well because of these design decisions alone; usually it's because they failed at marketing or didn't have the AAA budget to promote themselves like BG3. I'm also willing to bet that like every AAA studio, the devs at Larian likely weren't equitably compensated for this success, since most productions on a game of such a massive scale like this only really turn a profit because they undercut those working on it - huge profit and equitable compensation aren't often compatible concepts in game development. It's not like that would be any different here, so the "other devs should look to this game on how it should be made ethically" is a strange pull to me as well.

Basically this is all to say I think it's incredibly reductive to hold a product up on a pedestal by virtue of sales figures and choosing not to enact hostile monetization schemes. After all, I'm severely doubtful a product like BG3 would have done poorly assuming it had microtransactions in the first place. There's just way too many other factors that guided it alonge.

Do we need big budget games to move away from predatory business models that attempt to exploit the most vulnerable players? Absolutely yes I think we do, but I think people would also value from staying aware of real factors at play that define success in these sorts of situations, and not reduce development to "why don't developers simply make GOOD video games!" which I think is fairly baseless and confirmation-bias-y in its own way.

[nekropsii]

Hello, pardon and I don’t want to be a bother but I would like to ask for your take on something. And if you’re not down to answer this question, that’s completely fine, you seem to make large opinion posts on a noteworthy basis so I understand if you don’t have the energy or motivation to give an opinion right now.

But I wanted to ask for your take on the ethics of enjoying Homestuck in the modern day. Many people such as myself and seemingly you as well enjoy Homestuck but are painfully aware of all the gross stuff in it. And as I see the comic pop up in more and more dni lists, with people claiming that enjoyers of Homestuck are supporting these things inherently, no matter the fact that most of us stand against Hussie and attempt to reclaim Homestuck as something to express joy and our identities in, it makes me wonder more and more the ethics of enjoying Homestuck. Since you seem to have thoughts on the matter, I was wondering if you’d like to share your take.

I once again want to stress though, absolutely no pressure to answer. I am not entitled to your time or hearing your opinion. You don’t know me, I don’t know you. I was just asking in case you wanted to speak about it.

Hi, Anon! This is a very interesting question, and you were right to assume I have thoughts on it. They might not be as long and complicated as some of my other essays, but they still exist, and I would quite like to share them. Thank you for the opportunity.

My opinion on The Ethics of Enjoying Homestuck is that I believe it's perfectly fine to do so. I also think it's perfectly fine to dislike, or hate, or not want to associate with it or any fans of it. This is a personal boundary set by and for the individual, and it's not my business to question, nor my place to cross it. However, I don't really agree with the way some people go about communicating or enforcing this boundary. I've seen some people put Homestuck and Harry Potter on the same level before. I've seen some say that enjoyment of either piece of fiction is, at least in part, comparable. I heavily disagree with this- and the fact that this is a point that comes up shows to me that there's quite a few people who don't actually fully understand why so many people are saying to stop supporting Harry Potter.

The conflation of the two things reads to me as if some believe that Harry Potter has been "cancelled for having a problematic creator"- and that's not wholly true. Yes, J.K. Rowling is, by definition, problematic, and she is the creator of the Harry Potter franchise, but people have drawn such a hard line against supporting the series not just because J.K. Rowling is Transphobic, but because she has honest to god legislative power. She is, as it stands, currently the backbone of the TERF movement, and is spending a lot of time and money to ensure that Transphobes dominate the government. Monetary support of Harry Potter pools into her funds, which adds to her ability to further Trans Genocide. Communal/Fandom support of Harry Potter increases her visibility as a public figure, which adds to her ability to further Trans Genocide. J.K. Rowling has made very clear statements saying that she takes any support of the Harry Potter franchise- any at all, including Queer/LGBT+ Friendly fan content- as support of her beliefs. Support of Harry Potter is a method of legitimizing and validating Transphobia, and is being used as a way to further Trans Genocide.

If J.K. Rowling was just an average Transphobe, the outcry would not be nearly as severe, and the line wouldn't be nearly as clear cut. It would just be disappointing, bring to mind the phrase "same shit as always", and many would make the personal choice to distance themselves from it. But that's not the reality we live in. We live in the reality where J.K. Rowling has sway on the government, and is getting real people hurt and killed.

