#SUCH a cool concept/design honestly!!

[zhaitansvisage]

Shoutout to Guild Wars 2 for having extremely diverse dragon designs.

[descendant-of-truth]

Boruto wearing so many pins and necklaces arguably clutters his design a bit but I think it's entirely worth it for the emotional damage they give me

Like. at this point, Boruto hasn't been able to go home in three years. he's regarded as a traitor to his village and family by nearly everyone. there are orders to have him killed on sight. most of his friends hate him and almost nobody remembers him for who he truly is.

But despite all of that, he doesn't let go of what he had. He wears a badge of the village symbol that cast him out. He wears a necklace of the Uzumaki crest, despite the people saying he doesn't belong to that family anymore. He has a pin of the design that was on the back of his first coat, as if to say that's still who he is.

And the one that makes me go insane the most - he wears a sun symbol, of all things. A reference to Himawari, possibly, whose name means "sunflower"... but seeing as it's not a flower pin, I have a feeling that it's actually a reference to Mitsuki.

Mitsuki, who always said that Boruto was like the sun. For him to now wear a sun on his coat, I can only imagine that he valued being seen that way by him more than he let on; enough to include it in what's functionally a compilation of the symbols of his identity.

He's Uzumaki Boruto, from Konoha, and apparently, the sun in Mitsuki's sky. I am never going to be normal again

[fei-scribbles]

suggestion: watcher Etho? I’ve seen a lot of that going around and it looks v cool

quick watcher!etho

[palettepainter]

Seeing the drama rise in Hazbin cuz people like problomatic characters is reminding me why I distanced myself from this fandom to begin with

(I was gonna put this in the tags but not everyone reads them, and to avoid getting those types of anons again when I was in Hazbin/Zoophobia I'm going to clarify what should be obvious: Liking/drawing a problomatic character in a show or movie does not mean you stand by their actions or beliefs)

[pass1onepr1ncess]

We've been really struggling to settle on a character design for Alice in a Wonderland inspired/based project we're working on and we FINALLY landed on something we really like! - Nikkie

[dogtoling]

favorite salmonid type design-wise?

Honestly this is not even a competition in the slightest, it's Cohozuna.

But like, obvious answers aside, I actually really like Maws for its unique design that stands out, and Goldies for the same reason. Big Shots are adorable as hell but like, honestly? the Slammin' Lid is super underrated. They just sit in their little UFO and continuously choose violence and have the most ridiculous looking hair and then they smack you with a ladle FURTHER choosing violence.

There are 0 thoughts bouncing around in that head

[bonestrouslingbones]

ok unsolicited demons say swears show review for episodes 5&6 that came out yesterday: the pacing is HORRENDOUS and feels like they wrote an episodic show before they remembered it was supposed to be serialized and had to very loosely try to stitch everything together. however i am genuinely surprised at how solid some of these plot points are and i think some could be really good if they were just given some time to take a goddamn BREATH

[gender-trash]

I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

[kemonododo]

Hazbin Hotel is honestly doing something really cool with the concept of Christianity that I never thought of before, asking that if someone lives for eternity in Heaven or Hell wouldn't they continue to change just like people do when they're alive? If someone was virtuous and good in life, what's to say life in heaven wouldn't go to their head and turn them into an asshole? And likewise, if someone was terrible in life, wouldn't being thrust into a whole new world with new rules give them a chance to improve? What would happen? From my time in church it's just taken for granted that once you get in the designated afterlife that's where you stay for all eternity, but if that's true (as Hazbin Hotel asks) than your entire mortal existence is judged on just a tiny fraction and once you die you can just act however you want in whatever place you end up.

IDK for a show that everyone immediately wrote off as edgy "heaven bad, hell cool" Bible fanfiction it's honestly a really interesting look at the meaning of being human in the context of an immortal afterlife.

[weirdmarioenemies]

Name: F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device)

Debut: Super Mario Sunshine

F.L.U.D.D. was Mario's first ever Platforming Buddy! Unless you count the Lakitu Bros. from 64, but they just operate the camera and don't affect Mario's platforming moveset, so I do not. So really, F.L.U.D.D. is- hold on, I really don't want to write every individual period each time I write its name. I'm just going to leave all the periods at the end of the post and you can put them where they belong yourself, or anywhere else you think is funny. Or you can keep them, I don't mind. Put them on a bagel and tell a friend they're poppy seeds!

