#Samantha Richardson

[sleepycatten]

Here's alt text for everyone, copied from Samantha's repost on Twitter 💖

Panel 1.

The word Énouement is written in white, against a dark field of stars.

The Dictionary of Obscure Sorrows defines énouement as "the bittersweetness of having arrived here in the future, where you can finally get the answers to how things turn out in the real world—who your baby sister would become, what your friends would end up doing, where your choices would lead you, exactly when you’d lose the people you took for granted—which is priceless intel that you instinctively want to share with anybody who hadn’t already made the journey, as if there was some part of you who had volunteered to stay behind, who was still stationed at a forgotten outpost somewhere in the past, still eagerly awaiting news from the front."

I think it's such a perfect word.

Leave it to the French.

My name, Samantha Richardson, sits in the corner of the panel, also written in white.

Panel 2: A child is asleep in a dark room. There is a stuffed dinosaur lying on top of them. A Dark Crystal poster hangs on the wall behind them, as well as a childish drawing of a T.rex.

Panel 3: Same scene, but a crack of light, as if from an opened door, falls across the child.

Panel 4: A person dressed in a long green coat and rolled-up pants stands in the middle of the room, which is again dark. The person is carrying a duffle bag. We see dinosaurs, books, and clothing strewn across the floor. The person says, "Hey."

Panel 5: The person sits on the child's bed, and we see now she is a woman with brown hair, grown out from a purple coloring job.

Panel 5: Close up on the woman, who, seeming to speak to the room in general, says, "So, I know how sad you are. I know how you cry yourself to sleep some nights."

"I know how angry you feel."

"How scared."

Panel 7: The woman picks up the stuffed dinosaur, which is green with widely-spaced, thin, purple stripe. She holds it almost timidly.

Panel 8: Close-up on the dinosaur head, which has a plaid white and blue patch sewn onto the neck. The woman says, "I know what the years that are coming are going to be like."

"And I am so sorry."

Panel 9: The woman holds the dinosaur gently to her cheek, and a darkness seems to gather behind her.

Panel 10: The darkness coalesces into a cloud over her head, and the woman buries her face into the dinosaur's back, hugging it tightly.

Panel 11: The woman pulls her face away from the stuffed dinosaur, and the dark cloud appears to break up.

Panel 12: The woman straightens, tears running down her face. The cloud dissipates.

Panel 13: The woman offers a small smile, still crying. She says, "But…"

Panel 14: There is a Boba Fett toy on the floor, a sock, a toy T.rex, and 2 issues of The Uncanny X-men comics, issues 167 and 168. The woman continues, "…You're going to have good times, too. You'll have amazing friends."

Panel 15: More floor. In this panel there is a blue, hard-back cover of The Book of Mormon, and a red scripture-marking pencil. The woman says, "You're going to serve a mission in Portugal. You're gonna fall in love."

Panel 16: The top of a night stand, we see a small plastic sauropod, a green army man with a bazooka, and an orange Swedish Dala horse. The woman's dialog reads: "You're going to visit Sweden. A lot."

Panel 17: Floor again, where a plastic two-headed dragon battles a knight and ranger. More dialog: "And…Dungeons and Dragons. It's totally going to change your life."

Panel 18: The woman is reaching hesitantly towards the child. The woman says, "And there's Jurassic Park, and SO many superhero movies, even if the X-men ones are kinda terrible."

Panel 19: The woman settles the stuffed Apatosaurus back on the child. She says, "You're actually going to wind up liking green beans, if they're not canned. Mushrooms, too."

Panel 20: Close up on the child, who appears to still be sleeping, their hand close to their chin. More dialog from the woman: "You're going to be happy, in your own strange way."

Panel 21: Close up on the woman's hands, half-covered by the green coat's sleeves, but with fingers laced uncomfortably. She says, "Even with all that, our secret is just going to keep on hurting, until the day comes when it just hurts too much to keep it anymore."

Panel 22: Close up on the woman's face, which looks pained. She is pressing the fingers of her left hand hard against her cheek.

Panel 23: We see through the window, which shows the same field of night sky as the first panel. The woman continues speaking. "But it doesn't get us," she says. "We are SO incredibly lucky."

Panel 24: A picture of a family of eight grouped together, except for a boy off to the side. The text reads: Families can be together forever, draw your family. The woman says, "And, oh, sweetie, they love us."

Panel 25: The woman, in profile, smiling. She says, "We finally get to tell them who we are, and they still love us, so, so much."

Panel 26: We see the earth, with the sun breaking over the edge of the atmosphere. The woman says, "And the weight, it just… it just falls off, and the world is just waiting there for us. I don't have the words to tell you how beautiful it is."

Panel 27: Back to the room. The woman is still sitting on the edge of the bed, looking on towards the child's still form. She says, "So… I guess I just wanted to come here to say 'thank you'."

Panel 28: Just dialog. "Thank you for carrying that weight. For being so strong, and so brave for so very long. Thank you for sticking around long enough for me to finally get here. I'm sorry it took me so long."