Andrew Hussie, creator of Homestuck, however, is just some random asshole with no political power outside of his own vote. Yes, Homestuck is filled with plenty of unsavory elements- random out-of-place interjections of Hussie's own past bigotry included- but at the end of the day, Homestuck has no influence over government action. Hussie has no tangible political influence, and does not want to have tangible political influence. We don't even have evidence that Hussie still holds the same beliefs as he did during and prior to the creation of Homestuck. This is just some random indie comic, made by some random guy in 2009. J.K. Rowling is dangerously close to billionaire status, and using that power for evil.

It's fine to like something that's not very morally clean- or something made by a not very morally clean artist, during a not very morally clean point in time in a not very morally clean place in this world. It's okay. The fixation some have on this is OCD-inducing. The best that can be asked is that one recognizes the bigotry, and doesn't perpetuate them. That's all. You can read, watch, play, and enjoy just about anything, as long as you don't make the more unsavory elements out to be a good thing. Don't start acting like Racism is awesome, or Antisemitism is cool, or Transphobia is based, et cetera, and you'll be totally fine.

The ability to find value in something impure or unsavory is a valuable one. Some may not want to associate with that, or find the particular flaw in the work in question to be too uncomfortable to stomach, and that's fine, too. Not everyone can just sit through Era-Appropriate Casual Homophobia or Racism and come out feeling fine enough to keep going. I'd argue- hope, even- that most feel at least a bit bothered by such things. It's all about personal tolerance levels. No one's committing a moral crime by either enjoying it or not wanting to even look at it.

[warpcoreweirdness]

just finished season 2 of Lower Decks and i'm SO glad i tried this show again

i actually started the show a while ago, but the constant easter eggs put me off.

(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).

i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.

i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.

but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:

when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.

another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.

like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.

or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.

or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.

they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.

beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.

like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).

or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.

or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.

heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).

another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:

beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.

i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?

this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.

it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.

(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):

this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).

plus i love these characters SO MUCH.

so far, so very good 🤞.

(image descriptions in alt text)

[bones4thecats]

Meeting Their Future King Ghidorah! S/O

Characters: Mei Dragon, Red Son, and Demon Bull King Inspired By: My love for Chinese mythology & Godzilla films A/N: This is literally my favorite piece I've ever written. I love Godzilla so much, it was one of the only franchises that I have ever really stuck with growing up so doing this was fun! Anyways, I do hope you guys enjoy this so much! ⚠️ Spoilers/Trigger Warnings for: Mentions of war, fighting, and being imprisoned (maybe slight spoilers for Godzilla: King of Monsters)⚠️ Fanart Refrences: Credits to Nekkyo Usagi on ArtStation

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╚═════ Mei Dragon ════════════════════════════╝

🐉 As a once destructive and head-strong being made only to destroy all that surrounded you, you served the Lady Bone Demon for many years before her imprisonment by Tang Sanzang

🐉 She had sent multiple demons off to the Antarctica to seek you out, and thankfully for her, they freed you with ease

🐉 Landing behind the skeletal-demon, you looked over the enemies she had been holding off more a mere few minutes and huffed, blowing a large amount of smoke out of your nose

"...Uh, Mei? Do you think you can handle this thing?" MK asked.

"I think." She answered.

🐉 You readied yourself, awaiting your Lady's call for you to charge into battle at full-strength. And, when she moved her hand, you launched forward, readying an attack at the Monkie Kids

🐉 Another sight then knocked your back and unconscious from hitting all of your heads against the nearby buildings and floors. Sun Wukong, Macaque, and another dragon then turned to your master and began fighting

🐉 As you opened your eyes again, you reached up and cupped your head. Man did your head hurt from that hit...

"Hey. Are you okay? Sorry if I hit you hard." A feminine voice said.

"Who are you?!" You growled, attempting to form human words again while claws emerging from your larger paw-like hands.

"I'm Mei, uh, descendant of the Dragon of the, oh what was it again? Oh yeah! The West!" She announced, scratching the back of her neck embarrassingly before holding out a bowl of soup to your larger draconian form.