FLUDD is a big deal. A landmark for the series in terms of mechanics. Not that these specific mechanics returned, but the concept of a buddy granting Mario some new abilities has become a recurring thing. FLUDD even talks, and is fully voice acted! In a robot voice! Like mine! A cute and silly little robot buddy for Super Mario.

So then... why don't I absolutely LOVE it? I feel like I should! But I'm just not getting that urge to imagine it driving a kart or playing tennis like I do with far less important characters. Does it work so well as a Tool that I have a hard time viewing it as a Character? Let's See!

I think FLUDD's design is honestly kind of perfect. The two massive screws that evoke eyes are really clever, and especially great is that they give it + shaped "pupils"! Aside from that, the nozzle's funnel shape is an extremely funny shape for a mouth, and FLUDD does indeed speak out of there. Excellent head! Though I feel like the excitement fizzles out once you look past the head, because the rest is much more "equipment" than "character". That's fine, this IS a piece of equipment! It just makes it feel less like a character, when I'd like it to have a bit of a balance of both. Maybe if the handles also functioned as little feet that it could walk around on? I don't know. Maybe that would be stupid... but I do love when creature designs are stupid!

FLUDD was made by E. Gadd, but that's all the backstory we get. We never learn why it was just there on the Delfino Airstrip, and that's really weird! The perfect tool to combat the game's main conflict is just there immediately when Mario arrives. It could have been a cool little mystery, but I guess the reality is just that some Pianta ordered it when the Goop Incident happened and got express delivery. Or maybe someone already had it and was just waiting for a calamity like this to happen, to justify the purchase!

I don't need to go over everything FLUDD does, right? I'm not the Super Mario Wiki, it's not my job! I'm here for the Weird. And a weird thing is that FLUDD freaken dies.

During the final boss against Bowser's Hot Tub, FLUDD starts stuttering, as if breaking down. And then in the final cutscene... it Dies! Mario goes to it, it tells him it hopes it was of assistance, and it dies. And Mario is sad, because this was his friend. But then in the very next scene FLUDD is back! Some Toads fixed it and it's fine now. So this ends up having the emotional impact of Mario needing to change the battery on his TV remote.

Even though it's our and Mario's friend, FLUDD is still an object, a product. It's technically not just FLUDD, but A FLUDD, one of many, mass produced. I have to wonder if it actually formed any bond with Mario, or if it was a one-sided friendship. Is it even capable of friendship...?

Whatever the case, the others absolutely consider FLUDD a friend, and well, that's just so sweet. During the credits we get to see some extremely compressed pictures of Mario and friends enjoying their real vacation, and FLUDD is there with them! It's not even on Mario's back anymore, or always WITH Mario, for that matter. Sometimes it's hanging out with Peach and some Toads, sitting there independently. I think it is safe to say FLUDD is a real true friend, and likes to just Hang Out sometimes! Even better, maybe it wasn't originally sentient, but learned how to love over the course of the adventure. Such a wonderful robot thing to do!

As expected, thinking in depth about FLUDD has absolutely endeared me to it. Hooray! It's about time. Well, it's too late for FLUDD to be relevant again, probably. I'm not saying it should be a driver in Mario Kart, but I AM saying there should be a kart based on it, and I'm also saying that this kart should canonically be the FLUDD, now upgraded. This feels like something that should have happened long ago!

This has been a long post, but it is far from all FLUDD has had to discuss! So next time, I will post about FLUDD once more, and its various appearances during the GameCube days and beyond! There is milk involved at some point. Get excited to learn what milk has to do with any of this!

Here are all those periods you were promised! I hope you like them.

....................................................................................................