Panel 29: The woman stands, looking back at the child.

Panel 30: The child, eyes still shut in seeming sleep, says, "Do we still like dinosaurs?"

Panel 31: The woman gives a gentle smirk. looking down.

Panel 32: We see the woman with her hand in her open duffle bag, fishing around for something.

Panel 33: The woman pulls free a stuffed dinosaur.

Panel 34: A shot of the child in bed, eyes still closed. The woman stands next to the bed, holding the dinosaur she has pulled from the duffle bag in one hand.

Panel 35: White txt on a black background, which reads, "Thank you for waiting."

"I love you."

Panel 36: We see the child in bed again, the dinosaur from the woman's duffle bag in their hand. Another sliver of light falls over them, as if from an open door.

Panel 37: The child is still in bed, and the room is dark again. The dinosaur from the woman is gone.

[chernobylbunker]

tcc as degenerates

[thepinnacleofhumanintelligence]

ITS FINALLY DONE!! I hope y’all like it !

It’s not perfect but I’m happy with how it came out. Some clothes are accurate to what the perpetrator wore, but some are just my choice.

The ladies from left to right:

Aileen Wuornos, Jasmine Richardson, Yuka Takaoka, Jodi Arias, Samantha Rupnow, Alyssa Bustamante, and Lindsay Souvannarath

@smokingflex

[d0llh0use-of-h0rr0rz]

The toyz r possessed in my au btw

[nochvemo]

Her Name Was Lisa (1980)

En una de las actuaciones más destacadas de una carrera cinematográfica adulta genuinamente distinguida, Samantha Fox brilla en el papel de Lisa, una prostituta hastiada que llama la atención de un fotógrafo llamado Paul, y que enseguida le ofrece un trabajo. En un tiempo récord, la convierte en una modelo muy solicitada, presentándola en escenas vigorosas y con estilo. El meteórico ascenso de Lisa a la fama capta el interés del pervertido editor (una interpretación indeleblemente espeluznante de David Pierce), que ofrece instalarla en un apartamento de lujo para su propio beneficio. Acostumbrada al negocio del teatro por dinero, Lisa muestra pocos reparos a la hora de entablar esta relación, incluso satisfaciendo cualquiera de sus caprichos. Pero las tornas cambian, y Lisa se desmorona psicológicamente, con resultados dramáticos.

Thumbnails

Con su narrativa accesible y un mensaje antidrogas inesperadamente poderoso, “Her Name Was Lisa” resulta absolutamente convincente. Una de las mejores películas de fornicación de finales de los 70, un gran elogio teniendo en cuenta que el género acababa de alcanzar su punto álgido. La anécdota alrededor de esta película tiene que ver con el productor de la misma, que le hizo sólo dos exigencias al director Roger Watkins: que el personaje principal se llamaría “Lisa” (ya que era el nombre de su hija recién nacida), y que hubiera una escena de la actriz acostada en un ataúd. Un toque de humor negro real que choca frontalmente con la ausencia de comedia en toda la cinta.

Acceder

[claudia1829things]

"THE HISTORY OF TOM JONES, A FOUNDLING" (1997) Review

"THE HISTORY OF TOM JONES, A FOUNDLING" (1997) Review

The year 1963 saw the release of Tony Richardson's Academy Award winning adaptation of Henry Fielding's 1749 novel, "The History of Tom Jones, a Foundling". Another thirty-four years passed before another adaptation of the novel appeared on the scene. It turned out to be the BBC's five-episode miniseries that aired in 1997.

"THE HISTORY OF TOM JONES, A FOUNDLING" is a comic tale about the life and adventures of an English foundling, who is discovered in the household of a warm-hearted landowner in Somerset named Squire Allworthy. The latter adopts the child and Tom Jones grows up to be a lusty, yet kindly youth; who falls in love with one Sophia Western, the only child of Allworthy's neighbor, Squire Western. Tom is raised with the squire's nephew, a falsely pious and manipulative young man named Mr. Blifil. Because the latter is Allworthy's heir, Sophia's father wishes her to marry Mr. Blifil, so that the Allworthy and Western estates can be joined as one. Unfortunately for Squire Western and Mr. Blifil, Sophia is in love with Tom. And unfortunately for the two young lovers, Tom is discredited by Mr. Blifil and his allies before being cast away by Squire Allworthy. In defiance of Squire Western's wishes for her to marry Mr. Blifil, Sophia (accompanied by her maid, Honour) runs away from Somerset. Both Tom and Sophia encounter many adventures on the road to and in London, before they are finally reconciled.

Actually, there is a lot more to "THE HISTORY OF TOM JONES, A FOUNDLING". But a detailed account of the plot would require a long essay and I am not in the mood. I have noticed that the 1997 miniseries has acquired a reputation for not only being a first-rate television production, but also being superior to the 1963 Oscar winning film. As a five-part miniseries, "THE HISTORY OF TOM JONES, A FOUNDLING" was able to adhere more closely to Fielding's novel than the movie. But does this mean I believe that the miniseries is better than the movie? Hmmmm . . . I do not know if I can agree with that opinion.