🐉 You cocked an eyebrow and your head while your fellow heads did the same as you. And once you knew this human was of no harm to you at the moment, you groaned and deactivated your dragon form, being covered in a large amount of light

🐉 The large amount of yellow-glowing light made everyone around launch to where you were, and they were all surprised to see Mei talking to a human dressed in gold scale-printed armor with two dragon heads on their shoulders and another on their head like a helmet

🐉 Your cape was being twirled around in Mei's fingers as she asked you questions, some on your childhood, others on your fights and more that you could easily catch with your excellent hearing

"Mei? Who is this?!" Pigsy yelled while the others readied their weapons in anticipation for your attack.

"Oh! This is King/Queen Y/N of the Kaiju! They're really nice! And you should feel their hair! It's so gosh-darn soft!" She said, stars in her eyes as she moved from your cape back to your hair.

🐉 MK then ran up to you and began messing with your hair with his friend, and while this would've annoyed you if it were literally anyone else, you just accepted that they were young and dumb

"Well then King/Queen Y/N of the Kaiju, do you pose any threat against us?" asked Tang.

"No. I could honestly couldn't care less about harming you mortals anymore. With that Bone-Broad is gone, I have free will again." You then picked up your chopsticks and brought more noodles to your lips, blowing on them to cool them out before chewing on them and laying the utensils down in the bowl again and finishing. "You guys are completely safe from my attacks now. Also, whoever made those noodles deserves an award."

🐉 Despite the stoic expression on your face as you spoke, Mei could feel that you were smiling on the inside, you were just stubborn and needed a Nutcracker named Mei Dragon to help you open up!

🐉 And boy, would she open you up!

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╚═════ Red Son ══════════════════════════════╝

🔥 As a former member of Heaven, that being a representative of the Dragon Clan, you were very close with many members. Well, that was until a revolution came and you left the hopeful land and was imprisoned within one of Antarctica's many icebergs

🔥 Over time, the Monkie Kids had been fighting against a powerful demon, one who had been terrorizing China for multiple weeks. But, when it opened another portal in an attempt of sending Sun Wukong away, a rogue fire blast from Red Son accidentally exploded in the winter wonderland

🔥 All of a sudden, the sound of a large roar made everyone, especially Sun Wukong and Ne Zha to look up in shock when a large yellow dragon crawled out from the hole and spread it's wings out wide

🔥 Next thing Red Son knew, Wukong had grabbed him and MK before picking them up and taking them away from the pathway you made when fighting against the demon

🔥 Red Son was shocked to see how you picked up his father with your tail and helped him and the others defeat the demon before sitting down, allowing Mei and the others to pet your nose

"F-Father?! Who is this beast?!" He yelled.

"This is King/Queen Y/N of the Kaijus. An extinct species of demons. They are the final one living, we both go back." Demon Bull King said.

🔥 You looked at the large demon and his offspring and nodded at them. And when you blew on the humans, making them take a few steps back, they saw how gold covered your large and scaly form before blinding them

🔥 As everyone opened their eyes once again, they saw a more humanoid figure standing there. The scales that once donned your figure now laid on your armory, two dragon heads on your shoulders with a third one on your head, a long cape behind you with a long and far more fancy than normal loincloth around your hip, and long H/C hair going down to your mid-back

"Whoa..." Red Son whispered.

"It's so great to see you again, Y/N!" Wukong said, wrapping his arms around you and he twirled you around in the air.

"Yes... it's nice to see you as well, Wukong." You said. "Now put me down before I fry your head."

🔥 Wukong let you down before introducing you to everyone, saying how you were a hatchling when the Samadhi Fire was created and how you were imprisoned by Heaven when you proved to be a threat to the Jade Emperor

"It's so good to have another dragon around! I'm Mei!" A young girl said, lifting your hand and shaking it excitedly while MK did the same just moments later.

🔥 As you met every member, you noticed the large form of Demon Bull King and walked to him before bowing lightly, showing respect to your old ally. He then nodded and poked your helmet before pointing towards his son and motioning him to come forward

"Introduce yourself." He ordered.

"I'm Red Son. The son of Demon Bull King and Princess Iron Fan. You must be... Y/N." He said, holding his hand out reluctantly for you to shake.