[brainman1987]

So I could get @chaos-bringer-13 ‘s post about Danny being just some guy compared to his family and tbh. I like jazz’s design the best hehehehe

I feel like I went too colorful for Tucker and Sam, which sucks because they’re also super cool!! Anyways, Danny Sam and Tucker are the balances of life&death, new&old technology, and man made&natural. Jazz is an apprentice of Nocturn, Dante is a apprentice of Clockwork, and Dani/ellie is apprentice of the Space ancient (but she currently has a Travel core) At first I thought that Danny was just. Some sort of protection or hero core, but honestly him being life and death is a really fun idea!! Of course you do not have to use or think of these designs when creating your designs or thinking of the concept in general :) This is just my take of the idea and I’d really like to see or read everyone’s interpretations

[a-substantial-trash-pile]

Studio TV Solutions presents Half Life VR but the AI are Self-Aware (2020) [not a real movie]. A movie with a totally improv’d script starring a moltey crew who are sure to give you a rip-roarin’ good time!

anyway hi new au just dropped. i’m calling it HLVRAIM. it’s HLVRAI but it’s a blockbuster movie and the science team are played by actors. i have many thought on backstories n stuff that i will stick under a “read more” here otherwise this post will be hella long on people’s dashes. 👇👍 pls care about this i thought so hard and much

Half Life VR but the AI are Self-Aware was put out by Studio TV Solutions in 2020 and destroyed the box office with how fun it was and how well the cast played off one another. The cast was given a general outline for the script with the goal for it to be mostly improv.

Gordon Freeman: Mannie Flores (Dominican American, age 28, he/him) - Popular Youtuber/Twitch streamer (“Radi0Mann”). Got offered the role in HLVRAI thanks to the creative things he’s done in his Youtube/Twitch career. This is his first “official” acting gig. He was pretty starstruck at first, but then as he got to know everyone, he realized they’re all a bunch of dorks (affectionate). - Started off as a gaming channel, but then started branching off into various creative endeavors as he got more popular. He still plays games too though. - One of the things Mannie did in his internet career that hit the mainstream was when he wrote, directed, starred in, and filmed his own movie in just 2 weeks because he failed a bet with his audience. Except the movie was actually really good and funny and heartfelt (i want to say it was about “a man who got left behind on earth after everyone else was raptured because god literally forgot about him”, but i think the concept might’ve been done already). - Met Benji through HLVRAI. They hit it off and now they’re dating. They tried to keep it secret for a while but Mannie had a slip-up during a stream that sort of blew it out of the water.

Benrey: Benji Song (Japanese/Chinese, age 30, he/they) - Started off as a film sound designer in the industry, then through a series of silly willy little events—possibly even shenanigans—got roped into a role in a passion indie film that became wildly acclaimed and flung him into the spotlight. Been an actor ever since, but isn’t the most proactive in taking jobs much to their agent’s annoyance. People never know where he’ll pop up next. Sometimes Benji will sneak in sound designer work behind their agent’s back. - Honestly likes background work more because everyone’s got these expectations of them as an actor that they feel pressured to meet. But he’s also afraid of disappointing people. He’s working on it. - Met their partner Mannie through HLVRAI. Totally was a fan of his streams/videos beforehand though. When they mention that, Mannie gets flustered. - Does music as a hobby. Electronic stuff mostly—enjoys mashing together all sorts of sounds and trying to make them work. After HLVRAI, Mannie’s streams gets cool new music that’s made by somebody going by “johnwicklover1994.” wink

Harold Coomer: Hau’oli “Hau” Kaleo-Kirchhoff (Hawaiian/Samoan, age 66, he/him) - Old musician who’s supposed to be retired but once in a while will release a song or even do a concert (but nothing crazy). - Hau’oli is pronounced [hh-ow-oh-lee], but he also goes by “Hau” for the haoles’ sake. :) Kaleo is [kah-leh-oh]. also Hau’oli sounds a little bit like the name Holly so that’s a fun coincidence i didn’t realize until later. - Most of his music is chill island tunes but he has been known to dabble in rock and jazz. - Married to Mose (been together for 30 years and counting).

Bubby: Mose Kaleo-Kirchhoff (German, age 69 [nice], xe/him) - Veteran actor—been in the acting industry for a long time. One of his more well-known roles was in a popular sci-fi series. - Married to Hau’oli (they got married the moment it was legal). - i went with a name that started with “M” cuz when Gordon first asks Bubby for his name, xe’s like, “mmm Bubby.” and i headcanon it’s because Mose was about to say xir own name and had to swerve last minute and the thing his brain resorted to was Bubby lol.