I cannot deny that "THE HISTORY OF TOM JONES, A FOUNDLING" is a well made television production. Director Metin Hüseyin did an excellent job of utilizing a first-rate production crew for the miniseries. Cinders Forshaw's photography was well done - especially in Somerset sequences featured in the miniseries' first half. Roger Cann's production designs captured mid-18th century England in great detail. And Rosalind Ebbutt's costumes designs were not only exquisite, but nearly looked like exact replicas of the fashions of the 1740s. The look and style of "THE HISTORY OF TOM JONES, A FOUNDLING" seemed to recapture the chaos and color of mid-18th century England.

"THE HISTORY OF TOM JONES, A FOUNDLING" could also boast some first-rate performances. The miniseries featured solid performances from the likes of Christopher Fulford and Richard Ridings as Mr. Blifil's allies, Mr. Square and Reverend Thwackum; Kathy Burke, who was very funny as Sophia's maid, Honour; Celia Imrie as Tom's London landlady, Mrs. Miller; Peter Capaldi as the lecherous Lord Fellamar; Tessa Peake-Jones as Squire Allworthy's sister Bridget and Benjamin Whitrow as the squire. The episode also featured solid turns from the likes of Kelly Reilly, Michelle Fairley, Camille Coduri, Matt Bardock, Roger Lloyd-Pack, and Sylvester McCoy. Max Beesley was solid as Tom Jones. He also had good chemistry with his leading lady, Samantha Morton, and did a good job in carrying the miniseries on his shoulders. However, I do feel that he lacked the charisma and magic of Albert Finney. And there were times in the miniseries' last two episodes, when he seemed in danger of losing steam.

But there were some performances that I found outstanding. Brian Blessed was deliciously lusty and coarse as Squire Western, Allworthy's neighbor and Sophia's father. I really enjoyed his scenes with Frances de la Tour, who was marvelous as Sophia's snobbish and controlling Aunt Western. Lindsay Duncan gave a subtle performance as the seductive Lady Bellaston. James D'Arcy was outstanding as Squire Allworthy's nephew, the sniveling and manipulative Mr. Blifil. Ron Cook gave the funniest performance in the miniseries, as Tom's loyal sidekick, Benjamin Partridge, who had earlier suffered a series of misfortunes over the young man's birth. Samantha Morton gave a superb performance as Tom's true love, Sophia Western. Morton seemed every inch the graceful and passionate Sophia, and at the same time, conveyed the strong similarities between the young woman and her volatile father. But the one performance I truly enjoyed was John Sessions' portrayal of author Henry Fielding. I thought it was very clever to use Sessions in that manner as the miniseries' narrator. And he was very entertaining.

The producers of the miniseries hired Simon Burke to adapt the novel for television. And I believe he did an excellent job. I cannot deny that the miniseries' running time allowed him to include scenes from the novel. Thanks to Burke's script and Hüseyin's direction, audiences were given more details on the accusations against Jenny Jones and Benjamin Partridge for conceiving Tom. Audiences also experienced Bridget Jones' relationship with her cold husband and the circumstances that led to the conception of Mr. Blifil. Judging from the style and pacing of the miniseries, it seems that Hüseyin was inspired by Tony Richardson's direction of the 1963 film. There were plenty of raunchy humor and nudity to keep a viewer occupied. More importantly, "THE HISTORY OF TOM JONES, A FOUNDLING" proved to be a fascinating comic epic and commentary on class distinctions, gender inequality and social issues.

However, I still cannot agree with the prevailing view that the miniseries is better than the 1963 movie. Mind you, the latter is not perfect. But the miniseries lacked a cinematic style that gave the movie a certain kind of magic for me. And due to Hüseyin and Burke's insistence on being as faithful to the novel as possible, the miniseries' pacing threatened to drag in certain scenes. The scenes featuring Tom and Partridge's encounter with an ineffectual highwayman, their viewing of a puppet show, and a good deal from the London sequences were examples of the miniseries' slow pacing. I could not help feeling that "THE HISTORY OF TOM JONES, A FOUNDLING" could have easily been reduced to four episodes and still remain effective.

I also had a few problems with other matters. One, I never understood why Lady Bellaston continued her campaign to get Sophia married to Lord Fellamar, after Squire Western prevented the peer from raping his daughter. Why did she continued to make life miserable for Tom after receiving his marriage proposal . . . the same proposal that she rejected with contempt? And what led Sophia to finally forgive Tom for the incident with Mrs. Waters at Upton and his marriage proposal to Lady Bellaston? After he was declared as Squire Allworthy's new heir, Sophia refused to forgive Tom for his affair with Lady Bellaston. But the next shot featured Tom and Squire Allworthy returning to Somerset . . . and being greeted by Sophia, along with hers and Tom's children. WHAT HAPPENED? What led Sophia to finally forgive Tom and marry him? Instead of explaining or hinting what happened, Burke's script ended on that vague and rather disappointing note.