🔥 You held your own hand up, making him let out a small questioning noise as you chuckled before saying how he didn't need to shake your hand if he didn't want to, you didn't mind

"I-uh, okay?"

"So, Y/N. Do you mind telling me how it was being stuck in an iceberg?" The Monkey King asked.

"If you tell me what it was like being underneath a mountain." You teased.

🔥 You were an odd one... but you seemingly understood Red Son to a degree despite just meeting. Maybe he could get used to you...

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╚═════ Demon Bull King ═════════════════════════╝

👹 Before Demon Bull King was imprisoned, he was very close with Sun Wukong, Azure Lion, Yellow Tusk, Peng, and Macaque. And one day when they were speaking, Macaque and Wukong began to speak about an old friend of theirs

👹 The others were interested in your story, and they listened intently as the two primate-beings began to explain everything about you. From your species to your accomplishments

👹 And Demon Bull King had to admit, you were a fairly cool founding being

"So, they're kinda like a King/Queen of the Kaijus?" Yellow Tusk asked.

"Yeah! And they're super powerful! They can release these gravity beams from their mouths in their dragon form and they can fly really fast, they're just so cool!" Wukong said.

👹 DBK chuckled as Wukong began to shake Macaque while asking if he remembered if he had spoke to you about the upcoming battle they had with Heaven, to which he shook his head and made the Monkey King sigh and cross his arms in a pout

👹 Maybe the demon bull would be able to meet you here soon

»–•–«

👹 As his brothers swarmed the other parts of Heaven, the sound of wings flapping made Demon Bull King look up and ready himself for battle

👹 A large three-headed dragon stood before him, their large tail swinging behind them as he growled and narrowed his eyes in a reply to the territorial actions of you

"You must be King/Queen Y/N of the Kaijus." DBK said.

👹 You nodded, since you couldn't speak clearly in your monstrous form and stood before walking carefully towards the member of the Brotherhood. Your wings folded in as you lowered your middle head to look at his face clearly

👹 At that moment, you heard a warrior come up behind you and swung your tail, hitting the fighter and sending him flying away at a fast speed while DBK watched in shock

👹 Looking back at him with your right and left head adjusting to look around, you blew on his face, making him nervously look down with a light amount of blush on his face, your eyes and gaze were quite... different to him

👹 A yellow light then made Demon Bull King move his head away while other fighters yelled as they were blinded by your spell

"What in the..."

"I agree with your cause. The destruction that has been brought upon the mortal realm is to much, even for me. I shall help you and your brothers out without any reward." You then cocked an eyebrow at the male, "You're welcome."

👹 A high amount of blush covered his face as you held your hand out, the gold rings, wrist bands, helmets and rest of your armory shining with the constant light changes surrounding you both

"I'll have your back, alright?" You assured.

"Y-yeah." He answered.

[gor3sigil]

To trans men and transmascs who have what could be seen as "girly" hobbies and passions, I tell tou, from the bottom of my heart: do NOT give up on them to pass or not be seen weirdly.

I talked here already about the absolutely terrible people I was surrounded with when I came out as a trans man for the first time, and that was another thing that was thrown in my face to me and other transmascs and men I knew at the time, that if you were to be masc and/or a man, you had to have Masc Hobbies (whatever that meant, and these hobbies were mocked anyways), and most importantly stop engaging in "girly" ones.

For example, I'm a big anime and video game nerd, and love the game Doki Doki Literature Club. I bought a bunch of the Omocat t-shirt collection, and I loved the t-shirts. After my coming out, my at-the-time girlfriend started to give me crap telling me that I shouldn't keep wearing these shirts, that "a man who wears shirts with anime girls are creeps". So I started to wear them inside only, still got shit, until I finally gave in and gave her the t-shirts. I only kept one simple black and white because it was "bland" enough and a sweatshirt that is one of my comfort sweatshirt I wear often.

I grew up glued to my Nintendo DS and I LOVE franchises like Cooking Mama, Animal Crossing, I grew up with it and, same here, it was "weird" and "cringe" for a dude. Listening to Vocaloid that I was a fan of since I was 12 ? Same. Playing rythm games ? Same.