Tommy Coolatta: Luis Tanglao (Filipino, age 37, he/they) - Child star who dropped out of the industry when he hit his teens and then came back years later as a comedian. He has material about how fucked up being a child star was. Will only take acting roles if it interests them. - They don’t care about how the public/media sees him. He’ll speak his mind and call out BS when he sees it. Interviewing them can be a war zone. - Hosts a popular podcast with some buds they discuss things like video games, their lives, news, etc. Just shooting the shit. - Sunkist is their actual dog and she modeled for the png photo that was used. Her name is actually Biko. She is a very good girl. <3

Darnold Pepper: Sage Haven (African American, age 40, he/her/they) - Famous cooking show host who gets offered roles in movies. Got popular by how unconventional her meals and cooking methods are and how funny he is. - Has had multiple food/cooking/baking shows over the years. Every competition-based one they’ve had focused more on good vibes, fun, and encouraging one another rather than drama. One show involved people competing to see who could make the best full course meal with the catch being they could only cook everything in a microwave. Many microwaves perished. - Changed their name to Sage Haven during their transition. They chose it because it reflects his passion and also is a play on the phrase “safe haven”, which is what she wants to be to others. - He has an adoptive daughter named Kit. She helped them think up bits and jokes. She also had to help explain what Half-Life was.

haven’t gotten to gman and forzen’s actors yet unfortunately. thinking gman’s actor could be a talk show host? because that would be funny. anyway thanks for humoring me on my shenanigans. bye

[38sr]

My Adventures with Superman EP 4: Design Works

My goodness it feels so strange to see these designs two years later but I actually had a hand in Clark, Lois and Jimmy’s gala suits in episode 4 of My Adventures with Superman!

This happened WAY back in Sept 2021 but during my first week on the show I jokingly sent a piece of art to one of the design leads and well, one thing led to another:

This is kind of running gag with my work, but I somehow always predict things when I draw fanart haha. I truly didn’t know there was gonna be a gala episode and now I was tasked to do a pass for the main trio’s gala outfits.

CLARK KENT

Naturally since it started with Clark, he was the first one I did a pass on. I actually really like men’s suits design so this was the most fun to design out of the three. Overall, I drafted up four different suits that gave 4 different feels for our soft boi. Option A was a full 3 piece with slick backed hair (which honestly now feels very Bruce Wayne than Clark haha). Option B had a high school prom feel, Option C was more business casual (hence why his dress shirt was unbuttoned at top) and finally Option D was sleek turtleneck & suit combo. Honestly, I was rooting Option D ‘cause I’m a sucker for a turtleneck but if I  remember correct they went with Option B ‘cause it felt the most Clark. But just know I tried haha.

LOIS LANE

Lois’s outfit was quite challenging since I had no clue until I was given the assignment that she’s Korean (yes, Lois is canonically Korean in the show). I remember the design leads Jane Bak and Dou Hong showing me a rough concept of a modern hanbok. I spent so many days researching hanboks and the construction behind them...it truly was a learning experience for me haha. It was quite challenging trying to create and outfit that spoke to Lois’ heritage while still keeping her energy. This was my very first pass but I think ultimately the team did a great job to hone in the final look and balance both elements for her outfit (the backless top is just chef’s kiss). Also yes, I did try giving Lois slick back hair haha.

JIMMY OLSEN

There isn’t much to say about Jimmy’s outfit (sadly I left the production to work on Spiderman Freshman Year before seeing what they decided on). But from what I remember, I specifically was looking at men’s outfits from the Met Gala from that year and before (I think Chadwick Boseman was the biggest influence for me at the time). Though I think his final suit design aren’t like too far off from my initial thoughts, it’s still super cool to see how it evolved into the final look!  But yeah! Just a little behind the scenes on the work I got to do on the show. Again, super brief since Spidey was calling my name but I truly had so much fun getting to design for this show. MAWS was my first ever time doing design work (since I primarily work as a 2D animator and board artist). I was so nervous but the team was welcoming and taught me so much! I really have to thank Dou Hong and Jake Wyatt for taking a chance on me and allowing me to draw hot anime characters for a DC show haha.