But despite my problems with "THE HISTORY OF TOM JONES, A FOUNDLING", I cannot deny that I found it very enjoyable. Director Metin Hüseyin and screenwriter Simon Burke did a first-rate job in bringing Henry Fielding's comic opus to life. They were ably assisted by an excellent production staff and fine performances from a cast led by Max Beesley and Samantha Morton.

[ukrieger-official]

Wanting to make another Richtofen roleplay account, which one would you prefer?

V3 Rich is the one I recently posted with Takeo and him slicing himself. Not much info to give yet because he's being worked on, also an alter in my system who needs development. I can still roleplay as him tho.

For brief info:

V3: Is similar to Richardson except a bit of a narcissistic psychopath who pretends to belittle himself. He's proud to be absolutely disgusting, he could be considered a problematic alter. He can be a bit mean and most probably hates his whole crew deep down but makes Takeo somewhat of an exception as he's useful.

__

V2: Highly antisocial, violent and sadistic with no shame. Hes a bit more of a realistic representation of a psychopath. He highlights his role as the "butcher" and specifically targets Dempsey for his gruesome experiments or just unforgivable desires. He has an adopted daughter with Dempsey:

Samantha. Whom he doesn't really hate but hardly shows genuine affection. His emotions are more shallow and he honestly cares more about what hes having for dinner than the wellbeing of his teammates and

family. In appearance he is massively overweight and wears glasses.

Anyway I'm happy to make either.

[eway]

@puyopuyoconfessions @smb0 @madoumonogatarirunelord @colorfullaudino @elder-sister

BEHOLD!

The Puyo Puyo Movie Franchise Cast List!

Arle (young): Alexis Tipton

Schezo (young): Veronica Taylor or Sarah Natochenny

Camus: Tara Strong

Fudoushi: Mark Hamill

The Teacher: Amanda C. Miller

Skeleton-T: Bryan Massey

Nasu Grave: Clancy Brown

Momomo: Jesse McCartney

Lala: Sarah Blandy

Arle: Lindsay Seidel

Rulue: Scarlett Johansson

Minotauros: Troy Baker

The Dark Prince: Xander Mobus

Carbuncle: Tomoko Kaneda

Schezo: Yuri Lowenthal

Amitie: Evelyn Huynh

Sig: Hunter MacKenzie

Ms. Accord: Julie Andrews

Raffina: Brett Walter

Klug: Thessaly Lerner

Lidelle: Erica Schroeder

Yu: Laura Faye Smith

Rei: Laura Faye Smith

The Crimson Spirit: Ron Perlman

Ocean Prince: Greg Cipes

Suketoudara: Tom Kenny

Sukiyapotes: Michele Knotz

Harpy: Teresa Gallagher

Panotty: Lani Minella

Witch: Julie Ann Taylor

Zoh Daimoh: Jim Cummings

Merigu: Dani Chambers

Shosu: Kayzie Rogers

Emi: Kerry Williams

Sasori Man: Billy Bob Thompson

Akuma: ProZD

Feli: Amber Hood

Lemres: "Weird Al" Yankovic (This one was a suggestion by one of the people I tagged)

Strange Klug: Thessaly Lerner

Salde (the voice direction changes when he changes form, but the actor remains the same): Greg Cipes

Wish: Cree Summer

Tenori Zoh: Ikue Ōtani

Dark Matter: Andrew Rannells

Ragnus (Young): Veronica Taylor or Sarah Natochenny (whichever didn't voice young Schezo)

Ragnus (17): Antony Del Rio or Jason Griffith

Draco: Brianna Knickerbocker

Incubus: Liam O'Brien

Succubus: Erin Fitzgerald

Jaan: Hynden Walch

Scylla: Kari Wahlgren

Nomi: John DiMaggio

Yoggus: Marcus Stimac

Honey Bee: Lisa Ortiz

Serilly: Michelle Ruff

Doppelganger Schezo: Yuri Lowenthal

Phantom God: Ali Hillis and Jay Goede (Both voices are at the same time with vocal effects to add to the otherworldly feel)

Lilith (all she takes from the book counterpart is her name, the fact she's dead, and she was The Dark Prince's loving wife. She's not some goddess, just a ghost. I hate those books): Laura Bailey

Chico: Samantha Kelly

Doppelganger Arle: Lindsay Seidel

Ringo: Cassandra Lee Morris

Maguro: Spike Spencer

Risukuma: Keith David or Kevin Michael Richardson

Ecolo: Bryce Papenbrook

Everyone else would be voiced by new and unknown voice actors (like me! New voice actors should have a chance to break into the industry)

[junesrooms]

my entire physical tbr itemized, categorized, and alphabetized: (it's really a lot more than i thought it was oops!)