And my then girlfriend has the support of all her friends who told me she was right, that if I kept these hobbies and passions and transition I'd be seen as a "gross, creepy, cringe dude".

After we broke up it took me so much time to take back all the things I liked and I still have the voice in the back of my head, sometimes, that tells me "imagine if people saw a grown ass man playing Kirby ewww".

So yeah, please, don't listen to anyone making fun of you or trying to make you stop liking shit because you have to act like a Man. Fuck that. Life is short and shitty so keep enjoying things you enjoy. Keep playing your silly video games, keep watching cute slice of life animes, keep listening to upbeat jpop, keep wearing colourful clothes and jewerly.

It sucks that I listened to them at the time (and fuck I miss so many clothes I gave her because she persuaded me that it'd be gross to keep wearing them), don't do the same mistake I did.

Enjoy things. It isn't gendered. 💙

[wetsocksinbed]

shit people need to hear about COD:

Ghost isn’t some broken uwu boy. Infantilising assault victims is demeaning and disrespectful

I’ve said it before and I’ll say it again, König is extremely overrated for a character that only appears as a playable operator and not as anything in the campaign

You’re allowed to ship whoever you want, it’s a free world, but throwing a tantrum when people say they don’t ship GhostSoap or Korangi, and calling them homophobic (I’ve seen this too many times at this point) is disgusting and you’re essentially stereotyping us LGBTQ individuals as aggressive and pushy when it comes to queer ships. The characters of Ghost and Soap are canonically coded to be like brothers, and you need to stop thinking that a headcannon is the same as real cannon

Stop replacing Gaz with König, it’s giving ✨racism✨

Alex, König, Farah, Alejandro, Rudy and Horangi are not part of TF141, stop including them in it?????

König and Ghost are canonically enemies and wouldn’t have each other on speed dial just tag your fics as OOC at this point

the entirety of the Call of Duty franchise was coded for straight white “alpha male” boys who live in their mothers basements, stop acting like it’s anything more than that. You won’t find the representation you’re looking for in it and honestly with the way it’s headed at the moment, I don’t think you ever will

we can tell if you’ve never played the games based on how you write the fics. You don’t have to be a game fan or player, but at least do your research on the characters you’re writing about before you hit “post”

Makarov and Graves are terrible people and shouldn’t be idolised. Before you tag me with your “let people do what they want” let me remind you that Graves is canonically racist. @mockerycrow made a good post about why Makarov is a shit person and I recommend you read it

All of the characters have their flaws. Ghost, Soap, Gaz, Price, they all have done bad things. Price is known to commit war crimes if it means getting the mission done

König having social anxiety doesn’t mean he’s a broken husk. You can function completely fine with the disorder if you can find a way to distance yourself from who you are as a person. Say, like, constantly wearing a mask? I promise you that the Austrian soldier wouldn’t be a sobbing mess because he got looked at funny

Also, he is only obsessed over because of his mask and the weird obsession people on this app have with infantilising people with trauma and mental illnesses (see first paragraph regarding Ghost)

The way some of the fans obsess over the actors is uncomfortable and genuinely creepy. It’s like this generation thinks that anything behind a screen isn’t real and can’t feel anything. They’re people who act. They’re not the characters you play.

feel free to add more to this, I’m tired and sick and wanted to rant

notes:

don’t attack me with the “yeah but not me” shit. Obviously I don’t mean everyone.

this doesn’t mean you can’t enjoy the games the way you want, it just means don’t fucking police it and gatekeep it and expect everyone to accept your interpretation of it

[mirroredmemoriez]

I guess this could likely be taken as a strange comment? But I think it honestly makes a good amount of sense-

I really appreciate Shawnee Smith’s eyes in Saw? I understand through acting that yes, eyes are one of the most expressive features a person has! If not the most actually. But obviously, right now I’m specifically looking at hers.

I think it comes down to the first movie we have such a central focus on her eyes when it comes to shots of her character? Amanda has the reverse bear trap on her head so the only bit of her face able to convey emotions and thoughts were her eyes.

Like this entire segment in the movie is iconic in horror- Also just general film and I truly couldn’t imagine another set of eyes for this… Like I am aware of Saw 0.5 and I do enjoy Leigh Whannell’s performance but even then it just doesn’t have the same OOMPH for me?