[duke-daemon]

hazbin hotel redesigns wooooooooo

okay so. i'm gonna discuss my thoughts about them n shit, putting under a readmore bc it's gonna get long and rambley. sorry in advance for the shit formatting, i'm on mobile </3

just some general shit about how i would rewrite it. i think the premise of redeeming sinners is entertaining but is executed horribly. i also am a fan of the "heaven isn't great either" idea but again, executed horribly. i'd make the hierarchy of angels more accurate because it's cool as hell and i have autism about it. the characters from hell would swear still (albeit not as much), but the angels would outright refuse to swear or make vulgar jokes ever. this would be partially to further the gap between heaven and hell and make the differences more stark.

hell would also be more like dante's inferno (again because i think its cool). the ars goetia would get a full redesign and would be more prevalent in demonic society.

now for the characters!

---

VAGGIE VALTIEL:

starting off with vaggie, or Valtiel as i've renamed her because let's be honest her original name sucks. Valtiel (Val for short) was an aspiring power angel who wanted to be an exorcist. she looked up to lute and thought the idea of killing demons was really cool and badass. however when she actually was on the field for the first time she discovered how awful this actually was. she tried to help a few demons but lute figured it out and felled her right then and there. the rest of her story is relatively the same. personality wise she's more stoic and less prone to all-out aggression. she still get angry, sure, but it's in a quieter and more menacing way. you DO NOT want to fuck with Valtiel.

CHARLIE:

next up is charlie! i had two ideas for her. the first one (unsettling drawing) has her as a mannequin/doll type demon. lucifer and/or lilith was unable to conceive and as such they built a kid from scratch. she's overall similar to og charlie personality wise, very kind and cheerful despite her unsettling appearance. she struggles with empathy sometimes but really does mean well. her motive for rehabilitating sinners is so they get to see their family again. being able to see heaven from where they are in hell must make them sad, so she wants to help make them happy again!

the second idea for charlie has her as an angel. specifically i casted her as a dominion angel due to their reputation as holy judges. she was once a demon but has been rehabilitated and has risen into angelhood! she now wants to help her former kin do the same and redeem themselves in heaven's gaze. again, similar cheery personality, but a bit more prudish in this rendition

tangent time!

as a side tangent, valtiel and charlie would have a different relationship in this rewrite. their relationship felt shoehorned in in the original show, like it was just there for the hell of it. we didn't see much development between them and it just felt kinda bland. so in my rewrite, charlie and valtiel are amiable exes. they tried dating when valtiel first fell (when charlie was still a demon in the charlie-angel version) but realized their feelings for each other were much more platonic than romantic. they ended things off on good terms, deciding they were much better as friends. they are still besties to this day! later charlie ends up with emily (or 'ellie' as i plan to rename her)

back to the characters

Alastor:

note: i made alastor mixed-race, which could be seen as bad by some due to vivzie saying he's black. however, as many have pointed out, he has no ethnic features whatsoever and i honestly wouldn't be surprised if she said that just to get away with using voodoo symbols (a closed religion) in his imagery/design. like viv, i am incredibly white and have little to no knowledge of voodoo, and even if i did i would not use it for something like this anyways due to the stigma the religion already has and (again) it being a closed practice. as such i removed it from his concept altogether, but made him mixed race (white passing) because.. why not i guess, i forgor my actual reasoning

with that being said...

alastor is by far my favorite of the redesigns and i'm honestly tempted to turn him into a legally distinct oc. i imagine he's somewhat reserved, along the lines of norman bates albeit a bit more extroverted. during his life he was a serial killer with a day job as a radio announcer. he took pleasure in reporting about his own murders on the radio, but that is eventually what got him caught (ie accidentally letting slip info that wasn't released to the public). as a result he was sentenced to death. upon arriving in hell, he quickly rose through the ranks to borderline overlord status and is a feared presence by demons and sinners alike. why is he bothering to assist in the hotel project? who knows... his motives are a mystery, like the rest of what he does

(he isn't actually alastair crowley i just thought the naming convention was ironic. however he may have also dabbled with satanic magic in lifetime..)