currently reading: 3 - sunburn by chloe michelle howarth - the hobbit by j.r.r. tolkien - the goldfinch by donna tartt (reread)

fiction: 71 - call me by your name by andré aciman - marytr! by kaveh akbar - mansfield park by jane austen - persuasion by jane austen - sense and sensibility by jane austen - bunny by mona awad - leaving the yellow house by saul bellow - jaws by peter benchley - evelina by frances burney - the finger by william s. burroughs - the skeleton's holiday by leonora carrington - the perks of being a wallflower by stephen chbosky - the gilded wolves by roshani chokshi - the silvered serpents by roshani chokshi - the bronzed beasts by roshani chokshi - and then there were none by agatha christie - until we shatter by kate dylan - glittering city by cyprian ekwensi - the black ball by ralph ellison - gone girl by gillian flynn - grendel by john gardner - the magicians by lev grossman - the scarlet letter by nathaniel hawthorne - beach read by emily henry - dune by frank herbert - the price of salt by patricia highsmith - the missing girl by shirley jackson - capitana by cassandra james - this fatal kiss by alicia jasinska - howl's moving castle by diana wynne jones - the great hunger by patrick kavanagh - antarctica by claire keegan - so late in the day by claire keegan - piers of the homeless night by jack kerouac - one flew over the cuckoo's nest by ken kesey - if it bleeds by stephen king - the legend of the sleepers by danilo kiš - babel by r.f. kuang - the poppy war by r.f. kuang - a game of thrones by george r.r. martin - the breakthrough by daphne du maurier - the road by cormac mccarthy - the haunted boy by carson mccullers - gone with the wind by margaret mitchell - anne of green gables by l.m. montgomery - the veiled woman by anaïs nin - the custard heart by dorothy parker - the cracked looking-glass by katherine anne porter - the vampire lestat by anne rice - till september petronella by jean rhys - pamela by samuel richardson - if we were villains by m.l. rio - intermezzo by sally rooney - normal people by sally rooney - as you like it by william shakespeare - julius caesar by william shakespeare - frankenstein by mary shelley - unwholly by neal shusterman - water moon by samantha sotto yambao - east of eden by john steinbeck - the vigilante by john steinbeck - kidnapped by robert louis stevenson - treasure island by robert louis stevenson - the little friend by donna tartt - fools of fortune by william trevor - on earth we're briefly gorgeous by ocean vuong - are you listening? by tillie walden - the cloud roads by martha wells - hell followed with us by andrew joseph white - death the barber by william carlos williams - oranges are not the only fruit by jeanette winterson

fiction (rereads): 10 - little women by louisa may alcott - emma by jane austen - jane eyre by charlotte brontë - the curious incident of the dog in the night-time by mark haddon - motherthing by ainslie hogarth - the bell jar by sylvia plath - interview with the vampire by anne rice - king lear by william shakespeare - the taming of the shrew by william shakespeare - dracula by bram stroker

translated fiction: 29 - the end by samuel beckett - in the absence of men by philippe besson - the garden of forking paths by jorge luis borges - the distance of the moon by italo calvino - blue bamboo by osamu dazai - pandora's box by osamu dazai - the real osamu dazai: a life in twenty stories by osamu dazai - crime and punishment by fyodor dostoevsky - the count of monte cristo by alexandre dumas - why do you wear a cheap watch? by hans fallada - the dialogue of two snails by federico garcía lorca - four russian short stories by gazdanov & others - kiki's delivery service by eiko kadono - the vegetarian by han kang - the three electroknights by stanislaw lem - the survivor by primo levi - daydream and drunkenness of a young lady by clarice lispector - kafka on the shore by haruki murakami - lance by vladimir nabokov - i have more souls than one by fernando pessoa - the gigolo by françoise sagan - letter to my mother by georges simenon - of dogs and walls by yūko tsushima - backwards to britain by jules verne - twenty thousand leagues under the sea by jules verne - aeneid by virgil - asleep by banana yoshimoto - goodbye tsugumi by banana yoshimoto - butter by asako yuzuki

translated fiction (rereads): 7 - three japanese short stories by akutagawa & others - the iliad by homer - the odyssey by homer - amerika by franz kafka - the elephant vanishes by haruki murakami - metamorphoses by ovid - war and peace by leo tolstoy

non-fiction: 16 - africa's tarnished name by chinua achebe - the kill jar by j. reuban appelman - dark days by james baldwin - the red tenda of bologna by john berger - the duke in his domain by truman capote - smoke gets in your eyes and other lessons from the crematory by caitlin doughty - loving sylvia plath by emily van duyne - the problem that has no name by betty friedan - on writing: a memoir of the craft by stephen king - the nineties by chuck klosterman - the master's tools will never dismantle the master's house by audre lorde - the longest silence: a life in fishing by thomas mcguane - notes on nationalism by george orwell - notes on 'camp' by susan sontag - just kids by patti smith - food by gertrude stein

non-fiction (rereads): 2 - letter from birmingham jail by martin luther king, jr. - the unabridged journals of sylvia plath by sylvia plath

translated non-fiction: 4 - meditations by marcus aurelius - on living and dying well by cicero - an advertisement for toothpaste by ryszard kapuściński - madame du deffand and the idiots by javier marías

translated non-fiction (rereads): 2 - create dangerously by albert camus - i want to die but i want to eat tteokbokki by baek sehee

total: 144 books

[cowgirlgirl2002]

How to create also use maternal mothers/grandmothers surnames instead of paternal/fathers surnames, give yourself a new surname, pass it to your daughters and sons take fathers surnames.