Then going forward with all the other Saw movies with Amanda in? Her eyes stand out to me so much as a character compared to any other in the Saw franchise and or any other media I like to consume/study. Mentioning Leigh Whannell again, I’d say in Saw (2004) his performance as Adam is one other character I’d call attention to the eyes.

Anyway!

LIKE I HAVE SO MANY MORE EXAMPLES TOO…

[liquidorcard]

Lily's Harley Quinn Show video is Garbage (and here's why)

We all know Lily's media hottakes are BAD. But, I feel like critics have mostly focused on her hottakes on media she hates. I've personally become more interested in what media she actually LIKES . . . Because her rational is often times even more nuts.

Well, this video made me mad enough that I'm gunna write a post about it now. Prepare your assholes for the death rattle of this DC fanboy losing his shit:

To be clear, I like this show, for some of the same reasons Lily does even. . . But that's not going to stop me from taking the piss.

(I encourage you all to watch the video in full beforehand so you can get the context of the quotes I'm pulling. Timestamps will be included though.

I just told people to watch your stupid video Lily-- can't cry copyright here.)

-0:19: TWENTY SECONDS IN, STEVEN UNIVERSE IS REFERENCED. GG LILLIAN.

-0:36: BITCHING ABOUT HOW VICTIMIZED SHE IS. 30 SECONDS IN.

-0:55: "I dare say it's the best thing to come out of the Batman franchise in a long time."

It seems like the last thing Lily watched/played/read in "the Batman franchise" was The Dark Knight. You dare boldly, Lily. Ironically I feel like she would at least like the Lego Batman movie, if not all the other good shit that's come out since 2011. Also, this is one of the first of many times she calls the entire fucking DC Universe "The Batman Franchise."

-1:00: "If you're watching this show for at all you're watching it for the romantic arc between Harley and Ivy. Don't lie."

I know this is a joke. I'm not an idiot, but. If you're familiar with Lily's general media consumption, you'll be well aware she watches shit a lot of the time for the ships and the ships ALONE. I feel like this really highlights how she views media in general in a way that's rather revealing. This video is two years old, and I wouldn't be surprised if Lily's opinion has soured a bit given the direction the show goes after this video was released. Put a pin in this comment. 📌

-1:15: "I mean it's a post-joker Harley Quinn show what else are they going to do.

Put a pin in that comment.📌

-2:00: Lily goes on to summarize the plot of the show . . . Completely ignoring all the plot beats that have nothing to do with the romance.

Put a pin in that one too.📌

-3:30: Lily indicates she identifies with Ivy.

Another pin.📌

-4:10: Lily starts talking about how near the end of the second season, Harley has now confessed her feelings to Ivy, but Ivy turns her down because she's going to get married to Kite Man (enjoy the insanity of that sentence if you haven't seen the show.)

Though I don't think she's nessesarily making any real poor points here yet, I want to point out that she really flattens the complexity of the emotions going on here. The problem is that Ivy and Harley's relationship has reached a level of intimacy where they really can't just go back to being friends. Ivy is happily in a relationship with Kite Man at this point, he's been a much more stable and reliable partner to Ivy. Though it's implied her feelings for Harley go a lot deeper. During Joker's confrontation of Harley, Lily frames it as a "go get 'er" pep talk like it's a fucking 80s rom com. He's trying more to get Harley to emotionally resolve things with her-- regardless of outcome. Ivy did say no once already. The audience expects she isn't going to say no a second time since that wouldn't be a narratively satisfying conclusion, but in the real world equivalent, she could have. The Joker wasn't telling Harley to harass Ivy until she gives in.

-5:16: Not really a mark against Lily's video persay, but in a season that aired after Lily made this video the prospect of Harley and Ivy breaking up is explored. Lily must have been seething, lol.

-5:28: "I love a good fluffy romance. I'm so fucking done with people's obsession with the nasty stuff [Flashes Catra and Adora on screen.]"

Honestly this comment has me wondering if Lily decided to check her phone or just skip through scenes where Harley and Ivy weren't being lovey-dovey. I don't know what fucking show she apparently watched (foreshadowing is a narrative tool wh--.)