Angel Dust:

TW: brief discussion of SA

this is definitely my second favorite redesign. i loooove insect themes and wanted to do more than just Extra Arms, so he now has fucked up legs and a lot of eyes too! story-wise, angel used to be a criminal mastermind, hated by both the mafia and the feds. he was a gentleman thief, arranging massive heists under the cover of night while also partaking in the occasional drag show. he ended up a cocaine addict later in life, which caused his work to become sloppier. eventually he was killed in a heist gone wrong, specifically shot by the police.

i'm not gonna go too in-depth on the SA part of his story, but he is hypersexual due to being assaulted in both his life and afterlife. it would be something he'd be working on in the rewrite. his reason for coming to the hotel in the first place may have even been for help with this trauma. underneath his sultry exterior is a broken guy who really just needs someone to care about him for who he really is and not for what his body can do.

LUTE:

so lute and adam are some of the characters i have the most gripes about. the biggest one being why viv chose adam as the leader of the exorcists in the first place. if she wants a biblical figure tied to demon killing, Archangel Michael is RIGHT THERE, aka the one destined to kill satan during the events of Revelations. if she wants the first human to die, that would be Abel, not Adam. and i kinda doubt abel would want to do the stuff that HH!adam has been doing. if she wants an angel related to torture, Dumah is her guy! an angel that rules over wicked souls and tortures sinners every day except sabbath. so many better options...

with that out of the way, Lute is still the lieutenant of the exorcist, who are a specially chosen group of powers sent to purge hell once a year. think navy seals. she's pretty much the same as in the show, albeit more muscular and visually different from other exorcists (seriously why do they all look exactly the same?????) she's a very repressed lesbian who hasn't had time to work on that due to her duties

i also redesigned the exorcist uniform/armor because those LED purge masks are fugly as hell and their clothes don't even look remotely like armor.

Adam + Final Thoughts

i did start a redesign of adam but got bored of it. regardless, i think he'd be the head of C.H.E.R.U.B. instead of the exorcists. he doesn't want his children to make the same mistakes he and eve did, so together they started C.H.E.R.U.B. to help lost souls stay out of hell

final thoughts uhhhh i'm tired. show sucks, it had so much potential but viv ruined it by being a shitty writer and an even shittier person. the designs are fine i guess but they all look exactly the same and are in desperate need of variety. the humor is dogshit, saying dick and balls and penis over and over and over again doesn't make it any funnier than the first three times you made that joke. anyways that's it, i hope you liked my inane ramblings. gonna go vanish for another forty years or so, adios

[jess-the-vampire]

honestly out of all the pilot/pitch stuff that was removed/changed, i am the most sad about william's removal if anything

arguably his character was later transformed into hunter, but i can see why dana claims technically his character was removed entirely because everything we get on him showcases him to mostly be wildly different from hunter

he's younger, from the 16th century so he's apparently centuries old, the concept was he and luz seemed to be the only humans on the isles, he's also basically everyone's idea of like.....baby philip with the witch hunter aspect more prevalent.

Honestly his pitch design even looks more like baby Philip then hunter.

how he went from this design to the more prince-like design down the line is worth asking. Cause by the time we got to the animation test he was known as "Prince william" (Idk, maybe in the pitch he was gonna be secretly a prince who regains his memories or something?)

he's just a weird kid who lives nearby and screams at the clouds.

apparently he also had a memory problem that would regain over time and reveal he and obron (pitch belos) are family and i assume had some past that probably explains them both being so freaking old and how william fell asleep with memory issues.

Maybe obron was responsible for william's condition, or maybe someone else did this and it led to obron's actions in modern day? i wonder how this would of played out had it been in the final draft.

also their relation, would it have been another nephew-uncle situation? would their relation have been way different, maybe they're brothers who were witch hunters and this was transformed into the wittebane backstory instead? william's also been asleep for centuries so it's been awhile since they've seen each other so their relationship would have a different vibe to it overall.

it's quite interesting, sad we never got to see where it would go but it would be cool if maybe a future project might go through with the unused concept someday.

[gh0st-t0wn3]

I finally had time to make proper designs for the Trio!

Redson: Ver 1

Ver 2

I couldn't decide on if I liked it better with the braids or not so I just posted both, but anyways!

I gotta admit, I used to not like the idea of redson having Bull features (except for a small pair of horn maybe) but the concept really grew on me and now I really love it and wanted to try making my own design and I'm really proud with how it turned out.