If surnames as “Son” or “Man” try to conjoin the first last name with Dottir or Dotter in the last part of it Jonnadottir/Joanne instead Johnson, Böschdottir as another name as Bösch, Ricarda/Ricardottir instead of Richardson, Jacqueline/Jacklyn instead of Jackson, Smither and Samantha instead of Smith etc

Wilma and Wilhelmina Instead of Williams

Jamesa, Jamie, Jamey, Jami, Jamy, and Jamiey instead of James

Here’s other female surnames without dotter or Dottir. which are surnames that end in the name of a female ancestor. Some examples of matronymic surnames like these.

Madi, Beaton, Custer, Tiffany, Parnell, Hilliard, Marriott, Ibbet, Babbs, Parker, Draper, and Meg

Matronymic surnames also exist in Serbia (ex. Katić, Sinđelić, Marić, Višnjić, Milenić, Natalić, Smiljić, Anđelić, etc.) There's a lot more others than this,

Find creative and nice ways to make a surname based on the female sex and occupations like the examples at bottom. Names related to a occupational with feminine last.

Webster - female weaver

Brewster - female brewer

Baxter - female baker

Brighiddottir - Daughter of female healer

Huntress - Female Hunter and a women who hunts.

Gardenerette/Gardner - Woman gardener

Angler - Fisher women

Emberster - Female Fighter

Fiamma - It can be taken as Female fighter or women fight flames original means “Flame” in Italian

"A matronymic is a personal name based on the given name of one's mother, grandmother, or any female ancestor." Use your mother, grandmother, great grandmother so on or your own name to use as last name for yourself and daughters if you plan being biological mother or adopting

[renyfisher]

who are ur favorite actors

Firstly thank you dear for your question. Secondly, OH MY GOODNESS, I have MANY!!, I need to think 🤣 I think I need to make two groups to make my brain function 🤣🤣 sooo…

American: Patti (obviously 🥰) Carrie Fisher🤍, Jean Smart, Jane Fonda, Lily Tomlin, Kate Mulgrew, Rebecca Wisocky, Debbie Reynolds🤍, Betty White🤍, Meryl Streep, Susan Sarandon, Jamie Lee Curtis, Diane Keaton, Shirley MacLaine, Leslie Easterbrook, Christine Baranski, Cynthia Nixon, Audra McDonald, Sigourney Weaver, Mary Steenburgen, Candice Bergen, Jessica Lange, Frances Conroy, Glenn Close, Bette Midler, Kathy Bates, Jodie Foster, Holland Taylor, Angela Bassett, Frances McDormand, Annette Bening, Eve Best, Julianne Moore, Michelle Pfeiffer, Laura Dern, Cate Blanchett, Vera Farmiga, Sandra Bullock, Anne Hathaway, Viola Davis, Nicole Kidman, Melissa McCarthy, Queen Latifah, Sarah Paulson, Wendie Malick, Kirstie Alley🤍, Georgia Engel🤍, Debra Jo Rupp, Bea Arthur🤍, Rue McClanahan🤍, Estelle Getty🤍, Lauren Lane, Fran Drescher, Lainie Kazan, Cassandra Peterson, Andrea Martin, Della Reese🤍, Roma Downey.

English: Julie Andrews, Judi Dench, Maggie Smith🤍, Imelda Staunton, Penelope Wilton, Phyllis Logan(I know she is Scottish😆), Celia Imrie, Alex Kingston, Catherine Tate, Elisabeth Sladen🤍, Olivia Colman, Helena Bonham Carter, Helen McCrory🤍, Julie Walters, Lesley Manville, Miranda Richardson, Emma Thompson, Angela Lansbury🤍, Helen Mirren, Raquel Cassidy, Eileen Atkins, Vanessa Redgrave, Joanna Lumley, Zoë Wanamaker, Miriam Margolyes, Joan Plowright, Samantha Bond, Geraldine James, Adjoa Andoh, Ruth Gemmell, Polly Walker, Golda Rosheuvel, Nicola Coughlan(she is Irish I know😌), Gillian Anderson, Anna Chancellor, Jenny Agutter, Georgie Glen, Linda Bassett, Harriet Walter, Miranda Hart, Joan Collins, Lindsay Duncan, Suranne Jones, Eva Green, Julie Graham, Catherine Rabett, Susie Brann.

I think that’s it but I’m not sure 😅 my brain just broke 🫠

I’m soo wired 🤣

[ripperincorpated]

"𝑾𝒆 𝒉𝒖𝒏𝒕 𝒚𝒐𝒖 𝒅𝒐𝒘𝒏 𝒘𝒊𝒕𝒉𝒐𝒖𝒕 𝒎𝒆𝒓𝒄𝒚.

𝑯𝒖𝒏𝒕 𝒚𝒐𝒖 𝒅𝒐𝒘𝒏 𝒂𝒍𝒍 𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝒍𝒐𝒏𝒈.