-5:48: "Poison Ivy has always had the same problem a lot of female characters in DC comics have had in despite being an actual doctor they always just put her in a skin tight leotard [ . . . ] About the only notable exception to that was in The Batman [the 2005 show] where she was a teenager [classical Lily goonery inserted here.]"

Ignoring the goon comment, in isolation I don't have a grievance with this comment persay. As a generalization, it's more or less true about Ivy. She's unfortunately one of the lesser well-used characters in the various DC canons as a whole. However, Lily is going to start implying she's more familiar with DC in general, especially the comics, than she really is. I have strong reason to doubt Lily would know Ivy canonically has a doctorate in botanical sciences if this show didn't call so much attention to it. You'll see why in a moment.

Also the 2005 Batman show is far from the only iteration to reimagine Ivy as a teen. I like that show's take on Ivy too, but that's not a fucking unique spin on the character.

-6:57: "Clayface was always a random D-list monster like Carnage, but here he's reimagined as a struggling actor."

In a show that had the balls to feature Queen of Fables, she's calling Clayface a fucking "d-lister." Nevermind Carnage. But no Lily, Clayface has been a struggling actor since his first appearance in Detective Comics No.40. It's literally the first thing in his bio on his fucking wiki page.

-7:09: "There's one episode where [Clayface] assumes the identity of Stephanie to get into Riddler's college [ . . . ] Seriously I'm convinced he's been moonlighting as Stephanie a lot. The other girls on campus call her 'Steph.' She's been there for a while. This is Clayface's secret identity and you can't convince me otherwise."

LILY THAT'S NOT SUBTEXT THAT'S THE FUCKING JOKE. IT'S TEXT. IT'S CANON. YES. CLAYFACE HAS BEEN FUCKING AROUND ON RIDDLER'S CAMPUS THIS WHOLE TIME. CONFIRMED IN THE SHOW. LILY. LILLLYYYYYY.

Worth pointing out too, she'd totally call Clayface's Stephanie character transphobic if she hated the show.

-9:00: "The writers though 'okay, what do we use to fill our quota of the sad misguided villian this arc-- oh I know fucking BATMAN!'"

Lily what the fuck are you doing when you sit down to watch a show for your channel? Are you playing Candycrush the whole time? Are you screaming at Mikaila that often you miss like . . . Almost everything!? What are you doin' sweaty!?

Lilian, Bruce is not the primary antagonist of the 3rd season . . . IVY IS. Or really, Harley and Ivy's emotional dysfunction is the antagonist of basically this whole series, and it's Ivy's turn to be the main driver of conflict. The person destroying Gotham is Ivy. Not Batman, IVY.

Bruce and Selina's relationship is supposed to be a conceptual foil to Harley and Ivy's. Bruce is having an emotional breakdown the entire series has more or less been building up to.

-9:15: [In reference to Batman getting sent to prison] "I want him to get some nice and comfortable therapy."

. . . Lily is that what you think happens in prison?

-9:35: Lily is talking about the Joker's step-dad arc, and this is as good a time as any to stop for a sec to talk about how Lily doesn't seem to get what The Harley Show is doing with the characters.

The thing that makes the show an exceptionally brilliant take on the DC universe is that virtually all the characters (with some exceptions, that were tweaked for the better mostly) are actually faithful to their comic book/generally established characterization. To an impressive degree, down to even just minor details. You can tell the people who made this show are genuine fans of DC comics. Their personalities and character arcs are exaggerated for comedic effect, with specific interesting angles teased out to draw focus to them. Some elements of their personality are recontextualized to create a more engaging dynamic, but regardless. Even most of the plot elements are at least loose adaptations of storylines from the comic, or other DC media. It's really impressive how the show both works as a functional take on the DC universe by itself, and as a parody of it. Lily demonstrates she's totally oblivious to this multiple times in the video, but her section on the Joker best exemplifies this.