I would've added more scars, since Guanyins throne pierced his entire body, but there came a point where it just looked like there was too much going on so I had to get rid of a few scars to tone it down, so we're just gonna say they faded over time, okay? Okay.

I also made him Miao (one of the largest ethnic minorities in southwest China) on PIF's side, and Mongolian on DBK's.

The Miao ethnicity of China has a long history, rich culture, and an ancient folk religion. Adorned in beautiful traditional clothes, possessing natural talent for singing and dancing, they live in uniquely designed indigenous architecture, which I think fits perfectly with how I imagined Princess Iron Fan and with her; Redson.

As for DBK being Mongolian, I saw someone else talking about this headcanon and I just liked it so I decided to use it, I don't really have a specific reason for it, I just thought it fit, not sure why though, it's just one of those things that makes sense even if you don't know why, you know?

Mei:

I made her taller and gave her a long dragon tail (like really long, it drags along the floor if she's not holding it up), though her scales are pretty much everywhere across her body they're most noticeable on her shoulders, thighs, and face (they're a bit hard to see in this photo because they're kinda hidden behind her hair, but I did give her scales beside her eyes)

I also gave her horns these little spiral designs around them, gave her sharper nails, and designed her ears to look like coral, since she's a water dragon and I thought they looked cool.

Honestly idk what else to say about her design, I didn't have anything specific in mind when designing her, I kinda just had to wing it, but I'm happy with how it turned out :)

(I also made her Bengali, on her dad's side, but it's not really important or has any reason behind it, just a headcanon I've had for a while, don't know where it came from though)

MK:

Alot of people have speculated that the monkey form we see during the fight against Azure in season 4 isn't MK's full form yet, that we're just seeing a fraction of what he's yet to become, based on the fact that while he has the weird side burns, the tail and the face marking, he also lacks a natural skin tone, they didn't give him a proper nose etc, so I wanted to play with the idea.

I decided to make him this strange mix between human and monkey, leaving him pretty much human with the addition of his tail(s), and weird li'l monkey feet.

(I was also gonna give MK more arm/leg hair, it was in my first sketch, but I forgot to add them when I was doing the line art and didn't realize until after I saved it as a jpeg, so that's my bad, but I'm gonna add it in to any other art I make)

It's also a bit hard to see in this, but I designed his staff with more details, specifically adding dragon-esque imagery to the Golden ends, this is because (for anyone who's new to the fandom/hasn't read JTTW) Wukong's staff was originally one of the several pillars that held up the sea in the dragon palace, until he stole it and shrunk it down to use as his weapon.

I also did MK's clones :)

Porty MK:

I gave him stripes of coloured hair and gave his tails all different colours, though I don't think he would actually dye it, instead I like to think that he would use that really crappy dollar store spray in hair dye (or hair chalk). I kept the fishnet clothes that I added in my originally design of him for my headcanons post, and decided to give him striped elbow length fingerless gloves.

I also gave him a cropped shirt, ripped shorts and these weird fingerless glove-esque shoes for convenience, since regular shows seem like they would be uncomfortable.

Edit: my dumbass forgot Porty's stupid print jacket 😭

Artist MK:

For Artist MK I gave him overalls and a jacket over it, which he wears specifically for when he's doing paintings so he doesn't ruin too many of his actual clothes (I know I said that this was inspod by Circusapple, which it still is, but this is almost exactly what I wear when I'm painting too, just in different colours).

I also gave him those gloves that digital artists wear so they're hands don't accidently trigger something on the screen because everyone knows that every artist just walks around with their art glove on even when it's not necessary.

Delivery MK:

I have to admit, I was never a big fan of MK's work uniform just being his regular clothes with a work jacket thrown over it so I wanted to try and make him look a little more professional and decided to instead give him a chef coat (similar to the one Pigsy wears on the show as well), with a logo for the restaurant on the chest, along with it I gave him plain black pants, since casual red jeans didn't seem very professional (I know he's just a delivery person, but if you were to look at pretty much any food corporation, even people who do deliveries have to wear uniform, so it's always been kinda strange to me that he's just in regular clothes). 

The shoes were harder to make professional given the whole "half-monkey" thing so I opted to give him the same strange fingerless glove-esque shoes for comfort and convenience, but made them plain black as well.