𝑭𝒆𝒆𝒍 𝒖𝒔 𝒃𝒓𝒆𝒂𝒕𝒉𝒆 𝒖𝒑𝒐𝒏 𝒚𝒐𝒖𝒓 𝒇𝒂𝒄𝒆.

𝑭𝒆𝒆𝒍 𝒖𝒔 𝒔𝒉𝒊𝒇𝒕, 𝒆𝒗𝒆𝒓𝒚 𝒎𝒐𝒗𝒆 𝒘𝒆 𝒕𝒓𝒂𝒄𝒆."

All Nightmare Long - Metallica.

Welcome to the official RP blog set in a variant of my universe. Allow me to introduce the cast for this blog, with art credits provided! I usually use this to flesh out and test some concepts for characters, get a feel for em.

make sure to follow me on @nathantheauthor for my rewrites and world building! It's where most of the bigger stuff will end up! The information for this faction will be on that blog within the week!

Writer is 21, and with the exception of Sally and Lazari, all muses are 18+.

Character roster:

Jack Revver.

Drawn by @anton-morrow, creator of Blessed Be The Wicked.

Toby Rogers.

Art by ShatteredDankles.

Heather Marshall / Rouge.

Art by @/hyenax

Nina Hopkins / The Ashton Slasher.

Art by Necromancer-d.

Korbyn JumpingEagle / The Seer.

Art by Ink_her0.

Jack Hollowbrok / Eyeless Jack.

Art by Alex C.

Liu Woods / Homicidal Liu.

Art by MIYA.

Annabelle Mia / Nurse Ann.

Art by BlackKiller1606.

Alice Jackson / Zero.

Art by t-time07.

Samantha Revver

Art and face claim belong to Blushy Spicy, will update when I get her drawn.

Jane Richardson / Jane The Killer and Mary (Vaughn) Richardson.

art by Creepypastasauce and Necromancer-d.

Natalie Ouellette / Clockwork.

Art by Antler Grave.

Jeffrey Hodek / Jeff The Killer (formerly).

Art by Ashiva-K-I.

Sadako Yamamura.

Art by PaleRiderz

Lazari Swann.

art by @/froggymakinsoup.

Sally Williams.

Art by Ijustwannahavefunn

Scarecrow Cornstalk.

Art by... who knows. I searched 30 minutes for the artist and all roads lead to know where.

International members coming soon.

[makesometime]

Rules: Make a poll of your favourite female characters (no limits - as many or as little as you want) and see which your followers like the most

Tagged by my darling @sky-kiss, and I have spent far too long thinking about all the women. Which was a delight, really.

There are so many more incredible female characters out there, but I will force myself to stop here.

I tag @wordsandstrangeways @holoxam @illusemywords @hetamariar and @wishflower4 if you'd like toooooo <3

[thepinnacleofhumanintelligence]

Finished the basic sketch of the all ladies TCC drawing

It looks like shit now but I promise it’ll look better when it’s actually done forever from now

Doing the anatomy is SO hard cuz the original image quality is ass and stretched and it’s all originally men.

The names are labeled but from left to right it goes:

Aileen Wuornos, Jasmine Richardson, Yuka Takaoka, Jodi Arias, Samantha Rupnow, Alyssa Bustamante, and Lindsay Souvannarath

[terriwriting]

"Grassroots campaign" in support of oil and gas industry actually just Conservative party operatives

According to its website, the Energy United campaign was created by a federally-registered non-profit called the Maple Leaf Institute (MLI), which is registered to lobby the federal government.

Though the Maple Leaf Institute has little presence online, it's led by a team with strong links to oilsands advocacy group the Canadian Association of Petroleum Producers (CAPP) and the Saskatchewan Party. 

The institute's four directors are Tim Harold McMillan, Cole David Schulz, Samantha Yaholnitsky and Dale Richardson. 

McMillan was the president and CEO of CAPP from 2015 to 2022. Before joining CAPP, McMillan was a minister of energy and resources and minister of rural and remote health in Saskatchewan. 

He's now a board member of the Canadian Taxpayers Federation and runs public affairs firm Garrison Strategy with another Maple Leaf Institute director, Cole David Schulz.

Before starting Garrison Strategy, Schulz was the vice president of communications at CAPP. He was the chief of staff to McMillan when he was minister of energy in Saskatchewan and was a special advisor to McMillan when he was president of CAPP. 

Richardson and Yaholnitsky were working for the Saskatchewan government at the same time as McMillan and Schulz.

Yaholnitsky recently served as the campaign manager for the unsuccessful Saskatoon mayoral campaign of former Saskatchewan Party minister Gordon Wyant. 

Jarret Coels, campaign director for the Energy United campaign, was the manager of strategic communications for CAPP between 2019 and 2023. He worked in the Saskatchewan government between 2010 and 2019. 

Coels appears to be the owner of another website called A Better YXE, which describes itself as a grassroots campaign and has run dozens of Meta ads about Saskatoon municipal politics, including during the recent municipal election period. 