The Joker has taken over and/or become mayor of Gotham multiple times in the comics. Lily thinks for some god forsaken reason in the 70 something years Batman comics have been printed, nobody's thought of that. THEY HAVE. The gag with the second time Joker takes over Gotham IN THIS FUCKING SHOW ALONE is . . . He's actually a really good mayor. Gotham is a perpetual capitalist nightmare shithole of a city. The most insane, radical anarchist thing for The Joker to do is . . . Be a socialist who actually gives a shit about the small folk. That's the joke, Lily. That's the joke. That's the mother fucking JOKE. THE FUNNY HAHA, THERE IT IS LILY. I FUCKING EXPLAINED IT TO YOU.

And Lilian. The Joker being at his most normal and stable while he has a family. Is. A. Direct. Parody. Of. One. Of. The. Most. FAMOUS. BATMAN STORIES. EVER. WRITTEN.

SHE IS LITERALLY FUCKING SHOWING THE EPISODE WHERE THEY DIRECTLY VISUALLY REFERENCE THE KILLING JOKE ON SCREEN. LILY YOU'RE GOING TO GIVE ME A FUCKING HERNIA.

-10:10: Lily calls Sam Raimi a "douchebag."

Fuck right off.

-10:25: "It's a return to wacky hijinks that uses to define The Joker back when he was a gangster in funny makeup."

NO IT ISN'T LILY.

-11:00: Lily bitches about Harley Quinn for the 7 minutes in the remaining runtime.

Okay, the play-by-play is over, I'm going to address this section all at once because it will be quicker and more comprehensive if I do. This is the point where all the aformentioned pins come in.

Though I'm going to have to be ignoring some bullshit Lily says here in order to stay focused, I will mention first, Lily doesn't seem to realize Batfleck and Nolan's Batman were MASSIVE departures from the comics and don't pull much from the storylines. I don't think that's nessesarily a bad thing, even though I'm not the biggest fan of either of those interpretations, but for the record-- no. Those adaptations have almost nothing to do with Year one, The Dark Night Returns, The Killing Joke, or The Long Halloween outside of superficial elements. Lily just googled "famous Batman comics" and picked the four she probably vaguely heard of before. Again, she didn't even recognize the in-your-face impossible to miss Killing Joke parody episode she used as footage for this video. SHE'S JUST PRETENDING SHE'S READ COMICS SHE HASN'T.

Now to the point:

Lily's rational for not liking Harley's portrayal in the Harley Quinn show is honest to god brain damage. I'm not even sure how hard I need to go into explaining this because . . . It's pointing at the text itself and calling it a flaw. Harley's entire journey as a person is TRYING TO DISCOVER WHO SHE IS outside of the toxic codependency she had with the Joker. Her arc is both a meta commentary on the nature of the character conceptually and her journey to redefine herself. THIS ISN'T FUCKING SUBTLE. THIS IS STATED IN THE SHOW. Harley's identity crisis over whether or not she's even a villan anymore STARTS IN SEASON 3. Harley's lack of inhibition is what DRIVES THE PLOT IN SEASON 2. Harley's struggles to emancipat herself IS THE PLOT OF THE FIRST FUCKING EPISODE. This is also honestly the ONLY DC property I can think of that actually bothers to do something with the fact that Harley is a psychologist. Almost on that basis alone, it's one of the most refreshing takes on the character. That actually means something when I say it, because I've actually read a fucking comic in my life. LILY WHAT FUCKING DIMENSION DO YOU SLIP INTO ANY TIME YOU SIT DOWN TO WATCH A SHOW.

That question is rhetorical-- Lily tells on herself several times throughout this video. Remember those pins? Go read em again. Lily identifies with Ivy, so Lily decided Ivy is the "real" main character-- and wants Harley to be Ivy's loving kissy huggy gf. She genuinely thinks the show is actively making a mistake anytime her smut ship fanfic is interrupted. Lily wants porn. LILY YEARNS FOR THE PORN, ALWAYS. Every single fucking time.

She's decided Ivy has done nothing wrong to create tension in the relationship. She has deemed the character flaws Harley has that creates tension in the relationship a mistake in the writing.

Because Lily has not actually read a comic, but probably has seen Batman: The Animated Series-- she's missed all of the other references and spoofs in the show except for the ones involving Harley. That was the show she was originally created in.

Case-fucking-closed. Water is wet, the sky is blue, and Lily Orchard is talking out of her ass.

Kill my parents and call me the world's greatest detective, I guess.