While A Better YXE says it is not affiliated with any political party, Yaholnitsky previously confirmed she was involved with the page before quitting to work on Wyant's campaign.

[dontlookheswatching]

Im bored and also working on a big post with some head canons about several characters with ref sheets, so im gonna make a birthday list real quick. I tried to keep a lot of this as canon as possible, but I have changed some ages and some birthdays aren't accurate because for some of these characters nothing would show up. Itll be going in order from January to December, 1st to the last day of the month.

January:

-Rogue(Heather Sam Marshall) - January 7th. She's currently 24, and her zodiac sign is a Capricorn.

February:

-Hoodie(Brian Hiatt Thomas) - February 5th. He's 24, and his zodiac is a Aquarius.

March:

-Eyeless Jack(Jack Zin Nyras) - March 15th. He's 24, and his zodiac sign is a Pieces.

April:

-Judge Angels(Dina Angela Clark) - April 2nd. She's 26, and her zodiac sign is a Aries.

-Alex Kralie - April 4th. He's 27, and his zodiac is a Aries.

-Sally Mae Williams - April 5th. She's physically and mentally 8. Her zodiac is a Aries.

-Ben Drowned(Benjamin Scott Lawman) - April 23rd. He's 22, and his zodiac sign is a Taurus.

-Ticci Toby(Toby Erin Rogers) - April 28th. Hes 22, and his zodiac sign is a Taurus.

May:

-Seedeater - May 27th. His zodiac sign is a Gemini. He is a creature that does not age, just exists.

June:

-Jeff the Killer(Jeffery Alan Woods) - June 2nd. He's 23, and his zodiac sign is a Gemini.

-Lost Silver(Jae-Ing) - June 6th. Hes 22, and his zodiac sign is a Gemini.

-Skitles(OC) - June 24th. He has no age. His zodiac sign is a Cancer

Kate the Chaser(Kate Miller Hayes) - June 25th. She's 25, and her zodiac sign is a Cancer.

July:

-Nina the Killer(Nina Rose Hopkins) - July 24th. She's 20, and her zodiac sign is a Leo.

-The Puppeteer(Blake Simon Smith) - July 25th. He has no age. His zodiac sign is a Leo.

August:

-Candypop - August 1st. He has no age. His zodiac sign is a Leo.

-Hobo Heart - August 3rd. He’s 23, and his zodiac sign is a Virgo.

-Eyeless Lulu(Lulu Mary Millers) - August 6th. She’s 15, and her zodiac sign is a Virgo.

-Occisus(OC/Samantha Lin Locke) - August 11th. She’s 24, and her zodiac sign is a Virgo.

September:

-Jane the Killer(Jane Eve Richardson) - September 1st. She’s 23, and her zodiac sign is a Virgo.

-HeartFixer(OC/Jamie Noel Martinez) - September 3rd. She’s 25, and her zodiac sign is a Virgo.

October:

-Bloody Painter(Helen James Otis) - October 1st. He’s 24, and his zodiac is a Libra.

-Suicide Sadie(Sadie Dawn Myers) - October 21st. She’s 20, and her zodiac sign is a Libra.

-Zero - October 25th. She’s 23, and her zodiac sign is a Scorpio.

-NightOwl(My boyfriends OC/Lin Felix Gaspar) - October 29th. He’s 25, and his zodiac sign is a Scorpio.

Nurse Ann(Michelle Ann Quesnberry) - October 31st. She’s 28, and her zodiac sign is a Scorpio.

November:

-Clockwork(Natalie Gwen Oulette) - November 6th. She’s 23, and her zodiac sign is a Scorpio.

-Sonic.exe - November 7th. He’s 15, and his zodiac sign is a Scorpio.

-Tails Doll - November 7th. He’s 15, and his zodiac sign is a Scorpio.

-Jason the Toymaker - November 15th. He doesn’t have a age. His zodiac sign is a Scorpio.

-Lure(OC) - November 17th. Hes 21, and his zodiac sign is a Scorpio.

-Dark Link(Shadow) - November 21st. Hes 21, and his zodiac sign is a Sagittarius.

-Jay Merrick - November 23rd. Hes 26, and his zodiac sign is a Sagittarius.

-Smile Dog - November 27th. He has no known age, as a hellhound. His zodiac sign is Sagittarius.

December:

-X-Vrius(Cody Swann Diller) - December 9th. He’s 21, and his zodiac sign is a Sagittarius.

-Homicidal Liu(Liu Vicki Woods) - December 21st. He’s 24, and his zodiac sign is a Sagittarius.

-Laughing Jack - December 25th. He has no age. His zodiac sign is a Capricorn.

-Lazarus(Lazarus Dae Swann) - December 25th. He’s 12, and only ages every two years due to being part Zalgoid. His zodiac sign is a Capricorn.

-Masky(Timothy Que Wright) - December 26th. He’s 25, and his zodiac sign is a Capricorn.

-Kagekao - December 29th. He’s 27, and his zodiac sign is a Capricorn.